So You Think You Can Dance Top 18

3 07 2013

Yes it happened again. My DVR did not record the show last week. I think I finally got it fixed though. I still do not like the way we are getting the results. All 20 have to put their best efforts forward even though only 18 will remain by the end of the show. But it is what it is.

Tonight joining resident judges Nigel Lythgoe and Mary Murphy was Christina Applegate.

Opening number

Song: “The Heroic Weather-Conditions Of The Universe, part 1: A Veiled Mist” by Moonrise Kingdom (Original Soundtrack)
Choreographer: Tyce Diorio

That was fabulous. They look like a real dance troupe that have been working together for years. It is one of those odd dances–like a circus with so much going on you are not quite sure where to look and when you do look you do look out of the corner of your eye you find you are missing a lot.

Group

Yikes! Cat Deeley is already announcing the bottom 3 guys and girls. That is going to either dampen their psyche, or make them dance better in their couples’ routines. Bottom 3 girls: Mariah. Makenzie, Brittany. Bottom 3 guys: Alan, Jade, Carlos.

This season the judges get to save 2 contestants right away. This week it is Alan and Makenzie are saved.

Solos

Mariah danced to “Hard In da Paint” by Waka Flocka Flame. I adore a female hip-hop dancer. Carlos danced a solo to “Radioactive” by Imagine Dragons which I just knew would show up on this season’s show somehow when I heard it. It is the ringtone of my timer on my IPhone. I thought it was a fabulous solo outside of a little but too much rolling on the ground. Brittany danced to “Hacksaw” by Ooah. Was that Ballroom or Jazz? Hard to tell, but there was a lot of self-worship with her hands on her body a lot–something I know the judges dislike from previous seasons’ auditions. Jade danced to “De Novo Adagio (Intro) by Alicia Keys. He is an amazing animator. I felt like he was a maestro pulling on our strings, but in a way it was very smooth like the water. It is very hard to describe.

Oh GEEZ! They are actually telling us who is going home before the couples dance? That is not right at all. I do not like this format. Nigel said he was disappointed in their solos. He did not feel they were dancing for their lives at all. The decision is made by the choreographers’ input as well as what they saw in Vegas and how they feel the contestants would grow. Carlos and Brittany will be leaving the show.

Couples

Dancers: Hayley and Curtis
Choreographer: Ray Leeper
Style: Jazz
Song: “Mama Knows Best” By Jessie J

I loved it when she was pushing him down. What back control and strength. Some of Curtis’ lines need work. I also think he needs to emote more, like Hayley does. It seemed like he was trying to remember the steps too much.

The judges: Nigel could not take his eyes off Hayley but felt Curtis was a good partner. Mary loved it and felt Hayley was a force to be reckoned with on the show. Christina forgot Curtis was a tapper. She felt like maybe everyone should leave to give them some privacy. She gave some helpful points they could take away and put into their work the next time around.

HayleyCurtis

Dancers: Aaron and Jasmine H. (who I affectionately have named #JasTurns)
Choreographers: Tabitha and Napoleon Dumo (NappyTabs)
Style: Lyrical hip-hop
Song: “Tears Always Win” by Alicia Keys

The story is he is a man going in and out of her life. He expects her to be there for him when he does. For a tapper, Aaron does a great job with hip hop. I am so glad he was #11 and someone dropped out because of an injury. There is a lot of chemistry between these dancers. Jasmine conveyed the feelings of being upset with him yet longing for him at the same time. I LOVED it. When he flipped her over into a backbend it was so fluid. It was beautiful.

The judges: Mary loved it. Jasmine is a star. Aaron was sexy. Christina had notes written from the dress rehearsal that she tossed away. She thinks they are the couple to beat at this point. Nigel felt an honesty in the routine. He feels that Aaron is a major asset to the series this year.

AaronJasmine

Dancers: Malece and Jade
Choreographer: Nakul Dev Mahajan
Style: Bollywood
Song: “Radha” by Student Of The Year (Original Soundtrack)

The girl plays hard to get and the guy woos her back in. I know that every movement had purpose including positioning. Would I know if they made a mistake? Nope! I love Bollywood because it is always interesting and full of energy. It makes me want to get up and move. You have to be in superb physical shape to survive those songs.

The Judges: Christina gave Jade some words of encouragement. Nigel is shocked that Jade picked up the choreography as well as he did. He thought Malece is like a little pixie. Mary felt Jade was having fun and Malece did a really great job.

MaleceJade

Dancers: Alexis and Nico
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Old Skin” by Olafur Arnalds & Arnor Dan

This piece is a sequel to Robert Roldan and Kathryn McCormick’s dance from season 7. Kathryn’s character left to go to war; in this piece, she (Alexis) is coming home. These are big shoes to fill. In a sense you can say she had returned from war a changed person quite literally. I cried. I tried to imagine the joy of what real families go through when their loved ones return from war. I think Alexis and Nico found the joy.

The judges: Nigel thinks Nico gets better every week. He felt that Alexis had the hardest job this week because as a tapper they don’t straighten their legs. He felt she did very well but she is going to have to work harder. Mary said they let the music take them some place. She felt Nico was fabulous and Alexis’ performance was so honest. Christina thought it was great and that Alexis has “it.”

AlexisNico

Dancers: Brittany and BluPrint
Choreographer: Spencer Liff
Style: Broadway
Song: “It’s Oh So Quiet” by Ice Princess (Original Soundtrack)

Two students in a late-night cram session and they fall in love. The vulnerabilities of BluPrint’s dancing are obvious, but he does get an “A” for trying and being a good partner.

The Judges: Mary adored this piece. She felt like BluPrint was really going to have to make sure the lines get hit. Christina gave BluPrint advice if he gets Broadway again. Nigel agreed with Christina.

BrittanyBluPrint

Dancers: Jasmine M and Alan
Choreographers: Miriam Larici and Leonardo Barrionuevo
Style: Tango
Song: “Escape From Slavery” by PP Music (UK)

Innocent girl wooed by an evil man. Alan had a powerful male presence but I felt like it was overacting a bit. I believe he did not believe he was evil. The footwork looked good. He did a great job on the lifts.

The Judges: Mary gave them a standing ovation. Christina joined her. Christina thought they had a “moment” like they did last week. Nigel agreed. Mary said it is all about passion and they spilled it all over the stage.

JasmineAlan

Dancers: Makenzie and Paul
Choreographer: Sean Cheesman
Style: Jazz
Song: “‘Mannequin (Skeet & Tito Remix) by Trish

Mad scientist Paul creates Makenzie. Paul has some good moves there, but he also had some awkward ones, too. His face doesn’t seem to match the story. He looks angry–has that weird pouty face. He also looked out at the audience like you would do in ballroom which I kind of felt was out of place. Mackenzie was doing a great job.

The judges: Nigel loved the routine. He thought they both did fantastic. Mary loved it. She called Makenzie a dance diva without the attitude (hmmm…in order to be a diva you must have attitude). Christina loved it. She urged Paul to get of his carriage in these kinds of numbers.

MackenziePaul

Dancers: Mariah and Carlos
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Dead In The Water” by Ellie Goulding

Carlos has been in an accident and lost his memory. Carlos is supposed to have this glazed-over look and with the emotion of having to go home tonight, that has to be so very hard to do, but does speak volumes to his professionalism. I could feel the pain in Mariah’s movements. I would never think she was a hip-hop dancer. I got goosebumps! This was so beautiful!

The judges: They were on their feet. Mary told Mariah if she kept dancing like that she will make it to the other side of the rainbow. Christina thought it was like they had an umbilical cord between the two of them. The chemistry was the best she had seen tonight. Nigel said Mariah did a brilliant job at emoting.

MariahCarlos

Dancers: Amy and Fik-Shun
Choreographer: Tabitha and Napoleon Dumo
Style: Hip-hop (ratchet?)
Song: “After Party” by Dorrough Music

The story is about two bellhops who love their job. For a contemporary dancer, she did a great job. The audience loved booty dances, too. That will definitely bring in the votes. And what I can I say. There is still #TruthInFikshun! (Yes, I first said that on Twitter).

The Judges: Christina loved that so much. She thought Fik-Shun is something special. She thinks Amy brings him up, too. Nigel said he knew that he was going to love this routine. Both of them light up the entire studio when they dance. He predicted if they kept dancing like that this and they would be in the finale. Mary said they were the pre-party, party-party and after-party.

AmyFikshun

Dancers: Jenna and Tucker
Choreographer: Dmitry Chaplin
Style: Cha-cha
Song: “I Like It Like That (Aaron Jerome Remix) by Pete Rodriguez

Story about a guy who knows everyone in a nightclub and thinks he owns the place; Jenna’s job is to put him in his place. It was very good. It didn’t blow me away but it was respectable. They both played their parts well. It seemed they had the right posture for Latin dancing. It sizzled in spots but it did. It move me emotionally in any direction.

Judges: Mary thinks Jenna is a chameleon. She missed rhythmical action from Tucker. She thought he had it in moments. Christina was thoroughly entertain and loved the story and the characters they portrayed. Nigel felt Jenna did not give enough cha-cha and she was in heroin genre. He actually wanted it to look more like “Dancing With The Stars.” He blames Dmitry.

TuckerJenna

It is hard to predict who might be in the bottom two. I would say for the guys Tucker and BluPrint. For the girls, Jenna and maybe Malece? Picking out the girls is a bit more difficult.





So You Think You Can Dance Mia Michaels’ Night

21 08 2012

This is my 100th blog post since moving to this site. Exciting, yes? I had a fabulous trip to New York and will have some blogs, including my moving trip to the 9/11 Memorial Site.

I know. I’m very late with this review. I was behind before I went on vacation and I’m even further behind now that I am back. Tonight the top 14 faced a third elimination. The dancers had two weeks off. The Olympics gave my DVR a break from exploding from overuse. Tonight two very special judges were in town after performing for the Dizzyfeet Foundation’s National Dance Day gala, Michael Nunn and Billy Trevitt of The BalletBoyz from the UK. While the show was away, Tabitha and Napoleon welcomed their son, London Riley D’Umo, into the world.  Of note, someone on Facebook has been pretending to be them, but this is the legitimate Facebook page for them, and you can see pictures of the baby on there.  Congratulations!

Tonight’s show would see the return of our favorite Mia Michaels’ routines. Mia Michaels and Travis Wall are my favorite contemporary choreographers on So You Think You Can Dance. They seem to be able to tap into the emotional center of my brain that leaves the deepest, long-lasting impressions. Whether it be chills or tears, I have never forgotten the original dances.

