American Idol S15 Final Auditions Ever

1 02 2016

The clips from these auditions were taken from Atlanta, Philadelphia, and San Francisco. This will be the last montage of contestants auditioning for their spot in Hollywood.

Jessica Cabral sings “Brand New Me” by Alicia Keys. Her voice is like butter. It’s so smooth and easy to listen to. Jennifer thinks she has this beautiful lush, low-tone voice. Keith said it was so beautiful and her control was great. Harry said that she was beautiful but when she sang she became even more beautiful. It’s one of the best he’s heard. She has tremendous talent. He said he will be shocked if she doesn’t make it really far in the competition.

Cody Ostrenga is a three-time world champion Manchado horse rider and…a belly dancer. He demonstrates his talents. “Proud Mary” by Ike & Tina Turner. It sounded like it might be good, but then by the fourth note, you could tell this was a definite no. Keith said everything was good except the singing. It was a no from everyone.

Brian Dale Brown is ready to go. His girlfriend is 15 years older than he is (actually called her a cougar). He is a self-described golden god. He is going to sing “Unchained Melody” by The Righteous Brothers (Simon Cowell’s favorite song, so I’m glad he is not here judging). He was too effective and it started out okay, but there are a lot of sounds like he is trying to have a bowel movement. He hit the high note. That was impressive. He had moments when he wasn’t growling that sounded nice. Jennifer thought it was powerful but it was all over the place. Harry thought he has a good voice but he doesn’t have to do all that; it’s too over the top. Keith liked that he has a big voice, but how he uses it. He gets three yes votes.

Gina Naomi Baez brings along her dog Tinker Bell and they dress the same. She decides on “Lips Are Moving” by Meghan Trainor. She has one tone: Loud. She does have a good voice though. It doesn’t have any emotion in it. Harry said she has a strong voice but it doesn’t take him anymore. Keith said he doesn’t see an artist. She begs to sing another song. You can tell she was not expecting that response.

Stage 3 non-Hodgkin’s lymphoma changed Melany Huber’s perspective on life at the tender age of 17. If she wants to do something, she is going to go for it. No fear. She chose “Talking to the Moon” by Bruno Mars. I love her voice and she had the emotion behind it. Jennifer said that some people, when they sing, just emote so naturally. Harry loves her. It was appealing and captivating. Keith said there is a good storytelling ability to her voice. She is going to Hollywood.

Rachel Karryn was one of many contestants who brought in a loved one to do musical accompaniment. She brought in by her grandfather. She chose “Why Haven’t I Heard From You” by Reba McIntire. Caroline Byrne brought her brother to sing “Unaware” by Allen Stone. Bianca Espinal brought her father who encouraged her when she momentarily forgot the lyrics to “Brave” by Sara Bareilles. I liked the first two; Bianca needs a little bit of work but she was nervous so it might have just been nerves. All of them are through to Hollywood.

Justin Sullivan is hoping to make it through all the way to some point where he can meet Kelly Clarkson. Harry and Keith moved the Kelly poster next to him. He chose a Kelly Clarkson song, of course, “Stronger.” He started off rough (his lower register needs some work).   The performance is average. He has a nice voice but I don’t think he is strong enough to make it through with all this talent. Harry said he sounded good, but is he the book-end to Kelly? No. Jennifer agreed. He receives three no’s.

Chynna Sherrod chose “One Last Time” by Ariana Grande. She has a beautiful voice. I had goosebumps by the time she got to the chorus. Jennifer said very beautiful. Keith said she sings how she is—laid back, talented. Harry said she was fantastic. Triple yes.

Lillian Glanton lives on a chicken farm and she sells cattle to pay for her recording time. She plays an original song, “Country Boyfriend.” Sometimes it was okay, but most of it was off-pitch. Harry says her voice isn’t quite on the level of what he is looking for today. Jennifer likes her and she likes her song. She felt like she should have known the melody and the notes so well. Keith likes her voice because it is legit and it is her. Keith says yes. Harry is a no. Jennifer liked her song that much and gives her the deciding vote.

There was a long montage of contestants where the judges disagreed.

Kacye Haynes is a musician from Talladega, Alabama who battled drug addiction and found the light. “Brother” by Need to Breathe. It was nice. His falsetto needed a little work. He has a lot of passion and I like him. Jennifer liked everything that was going on, that he has been singing from something that happened. Keith said he was just lacking the power from his voice. He could see it working as a band performance but not as a solo artist. Keith is a no. Jennifer says yes. Harry says he sometimes sounds a little bit like Jon Bon Jovi and sometimes he sounds a little bit like Bono. He loves his voice and he says yes. He gets his chance.

Zach Person from (WOO-HOO) Houston, Texas is up next. He is a full-time musician. He chooses “Next Door Neighbor Blues” by Gary Clark, Jr. He was terrific. I loved him scatting with the guitar. Keith said it’s good and he has his own style. Jennifer really liked it and it is super unique. Harry said it was refreshing that they can come out and do their own thing. He enjoyed it. He gets three yes votes to Hollywood.

Colette Lush decided on “Who’s Lovin’ You” by Jackson 5. I liked it. Harry thought it was terrific. Jennifer said there are people who are born to sing and they don’t have to even try. She compared her to Carrie Underwood. Keith said she doesn’t sound like anyone. She has a timeless quality about the way she sing. She is through.

Avalon Young is a self-described tomboy and sings “XO” by Beyonce. I got goosebumps. Harry thought she had a very different voice in a good way. Jennifer liked her a lot, too. She gets her ticket to Hollywood.

Usen Isong is a background actor but wants a spot in the forefront on American Idol. He is singing “Not the Only One” by Sam Smith. He has a nice voice, but I think he tries to do too many runs. Harry thinks he is trouble. Jennifer loves his voice. He also receives three yes votes.

Alternative rock band singer Jaci Butler tries out with “It Will Rain” by Bruno Mars. There were some moments in there that I liked, but there were more moments that I didn’t like. She sounds good for an alternative rock band, but not for Idol. Jennifer said it was good and she liked it. Harry thought she was very talented. Keith said she moved during the song from being a band performer to sounding like herself and he liked it. She gets three yeses for Hollywood.

Stephany Negrete sings “Who’s Lovin’ You” by Jackson 5 (this seems to be a popular choice this season). She has a beautiful voice but I wasn’t moved to goosebumps. Jennifer wondered how it would have sounded if she didn’t worry so much about all the notes she had to hit and concentrated on what she was singing. Harry said she is among an incredibly talented group of people this year, but she needs to find her confidence about who she is. Keith liked her as a sum total. Jennifer would like to see her one more time and Harry and Keith were both yes as well.

The last audition for American Idol ever. Manny Torres is from Puerto Rico. He is going to sing “This Love” by Maroon 5. I love his voice and his presentation. Jennifer is digging him. His whole performance energy is present and joyous. Harry knew within milliseconds what he was all about. Keith said he has so much energy but he kept it focused. All three say yes and Manny gets the very last ticket to Hollywood.





American Idol More Atlanta, Little Rock, Philadelphia and San Francisco

1 02 2016

You know that this back and forth between these cities and then going back again is wreaking havoc on my blog titles.

The first contestant is the sister of one of my favorites last year Shi Scott. Miranda “Poh” Scott doesn’t want to miss out on her last chance for Idol and chose “Fairy Tale” by Sara Bareilles.   She has a similar sound to her sister. It is gritty and is rough around the edges. Harry told her not to tell people what to think (as far as saying negative things about herself). He thought that many things she did were more of the refreshing things they had seen that day. He said there is an “I don’t care” about putting the notes out there. Jennifer thought it was good. Her singing was interesting. Keith loves the rasp in her voice. One of his favorites that day. She is through to Hollywood.

Amelia Eisenhauer brought a flat-edged katana to the audition but didn’t plan to bring it into the room, so I’m not sure why she thought it was necessary unless it is a comfort object. “Many Rivers” by Anne Lennox. I got goosebumps. She has a nice bluesy quality. Jennifer thought it was beautiful. Keith thought it was soulful. Harry said she has this mysterious quality about her. He gave her advice to really try to hit those notes squarely. She is on her way to Hollywood.

In Little Rock, Joy Dove is a big personality. But is her voice as big as her presentation. She is singing “Jambalaya (On the Bayou)” by Hank Williams. Keith added some harmony in there. No goosebumps, but I love her. She has a great voice and she is so bubbly and makes me feel happy inside. Harry thinks her spirit is awesome and she sings loud and he loves that. She gets three yes votes.

Back to Atlanta, Mackenzie Bourg put a medley together of songs from each of the judges. He is from Harry’s hometown of Layfette. I like him just because his last name is “Bourg” (As in Star Trek The Borg). He used “Stupid Boy” from Keith Urban, “Come By Me” by Harry Connick Jr., and “Love Don’t Cost a Thing” by Jennifer Lopez. And just when I thought he was done, he adds “Making Memories of Us” by Keith Urban. This boy is TALENTED! And I love his hair. Harry thought he was smart. It was charming and sweet. He has this quiet thing about him that was interesting to watch. Jennifer liked the sound of his voice that was pleasant to her. Keith loved his voice, too. He gets a ticket to Hollywood.

The Birdwell brothers were trying to beat the odds of both people getting through to Hollywood. Andrew and Aaron chose “Automatonic Electronic Harmonics” By David Michael Bennett. They are a big no for me. Keith felt like it was like a Gregorian acid trip. Harry said, “Gregorian Can’t.” They are politely given a no.

Jenna Renae broke the door going in. Hopefully that a good luck sign. She sings “She Don’t Love You” by Eric Paslay. GOOSEBUMPS!!!! Harry thinks she is a very soulful young woman. Jennifer felt like she was a performer and the first on that day that did. Keith liked it. She goes to Hollywood.

Mario Bonds predicts he will be the winner. “Inseparable” by Natalie Cole. He has a nice voice. I was wondering if he was nervous. He was flat on the high note. He is flat on all the notes in fact. He has a beautiful spirit. He has a very effective type of voice. Jennifer was going back and forth. Harry said his spirit is huge, his talent is not what they were looking for in a performance. Keith loves him as a person and sees his love of wanting this, but then he has to think of him as an artist. All three judges are a “no” and it crushed him.

