So You Think You Can Dance Season 11 Top 20 Perform

3 07 2014

Opening Number

Song: “Stalker Ha” by Kingdom
Choreographer: Sonya Tayeh

My thoughts: It was okay. Usually Sonya pieces blow me away but that is okay. We have many weeks to go.

Interesting twist. In past seasons the first night we get to just watch them dance with no pressure. Tonight they will dance in their own style and the bottom girl and bottom guy will be going home. Then they mix up the dance partners for next week’s show.

Judges

Mary Murphy, Nigel Lythgoe and Jason Derulo.

Top 20 Perform

Couple: Brooklyn and Serge
Style: Cha-cha
Choreographer: Dmitry Chaplain
Song: “Hell Yeah” by Midnight Red

My thoughts: It’s a fun opening. It sizzled. Death drop was impressive.

Judges: Mary loved it but pointed out to Brooklyn that she saw her nerves in her missteps. She thought Serge looked magnificent. Jason wants to add that routine to his show. Nigel said they uplifted everyone with their energy. He wants Brooklyn to play to her partner as well as to the audience; otherwise it looks fake. Serge’s hard work over the years is paying off.

Dancers: Emily and Casey
Style: Contemporary
Choreographer: Travis Wall
Song: “All of Me (Spotify Live from Milan)” by John Legend

My thoughts: I had goosebumps but I had problems connecting with this version of the song. It did not seem like the choreography synced with the song–either the song was too slow or the dance was too fast.

Judges: Jason did not want the routine to end. Their performance brought the story to life. Sometimes it is not about technique but the story you tell. Nigel said they brought the technique with the emotion which made it absolutely superb. Mary said it was a beautiful love story between the two of them. It was yummy.

Dancers: Valerie and Zack
Style: Tap
Choreographer: Anthony Morigerato
Song: “Sing” by Ed Sheeran

My thoughts: Gosh they make it look easy. And to do it together? You can’t hide any mistakes in there.

Judges: Nigel: “Wow, wow, wow, wow.” They were both magnificent. Mary said they were on fire up there. She loved the rhythmic conversation they were having with us. Jason said he comes from a tap background and that was unbelievable. He educated the audience that the taps on the shoes are actually slippery so to add the stairs in there was crazy.

Dancers: Bridget and Stanley
Style: Contemporary
Choreographer: Bonnie Story
Song: “Doesn’t Mean Goodbye” by Jon McLaughlin

My thoughts: Major goosebumps. That was beautiful.

Judges: Jason Derulo crying? Wow! Mary thought it was wow. It was so authentic, completely from the heart. Jason said it looked effortless. We felt like we were a part of the story. Nigel said it was tremendous.

Dancers: Jacque and Jourdan
Style: Ballet
Choreographer: Marat Daukayev
Song: “Pas de Deux-Black Swan”–Tchaikovsky

My thoughts: It is not as exciting as contemporary or tap but it was lovely to see classical dance on the show. Based on the lack of applause I worry for them.

Judges: Jason thought it was beautiful. Nigel gave them tips on technique. Mary said what they did took incredible strength. She also thought they looked like sisters.

Jason Derulo and Snoop Dog performed to Jason’s hit song, “Wiggle”.

 

Dancers: Marlene and Marcquet
Style: Samba
Choreographer: Louis Van Amstel
Song: “Morning Drums” by Gregor Salto

My thoughts: That was really fun and well done. I still think Marlene looks like Mila Kunis.

Judges: Nigel loved how her energy came bursting through at the very beginning. Marcquet is a force to be reckoned with. He felt the technique was strong too. Mary said there were hot samba rolls cooking in the oven today. She thought Marcquet was wonderful except for the jive part. Jason could tell they were in their element. He enjoyed it.

Dancers: Carly and Rudy
Style:  Contemporary
Choreographer:   Stacey Tookey
Song: “Take It Easy” by Jetta

My thoughts: I am such a sucker for contemporary. Goosebumps! I like the serious side of Rudy!

Judges: Mary said the passion just poured out all over the stage. Rudy has heart and it touches you. Carly is stunning. It was special. Jason felt like when looking at them anything was possible. Nigel felt like they have the best top 20 dancers they have ever had. Carly’s technique is terrific and Rudy is so damn likable.

Dancers: Emilio and Teddy
Style: Hip hop
Choreographer: Christopher Scott
Song: “Nightshift” by The Commodores

My thoughts: Teddy looks like he could be Robin Thicke’s relative. I love this style as much as contemporary. A few parts were not in sync but it was wonderful nonetheless.

Judges: Jason said it was super dope. It was seamless. Nigel said they are both soloists but they found a way to connect. Mary said it was sharp, clean and easy to read. She hopes to see both of them in the next Step-Up movie.

Dancers: Jessica and Ricky
Style: Contemporary
Choreographer: Sonya Tayeh
Song: “Vow” by Meredith Monk

My thoughts: I gasped before they even took a step. I was iffy about Jessica but her performance tonight changed my mind completely. This was breathtaking, goosebump-making awesomeness. THIS is the Sonya Tayeh I love. My favorite so far this evening.

Judges: The judges were on their feet. Nigel wants America to know they just witnessed an entirely different level of performance. It was other-worldly. Ricky is the magician of dance. Jessica is a star in her own right. One of the best routines he has ever seen. Mary said that came from heaven. It was the best number of the night. Jason thanked them for blessing all of us. Jason held his breath the whole time.

Dancers: Tanisha and Nick
Style: Cha-cha
Choreographer: Louis Van Amstel
Song: “I’m A Freak” by Enrique Iglesias featuring Pitbull

My thoughts: I feel sorry for anyone having to dance after Ricky and Jessica. It was fun but Nick had some facial expressions that annoyed me. I felt he was playing more to the audience than he was interacting with his partner.

Judges: Mary said it was fun, fast and fabulous. Jason said they hit it hard. Nigel thought it was great.





So You Think You Can Dance S10 Top 10 Perform

18 08 2013

Its all-star pairing tonight!

Opening Number

Song: “The Gravel Road” by The Village (Score from the motion picture)
Choreographer: Christopher Scott

Dancing with props is so difficult but that was so beautifully done. I felt the angst and raw emotion of the piece. I don’t know the story behind it, but I felt it was possibly that the couples just lost a baby and the pain of that loss. Of course that feeling comes from my own experience with that.