Mary and Nigel will be bringing bias to the table tonight since they were present for the original Mia choreography where Billy and Michael would be bringing a fresh perspective, judging the dances on tonight’s performances alone.

The opening group number showed us a new dance from Mia. The song was “Hanging On” by Active Child. Was this the first group CPR by our dancers? I could feel the power of the fine line between life and death, although I could see where it could also be the symbolism of the life and death of a relationship on a more simple level. I also hoped those roses were de-thorned.

Dancers: Cyrus and Eliana
Inspired Dances: Cyrus had been inspired by Brian Gaynor’s audition. Brian is now one of Cyrus’ roommates at Dragon House. Eliana’s inspiration was Wade Robson’s Peace Dance with 10 dancers interpreting the same movement.
Mia’s Dance: The Door Dance originally performed by tWitch and Katee Shean
Song: “Mercy” by Duffy

My thoughts: Cyrus’ and Eliana’s kiss looked “icky” and not full of hot passion. Cyrus was able to ignite his own locking/popping style that made it stand apart from tWitch. I would never believe that Eliana is a ballet dancer because she was that awesome at contemporary.

The judges: Nigel pointed out Cyrus bringing out his own flair but also that he needs to drop the tension in his shoulders. Eliana showed us that she is great at creating these characters because ballet dancers usually focus on technique first and character second. Mary said Eliana was “swagger-welcious” and that Cyrus brought his own swagger to the group. Michael said they were strong performers. Eliana would have him begging for mercy for sure and there was a good use of props. Billy said that something that should not have worked did work fantastically.

Next we saw some clips of National Dance Day and how much it was spreading globally.

Dancers: George and Tiffany
Inspired Dances: For George it was Wade Robinson’s Ramalama group dance from season 2. For Tiffany it was when Ellen was on the other side of the door on Mia’s door dance and moving into the tWitch/Alex Wong “Out of Your Mind” dance. She hopes to be on The Ellen Show.
Mia’s Dance: The Hometown Glory dance originally performed by Katee Shean and Joshua Allen in Season 4.
Song: “Hometown Glory” by Adele

My thoughts: I had chills from the beginning. It was phenomenal. I know it was only two dances so far tonight, but this one became my favorite of the night (until the last routine).

The judges: Mary felt like we needed to call 911 because we witnessed a murder this evening on stage. She thought it was phenomenal, that Tiffany was soft when she needed to be and powerful when that was needed. The assisted lift was perfect (my note–did she mean the assisted run?) She said George elevated the role today. Michael felt like it had fantastic energy. It was a great match up to each other. Tiffany got so into character, but maybe too much because she didn’t look like she needed any help whatsoever from George in the assisted run and that was the point (she needed to be lifted). He felt like she needed to pull it back a bit. Nigel felt like we finally saw the best from George this evening. Tiffany over-egged the pudding, but would prefer that and trying to calm it down, versus not giving enough energy and having to ramp it up.

Dancers: Will and Amelia
Inspired Dances: For Will it was the group routine where Nigel got kidnapped in season 4. For Amelia it was Melanie and Neal’s routine “Total Eclipse of the Heart.”
Mia’s Dance: The Butt Dance made famous by Evan Kasprzak and Randy Evans. Interestingly, Amelia seemed surprised, but there is a French feel for it and her audition was French-inspired. Mia was probably remembering that when this routine was assigned. Amelia looked like she might feel uncomfortable with everyone looking at her butt for the evening.
Song: “Koop Island Blues” by Koop

My thoughts: While it might be technically challenging and does elicit an emotional response from me, it was not goosebumps. I could feel Amelia’s discomfort at the thought of everyone looking at her butt. There was a height difference, too. Evan and Randy were shorter. Also Evan’s Broadway experience allowed him to shine the character more than Will’s contemporary background. Please also see my notes after hearing what Nigel had to say. George and Tiffany’s routine still my favorite at this point.

The judges: Nigel felt that Will was trying to bring the character out. He said Amelia needed to bring more character. He noticed that she was looking at the floor much of the routine. At this point, that comment from Nigel made me feel like, “Yeah, do you think so?” Perhaps knowing everyone was looking at her butt made her a little self-conscious and perhaps psyched her out a bit. The first thing Nigel said was that he had Randy’s butt in his mind for the last 3 years! I like Nigel but that is a little creepy. Even the most seasoned dancer would have felt weird hearing that. Mary liked it. Felt it was too big and maybe the character needed to be pulled back more. Was Will entranced by Amelia’s butt? Absolutely. She also felt that Amelia maybe looking down at the floor was her attempt at being coy. Having nothing to compare it to, Billy felt it was very strong, musical, and endearing. Both dancers were wonderfully in character. There were moments when subtlety would have been good, but it overall was great.

Dancers: Janelle and Dareian
Inspired Dances: For Janelle, it was the Mark Kanemura and Chelsie Hightower’s “Bleeding Love” routine. For Dareian, it was Kent and Neal’s Season 7 routine by Travis Wall “In The End” routine.
Mia’s Routine: The “bed” routine done by tWitch and Kherington Payne
Song: “Dreaming With a Broken Heart” by John Mayer

My thoughts: This might be their strongest routine yet, but I did not have chills, the kind I got seeing the original. They might be bringing their A-game too late.

The judges: Michael thought it was “wow!” The choreography and the ideas about it were wonderful. He was worried about Dareian’s lines. If he gets over that hurdle, he’s got it. Janelle had a great performance but he found himself looking at her hair oddly rather than the choreography. He did not know why but he just did. Billy said that it was difficult or Janelle because the movement is all about Dareian and not her, but they did well. Nigel said this was Mia Michaels at her best. For Dareian it was the first time he felt personality out of him and Nigel felt what Dareian was feeling. Janelle is at her best when he can see Janelle’s eyes smiling and her hips moving. She did not stand out tonight. Dareian’s technique was stronger than the original done by tWitch. Mary agrees with the comment on technique. There was no passion and at the end felt that it was overacted by Janelle. Dareian needs to fix his feet.

Dancers: Audrey and Matthew
Inspired Dances: For Audrey it was season 1’s Brian Friedman’s disco routine performed by Melody Lacayanga and Nick Lazzarini. (I did not watch season 1 of this show). For Matthew it was the 80’s jazz piece in season 7 by Ade Torbert and Lauren Froderman.
Mia’s Dance: The loss of Mia’s father and the reunion in heaven originally performed By Lacey Schwimmer and Neil Haskell.
Song: “Time” by Billy Porter

My thoughts: I thought Matthew was the star in this piece. Just watching the “making of/behind the scenes practice” brought tears to my eyes, but watching Mathew at the beginning where he smiles at first seeing his daughter (Audrey) and then the breath he took was he first caught sight of her had me in tears. Audrey was great, too, but I was watching Matthew more. They were able to make the transition I thought between the chemistry of a couple in love from previous weeks to the energy of a father and daughter. My new favorite of the night. I was a little shocked at what the judges had to say about Matthew, so after hearing their comments I watched it again and I could see some of what they were saying that he could have been more playful, but I think their comments were a bit too harsh.

The judges: Mary was very emotional, sharing that when Mia originally choreographed the song that Mary’s father had been diagnosed with lung cancer and the song gave her courage to take leave from her business to go be with her father in those final times. Mary, however, did not feel the passion or truth in this piece tonight from Matthew. She thought Audrey was the shining star. Billy said there were amazing things from Audrey and the first pirouette was flawless. He felt Matthew needed to disguise the effort of the dancing that weighed into it. Nigel felt that when Neil did the dance, it showed the playful man that Mia’s father was, that Matthew needed to bring fun into Audrey’s life. He felt Matthew was a little too focused on the dance steps rather than being a dad joined up with his daughter. That character that was needed did not come across.

Dancers: Witney and Chehon
Inspired Dances: For Chehon it was Melanie Moore’s Atlanta audition. For Witney it was “Danielle’s” audition in S4 (that turned out to be Travis Wall in drag).
Mia’s Dance: The bench routine performed by Season 2 Travis Wall and Heidi Groskreutz
Song: “Calling You” by Celine Dion

My thoughts: It was hard for a ballet dancer like Chehon to move into a contemporary style that requires him to loosening up a little. Regardless I still got chills when Chehon was lying on the bench with Witney under it. Not as good as Heidi and Travis’ routine, but that is some hard competition to live up to. They did a good job, but this dance is so iconic and it was TRAVIS WALL.

The judges: Nigel was pleased. He felt the passion came across. He also explained what the dance was about. Apparently Mia was in love with a gay man who was not going to be able to return the same kind of love to her. Mary felt they pulled it off. She wants Chehon to let go a bit more. She thought Witney was “wow” and was remarkable tonight. Michael asked Witney is she was a Salt Lake City girl, and said that Salt Lake is a fantastic place for dance (without really commenting on Witney’s dance tonight). He told Chehon he always had a job with The BalletBoyz if he ever wanted one.

Dancers: Lindsay and Cole
Inspired Dances: For Cole, it was Mark Kanemura in Season 4. They are friends and are from the same dance studio. Lindsay was inspired was Travis Wall and Benji Schwimmer’s nerd dance on the finale of season 2.
Mia’s Dance: The “Addiction” routine originally performed by Kupono Aweau and Kayla Radomski in season 5.
Song: “Gravity” by Sara Bareilles

My thoughts: Cole was spectacular. This was indeed my favorite routine of the night. When he ran his lips up her leg in a gesture of him “the addiction” consuming the whole of her, I got chills. Lindsay did a great job, too, but Cole was mesmerizing in his robotic-like movements.

The judges: Billy was impressed. Both have versatility in bucket loads, something that is needed for the business. Mary said this was the best performance from both of them. Kupono was a bit more sinister, but Cole was a quirky kind of demented, but it worked. Lindsay was amazing. Nigel said they came out on top tonight of everyone. Cole’s performance was quite chilling.

Eliminations

George, Dareian and Matthew are in the bottom 3 for the guys and Amelia, Janelle and Lindsay are in the bottom 3 for the girls. The judges wanted to see all of them perform solos before they made their decisions.

Amelia danced to “Falling Slowly” by Glen Hansard and Marketa Irglova. I prefer Kris Allen’s version. It does not look like she is dancing for her life. Janelle did a belly dance routine to “Inta Omri” by Elie Attieh and she, too, does not look like she wants it. It was fun but there was nothing remarkable or stand-out about it. Lindsay did a dance to “Hip Hip Chin Chin” by Club des Belugas. I felt like out of the three girls she wanted it more and I think her routine with Cole tonight is likely to save her.