The second to last audition #5 contestant who previously got a ticket to Hollywood, Adam Lasher, with a totally new look (can I say he looks so much hotter with this new look? Rawr!). He does a samba version of “Knocking on Heaven’s Door” by Guns N Roses. Harry thought it was a terrific rendition of the song. He gets the golden ticket.

Emily Brooke is back! She was eliminated after the House of Blues performance. She has taken all the lessons to heart and applied them. This time she is singing “Careless” by RaeLynn. I don’t like that thing (the twang?) she does with her voice. It makes me want to put my hands on my ears. Jennifer thought she got so much better. Harry said this was a training ground for her last year. She applied it and he thought it was the best audition of the day and he liked her better than last year. It makes him very proud to be on American Idol because it fosters talent like her. Keith said the audience knows that there is no substitute for the work. She is going back to Hollywood.

 





American Idol S15 San Francisco Auditions

12 01 2016

A very “sorry” Brook Sample (who hates her last name and job because she goes home smelling like Ranch dressing) was adorable. She is from Oklahoma and currently living in Tucson. She chose a song from Dixie Chicks, “Cold Day in July.” I liked it better than the live version of this song by the original artists. Harry said in terms of presenting herself he thinks she owes herself a little confidence because she has a fine last name, she should be proud to be a waitress and she did a really good job. Jennifer thinks America might love her as much as she does. Keith thinks she has a really good voice—interesting and unique; it’s very special. She receives a yes from all three judges.

Olivia Rox is a 16-year-old who was born into a musical family who encouraged her talent from a very young age. She sang “When I Was Your Man” by Bruno Mars. The beginning of the song was dragging a little bit but it progressed well and showcased her voice super well. Yes, I got goosebumps. Harry thinks she is an extraordinarily talented kid. Jennifer thought she did beautifully and is someone who would add a lot to the competition. Keith thought her voice was really unique and refreshing to hear it.

Cover-band singer Jessica Clark did her own take on “Come Together” by The Beatles. While her voice is interesting, the nasal quality of her voices hurts my ears. She makes it through.

Ameet Kanon, an 18-year-old student from LA, sang “Mercy” by Duffy. I liked her voice but no goosebumps. She looks good on camera.  She is through.

Kayla Mickelsen was also familiar to me from her auditions for “The Voice.”   She chose “Broadripple is Burning” by Margot and The Nuclear So and So’s. I love her. She reminds me a bit of Joey from last year. The judges liked it a lot. She is also through to Hollywood.

Melanie Tierce, a 21-year-old, from Murrie, California had me in goosebumps by the second note.   She sang “Rise Up” by Third Day. Apparently Harry was immediately sold on her, too. Jennifer got goosebumps. She had Keith crying. He said it was unbelievably good. Harry thought it was stunning. He thought it was one of the best auditions he has heard in 3 years.

Being Miss Alaska 2014 led to a job in radio for Malie Delgado. She chose Gretchen Wilson’s “Chariot” as her audition song. She has a lovely voice. No goosebumps but it was lovely. Jennifer thought she had a great voice. Harry gave her an analogy of the color blue and how many shades of blue they have in the competition. She is like an aquamarine. He is amazed all these ridiculously talented smart women are coming. He told her it will be a husky dog fight. She will need to yell “mush” as loud as she can. (Well, technically the term is “hike”, Harry). Jennifer and Keith are also a yes for Hollywood. After she walked out, the judges said she was a star.

Ryan stepped into Harry’s role and Harry took over Ryan’s spot. He gives the next contestant some tips on what to say to Ryan to win him over (loves labs, ask about his sister getting married). Brandyn Burnette decided to sing an original song called “Lost.” His voice reminds me of someone I can’t put my finger on at the moment. I love it and I love him. Harry felt the desire to hug him while he was playing piano. Keith gave him a brief standing ovation. Ryan was impressed. He felt the emotion. He sang it beautifully and he liked the lyrics. This gives him the first four-yes vote of the season.

The next contestant’s family are the biggest American Idol fans. They still have every show ever done on a recording (like VHS recording). Kyrsti Jewel believes that American Idol actually gave her her love of singing. Lee DeWyze went over and said hello. Ryan invited them all in for the audition where Kyrsti chose to sing “Mama Knows Best” by Jessie J.   WOW! She is a little powerhouse; she needs to learn how to vary her sound because it always on LOUD. She absolutely has talent, but that is the only thing I’d like to see her learn. Harry said she has an incredible instrument – clear, loud, energetic. She receives the three yes votes to move through to Hollywood.

Sarah Hayes thought she was coming in being confident and funny, but she was off-putting. She chose “Hero” by Bonnie Tyler. She forgot the lyrics. But what I started to hear was a person who has a nice voice, but not nearly good enough to even make it to Hollywood.   She also needs to lose the gum in her mouth. Then she switches to Invincible. Harry says yes to her because he feels like they are part of the problem of why she was messing up. Keith scolded her gently about how she presented herself was not a good way to audition. Jennifer worried about her because there is only going to be more and more pressure as time goes on. She didn’t hear enough of her voice to know if she can control it enough. Jennifer said no. Keith said the whole audition was unstable. Keith was also a no.

 

Next up: Philadelphia





American Idol Season 13 Austin/San Francisco Auditions

23 01 2014

So far, we’ve seen a lot of great talent out there. And the judges are a riot together. The Austin auditions continue with Jesse Roach, a 27-year-old musician from Cypress Texas (next to my town). I really like her voice even though I don’t like country music. It is quite unique. Jennifer loves her. Keith said she has soul. Harry was not distracted by her rasp (like other people’s rasps). Three yeses.

Steven Curd, age 18, a clerk from San Antonio. He, too, has a unique voice. Anna Melvin, age 22, a waitress from Memphis, tried to sing Wrecking Ball. I disliked it very much. Ryan Clark, a 22-year-old bartender from San Marcos, was okay. Not sure if his voice was unique but that is a hard note combination to get without being sharp or flat. Keith loved them all. All three are through.

Jamiah Malik, age 15, a student from San Antonio, chose to sing an original. His friend, Quiandra Boston-Pearsall, a 17-year-old student from Adkins, Texas, also came to try out. They are interesting but are they good enough? I am not 100% convinced. Quiandra is through to the next round. I love Jamiah’s attitude about not being able to go through this year. Attitude in this life is everything.

Megan Miller, age 23, a media consultant, from Ethel, LA, chose to sing “Last Name” by Carrie Underwood. She showed some voice control, but some of sounded like yelling to me. My eardrums kind of retracted to protect themselves. I am not sure about her honestly. Harry said he is worried about when her voice is going to blow out while Jennifer liked the same qualities. Keith is worried about the audience listening to it. (Thank you Keith). Nevertheless, she received three yeses.

Grace Anne Field, age 27, a restaurant pianist from Austin, Texas. Absolutely NOT!!!! Harry is nice saying American Idol may not be the right type of competition for her. It was frenetic and all over the place. Jennifer said the vibrato was a little bit out of control. Keith just said, “It’s not there yet”.

Another pairing. Austin Alvarez, a 26-year-old make-up artist from Austin and Eric Wood, age 28, an old-field worker from Higginson, AR. I preferred Eric in this combination. Both are through.

Spencer Lloyd is a 19-year-old worship leader from Bryant, AR. Hello cutie pie! And you have a voice that matches. I had goosebumps although he did mess up on the last notes. Harry thinks he is an okay singer. Keith said entertaining is about engaging people and he totally did that. Three yeses although Harry struggled with his yes.

Marlon Lindsey waited 8-9 years now to try out. He was in the Army for a while but now is a 27-year-old student from Beaumont, Texas. I was not expecting the voice that came out (in a good way) singing Sam Cooke’s, “A Change is Gonna Come.” He is through to Hollywood.

Get suspender-wearer off the stage. Harry proves that Harry is funnier than this 28-year-old “actor”. Harry says, “Is this America’s Got Talent?” to the laughs of the production staff. Rick Rowling sucks as an actor as well as a singer as well as a comedian if that was his angle. Harry wants him gone; me, too!

The next contestant, T.K. Hash, does an awesome Obama imitation, a service manager hailing from Charlotte, North Carolina. He sings Fallout Boy’s “I Know What Your Songs Did In The Dark).” OH NO!!! That is a horrible song to audition with without music to accompany you. I think he would have done better on a different song. Keith loved it. Jennifer said there was something there that made them all perk up. Harry said he wouldn’t say he was the greatest singer he has ever heard, but he is soooo like-able it is a yes for him too.

McKenna Dennis is up for the hashtag game. Seventy-five percent voted #IdolHollywood versus 25% #IdolHome. And she indeed made it through.

Nikki McKibbin, who placed 3rd on the first season on Idol, had a son. Tristen Langley, age 15, is a student from Kennedale, Texas. He is really good. I like his smile. Harry thinks if the story of second-generation idol wasn’t there, he would say no. Jennifer totally disagrees. It was not blow-you-away, but he has a really good voice. Keith gave him some vocal tips to save his voice. Jennifer said yes, Harry said no but Keith said yes. (Harry has guts!)

A collage of performers is up next. Taylor Stearns, a 21-year-old student from Round Rock, Texas (I did not think she was good enough) got a yes from the judges along with several other unidentified people, but also some no’s in the bunch too.

LJ Hernandez is a 23-year-old farmer from Goliad, Texas whose ex-fiancée said did not have the talent, the skill or the will or charisma. I agree with her. His family needs to stop “supporting” this. They are enabling him.

John Fox, a 20-year-old, Magnolia, Texas, (another town in my backyard). He is a worship leader. There are a lot of great worship leaders with really great voices in Texas! I got goosebumps. Three yeses.

San Francisco

Rachel Rolleri, a 17-year-old student from Danville, CA. Her mom loves Keith Urban. I got goosebumps with her immediately (and again I am not a big country music fan). Got a little crack in her voice. Harry thinks she has an understated confidence. Three yeses.