Judges

Legendary Debbie Allen joins Nigel Lythgoe and Mary Murphy.

Bottom 2

Tucker is automatically in the bottom because of his inability to perform because of his injury. Joining him are Makenzie, Nico, Jenna. Nigel is going to skip seeing them do their solos and go straight to the all-stars. I like that idea very much.

All-Star Couples

Dancers: Amy and All-Star Brandon Bryant
Style: Disco
Choreographer: Doriana Sanchez
Song: “I Will Always Love You (Hex Hector Radio Mix) by Whitney Houston

Doriana has created a brand new move called the disco location. Amy looked like she was having a blast out there. I would be throwing up on stage with all those spins. Brandon has some major guns on those arms and the moves are effortless. The death drop at the end where she was just inches from the ground made me gasp. I don’t know how dancers do that. Brandon has his back turned to her so he is death-dropping her from behind so how does he know when she is close enough but her face is not smashing the floor?

The judges: Mary is not crazy about the song but is crazy about Amy. Debbie loved it. She thought they were paired well in their energy and size and spirit. Nigel thinks Amy is vivacious. She stood out more than the disco ball did.

Dancers: Fik-Shun and all-star Melanie Moore
Style: Jazz
Choreographer: Mandy Moore
Song: “Feeling Good” by Jennifer Hudson

Ex-lover of a performer returns to town and things get steamy. Melanie looks stunning. It was a great number, but after seeing Aaron perform, it was a little novice. I did not buy into the chemistry. It felt fake. The dance moves were fun. He did wreak attitude and that was well done.

The judges: Also on their feet. Nigel thought it was fantastic. He is proud of Fik-Shun. He well he kept up. Mary thinks he is growing every week. Debbie said that they can say his name is Fik-Shun but that was real tonight.

Dancers: Aaron and all-star Kathryn McCormick
Style: Contemporary
Choreographer: Stacey Tookey
Song: “I ‘m Kissing You” by Des’ree

It is about unconditional love. About 15 seconds into the song I got goosebumps. The damn goosebumps stayed the entire song. As Stacey said it is not about the moves but the emotion in the moves. Their connection for just having met was amazing. It was as if they were dancing together their entire lives. There was love and passion and depth. Aaron–YOU ROCK! There was a little mess up at the end when he had to pick her up that should have been a fluid move but I am nitpicking at this point. I think he might wind up being the top 2 dancers in the finale. Then he was talking about how much he had learned from her and that she took him to a whole new place in his dancing and that made me start crying. He is so humble and so filled with joy. I think that is why I like his energy so much. And to think, he was not going to be on the show until that other person left because of an injury. It’s destiny baby! Fate is calling.

The judges: The judges were standing. Debbie said call the fire department because there is fire going on on this stage right now. She thought it was a magical pairing. Aaron has grown so much over the weeks tonight he has raised the bar in the competition. Nigel felt it too that it was like they were dancing forever. He said that the look in Kathryn’s eyes at the end said that she knew he was something special. Mary agrees with everything that has been said. She thinks Aaron is one of the most captivating dancers ever on the show.

Dancers: Paul and all-star Witney Carson
Style: Cha-cha
Choreographer: Jean-Marc Généreux
Song: “Live It Up” by Jennifer Lopez

It was a fun routine that sizzled at times, but I think there were some misses in the moved, like missing her hand. Was she supposed to be in the floor? Maybe but I thought the move was going to be a drop to just above the ground. Happy birthday Paul! He turns 22.

The judges: On their feet again. Mary said he can dance his patootie off. His foot work is clean and precise. He is on the hot tamale train. Debbie said this was his element and they expected him to soar. It was beautiful and seamless. Nigel thought they were born for each other. He has personality and technique.

Dancers: Hayley and all-star Stephen “tWitch” Boss
Style: Hip-hop
Choreographer: Christopher Scott
Song: “Locked Out of Heaven (District 9 Remix) by Bruno Mars

Bank loan applicant meets loan officer Hayley. Her hip-hop is not good but you tend to overlook it during her sexy-loan-officer moves. I was watching tWitch more. Christopher Scott made up for her lack of being able to loosen up with these staccato-like movements.

The judges: Debbie felt when she pulled her hair out, she rose to the occasion. Debbie was watching tWitch, too, more. Nigel said it was great fun and calls her a dark horse. Mary thinks she is following in tWitch’s tracks and agrees with Nigel. She loves her.

Dancers: Jenna and all-star Neil Haskell
Style: Contemporary
Choreographer: Mandy Moore
Song: “I Can’t Make You Love Me” by Mark Masri

A story about breaking up. The lift and turn was great. The acrobatics were great. Jenna and Neil were both filled with emotion but I did not believe they were in a relationship, not in the way I believed in Aaron and Kathryn earlier. I think Jenna was trying to make it happen but Neil was not reciprocating. No goosebumps.

The judges: They were on their feet again. Nigel loved the fluidity in the movement. Mary agrees; the movement was perfect. Debbie says that she sees someone who is one of the most gifted dancers.

Dancers: Jasmine and all-star Marko Germar
Style: Jazz
Choreographer: Ray Leeper
Song: “Blurred Lines” by Robin Thicke featuring Pharrell

Ray said they had to look like one person but their movements were not (microseconds but not exact). It got better as the song went on though. I love this song. That was a barrel of fun.

Judges: They were on their feet again. Mary was drawn to Jasmine in the performance. The only thing missing from the video of the song of the summer was them dancing in it. Debbie could not keep her eyes off Jasmine. Nigel thought at some points he was reminded of Michael Jackson and sometimes other people back in history. He did not know if he was actually looking at two all-stars.

Dancers: Makenzie and all-star Jakob Karr
Style: Broadway
Choreographer: Spencer Liff
Song: “Too Darn Hot (RAC Mix)” by Ella Fitzgerald

This was a dance about attitude versus tricks. Makenzie did a great job. It is going to be hard to decide who goes home between her and Jenna.

The judges: They were on their feet again. Debbie loved it so much and compared her to Cyd Charisse Nigel said they have the best pair o feet he has ever seen. Mary said it was so darn hot. Nigel chimed in that it was more Rita Hayworth than Cyd.