The guys looked more poised to fight for their spots. George danced to “So Long, Lonesome” by Exploding in the Sky. He really wants it. There is something about George that reminds me of the painter Thomas Kinkade. When George dances, he lights up the stage. Dareian came out fighting, dancing to “It’s a Man’s Man’s Man’s World” by Joshua Ledet. Unfortunately he has underperformed his peers most of the season and has not made a real connection with the audience. Matthew danced to “Delicate” by Damien Rice. Out of the three guys, I was not so sure he wanted that spot so badly, like he had written it off that it would not be his. But out of the three guys, I think they’ll put George through.

Nigel said the judges would save Lindsay mostly because of her performance in tonight’s routines. For the boys, they would save George. Dareian really needed to fix his feet and they felt Matthew was not connecting with the audience (I would disagree with them on that).

As a personal note, I think that Cyrus, as much as I adore him, should have been up there instead of Matthew because he has been getting by without a great technique, but it is about America’s favorite dancers, not the “best” technical dancer. Next week the couples will be broken up and they will be paired with all-stars from previous seasons.

Who will go home this week based on their performances on Wednesday? I think Cyrus should be in the bottom 2 and maybe Will is in trouble. Witney and Audrey might be in the bottom 2 for the girls. The voting is going to get more difficult. I am looking forward to seeing Eliana paired with an all-star. She, I think, is the most underappreciated dancer in the show. It’s time for her to have a moment in the sun.





So You Think You Can Dance — Top 20 Dance Again & First Elimination

22 07 2012

So You Think You Can Dance — Top 20 Dance for a Third Time

I don’t know about you, but this entire format this year has me very confused. Why the change? The first week traditionally has been for us to meet the Top 20 and get a chance to see them dance. Then the second week, traditionally the top 20 dance, we vote, and then the next day, the 3 people with the lowest votes in the girls and the guys get to dance for their lives and the judges choose who is going home. However, the second week, the top 20 danced, and then there was no show the next day. When I heard they would tell who was going home the next week, I thought to myself, okay, so they are going to make us vote again, give the Top 20 a third week to dance so we could thoroughly enjoy them, get to know them, etc., and then on the next-day show, they will add the two weeks’ votes together, and continue on. However, that was not the case. The top 20 danced, but based on the votes, based on what they saw this week and last week, and with additional input from the choreographers from this week and last week decided who was leaving tonight. Nigel reminded us that they were not “voting people” off, but rather sending home the people who did not receive the most votes. Personally it is a game of semantics–like is the cup half empty or half full. I inquired with my OFFICIALFOXVIP contacts if this was just a one-time thing because of scheduling difficulty with the other shows and apparently this is the way they are doing it this year. On one hand, it makes it better for me because trying to type up a blog on Wednesday night before the Thursday show is very difficult. On the other hand, it seems kind of cruel to the dancers. They do not know if their previous week’s dance is going to put them in the bottom 3, and that will translate in the dances they perform on Wednesday night, which in turn will turn into the votes they get for that dance and whether or not they are in the bottom 3 the following week. It sounds like a mind game. I know Nigel Lythgoe is not like that, and I do not know if it was a demand of the network, but I do not like it.

Having said, that, let’s get on with the performances this week. We had Adam Shankman, guest judge, on tonight and the barrage of funny plugs for “Step-Up Revolution.” The group dance was choreographed by Tabitha and Napoleon D’Umo to the song: “The Beautiful People (District 78 Remix) by Marilyn Manson. I started having déjà vu. Didn’t we see a song choreographed to this song before? I looked it up and turns out I was right. Comfort Fedoke and Chris Jarosz performed to it, choreographed by Tyce Diorio, in week 3 of season 4, in 2008. See a YouTube clip from the episode.

Even though it was a repeat, the dance was slightly different and it was zombie-esque (I like the word “esque” lately) and had hints of the Thriller dance.

The show opens and Adam thinks Cat is like a big sexy tomato. Cat invites him to take a bite. I love when Adam Shankman is on. He has the BEST lines.

Dancers: Cole and Lindsay
Choreographer: Christopher Scott
Song: “Teeth” by Lady Gaga

My thoughts: It was a lot of fun. Cole was great and definitely played the nerd wonderfully, keeping in character throughout the judges’ critique. Was Lindsay a nerd’s dream or did the nitrous oxide do things to Cole’s head? What a happy gaseous delusion! Christopher Scott’s routines are kind of hit or miss for me. There are either brilliant, or seemingly hastily put together.

The judges: Adam thought the American Dental Association should adopt the routine. Cole was freaking him out (in a good way). He thought Lindsay was holding her sex kitten in and needed to really attack it. Nigel certainly thought it was incentive for Great Britain to go to the dentist. He felt it was a bit immature. He thought Lindsay was playing to the audience and not to Cole. Mary said the routine put a smile on her face. She felt Lindsay needed to be vampier. Part of the show is acting and she will need to bring that. Cole is a lean, mean dancing machine.

Dancers: Amelia and Will
Choreographer: Sonya Tayeh
Song: “3326” by Olafor Arnalds
Story: Two souls are carrying the weight of the world on their shoulders. They are searching for the light at the end of the tunnel.

My thoughts: I could feel that weight and the oppression of their souls. I had goosebumps, the first tonight. They had stunning lines. Amelia and Will have great chemistry. In this dance, they moved as one. WOW! It was my favorite routine of the night.

The judges: Mary screamed: “OOOOOOOO!” Sonya was right on top tonight with this beautiful routine. Will and Amelia brought it to life. Will was rising to the occasion. They have gone another floor up in her eyes. Adam gave them a standing ovation. Of Amelia, he said he was completely lost in the piece and it took him on a journey. Will 1,000,000% “Stepped it up” (movie plug). It was brilliant. Nigel said that not only had Travis grown, but Sonya, too, has show tremendous growth on the show since she joined. She said Amelia was great a great, quirky dancer. Both Will and Amelia were absolutely brilliant dancers.

Dancers: Amber and Nick
Choreographers: Miriam Larici and Leonardo Barrionuevo
Style: Tango
Song: “Tanguera” by Sexteto Mayor

My thoughts: My eyes were drawn to Amber immediately and not because of her red dress. There is one spot where she almost looked at the audience and lost her character. There was a lot of hard footwork being performed by both Nick and Amber. It was intense.

The judges: Adam thought it was hot. Amber was spectacular, a fire-breathing dragon. Nick was a brilliant partner but he vanished a bit. Nigel thought Amber made herself look good, a cobra ready to pounce. Nick was very strong and it showed. Mary said it was a difficult routine. Nick and Amber made it not look like work. Amber was a fire out there and she was in awe. She gave a “hats-off” to Nick; he did great.

Dancers: Audrey and Matt
Choreographer: Sonya Tayeh
Song: “Hear Me Now” (Dri, Lind and Lukka Mix) by Steed Lord
Story: The robotic struggle between men and women

My thoughts: It was hard hitting and angry. You could feel the struggle. It was my second favorite routine of the evening. These two have great chemistry together and are superior dancers.

The judges: Nigel loves the “stank steps.” They were incredible and are one of America’s favorite couples. Mary said they, too, were one of her favorite couples, and quite the dynamic duo. They maximized everything. One of her favorite routines tonight. Adam said tonight belongs to Sonya. Audrey was “friggin brilliant.” He told Matt if he kept it up like that, it was his competition to lose. It was amazing and for them to stay in the zone.

Dancers: Dareian and Janelle
Choreographer: Christopher Scott
Song: “My Girl” by The Temptations
Story: A wedding proposal

My thoughts: It was the first kiss of the season, which promptly some fun from the judges, more fun than this routine unfortunately. Mary said she was not getting into this kissing thing this season, so Adam fake-kissed Nigel. It was fantastic. This routine did nothing for me. Dareian was the stronger dancer of the two, however. I think Christopher Scott did not do such a great job tonight with his choreography. Maybe he is the type that needs awhile to prepare, to think things out. He needs to learn how to Twitter-up his dance routines. Less than 140 characters but strong thoughts that resonate with people.

The judges: Adam felt Dareian was more invested than Janelle. Nigel said that so much depends on the choreography and it was a little uninspiring. Both are better dancers but they have to bring it, too, as Adam pointed out. Mary said the routine was sweet and it was just okay.

Dancers: Brandon and Janaya
Choreographer: Sean Cheesman
Song: “Bring On The Men (From Jekyll & Hyde: The Gothic Musical Thriller) by Linda Eder
Style: Broadway — Hot romance book gets the girl frisky

My thoughts: It was a very fun routine with high energy. Some of the moves were great. Sean Cheesman is another “hit or miss” choreographer for me, but this one, I liked.

The judges: He felt like Brandon “stepped it up” (movie plug). Janaya’s lines were great and she played the crowd. Nigel thought it was brilliant Broadway and agreed with Adam. Janaya brought something this week that she did not have last week. Mary thought it was the most entertaining routine of the night. The stepper (Brandon) was “stepping it up” tonight with energy. Great acting from Brandon and Janaya was amazing. Cat thought it was fearless.

Dancers: Cyrus and Eliana
Choreographers: Melaine LaPatin and Tony Meredith
Song: “I’m Shakin'” by Jack White
Style: Jive

My thoughts: I am a huge fan of Cyrus. He brings his personality and enthusiasm to every dance; however, his lack of technique is beginning to show in a big way. Eliana is always wonderful. The routine was lively. Cyrus tries so hard and I am so proud of him.

The judges: Mary said Cyrus’ feet were not quite right, that his posture goes in and out. He is doing great partnership. Her star is still showing for Eliana. She is a phenomenal dancer. She was cookin’. Adam said that he was amazed Cyrus got through it. Eliana was the hardest working woman tonight. Nigel said that at some time Cyrus will hit a brick wall. Cyrus has to connect the dots and needs to fill in the blank spaces. Eliana has a tough job with Cyrus. She has to compensate a great deal for Cyrus’ lack of knowledge.

Dancers: Alexa and Daniel
Choreographer: Dee Caspary
Song: “So Long My Friend” by Yanni
Additional info: The bath tub is the water drowning the words.

My thoughts: They are good technical dancers. They did much better this week, but I really hated last week’s piece. However, by the end of the song, I realize the chemistry really is not there. I don’t know what exactly it is. Is Alexa shutting off her heart again to protect it like she did in Vegas because she does not want to fail, thus really fulfilling her own destiny with her thoughts? Do she and Daniel not have any chemistry off screen? I hoped the title of the song was not going to be their ironic fate. I loved the blue outfit that resembled the water. It was beautiful.

