Song: “New York, New York” by On The Town (2014 Broadway Cast) Choreographer:Josh Bergasse
As I watched it I was thinking, “I wonder if Tyce did this?” And I would be wrong. It is Josh Bergasse. He is choreographing the Broadway show and the winner will be in the show. Very cool.
The Judges
Joining Mary and Nigel is Misty Copeland (an American ballet dancer).
Bottom 3 Girls and Guys
Brooklyn, Casey, Jourdan, Nick, Marlene, Serge
Routines
Dancers: Tanisha and Rudy Style: Jazz Choreographer: Sonya Tayeh Song: “You Need” by Bengsons
My thoughts: Gritty, powerful, sexy. I love Sonya’s dances and this is no exception. Well done!
The judges: Mary felt it was a strong performance. Misty thought Tanisha was fierce. Their movements were fluid. They gave her all the different types of sexy faces. As for tips to improve she wants Rudy to ground himself in his partnering. Nigel agrees with both.
Dancers: Valerie and Ricky Style: Contemporary Choreographer: Travis Wall Song: “Oh Darling” by Gossling
A song about the one who got away. She is a bit of a mess without him.
My thoughts: I didn’t see most of this because there was local breaking news. The little bit I saw at the end gave my goosebumps in a major way. He is my favorite male dancer this season. I think he is the winner. Postnote: I watched this after-the-fact on You Tube, and this was my absolutely favorite routine of the evening. Valerie crushed it (considering she is a tapper, too). That back bend near the end was phenomenal.
The judges: Misty thought they were fabulous together. She cannot get enough of Ricky (neither can I!). Nigel likes their chemistry. Nigel wanted to see more emotion from Valerie. He was proud of her pointing her toes and straightening her legs. Mary thought it was magnificent.
Dancers: Bridget and Emilio Style: Hip hop Choreographer: Luther Brown Song: “Work” by Iggy Azalea
Backstory is they were friends. She was a nerd and hadn’t seen him in a long time.
My thoughts: That was fun.
The judges: Nigel thought there was great chemistry between them too. Nigel poked fun at his outfit and likened it to making him look like a dancing Hobbit. He complimented Emilio. He told Bridget he thought she was going to be terrible at this and he was so wrong. Mary said Bridget went in and out for her, but there really isn’t anything she looks bad doing. Emilio ate the whole thing for dinner and he spit out fabulousness. Misty thought Emilio was amazing as he was in his element. She encouraged Bridget to own it. She can be a fierce sexy woman.
Dancers: Jessica and Nick Style: West Coast Swing Choreographer:Benji Schwimmer Song: “Respect (Live Feb 5 1971)” by Aretha Franklin
My thoughts: Fantastic. That was sooooo fast. Nice to see Benji on as a choreographer.
The judges: Mary was exhausted. She thought Jessica needed to be more grounded. Misty found it entertaining. Misty told Jessica that she needs to be aware of her neck, that her chin was almost touching. Nigel thinks Benji was a bit mean on the pair of them because he was asking a great deal. He gave pointers to them to improve. He felt Jessica over-exaggerated, her face was doing too much tonight.
Dancers: Carly and Serge Style: Contemporary Choreographer: Sonya Tayeh Song: “Latch (Acoustic) by Sam Smith
Story is about unbreakable love.
My thoughts: A few goosebumps. I am not sure what it was. It was beautifully danced, but there was something missing there I can’t seem to place my finger.
The judges: Misty thought it was wow. It was a moving performance. Nigel said it was the first time tonight he has felt an emotional connection between the dance partners. That was the best he has seen Serge dance outside of his genre. Mary was crying. She was not expecting that from Serge and it just got her.
Dancers: Emily and Teddy Style: Hip hop Choreographer: Dave Scott Song: “Don’t” by Ed Sheeran
My thoughts: I thought Emily was looking too much out at the audience and not enough at Teddy especially since this was supposed to be a flirtatious dance. She was not getting down–too stiff in her upper body and not bent enough in her lower.
Judges: Nigel said Teddy’s body moved more than his eyebrows tonight which was incredible. Nigel points out what I was seeing about Emily. She needs to get that chemistry with her partner before performing for us. Mary thought it was cute. She did not care for the ticking at the end. Misty enjoyed it. She felt Emily was committed and she will get more comfortable doing different genres. She thought Teddy was awesome.
Dancers: Malene and Stanley Style: Broadway Choreographer: Spencer Liff Song: “I’ve Got Your Number” by Nancy Wilson
My thoughts: It was good but oddly my eyes were going towards Stanley who was doing the better job. After seeing all the routines through the end of the evening, this one was my least favorite.
Judges: Mary loved the concept. She adored the first 20 seconds of it but halfway through she wanted them to throw the phones down. Misty thought Stanley needed to think about the big picture and not about himself. She didn’t see much of a partnership going on. Nigel felt that they both got the wrong number. There was no chemistry between the two of them.
Dancers: Jourdan and Marcquet Style: Jazz Choreographer: Sean Cheesman Song: “Work Work” by Britney Spears
Sexy interrogation between interrogator and her agent.
My thoughts: That was some interrogation!
Judges: Misty thought it was fun but had some pointers for Marcquet. She told Jourdan she made her proud as a ballerina. She was fierce and she loved it. Nigel agrees. He pointed out that Jourdan was smiling and he does not know many interrogators that smile. Mary said it was nice to see Jourdan out of her comfort zone and loving it.
Dancers: Brooklyn and Casey Style: Argentine tango Choreographer: Miriam Larici & Leonardo Barrionuevo Song: “Gallo Ciego” by Luis Bravo’s Forever Tango
My thoughts: Loved it. Mary can comment about technique better than I can.
Judges: Nigel thought they were tremendous. Mary said she was surprised at her maturity during this routine. Casey nailed it. Misty thought he was committed and she was sexy. She would like to see more assertiveness in where her weight is, between her hips versus one leg or the other.
Dancers: Jacque and Zack Style: African jazz Choreographer: Sean Cheesman Song: “Dibiza (Kick *** Mix) by Danny Tenaglia
Warriors that come to life out of ancient art.
My thoughts: Was it fun? Yes. Did I believe they were warriors? No. Their face may have read “I am fierce” but the dancing said no. I felt like it needed to be more hard hitting–that it required them to absolutely lose control. I could tell they were tired. It must require so much energy to dance with that intensity for any length of time.
Judges: Mary was on her feet. She thought Jacque was animalistic and down into it. She thought Zack was a beast. She puts them on the hot tamale train. Misty thought Jacque made the right choices when it came to her body. She pointed out that she needed to do less with her mouth (being fierce). Zack impressed her. Nigel said it was one of his favorite routines tonight.
Dance Crews
Syncopated Ladies danced to “***Flawless” by Beyonce featuring Chimamanda Ngozi Adichie . I liked it.
Going Home
Malene and Nick are going home. I think that is fair based on how they danced this evening. I worry that Stanley will be in the bottom 3 next week because of the feedback from the judges and the routine.
Wednesday night was a celebration of the best dances of the season. It was also announced that So You Think You Can Dance will be back for Season 11. As Mary Murphy would say, “WOOOOOOOOOOOO- HOOOOOOOOOOOOOOOOOO! Put THAT on the hot tamale train.
We were also treated to new dances. Dominic “D-Trix” Sandoval from season 3 is now part of the new movie, “Battle of the Year” which showcases unscripted live acts. Dominic’s crew, choreographed by Dave Scott, served up an extraordinary dance routine to the song, “Fast Man (Z-Trip Remix)/Know The Ledge” by The PC’s Ltd./Eric B. and Rakim. It was like a mixture of dance and martial arts especially with those kicks.
Napoleon and Tabitha D’Umo had the top 20 dancers, Mary Murphy, Nigel Lythgoe and some of the other choreographers dancing to “Puttin’ on the Ritz.”
Mary and Nigel also danced alone to “Let’s Get It On” by Marvin Gaye, when Adam Shankman crashing the party.
But we get down to the winners: Congratulations to Amy and Fik-Shun for winning.
Amy and Fik-Shun
To Aaron and Jasmine and all the other contestants: Remember that not everyone can take the prize home. It is what you do with the opportunities that present themselves from this point forward that truly will determine your life-long success in dance. There are so many contestants who did not win on the show, who have had extraordinary success: Travis Wall, Dominic Sandoval, Stephen ‘tWitch’ Boss, Alex Wong, Robert Roldan, Lacey Schwimmer, Mark Kanemura, Kathryn McCormick just to name a few. Just BE AWESOME.
Song: “Hlohonolofatsa” by Soweto Gospel Choir
Choreographer: Sean Cheesman
Goosebumps! What a joyous dance. It is wonderful, too, to celebrate African-American roots with the 50th anniversary of Martin Luther King’s “I Have A Dream” speech.
Need for control and power between a woman and a man. I smiled the whole way through. It sizzled. Tyce was smart to choreograph this to Paul’s strengths.
The judges: Not standing. Nigel thought it was a great routine. He said week after week he has shown he can do anything. Mary said Paul has charisma and talent, and it was a great way to get the show started tonight. Jesse is happy that they bypassed who might be in the bottom and went straight to the dancing. He thinks this top 6 is an insanely talented group of people (I agree). He has been so pleased seeing him grow since his audition. He also will now wear leather pants more (Jesse is a riot–love him on the judges’ panel).
Dancers: Hayley and all-star Joshua Allen
Style: Hip-hop
Choreographers: Tabitha and Napoleon D’Umo
Song: “Work Hard, Play Hard” by Wiz Khalifa
Ex-champ coming back to train the new kid. I was distracted by her facial movements but she did pretty well. I liked the slow-motion moves. I just don’t buy into her tough angry face because right behind it you can tell she is smiling. I prefer a smiling Hayley and the contemporary-dance-serious Hayley.
The judges: Not standing. I was a little worried we would see a standing ovation for every dance tonight. Mary said what a way to fight to stay in this game. Mary said Ali said it took skill and will and Hayley definitely has the will. She was as strong as she had ever seen anyone doing hip-hop. Jesse said that was the greatest work-out video of all time. She has been consistently awesome this entire season. Nigel said Hayley reminded him of Hilary Swank in “Million Dollar Baby.”
Dancers: Aaron and all-star Melanie Moore
Style: Broadway
Choreographer: Spencer Liff
Song: “Faith” by George Michael
A couple totally in love but they know how to push each other’s buttons. I love Melanie’s straightened hair! Aaron rocks. He is my choice to win for the guys. OH NO!!!!!!! Dropping your partner can’t happen! I was so worried she hit her head.
The judges: I love Melanie for sticking up for him. Jesse said you dropped her and she got even more mad at you. He looks forward to the day when everyone on the show is forced to do tap or ballet. He thinks he has risen more tonight with Melanie. Nigel likes Melanie’s hair too. What a great idea for a routine, not that it happens in real life with people dancing and arguing like this (which he thinks is why now he has an ex-wife) and Jesse chimes in, “Did you drop her on her head?” He wants Aaron to lower his shoulders. Mary brought up his injury and he did not want to use that as an excuse and Nigel thinks holding his shoulders up might not be helping. If Mary had to partner with dance during the entire show it would be him. (MARY–how about during the finale results show?).
Dancers: Fik-Shun and all-star Witney Carson
Style: Foxtrot
Choreographer: Jonathan Roberts
Song: “Sexy Silk” by Jessie J
Good thing there is no voting tonight because the foxtrot would not be popular. He gets an A for effort and an A for personality. I like how the choreographer put a Fik-Shun footprint in it with that sidestepping.
The judges: Again not standing. This pleases me. Mary pointed out he had some rough spots but also pointed out the good points as well. Jesse thought Witney was doing more leading but so was Mary at his wedding. He also was doing the “white man’s overbite.” He thinks he is amazing. Nigel said this was not particularly strong and said the vote from last week will carry over to next week (did he just give it away that he makes it into the top 4?). He gave him pointers of where he can improve. He complimented him on his solo tonight.