Dancers: Nico and all-star Comfort Fedoke
Style: Hip-hop
Choreographers: Tabitha and Napoleon D’Umo (Nappytabs)
Song: “Get UR Freak On (Amended LP Version)” by Missy Elliott

This was reptiles on the prowl. Nico looked like a white boy trying to find attitude and dance moves in the hip-hop style. It was fun, but there have been so many other dances so much better than this tonight.

The judges: Finally, they are not giving them a standing ovation. Nigel things the audience loved the routine a little more than he did. He complimented him on getting into character. Mary thought he got his freak on. Debbie enjoyed it. She felt like she was in Jurassic Park.

Dancers: Tucker and all-star Robert Roldan
Style: Contemporary
Choreographer: Travis Wall
Song: “Medicine” by Daughter

Two brothers–one hits rock bottom and the other helps. It was done with a nod to his brother Danny Tidwell, but Tucker was in a car accident where he was paralyzed for awhile and Robert apparently had a brush with death from a serious fall. In fact, back in June of 2012. In September of 2012, Robert tweeted this: The Reason I Will Not Be An All Star: This past June my life was almost ended. One night I had a major accident that changed my life. I injured myself very badly and to the extent where I had to be rushed to the hospital immediately. This accident has caused me to be unable to dance which is why I’m writing this letter. Every doctor that I have been to since has said “wow…you’re lucky you are alive..” or “people with kind of accident are usually are pronounced dead on the spot..” Therefore I just want to tell everyone single one of you how much your support and encouragement means to me. It makes me fight through this bump in the road. The kind things you have said to me and things you have done for me truly mean the world. One day I will be back on my feet and dancing and doing the things I love to do. In the mean time I am so lucky to be living breathing and opening my eyes every day. I will never take anyone of you and your support for granted because every single one of you are important weather I know you or not. You have made my journey from SYTYCD to now more than a dream and I can’t thank you enough for it. Always cherish the things that you have, even if they are the smallest things because it can all be taken away in the snap of a finger. My heart goes out to each and every one of you with so much thanks! This is not the end. God has a plan. I won’t give up till I’m on that stage again. Much love and thanks, Robert.”

I was welling up in tears within a few seconds. What an amazing idea pairing them together. There was a spot in the middle where they were supposed to be in-sync that they weren’t, but you know what? It just doesn’t matter. That was so beautiful, so exquisite, and so emotional. What a brilliant job. Travis Wall–you ALWAYS get to me.

The judges: Standing as they should be. I think Nico is going home. Mary was crying. She talked about their amazing journeys and triumphs and gave it over to Debbie because she could not speak anymore. Debbie said she did not know how he could be on the bottom but he was on top now. Nigel said all the stars were aligned and it created this piece that will always be remembered on the show.

Going Home

Makenzie and Nico will leave the show tonight.

My Top Picks

For the guys, it’s quite easy: Tucker and Aaron. For the girls, definitely Jasmine, but I’m torn between Amy and Jenna.





So You Think You Can Dance Top 18

3 07 2013

Yes it happened again. My DVR did not record the show last week. I think I finally got it fixed though. I still do not like the way we are getting the results. All 20 have to put their best efforts forward even though only 18 will remain by the end of the show. But it is what it is.

Tonight joining resident judges Nigel Lythgoe and Mary Murphy was Christina Applegate.

Opening number

Song: “The Heroic Weather-Conditions Of The Universe, part 1: A Veiled Mist” by Moonrise Kingdom (Original Soundtrack)
Choreographer: Tyce Diorio

That was fabulous. They look like a real dance troupe that have been working together for years. It is one of those odd dances–like a circus with so much going on you are not quite sure where to look and when you do look you do look out of the corner of your eye you find you are missing a lot.

Group

Yikes! Cat Deeley is already announcing the bottom 3 guys and girls. That is going to either dampen their psyche, or make them dance better in their couples’ routines. Bottom 3 girls: Mariah. Makenzie, Brittany. Bottom 3 guys: Alan, Jade, Carlos.

This season the judges get to save 2 contestants right away. This week it is Alan and Makenzie are saved.

Solos

Mariah danced to “Hard In da Paint” by Waka Flocka Flame. I adore a female hip-hop dancer. Carlos danced a solo to “Radioactive” by Imagine Dragons which I just knew would show up on this season’s show somehow when I heard it. It is the ringtone of my timer on my IPhone. I thought it was a fabulous solo outside of a little but too much rolling on the ground. Brittany danced to “Hacksaw” by Ooah. Was that Ballroom or Jazz? Hard to tell, but there was a lot of self-worship with her hands on her body a lot–something I know the judges dislike from previous seasons’ auditions. Jade danced to “De Novo Adagio (Intro) by Alicia Keys. He is an amazing animator. I felt like he was a maestro pulling on our strings, but in a way it was very smooth like the water. It is very hard to describe.

Oh GEEZ! They are actually telling us who is going home before the couples dance? That is not right at all. I do not like this format. Nigel said he was disappointed in their solos. He did not feel they were dancing for their lives at all. The decision is made by the choreographers’ input as well as what they saw in Vegas and how they feel the contestants would grow. Carlos and Brittany will be leaving the show.

Couples

Dancers: Hayley and Curtis
Choreographer: Ray Leeper
Style: Jazz
Song: “Mama Knows Best” By Jessie J

I loved it when she was pushing him down. What back control and strength. Some of Curtis’ lines need work. I also think he needs to emote more, like Hayley does. It seemed like he was trying to remember the steps too much.

The judges: Nigel could not take his eyes off Hayley but felt Curtis was a good partner. Mary loved it and felt Hayley was a force to be reckoned with on the show. Christina forgot Curtis was a tapper. She felt like maybe everyone should leave to give them some privacy. She gave some helpful points they could take away and put into their work the next time around.

HayleyCurtis

Dancers: Aaron and Jasmine H. (who I affectionately have named #JasTurns)
Choreographers: Tabitha and Napoleon Dumo (NappyTabs)
Style: Lyrical hip-hop
Song: “Tears Always Win” by Alicia Keys

The story is he is a man going in and out of her life. He expects her to be there for him when he does. For a tapper, Aaron does a great job with hip hop. I am so glad he was #11 and someone dropped out because of an injury. There is a lot of chemistry between these dancers. Jasmine conveyed the feelings of being upset with him yet longing for him at the same time. I LOVED it. When he flipped her over into a backbend it was so fluid. It was beautiful.