The judges: Adam complimented Dee on a beautiful routine. He told Alexa and Daniel although it was beautiful it was a bit chilly. He is not sure exactly what was missing. It was missing the passion. They were not connecting. Mary agreed with Adam. There is no chemistry between the two of them. Nigel said it was danced brilliantly but there is no chemistry.

Dancers: Tiffany and George
Choreographers: Melanie LaPatin and Tony Meredith
Style: Foxtrot
Song: “I Want To Be Loved by You” by Sinead O’Connor

My thoughts: Sinead O’Connor? Really? That was the biggest surprise to me. I suppose I have not kept up on her career. It was my third favorite routine this evening. My eyes were drawn to George, but they did a tremendous job. I love George’s energy; it is always happy and calm. He is such a smooth operator. I also loved her costume.

The judges: Mary thought Tiffany did everything perfectly. Adam was madly in love with it. It reminded him of Fred and Ginger. They “stepped up” (movie plug) to a whole new level. It was “in-freaking-credible.” Nigel they could be the “Opening Act” for anybody. They should be a lesson to every couple on the show.

Dancers: Witney and Chehon
Choreographer: Nakul Dev Mahajan
Song: “Tandav Music” by Aatish Kapadia
Style: Bollywood of course

My thoughts: It was high energy. Bollywood has to be one of the toughest dances out there, especially because of the hand moves, but also it requires a great deal of stamina and strength. Chehon did the better job of the two. Nakul looked so proud of them. I would not have known Chehon was a ballet dancer tonight. He took the constructive criticism he received last week and applied it.

The judges: Adam said it was the first time he saw joy in Chehon. Witney needed to extend her neck. He still felt chemistry between them even though they were apart during the dance. Mary said it was so much better this week for Chehon and that he was on fire tonight. Nigel thought Chehon was fantastic. He cannot believe that Witney was doing knee turns. He also noticed with khattak in the dance routine.

The Results From Last Week

Based on last week’s votes, Janaya, Alexa, and Witney were in the bottom 3 for the girls. When the camera flashed to Alexa, she knows she is leaving. She looks down and cannot smile. Janaya and Witney are there with their chins up and smiles on their faces. The bottom 3 guys were Nick, Daniel and Chehon. Nigel said that the votes were for people America liked, but they have to stay unemotional about their decision. They were the best 20 dancers across this season. After talking to the choreographers, seeing them dance this week and last, they were saving Chehon and Witney. I imagine the Bollywood routine helped to save them.

Extra Bonuses

There was a great segment about the movie “Step-Up Revolution” coming out. Jamal Sims is the choreographer, but so are Travis Wall and Mia Michaels, Mia also playing the role of “Olivia” in the movie. Adam Shankman is the producer. It features several SYTYCD alumni including Stephen “tWitch” Boss, Tony Bellissimo, Phillip Chbeeb, and Kathryn McCormick.

Speak Out and Step Up (movie plug): What do you think of the decisions this week? What do you think of this new format? Let us know!

Note: I’m headed to New York on Thursday. Since it takes me about 4-6 hours to get this blog done, I do not think I’ll be able to do a detailed blog and pack Wednesday night. I’ll try to get something up, although it likely will not be in this regular format. I appreciate your support for this blog. I’d love to get more comments on it and have a discussion.





So You Think You Can Dance — Let the Voting Begin

12 07 2012

So You Think You Can Dance — Top 20 Voting Begins

The evening started out well with a Mad-Men-ish dance, choreographed by Christopher Scott, to the song, “Architect of the Mind” by Kerry Muzzey. The judges for this evening were our resident judges Nigel Lythgoe and Mary Murphy with the guest judge the fabulous Kenny Ortega. Many goosebump moments happened for me this evening.

What We Learned in 7 Seconds About Our Contestants

Witney Carson is 18, plays guitar and the drums, likes to golf, has over 100 relatives and is afraid of crickets. Chehon Wespi-Tschopp is 23. He was born in Chicago, but grew up in Switzerland. He is a ballet dancer, thinks in 2 languages and finds it hard to talk really fast. Tiffany Maher is 19. Her nickname is T-Maher-Starr, has “baby hands”, had a pet duck, and likes going to the beach. George Lawrence II is 19 and loves the color green. He loves collard greens, hates being outside, is camera shy and had a pet frog (want to bet he named it Kermit?). Janaya French is 20, wants to meet Shamu, loves fuzzy socks, hates orange candy and thinks Chucky is her worst nightmare. Brandon Mitchell is 27, from Kansas City, Kansas, is allergic to cats and dogs. His brother broke the world’s record for the long jump for 8 year olds. Alexa Anderson is 19, loves red lipstick, being outside, watermelon and puppies. She can eat frozen yogurt for every meal and her favorite topping is sprinkles. Daniel Baker humored things up by playing up America’s stereotypical idea of an Aussie. He is 24, puts shrimp on the barbie, throws boomerangs, has a pet kangaroo, is related to Crocodile Dundee and owns vegemite. Right. Amber Jackson is 21. She loves track, bunnies, and skating. She hates sausage and sleeps with stuffed animals. Nick Bloxson-Carter is 20, just took 23 credits and does not advise anyone else to be quite that insane. He loves movies, hanging out with friends, laughing, and the beach. His dad works at the Playboy mansion. Amelia Lowe is 18. Her dad is a tattoo artist. She was named after Amelia Earhart because her dad loves to fly planes. Her mom is a Pilates instructor.  Will Thomas is 19. Orange is his favorite color. He believes he is Simba. Janelle Issis is 24 and from Birmingham, Alabama. She likes the movie, “The Color Purple”. She can cook. She loves roller coasters. Dareian Kujawa is 20. He left home to join the circus. He used to play hockey. He hates spiders. He loves the color blue and can mimic Donald Duck. Eliana Girard is 21. She hates raisins, is addicted to “True Blood” and loves the word “Alfred.” Cyrus Spencer is also known as Glitch, is age 22, a Pisces (I knew I liked him for some reason!), has a dozen pair of gauges (earrings), is addicted to shoes and loves basketball. Audrey Case is 18 and is from Oklahoma. She reminded us that she can make fart noises with her neck. She collects elephants and loves Taylor Lautner. Matthew Kazmierczak is 21. He loves hiking, is definitely a cat person, is terrified of sharks, has 6 tattoos and is terrified of the mannequin that was in the room with him at the time of the interview. Cole Horibe is 26 and is a walking cliché. He is an Asian male who is a ninja martial artist. He liked math when he was “young” (oh please, like 26 is old?), and is part of the descendent line of the 47 Ronin Samurai. Lindsay Arnold is 18, likes food, hates spiders and tomatoes, cannot cook and gave someone stitches once.

Couples Dances

Dancers: Witney Carson and Chehon Wespi-Tschopp
Choreographer: Louis Van Amstel
Dance: Samba
Song: “Jump” by The Cube Guys and Lucinana

My opinion: I loved Witney’s pink dress. Chehon did well being a ballet dancer and worked the audience well during one of the moves, but he is too straight in his posture. Witney did a great job.

The Judges: Nigel thought Witney was a star. Chehon needed to relax more and enjoy the music. Mary pointed out Chehon’s foot work, but moved his body well across the floor. Witney got a 1st class ticket on the hot-tamale train. Kenny thought Witney was like Marilyn Munroe in “Some Like It Hot” but hotter. He told Chehon to surrender to the music and agrees pretty much with Nigel.

Dancers: Tiffany Maher and George Lawrence II
Choreographer: Sonya Tayeh (Dance is about the stars being aligned for a couple and they realize each other and who they are.)
Dance: Contemporary
Song: “Turning Page” by Sleeping At Last

My opinion: Goosebumps. I had them when Sonya was just describing the dance, the emotion that the feel towards each other (I am a hopeful romantic at heart) and goosebumps while it was being performed. I have always rooted for George and hoped that his dad could see that he really is a fantastic dancer.

The Judges: Mary said it left her breathless. She said that George is one of the best dancers in the competition. She commented how connected the two of them were. Kenny said they both surrendered, and it reminded him of youth. “You spilled it.” Nigel thought it was superb and loved the arabesque in the lift.

Dancers: Janaya French and Brandon Mitchell
Choreographer: Napoleon and Tabitha Dumo (who looks radiant and like she is going to give birth at any moment). The story is about addiction and the choice between it and love.
Dance: Hip-Hop
Song: “Take Care” by Drake featuring Rihanna

My thoughts: It was average. Brandon got the feelings of anger across well but I did not feel the struggle. Not exactly sure why.

The Judges: Kenny believed the story and thought they did a great job. Nigel thought Nappytabs was very clever to hide some of their flaws through this dance. Mary believed Brandon but felt Janaya needed to be more gritty.

Dancers: Alexa Anderson and Daniel Baker
Choreographer: Sean Cheesman
Dance: Jazz (it is supposed to be sexy, quirky).
Song: “Hey, Hey (DF’s Attention Vocal Mix) by Dennis Ferrer

My opinion: I felt absolutely no chemistry between these two. It was intricate, but sexy and quirky? No. Their faces showed that there were really thinking about all the movements and not really feeling the dance. And they had that one face (smiling) the entire dance. I have had a problem with Alexa’s facial expressions in the past (smiling during a song whose lyrics were sad, for example). Is that the dancers’ issue or the choreographer by making the routine technically difficult? Not sure. Maybe a bit of both. It was my least favorite dance of the evening.

The judges: Nigel hopes the audience can appreciate the level of difficulty. He did not see the chemistry either. Mary said that Daniel looked like he was enjoying himself. Kenny thought it was a demanding piece. He thought they were invested in the exercise but not in the performance.

Dancers: Amber Jackson and Nick Bloxsom-Carter
Choreographer: Jason Gilkison
Dance: Viennese waltz
Song: “Nights in White Satin” by Tina Arena

My opinion: This dance is something you see on Dancing With The Stars. For the audience of So You Think You Can Dance, it usually is the dance of death or at least puts people in the bottom 3. I thought it was beautiful and flowed very well.

The judges: Mary said it was dreamy. Kenny thought it was fluid and flowing and loved it. Nigel told Nick to watch his facial movements.

Dancers: Amelia Lowe and Will Thomas
Choreographers: Napoleon and Tabitha Dumo
Dance: “Unconventional hip-hop” — Character pop. Sophisticated kitty meets alley cat (may explain why Will thinks he is Simba)
Song: “The Lovecats” by The Cure

My opinion: I liked this a great deal. It was upbeat and playful. It made me smile. One of my favorite dances of the evening.

The judges: Kenny thought it was fun and charming and loved it. Nigel thought they were “smitten kittens.” He thought it was terrific and memorable. Mary thought it was “purrrfect.” She commented that it made you happy.