Dancers: Jasmine and all-star Neil Haskell
Style: Contemporary
Choreographer: Tyce Diorio
Song: “Unfaithful” from Unfaithful (Soundtrack)
People’s lives being wiped away by natural disaster. I got goosebumps watching the rehearsals (deep breath). Definitely the biggest goosebumps I have gotten all season and then came the tears. We are coming up upon the 5th anniversary of Hurricane Ike here and I have loved ones who were affected by Hurricane Sandy in the northeast. That hooking-foot move was impressive because it is counterintuitive.
The judges: Rightfully on their feet. Nigel said she continues to steal his heart. He can see her signing up with a company as soon as the tour is over. Mary is crying. She said it was seeing rainbows in your soul when you have tears. She thinks Jasmine is spectacular and has been amazed by her whole journey. She said the history books will tell the stories about what happened, but dance will tell us how we feel. Jesse said it is easy to get behind a piece that has social relevance but you also have to have the heart and humanity behind it and they both had it. She has become his favorite dancer this year.
Dancers: Amy and all-star Alex Wong
Style: Bollywood
Choreographer: Nakul Dev Mahajan
Song: “Munni Badnaam Hui Darling” from Dabangg (Soundtrack)
The girl is a Bollywood bombshell diva. Alex is her servant. They are in love and in their world it is unacceptable. They too missed a connection early on that did not have potential disastrous results. Those knee turns made my knees hurt. Was it as well as Melanie Moore could have turned up adult diva? No, but it was still fun and she did a great job.
The judges: On their feet. Mary said it was crazy. It had great athleticism. The knee spins were nuts. Jesse said good golly Miss Bollywood (and cringed at his own corny comment). He needs a massage after watching that. It was insane. Nigel said all these routines (Bollywood) always make him smile. He reminded us that this is the style of dance on which Alex tore his Achilles heel. It was incredible and he had never seen a Bollywood routine that was so demanding.
Dancers: Hayley and Paul
Style: Contemporary
Choreographer: Dee Caspary
Song: “I’m Gonna Be (500 Miles)” by Sleeping At Last
A man reassuring a woman that he will be there for her. Goosebumps! You would never know that they have never danced together before if you were not told. That was so beautiful. Paul–you did not look like you were out of your element at all!
The judges: Jesse and Mary were standing. Dee looked like this was very personal to him as I saw tears in his eyes after they were finished. Jesse said he is so stressed out that people have to leave tonight. He thought it was amazing. The love and trust that they have for each other from this shared experience on the show was evident. He was going to keep this Carly-Rae-Jepson short–it was amazing. Nigel loved the flow of the movement. He said it validated for him that they are complete dancers. Mary is hoping they become a real life couple because they are so cute together! Their connection together was so friggin’ amazing. She commented on the contrast from Hayley’s other number tonight.
Dancers: Amy and Fik-Shun
Style: Hip-hop
Choreographer: Dave Scott
Song: “Lemme See” by Usher featuring Rick Ross
The woman shopping and showing off what she got. I think Amy channeled the sexy better in this dance versus the Bollywood number. I really enjoyed that.
The judges: Nigel said they have this wonderful chemistry brings out the best in both of them. He took a swipe at Miley Cyrus saying that this just proves you don’t have to put it in someone’s face to be sexy. Twerking! Mary said it is fabulous to have the dream team back together. The body rippling was so right on it was ridiculous. They have the ability to make us feel the movement. Jesse said he was heartbroken when the all-stars came in and broke them apart but happy to see them reunited tonight. Fik-Shun is a mega star. His solo erased the image of Miley twerking in his mind. The two of them together is so special and so spectacular. He thinks Amy is small enough to go into his pocket and he just loves that.
Dancers: Aaron and Jasmine
Style: Jazz
Choreographer: Sean Cheesman
Song: “Mirror Mirror” by Lord KraVen
A man who appears to be vain but is mesmerized by this woman in a mirror only he can see. The woman is so obsessed with herself that her essence got trapped in the mirror. In rehearsals Aaron had trouble flipping Jasmine over his head; I bet that move disappears on the final product. Aaron is wearing GUYLINER! The mirror reflection of this dance was the co-star with these two. Aaron needs to refrain from singing the lyrics, although I love him so I am just teasing. (So inquiring minds want to know if he’ll be trying out for Idol or X-Factor or???) That leg move that Jasmine had where it went 120 degrees over was sick. I was right–they got rid of that move and it wasn’t really necessary. I think in the end, Jasmine chewed up his essence and spit him back out again.
The judges: Standing. Mary thought it was a phenomenal concept. The two of them have such a deep conviction dancing together. She touched on Jasmine’s beautiful solo and how there is a class and artistry in everything she does. Aaron was such a strong partner. The synchronization part on the mirror was just out of this world. Jesse agreed with all that. He called her a protractor. She is just a crazy robot and he hates her and loves her and hates that he can’t be her. To Aaron he said last time he got so tongue-tied because he is such a fan and then gushed and blurted out that he has a crush on him. Cat said it was the guyliner. Jesse was turning all sorts of shades of red. Jesse said Aaron looks like his husband. Aaron could not stop laughing. Nigel said like Amy and Fik-Shun they complement each other so well. Nigel complimented him on his tap solo. He noticed that Aaron kept his shoulders down in this routine with Jasmine and Aaron was excited he noticed. Nigel could not believe what Jasmine did with her legs. He remembered doing that to his sister’s dolls right before yanking their heads off. He thought it threw the gauntlet down to others in the competition saying “Beat that!”
Solos
Amy danced to “Anna’s Theme” from The Red Violin (Soundtrack). Breathtaking! Major goosebumps! Her extensions and lines were exquisite. Fik-Shun danced to “Look At Me Now” by Chris Brown featuring L’il Wayne and Busta Rhymes. Fantastic animation and I thought I was double-jointed! Jasmine danced to “Outro (Amazing Grace…Dedicated to Andretta Tillman) by Destiny’s Child. Goosebumps!!!! Jasmine for the win! Paul danced to “Mamba Negra” by Huecco. You know what I love about apart? He makes you smile because he just loves to dance. Hayley danced to “Be Mine (Acoustic) [Live At The Cherrytree House] by Robyn. She dances beautifully but I do have one criticism–they always look the same and too much of it is usually rolling on the ground. I really like to see things that they have learned on the show incorporated into their solos. Aaron tapped to “Use Me” by Bill Withers. Whoa! Superb. Aaron for the win! I cannot even begin to know how difficult that must have been (and the judges gave him the only standing ovation during solos).
Top Four Revealed
Aaron, Jasmine, Amy and (sad face) Fik-Shun. That ruined my almost perfect record of picking who was leaving. I like Fik-Shun, I do, but Paul is the better dancer. What? It is only going to be one winner this season and not favorite girl and favorite guy? Don’t make me pick between Aaron and Jasmine. That is just not fair.
8/29/2013 Update: I just saw a commercial for the show on Tuesday and it is favorite guy and favorite girl, so I won’t have to pick between them. Phew!
Song: “The Gravel Road” by The Village (Score from the motion picture)
Choreographer: Christopher Scott
Dancing with props is so difficult but that was so beautifully done. I felt the angst and raw emotion of the piece. I don’t know the story behind it, but I felt it was possibly that the couples just lost a baby and the pain of that loss. Of course that feeling comes from my own experience with that.
Tucker is automatically in the bottom because of his inability to perform because of his injury. Joining him are Makenzie, Nico, Jenna. Nigel is going to skip seeing them do their solos and go straight to the all-stars. I like that idea very much.
All-Star Couples
Dancers: Amy and All-Star Brandon Bryant
Style: Disco
Choreographer: Doriana Sanchez
Song: “I Will Always Love You (Hex Hector Radio Mix) by Whitney Houston
Doriana has created a brand new move called the disco location. Amy looked like she was having a blast out there. I would be throwing up on stage with all those spins. Brandon has some major guns on those arms and the moves are effortless. The death drop at the end where she was just inches from the ground made me gasp. I don’t know how dancers do that. Brandon has his back turned to her so he is death-dropping her from behind so how does he know when she is close enough but her face is not smashing the floor?
The judges: Mary is not crazy about the song but is crazy about Amy. Debbie loved it. She thought they were paired well in their energy and size and spirit. Nigel thinks Amy is vivacious. She stood out more than the disco ball did.
Dancers: Fik-Shun and all-star Melanie Moore
Style: Jazz
Choreographer: Mandy Moore
Song: “Feeling Good” by Jennifer Hudson
Ex-lover of a performer returns to town and things get steamy. Melanie looks stunning. It was a great number, but after seeing Aaron perform, it was a little novice. I did not buy into the chemistry. It felt fake. The dance moves were fun. He did wreak attitude and that was well done.
The judges: Also on their feet. Nigel thought it was fantastic. He is proud of Fik-Shun. He well he kept up. Mary thinks he is growing every week. Debbie said that they can say his name is Fik-Shun but that was real tonight.
Dancers: Aaron and all-star Kathryn McCormick
Style: Contemporary
Choreographer: Stacey Tookey
Song: “I ‘m Kissing You” by Des’ree
It is about unconditional love. About 15 seconds into the song I got goosebumps. The damn goosebumps stayed the entire song. As Stacey said it is not about the moves but the emotion in the moves. Their connection for just having met was amazing. It was as if they were dancing together their entire lives. There was love and passion and depth. Aaron–YOU ROCK! There was a little mess up at the end when he had to pick her up that should have been a fluid move but I am nitpicking at this point. I think he might wind up being the top 2 dancers in the finale. Then he was talking about how much he had learned from her and that she took him to a whole new place in his dancing and that made me start crying. He is so humble and so filled with joy. I think that is why I like his energy so much. And to think, he was not going to be on the show until that other person left because of an injury. It’s destiny baby! Fate is calling.
The judges: The judges were standing. Debbie said call the fire department because there is fire going on on this stage right now. She thought it was a magical pairing. Aaron has grown so much over the weeks tonight he has raised the bar in the competition. Nigel felt it too that it was like they were dancing forever. He said that the look in Kathryn’s eyes at the end said that she knew he was something special. Mary agrees with everything that has been said. She thinks Aaron is one of the most captivating dancers ever on the show.
Dancers: Paul and all-star Witney Carson
Style: Cha-cha
Choreographer: Jean-Marc Généreux
Song: “Live It Up” by Jennifer Lopez
It was a fun routine that sizzled at times, but I think there were some misses in the moved, like missing her hand. Was she supposed to be in the floor? Maybe but I thought the move was going to be a drop to just above the ground. Happy birthday Paul! He turns 22.
The judges: On their feet again. Mary said he can dance his patootie off. His foot work is clean and precise. He is on the hot tamale train. Debbie said this was his element and they expected him to soar. It was beautiful and seamless. Nigel thought they were born for each other. He has personality and technique.
Dancers: Hayley and all-star Stephen “tWitch” Boss
Style: Hip-hop
Choreographer: Christopher Scott
Song: “Locked Out of Heaven (District 9 Remix) by Bruno Mars
Bank loan applicant meets loan officer Hayley. Her hip-hop is not good but you tend to overlook it during her sexy-loan-officer moves. I was watching tWitch more. Christopher Scott made up for her lack of being able to loosen up with these staccato-like movements.
The judges: Debbie felt when she pulled her hair out, she rose to the occasion. Debbie was watching tWitch, too, more. Nigel said it was great fun and calls her a dark horse. Mary thinks she is following in tWitch’s tracks and agrees with Nigel. She loves her.
Dancers: Jenna and all-star Neil Haskell
Style: Contemporary
Choreographer: Mandy Moore
Song: “I Can’t Make You Love Me” by Mark Masri
A story about breaking up. The lift and turn was great. The acrobatics were great. Jenna and Neil were both filled with emotion but I did not believe they were in a relationship, not in the way I believed in Aaron and Kathryn earlier. I think Jenna was trying to make it happen but Neil was not reciprocating. No goosebumps.