Athena Williford, a 20-year-old student from Stockton, CA. She was okay. Demi Wolf, a 17-year-old student from Palo Alto, CA, a former junior Olympian, was again just okay. MK Nobilette, a 20-year-old student from San Francisco, CA, was probably the most unique out of the three. All three are yeses.

Making a unique entrance was Emmanuel Zidor, a 24-year-old airline ramp agent from Miami, Florida. I liked what he did with his song after he was asked to sing something else. It was very controlled. Jennifer thought it was beautiful. He told his teacher that he wanted to be on American Idol and that he wanted to win. The teacher said, “You will never be on that show, you can’t even sing.” Harry told him he has three music teachers up here and what do you think all three music teachers are going to tell you? YES! If his teacher told him that, that teacher needs to retire.

Three more unnamed contestants make it through and then Samuel Ramsey, a 24-year-old student from Temple Hills, MD sang. Harry voted no (payback for him using the word “jazzy”?). The other two did not vote (at least on camera).

Caitlin Johnson, a 15-year-old student (what is it with all these students?) from North Plains, OR, was okay in some parts and it was strange in other parts. Harry does not think she is ready. Jennifer thinks she is talented, but not perfect. Keith loved it and says yes. Jennifer gives her one more chance and will see her in Hollywood.

The enthusiastic Ronald Reed, a 23-year-old cook has big ambitions. Can he sing? Well he keeps playing guitar. He cannot sing and his facial expressions are creeping me out. He squeals when Jennifer called him sweetie. Keith wanted his vocals to be where his personality is but it was not. Harry tried to explain the difference between subjective and objective. Ronald looks shocked! He goes out and cries like a crushed child to his family and friends. Ryan tells him to be strong. He says he is coming back every year. I have no doubt that if Ronald harnesses his outlook into a different career path he will shine just like a star and perhaps do greater things for the world.

David Luning, a 26-year-old musician from Forestville, CA, wants to sing an original and it almost looks like Jennifer is bracing herself for something awful. Surprise! Not awful! He has a very unique voice. Jennifer says she loves it before he is even done. Keith is on the fence. On one hand he is original but on the other hand he would get crushed (presumably because of the choices of songs available?). Harry said it was interesting but may be too “downer” for Idol. Jennifer said yes. But Keith and Harry? Not sure, but he got at least one of them to make it to Hollywood.

Enter the twins! Selena Moreno, a 22-year-old hostess from Sacramento, sings Janis Joplin’s “Try”. It is okay. Sierra Moreno, a 22-year-old hostess, also from Sacramento. I liked her voice better. Harry says they won’t make it as a set. For Keith he liked Selena’s voice better but Sierra’s performance better. All three say yes to Selena. Jennifer said yes to Sierra but Keith and Harry said no.

Then a montage of no.

Look who it is!!!!! Briana Oakley is back! She was from last season and got cut during Hollywood week. And I still adore her! Harry felt like she is proud to sing. Goosebumps!

An unemployed Rico Perkins from Little Rock, AR wants a golden ticket. He even sings it. Aranesa Turner, a 20-year-old student from Sacramento. Both are going to Hollywood.

Gaddy Basil Foster, a 26-year-old server from Columbia, SC should stick to working out. I bet he would make a great fitness coach. Jennifer tried hard not to laugh.

Jennifer and Keith should have a baby-counting contest. Who says the word “baby” more?

LogoOh please no. Adam Roth is a sound healer for a living. I believe in the power of music to heal but….does his voice help or hurt? His vibrato bothers me and would not be relaxing to me. Harry got his chakra blown. Keith is baffled because his voice was kind of schizophrenic. Jennifer wondered if he was forcing it–was it fake? Harry says no. Jennifer says yes. Keith says yes.

The Count

19 from Sacramento
14 more in Austin
33 new Hollywood contestants from today’s show

Plus 46 from Wednesday night

79 total so far.

Next up: Detroit





The XFactor Boot Camp Task One

4 10 2012

The X-Factor Boot Camp Task One      

The contestants hopped on a plane to the Mondrian Hotel in South Beach in Miami, Florida for the next phase of auditions and eliminations. Some rose to the challenge. Some cracked under the pressure. And the judges wondered how they could have put through others.

The groups we saw tonight included Emblem3, Group Citizen, Sister C, L3vel, and Jetset. I don’t care much for the group sounds this year at all.

Tonight we also heard too many people try to do Whitney Houston. Some did fairly, but they should tell them no Whitney songs and no Adele songs and maybe no Mariah songs either. Diamond White, Paige Thomas and Trill Cece Frey all did, “I Will Always Love You” by Whitney song. For a 13-year-old, Diamond did a pretty fair attempt. Paige did better than Diamond, but she seemed to be out of breath.

Diamond White

Cece–well I don’t care for her at all. The young woman needs a lesson in humility. She is conceitedly overconfident, “On a scale of 1 to 10 how confident am I? How about 25?” Her conceit comes off in the song. Instead of connecting with the song and the audience, it was more about her beating Paige’s audition that immediately preceded hers. All ladies will make it through this task.

Trill Cece Frey

Paige Thomas

Austin Corini sang Bob Dylan’s “To Make You Feel My Love” most recently done by Adele. He has a very nice song, but this song was very boring. It’s unclear if he was in the final bunch making it through to task 2.

Austin Corini

The judges seemed to like Dinah Jane Hansen, Lyric Da Queen, Jason Brock, and Carly Rae Sonenclar.

Carly Rae Sonenclar

San Antonio girl Jessica Espinoza did well (in my opinion), but the judges in the end send her home.

Jessica Espinoza

Vixen Jennel Garcia performed Gavin DeGraw’s sexually charged “Sweeter” that certainly got a response from not only the judges but some of the male contestants.

Jennel Garcia

This year’s Josh Gracin, Vino Alan has a strong vocal performance on the song “Bad Company” and is put through to the next round.

Vino Alan

Then came the awful vocals: Johnny Maxwell (rapper who forgot his lyrics), Annie-like-looker Jordyn Foley, Manny Acosta, faint-at-heart Trevor Moran, feeling-good Nick Perrelli, and pastel-purpled Jake Garza. I really felt sorry for Jake because I have been on stage when the words just do not come out in front of a large audience and you crack. Of that group, Trevor Moran definitely does not make it through.

Tara Simon who showed Simon more than her animal-print dress murdered Queen’s “Somebody to Love”. Freddie Mercury must be turning over in his grave. She thinks she nailed it. Somehow they let her through.

Tara Simon

Willie Jones is an anomaly. I am not sure what to make of him. He has good and bad moments within the song, “She Thinks My Tractor’s Sexy” by Kenny Chesney. He is through to the next round.

Willie Jones

They divide the singers into groups. Group A includes: Diamond White, James Tanner, Jason Brock, Vino Alan, Jennel Garcia, Paige Thomas, Sophie Tweed-Simmons (the daughter of KISS rocker Gene Simmons), David Correy, Carly Rae Sonenclar.

Group B includes: Jessica Espinoza, Rizzloe Jones, Jordyn Foley (at which point I knew exactly where this group was going—home), Trevor Moran, Ben Westphal and Quatrelle Smith.

Group C includes: Jeff Gutt, Cece Frey, Tate Stevens, Freddie Combs, Nick Youngerman, Willie Jones, Johnny Maxwell, and Jillian Jensen.

Groups A and C get to stay; group B is sent home. My advice to Cece Frey: While your conceit and overconfidence might get you through to the next round with the judges, remember that America will be voting for you and no one really likes you right now. I suggest a healthy dose of humility if you want to stay any longer than week 1 once the voting begins. People will vote for a humble person who gave a good attempt, not even perfect, but good, but will quickly send home people like you.

I leave with the question America wants to know:  WHERE IS PANDA?

Panda





XFactor Season 2 Auditions So Far

25 09 2012

I am burned out on singing shows. American Idol, The Voice, XFactor. It takes a lot to move me anymore. I had preconceived notions about the addition of Britney Spears and Demi Lovato on the show. My greatest criticism of XFactor last season was that it felt too much like American Idol, all the way from where they sat to judge, a similar format of judging the initial auditions, and why I thought The Voice Season 2 was more successful than XFactor Season 1. Having finally caught up on the auditions shows of the XFactor Season 2, I have to say that change is GOOD. I do not know all the technical talk about how the filming process is done, but I like how 1) they are bouncing back and forth from city to city, not showing all the auditions from each city at a time and 2) they are interviewing people, and not just the ones who are going to make it through. You can see the reactions of the people competing for spots for boot camp before they hit the stage and after they exit. I like seeing the judges in between shots, talking among themselves. I like the variety. And shockingly enough I love the addition of these two female judges.

As with every season, I question some of the choices the judges have made. So far none of the groups impress me. And Cece Frey made me burst out in hysterics because she looks like Jadzia Dax from Deep Space Nine, no insult intended to Terry Farrell:

Cece Frey

Terry Farrell as Jadzia Dax on Deep Space Nine

It would be impossible to recap all the audition shows, so these are some of the contestants I’m keeping my eye on:

Ally Brooke (San Antonio, Texas)

Carly Rose Sonenclar who auditioned in Providence, Rhode Island

Diamond White (even has a star-like name), Detroit/Los Angeles

Jason Brock, San Francisco

Jessica Espinoza, San Antonio, Texas

Jillian Jensen, Rochester, Massachusetts, who made me cry

Panda Jones

I hope Panda is feeling better and that we will see her at boot camp.

Who are some of yours favorites this year?





So You Think You Can Dance — Season 9 — Top 20

28 06 2012

So You Think You Can Dance — Season 9 — Top 20 Revealed and Performance Show

What a great night to not only celebrate the 200th episode of So You Think You Can Dance, but to also welcome back the magnificent Mia Michaels. Cat Deeley looked particularly stunning this evening as she opened the show. Nigel Lythgoe announced that there would be two winners this season: One from the girls and one from the guys. On the judges panel this evening where our regulars, Nigel Lythgoe and Mary Murphy, and guest judge is adorkable Zooey Deschanel from Fox’s hit show “New Girl.