Dancers: Janelle Issis and Dareian Kujawa
Choreographer: Sean Cheesman
Dance: African Jazz
Song: “Jungle” by Hilight Tribe

My opinion: They did a great job. I’d have a headache after dancing like that.

The judges: Nigel loved it. Mary said it was exciting. It was like a jungle dance-off and they both came out as winners. Kenny thought it was universal and was like watching 2 flames dancing across the stage.

Dancers: Eliana Girard and Cyrus “Glitch” Spencer
Choreographer: Tyce Diorio
Dance: Broadway
Song: “Run And Tell That” by Hairspray (Original Broadway Cast)

My opinion: I am such a fan of Cyrus. Ballet meets the animator and it worked! It was fabulous and so much fun to watch. Tyce was so proud of them. Another one of my favorites this evening.

The judges: Mary said she had never seen Tyce worked up that much before in her life. This will be “googled up”, i.e., watched over and over again. She said, “Winners are ordinary people with extraordinary hearts” and Cyrus lays his heart out on that stage. Eliana was a ballerina who could get down. Kenny felt like it was watching a Broadway performance right on a New York stage. Their personalities were on fire. Nigel said Cyrus is not the best dancer but he always gives 100% of himself. Eliana is the benchmark for the other girls in this competition.

Dancers: Audrey Case and Matthew Kazmierczak
Choreographer: Travis Wall
Dance: Contemporary (story is on the Titanic after the sketch scene)
Song: “Unchained Melody” by The Righteous Brothers

My opinion: I did not think the song was going to work because we associate that song with “Ghost” and not the movie The Titanic, but it worked. I had goosebumps. For someone who was joking around during the interview and rehearsal, Matt turned on the hot factor. It looked like they were totally and completely in love with each other. It was on fire. I think my favorite dance of the evening.

The judges: On their feet! Kenny thought it was an exquisite choice and was brilliantly danced. Nigel thought it was his favorite of the night and it was a very special moment. Mary loved it.

Dancers: Lindsay Arnold and Cole Horibe
Choreographer: Jason Gilkison
Dance: Paso Doble (instead of a bull and matador, Lindsay’s character was going to be like poison to the warrior).
Song: “Unstoppable” by E. S. Posthumus

My opinion: I normally do not like these dances but they pulled it off. I figured they were going to do something big having the pimp spot of the evening. I had goosebumps. My goosebumps never lie. It was hot.

The judges: They were standing once again. Cat made a comment that Cole had the “blue steel” look (from Zoolander). Kenny thought it was electrifying, mesmerizing and the most fantastic dance he has seen on this show. Mary thought it was the best paso doble Jason has ever choreographed on the show. Lindsay was fabulous and fiery. Cole was “oh my God.” She said it was a beautiful paso doble. Nigel said it was the best paso doble ever done on this show.

After tonight, here is my list of favorites in some semblance of order. It is hard to rate them because they really are so good.

Guys: Cole, George, Matt, Cyrus, Will, Brandon, Nick, Dareian, Chehon, Daniel (sorry Daniel fans; it was this particular dance that put him in the bottom for me.

Girls: Audrey, Amelia, Lindsay, Eliana, Janelle, Amber, Tiffany, Witney, Janaya, Alexa (again, the dance was what put her on the bottom of this particular list).

Who are your favorites? Who is your top 3 and bottom 3?





So You Think You Can Dance — Top 6 Performance

4 08 2011

After tomorrow night’s show, we will be down to our final 4 contestants and our season finale show. Last week we said goodbye to our favorite J’s: Jordan and Jess. Each was the consummate professional full of gratitude the journey and for the fans. Even for a brief moment when Jordan looked like she was about to fall apart, she took a deep breath and remained positive and hopeful for her career, a trail both will blaze after the tour.

Top6

2011 So You Think You Can Dance Top 6 --Season 8

Guest judges for this evening were the lovely Christina Applegate, and the loquacious Lil’C. They discussed the stupendous success of National Day Dance on July 30, 2011. Perhaps it needs to be renamed “International Dance Day” as people across the world celebrated dance, including physicists in Switzerland. Although not shown on the show this evening, even Vancouver, BC got into the fun.

Dancers: Melanie and all-star Twitch Boss
Song: “Roman’s Revenge”
Artist: Nicki Minaj featuring Lil Wayne
Choreographers: Napoleon & Tabitha Dumo (aka NappyTabs)
Style: Hip-hop
Story: Little Red Riding Hood with a twist

Melanie did well, but I’ve seen some of the other ladies do a better job with hip-hop. The routine was weird. I might have liked it better if in the end she would have slay the big bad wolf versus tame him, but that is the choreography and not the dancers. I think she might have needed to be lower to the ground. Lil’C felt she got off to a rough start but found her ghetto groove and ascended. Christina agreed with Lil’C. Mary felt she was on fire. Nigel loved the dance as well. He confronted internet allegations that Melanie has never been given a dance out of her style, but he dispelled that quickly, saying she was good at everything. Itsy bitsy problem with that. If they are randomly drawing dance styles out of a hat, and last week the talk on the internet was the biggest it’s been about this issue, and she suddenly gets hip-hop, it doesn’t help the argument that these dances are random. It is, however, one of these no-win situations. You will have a group of people who will believe it and some that will not, and like politics, there is no changing anybody’s mind about it.

Dancers: Sasha and all-star Kent Boyd
Song: “Fool on Me”
Artist: Me’Shell Ndegeocello
Choreographer: Tyce DiOrio
Style: Contemporary
Story: Two people who have hit a wall in their relationship and the emotions you go through when someone hurts you.

During the rehearsal taping about the song, Sasha began to cry. The meaning of the dance runs deep for her and I was sure it would come through in her dance–and it did. I had goosebumps but I lost my breath at the moment of the lift that had her legs upside down on the wall, a great symbolism for how upside-down you can feel when you are hurting inside when someone you love hurts you. You love them, you hate them, you want them stay, you want them to go. All the feelings are taken the n’th level. Sometimes you can bust through that wall and sometimes you cannot. I love when Tyce choreographs dances like this (like the dance he created for his friend who had cancer, danced who beautifully by Ade and Melissa). They have a way of reaching a place deep inside your soul that is universal to everyone. Christina described the difference between technicians of dance and dancers like Sasha who can affect your heart, and thanking her for being so courageous as to share with us whatever it was that hurt her so badly in this life. Mary called her intoxicating and got all choked up about the move of when Kent threw her to the floor, and that it only matters that you get back up. When she said that, I was thinking of Mary’s courageous battle with her thyroid cancer. Nigel also complimented Tyce, as did Mary, at this routine being at his best, as was Sasha. Sasha then won Nigel’s “favorite” dancer something that he ping-pongs between Melanie and Sasha. Lil’C was trying not to cry, having identified personally with the dance with experiences in his own life. He wishes that he could have worked with Sasha this season and called her phenomenal. Oh, and did I mention, first kiss on tonight’s show. The kissing season, season 8.

Dancers: Marko and all-star Janette Manrara
Song: “Zorongo” (Traditional)
Artists: Antonia Gomez, Ely “La Gambita”, Guillermo Basilisco and Paco Pena
Choreographer: Dmitry Chaplin
Style: Paso doble
Story: Marko is the matador and Janette is an activist trying to keep him away from killing the bull. (I laughed).

I didn’t recognize Dmitry with his beard. Has it been that long? You have to been pretty beautiful and passionate to sway a matador from his mission. How could Janette be ignored? I had a problem at first with that story stuck in my head since we are so used to the woman being the bull or the cape, but after a minute, I concentrated on the actual dance and let the story go. After Cat drew comparisons to the matador costume and Mary Murphy’s shoulder pads, she complimented him for being spot-on at the arrogance that was necessary for the dance. She pointed out that he lost his footing from time-to-time, but most of the time, he nailed it. Nigel loved the twirls that mimicked the movement of the matador’s cape (as did Mary). However, Nigel said it left him feeling cold. He was looking for more passion. I think it is difficult to bring a ballroom routine up against a brilliantly danced contemporary piece. It’s like coming back from San Diego Comic Con. You are on this incredible high and then–CRASH–everything around you seems so boring and mundane. Lil’C loved his stoic performance which was necessary to this particular dance. Christina wanted him to drop it down a little (lower in his crotch level), but loved the bravado.

They took a break in the action to listen to messages from home. The love and pride of all the contestants’ families touched my heart and my tear ducts. Then Ricky took the stage to dance his solo to “After Tonight” by Justin Nozuka. It was lovely.

Dancers: Tadd and all-star Ellenore Scott
Song: “The Gulag Orkestar”
Artist: Beirut
Choreographer: Sonya Tayeh
Style: Contemporary?/Jazz?
Story: A period piece where everyone was prim and proper, but once they touch, everything gets thrown out the window and becomes with wild, reckless, lustful.

Sonya Tayeh is the goddess of strange and Ellenore was the perfect all-star to fill that role. I was not feeling the passion that Sonya demands from her dancers coming from Tadd. The spin on the chandelier was reminiscent of Cirque de Soleil. It was an interesting prop. Nigel had no words and said he felt like it needed more time to develop, that he was left “hanging.” (Oh, Nigel, you make me laugh). Lil’C complimented Sonya’s talent of showcasing a dancer’s unique abilities. He felt like Tadd was just going through the movements instead of making them last a lifetime. Christina likes the dirtier side of dance, and complimented Tadd that he is a b-beat pointing his toes and how great is that. Mary felt Tadd was still growing and complimented Sonya’s trust in doing such a dangerous thing with a prop.

Next was Caitlynn’s mom sharing that she one day said she was going to be on this show. Via the internet, Caitlynn’s dad, away on business, shared his pride. Caitlynn then performed her solo to “What’s Love Got to Do With It” by Katie Thompson. Afterwards, Caitlynn was crying, moved from the words from her parents, the song, the moment or all the above.

Dancers: Ricky and all-star Jaimie Goodwin
Song: “Inside These Lines”
Artist: Trent Dabbs
Choreographer: Dee Caspary
Style: Contemporary
Story: A couple trying to stay together, but he feels her slipping away so he tries to control her. (I call this The Puppetmaster.)