The judges: They were on their feet again. Nigel loved the fluidity in the movement. Mary agrees; the movement was perfect. Debbie says that she sees someone who is one of the most gifted dancers.
Dancers: Jasmine and all-star Marko Germar
Style: Jazz
Choreographer: Ray Leeper
Song: “Blurred Lines” by Robin Thicke featuring Pharrell
Ray said they had to look like one person but their movements were not (microseconds but not exact). It got better as the song went on though. I love this song. That was a barrel of fun.
Judges: They were on their feet again. Mary was drawn to Jasmine in the performance. The only thing missing from the video of the song of the summer was them dancing in it. Debbie could not keep her eyes off Jasmine. Nigel thought at some points he was reminded of Michael Jackson and sometimes other people back in history. He did not know if he was actually looking at two all-stars.
Dancers: Makenzie and all-star Jakob Karr
Style: Broadway
Choreographer: Spencer Liff
Song: “Too Darn Hot (RAC Mix)” by Ella Fitzgerald
This was a dance about attitude versus tricks. Makenzie did a great job. It is going to be hard to decide who goes home between her and Jenna.
The judges: They were on their feet again. Debbie loved it so much and compared her to Cyd Charisse Nigel said they have the best pair o feet he has ever seen. Mary said it was so darn hot. Nigel chimed in that it was more Rita Hayworth than Cyd.
Dancers: Nico and all-star Comfort Fedoke
Style: Hip-hop
Choreographers: Tabitha and Napoleon D’Umo (Nappytabs)
Song: “Get UR Freak On (Amended LP Version)” by Missy Elliott
This was reptiles on the prowl. Nico looked like a white boy trying to find attitude and dance moves in the hip-hop style. It was fun, but there have been so many other dances so much better than this tonight.
The judges: Finally, they are not giving them a standing ovation. Nigel things the audience loved the routine a little more than he did. He complimented him on getting into character. Mary thought he got his freak on. Debbie enjoyed it. She felt like she was in Jurassic Park.
Dancers: Tucker and all-star Robert Roldan
Style: Contemporary
Choreographer: Travis Wall
Song: “Medicine” by Daughter
Two brothers–one hits rock bottom and the other helps. It was done with a nod to his brother Danny Tidwell, but Tucker was in a car accident where he was paralyzed for awhile and Robert apparently had a brush with death from a serious fall. In fact, back in June of 2012. In September of 2012, Robert tweeted this: The Reason I Will Not Be An All Star: This past June my life was almost ended. One night I had a major accident that changed my life. I injured myself very badly and to the extent where I had to be rushed to the hospital immediately. This accident has caused me to be unable to dance which is why I’m writing this letter. Every doctor that I have been to since has said “wow…you’re lucky you are alive..” or “people with kind of accident are usually are pronounced dead on the spot..” Therefore I just want to tell everyone single one of you how much your support and encouragement means to me. It makes me fight through this bump in the road. The kind things you have said to me and things you have done for me truly mean the world. One day I will be back on my feet and dancing and doing the things I love to do. In the mean time I am so lucky to be living breathing and opening my eyes every day. I will never take anyone of you and your support for granted because every single one of you are important weather I know you or not. You have made my journey from SYTYCD to now more than a dream and I can’t thank you enough for it. Always cherish the things that you have, even if they are the smallest things because it can all be taken away in the snap of a finger. My heart goes out to each and every one of you with so much thanks! This is not the end. God has a plan. I won’t give up till I’m on that stage again. Much love and thanks, Robert.”
I was welling up in tears within a few seconds. What an amazing idea pairing them together. There was a spot in the middle where they were supposed to be in-sync that they weren’t, but you know what? It just doesn’t matter. That was so beautiful, so exquisite, and so emotional. What a brilliant job. Travis Wall–you ALWAYS get to me.
The judges: Standing as they should be. I think Nico is going home. Mary was crying. She talked about their amazing journeys and triumphs and gave it over to Debbie because she could not speak anymore. Debbie said she did not know how he could be on the bottom but he was on top now. Nigel said all the stars were aligned and it created this piece that will always be remembered on the show.
Going Home
Makenzie and Nico will leave the show tonight.
My Top Picks
For the guys, it’s quite easy: Tucker and Aaron. For the girls, definitely Jasmine, but I’m torn between Amy and Jenna.
That is a unique pairing of styles! I enjoyed it. It wasn’t my absolute favorite but it was different.
Judges For Tonight
Cat has bad news. Curtis injured his shoulder and the doctors said he cannot perform this week. Nigel, Mary and guest judge Anna Kendrick.
Bottom 6
Jasmine, Alan, Alexis, Curtis, Makenzie, and Nico. Jasmine? Are you friggin’ kidding me America? This is a GROSS injustice. She is one of the top 3 girl dancers! The judges do not want to see any of the guys dance a solo. Makenzie is going back to safety. Jasmine and Alexis are dancing solos. Jasmine is phenomenal, so you know at this point Alexis is going home.
Alexis dances a wonderful tap routine to the song, “Stand By Me” by Ben E. King. She is a wonderful tap dancer. Jasmine dances to “Endangered Species” by Dianne Reeves. She is a force of nature. She is safe. If she is not, then I question the wisdom of the judges.
Couples Dance
Dancers: Jenna & Tucker Style: Hip-hop Choreographer: Luther Brown Song: “Slight Work” by Wale featuring Big Sean
Jenna did a better job than Tucker but I did not like the routine. Personal taste issues. Tucker was too stiff. Jenna was less so but still needed more. The bendover-bottom move will get some votes. Also dance moves that Tucker needed to be tighter and more hard-hitting in fell flat. I was bored. My interest was re-ignited when they went to the platform, but it was short-lived.
The judges: Nigel thought it was unconvincing. Mary agreed but paid them some compliments. Anna thought it was not their strongest but it was a little cute.
Dancers: Alexis and Nico Style: Contemporary Choreographer: Sonya Tayeh Song: “Ashes” by The Bengsons
The story is it is at the point of a relationship where it all falls apart. it was fantastic. Alexis really channeled some intense emotions. I always love Sonya’s routines but it did not elicit goosebumps. I found my eye drawn more to Alexis this time than Nico.
The judges: Mary gave specifics about what she loved and thought it was spectacular. Anna said it was lovely. Nigel felt that Sonya gave them a vehicle to show emotion this week.
Dancers: Hayley and Curtis Style: Tango Choreographer: Miriam Larici and Leonardo Barrionuevo Song: “Estes Es El Rey” by Juan D’Arienzo
The story is that they meet for the first time on the dance floor. Leonardo is subbing for the injured Curtis. And THAT is what it looks like when dancing with the real deal. It was fabulous. Still did not give me goosebumps but I think Curtis really would have had trouble with the lifts even without a shoulder injury.
The judges: Mary was on her feet. Anna felt if she had Hayley’s body just for one day she would be invincible. Nigel felt she nailed it and it was stunning. Mary said it was impressive and gave the more technical descriptions of the dance. Mary wants to be her today too so she could dance with Leonardo.
Dancers: Makenzie and Paul Style: Jazz Choreographer: Sonya Tayeh Song: “You’ll Find a Way (Switch & Sinden Remix) by Santigold
I loved it 5 seconds into the song. I knew then it was going to ooze sexy and sultry and heat and passion. I got my goosebumps on.
The judges: Nigel said they were brilliant. Mary feels the same. She enjoyed every second of it. Anna felt Paul was pulling an MVP and Makenzie was powerful in this.
Dancers: Jasmine and Aaron Style: Contemporary Choreographer: Justin Giles Song: “The District Sleeps Alone Tonight” by Birdy
A piece based on “The Giving Tree.” I already have goosebumps and I haven’t even seen the dance yet. I am already welling up with tears in my eyes and they have not started dancing. It is without a doubt my favorite book of all time. It is even more special in that I got to read this book to my niece’s classroom on one of my trips up to New Jersey, a special honor I will cherish forever. Because of the severity of my son’s autism and my first child dying I never got to experience many things that parents with neurotypical children get to do in regular classrooms. My damn mascara is running and I now have raccoon eyes. Ugh. Okay, let’s get past the first 5 seconds or their practice. Deep breath. My goosebumps runneth over. That was my favorite routine of the night.
The judges: Mary gives props to the prop and to them for making it look effortless. The dance was endearing and she loves watching them dance. Anna believed the emotions. She loves Jasmine’s grace. She told Aaron that she roots for him. And she wants a piggyback ride on Aaron’s back. Nigel tells them the story. He feels that as partners they have unconditional love for each other just as the tree had for the boy. He loves them as a couple (and so do I).
Dancers: Fik-Shun and Amy Style: Hip-hop Choreographer: Christopher Scott Song: “Let’s Get It On” by Marvin Gaye
Fik-Shun orders the catch of the day at a restaurant (which is Amy). This was fun and quirky and flirty.
The judges: Anna thinks they are cute. Amy is her favorite dancer on the show. Nigel felt it was tremendous. He worries that they are playing similar characters each week. Mary agrees with Nigel and Anna. She did not want it to be over.
Dancers: Malece and Alan Style: Salsa Choreographer: Jonathan Platero (season 5 contestant) Song: “Pa’ Los Rumberos” by Tito Puente and His Orchestra
This dance had a lot of acrobatics and tricks but I was bored. Sorry I am just not excited by ballroom most of the time. It’s like country music for me–every now and then I pay attention but it takes a phenomenal song (or in this case dance).
The judges: Nigel thought it was well choreographed and danced. Mary said the routine was insane. Anna said it made her want to take lessons or have an affair on a tropical island. She wants them to make a baby.
Dancers: Malece, Curtis, Alan, Jenna, Nico, Hayley, Makenzie Style: Broadway Choreographer: Spencer Liff Song: “Come Together” by Joe Cocker (Across The Universe Soundtrack)
Spencer substituted for the injured Curtis. I enjoyed that. I never heard that version of the song before. Very sexy. I don’t know why Mad Men was springing to mind because I have never watched the show, only promos. Spencer looked like he really enjoyed doing that.
The judges: Anna wanted to give a shout-out to the steady-cam operators. She also gives the group kudos. Nigel said his eye was on Spencer. He thought the girls were tremendous. Mary thought Spencer was great. She thought the girls killed it.
Dancers: Aaron, Amy, Paul, Jasmine, Tucker, Fik-Shun, Alexis Style: Contemporary Choreographer: Bonnie Story Song: “Tears of an Angel” by Ryandan
A story about being bullied and people walking by and ignoring it. No words, only tears. That was so beautiful. It was SO powerful.
The judges: They were all on their feet. Mary thought it was a beautiful piece. Anna thanked all of them and thought it was fantastic. Nigel called attention to cyber bullying (Oh gosh Nigel if you only knew, and some of those bullies pretend to be victims in a sick, twisted way to control people insidiously).
Who goes home
Curtis and Alexis are going home.
Who is in the bottom this week/my picks
I hate to keep picking on Alan, but–fooled you. This week Tucker is on the bottom and that may be just because Alan got a dance in his own style this week. Nico might also be in the bottom 2. For the bottom girls, I am going to have to say this week Malece and Jenna and only because the other girls were just a little bit better.
I got goosebumps. It did not surprise me that it was in part choreographed by warrior woman Sonya.
The judges
Paula Abdul and Erin Andrews joined Happy Birthday boy Nigel Lythgoe and Mary Murphy to judge tonight’s group of dancers. Cat says that last week’s format was not received well so they are changing it back to reveal the dancer who is going home at the end of the show. Jade has to have surgery (so I am guessing he is the male competitor going home).