Learning Their Fate — Whittling down 35 to the Top 20

People who are in: The first 3 people receiving a yes from the judges were Alexa Alexander, George Lawrence II and Will Thomas. Amber Jackson who had auditioned in season 6, got to the Green Mile, did not make it, auditioned again, and did not even get that far, and said she would not audition again was through. She had grown a great deal emotionally and came back. Perseverance and a positive attitude paid off well for her. After a fake out that made Lindsay think she was out, Witney Carson and friend Lindsay Arnold were both in. Nick Bloxson-Carson also won a spot. Daniel Baker, who had left his job in the San Francisco Ballet and Chehon Wespi-Tschopp who left his job in New York City, both were in. Eliana Girard in her blue-suede shoes and bubbly personality was also on the show. Both Tiffany Maher and Audrey Case went in together. Debbie Allen said she was almost invisible but then she pushed her way to the front. As Tiffany receives a yes, Audrey looks worried. Adam Shankman breaks the news that she made it as well. She cannot believe it and asks, “Wait….are you sure?” She goes and calls her mom. Janelle Issis also was in disbelief as Adam welcomed her into the top 20. Adam said, “Honey, OWN this. You’re the first belly dancer in the top 20.” Janelle is a bit accident prone. She smacked her nose going back through the door to the waiting area and was ill this evening and told not to dance in the performance show. Mary Murphy did a silly version of Simon Says with Ryan-Gosling-look-alike Matthew Kazmierczak with which he readily complied and then received a yes. Dareian Kujawa told the panel he was working on his feet positioning, but they are like brutes. Lil’C tells him to keep working on that because he is in to the top 20. Janaya French moved to Los Angeles after she Vegas week and has had some highs and lows. She is through. After telling the last two girls that they were looking for star quality this year, Tyce Diorio  informed Amelia Lowe she was put through as the final female contestant.  Mary was telling Cole Horibe about hills and valleys in a dancer’s life and compliments him on his uniqueness. She sees no valleys for him–he is put through to the top 20. Namaste, Cole. Stepper Brandon Mitchell joined the top 20. Cyrus “Glitch” Spencer, who struggled with choreography in Vegas, but always had a great attitude, showed an ability to adapt quickly, and has that special “it” factor. Not only does he radiate this wonderful energy, but he has quite the fan base in America. Even though his dancing might not be up to par with some of the others, his personality will take him far. Nigel commented that he has “never seen anybody like Cyrus in my entire life.”

People who are out: I was surprised by the no given to Megan Branch. She was really good, but they are looking for variety. Abigail Ruz, Kaitlynn Edgar, Katie Muth, and Rebecca Hart were encouraged to come back next year. Sadly, Joshua Alexander was a no this season. No one can really know if the trip to the emergency room that stopped him from performing his final solo became a factor. They insisted Joshua return next season and I hope he does as well. He is a tremendous dancer. They also passed this year on Blake Zelesnikar, Jasmine Mason, and Daniel Kermidas. Jill Johnson, who went into the judges’ room together with Amelia Lowe, was sent home. Tappers did not fare well this season, sending Aaron Turner and Zack Everheart home. Going into the judges’ room with Brandon Mitchell was Devon McCullough. Adam said they would see Devon next year. With Cyrus in, that meant that Feliciano Turk, who had wonderful moments in Vegas, was out.

Dance #1


Dancers: Alexa, George, Will, Amber
Song: “We Found Love (BBC Radio 1 Live Lounge)” by JessieJ
Choreographer: Tyce Diorio

My thoughts: They had great expression, reach, lines, timing, partnering. They blended and complimented each other with a very fluid flow. I got goosebumps (and if you haven’t read my blog before, my goosebumps never lie) towards the end.

The Judges: Nigel gave constructive criticism to Will about keeping up with the shorter dancers. He had encouraging words for Alexa and Amber. To George, Nigel said that if every light in the studio went out, he would still shine. Mary complimented Will’s partnering skills. She complimented Alexa on dealing with her demons. George’s leaps were phenomenal and Amber shed her emotional baggage. Zooey complimented the team work; she could not wait to see more.

Dance #2


Dancers: Witney, Lindsay and Nick
Song: “Dance Again” by Jennifer Lopez featuring Pitbull
Choreographer: Jason Gilkison

My thoughts: It had great energy and great partnering. It didn’t floor me (sorry).

The judges: Mary gave a “woo” that sounded like the train was still in the station and not the hot tamale train that was moving. Zooey said the girls looked like twins and were incredible. Nick kept up with them as well.

Dance #3


Dancers: Daniel, Chehon, and Eliana
Song: “Romantic Inclinations/Like a Shot/Fury” by P. Mottram/S. Everitt/G Shadid, T. Marberger
Choreographer: Desmond Richardson and Dwight Rhoden

My thoughts: Goosebumps, but not the entire song. It looked like at times the boys were flinching when they got too close to Eliana, and then when the judges were commenting, it was apparent that the costume was inflicting wounds on them. Boo to the costuming department on that one.

The judges: Nigel commented the boys on their bravery at leaving paying jobs to come to the show. He also complimented Eliana on her classical skills. Mary called Eliana a ballet warrior. Mary went from “wow” or “woo” in her hot-tamale-train voice but her train whistle did not sound like it was quite fully on the train.

Dance #4


Dancers: Audrey and Tiffany (Janelle was out per doctor’s orders)
Song: “Sail” by AWOLNATION
Choreographer: Sonya Tayeh (assisted by Season 8 winner Melanie Moore)

My thoughts: Audrey and Tiffany had great timing, wonderful warrior spirit and great team work. It did not give me the goosebumps though.

The judges: Zooey said they made an amazing, great pair. The choreography was incredible. Tiffany was very strong and Audrey was graceful, which made for a good pairing. Nigel said that they looked like Pebbles (of the Flintstones) dancing.

Dance #5


Dancers: Dareian, Amelia, Janaya, and Matthew
Song: “Modern Drift” by Efterklang
Choreographer: Stacey Tookey

My thoughts: My eyes were fixed on Amelia. She reminded me of my favorite from last season, Melanie Moore, especially in the jump into Dareian’s arms.

The judges: Zooey thought it was delicate and beautiful, like watching a painting move. Amelia shines like she irradiates light. Mary gave accolades to Stacy Tookey for the routine. She said Dareian had great strength, power and partnering. Amelia was fabulous. Janaya was not on their radar at first, but she is “now out of that radar.” I think Mary meant to say she was now ON their radar. Mary still loves Matthew.

Dance #6


Dancers: Brandon, Cole, Cyrus
Song: “Resolve” by Nathan Lanier
Choreographer: Christopher Scott (and Marko Germar said on Twitter he assisted in this routine)

My thoughts: I loved the baseball voiceover using their real names. Very clever, very inventive. It was a fantastic idea for a routine especially with the baseball all-stars game coming up on Fox. Christopher Scott did a wonderful job highlight each one of their strengths but blended with perfection. I did not get chills but I enjoyed it immensely.

The judges: Cat Deeley said she had the first chills of the season (I know she is not a judge but I love her as a host). Nigel commented that in front of them was a stepper, an animator and a martial artist and that they complimented each other, and complimented Christopher for highlighting each one of their strengths. Mary said they “hit it out of the ballpark with that one.”

Dance #7


Dancers: The girls
Song: “Where The Light Gets In” by Sennen
Choreographer: Travis Wall
Story: The door is the gateway to the afterlife.

My thoughts: Travis Wall’s choreography always seems to elicit a deep emotional response from me, much like Mia Michaels. It was like watching angels dancing on the plane of existence between the two worlds. I got goosebumps about halfway in and had tears in my eyes by the end of the routine.

The judges: Nigel said it was like frieze on a Greek vase and complimented Travis on his growth since being a contestant on SYTYCD. Zooey said it was a beautiful routine for beautiful girls. Cat mentioned the word “ethereal.”

Dance #8


Dancers: The boys
Song: “Precognition (Steed Lord Machine Mix)” by Steed Lord
Choreographer: Sonya Tayeh
Story: They had to fight to win on the show. During the footage of learning the routine, she said having this group is like releasing the wolves to the masses (and I instantly pictured “Twilight”). She wants them to be exposed physically to expose the inner man. Brandon was comfortable with the male-male partnering ’cause he “likes the ladies.”

My thoughts: Each group of guys got to show their strengths but it did not illicit an emotional response from me like the girls did. I definitely did not like the high-waisted costumes. The guys looked very uncomfortable in them.

The judges: Nigel does not like the pants either (called them maternity pants). He chuckles at Will because he is not as buff as the other guys. The routine was athletic, gymnastic and strong, and the boys had to be that way now. Mary enjoyed George’s assisted lift. She loved the routine and thought the guys were great. Zooey would love to join in with them, and the boys were encouraging her to come up and do so. She thought it was all fantastic.

Dance #9


Dancers:
The top 20
Song:
“Eyes (Coachella Live 2012 Version)” by Kaskade
Choreographer:
MIA MICHAELS IS BACK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

My thoughts: I love Mia and have missed her being on the show. I got goosebumps when they moved their sunglasses off their eyes onto their heads right at the part of the show that said, “look into my eyes.” Eyes are the window into a person’s soul. The choreography keeps building throughout the entire song. I had goosebumps the entire song. And everyone stepped up.

The judges: Nigel kept it short and sweet, “Welcome home momma; you’ve been missed.”

It was a phenomenal ending to a terrific beginning for the journey of season 9’s top 20. They take a week off for our United States July 4th birthday, and will be back on July 11th.

My Early Favorites (in no particular order and I reserve the right to change my mind at any time)


Guys: Cole Horibe, Cyrus “Glitch” Spencer, Daniel Baker, George Lawrence II, Dareian Kujawa
Girls: Amelia Lowe, Janelle Issis, Eliana Gerard, Amber Jackson, Alexa Anderson

Who are yours?