I noticed that when Ricky was close to Jaimie during the routine, he didn’t extend himself as you would see him do when they were apart. Perhaps he was concentrating on the sticks and not hurting his partner. While the sticks did enhance the routine, you can’t forsake the dance for the prop. At the end of the dance, Jaimie did what I was hoping–she took the sticks and threw them to the ground. Lil’C gave props to him and the props (and Cat Deeley just stole my line, damn). As usual Lil’C had a mouthful, “What a magically, magnificent puppeteer of physically rhythmic artistry you are.” In other words, buckness. Christina said he was a beautiful dancer, but wanted to help him grow and said he does not always dance with the clearest intention, like a push and a pull, like when he reached for Jaimie, it was harder to let her go away from him. That would help take him up another notch, which was great advice. Mary added, “All of that” plus that it was beautiful, free-flowing movement. Nigel loved the story of the dance from Dee. The only advice Nigel had to help Ricky was that he wants him to feel the movement more in his gut because he is so up and high in his dancing.

Tadd’s parents, and his entire Filipino community, are very proud of his accomplishments (and the first story that did not make me cry but smile). His song selection also made me laugh, “We Speak No Americano” by Yolanda B Cool and DCup. Tadd’s solos have always been interesting in that he is a b-boy and he chooses all these songs from eras past that make for a weird and wonderful combination. It has become his signature.

Returning from the break, Sasha’s solo was shown but not before her parents got to boast about their beautiful, bubbly baby girl. I smiled, too, when I saw Sasha picked “Teeth” by Lady Gaga after she received such high praise from Lady Gaga last week (and her shoe!). Again she did a terrific job.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Drop It Low (District 78 Remix)”
Artist: Kat DeLuna
Choreographer: Dmitry Chaplin
Style: Samba
Story: None, just sexy, great music and being sexy.

Pasha and Dmitry behind one dance? Wow. Double boiler kind of hot. Was it sexy? YES IT WAS! Was there great music. YES , THERE WAS! And was it really sexy? SIZZLING. At that precise moment, I desperately wished to have use of the communication stones that are used in the show Stargate Universe (where people can swap consciousness with another body–yes, I’m a geek). I wanted to be dancing with Pasha. Be still my heart. Wait, this is about Caitlynn. She did a fabulous job. I have to remind myself she is just a senior in high school (or was). Christina loved it. Mary thought it was great, especially on the reverse samba rolls. Her only criticism were some of her facial expressions. Nigel ad Lil’C had similar advice.

Marko’s mother was very emotional about his journey to the show. Dancing to “Wonderful World” By James Morrison, Marko combined a lot of technique with acrobatics. I always enjoy his solos.

Then Melanie’s mother had a message for her. Instead of talking, she sang; instead of walking, she danced. Melanie chose to dance to “Cracks (Flux Pavilion Remix)” by Freestylers featuring Belle Humble. Some truth rang to me with the name “Belle” and “Humble” to describe Melanie. Her solos have become more complex as she incorporates what she has learned over the weeks into her dance. She is both beautiful and humble.  It was the best solo of the night.

Dancers: Sasha and Ricky
Song: “Schoolin’ Life”
Artist: Beyonce
Choreographer: Kumari Suraj
Style: Waacking
Story: None.

Waacking is a new style of dance to SYTYCD, the origins from Los Angeles in the 1970’s. It’s about the individual and who you are right now in your life. It’s about skill, precision and control. After watching the routine, it does bring fond memories of the 70’s back to me. Sasha was great; Ricky less so. He was too stiff once again. I would have hoped he would have taken to heart the earlier critique and applied it to this dance. Mary never liked this type of dance until Samara “Princess” Lockeroo, who was the first to audition and win to a ticket to Vegas with this type of dance. She felt like Sasha had the edge in the dancing. Both were out of their styles, but neither could take it to Princess Lockeroo’s level. Nigel says when Ricky is thinking about dancing, he does lose a little bit. Then Nigel took a comment that they said to Caitlynn and applied it to Sasha, saying she did not have to act sexy because she is sexy. Oops! Lil’C wishes both of them would have enjoyed it more because he felt they were so focused on the steps and speed. Christina enjoyed it and thought perhaps they could have “whacked it harder.” She’s so funny.

Dancers: Melanie and Tadd
Song: “(Where Do I Begin) Love Story (Away Team Mix)
Artist: Shirley Bassey
Choreographer: Spencer Liff
Style: Broadway/Jazz?
Story: A rehearsal within a rehearsal. Tadd uses Melanie’s crush on him to bring out the best dance in her, but she discovers her feelings are not reciprocated.

They paired well together. It was a lovely dance that did not affect me on any emotional level but just was fun to watch. The use of the mirror where Melanie’s hands touched it and it got these weird distortions to it made me think, yes, just like the relationship between this dancer in the dance and the choreographer in the dance, played by Tadd. The relationship is not what it seems to be to Melanie’s character. I look for meaning sometimes that may or may not be in subtle things. Lots of prop use tonight. Cat compared it to “Black Swan” (which I have not seen yet). Nigel complimented Melanie on her solo as the best solo across all the seasons. She is not only the original beast, but a great actress and a great dancer. She now stole Sasha’s earlier place of the evening and is now Nigel’s favorite again. I think if SYTYCD could have a tie, he would be happy having the two of them there. To Tadd he said, “…to say you didn’t suck is a compliment.” He pointed out the things he did well in the routine. Lil’C says Melanie has a quiet fire and Melanie is EXTREMELY buck. Lil’C also wanted to give accolades to her solo performance that it was so beefy. And as an afterthought, he told Tadd he was growing by leaps and bounds and to continue doing so. Christina also commented on her solo, saying they were all banging on the table. She described Melanie’s performance as being better than that of Donna McKechnie in “A Chorus Line.” Tadd continues to surprise Christina with his technique since he is a b-boy. Mary says America has fallen in love with them and they are brilliant in their styles. She got all choked up that she was able to be here for this wonderful season to see it.

Dancers: Caitlynn and Marko
Song: “Heavy in Your Arms”
Artist: Florence and the Machine
Choreographer: Sonya Tayeh
Style: Jazz
Story: Marko is a controlling, overbearing man and Caitlynn is trying to break free.

Perfect song to close the show. This was dynamite and gave me goosebumps. It was much better than the Puppeteer routine performed by Ricky. My breaths felt heavy of the weight of this relationship. The judges were standing in ovation of their performance. Lil’C thought this was double-hashtag buck (#buck #buck or ##buck)? “Reckless and convicted, it was murderous,” according to Lil’C. Translation: Lil’C loved it. Christina makes Marko join the beasts. Christina believes that was Caitlynn’s moment (maybe, but she had one with Mitchell, too). Mary thought it was Caitlynn’s best routines ever. She brought the grit to it and brought it to another level. Marko is Mary’s favorite dancer (I bet Mary and Nigel have a friendly bet going on the side as to who is going to win). Nigel thought this routine redeemed Sonya from her earlier Cirque de Soleil choreography. Regarding Caitlynn, she came of age today, he felt. She is a brilliant dancer. Marko is sensation. Cat added, “But you’re very pretty, too” to Marko.

Common sense would dictate that Marko, Melanie, and Sasha will be in the top 4. Up in the air is whether Tadd or Ricky gets into the final 4.  Or we could use any number of science-fiction shows and their technologies to merge Ricky and Tadd into 1 dancer to get Radd or Ticky so we don’t have to make up our minds.  Of course, it would be temporary….unless…well, they are wearing a red shirt that evening.  What do you say?

Stay tuned tomorrow about more news regarding Miranda’s and Jordan’s fan clubs and what they are doing to show them their love.





So You Think You Can Dance–Top 8 Performance

28 07 2011

With the departure of the fabulous Mitchell and Clarice last week, we are winding down to the end of the season. With each dance, it gets more difficult to pick which talented powerhouse will be in the bottom.

Guest judges for this evening were the legendary Rob Marshall (director/choreographer, and Lady Gaga who needs no introduction. I am hoping she will be a better judge on this show than she was a mentor on American Idol. Her outfit tonight is much better than the one at the Grammy’s. I remember hearing on Oprah that her sister designs her outfits; I’d never let my sisters dress me.

Top8

The Top 8 Perform

Dancers: Sasha and all-star Pasha Kovalev
Song: “Puttin’ on the Ritz”
Artist: Terry Snyder
Choreographer: Jonathan Roberts
Style: Quickstep
Story: A world turned upside down in an alternate reality.

I enjoyed seeing Sasha have chemistry with yet another all-star (other than Twitch). A fast dance with tons of footwork, Sasha and Pasha carried it out effortlessly. Sasha added her own Sasha-licious flair to some of the moves (in parts as if she was trying to merge the quickstep with an African dance). Rob Marshall is a fan of Sasha and gave her high praise for not only this dance but also her overall work in the competition. Mary Murphy complimented her body positioning as being the best she has seen yet this season for this dance. For Nigel, Sasha is his favorite in the competition (by a hair) who put on a 5-star performance this evening. A congested Lady Gaga enjoyed the dance and loves Sasha inside and out (that she has a beautiful soul).

Dancers: Caitlynn and all-star Ivan Koumaev
Song: “Let Me Love You”
Artist: Mario
Choreographer: Marty Kudelka
Style: Lyrical hip-hop
Story: Caitlynn is fed up with her man; Ivan shows up and wins her over.

Caitlynn continues to grow every week. She had lovely chemistry with Ivan. Even though it was well-danced, it didn’t move me emotionally to the point of goosebumps although I was still drawn into the story. Mary was not wowed, but felt she did a really good job. Nigel offered her some advice about “opening her legs more” (which elicited a juvenile giggle from me, and a comment from Lady Gaga) to help her find her swagga, but complimented her on staying in character. While praising Caitlynn on certain aspects of her dancing, Lady Gaga offered some great advice about her not having similar flowing movements that Ivan had. Tempered with praise, Rob felt she needed to lose herself in the dance more.

Dancers: Jordan and all-star Ade Obayomi
Song: “Nutbush City Limits”
Artist: Tina Turner
Choreographer: Tyce DiOrio
Style: Pop jazz
Story: Being bad together during a secret rendezvous.

The athleticism both Jordan and Ade possess almost made Tyce’s dance flawless. There was one thing that bothered me: Instead of looking and being totally involved with her partner, Jordan was looking out at the audience too much, and one time I even caught her looking at the judges at a crucial point in the dance when her eyes really did need to be on her partner. Because of this, I did not buy into any chemistry between them, critical for the dance (being bad “together”). Nigel loved it. Lady Gaga enjoyed the fact that Jordan was looking at the camera and assertively announcing that she was a star. Rob adores her. Mary gave her a scream of approval. So, hey, what do I know, right?

Dancers: Melanie and all-star Neal Haskell
Song: “Total Eclipse of the Heart”
Artist: Bonnie Tyler
Choreographer: Mandy Moore
Style: Contemporary
Story: A crossroads in a relationship.