The Bottom 3
Jasmine Mason, BluPrint, Jenna, Curtis, Alexis, and Jade. Nigel informs them that with Jade being unable to continue in the competition, BluPrint and Curtis can continue and do not have to dance for their lives. They, however, are going to ask all 3 ladies to dance for their lives in routines in their style. The decision will be made at the end of the show. Alexis is up first, tapping to “Try A Little Tenderness” by Otis Redding. I loved it. My ankles hurt for her. Jasmine danced to “10 Seconds” by Jazmine Sullivan (Jasmine dances to Jazmine–that’s kind of cute!). Here is the thing I have issues with. They come on the show and get exposed to all these terrific choreographers and I never see what they have learned incorporated into their solos. They revert back to what the judges call self-worship and rolling on the floor. Finally Jenna dances ballroom to “Wild” by Jessie J featuring Big Sean. This routine had life. I appreciated that she did not do the self-worship stuff in a Latin routine. Clearly I feel that Jasmine’s was not the best one.
Couples
Dancers: Amy and Fik-Shun Style: Paso Doble Choreographer: Jean-Marc Genereux Song: “Tactical Dominance (Orch Hybrid Version) by Jack Trammell
Ten seconds in and I completely loved it and got chills. They had my complete attention. I am not a ballroom expert and usually I yawn through a lot of them, but not this. Fik-Shun had a few moments when his lines were not perfectly straight, but for this not being his genre, he did a tremendous job. I still cannot get over how much Amy could pass as a cousin of Melanie Moore especially when she is smiling.
The judges: Mary loved his passion. Technically it needed a bit of work but it seemed like her enjoyment overall is going to let those issues slide. She felt that Amy is a warrior princess. Erin said it is the chemistry and connection they have together. She felt they set the tone for this evening. Paula felt they committed to the feeling that was necessary for the routine and made them believe in it. Paula said she would have had Amy in the front center if she was around during the days Paula did choreography. Fik-Shun was apparently on Paula’s show when he was 16 (that’s interesting). She is so proud of him. He has studied and grown and done his homework. Nigel said they demand attention when they come in stage, a hallmark of a great performer. Nigel suggested to Fik-Shun that he relax his shoulders.
Dancers: Jasmine H. And Aaron Style: Broadway Choreographer: Spencer Liff Song: “They Just Keep Moving The Line (SMASH Cast Version) by Smash Cast featuring Megan Hilty
Broadway always seems to get the dancers in trouble on this show. I think the young voters appreciate contemporary and hip-hop more. The story is that Aaron is a detective on a case and Jasmine is the victim whose spirit appears. This played to both their strengths. It reminded me of a soft-shoe style and Aaron excelled in that. I believed Jasmine was a spirit reconciling the fact that she was dead. They are another power couple who have fantastic chemistry together. There was a lot of shouting going on from the audience in favor of the style they delivered. I think this was a winner.
The judges: Erin thought it was fantastic. She thought that during rehearsal Aaron was overshadowing Jasmine but not tonight. She thought Aaron made the dance effortless. Paula felt like it reminded her of the dancers of the past who were under MGM contract during that era. He was grounded yet graceful. She thought both did an amazing job. She added that Jasmine reminded her of Cyd Charisse. Nigel said they could have graced the streets of Broadway with every bit of elegance in which the pros are now dancing. Mary said this week it was all about the legs. It was about style and class. They gave 100% and captured what Spencer wanted.
Dancers: Makenzie and Paul Style: Contemporary Choreographer: Lindsay Nelko Song: “No Day But Today (Live from Soundstage)” by Idina Menzel
The story of the dance is that Makenzie is dying and Paul has to come to terms with that. They immediately got into character before the music even started and it moved me. Wow this is a tough night! Everyone is bringing their “A” game. I sobbed. It is an amazing thing to witness when the dying are always the ones to console us when it should be the other way around. I always love Idina Menzel singing. I have adored her since I heard her in “Wicked”. Lindsey is going to be a great addition to the choreographers on the show.
The judges: Paula thought it was a beautiful dance. Poor Paula called him Alan. Nigel felt they kept the technical ability to the piece and brought in the “something else” that is necessary to do their routines. Mary loved it and she was crying. She said Makenzie was liquid gold. Paul surprised her–he finally gave an honest performance. Erin thought it was fantastic was well.
Dancers: Jasmine M and Alan Style: Jazz Choreographer: Shawn Cheesman Song: “Veins” by Charlotte Martin
This is about the mundane life of being a royal. It was very quirky with some tricks. I enjoyed it. Jasmine performed much better here than in her solo but I still think she is going home.
The judges: Nigel thought it was very “Prince William and Katie.” Nigel steals my word “quirky.” He wished they were more quirky with it. Mary loved the beginning and end. Mary agreed with Nigel. Erin agreed with them. Paula loved the routine and thought it was a lot of fun. She also agreed with Nigel and Mary.
Dancers: Jenna and Tucker Style: Hip-hop Choreographer: Keone and Mariel Madrid Songs: “Dangerous (Immortal Version)” by Michael Jackson
Femme fatale meets average guy. I am looking to see if Tucker can let go of his posture and get down with the song. It was lacking the intense hitting you see in this type dance and both were too straight in their posture although they get some points for effort. I disagree with the judges who lavishly praised it. It was okay; it was not the best performance of the night. I am really not connecting emotionally with Jenna or Tucker even though they are technically great dancers in their genres.
The judges: Mary thought it was less hip-hop and more jazz but thought it was great. Erin complimented them. Paula thought it was a hipster kind of jazz and loved it. Nigel thought Jenna reminded her of Audrey Hepburn in a movie with Fred Astaire. It was one of his favorite routines tonight.
Dancers: Malece and substitute dancer Marko Germar Style: Contemporary Choreographer: Sonya Tayeh Song: “In The Embers” by Sleeping At Last
My guess is that Marko is going to elevate her dancing tonight. Before tonight, Sonya said in the rehearsal she was going to have to help Jade but since he has an injury, he withdrew from the competition. Marko saved her for another week. I had not been too pleased with her dancing this season but she did a superb job with Marko. I got goosebumps.
The judges: They were on their feet. Erin thinks Malece is a Tinkerbell. Paula loved it. Nigel said that Sonya said Jade was doing really well this week. Nigel saw the same thing I saw. Marko brought something out in Malece he has never seen before–the woman in her. Mary agrees with Nigel, but she knew Malece would have this moment at some point in the show.
Dancers: Hayley and Curtis Style: Samba Choreographer: Jean-Marc Genereux Song: “Straight to Memphis” by Club des Belugas
Curtis posture was terrible. His lack of experience was grossly evident. He has a wonderful personality though and it carries him through sometimes in these routines. Hayley did a great job. The song was fun and lively. It was not, however, up there on the top of my list of favorites for this evening. Hayley’s lipstick was smeared on her tooth (when they judges were critiquing them).
The judges: Paula thought Hayley nailed the samba hips. She brought fire and ferocity. She gives Curtis a lot of credit being a tap dancer in this, but he needs to work on being a little more grounded and not to be afraid to move her and control her. Nigel said he needed to be the dominant role in this dance, unlike last week when it was right that Hayley was, and he did not achieve that. He looked a little immature. Hayley’s footwork looked good to him. Mary gave Curtis tips about his technique and how to improve that. Hayley was on fire. Erin encouraged Curtis to take the critique and work on it. Hayley was fabulous, a vixen that keeps getting better.
Dancers: Alexis and Nico Style: Jazz Choreographer:Spencer Liff Song: “I Put A Spell On You” by Nina Simone
The story is that Alexis is hypnotizing Nico. Kissing during a routine always gets votes. There were times I felt Alexis was in the dominant role but then sometimes it felt like she slipped out and Nico was in control. I was thinking during this song what it might have been like if Nico put the spell on Alexis but then I laughed that would not be accepted as well. It is okay when a woman puts a spell on a man because she is the seductress, but if a man were to do that to a woman, he is taking advantage of her. For a tap dancer, Alexis did a great job. I think the choreography limited Nico being able to shine completely.
The judges: Nigel liked it. Paula jumped in that Alexis has come back into the forefront for her. Nigel felt Nico was really good. Mary pretended to be hypnotized. Nico was brilliant. Alexis surprised her. Erin was checking on Nigel after Paula play-attacked him. She felt Alexis did well at adapting to a style of dance that is not her strong area. She thought they were more in sync than they were in dress rehearsals, and there was no sleeping about Nico tonight.
Dancers: Mariah and BluPrint Style: Hip-Hop Choreographer:Luther Brown Song: “Bring The Noize” by M.I.A.
Two hip-hop artists doing hip-hop? They better bring it (they do have the pimp spot on the show tonight). The synchronicity suffered in a few places especially in the beginning. I loved it and was laughing so hard when BluPrint pulled his shirt up and the ladies went wild. They are definitely safe this week. It was full of energy. I felt bad for BluPrint after the judges gave their critique. He looked defeated.
The judges: Mary thought Luther did well with all the choreography in there, but she is dying for more of BluPrint’s performance. She thought it was sick tonight (which is one step down from ill. Mariah was just “livin’ it out there.” Erin loved it. She wants Luther to come out with the next work-out video. She agrees with Mary that BluPrint needs to loosen up. She felt it when he lifted his shirt, but they need to see more moments like that. She enjoyed his abs but want to see that from his face. Paula thought they were in sync. There were static moments in the routine when they could breathe, but they have to keep in character. She feels BluPrint is holding back. Mariah’s personality was times 10 and covered for BluPrint sometimes. Nigel agreed with Paula. He added that personality holds a lot of weight sometimes even over great dancers and gave him examples of people who won in the past. It is in his hands what he wants to do. If he does not show his personality soon, he will be going home soon.
The results
Jade by default of his injury will be going home this week. He said the judges and the choreographers are unanimous in their decision that Jenna will be staying. To Jasmine he said that the choreographers feel that there is a lot of self-doubt with her. The judges too feel that at times with her (but not so much tonight). He asked her to try to lose that. The choreographers feel that with Alexis they give her a note but 5 minutes later it is gone. However, Jasmine will be the one leaving this evening.
My predictions for next week
So who are in my bottom 2 for guys and girls? Girls: Jenna. Although I enjoyed Alexis’ dancing tonight, I have a feeling if she winds up in the bottom 3 next week and she does not improve on this issue the choreographers have with her, she will be sent home. For the guys, Tucker and maybe BluPrint if he is not making a connection with the audience but in technique he did well whereas Curtis had a difficult time and this is what Nigel was talking about–personality will carry you far.
Yes it happened again. My DVR did not record the show last week. I think I finally got it fixed though. I still do not like the way we are getting the results. All 20 have to put their best efforts forward even though only 18 will remain by the end of the show. But it is what it is.
Song: “The Heroic Weather-Conditions Of The Universe, part 1: A Veiled Mist” by Moonrise Kingdom (Original Soundtrack) Choreographer:Tyce Diorio
That was fabulous. They look like a real dance troupe that have been working together for years. It is one of those odd dances–like a circus with so much going on you are not quite sure where to look and when you do look you do look out of the corner of your eye you find you are missing a lot.
Yikes! Cat Deeley is already announcing the bottom 3 guys and girls. That is going to either dampen their psyche, or make them dance better in their couples’ routines. Bottom 3 girls: Mariah. Makenzie, Brittany. Bottom 3 guys: Alan, Jade, Carlos.
This season the judges get to save 2 contestants right away. This week it is Alan and Makenzie are saved.
Solos
Mariah danced to “Hard In da Paint” by Waka Flocka Flame. I adore a female hip-hop dancer. Carlos danced a solo to “Radioactive” by Imagine Dragons which I just knew would show up on this season’s show somehow when I heard it. It is the ringtone of my timer on my IPhone. I thought it was a fabulous solo outside of a little but too much rolling on the ground. Brittany danced to “Hacksaw” by Ooah. Was that Ballroom or Jazz? Hard to tell, but there was a lot of self-worship with her hands on her body a lot–something I know the judges dislike from previous seasons’ auditions. Jade danced to “De Novo Adagio (Intro) by Alicia Keys. He is an amazing animator. I felt like he was a maestro pulling on our strings, but in a way it was very smooth like the water. It is very hard to describe.