National Dance Day

The third-annual National Dance Day will take place on Saturday, July 28. There is a hip-hop master class with Lauren Gottlieb, Lauren Froderman, and Brandon Bryant video and a Zumba fitness video for people of all levels with Kass Martin, Gina Grant and SYTYCD All-Stars Allison Holker and Ade Obayomi. That Saturday evening, there will be a Dizzy Feet Foundation Gala at the Dorothy Chandler Pavilion in the Music Center. Desmond Richardson will be performing as will Alvin Ailey, American Ballet Theater, LXD, and the All-Stars from SYTYCD (past and present). Click on the logos below to learn more.





So You Think You Can Dance — Finale Performance Show

11 08 2011

It has been a wonderful journey with the best group of dancers to ever be picked in the Top 20 of So You Think You Can Dance. Tonight, the four favorites who flitted into our hearts were: Marko, Melanie, Sasha and Tadd. Katie Holmes and Kenny Ortega served as guest judges for this evening (I just LOVE Kenny Ortega).

Final4

The final 4: Marko, Sasha, Melanie, Tadd

Dancers: Melanie and Marko
Song: “I Feel Love”
Artist: Donna Summer
Choreographer: Doriana Sanchez
Style: Disco
Story: None, just high-energy disco.

I was wondering when disco was going to show up. This song was a blast to my past. It was lovely seeing them partner again. Dressed like John Travolta, Marko did a slightly better job than Melanie with a bit more energy into all his movements. While it was danced well and it was fun to watch, there was no emotional investment in it for me and did not bring me back to that golden era. Kenny thought it was electric, sizzling and great. Katie loved it and said it was like watching Saturday Night Fever. Mary Murphy pointed out that the lifts were not great and they went in and out of the style. Nigel agreed with Mary and felt they were uncomfortable in the style and hoped that they do better in their other routines this evening.

Dancers: Sasha and all-star Mark Kanemura
Song: “Raise Your Weapon”
Artist: Deadmau5
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Ode to Sasha from Sonya, that Sasha handles all the struggles in her life with such grace and integrity, fueling her and giving her power. Mark represents the obstacles.

Another emotional dance for Sasha. This dance brought both goosebumps and tears and then a “hell-yah” out of me during the final sequence when she throws her obstacles to the ground (i.e., Mark). What a powerhouse duo in this pairing (Are you ready to join Lady Gaga’s tour, Sasha, with Mark?)! It stung me in all my emotionally vulnerable hotspots. Sasha has had some incredible performances, but this one tops them all. Mark is the perfect example of someone who did not win the show who went on to do fantastic things in the dance world. Like a fine wine, he has gotten better with age. Katie loved it, especially that walk at the end. Mary pulled out her train-whistled woo-hoo for this and called her a champion and a star. Nigel thought Sasha just threw down the gauntlet to the other three contestants.
Before getting to Sasha’s critique, Kenny had glowing things to say to Sonya who was deeply moved by his accolades. Turning to Sasha, he cited her struggles this week–an injury, battling against Melanie–but claimed her “Sasha, Warrior Princess.”

Dancers: Tadd and all-star Joshua Allen
Song: “Hustle Hard” (Traditional)
Artists: Ace Hood
Choreographer: Lil’C
Style: Hip-hop
Story: None, just the hustle.

Lil’C choreographed a very difficult routine. Tadd is the dark horse in this race, but having Joshua dance with him did not help him, like watching a master and his apprentice. Joshua was crouching lower and hitting harder. Tadd made it this far not only because of his dance technique but also his personality. Just looking at Tadd though, this is the best I have seen him dance all season. Mary said his difficulty is the “sweetie-pie” factor, but was able to pull off a hard-hitting hip-hop style. “Hustle Hard” was Tadd’s theme song for this season. Nigel complimented the moves on the knees, but still felt he was too sweet. Kenny thought the pairing was perfect and wants a pair of the red shoes. Katie thought his hustling was terrific and she loved the pairing. The red shoes helped to highlight how fast of a dancer he was.

Dancers: Melanie and all-star Robert Roldan
Song: “Sacrifice”
Artist: Sinead O’Connor
Choreographer: Stacey Tookey
Style: Contemporary
Story: Unrequited love; in order to save herself, she has to say good-bye.

My goosebumps started halfway through and were at standing straight up on my arm and traveling down my legs by the time the song was over, a lovely rendition of the famous Elton John song. I loved this pairing as well, as each complimented each other. Nigel felt like Sasha threw down the gauntlet and the challenge was accepted. Kenny would push himself to the front of the line to have a chance to work with Melanie. At this point, Cat announced that he would be resurrecting “Dirty Dancing” and got Melanie her first job after SYTYCD. Katie thinks she is a magical dancer and loves how she creates stories. Mary feels like she is in a class of her own and is so proud of her. Melanie feels so blessed for the journey.

Dancers: Sasha and Marko
Song: “Whatever Lola Wants”
Artist: Ella Fitzgerald
Choreographer: Spencer Liff
Style: Broadway
Story: A restaurant scene. Marko is the waiter, Sasha an elegant dinner who wants to order something off menu.

Hot and spicy, both Sasha and Marko played their roles well. She looked elegant in her purple gown, showing off her cougaress cavort, going after what appeared to be a younger, geeky waiter, portrayed by Marko. Kenny thought it was fun, and their character conversions were fantastic. He had a few extra words of praise for Sasha about her giving her all for every performance. Katie compared Sasha to the legendary Cyd Charisse and thought Marko was great. Mary did not initially recognize Marko and thought he was perhaps one of the all-stars. She was surprised at what a wonderful actor he is, saying that it is not easy to pull off comedy and dance at the same time. The dance, however, did not wow Nigel. He thought Sasha was a better warrior princess than a vamp. He did not understand Marko’s character at all.

Taking a break in the dance action, Cat showed some interviews that she had with all the contestants. Melanie’s favorite moment was dancing with Neil Haskell (with the launch she did into his arms halfway across the stage). Her closest buddy in the competition is Ricky because he can make anyone smile and was such a fighter regardless of the criticism each week. Out of the four remaining, she feels closest to Marko. She misses her father and knows that he would be very proud of her. She then performed her solo to “Song for Viola” by Peter Bradley Adams. I cried, feeling like she was dancing that for her father.

Cat asked Marko what he was thinking when she read his name as the first one through to the finale. He had closed his eyes and wondered why she was waiting (she was waiting for him to open his eyes). His favorite performance was “Turned to Stone” with Melanie. She asked him what it was like to have his mother in the audience, and he again shared that he was not always the most grateful child growing up. Winning would mean “everything” to him. When he got shot, he was searching for the reasons why he survived and perhaps this show was a vehicle for that. He then performed his solo to “The Fear You Won’t Fall” by Joshua Radin, incorporating all he has learned, growing a great deal since his original audition. Tonight, his father was in the audience for the first time, giving him an extra boost.

Dancers: Sasha and Tadd
Song: “Raindrops”
Artist: Basement Jaxx
Choreographer: Mark Ballas
Style: Cha-cha
Story: None, just fun and sassy.

This was not finale-quality dancing. Both looked uncomfortable in the style. Because of that, they did not have that hot, spicy chemistry. The height difference was an issue for me. Katie completely bypassed saying anything about the dance itself and just complimented them on the journey. I think Katie did not want to be booed. Although agreeing with Katie, Mary had to talk about the dance. It just did not work–the connections, the body positions, missing hand connections, lack of chemistry, although Sasha fared a little bit better than Tadd. Nigel agrees with Mary, saying it was uncomfortable to watch. While Sasha did a bit better, Nigel felt it did not bear well for her either. Kenny said it was too ambitious for the last show and for them to walk it off and come back and blow us all away.

Dancers: Marko and all-star Lauren Froderman
Song: “Shirk”
Artist: Me’Shell Ndegedcello
Choreographer: Tessandra Chavez
Style: Contemporary
Story: Two people drawn to each other who can’t seem to find a way to make it work.

Setting the tone for the routine, Lauren was already in character, shedding tears when the dance started. This was another dance that drew me in emotionally, taking me on a journey of moments of my own life. My goosebumps never lie. Mary thought it was beautiful, provoking honest communication in the dance, feeling his soul. Nigel felt like it was a fabulous performance, redeeming his past dances of the evening. Kenny again complimented the outstanding choreography. He felt this was perfect partnering for him, that their spirits became alive, taking him to a distant place. Whatever Marko was doing in that dance, he needed to continue doing it. Katie also thanked Tessandra for the piece. He thanked Marko for creating these picture moments for her while he danced and deemed him magical (Magical Marko–it works–Cat stop stealing my phrases).

Tadd’s interview and solo were next. He thought and dreamed about being in the finale but cannot believe he is here. He thinks America is connecting to him in his solos. His favorite routine was the vulture dance with Jordan that Travis Wall choreographed. Most nervous performance was the first show when they had to make a first impression. There is web site apparently called: The Official “Keep Your Shirt Off Tadd” Fan Club. He said for some reason people want him to be naked, but Cat points out there is a difference between shirtless and naked. Winning would change his and his family’s lives. Dancing his last solo before voting to “Momma Knows Best” by Jessie J, Tadd showed off why we love him so. It was playful and creative.

Dancers: Tadd and Melanie
Song: “Show Me What You’re Working With”
Artist: Sista Monica
Choreographer: Ray Leeper
Style: Jazz
Story: A guy cheats on his girlfriend and she catches him in the act. Sexy, naughty with a little dysfunction thrown in.

This dance showcased Tadd much better. Since he was comfortable, the chemistry flowed like river rapids between them. I got sexy, naughty and the dysfunction. It must have been difficult for Melanie to dance that short while with one heel on and one off; I can barely walk that way. The routine was a lot of good fun. The strip-tease of Tadd for his fan-base was a great touch after the comments made in his interview. The routine brought Nigel’s evening to life. He praised Tadd for a job well done, while complimenting Melanie for selling the character before the dancing ever began. Kenny apparently let out a “woo” during the dance. He loved everything about it and felt the choreographer delivered the perfect routine to showcase their strengths during a finale show. Katie felt like it was a breath of fresh air. Mary thought Tadd brought the sexy back and Melanie’s strut was like no other.