The judges: Mary loved it. Jasmine is a star. Aaron was sexy. Christina had notes written from the dress rehearsal that she tossed away. She thinks they are the couple to beat at this point. Nigel felt an honesty in the routine. He feels that Aaron is a major asset to the series this year.

AaronJasmine

Dancers: Malece and Jade
Choreographer: Nakul Dev Mahajan
Style: Bollywood
Song: “Radha” by Student Of The Year (Original Soundtrack)

The girl plays hard to get and the guy woos her back in. I know that every movement had purpose including positioning. Would I know if they made a mistake? Nope! I love Bollywood because it is always interesting and full of energy. It makes me want to get up and move. You have to be in superb physical shape to survive those songs.

The Judges: Christina gave Jade some words of encouragement. Nigel is shocked that Jade picked up the choreography as well as he did. He thought Malece is like a little pixie. Mary felt Jade was having fun and Malece did a really great job.

MaleceJade

Dancers: Alexis and Nico
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Old Skin” by Olafur Arnalds & Arnor Dan

This piece is a sequel to Robert Roldan and Kathryn McCormick’s dance from season 7. Kathryn’s character left to go to war; in this piece, she (Alexis) is coming home. These are big shoes to fill. In a sense you can say she had returned from war a changed person quite literally. I cried. I tried to imagine the joy of what real families go through when their loved ones return from war. I think Alexis and Nico found the joy.

The judges: Nigel thinks Nico gets better every week. He felt that Alexis had the hardest job this week because as a tapper they don’t straighten their legs. He felt she did very well but she is going to have to work harder. Mary said they let the music take them some place. She felt Nico was fabulous and Alexis’ performance was so honest. Christina thought it was great and that Alexis has “it.”

AlexisNico

Dancers: Brittany and BluPrint
Choreographer: Spencer Liff
Style: Broadway
Song: “It’s Oh So Quiet” by Ice Princess (Original Soundtrack)

Two students in a late-night cram session and they fall in love. The vulnerabilities of BluPrint’s dancing are obvious, but he does get an “A” for trying and being a good partner.

The Judges: Mary adored this piece. She felt like BluPrint was really going to have to make sure the lines get hit. Christina gave BluPrint advice if he gets Broadway again. Nigel agreed with Christina.

BrittanyBluPrint

Dancers: Jasmine M and Alan
Choreographers: Miriam Larici and Leonardo Barrionuevo
Style: Tango
Song: “Escape From Slavery” by PP Music (UK)

Innocent girl wooed by an evil man. Alan had a powerful male presence but I felt like it was overacting a bit. I believe he did not believe he was evil. The footwork looked good. He did a great job on the lifts.

The Judges: Mary gave them a standing ovation. Christina joined her. Christina thought they had a “moment” like they did last week. Nigel agreed. Mary said it is all about passion and they spilled it all over the stage.

JasmineAlan

Dancers: Makenzie and Paul
Choreographer: Sean Cheesman
Style: Jazz
Song: “‘Mannequin (Skeet & Tito Remix) by Trish

Mad scientist Paul creates Makenzie. Paul has some good moves there, but he also had some awkward ones, too. His face doesn’t seem to match the story. He looks angry–has that weird pouty face. He also looked out at the audience like you would do in ballroom which I kind of felt was out of place. Mackenzie was doing a great job.

The judges: Nigel loved the routine. He thought they both did fantastic. Mary loved it. She called Makenzie a dance diva without the attitude (hmmm…in order to be a diva you must have attitude). Christina loved it. She urged Paul to get of his carriage in these kinds of numbers.

MackenziePaul

Dancers: Mariah and Carlos
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Dead In The Water” by Ellie Goulding

Carlos has been in an accident and lost his memory. Carlos is supposed to have this glazed-over look and with the emotion of having to go home tonight, that has to be so very hard to do, but does speak volumes to his professionalism. I could feel the pain in Mariah’s movements. I would never think she was a hip-hop dancer. I got goosebumps! This was so beautiful!

The judges: They were on their feet. Mary told Mariah if she kept dancing like that she will make it to the other side of the rainbow. Christina thought it was like they had an umbilical cord between the two of them. The chemistry was the best she had seen tonight. Nigel said Mariah did a brilliant job at emoting.

MariahCarlos

Dancers: Amy and Fik-Shun
Choreographer: Tabitha and Napoleon Dumo
Style: Hip-hop (ratchet?)
Song: “After Party” by Dorrough Music

The story is about two bellhops who love their job. For a contemporary dancer, she did a great job. The audience loved booty dances, too. That will definitely bring in the votes. And what I can I say. There is still #TruthInFikshun! (Yes, I first said that on Twitter).

The Judges: Christina loved that so much. She thought Fik-Shun is something special. She thinks Amy brings him up, too. Nigel said he knew that he was going to love this routine. Both of them light up the entire studio when they dance. He predicted if they kept dancing like that this and they would be in the finale. Mary said they were the pre-party, party-party and after-party.

AmyFikshun

Dancers: Jenna and Tucker
Choreographer: Dmitry Chaplin
Style: Cha-cha
Song: “I Like It Like That (Aaron Jerome Remix) by Pete Rodriguez

Story about a guy who knows everyone in a nightclub and thinks he owns the place; Jenna’s job is to put him in his place. It was very good. It didn’t blow me away but it was respectable. They both played their parts well. It seemed they had the right posture for Latin dancing. It sizzled in spots but it did. It move me emotionally in any direction.

Judges: Mary thinks Jenna is a chameleon. She missed rhythmical action from Tucker. She thought he had it in moments. Christina was thoroughly entertain and loved the story and the characters they portrayed. Nigel felt Jenna did not give enough cha-cha and she was in heroin genre. He actually wanted it to look more like “Dancing With The Stars.” He blames Dmitry.

TuckerJenna

It is hard to predict who might be in the bottom two. I would say for the guys Tucker and BluPrint. For the girls, Jenna and maybe Malece? Picking out the girls is a bit more difficult.