Ah, my first goosebumps for the evening. I do have a bias for contemporary and hip-hop routines; they seem to move me emotionally more often than other styles of dance. This was my favorite dance routine of the evening (thus far). Melanie delivered another stellar performance. I am amazed at dancers who have to show complete and total trust in partners they have barely met. When she took a running start from one corner of the stage and leaped into his arms from mid-stage to the opposite corner of the stage was both a feat of technique and trust. It took my breath away. All the judges are standing in applause. Melanie is Lady Gaga’s favorite and she would hire Melanie tomorrow. She is poetry in motion, according to Rob. Mary has run out of adjectives for her. Melanie won over Nigel’s heart for the time being from Sasha. The final scene where Melanie is in the light and Neal was in the darkness reflected beautiful the lyrics being played in the song.

Dancers: Ricky and all-star Anya Garnis
Song: “River Deep, Mountain High”
Artist: Celine Dion
Choreographer: Jason Gilkison
Style: Jive
Story: None, just complicated moves.

If you are not up to Anya’s level of expertise, your weaknesses are going to show. Ricky executed the performance as best he could, but I don’t think it was good enough to get him into the safety zone tomorrow during the elimination. The moves were intense, especially the flip over the head. The dead-drop at the end made me gasp. Rob applauds his personality and technique for the most part, but offers that he needs to dig a little deeper into the floor. Ballroom-dancer Mary had better technical advice to give to Ricky. Nigel felt Ricky’s posture should have been more “river deeper rather than mountain higher.” Lady Gaga has a sweet spot for Ricky and likes his posture.

At this point I begin wondering where the solos are and am grateful they decided to change up the format and do pairs with other contestants again.

Dancers: Jess and all-star Lauren Gottleib
Song: “Take a Bow”
Artist: Rhianna
Choreographer: Tabitha and Napoleon Dumo (NappyTabs)
Style: Lyrical hip-hop
Story: A man who has cheated on his girl and he is trying to apologize.

Jess did a much better job this week. He took in Neil Patrick Harris’ advice about not overdoing the faces. Mary felt that his dance came from his soul this time (I agree) and he had the swag. Nigel commented about how much he has grown and listened to the comments to help him grow. When Lady Gaga made points about the choreography, I wondered if Tabitha had to dig her fingernails into Napoleon’s arm to keep her from saying something. Rob has known Jess since he was little, Jess having worked on Broadway. You could see how proud Rob was of Jess and his growth.

Dancers: Tadd and all-star Lauren Froderman
Song: “Another One Bites the Dust”
Artist: Queen
Choreographer: Mandy Moore
Style: Jazz
Story: Pulling off a heist (Smooth Criminal?)

This is another favorite routine of mine this evening. Tadd and Lauren were a great partnership. I was thinking during the routine about how Lauren was not everyone’s favorite at the beginning of her season and turned things around to win. He did not flinch when Lauren accidentally smacked him in the face. He was not jarred when he lost his hat, either. Tadd is a dark horse, one I never expected to be possibly in the final 4 at the end of the season. Nigel called Tadd a sponge and suspected he would not be going home this week. Lady Gaga is much better suited to be a judge on this show. I like the way she interpreted the song to Tadd, enjoying the muggy look like, “Yeah, I just robbed a bank and got away with it.” Rob Marshall thought he was very special and acted like a true professional during the mishaps. Mary predicts he will be in the finale.

Dancers: Marko and all-star Allison Holker
Song: “I Know It’s Over”
Artist: Jeff Buckley
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Causing damage to a person, basking in the guilt because of it, but it moves you to change.

Allison brought the magic back out in Marko and another box in my favorite dances this week. Marko will be in the top 4. Pain and hurt came through on both their faces and although I had no goosebumps, I found myself crying because of the song’s message. What a time to shine with his mother in the audience! In this unedited, entitled society hiding behind internet anonymity and cyber bullying, people hurt others without a second thought. When attention is called to the hurt, people go on the defensive (because it is all about them) instead of listening to the grievance, acknowledging it and apologizing for it. Whether or not you think you did wrong to that person, if that person felt that way and you love them, it matters. Once you accomplish that, then you can use those new skills to open up to the world around you. Lady Gaga was also in tears and the panel gave them a standing ovation. In an act of contrition, Lady Gaga remembered all the mistakes she made in her past. Marko is deeply moved by his mother’s presence and he confesses and apologizes for his hurts. Rob appreciated the fluidity of the movements and the partnership between Allison and Marko. Mary chokes back her tears and says Marko is her favorite dancer on the show. Nigel remarks about the sheer moment of this, that a dance could affect such a change so quickly, and that people need to say what they need to their moms (and I would like to extend that to not just moms but everyone) before they are no longer walking among us here on planet Earth.

Dancers: Caitlynn and Tadd
Song: “Top Hat, White Tie and Tails”
Artist: Ella Fitzgerald
Choreographer: Jonathan Roberts
Style: Foxtrot
Story: Classic boy meets girl

Caitlynn’s dress was stunning and Tadd looked hot in a tux. Wait for it….Yep, Season 8: The Kissing Season did not let me down. Tadd gave Caitlynn a kiss on the cheek midway through the routine. Caitlynn seemed more at ease with this genre, although Tadd was not awful. I would hate to be them coming off that Marko and Allison number. After that, ANYTHING is going to look boring. “Sparkling” is what Rob thought, a “black and white movie come to life.” Mary thought it was beautiful and elegant but she needed more powerful and did not think this would be a memorable dance from this evening. Nigel was heaven and wanted to dance with Caitlynn. Lady Gaga loved the routine but offered that every now and then Caitlynn’s hands say, “I won a lot of trophies!”

Dancers: Marko and Ricky
Song: “Bad Boy For Life”
Artist: Diddy featuring Black Rob and Mark Curry
Choreographers: Tabitha and Napoleon Dumo (aka NappyTabs)
Style: Hip-hop
Story: They are waste management technicians.

This dance was better than the Emilio Estevez/Charlie Sheen movie, “Garbage Men.” Sometimes throughout the routine, I felt Marko had more swagga and other times Ricky. It was moving along at a slow pace. Knowing what NappyTabs has choreographed for SYTYCD over the years, just when I was expecting there to be more, more was delivered. The pace quickened, and then it was abruptly over. I was left disappointed; the pickup in tempo should have occurred sooner. Perhaps they were trying to recapture the magic of the Alex/Twitch routine, but it fell short. A quick camera shot to the audience and Tabitha was caught taking a deep breath, looking over at the judges. Mary Murphy was standing in applause and she loved it. Nigel felt it was fun, but Ricky was still a bit too high versus being lower to the ground for hip-hop. He feels Ricky might be in the bottom this week and I agree. Lady Gaga took a swipe at NappyTabs basing her opinion on her days when stomp was emerging and her own choreographer. Picking NappyTabs back up, Rob applauded their routine.

Dancers: Jordan and Jess
Song: “Set Fire to the Rain”
Artist: Adele
Choreographer: Jason Gilkison
Style: Rumba
Story: A woman in a controlling relationship and she is blinded by her love for him.

Jordan did a better job in this dance. Jess’ Broadway face came out several times. But did they set fire to the rain? No. I am sorry Jordan and Jess fans. They gave it a good try, but at this point in the competition; it is not okay just to dance the routine. There has to be that extra “oomph.” Nigel did not think they had chemistry. She called Jordan on her sway-back. It was not his favorite routine this night. Lady Gaga did not think there was anything “wrong” with it, but as an artist, she would have interpreted the song differently–two elements that do not fit together–and faulted the choreography and not the dancers. Rob thought they brought out the best in each other and sees theater careers for both of them. Mary said the back-split/lift was the best she had seen all season. What was lacking for her was the elasticity of the rumba and the sensuality that develops from that.

Dancers: Sasha and Melanie
Song: “Game On”
Artist: District 78
Choreographer: Sonya Tayeh
Style: Jazz
Story: None, just the combination powerhouse of their two styles for an ultimately beastly creation.

Warrior Sonya concocted a powerful dance routine that showcased each of these ladies quite well. These dynamic dynamos deserved the last spot of the evening and had the judges on their feet. Who was better? I would give a slight edge to Sasha. They will be in the top 4. In the audience, passionate Sonya beamed with pride at her lionesses. Lady Gaga threw her shoe at them, the highest form of compliment. She claimed it to be the performance of the evening. Rob adored it. Mary thought they put it all out there. She thought it was the best number Sonya’s ever done and proclaimed it to be the performance of the evening. Nigel thinks only a tissue paper separates the two of them on who is the best dancer. Sasha and Melanie bowed in homage to their Mother Goddess (Sonya). Either one of them can be this year’s champion, according to Nigel.

The bottom 2 girls will be Caitlynn and Jordan. The bottom 2 guys will be Ricky and Jess.  Whoever does get through, they will need to dance like there is no tomorrow because Marko, Melanie, Sasha and Tadd have made a definitive move to the head of the pack.

Update to Miranda’s fans on the contest going on: According to @mirandacandance on Twitter, they are holding a contest to find the most creative way to express your fan love for Miranda, with Miranda picking the winner. For details, please click here.





So You Think You Can Dance — Top 14 Performance

7 07 2011

Tonight viewers were in for a special treat. Travis Wall, previous contestant on So You Think You Can Dance Season 2 and choreographer for the last few years, was asked to sit in to judge tonight. Is there anywhere Travis does not fit like a hand in a glove? His critiques were deadly accurate with lavish praise for the high points and technical pointers for the weaker points to help the dancers learn. When I heard Carmen Electra was going to judge, I had no idea she had a background in dance. I enjoyed her in “Meet the Spartans.” I loved Cat Deeley’s earrings tonight that had the number 8 on them for season 8.

Tonight we will find out more about the contestants. There are also new choreographers to the show. According to http://www.markmeismer.com, Justin began his training in South Carolina. He was the winner of Star Search and Destination Stardom in Hawaii. In 2001, he worked with the Poz Dance Theater in Seoul, Korea. Soon thereafter he opened a dance company in Dallas, Texas and has been with LA Dance Magic for the past 5 years. Ray Leeper has worked in film and theater and for big names singers such as Cher and Elton John.

Dancers: Boys’ Group Number
Song: “Prague”
Artist: Damien Rice
Choreographer: Justin Giles
Story: The seven stages of grief after a breakup: Shock, anger, denial, depression, guilt, bargaining, and acceptance.

It was a beautiful contemporary number. Chris, unfortunately, was off in his timing with the other dancers. Although the judges are not offering critiques, performances in the group number will be taken into consideration for elimination eve. A warm welcome to Justin. I hope we see more of his work on this show.