In the final interview and solo, Sasha never thought she would make it this far, loving that her sister has been with her the entire journey. Her favorite moment was when Lady Gaga threw her shoe. Several routines stood out to her, but she asked Cat which one she liked and Cat said the routine with Twitch. She talked more about the wonderful routine with Kent Boyd (with the wall), saying she had to go to a very dark place, and she had to put her journey into the dance. Seeing people affected emotionally in response to her dancing meant a great deal to her. Dancing to “Be Be Your Love” by Rachael Yamagata, Sasha also showed the audience the growth attained this season from that of her first audition.

Dancers: Sasha and Melanie
Song: “Heart Asks Pleasure First”
Artist: Anh Trio
Choreographer: Stacey Tookey
Style: Contemporary
Story: Suppressed housewives in the 1950s, feelings of isolation and loneliness. The two join forces to break free.

Extremely beautiful. Melanie and Sasha are in direct competition with each other, yet they dance and support each other every time they dance together like true professionals. Another moment of chills for me. Kenny thought the picket fences were symbolic of prison bars and the space in the yard the only place where these women could express themselves. It made him feel hopeless and he wanted to rush in and free them. It also made him curious about their paths, where these characters came from and where they were going. Katie loved the message about friendship and the power that two women can give to each other. Mary enjoyed every second of it, enjoying the movement and musicality. Nigel shared with the audience what we did not see–that each of them hugged each other and wished each other luck before the show came back on air. He said it did not matter who won because they would both grace any dance company they would join.

Dancers: Marko and Tadd
Song: “B.O.B.”
Artist: Outkast
Choreographer: Chuck Maldonado
Style: Gumboot stepping (hip-hop)
Story: Form of dance that was used to communicate in the mines of South Africa

A fantastic, high-energy way to close the show. Tadd had the slight edge in this dance, but Marko was not too shabby. The timing was a little off, but I noticed Tadd looking over at Marko at times to try to get them back in sync again. Katie enjoyed the athletic ability in this number, but it also sound like she was holding something back. Mary felt like it was solid gold for her. Nigel pointed out the rhythms were not together in this routine. Then he crushed them by saying he has felt all along a girl would win this season and that hadn’t changed although they stood up well for themselves tonight. Kenny thanked the dancers and the choreographer.

If it was simply based on dancing tonight, it would have to be Melanie, Marko, Sasha and Tadd. If it came down to most improved dancers over the season, it would be Tadd, Sasha, Marko and Melanie since Tadd, the b-boy held his own outside his own style of dance. Then Sasha was finally partnered with someone who brought out the best in her during the all-stars, and Marko and Melanie have remained pretty level throughout the competition. If it is based on the dancing all season it would be a tie between Melanie/Sasha then Marko and Tadd. However, the show is about America’s favorite dancer. Sasha has an overwhelming fan base and it will come down to who voted more, Melanie’s fans or Sasha’s fans. The margin of votes will be very, very close.  I predict Sasha is going to win.  But Nigel is right:  Both Melanie and Sasha will have tremendous careers after this (and I believe Marko and Tadd will, too).

Hilda Clark Bowen (a.k.a. PBMom)

Hilda Bowen (a.k.a. PBMom)





So You Think You Can Dance — Top 6 Performance

4 08 2011

After tomorrow night’s show, we will be down to our final 4 contestants and our season finale show. Last week we said goodbye to our favorite J’s: Jordan and Jess. Each was the consummate professional full of gratitude the journey and for the fans. Even for a brief moment when Jordan looked like she was about to fall apart, she took a deep breath and remained positive and hopeful for her career, a trail both will blaze after the tour.

Top6

2011 So You Think You Can Dance Top 6 --Season 8

Guest judges for this evening were the lovely Christina Applegate, and the loquacious Lil’C. They discussed the stupendous success of National Day Dance on July 30, 2011. Perhaps it needs to be renamed “International Dance Day” as people across the world celebrated dance, including physicists in Switzerland. Although not shown on the show this evening, even Vancouver, BC got into the fun.

Dancers: Melanie and all-star Twitch Boss
Song: “Roman’s Revenge”
Artist: Nicki Minaj featuring Lil Wayne
Choreographers: Napoleon & Tabitha Dumo (aka NappyTabs)
Style: Hip-hop
Story: Little Red Riding Hood with a twist

Melanie did well, but I’ve seen some of the other ladies do a better job with hip-hop. The routine was weird. I might have liked it better if in the end she would have slay the big bad wolf versus tame him, but that is the choreography and not the dancers. I think she might have needed to be lower to the ground. Lil’C felt she got off to a rough start but found her ghetto groove and ascended. Christina agreed with Lil’C. Mary felt she was on fire. Nigel loved the dance as well. He confronted internet allegations that Melanie has never been given a dance out of her style, but he dispelled that quickly, saying she was good at everything. Itsy bitsy problem with that. If they are randomly drawing dance styles out of a hat, and last week the talk on the internet was the biggest it’s been about this issue, and she suddenly gets hip-hop, it doesn’t help the argument that these dances are random. It is, however, one of these no-win situations. You will have a group of people who will believe it and some that will not, and like politics, there is no changing anybody’s mind about it.

Dancers: Sasha and all-star Kent Boyd
Song: “Fool on Me”
Artist: Me’Shell Ndegeocello
Choreographer: Tyce DiOrio
Style: Contemporary
Story: Two people who have hit a wall in their relationship and the emotions you go through when someone hurts you.

During the rehearsal taping about the song, Sasha began to cry. The meaning of the dance runs deep for her and I was sure it would come through in her dance–and it did. I had goosebumps but I lost my breath at the moment of the lift that had her legs upside down on the wall, a great symbolism for how upside-down you can feel when you are hurting inside when someone you love hurts you. You love them, you hate them, you want them stay, you want them to go. All the feelings are taken the n’th level. Sometimes you can bust through that wall and sometimes you cannot. I love when Tyce choreographs dances like this (like the dance he created for his friend who had cancer, danced who beautifully by Ade and Melissa). They have a way of reaching a place deep inside your soul that is universal to everyone. Christina described the difference between technicians of dance and dancers like Sasha who can affect your heart, and thanking her for being so courageous as to share with us whatever it was that hurt her so badly in this life. Mary called her intoxicating and got all choked up about the move of when Kent threw her to the floor, and that it only matters that you get back up. When she said that, I was thinking of Mary’s courageous battle with her thyroid cancer. Nigel also complimented Tyce, as did Mary, at this routine being at his best, as was Sasha. Sasha then won Nigel’s “favorite” dancer something that he ping-pongs between Melanie and Sasha. Lil’C was trying not to cry, having identified personally with the dance with experiences in his own life. He wishes that he could have worked with Sasha this season and called her phenomenal. Oh, and did I mention, first kiss on tonight’s show. The kissing season, season 8.

Dancers: Marko and all-star Janette Manrara
Song: “Zorongo” (Traditional)
Artists: Antonia Gomez, Ely “La Gambita”, Guillermo Basilisco and Paco Pena
Choreographer: Dmitry Chaplin
Style: Paso doble
Story: Marko is the matador and Janette is an activist trying to keep him away from killing the bull. (I laughed).

I didn’t recognize Dmitry with his beard. Has it been that long? You have to been pretty beautiful and passionate to sway a matador from his mission. How could Janette be ignored? I had a problem at first with that story stuck in my head since we are so used to the woman being the bull or the cape, but after a minute, I concentrated on the actual dance and let the story go. After Cat drew comparisons to the matador costume and Mary Murphy’s shoulder pads, she complimented him for being spot-on at the arrogance that was necessary for the dance. She pointed out that he lost his footing from time-to-time, but most of the time, he nailed it. Nigel loved the twirls that mimicked the movement of the matador’s cape (as did Mary). However, Nigel said it left him feeling cold. He was looking for more passion. I think it is difficult to bring a ballroom routine up against a brilliantly danced contemporary piece. It’s like coming back from San Diego Comic Con. You are on this incredible high and then–CRASH–everything around you seems so boring and mundane. Lil’C loved his stoic performance which was necessary to this particular dance. Christina wanted him to drop it down a little (lower in his crotch level), but loved the bravado.

They took a break in the action to listen to messages from home. The love and pride of all the contestants’ families touched my heart and my tear ducts. Then Ricky took the stage to dance his solo to “After Tonight” by Justin Nozuka. It was lovely.

Dancers: Tadd and all-star Ellenore Scott
Song: “The Gulag Orkestar”
Artist: Beirut
Choreographer: Sonya Tayeh
Style: Contemporary?/Jazz?
Story: A period piece where everyone was prim and proper, but once they touch, everything gets thrown out the window and becomes with wild, reckless, lustful.

Sonya Tayeh is the goddess of strange and Ellenore was the perfect all-star to fill that role. I was not feeling the passion that Sonya demands from her dancers coming from Tadd. The spin on the chandelier was reminiscent of Cirque de Soleil. It was an interesting prop. Nigel had no words and said he felt like it needed more time to develop, that he was left “hanging.” (Oh, Nigel, you make me laugh). Lil’C complimented Sonya’s talent of showcasing a dancer’s unique abilities. He felt like Tadd was just going through the movements instead of making them last a lifetime. Christina likes the dirtier side of dance, and complimented Tadd that he is a b-beat pointing his toes and how great is that. Mary felt Tadd was still growing and complimented Sonya’s trust in doing such a dangerous thing with a prop.

Next was Caitlynn’s mom sharing that she one day said she was going to be on this show. Via the internet, Caitlynn’s dad, away on business, shared his pride. Caitlynn then performed her solo to “What’s Love Got to Do With It” by Katie Thompson. Afterwards, Caitlynn was crying, moved from the words from her parents, the song, the moment or all the above.

Dancers: Ricky and all-star Jaimie Goodwin
Song: “Inside These Lines”
Artist: Trent Dabbs
Choreographer: Dee Caspary
Style: Contemporary
Story: A couple trying to stay together, but he feels her slipping away so he tries to control her. (I call this The Puppetmaster.)