So You Think You Can Dance — Vegas Hell Week Recap

23 06 2012

So You Think You Can Dance: Vegas Hell Week

By Hilda Clark Bowen (PBMom)

Vegas week–the dancers’ equivalent to Navy SEAL hell week. Eight grueling rounds. Late nights. Early mornings. No sleep. Pushing themselves to the brink physically, mentally, emotionally. That is what it takes on the road to becoming America’s Favorite Dancer. There were 8 rounds. Nigel Lythgoe, Mary Murphy, Adam Shankman, Debbie Allen, Tyce DiOrio, and Lil’C were the primary judges with others sitting in to comment on their own choreographed segments.

Round 1: Solos

Hampton “The Exorcist” Williams from Richardson, Texas (Dallas auditions) danced his unique style to Evanescence’s “My Immortal.” He was mouthing the words to the song which I did not like. Debbie Allen was crying. It was very similar to his Dallas audition. After 10 solos, Jennifer and Briana go home. Hampton and 7 other dancers make it through to the next round.

Hampton “The Exorcist” Williams

Next bunch included Janelle Issis, the belly dancer from Birmingham, Alabama. Both Tyce and Adam loved her. By the end of the round, 51 dancers were cut, including martial arts expert Tim Conkel.

Round 2: Hip-Hop with tWitch and Comfort

This proved too much for two contestants. Hampton felt that the choreography was too difficult to learn left the competition. I praise the respect he showed the judges by coming up on stage and sharing that. Andre Rucker, from the Dragon House trio, just left. Good impressions are won, and you just do not up and leave. It’s too easy just to quit. I hope that Hampton gets some experience in some other areas and comes back to the competition next year. The song chosen was “B.O.B.” by OutKast. It was fast and slick. After the first group, Boris Penton from Dragon House was cut as was Gene Lonardo (the praying mantis guy), and Bree Hafen. After the last group performed, and Cyrus “Glitch” Spencer. Glitch meets tWitch and I’m loving this. All the members of the final group survived, which totaled 105 dancers surviving to the next round.

Round 3 (Day 2): Broadway with Tyce DiOrio

Tyce comes with a story about dancers in a club at 2 a.m. and drinking water and then POW!…a lust force seizes them. Witney Carson and Lindsay Arnold, from the Salt Lake City auditions, are out of their comfort zones. They have known each other since age 9 and found out they were roommates in Las Vegas. The song, “Must Be the Water” by Marc Broussard. Everyone who danced in the morning made it through. The judges gave Alexa Anderson a stern lecture about lacking an emotional connection and getting tired of fighting for her. I think she is terrified that she will not make it through again at the very last moment and she is guarding her heart. Joseph and Trey were gone. Teddy Tedholm went home. After this round another 23 dancers went home, which by my count 105 minus 23 leaves 82 dancers for the next round.

Round 4: Jazz with Sonya Tayeh

Eighty-two contestants remain. Sonya is looking for strength, aggression, texture, and musicality. Shafeek Westbrook is struggling, but bacon-girl Danielle Dominguez is trying to be supportive. The song is “Freak Out (Gold Chains, Panique Mix) by Brightest Diamond. Shafeek was cut and left with a terrible attitude. Danielle steps forward to partner with Giovanni and is rewarded with a big smack to her head. She is sent to the hospital; he is sent home. Cyrus partners with Lindsay and does an adequate job. I think his uniqueness and the judges desire to have him through to the top 20 is allowing them to forgive mistakes. This is about the favorite dancer and not necessarily the best dancer. They ask Amelia Lowe to dance for her life. Rachel Applehans is asked to dance for her life (It’s a Man’s Man’s Man’s World by Leela James). Sonya, Nigel, Mary and Tyce all say no. I have to say I am glad about Rachel because she just did not fit into the show. It’s fine to turn on the sex appeal once or twice, but every time it makes me uncomfortable, like she is dancing for men at a strip club. Amelia danced to “To Kill a Mockingbird” by Elmer Bernstein. Adam is visibly moved. Sonya is smiling and says she wants to get her hands on her. Sonya, Mary, Lil’C, Tyce and Debbie say yes. Adam says “yes” and thanks her. Nigel gave a surprising no.

Round 5: Groups

It’s now day 2 at 10 p.m., and it is group time. The twist this year was that the people got to pick their own groups (about 5-6 people). The first group up on day 3 in the morning includes Daniel Baker, Audrey Case, Danielle Dominguez. Danielle got back late from the hospital. They danced to Gotye’s song, “Somebody That I Used to Know.” Charlie and Danielle are sent home. The judges should have allowed Danielle to at least dance for her life. She did not have to volunteer to partner in the previous round a second time. Boo to the judges on that. In the next group, Taylor Giri (? spelling) was sent home. The next dance, choreographed by Aubrey Klinger, was praised by Nigel, and he complimented her by calling her a mini Mia Michaels. Aubrey danced with 4 other guys. The story was that she was the only girl at the prom and they called themselves the “High Schoolers.” The song was Side Project’s “I Want to Dance with Somebody.” The entire group is sent through to the next round.

The High Schoolers

The first group in the afternoon were The Wolfpack which included Dres Reid, Adrian Lee and Alexa Alexander, all who auditioned in previous seasons and danced to “I’m Glad You Came” by The Wanted. Alexa was called out again by the judges. They prodded her until tears flowed. They allow her one more chance. Sixty-one contestants now remain for the next round.

Wolfpack

Round 6: Ballroom, specifically the cha-cha with Jason Gilkison.

The song: “Let’s Get Loud” by Jennifer Lopez. I was shouting GO CYRUS. I just love this guy’s attitude and energy. He is asked to dance for his life. It was a no to Asher Walker, Dee Tomasetta, and a huge surprise Aubrey Klinger who had just been highly praised in the group round. My heart was hurting for her as she said she was not able to get work as a dancer audition after audition. While hurting for her, it reminded me what is so fantastic about this show: Even dancers who are not crowned the winners are getting work in the industry as evidenced by the many times I’ve seen them especially on Fox shows. Witney, Stepheon Stewart (great hip work!), Eliana Girard and Alexa (who was being cheered from the sidelines by Tyce and Adam) all received a yes to the next round. Cyrus dances to “Holy Ghost (Helicopter Showdown and Sluggo Remix) by Messinian. He BLOWS my mind. I was so glad he got to dance for Lil’C who thought it was EXTRA BUCK. I loved the support he was also receiving from his fellow contestants in the audience. A total of 52 contestants are put through to contemporary.