Oh GEEZ! They are actually telling us who is going home before the couples dance? That is not right at all. I do not like this format. Nigel said he was disappointed in their solos. He did not feel they were dancing for their lives at all. The decision is made by the choreographers’ input as well as what they saw in Vegas and how they feel the contestants would grow. Carlos and Brittany will be leaving the show.
Couples
Dancers: Hayley and Curtis Choreographer: Ray Leeper Style: Jazz Song: “Mama Knows Best” By Jessie J
I loved it when she was pushing him down. What back control and strength. Some of Curtis’ lines need work. I also think he needs to emote more, like Hayley does. It seemed like he was trying to remember the steps too much.
The judges: Nigel could not take his eyes off Hayley but felt Curtis was a good partner. Mary loved it and felt Hayley was a force to be reckoned with on the show. Christina forgot Curtis was a tapper. She felt like maybe everyone should leave to give them some privacy. She gave some helpful points they could take away and put into their work the next time around.
Dancers: Aaron and Jasmine H. (who I affectionately have named #JasTurns) Choreographers:Tabitha and Napoleon Dumo (NappyTabs) Style: Lyrical hip-hop Song: “Tears Always Win” by Alicia Keys
The story is he is a man going in and out of her life. He expects her to be there for him when he does. For a tapper, Aaron does a great job with hip hop. I am so glad he was #11 and someone dropped out because of an injury. There is a lot of chemistry between these dancers. Jasmine conveyed the feelings of being upset with him yet longing for him at the same time. I LOVED it. When he flipped her over into a backbend it was so fluid. It was beautiful.
The judges: Mary loved it. Jasmine is a star. Aaron was sexy. Christina had notes written from the dress rehearsal that she tossed away. She thinks they are the couple to beat at this point. Nigel felt an honesty in the routine. He feels that Aaron is a major asset to the series this year.
Dancers: Malece and Jade Choreographer: Nakul Dev Mahajan Style: Bollywood Song: “Radha” by Student Of The Year (Original Soundtrack)
The girl plays hard to get and the guy woos her back in. I know that every movement had purpose including positioning. Would I know if they made a mistake? Nope! I love Bollywood because it is always interesting and full of energy. It makes me want to get up and move. You have to be in superb physical shape to survive those songs.
The Judges: Christina gave Jade some words of encouragement. Nigel is shocked that Jade picked up the choreography as well as he did. He thought Malece is like a little pixie. Mary felt Jade was having fun and Malece did a really great job.
Dancers: Alexis and Nico Choreographer: Stacey Tookey Style: Contemporary Song: “Old Skin” by Olafur Arnalds & Arnor Dan
This piece is a sequel to Robert Roldan and Kathryn McCormick’s dance from season 7. Kathryn’s character left to go to war; in this piece, she (Alexis) is coming home. These are big shoes to fill. In a sense you can say she had returned from war a changed person quite literally. I cried. I tried to imagine the joy of what real families go through when their loved ones return from war. I think Alexis and Nico found the joy.
The judges: Nigel thinks Nico gets better every week. He felt that Alexis had the hardest job this week because as a tapper they don’t straighten their legs. He felt she did very well but she is going to have to work harder. Mary said they let the music take them some place. She felt Nico was fabulous and Alexis’ performance was so honest. Christina thought it was great and that Alexis has “it.”
Dancers: Brittany and BluPrint Choreographer: Spencer Liff Style: Broadway Song: “It’s Oh So Quiet” by Ice Princess (Original Soundtrack)
Two students in a late-night cram session and they fall in love. The vulnerabilities of BluPrint’s dancing are obvious, but he does get an “A” for trying and being a good partner.
The Judges: Mary adored this piece. She felt like BluPrint was really going to have to make sure the lines get hit. Christina gave BluPrint advice if he gets Broadway again. Nigel agreed with Christina.
Dancers: Jasmine M and Alan Choreographers: Miriam Larici and Leonardo Barrionuevo Style: Tango Song: “Escape From Slavery” by PP Music (UK)
Innocent girl wooed by an evil man. Alan had a powerful male presence but I felt like it was overacting a bit. I believe he did not believe he was evil. The footwork looked good. He did a great job on the lifts.
The Judges: Mary gave them a standing ovation. Christina joined her. Christina thought they had a “moment” like they did last week. Nigel agreed. Mary said it is all about passion and they spilled it all over the stage.
Dancers: Makenzie and Paul Choreographer: Sean Cheesman Style: Jazz Song: “‘Mannequin (Skeet & Tito Remix) by Trish
Mad scientist Paul creates Makenzie. Paul has some good moves there, but he also had some awkward ones, too. His face doesn’t seem to match the story. He looks angry–has that weird pouty face. He also looked out at the audience like you would do in ballroom which I kind of felt was out of place. Mackenzie was doing a great job.
The judges: Nigel loved the routine. He thought they both did fantastic. Mary loved it. She called Makenzie a dance diva without the attitude (hmmm…in order to be a diva you must have attitude). Christina loved it. She urged Paul to get of his carriage in these kinds of numbers.
Dancers: Mariah and Carlos Choreographer: Stacey Tookey Style: Contemporary Song: “Dead In The Water” by Ellie Goulding
Carlos has been in an accident and lost his memory. Carlos is supposed to have this glazed-over look and with the emotion of having to go home tonight, that has to be so very hard to do, but does speak volumes to his professionalism. I could feel the pain in Mariah’s movements. I would never think she was a hip-hop dancer. I got goosebumps! This was so beautiful!
The judges: They were on their feet. Mary told Mariah if she kept dancing like that she will make it to the other side of the rainbow. Christina thought it was like they had an umbilical cord between the two of them. The chemistry was the best she had seen tonight. Nigel said Mariah did a brilliant job at emoting.
Dancers: Amy and Fik-Shun Choreographer: Tabitha and Napoleon Dumo Style: Hip-hop (ratchet?) Song: “After Party” by Dorrough Music
The story is about two bellhops who love their job. For a contemporary dancer, she did a great job. The audience loved booty dances, too. That will definitely bring in the votes. And what I can I say. There is still #TruthInFikshun! (Yes, I first said that on Twitter).
The Judges: Christina loved that so much. She thought Fik-Shun is something special. She thinks Amy brings him up, too. Nigel said he knew that he was going to love this routine. Both of them light up the entire studio when they dance. He predicted if they kept dancing like that this and they would be in the finale. Mary said they were the pre-party, party-party and after-party.
Dancers: Jenna and Tucker Choreographer: Dmitry Chaplin Style: Cha-cha Song: “I Like It Like That (Aaron Jerome Remix) by Pete Rodriguez
Story about a guy who knows everyone in a nightclub and thinks he owns the place; Jenna’s job is to put him in his place. It was very good. It didn’t blow me away but it was respectable. They both played their parts well. It seemed they had the right posture for Latin dancing. It sizzled in spots but it did. It move me emotionally in any direction.
Judges: Mary thinks Jenna is a chameleon. She missed rhythmical action from Tucker. She thought he had it in moments. Christina was thoroughly entertain and loved the story and the characters they portrayed. Nigel felt Jenna did not give enough cha-cha and she was in heroin genre. He actually wanted it to look more like “Dancing With The Stars.” He blames Dmitry.
It is hard to predict who might be in the bottom two. I would say for the guys Tucker and BluPrint. For the girls, Jenna and maybe Malece? Picking out the girls is a bit more difficult.
Tonight our top 10 are paired with our All Stars from previous seasons. The one dancer I am looking most forward to watching tonight is Eliana, with whom she is going to be paired, and seeing her dance. You know that the show is going to reward her from being paired all these weeks with Cyrus. I enjoy Cyrus and I think Eliana has elevated his technique all these weeks; it is time for her to have a chance in the spotlight.
The opening song was choreographed by Tyce Diorio as a tribute to the legend Gene Kelly who would have been 100 years old on Thursday. His wife, Patricia, was in the audience. Tyce also filled in for the slightly injured Cole in the dance routine. The song was “The Cool World Stomp (Reprise)” by Mark Isham.
I have not given Cat Deeley enough love this season. I wish she could host every show (including The XFactor). She is so lovely and seems so genuine in her appreciation of the dancers as her children.
Dancer: Tiffany All-Star: Brandon Bryant (Season 5) Style: Disco (ugh) Choreographer: Doriana Sanchez Song: “You Make Me Feel…(Disco Fries Remix)” by Cobra Starship featuring Sabi
My thoughts: I am not a big fan of this style on the show. It does showcase athleticism and gymnastics, but this is more of a dance in which one participates, not for a competition. They did a great job. Cat Deeley thought it was Saturday Night Fever On Steroids. No, not really. Maybe more like Saturday Night Fever On Starbucks. Tiffany does not even look like she is sweating (I hate her–not really).
The judges: Loved it. They felt Tiffany and Brandon had a great connection and it was a great party. Benjamin said that she had a chance to be fearless tonight because of Brandon’s partnering. He was impressed by the constant level of energy and expressive face.
Dancer: Witney All-Star: Nick Lazzarini (Season 1) Style: Jazz Choreographer:Travis Wall Song: “Sing It Back” by Moloko Necessary story: They are in an abandoned lounge. Witney and Nick are ghosts who are still doing the show but no one is seeing it.
My thoughts: Travis Wall jazz? I am glad I watched it back again because the So You Think You Can Dance app program was irritating the crap out of me (had to put on my reading glasses to read my phone, then put my distance glasses on to watch them dance). However, it was only slightly better. I thought Witney looked out at the audience too much. Just when she was connecting with Nick and I started feeling the dance, she would look at the judges or at the audience and it would break that connection for me. I didn’t feel any chemistry between them. I thought Witney had a lot of chemistry with Witney. It could have been a smoldering hot (like Eliana’s dance to come). It was not my favorite. I even preferred the disco dance more. I disagreed wholeheartedly with the judges.
The judges: Benjamin thought it was excellent and great fun to watch. Nigel said, “You were totally committed.” She was sexy when she was breathing. “You’re a star.” Mary said, “Lord Have Murphy.” It was smoldering. Each week she is a shining star and she loved the ending move.
Dancer: Cole All-Star:Anya Garnis (Season 3) Style: Cha-Cha Choreographer:Dmitry Chaplin (a.k.a. Be Still My heart) Song: “Glad You Came” by The Wanted
My thoughts: What is in the water tonight??? Cole is one of my favorites. It was rough. His foot work was rough. It looked a little amateurish. Did his injury play into this. I think he might be in danger for this week’s eliminations (that will be announced next Wednesday). It looked better the second time I watched versus the first time because I was still irritated with that app. When you dance with Anya you have to bring it. Unfortunately, I kept trying to stick Dmitry in there and knew how much better it would be with him in there. Note to Cole: You cannot say you want to be the first in the top 10 to be on the hot tamale train and then have an under-seasoned dish.
The judges: Mary thought it was amazing. She reminded people that Anya was the reason why the phrase “hot tamale train” became infamous. She thought Cole did a tremendous job. She said the foot work and lines were okay, and the chemistry was not hot enough. He did a good job and his bags are packed but he is still on the platform. Benjamin thought it was great, that Cole partnered well. He offered to Cole to think of movement quality and contrast in a performance for something Cole could learn. Nigel agreed with Mary. He was a little disappointed with the contact with Anya. There was no rise and fall. He needed to get sexy with Anya first and then in the performing. He needed to have both.
Dancer: Lindsay All-Star: Jakob Karr (Season 6) Style: Broadway Choreographer:Spencer Liff Song: “Dancin’ Dan (Me and My Shadow)” by Fosse (Original Broadway Cast)
My thoughts: I guess this is the downside of having an emotional episode last week of all my favorite Mia Michaels’ routines: I was very bored tonight; nothing was moving me to want to pick up the phone to vote. She had beautiful lines. The synchronization of the two dancers must have been extremely difficult, especially during those moments they could not see each other.