I noticed that when Ricky was close to Jaimie during the routine, he didn’t extend himself as you would see him do when they were apart. Perhaps he was concentrating on the sticks and not hurting his partner. While the sticks did enhance the routine, you can’t forsake the dance for the prop. At the end of the dance, Jaimie did what I was hoping–she took the sticks and threw them to the ground. Lil’C gave props to him and the props (and Cat Deeley just stole my line, damn). As usual Lil’C had a mouthful, “What a magically, magnificent puppeteer of physically rhythmic artistry you are.” In other words, buckness. Christina said he was a beautiful dancer, but wanted to help him grow and said he does not always dance with the clearest intention, like a push and a pull, like when he reached for Jaimie, it was harder to let her go away from him. That would help take him up another notch, which was great advice. Mary added, “All of that” plus that it was beautiful, free-flowing movement. Nigel loved the story of the dance from Dee. The only advice Nigel had to help Ricky was that he wants him to feel the movement more in his gut because he is so up and high in his dancing.

Tadd’s parents, and his entire Filipino community, are very proud of his accomplishments (and the first story that did not make me cry but smile). His song selection also made me laugh, “We Speak No Americano” by Yolanda B Cool and DCup. Tadd’s solos have always been interesting in that he is a b-boy and he chooses all these songs from eras past that make for a weird and wonderful combination. It has become his signature.

Returning from the break, Sasha’s solo was shown but not before her parents got to boast about their beautiful, bubbly baby girl. I smiled, too, when I saw Sasha picked “Teeth” by Lady Gaga after she received such high praise from Lady Gaga last week (and her shoe!). Again she did a terrific job.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Drop It Low (District 78 Remix)”
Artist: Kat DeLuna
Choreographer: Dmitry Chaplin
Style: Samba
Story: None, just sexy, great music and being sexy.

Pasha and Dmitry behind one dance? Wow. Double boiler kind of hot. Was it sexy? YES IT WAS! Was there great music. YES , THERE WAS! And was it really sexy? SIZZLING. At that precise moment, I desperately wished to have use of the communication stones that are used in the show Stargate Universe (where people can swap consciousness with another body–yes, I’m a geek). I wanted to be dancing with Pasha. Be still my heart. Wait, this is about Caitlynn. She did a fabulous job. I have to remind myself she is just a senior in high school (or was). Christina loved it. Mary thought it was great, especially on the reverse samba rolls. Her only criticism were some of her facial expressions. Nigel ad Lil’C had similar advice.

Marko’s mother was very emotional about his journey to the show. Dancing to “Wonderful World” By James Morrison, Marko combined a lot of technique with acrobatics. I always enjoy his solos.

Then Melanie’s mother had a message for her. Instead of talking, she sang; instead of walking, she danced. Melanie chose to dance to “Cracks (Flux Pavilion Remix)” by Freestylers featuring Belle Humble. Some truth rang to me with the name “Belle” and “Humble” to describe Melanie. Her solos have become more complex as she incorporates what she has learned over the weeks into her dance. She is both beautiful and humble.  It was the best solo of the night.

Dancers: Sasha and Ricky
Song: “Schoolin’ Life”
Artist: Beyonce
Choreographer: Kumari Suraj
Style: Waacking
Story: None.

Waacking is a new style of dance to SYTYCD, the origins from Los Angeles in the 1970’s. It’s about the individual and who you are right now in your life. It’s about skill, precision and control. After watching the routine, it does bring fond memories of the 70’s back to me. Sasha was great; Ricky less so. He was too stiff once again. I would have hoped he would have taken to heart the earlier critique and applied it to this dance. Mary never liked this type of dance until Samara “Princess” Lockeroo, who was the first to audition and win to a ticket to Vegas with this type of dance. She felt like Sasha had the edge in the dancing. Both were out of their styles, but neither could take it to Princess Lockeroo’s level. Nigel says when Ricky is thinking about dancing, he does lose a little bit. Then Nigel took a comment that they said to Caitlynn and applied it to Sasha, saying she did not have to act sexy because she is sexy. Oops! Lil’C wishes both of them would have enjoyed it more because he felt they were so focused on the steps and speed. Christina enjoyed it and thought perhaps they could have “whacked it harder.” She’s so funny.

Dancers: Melanie and Tadd
Song: “(Where Do I Begin) Love Story (Away Team Mix)
Artist: Shirley Bassey
Choreographer: Spencer Liff
Style: Broadway/Jazz?
Story: A rehearsal within a rehearsal. Tadd uses Melanie’s crush on him to bring out the best dance in her, but she discovers her feelings are not reciprocated.

They paired well together. It was a lovely dance that did not affect me on any emotional level but just was fun to watch. The use of the mirror where Melanie’s hands touched it and it got these weird distortions to it made me think, yes, just like the relationship between this dancer in the dance and the choreographer in the dance, played by Tadd. The relationship is not what it seems to be to Melanie’s character. I look for meaning sometimes that may or may not be in subtle things. Lots of prop use tonight. Cat compared it to “Black Swan” (which I have not seen yet). Nigel complimented Melanie on her solo as the best solo across all the seasons. She is not only the original beast, but a great actress and a great dancer. She now stole Sasha’s earlier place of the evening and is now Nigel’s favorite again. I think if SYTYCD could have a tie, he would be happy having the two of them there. To Tadd he said, “…to say you didn’t suck is a compliment.” He pointed out the things he did well in the routine. Lil’C says Melanie has a quiet fire and Melanie is EXTREMELY buck. Lil’C also wanted to give accolades to her solo performance that it was so beefy. And as an afterthought, he told Tadd he was growing by leaps and bounds and to continue doing so. Christina also commented on her solo, saying they were all banging on the table. She described Melanie’s performance as being better than that of Donna McKechnie in “A Chorus Line.” Tadd continues to surprise Christina with his technique since he is a b-boy. Mary says America has fallen in love with them and they are brilliant in their styles. She got all choked up that she was able to be here for this wonderful season to see it.

Dancers: Caitlynn and Marko
Song: “Heavy in Your Arms”
Artist: Florence and the Machine
Choreographer: Sonya Tayeh
Style: Jazz
Story: Marko is a controlling, overbearing man and Caitlynn is trying to break free.

Perfect song to close the show. This was dynamite and gave me goosebumps. It was much better than the Puppeteer routine performed by Ricky. My breaths felt heavy of the weight of this relationship. The judges were standing in ovation of their performance. Lil’C thought this was double-hashtag buck (#buck #buck or ##buck)? “Reckless and convicted, it was murderous,” according to Lil’C. Translation: Lil’C loved it. Christina makes Marko join the beasts. Christina believes that was Caitlynn’s moment (maybe, but she had one with Mitchell, too). Mary thought it was Caitlynn’s best routines ever. She brought the grit to it and brought it to another level. Marko is Mary’s favorite dancer (I bet Mary and Nigel have a friendly bet going on the side as to who is going to win). Nigel thought this routine redeemed Sonya from her earlier Cirque de Soleil choreography. Regarding Caitlynn, she came of age today, he felt. She is a brilliant dancer. Marko is sensation. Cat added, “But you’re very pretty, too” to Marko.

Common sense would dictate that Marko, Melanie, and Sasha will be in the top 4. Up in the air is whether Tadd or Ricky gets into the final 4.  Or we could use any number of science-fiction shows and their technologies to merge Ricky and Tadd into 1 dancer to get Radd or Ticky so we don’t have to make up our minds.  Of course, it would be temporary….unless…well, they are wearing a red shirt that evening.  What do you say?

Stay tuned tomorrow about more news regarding Miranda’s and Jordan’s fan clubs and what they are doing to show them their love.





So You Think You Can Dance–Top 8 Performance

28 07 2011

With the departure of the fabulous Mitchell and Clarice last week, we are winding down to the end of the season. With each dance, it gets more difficult to pick which talented powerhouse will be in the bottom.

Guest judges for this evening were the legendary Rob Marshall (director/choreographer, and Lady Gaga who needs no introduction. I am hoping she will be a better judge on this show than she was a mentor on American Idol. Her outfit tonight is much better than the one at the Grammy’s. I remember hearing on Oprah that her sister designs her outfits; I’d never let my sisters dress me.

Top8

The Top 8 Perform

Dancers: Sasha and all-star Pasha Kovalev
Song: “Puttin’ on the Ritz”
Artist: Terry Snyder
Choreographer: Jonathan Roberts
Style: Quickstep
Story: A world turned upside down in an alternate reality.

I enjoyed seeing Sasha have chemistry with yet another all-star (other than Twitch). A fast dance with tons of footwork, Sasha and Pasha carried it out effortlessly. Sasha added her own Sasha-licious flair to some of the moves (in parts as if she was trying to merge the quickstep with an African dance). Rob Marshall is a fan of Sasha and gave her high praise for not only this dance but also her overall work in the competition. Mary Murphy complimented her body positioning as being the best she has seen yet this season for this dance. For Nigel, Sasha is his favorite in the competition (by a hair) who put on a 5-star performance this evening. A congested Lady Gaga enjoyed the dance and loves Sasha inside and out (that she has a beautiful soul).

Dancers: Caitlynn and all-star Ivan Koumaev
Song: “Let Me Love You”
Artist: Mario
Choreographer: Marty Kudelka
Style: Lyrical hip-hop
Story: Caitlynn is fed up with her man; Ivan shows up and wins her over.

Caitlynn continues to grow every week. She had lovely chemistry with Ivan. Even though it was well-danced, it didn’t move me emotionally to the point of goosebumps although I was still drawn into the story. Mary was not wowed, but felt she did a really good job. Nigel offered her some advice about “opening her legs more” (which elicited a juvenile giggle from me, and a comment from Lady Gaga) to help her find her swagga, but complimented her on staying in character. While praising Caitlynn on certain aspects of her dancing, Lady Gaga offered some great advice about her not having similar flowing movements that Ivan had. Tempered with praise, Rob felt she needed to lose herself in the dance more.