Round 7: Contemporary with Travis Wall

The contestants only have 1 hour to get the steps down. That’s insane. Travis says, “Technically I’m looking for perception.” Travis, your standards are set so low. The song is “I Won’t Give Up” Jason Mraz. Cyrus, Eliana, Lindsay, Janelle, Trenton, Daniel, Witney, Amelia, Luciano, Cyrus and Tiffany are all put through. Eighteen dancers’ fates were in question. The judges asked them to perform again and only Joshua and Abigail make it through. I was so sad about white-girl krumper Mariah. I thought she did very well.

Round 8: Final solos

Trying to stand-out, Joshua attempted to do a new trick in the waiting area and fell smack to the ground. The medics are called and he is taken away. He was not able to perform his final solo. Alexa Anderson was first, dancing to The Naked and Famous’ “Young Blood (White Sea Remix)”.  (PS Thank you Warren for the correction on this).  Debbie Allen said to her fellow judges that “This child could win” but Tyce balked at that observation. The last solo was Chehon Wespi-Tschopp of Zurich, Switzerland, the ballet dancer. The heights he could reach were phenomenal. The song to which he danced was “Suite of the Winter Songbirds,” by Noah Lifschey.

The guys were called up. Adrian Lee, who almost made it in season 7, and whose mother stopped watching the show because of it, was cut. Nigel reminded the group that they were not going for the “best dancers” but the uniqueness. The girls get called up; no one is cut….at this point.

There are 35 in the end. Next week, they will have to cut that down to 20 people. Joshua will find out if his stunt to try to impress will cost him a spot in the final 20.

Who are your favorites? I think Chehon and Cyrus are going to make it simply because of their unique styles. Cyrus improves with each lesson and America adores him. Chehon is, I think, the only ballet dancer in the group and they tend to like a diverse group of individuals. I am unsure about the girls. Amelia is very unique. I was truly rooting for Mariah. Janelle should make it.





So You Think You Can Dance — Salt Lake City auditions

14 06 2012

So You Think You Can Dance, Season 9, Salt Lake Auditions — 2012

Judges Adam Shankman, Mary Murphy and Nigel Lythgoe gave a tutorial about what NOT to do when you are auditioning: No booty shaking; no self-worship (rubbing, touching yourself); and no reaching, with Adam Shankman doing the illustrations. The girls dominated in this city as did ballroom dance, which has been not seen much at all in the other cities.

Who I Liked A LOT

Witney Carson, American Fork, Utah, Cha-Cha/Tango: The girl on FIRE. It was hot and she is only 18 years of age. Her father looked very uncomfortable in the audience as Nigel talked about her sensuality and sexuality within the dance. Mary, for the first time this audition season, put her on the HOT TAMALE TRAIN, and blew out the eardrums of Nigel and Adam. Adam claimed, “I’m a slave for you.” And uses the “F” word in Salt Lake City. She is definitely through to Vegas.

Witney Carson

Gene Lonardo; Las Vegas, Nevada; contemporary: Although I should put him in the Odd-Ball LOT because he came out saying he was going to do the dance of the male praying mantis, it was stunning to watch, and I immediately thought that Sonya Tayeh (choreographer) would love to play the female praying mantis. The routine really made him stand out. He was an average dancer as contemporary styles go, but the fact that he choreographed the dance himself set him apart. Although it did get weird when Gene told Nigel he imagined him as the female praying mantis (because Nigel was fearsome to him). Awkward. He is through to Vegas.

Gene Lonardo, male praying mantis

Lindsay Arnold; Provo, Utah; ballroom Latin: She dances wonderfully. It was a shame her partner was not competing because he deserved a ticket as well). She was through to Vegas.

Lindsay Arnold

Mariah Spears; Phoenix, Arizona; krump: White girls CAN KRUMP! I was not expecting this. When she said she was going to krump, Adam spat out his drink. But she lived up to the hype. She was fabulous. I wished L’il C was in the room judging then. I think she needs to work on the open-mouth look. The anger should come through her movements without the “O” face. She was sent to choreography and then on to Vegas.

Mariah Spears

Murphy Yang; Roy, Utah; contemporary: His family disowned him and moved to California. He was homeless for awhile. I admire him for sticking to his dreams despite his idiot family. He had quite a mixture of styles in his dance. There was a good sense of humor, good musicality. Then he lifted his shirt with “Vegas?” on it and I loved it. He has had no formal training. I bet you if Debbie Allen had been the judge, she would have offered him free lessons at one of her schools. Adam Shankman was on the verge of tears. Murphy was sent to choreography but for this year it was a no to Vegas. Murphy–Keep on refining your technique. You are SO close to getting a ticket to Vegas. Do not give up. I ADMIRE you.

Murphy Yang

Dareian Kujawa; Boulder City, Nevada; contemporary: He, too, had a very rough life. They were very poor and it was a depressing, dark life. He decided to create a roadmap for himself and dancing pulled him out of this dark place. This man is filled with inner strength and it showed in his dance. It was filled with great emotion and great athleticism. He had beautiful lines. Of course he was going to Vegas!

Dareian Kujawa

Leroy Martinez; Sacramento, California; hip-hop. He also has had a rough life, but turning to dance helped him. He is the only one in his family to live a straight life. It was his first audition ever. He works at a doggie day care by day and gives back to the community working with the Peacemakers program, a group who works to establish afterschool programs in the community. There is an article done in a local paper about this group. Please click here to read more about it.  Because of his larger size, one thinks he is going to be unable to do impressive moves. He breaks stereotypes. He was AWESOME. Adam was crying and hesitated to say it, but said it was “fucking awesome.” Of course it was bleeped out. He went on to choreography and it was a no for Vegas, but something inside of me tells me that Adam is going to do something for this young man.

Leroy Martinez

Who I Thought Was Average

Deanna “Dee” Tomasetta; Millbury, MA; contemporary: She was beautiful to watch. I really liked the backbend move she had which showed really excellent control. The one thing that did not match for me was the smile with the song, which then reminded me of Ryan Ramirez. The song she chose was “I Can’t Make You Love Me” by Bonnie Raitt. The song is about unrequited love. But she is smiling the ENTIRE performance. I should have felt angst in there. That is the only reason why she is in the “average” category for me. But the judges loved it and she is through to Vegas.