The judges: Nigel thought it was a great routine, magnificent. She still had a lot to learn but she was nearly there. Mary thought they had first-class tickets on the hot tamale train. The synchronization was fabulous. Benjamin thought it was extremely well executed.
Dancer: Will All-Star: Kathryn McCormick (Season 6) and star of Step-Up Revolution Style: Bollywood Choreographer:Nakul Dev Mahajan Song: “Ooh La La” by The Dirty Picture (Soundtrack) Necessary Story: She is the snake; he is the snake charmer.
Okay back to THIS Will. I LOVED THIS!!!!!!!!!!!!!!!!!!!!!!!! My favorite dance of the evening (so far). Finally woke up some life inside of me. The first move when he moves up her front–it was more sensual in the rehearsals, but I’m nitpicking. The synchronization was spot on. The difficulty of these moves versus the dance with Lindsay and the shadow is multiplied by factor 10. It made me want to get up and dance around my room if I was not so enchanted by the snake charmer. In the end, though, the cobra bit him. And I think he was slightly smitten with her because he kept kissing her when the judges were talking. I’ll vote for him tonight. This is dancing on STEROIDS instead of Starbucks (i.e., the disco routine).
The judges: Mary thought he was the Energizer Bunny but also had amazing control. She felt like he was one of the most likeable guys in the competition. Benjamin thought it was charming and had a unique style. It was completely engaging and interesting. Will took advantage of every section and showed different ways of expressions. Nigel said he brought personality to everything he did.
Dancer: Cyrus All-Star:Jaimie Goodwin (Season 3) Style: Contemporary Choreographer: Travis Wall Song: “Outro” by M83 Necessary Story: Life after destruction; two sole survivors at the end of the world.
My thoughts: Travis Wall and a story about surviving the apocalypse (two of my favorite things). Ah, yes, this is the Travis Wall that gives me goosebumps. I remember being critical of this when I watched it and I was tweeting, but I changed my mind. Not being distracted by that app, I got chills. Cyrus really did rise to the challenge. Travis was smart in the way he choreographed it, showing off his strengths and hiding some of his weaknesses, but he also made Cyrus. You may be able to criticize the technique (and my saying that Eliana was “stuck” with him) but Cyrus is humble and Cyrus has an amazing heart. You know that he is not expecting to win but he feels blessed to be there. And you cannot help but fall in love with that quality about him. I did worry about the length of time the judges were spending on him with the comments because I thought that was preparing him for being in the bottom 3.
The judges: Benjamin finds this energy compelling to watch. He can also partner very well. Cyrus has a raw energy that is very exciting. Nigel paraphrased a quote from George Balanchine: “I don’t want people who want to dance, I want people who have to dance.” He felt that Cyrus HAS to dance. There is still so much for him to learn, but he works very hard. (Cyrus is humbled by the accolades). Mary said that Travis did not hold back and made it even harder for Cyrus. Maybe his feet and his legs are not the best right now. It is the passion he gives and people connect with that.
Dancer: Chehon All-Star:Lauren Gottlieb (Season 3) Style: Lyrical hip-hop Choreographer: Dave Scott Song: “Pretty Wings” by Maxwell Necessary Story: Two friends who support each other.
My thoughts: It is still too stiff in the upper body. I felt like the spiked-out hair made it look like he was trying too hard (although I realize that is not his doing). It is not a world that he belongs (hip-hop). he is a brilliant ballet dancer. However, my expectations are very high because Alex Wong blew my conventional thinking that ballet dancers could never do hip-hop (the dance with tWitch: Get Outta Your Mind–one of my favorite routines of ALL TIME). He tried hard, but it was just okay for me. Again, with the judges giving him a lot of feedback, I felt like he was in the bottom 3 as well.
The judges: Nigel complimented him on everything not being straight and him having a smile on his face. He was much warmer. Mary said she wanted it to be more funky, but it was going in and out. It was not the most memorable but personally he accomplished a lot. Benjamin said the kind of looseness of tonight’s dance he needed to focus on. Performance was spontaneous. He was having fun with her. Chehon was very charismatic.
Dancer: George All-Star: Allison Holker (Season 2) Style: Jazz Choreographer: Tyce Diorio Song: “Bahamut” by Hazmat Modine Story: George lets the train go by because of this great distraction (Allison)
My thoughts: I love George. If you want a song about lightness, you have him dance it. You want something hot and passionate–no. I do not think he has ever been in love like that before so it came off as a little high school production-ish, like he was acting at acting that he was in lust with this woman. After hearing Mary and Benjamin talk, though, I thought I was just cranky again, but Nigel agreed.
The judges: Mary felt it was fun to watch. He had a good time and good technique. Benjamin thought he is an amazing mover. He attacked every step with a vengeance and he was a fan. Nigel thought that his technique is tremendous but he did not believe his character. Here he was to have a raunchy night with this raunchy lady and it just appeared like he was dancing.
Dancer: Eliana (FINALLY!) All-Star: Alex Wong (Season 7) TOTALLY PSYCHED Style: Who cares Choreographer:Stacey Tookey Song: “Bang Bang (My Baby Shot Me Down) By Nancy Sinatra
My thoughts: WOW!!!!!!!!!!!!!!!!!!!!!!!!! FINALLY!!!!!!!!!!!!!!!!! I found my breath rising and falling with the movement. They were so into each other. It was sensual, sexy, smoldering. And I want that red dress. They received a standing ovation. She deserved that! Then I thought, wow, wouldn’t it have sucked if all this lead-up to her performance had fallen flat?
The judges: Nigel said this is what he meant by maturity in movement. Eliana is his favorite girl this year. She was perfect technically and in performance. It was a fusion of the two. Mary said her hair went up on her arm. Her favorite routine of the night. It took her breath away. She was the star of the show tonight–the perfect tiramisu (Mary must have been pretty hungry). Benjamin said it was a great dance and a great song. She has it all: Performance driven by so much passion which is most important.
Dancer: Audrey All-Star:Stephen ‘tWitch’ Boss (Season 4; one of my favorite all-stars) Style: Hip hop Choreographer: Dave Scott Song: “Sincerely, Jane” by Janelle Monae Necessary Story: A couple of 400 years bond together by love and hate. I’m already thinking “Dark Shadows.”
My thoughts: Audrey was worried she wasn’t going to keep up with tWitch and while he definitely owned the stage, she held her own. I kept thinking she reminded me of a particular actress and Nigel named her. That routine was a lot of fun.
The judges: Benjamin thought she did well. He felt it was unfair to have tWitch, but he wanted more from her, to shine of her own accord. He wanted her not to be afraid. Mary thought it was a great comical number and very entertaining. She was watching Audrey the whole time. She thought it synchronized well and she loved the groove. She called Audrey a dance angel. Nigel agreed with Benjamin. He wanted her to be more like Helena Bonham Carter (Tim Burton’s wife) and get a little crazy like she is.
My Favorites Tonight
For the girls, in this order: Eliana, Audrey, Lindsay, Tiffany, Witney
For the guys, in this order: Will, Cyrus, Chehon, Cole, George
Eliminations
They are only going with the bottom 2 this week. For the girls it is Witney (who did the bench routine last week) and Audrey (who did the flowers routine). For the boys, it is Chehon (who did the bench routine) and George (who did the Hometown Glory routine last week). And of course the audience wants to see solos; there is still 20 minutes left in the show.
Witney: Song: “You’ll Find A Way (Switch and Sinden Remix)” by Santigold. I don’t know. Witney is starting to get on my nerves. There was too much self-worship and too much hair (what they tell the people who are auditioning NOT to do).
Audrey: Song: “And I Am Telling You I’m Not Going” by Jennifer Holliday. I LOVE her song choice. I don’t know if that was deliberate but there is a touch of rebellion in her that I like. Her technique in her solo was better than Witney’s, but I did start to see the same moves over and over.
Chehon: Song: “Til Enda” by Olafur Arnalds (Commissioned by Wayne McGregor/Random Dance). His technique is….whoa. I know…profound review.
George: Song: “Brotsjor” by Olafur Arnalds (that’s kind of funny; did they plan that?) It was great, too. A mix of ballet and contemporary.
My going-home picks were Witney (because she seems to have hit a plateau). And for the guys, I think they are going to take George’s blah performance tonight into account.
After the LA Dance Project performed (Song: “Trio” by Nico Muhly), the people going home were announced. Nigel said the decision tonight was not unanimous (I think he meant for the girls), but Audrey was going home. Did you see Witney’s face? I really do not like this young lady any more. She had this smirk on her face–it reminded me of a pageant girl who pretends that she is shocked but not shocked. I do not like people like that. My opinion of her just tanked. For the guys, it will be George who is leaving us tonight.
Predictions for Next Week
Based on tonight’s performances, I think Witney and Tiffany will be in the bottom 2 (Witney because of her performance, but Tiffany because she was closer to the beginning of the show and people have short memories). For the guys, Chehon and Cole because of their performance issues.
It has been a wonderful journey with the best group of dancers to ever be picked in the Top 20 of So You Think You Can Dance. Tonight, the four favorites who flitted into our hearts were: Marko, Melanie, Sasha and Tadd. Katie Holmes and Kenny Ortega served as guest judges for this evening (I just LOVE Kenny Ortega).
The final 4: Marko, Sasha, Melanie, Tadd
Dancers: Melanie and Marko Song: “I Feel Love” Artist: Donna Summer Choreographer: Doriana Sanchez Style: Disco Story: None, just high-energy disco.
I was wondering when disco was going to show up. This song was a blast to my past. It was lovely seeing them partner again. Dressed like John Travolta, Marko did a slightly better job than Melanie with a bit more energy into all his movements. While it was danced well and it was fun to watch, there was no emotional investment in it for me and did not bring me back to that golden era. Kenny thought it was electric, sizzling and great. Katie loved it and said it was like watching Saturday Night Fever. Mary Murphy pointed out that the lifts were not great and they went in and out of the style. Nigel agreed with Mary and felt they were uncomfortable in the style and hoped that they do better in their other routines this evening.
Dancers: Sasha and all-star Mark Kanemura Song: “Raise Your Weapon” Artist: Deadmau5 Choreographer: Sonya Tayeh Style: Contemporary Story: Ode to Sasha from Sonya, that Sasha handles all the struggles in her life with such grace and integrity, fueling her and giving her power. Mark represents the obstacles.
Another emotional dance for Sasha. This dance brought both goosebumps and tears and then a “hell-yah” out of me during the final sequence when she throws her obstacles to the ground (i.e., Mark). What a powerhouse duo in this pairing (Are you ready to join Lady Gaga’s tour, Sasha, with Mark?)! It stung me in all my emotionally vulnerable hotspots. Sasha has had some incredible performances, but this one tops them all. Mark is the perfect example of someone who did not win the show who went on to do fantastic things in the dance world. Like a fine wine, he has gotten better with age. Katie loved it, especially that walk at the end. Mary pulled out her train-whistled woo-hoo for this and called her a champion and a star. Nigel thought Sasha just threw down the gauntlet to the other three contestants.
Before getting to Sasha’s critique, Kenny had glowing things to say to Sonya who was deeply moved by his accolades. Turning to Sasha, he cited her struggles this week–an injury, battling against Melanie–but claimed her “Sasha, Warrior Princess.”
Dancers: Tadd and all-star Joshua Allen Song: “Hustle Hard” (Traditional) Artists: Ace Hood Choreographer: Lil’C Style: Hip-hop Story: None, just the hustle.