Dancers: Melanie & Marko
Song: “Americano”
Artist: Lady Gaga
Choreographer: Ray Leeper
Style: Jazz
Story: Young Latin couple whose families have been fighting like the Hatfield’s and McCoy’s, now run off and want to get married.

Marko had auditioned before but had not won over the judges until this year. He is from Guam and most of his family became lawyers and doctors. There were not many dance opportunities on the island. The one job he had was on a cruise ship and the hazing ritual was dressing up as a girl (in homage to the drag queen show where he was not–and he repeats was NOT–the drag queen). Melanie is from Marietta, Georgia (woo-hoo, my sister lived there for many years), but she left to attend Fordham University in New York City, majoring in art. Her boyfriend, Mitchell, whom she has dated since the 10th grade in high school, came to see her perform last week, the week of the Marko kiss.

There was a moment at the beginning of the dance where I thought, “Oh my” with regards to hand placement. She had to be deadly accurate or risk incapacitating her partner!

Melanie & Marko

Hand placement must be precise!

It was a fantastic way to start the show off on a high note. Cat Deeley says Marko looks like a sexy fireman in that outfit. Travis tells Melanie she is, by far, his favorite dancer in the competition. He also comments that he has been taking Ray’s class since he was 9 years old (great way to make someone feel old, Travis!). Mary loved their passion and heat. I enjoyed this number a great deal. This was Ray’s first appearance on SYTYCD as well and a hearty hello to him as well. Nigel reassures Marko that he is a fan now.

Dancers: Sasha & Alexander
Song: “To the Moon”
Artist: Miguel
Choreographer: Shawn Evaristo
Style: Hip-Hop
Story: A first date and Alex wants a kiss at the end of the night from Sasha.

Sasha spoke lovingly of her family, especially of her sister and having her sister with her through her journey on SYTYCD. She comes from a large Trinidadian family who now lives in Bakersfield, CA and there is always a party going on–lots of food, drinks, dancing, and singing. It sounds like Sasha’s family knows how to live in the moment and express joy of just being alive. Dancing began for Alexander at the age of 17. Instead of going to college, he was accepted into a ballet school where he fell in love with ballet. He grew up in Alhambra. His father used to be an actor on such shows (that I remember) as Barney Miller, TJ Hooker, Hill Street Blues, shows Alex says he has never heard of. Psssst. Alex. I probably saw your dad at some point on those shows and not on the reruns.

Alex is swagger-challenged. One might say because of the natural of ballet, it is trained out of them because posture has to be perfect, lines have to be straight, etc. However, one day ballet dancer Alex Wong walked into our lives and performed one of the best routines ever in the history of SYTYCD with Twitch, choreographed by Tabitha and Napoleon. Click here to watch. Alex Wong made a bold statement that ballet dancers CAN do hip-hop. Compared to the level of what we’ve seen in the competition thus far, this was below the bar. I think it will put them in danger. Carmen articulated it best when she was not feeling them as a couple. When I see Alex in his natural environment, he seems like a different person than he is on stage. The “ballet face” comes on when he dances on stage and because Sasha is operating from a different point of view, trying to get into whatever character she needs to be, that is where the disconnect is happening.

Dancers: Jordan & Tadd
Song: “Nocturne”
Artist: Secret Garden
Choreographer: Toni Redpath
Style: Smooth Jazz
Story: Jordan is a siren, a black widow spider of the deep sea.

Jordan’s story brought tears to my eyes as she shared the depth of her family’s sacrifices so she could dance and the level of appreciation she has for it. After seeing the fun side of Jordan, it was moving to see she has a vulnerable side. She hopes that this is a reward for them as well after all they have done. Tadd grew up in Salt Lake City and because of the lack of Filipino culture there when he was young, grew up thinking he was Caucasian. Once he got to meet extended family in San Francisco, California, his world grew much bigger.

Let’s think of Jordan being a siren of dance (not voice, LOL, sorry babe, your talent is in dancing, not singing). I loved the hair extensions; I don’t think I would have recognized her on the street with them. Her costume was beautiful; she did look like a goddess from the sea. Being a hip-hop dancer, Tadd did a super job. His posture was superb; his arms were high. He died well.

Dancers: Clarice & Jess
Song: “Light Through the Branches”
Artist: Celeste Lear
Choreographer: Justin Giles
Style: Contemporary
Story: A super intense love affair that is coming to an end.

Clarice also appreciates the sacrifices her family has made for her.  Although she grew up in Hollywood, California, she now studies dance at California State University at Long Beach. After a long day, she drives her sister to dance and then teaches dance later on after that. Clarice enjoys spending time with her family after a long day. Jess grew up in Little Falls, New Jersey with family members who are also entertainers. Jess’ father was an actor, but is now a teacher. While many of us would like to forget our high school experience, Jess has wonderful memories, being part of all the performing arts clubs.

Clarice is a contemporary dancer and Jess is used to Broadway. My eye was drawn to Clarice during the routine. Jess is growing as a dancer in this area but I would compare his performance to Tadd’s in ballet. Although not his style, he did try to rise to meet the challenge. Unlike Alex and Sasha, Clarice and Jess are developing chemistry between them and that shone through during the routine. In this routine, it demanded that it did or it would have fallen apart. I agree with Travis that it is my favorite routine they have done all season. Carmen and Mary said they felt the anger they were feeling. Maybe that was true in the studio. As a TV viewer, I saw the anger between the two of them, but they did not bring me along for the ride.

Dancers: Ashley & Chris
Song: “Mambo Beat”
Artist: Tito Puente
Choreographer: Liz Lira
Style: Salsa
Story: None, just fast, lots of tricks, etc.

From Antioch, California, Ashley grew up as the daughter of a deacon, surrounded by music and dance her entire life, her mom being director of the dance program. She loves to cook (perhaps we will see her on a future episode of Masterchef). Chris comes from a large family in Dallas which gives them always something to do and always something to clean. He was diagnosed with dyslexia and credits his parents for him graduating high school because the challenges for him were that difficult.

I understand the choreographers wanting to do a challenging dance, but they also need to take into consideration the level of ability of the dancers. Latin dances need a strong male partner who is sure of himself and Chris even verbalized his awkwardness in this style. I was worried for them seeing the rehearsals. The actual dance was better than rehearsals. You could see Chris thinking all the steps so he could complete the dance without his partner getting hurt, but because of that, the heat was missing. Ashley did a nice job and it was so lovely of her to tell him how proud she was of him as they stood next to Cat Deeley. Sadly, I think this is going to put them in the bottom 3. I’m certain that if this is the case, Chris will be the guy going home because of the comment Nigel said last week about him needing to grow faster, and because of the off-timing in tonight’s group routine.

Dancers: Ryan & Ricky
Song: “Fashion”
Artist: David Bowie
Choreographer: Chucky Klapow
Style: Jazz
Story: Two members of a cult of fashion. Following what was hot and hip eventually “did them in.” They got hit by a car they were so into themselves they wouldn’t even take the time to look left or right to cross the street. Elaborate story.

Ryan was raised in Morgan Hill, California. She went to Sacramento and got an opportunity to work with Mia Michaels during a convention. Because of economic hardships, Ryan had to give up dancing for awhile. She reunited with Mia Michaels on the “House” episode “Bombshells.” Ricky is from Miami and loves the beach because it allows him to spend time with his family. When he was 15, his mother said they were moving to Tampa (and they made it sound like it was such a horrible thing to happen. I lived in St. Petersburg for a year of my life; Tampa is not a bad place). But apparently there is not a lot of dancing in Tampa (ah, code word for a lot of old people live there). He was not only the first male cheerleader at his new high school, but also became co-captain.

This dance was “Ghouls Gone to Vogue Hell” to the PERFECT song choice. It was so enjoyable. It made me want to learn the steps so I could follow along. How do you judge such a thing? Fun? Check. Did I believe they were zombies? Check. Did I believe they were once fashion icons? Check. When they were required to dance in sync, did they? Check. Bonus points: It was quirky; I adore quirky. They are absolutely safe with this one.

Some trivia about Chucky Klapow. He was one of the main dancers in Michael Jackson’s tour “This Is It” and has been Kenny Ortega’s co-choreographer in the High School Musical movies. Kenny Ortega did a season of judging on SYTYCD. He also choreographed another Fox show, Bones, “The Girl With The Curl.”

Dancers: Caitlynn & Mitchell
Song: “To Love You More”
Artist: Celine Dion
Choreographer: Mandy Moore
Style: Contemporary
Story: A couple falling in love.

Caitlynn was a tomboy growing up in Moses Lake, Washington and loves engaging in outdoor activities from snowboarding to fishing. Her father works overseas and is home only every other month. Thank goodness she lives in an age where there is Skype and other type of networking; back when I was her age there was two methods of communication: Telephone and snail-mail. Mitchell’s backstory made me cry. His father died when he was 2. When he was 8, he and his mother moved from Chicago to Atlanta and wound up sleeping in their car for a full year. They were homeless. His mother was able to find a job and wanted Mitchell to fulfill his dreams there. His mother is so inspiring. It is so difficult to break out of the cycle of homeless and there is such a horrible stereotype about the face of the homeless, people mischaracterizing the group as lazy, not wanting to work, etc. I know that just is not true and to hear people’s ignorance when they speak of such things irritates me greatly. Mitchell, to his credit, could have turned to a life of drugs or gangs, but did not. It says a lot about his personal character as a mere 8-year-old child. He is such a great role model.

Wait, what? Caitlynn spills secrets that Marko reads romance novels. Too funny.

Remember that Mitchell is still trying to recover from his injury from week 1, but he continues to push through to stay in the competition. Caitlynn has complete trust that he will be there for her as her partner. They have the coveted last spot of the evening, so I’m preparing to be wowed. I love this song and the romantic in me loved this dance. It was my favorite of the evening. I know it is a wonderful dance when I’m breathing with the dancers. It was absolutely PERFECT and Mitchell knows they NAILED it. He is overwhelmed with emotion.

Dancers: The Girls aka “The Beasts”
Song: “My Discarded Men”
Artist: Eartha Kitt with Bronski Beat
Choreographer: Ray Leeper
Style: Jazz
Story: Seven girlfriends ridding the world of evil men. (Hmm, femme fatales?)

It was a great dance and everyone worked well together as a group. A nice way to end the show.

So based on their dancing tonight, I think Sasha and Alexander and Ashley and Chris are in trouble. But Sasha has a lot of Adam Lambert fans voting, so I’m not sure if they will be in the bottom 3. I’m not sure who the other couple would be. I am certain Chris is going home Thursday night if he is among the bottom 3 males.

Who were your favorites? Who do you think will be in the bottom three?