Deanna “Dee” Tomasetta

Adrian Lee; Los Angeles, California; contemporary: In season 7 he came so close to being in the show, but that was the year they picked the best 10 and had them dance with 10 all-stars. He was not invited. His family became very down on the show after that and he chose not to tell them he was auditioning this time. However, between then and now, season 8 happened–the top 20 best dancers EVER chosen, and his dance looks very amateurish when comparing it to people from last season. He is doing the self-worship moves despite being told that the judges did not want to see that. Mary was crying because the emotion of having to tell him “no” in season 7 came flooding back. He did get a ticket to Vegas and Nigel gave him another ticket for his mother to come along. He has to do better in Vegas or he will be cut.

Adrian Lee

Rachel Applehaus; Denver, Colorado; burlesque jazz: She claims she was shy growing up. She hoped that her dance would make Nigel uncomfortable.  She was hot and sultry but she rolled on the floor too much. Then I started thinking this reminds me of a dancer in a gentleman’s club and I became uncomfortable. There was not enough substance in her routine. Then they said she was doing burlesque jazz (Is that like Anchorman’s jazz flute?) and she is through to choreography and then on to Vegas.

Rachel Applehaus

Odd-Ball LOT

Lynn Gravatt; Portland, Oregon; space dance: The story was being set up as a disaster. She claims that her energy comes from the Pleiades constellation. She has three spirit guides (Divine DeFlame–which is her highest self; they flash Mary Murphy on the frame; then Devil DeFlame (which is her “male” dancer, and of course Nigel is flashed on the screen; the third is Rainbow Light Bright, which is of course Adam). Before Lynn starts, Mary is giggling a lot. Lynn is a former aerospace engineer that has worked on aircraft we will see in 10-15 years. Very intelligent woman. She was not that bad considering she has had no formal training. Being 33, that automatically disqualified her from being part of the show, but the judges were very kind to her.  She left with a wonderful message for people to never give up on their dreams, no matter what their age.

Lynn Gravatt

Johnny Ahn and Whitney Hallam; Orem, Utah; ballroom: This guy is so full of EGO it isn’t funny. And the look on his partner’s face the entire time she is with him is one of contempt. I do not blame her. He should spend less time on watching videos on how to get dates and more time on how to be a good dance partner. There is a 10-year age difference between them. She is unimpressed with his MAN-GO. His ballroom “O” face bothers me. He NEVER looks at his gorgeous partner. The dance is all about him–“Hey look at me–I think I’m hotter than I really am.” They are sent through to choreography but it is a “no” to Vegas for both of them. My advice to Whitney is to get another dance partner quickly and come back next year. I would never pick up the phone and vote for him, so he should just not come back to audition for the show.

If looks could kill….Whitney Hallam and Johnny Ahn

Next week is So You Think You Can Dance Hell Week! I cannot wait.





So You Think You Can Dance — Finale Performance Show

11 08 2011

It has been a wonderful journey with the best group of dancers to ever be picked in the Top 20 of So You Think You Can Dance. Tonight, the four favorites who flitted into our hearts were: Marko, Melanie, Sasha and Tadd. Katie Holmes and Kenny Ortega served as guest judges for this evening (I just LOVE Kenny Ortega).

Final4

The final 4: Marko, Sasha, Melanie, Tadd

Dancers: Melanie and Marko
Song: “I Feel Love”
Artist: Donna Summer
Choreographer: Doriana Sanchez
Style: Disco
Story: None, just high-energy disco.

I was wondering when disco was going to show up. This song was a blast to my past. It was lovely seeing them partner again. Dressed like John Travolta, Marko did a slightly better job than Melanie with a bit more energy into all his movements. While it was danced well and it was fun to watch, there was no emotional investment in it for me and did not bring me back to that golden era. Kenny thought it was electric, sizzling and great. Katie loved it and said it was like watching Saturday Night Fever. Mary Murphy pointed out that the lifts were not great and they went in and out of the style. Nigel agreed with Mary and felt they were uncomfortable in the style and hoped that they do better in their other routines this evening.

Dancers: Sasha and all-star Mark Kanemura
Song: “Raise Your Weapon”
Artist: Deadmau5
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Ode to Sasha from Sonya, that Sasha handles all the struggles in her life with such grace and integrity, fueling her and giving her power. Mark represents the obstacles.

Another emotional dance for Sasha. This dance brought both goosebumps and tears and then a “hell-yah” out of me during the final sequence when she throws her obstacles to the ground (i.e., Mark). What a powerhouse duo in this pairing (Are you ready to join Lady Gaga’s tour, Sasha, with Mark?)! It stung me in all my emotionally vulnerable hotspots. Sasha has had some incredible performances, but this one tops them all. Mark is the perfect example of someone who did not win the show who went on to do fantastic things in the dance world. Like a fine wine, he has gotten better with age. Katie loved it, especially that walk at the end. Mary pulled out her train-whistled woo-hoo for this and called her a champion and a star. Nigel thought Sasha just threw down the gauntlet to the other three contestants.
Before getting to Sasha’s critique, Kenny had glowing things to say to Sonya who was deeply moved by his accolades. Turning to Sasha, he cited her struggles this week–an injury, battling against Melanie–but claimed her “Sasha, Warrior Princess.”

Dancers: Tadd and all-star Joshua Allen
Song: “Hustle Hard” (Traditional)
Artists: Ace Hood
Choreographer: Lil’C
Style: Hip-hop
Story: None, just the hustle.

Lil’C choreographed a very difficult routine. Tadd is the dark horse in this race, but having Joshua dance with him did not help him, like watching a master and his apprentice. Joshua was crouching lower and hitting harder. Tadd made it this far not only because of his dance technique but also his personality. Just looking at Tadd though, this is the best I have seen him dance all season. Mary said his difficulty is the “sweetie-pie” factor, but was able to pull off a hard-hitting hip-hop style. “Hustle Hard” was Tadd’s theme song for this season. Nigel complimented the moves on the knees, but still felt he was too sweet. Kenny thought the pairing was perfect and wants a pair of the red shoes. Katie thought his hustling was terrific and she loved the pairing. The red shoes helped to highlight how fast of a dancer he was.