Lil’C choreographed a very difficult routine. Tadd is the dark horse in this race, but having Joshua dance with him did not help him, like watching a master and his apprentice. Joshua was crouching lower and hitting harder. Tadd made it this far not only because of his dance technique but also his personality. Just looking at Tadd though, this is the best I have seen him dance all season. Mary said his difficulty is the “sweetie-pie” factor, but was able to pull off a hard-hitting hip-hop style. “Hustle Hard” was Tadd’s theme song for this season. Nigel complimented the moves on the knees, but still felt he was too sweet. Kenny thought the pairing was perfect and wants a pair of the red shoes. Katie thought his hustling was terrific and she loved the pairing. The red shoes helped to highlight how fast of a dancer he was.
Dancers: Melanie and all-star Robert Roldan Song: “Sacrifice” Artist: Sinead O’Connor Choreographer: Stacey Tookey Style: Contemporary Story: Unrequited love; in order to save herself, she has to say good-bye.
My goosebumps started halfway through and were at standing straight up on my arm and traveling down my legs by the time the song was over, a lovely rendition of the famous Elton John song. I loved this pairing as well, as each complimented each other. Nigel felt like Sasha threw down the gauntlet and the challenge was accepted. Kenny would push himself to the front of the line to have a chance to work with Melanie. At this point, Cat announced that he would be resurrecting “Dirty Dancing” and got Melanie her first job after SYTYCD. Katie thinks she is a magical dancer and loves how she creates stories. Mary feels like she is in a class of her own and is so proud of her. Melanie feels so blessed for the journey.
Dancers: Sasha and Marko Song: “Whatever Lola Wants” Artist: Ella Fitzgerald Choreographer: Spencer Liff Style: Broadway Story: A restaurant scene. Marko is the waiter, Sasha an elegant dinner who wants to order something off menu.
Hot and spicy, both Sasha and Marko played their roles well. She looked elegant in her purple gown, showing off her cougaress cavort, going after what appeared to be a younger, geeky waiter, portrayed by Marko. Kenny thought it was fun, and their character conversions were fantastic. He had a few extra words of praise for Sasha about her giving her all for every performance. Katie compared Sasha to the legendary Cyd Charisse and thought Marko was great. Mary did not initially recognize Marko and thought he was perhaps one of the all-stars. She was surprised at what a wonderful actor he is, saying that it is not easy to pull off comedy and dance at the same time. The dance, however, did not wow Nigel. He thought Sasha was a better warrior princess than a vamp. He did not understand Marko’s character at all.
Taking a break in the dance action, Cat showed some interviews that she had with all the contestants. Melanie’s favorite moment was dancing with Neil Haskell (with the launch she did into his arms halfway across the stage). Her closest buddy in the competition is Ricky because he can make anyone smile and was such a fighter regardless of the criticism each week. Out of the four remaining, she feels closest to Marko. She misses her father and knows that he would be very proud of her. She then performed her solo to “Song for Viola” by Peter Bradley Adams. I cried, feeling like she was dancing that for her father.
Cat asked Marko what he was thinking when she read his name as the first one through to the finale. He had closed his eyes and wondered why she was waiting (she was waiting for him to open his eyes). His favorite performance was “Turned to Stone” with Melanie. She asked him what it was like to have his mother in the audience, and he again shared that he was not always the most grateful child growing up. Winning would mean “everything” to him. When he got shot, he was searching for the reasons why he survived and perhaps this show was a vehicle for that. He then performed his solo to “The Fear You Won’t Fall” by Joshua Radin, incorporating all he has learned, growing a great deal since his original audition. Tonight, his father was in the audience for the first time, giving him an extra boost.
Dancers: Sasha and Tadd Song: “Raindrops” Artist: Basement Jaxx Choreographer: Mark Ballas Style: Cha-cha Story: None, just fun and sassy.
This was not finale-quality dancing. Both looked uncomfortable in the style. Because of that, they did not have that hot, spicy chemistry. The height difference was an issue for me. Katie completely bypassed saying anything about the dance itself and just complimented them on the journey. I think Katie did not want to be booed. Although agreeing with Katie, Mary had to talk about the dance. It just did not work–the connections, the body positions, missing hand connections, lack of chemistry, although Sasha fared a little bit better than Tadd. Nigel agrees with Mary, saying it was uncomfortable to watch. While Sasha did a bit better, Nigel felt it did not bear well for her either. Kenny said it was too ambitious for the last show and for them to walk it off and come back and blow us all away.
Dancers: Marko and all-star Lauren Froderman Song: “Shirk” Artist: Me’Shell Ndegedcello Choreographer: Tessandra Chavez Style: Contemporary Story: Two people drawn to each other who can’t seem to find a way to make it work.
Setting the tone for the routine, Lauren was already in character, shedding tears when the dance started. This was another dance that drew me in emotionally, taking me on a journey of moments of my own life. My goosebumps never lie. Mary thought it was beautiful, provoking honest communication in the dance, feeling his soul. Nigel felt like it was a fabulous performance, redeeming his past dances of the evening. Kenny again complimented the outstanding choreography. He felt this was perfect partnering for him, that their spirits became alive, taking him to a distant place. Whatever Marko was doing in that dance, he needed to continue doing it. Katie also thanked Tessandra for the piece. He thanked Marko for creating these picture moments for her while he danced and deemed him magical (Magical Marko–it works–Cat stop stealing my phrases).
Tadd’s interview and solo were next. He thought and dreamed about being in the finale but cannot believe he is here. He thinks America is connecting to him in his solos. His favorite routine was the vulture dance with Jordan that Travis Wall choreographed. Most nervous performance was the first show when they had to make a first impression. There is web site apparently called: The Official “Keep Your Shirt Off Tadd” Fan Club. He said for some reason people want him to be naked, but Cat points out there is a difference between shirtless and naked. Winning would change his and his family’s lives. Dancing his last solo before voting to “Momma Knows Best” by Jessie J, Tadd showed off why we love him so. It was playful and creative.
Dancers: Tadd and Melanie Song: “Show Me What You’re Working With” Artist: Sista Monica Choreographer: Ray Leeper Style: Jazz Story: A guy cheats on his girlfriend and she catches him in the act. Sexy, naughty with a little dysfunction thrown in.
This dance showcased Tadd much better. Since he was comfortable, the chemistry flowed like river rapids between them. I got sexy, naughty and the dysfunction. It must have been difficult for Melanie to dance that short while with one heel on and one off; I can barely walk that way. The routine was a lot of good fun. The strip-tease of Tadd for his fan-base was a great touch after the comments made in his interview. The routine brought Nigel’s evening to life. He praised Tadd for a job well done, while complimenting Melanie for selling the character before the dancing ever began. Kenny apparently let out a “woo” during the dance. He loved everything about it and felt the choreographer delivered the perfect routine to showcase their strengths during a finale show. Katie felt like it was a breath of fresh air. Mary thought Tadd brought the sexy back and Melanie’s strut was like no other.
In the final interview and solo, Sasha never thought she would make it this far, loving that her sister has been with her the entire journey. Her favorite moment was when Lady Gaga threw her shoe. Several routines stood out to her, but she asked Cat which one she liked and Cat said the routine with Twitch. She talked more about the wonderful routine with Kent Boyd (with the wall), saying she had to go to a very dark place, and she had to put her journey into the dance. Seeing people affected emotionally in response to her dancing meant a great deal to her. Dancing to “Be Be Your Love” by Rachael Yamagata, Sasha also showed the audience the growth attained this season from that of her first audition.
Dancers: Sasha and Melanie Song: “Heart Asks Pleasure First” Artist: Anh Trio Choreographer: Stacey Tookey Style: Contemporary Story: Suppressed housewives in the 1950s, feelings of isolation and loneliness. The two join forces to break free.
Extremely beautiful. Melanie and Sasha are in direct competition with each other, yet they dance and support each other every time they dance together like true professionals. Another moment of chills for me. Kenny thought the picket fences were symbolic of prison bars and the space in the yard the only place where these women could express themselves. It made him feel hopeless and he wanted to rush in and free them. It also made him curious about their paths, where these characters came from and where they were going. Katie loved the message about friendship and the power that two women can give to each other. Mary enjoyed every second of it, enjoying the movement and musicality. Nigel shared with the audience what we did not see–that each of them hugged each other and wished each other luck before the show came back on air. He said it did not matter who won because they would both grace any dance company they would join.
Dancers: Marko and Tadd Song: “B.O.B.” Artist: Outkast Choreographer: Chuck Maldonado Style: Gumboot stepping (hip-hop) Story: Form of dance that was used to communicate in the mines of South Africa
A fantastic, high-energy way to close the show. Tadd had the slight edge in this dance, but Marko was not too shabby. The timing was a little off, but I noticed Tadd looking over at Marko at times to try to get them back in sync again. Katie enjoyed the athletic ability in this number, but it also sound like she was holding something back. Mary felt like it was solid gold for her. Nigel pointed out the rhythms were not together in this routine. Then he crushed them by saying he has felt all along a girl would win this season and that hadn’t changed although they stood up well for themselves tonight. Kenny thanked the dancers and the choreographer.
If it was simply based on dancing tonight, it would have to be Melanie, Marko, Sasha and Tadd. If it came down to most improved dancers over the season, it would be Tadd, Sasha, Marko and Melanie since Tadd, the b-boy held his own outside his own style of dance. Then Sasha was finally partnered with someone who brought out the best in her during the all-stars, and Marko and Melanie have remained pretty level throughout the competition. If it is based on the dancing all season it would be a tie between Melanie/Sasha then Marko and Tadd. However, the show is about America’s favorite dancer. Sasha has an overwhelming fan base and it will come down to who voted more, Melanie’s fans or Sasha’s fans. The margin of votes will be very, very close. I predict Sasha is going to win. But Nigel is right: Both Melanie and Sasha will have tremendous careers after this (and I believe Marko and Tadd will, too).
After tomorrow night’s show, we will be down to our final 4 contestants and our season finale show. Last week we said goodbye to our favorite J’s: Jordan and Jess. Each was the consummate professional full of gratitude the journey and for the fans. Even for a brief moment when Jordan looked like she was about to fall apart, she took a deep breath and remained positive and hopeful for her career, a trail both will blaze after the tour.
2011 So You Think You Can Dance Top 6 --Season 8
Guest judges for this evening were the lovely Christina Applegate, and the loquacious Lil’C. They discussed the stupendous success of National Day Dance on July 30, 2011. Perhaps it needs to be renamed “International Dance Day” as people across the world celebrated dance, including physicists in Switzerland. Although not shown on the show this evening, even Vancouver, BC got into the fun.
Dancers: Melanie and all-star Twitch Boss Song: “Roman’s Revenge” Artist: Nicki Minaj featuring Lil Wayne Choreographers: Napoleon & Tabitha Dumo (aka NappyTabs) Style: Hip-hop Story: Little Red Riding Hood with a twist
Melanie did well, but I’ve seen some of the other ladies do a better job with hip-hop. The routine was weird. I might have liked it better if in the end she would have slay the big bad wolf versus tame him, but that is the choreography and not the dancers. I think she might have needed to be lower to the ground. Lil’C felt she got off to a rough start but found her ghetto groove and ascended. Christina agreed with Lil’C. Mary felt she was on fire. Nigel loved the dance as well. He confronted internet allegations that Melanie has never been given a dance out of her style, but he dispelled that quickly, saying she was good at everything. Itsy bitsy problem with that. If they are randomly drawing dance styles out of a hat, and last week the talk on the internet was the biggest it’s been about this issue, and she suddenly gets hip-hop, it doesn’t help the argument that these dances are random. It is, however, one of these no-win situations. You will have a group of people who will believe it and some that will not, and like politics, there is no changing anybody’s mind about it.
Dancers: Sasha and all-star Kent Boyd Song: “Fool on Me” Artist: Me’Shell Ndegeocello Choreographer: Tyce DiOrio Style: Contemporary Story: Two people who have hit a wall in their relationship and the emotions you go through when someone hurts you.