Dancers: Jordan and all-star Ade Obayomi
Song: “Nutbush City Limits”
Artist: Tina Turner
Choreographer: Tyce DiOrio
Style: Pop jazz
Story: Being bad together during a secret rendezvous.

The athleticism both Jordan and Ade possess almost made Tyce’s dance flawless. There was one thing that bothered me: Instead of looking and being totally involved with her partner, Jordan was looking out at the audience too much, and one time I even caught her looking at the judges at a crucial point in the dance when her eyes really did need to be on her partner. Because of this, I did not buy into any chemistry between them, critical for the dance (being bad “together”). Nigel loved it. Lady Gaga enjoyed the fact that Jordan was looking at the camera and assertively announcing that she was a star. Rob adores her. Mary gave her a scream of approval. So, hey, what do I know, right?

Dancers: Melanie and all-star Neal Haskell
Song: “Total Eclipse of the Heart”
Artist: Bonnie Tyler
Choreographer: Mandy Moore
Style: Contemporary
Story: A crossroads in a relationship.

Ah, my first goosebumps for the evening. I do have a bias for contemporary and hip-hop routines; they seem to move me emotionally more often than other styles of dance. This was my favorite dance routine of the evening (thus far). Melanie delivered another stellar performance. I am amazed at dancers who have to show complete and total trust in partners they have barely met. When she took a running start from one corner of the stage and leaped into his arms from mid-stage to the opposite corner of the stage was both a feat of technique and trust. It took my breath away. All the judges are standing in applause. Melanie is Lady Gaga’s favorite and she would hire Melanie tomorrow. She is poetry in motion, according to Rob. Mary has run out of adjectives for her. Melanie won over Nigel’s heart for the time being from Sasha. The final scene where Melanie is in the light and Neal was in the darkness reflected beautiful the lyrics being played in the song.

Dancers: Ricky and all-star Anya Garnis
Song: “River Deep, Mountain High”
Artist: Celine Dion
Choreographer: Jason Gilkison
Style: Jive
Story: None, just complicated moves.

If you are not up to Anya’s level of expertise, your weaknesses are going to show. Ricky executed the performance as best he could, but I don’t think it was good enough to get him into the safety zone tomorrow during the elimination. The moves were intense, especially the flip over the head. The dead-drop at the end made me gasp. Rob applauds his personality and technique for the most part, but offers that he needs to dig a little deeper into the floor. Ballroom-dancer Mary had better technical advice to give to Ricky. Nigel felt Ricky’s posture should have been more “river deeper rather than mountain higher.” Lady Gaga has a sweet spot for Ricky and likes his posture.

At this point I begin wondering where the solos are and am grateful they decided to change up the format and do pairs with other contestants again.

Dancers: Jess and all-star Lauren Gottleib
Song: “Take a Bow”
Artist: Rhianna
Choreographer: Tabitha and Napoleon Dumo (NappyTabs)
Style: Lyrical hip-hop
Story: A man who has cheated on his girl and he is trying to apologize.

Jess did a much better job this week. He took in Neil Patrick Harris’ advice about not overdoing the faces. Mary felt that his dance came from his soul this time (I agree) and he had the swag. Nigel commented about how much he has grown and listened to the comments to help him grow. When Lady Gaga made points about the choreography, I wondered if Tabitha had to dig her fingernails into Napoleon’s arm to keep her from saying something. Rob has known Jess since he was little, Jess having worked on Broadway. You could see how proud Rob was of Jess and his growth.

Dancers: Tadd and all-star Lauren Froderman
Song: “Another One Bites the Dust”
Artist: Queen
Choreographer: Mandy Moore
Style: Jazz
Story: Pulling off a heist (Smooth Criminal?)

This is another favorite routine of mine this evening. Tadd and Lauren were a great partnership. I was thinking during the routine about how Lauren was not everyone’s favorite at the beginning of her season and turned things around to win. He did not flinch when Lauren accidentally smacked him in the face. He was not jarred when he lost his hat, either. Tadd is a dark horse, one I never expected to be possibly in the final 4 at the end of the season. Nigel called Tadd a sponge and suspected he would not be going home this week. Lady Gaga is much better suited to be a judge on this show. I like the way she interpreted the song to Tadd, enjoying the muggy look like, “Yeah, I just robbed a bank and got away with it.” Rob Marshall thought he was very special and acted like a true professional during the mishaps. Mary predicts he will be in the finale.

Dancers: Marko and all-star Allison Holker
Song: “I Know It’s Over”
Artist: Jeff Buckley
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Causing damage to a person, basking in the guilt because of it, but it moves you to change.

Allison brought the magic back out in Marko and another box in my favorite dances this week. Marko will be in the top 4. Pain and hurt came through on both their faces and although I had no goosebumps, I found myself crying because of the song’s message. What a time to shine with his mother in the audience! In this unedited, entitled society hiding behind internet anonymity and cyber bullying, people hurt others without a second thought. When attention is called to the hurt, people go on the defensive (because it is all about them) instead of listening to the grievance, acknowledging it and apologizing for it. Whether or not you think you did wrong to that person, if that person felt that way and you love them, it matters. Once you accomplish that, then you can use those new skills to open up to the world around you. Lady Gaga was also in tears and the panel gave them a standing ovation. In an act of contrition, Lady Gaga remembered all the mistakes she made in her past. Marko is deeply moved by his mother’s presence and he confesses and apologizes for his hurts. Rob appreciated the fluidity of the movements and the partnership between Allison and Marko. Mary chokes back her tears and says Marko is her favorite dancer on the show. Nigel remarks about the sheer moment of this, that a dance could affect such a change so quickly, and that people need to say what they need to their moms (and I would like to extend that to not just moms but everyone) before they are no longer walking among us here on planet Earth.

Dancers: Caitlynn and Tadd
Song: “Top Hat, White Tie and Tails”
Artist: Ella Fitzgerald
Choreographer: Jonathan Roberts
Style: Foxtrot
Story: Classic boy meets girl

Caitlynn’s dress was stunning and Tadd looked hot in a tux. Wait for it….Yep, Season 8: The Kissing Season did not let me down. Tadd gave Caitlynn a kiss on the cheek midway through the routine. Caitlynn seemed more at ease with this genre, although Tadd was not awful. I would hate to be them coming off that Marko and Allison number. After that, ANYTHING is going to look boring. “Sparkling” is what Rob thought, a “black and white movie come to life.” Mary thought it was beautiful and elegant but she needed more powerful and did not think this would be a memorable dance from this evening. Nigel was heaven and wanted to dance with Caitlynn. Lady Gaga loved the routine but offered that every now and then Caitlynn’s hands say, “I won a lot of trophies!”

Dancers: Marko and Ricky
Song: “Bad Boy For Life”
Artist: Diddy featuring Black Rob and Mark Curry
Choreographers: Tabitha and Napoleon Dumo (aka NappyTabs)
Style: Hip-hop
Story: They are waste management technicians.

This dance was better than the Emilio Estevez/Charlie Sheen movie, “Garbage Men.” Sometimes throughout the routine, I felt Marko had more swagga and other times Ricky. It was moving along at a slow pace. Knowing what NappyTabs has choreographed for SYTYCD over the years, just when I was expecting there to be more, more was delivered. The pace quickened, and then it was abruptly over. I was left disappointed; the pickup in tempo should have occurred sooner. Perhaps they were trying to recapture the magic of the Alex/Twitch routine, but it fell short. A quick camera shot to the audience and Tabitha was caught taking a deep breath, looking over at the judges. Mary Murphy was standing in applause and she loved it. Nigel felt it was fun, but Ricky was still a bit too high versus being lower to the ground for hip-hop. He feels Ricky might be in the bottom this week and I agree. Lady Gaga took a swipe at NappyTabs basing her opinion on her days when stomp was emerging and her own choreographer. Picking NappyTabs back up, Rob applauded their routine.

Dancers: Jordan and Jess
Song: “Set Fire to the Rain”
Artist: Adele
Choreographer: Jason Gilkison
Style: Rumba
Story: A woman in a controlling relationship and she is blinded by her love for him.

Jordan did a better job in this dance. Jess’ Broadway face came out several times. But did they set fire to the rain? No. I am sorry Jordan and Jess fans. They gave it a good try, but at this point in the competition; it is not okay just to dance the routine. There has to be that extra “oomph.” Nigel did not think they had chemistry. She called Jordan on her sway-back. It was not his favorite routine this night. Lady Gaga did not think there was anything “wrong” with it, but as an artist, she would have interpreted the song differently–two elements that do not fit together–and faulted the choreography and not the dancers. Rob thought they brought out the best in each other and sees theater careers for both of them. Mary said the back-split/lift was the best she had seen all season. What was lacking for her was the elasticity of the rumba and the sensuality that develops from that.

Dancers: Sasha and Melanie
Song: “Game On”
Artist: District 78
Choreographer: Sonya Tayeh
Style: Jazz
Story: None, just the combination powerhouse of their two styles for an ultimately beastly creation.

Warrior Sonya concocted a powerful dance routine that showcased each of these ladies quite well. These dynamic dynamos deserved the last spot of the evening and had the judges on their feet. Who was better? I would give a slight edge to Sasha. They will be in the top 4. In the audience, passionate Sonya beamed with pride at her lionesses. Lady Gaga threw her shoe at them, the highest form of compliment. She claimed it to be the performance of the evening. Rob adored it. Mary thought they put it all out there. She thought it was the best number Sonya’s ever done and proclaimed it to be the performance of the evening. Nigel thinks only a tissue paper separates the two of them on who is the best dancer. Sasha and Melanie bowed in homage to their Mother Goddess (Sonya). Either one of them can be this year’s champion, according to Nigel.

The bottom 2 girls will be Caitlynn and Jordan. The bottom 2 guys will be Ricky and Jess.  Whoever does get through, they will need to dance like there is no tomorrow because Marko, Melanie, Sasha and Tadd have made a definitive move to the head of the pack.

Update to Miranda’s fans on the contest going on: According to @mirandacandance on Twitter, they are holding a contest to find the most creative way to express your fan love for Miranda, with Miranda picking the winner. For details, please click here.