During the rehearsal taping about the song, Sasha began to cry. The meaning of the dance runs deep for her and I was sure it would come through in her dance–and it did. I had goosebumps but I lost my breath at the moment of the lift that had her legs upside down on the wall, a great symbolism for how upside-down you can feel when you are hurting inside when someone you love hurts you. You love them, you hate them, you want them stay, you want them to go. All the feelings are taken the n’th level. Sometimes you can bust through that wall and sometimes you cannot. I love when Tyce choreographs dances like this (like the dance he created for his friend who had cancer, danced who beautifully by Ade and Melissa). They have a way of reaching a place deep inside your soul that is universal to everyone. Christina described the difference between technicians of dance and dancers like Sasha who can affect your heart, and thanking her for being so courageous as to share with us whatever it was that hurt her so badly in this life. Mary called her intoxicating and got all choked up about the move of when Kent threw her to the floor, and that it only matters that you get back up. When she said that, I was thinking of Mary’s courageous battle with her thyroid cancer. Nigel also complimented Tyce, as did Mary, at this routine being at his best, as was Sasha. Sasha then won Nigel’s “favorite” dancer something that he ping-pongs between Melanie and Sasha. Lil’C was trying not to cry, having identified personally with the dance with experiences in his own life. He wishes that he could have worked with Sasha this season and called her phenomenal. Oh, and did I mention, first kiss on tonight’s show. The kissing season, season 8.
Dancers: Marko and all-star Janette Manrara Song: “Zorongo” (Traditional) Artists: Antonia Gomez, Ely “La Gambita”, Guillermo Basilisco and Paco Pena Choreographer: Dmitry Chaplin Style: Paso doble Story: Marko is the matador and Janette is an activist trying to keep him away from killing the bull. (I laughed).
I didn’t recognize Dmitry with his beard. Has it been that long? You have to been pretty beautiful and passionate to sway a matador from his mission. How could Janette be ignored? I had a problem at first with that story stuck in my head since we are so used to the woman being the bull or the cape, but after a minute, I concentrated on the actual dance and let the story go. After Cat drew comparisons to the matador costume and Mary Murphy’s shoulder pads, she complimented him for being spot-on at the arrogance that was necessary for the dance. She pointed out that he lost his footing from time-to-time, but most of the time, he nailed it. Nigel loved the twirls that mimicked the movement of the matador’s cape (as did Mary). However, Nigel said it left him feeling cold. He was looking for more passion. I think it is difficult to bring a ballroom routine up against a brilliantly danced contemporary piece. It’s like coming back from San Diego Comic Con. You are on this incredible high and then–CRASH–everything around you seems so boring and mundane. Lil’C loved his stoic performance which was necessary to this particular dance. Christina wanted him to drop it down a little (lower in his crotch level), but loved the bravado.
They took a break in the action to listen to messages from home. The love and pride of all the contestants’ families touched my heart and my tear ducts. Then Ricky took the stage to dance his solo to “After Tonight” by Justin Nozuka. It was lovely.
Dancers: Tadd and all-star Ellenore Scott Song: “The Gulag Orkestar” Artist: Beirut Choreographer: Sonya Tayeh Style: Contemporary?/Jazz? Story: A period piece where everyone was prim and proper, but once they touch, everything gets thrown out the window and becomes with wild, reckless, lustful.
Sonya Tayeh is the goddess of strange and Ellenore was the perfect all-star to fill that role. I was not feeling the passion that Sonya demands from her dancers coming from Tadd. The spin on the chandelier was reminiscent of Cirque de Soleil. It was an interesting prop. Nigel had no words and said he felt like it needed more time to develop, that he was left “hanging.” (Oh, Nigel, you make me laugh). Lil’C complimented Sonya’s talent of showcasing a dancer’s unique abilities. He felt like Tadd was just going through the movements instead of making them last a lifetime. Christina likes the dirtier side of dance, and complimented Tadd that he is a b-beat pointing his toes and how great is that. Mary felt Tadd was still growing and complimented Sonya’s trust in doing such a dangerous thing with a prop.
Next was Caitlynn’s mom sharing that she one day said she was going to be on this show. Via the internet, Caitlynn’s dad, away on business, shared his pride. Caitlynn then performed her solo to “What’s Love Got to Do With It” by Katie Thompson. Afterwards, Caitlynn was crying, moved from the words from her parents, the song, the moment or all the above.
Dancers: Ricky and all-star Jaimie Goodwin Song: “Inside These Lines” Artist: Trent Dabbs Choreographer: Dee Caspary Style: Contemporary Story: A couple trying to stay together, but he feels her slipping away so he tries to control her. (I call this The Puppetmaster.)
I noticed that when Ricky was close to Jaimie during the routine, he didn’t extend himself as you would see him do when they were apart. Perhaps he was concentrating on the sticks and not hurting his partner. While the sticks did enhance the routine, you can’t forsake the dance for the prop. At the end of the dance, Jaimie did what I was hoping–she took the sticks and threw them to the ground. Lil’C gave props to him and the props (and Cat Deeley just stole my line, damn). As usual Lil’C had a mouthful, “What a magically, magnificent puppeteer of physically rhythmic artistry you are.” In other words, buckness. Christina said he was a beautiful dancer, but wanted to help him grow and said he does not always dance with the clearest intention, like a push and a pull, like when he reached for Jaimie, it was harder to let her go away from him. That would help take him up another notch, which was great advice. Mary added, “All of that” plus that it was beautiful, free-flowing movement. Nigel loved the story of the dance from Dee. The only advice Nigel had to help Ricky was that he wants him to feel the movement more in his gut because he is so up and high in his dancing.
Tadd’s parents, and his entire Filipino community, are very proud of his accomplishments (and the first story that did not make me cry but smile). His song selection also made me laugh, “We Speak No Americano” by Yolanda B Cool and DCup. Tadd’s solos have always been interesting in that he is a b-boy and he chooses all these songs from eras past that make for a weird and wonderful combination. It has become his signature.
Returning from the break, Sasha’s solo was shown but not before her parents got to boast about their beautiful, bubbly baby girl. I smiled, too, when I saw Sasha picked “Teeth” by Lady Gaga after she received such high praise from Lady Gaga last week (and her shoe!). Again she did a terrific job.
Dancers: Caitlynn and all-star Pasha Kovalev Song: “Drop It Low (District 78 Remix)” Artist: Kat DeLuna Choreographer: Dmitry Chaplin Style: Samba Story: None, just sexy, great music and being sexy.
Pasha and Dmitry behind one dance? Wow. Double boiler kind of hot. Was it sexy? YES IT WAS! Was there great music. YES , THERE WAS! And was it really sexy? SIZZLING. At that precise moment, I desperately wished to have use of the communication stones that are used in the show Stargate Universe (where people can swap consciousness with another body–yes, I’m a geek). I wanted to be dancing with Pasha. Be still my heart. Wait, this is about Caitlynn. She did a fabulous job. I have to remind myself she is just a senior in high school (or was). Christina loved it. Mary thought it was great, especially on the reverse samba rolls. Her only criticism were some of her facial expressions. Nigel ad Lil’C had similar advice.
Marko’s mother was very emotional about his journey to the show. Dancing to “Wonderful World” By James Morrison, Marko combined a lot of technique with acrobatics. I always enjoy his solos.
Then Melanie’s mother had a message for her. Instead of talking, she sang; instead of walking, she danced. Melanie chose to dance to “Cracks (Flux Pavilion Remix)” by Freestylers featuring Belle Humble. Some truth rang to me with the name “Belle” and “Humble” to describe Melanie. Her solos have become more complex as she incorporates what she has learned over the weeks into her dance. She is both beautiful and humble. It was the best solo of the night.
Waacking is a new style of dance to SYTYCD, the origins from Los Angeles in the 1970’s. It’s about the individual and who you are right now in your life. It’s about skill, precision and control. After watching the routine, it does bring fond memories of the 70’s back to me. Sasha was great; Ricky less so. He was too stiff once again. I would have hoped he would have taken to heart the earlier critique and applied it to this dance. Mary never liked this type of dance until Samara “Princess” Lockeroo, who was the first to audition and win to a ticket to Vegas with this type of dance. She felt like Sasha had the edge in the dancing. Both were out of their styles, but neither could take it to Princess Lockeroo’s level. Nigel says when Ricky is thinking about dancing, he does lose a little bit. Then Nigel took a comment that they said to Caitlynn and applied it to Sasha, saying she did not have to act sexy because she is sexy. Oops! Lil’C wishes both of them would have enjoyed it more because he felt they were so focused on the steps and speed. Christina enjoyed it and thought perhaps they could have “whacked it harder.” She’s so funny.
Dancers: Melanie and Tadd Song: “(Where Do I Begin) Love Story (Away Team Mix) Artist: Shirley Bassey Choreographer: Spencer Liff Style: Broadway/Jazz? Story: A rehearsal within a rehearsal. Tadd uses Melanie’s crush on him to bring out the best dance in her, but she discovers her feelings are not reciprocated.
They paired well together. It was a lovely dance that did not affect me on any emotional level but just was fun to watch. The use of the mirror where Melanie’s hands touched it and it got these weird distortions to it made me think, yes, just like the relationship between this dancer in the dance and the choreographer in the dance, played by Tadd. The relationship is not what it seems to be to Melanie’s character. I look for meaning sometimes that may or may not be in subtle things. Lots of prop use tonight. Cat compared it to “Black Swan” (which I have not seen yet). Nigel complimented Melanie on her solo as the best solo across all the seasons. She is not only the original beast, but a great actress and a great dancer. She now stole Sasha’s earlier place of the evening and is now Nigel’s favorite again. I think if SYTYCD could have a tie, he would be happy having the two of them there. To Tadd he said, “…to say you didn’t suck is a compliment.” He pointed out the things he did well in the routine. Lil’C says Melanie has a quiet fire and Melanie is EXTREMELY buck. Lil’C also wanted to give accolades to her solo performance that it was so beefy. And as an afterthought, he told Tadd he was growing by leaps and bounds and to continue doing so. Christina also commented on her solo, saying they were all banging on the table. She described Melanie’s performance as being better than that of Donna McKechnie in “A Chorus Line.” Tadd continues to surprise Christina with his technique since he is a b-boy. Mary says America has fallen in love with them and they are brilliant in their styles. She got all choked up that she was able to be here for this wonderful season to see it.
Dancers: Caitlynn and Marko Song: “Heavy in Your Arms” Artist: Florence and the Machine Choreographer: Sonya Tayeh Style: Jazz Story: Marko is a controlling, overbearing man and Caitlynn is trying to break free.
Perfect song to close the show. This was dynamite and gave me goosebumps. It was much better than the Puppeteer routine performed by Ricky. My breaths felt heavy of the weight of this relationship. The judges were standing in ovation of their performance. Lil’C thought this was double-hashtag buck (#buck #buck or ##buck)? “Reckless and convicted, it was murderous,” according to Lil’C. Translation: Lil’C loved it. Christina makes Marko join the beasts. Christina believes that was Caitlynn’s moment (maybe, but she had one with Mitchell, too). Mary thought it was Caitlynn’s best routines ever. She brought the grit to it and brought it to another level. Marko is Mary’s favorite dancer (I bet Mary and Nigel have a friendly bet going on the side as to who is going to win). Nigel thought this routine redeemed Sonya from her earlier Cirque de Soleil choreography. Regarding Caitlynn, she came of age today, he felt. She is a brilliant dancer. Marko is sensation. Cat added, “But you’re very pretty, too” to Marko.
Common sense would dictate that Marko, Melanie, and Sasha will be in the top 4. Up in the air is whether Tadd or Ricky gets into the final 4. Or we could use any number of science-fiction shows and their technologies to merge Ricky and Tadd into 1 dancer to get Radd or Ticky so we don’t have to make up our minds. Of course, it would be temporary….unless…well, they are wearing a red shirt that evening. What do you say?
Stay tuned tomorrow about more news regarding Miranda’s and Jordan’s fan clubs and what they are doing to show them their love.
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