Dancers: Melanie and all-star Robert Roldan
Song: “Sacrifice”
Artist: Sinead O’Connor
Choreographer: Stacey Tookey
Style: Contemporary
Story: Unrequited love; in order to save herself, she has to say good-bye.

My goosebumps started halfway through and were at standing straight up on my arm and traveling down my legs by the time the song was over, a lovely rendition of the famous Elton John song. I loved this pairing as well, as each complimented each other. Nigel felt like Sasha threw down the gauntlet and the challenge was accepted. Kenny would push himself to the front of the line to have a chance to work with Melanie. At this point, Cat announced that he would be resurrecting “Dirty Dancing” and got Melanie her first job after SYTYCD. Katie thinks she is a magical dancer and loves how she creates stories. Mary feels like she is in a class of her own and is so proud of her. Melanie feels so blessed for the journey.

Dancers: Sasha and Marko
Song: “Whatever Lola Wants”
Artist: Ella Fitzgerald
Choreographer: Spencer Liff
Style: Broadway
Story: A restaurant scene. Marko is the waiter, Sasha an elegant dinner who wants to order something off menu.

Hot and spicy, both Sasha and Marko played their roles well. She looked elegant in her purple gown, showing off her cougaress cavort, going after what appeared to be a younger, geeky waiter, portrayed by Marko. Kenny thought it was fun, and their character conversions were fantastic. He had a few extra words of praise for Sasha about her giving her all for every performance. Katie compared Sasha to the legendary Cyd Charisse and thought Marko was great. Mary did not initially recognize Marko and thought he was perhaps one of the all-stars. She was surprised at what a wonderful actor he is, saying that it is not easy to pull off comedy and dance at the same time. The dance, however, did not wow Nigel. He thought Sasha was a better warrior princess than a vamp. He did not understand Marko’s character at all.

Taking a break in the dance action, Cat showed some interviews that she had with all the contestants. Melanie’s favorite moment was dancing with Neil Haskell (with the launch she did into his arms halfway across the stage). Her closest buddy in the competition is Ricky because he can make anyone smile and was such a fighter regardless of the criticism each week. Out of the four remaining, she feels closest to Marko. She misses her father and knows that he would be very proud of her. She then performed her solo to “Song for Viola” by Peter Bradley Adams. I cried, feeling like she was dancing that for her father.

Cat asked Marko what he was thinking when she read his name as the first one through to the finale. He had closed his eyes and wondered why she was waiting (she was waiting for him to open his eyes). His favorite performance was “Turned to Stone” with Melanie. She asked him what it was like to have his mother in the audience, and he again shared that he was not always the most grateful child growing up. Winning would mean “everything” to him. When he got shot, he was searching for the reasons why he survived and perhaps this show was a vehicle for that. He then performed his solo to “The Fear You Won’t Fall” by Joshua Radin, incorporating all he has learned, growing a great deal since his original audition. Tonight, his father was in the audience for the first time, giving him an extra boost.

Dancers: Sasha and Tadd
Song: “Raindrops”
Artist: Basement Jaxx
Choreographer: Mark Ballas
Style: Cha-cha
Story: None, just fun and sassy.

This was not finale-quality dancing. Both looked uncomfortable in the style. Because of that, they did not have that hot, spicy chemistry. The height difference was an issue for me. Katie completely bypassed saying anything about the dance itself and just complimented them on the journey. I think Katie did not want to be booed. Although agreeing with Katie, Mary had to talk about the dance. It just did not work–the connections, the body positions, missing hand connections, lack of chemistry, although Sasha fared a little bit better than Tadd. Nigel agrees with Mary, saying it was uncomfortable to watch. While Sasha did a bit better, Nigel felt it did not bear well for her either. Kenny said it was too ambitious for the last show and for them to walk it off and come back and blow us all away.

Dancers: Marko and all-star Lauren Froderman
Song: “Shirk”
Artist: Me’Shell Ndegedcello
Choreographer: Tessandra Chavez
Style: Contemporary
Story: Two people drawn to each other who can’t seem to find a way to make it work.

Setting the tone for the routine, Lauren was already in character, shedding tears when the dance started. This was another dance that drew me in emotionally, taking me on a journey of moments of my own life. My goosebumps never lie. Mary thought it was beautiful, provoking honest communication in the dance, feeling his soul. Nigel felt like it was a fabulous performance, redeeming his past dances of the evening. Kenny again complimented the outstanding choreography. He felt this was perfect partnering for him, that their spirits became alive, taking him to a distant place. Whatever Marko was doing in that dance, he needed to continue doing it. Katie also thanked Tessandra for the piece. He thanked Marko for creating these picture moments for her while he danced and deemed him magical (Magical Marko–it works–Cat stop stealing my phrases).

Tadd’s interview and solo were next. He thought and dreamed about being in the finale but cannot believe he is here. He thinks America is connecting to him in his solos. His favorite routine was the vulture dance with Jordan that Travis Wall choreographed. Most nervous performance was the first show when they had to make a first impression. There is web site apparently called: The Official “Keep Your Shirt Off Tadd” Fan Club. He said for some reason people want him to be naked, but Cat points out there is a difference between shirtless and naked. Winning would change his and his family’s lives. Dancing his last solo before voting to “Momma Knows Best” by Jessie J, Tadd showed off why we love him so. It was playful and creative.

Dancers: Tadd and Melanie
Song: “Show Me What You’re Working With”
Artist: Sista Monica
Choreographer: Ray Leeper
Style: Jazz
Story: A guy cheats on his girlfriend and she catches him in the act. Sexy, naughty with a little dysfunction thrown in.

This dance showcased Tadd much better. Since he was comfortable, the chemistry flowed like river rapids between them. I got sexy, naughty and the dysfunction. It must have been difficult for Melanie to dance that short while with one heel on and one off; I can barely walk that way. The routine was a lot of good fun. The strip-tease of Tadd for his fan-base was a great touch after the comments made in his interview. The routine brought Nigel’s evening to life. He praised Tadd for a job well done, while complimenting Melanie for selling the character before the dancing ever began. Kenny apparently let out a “woo” during the dance. He loved everything about it and felt the choreographer delivered the perfect routine to showcase their strengths during a finale show. Katie felt like it was a breath of fresh air. Mary thought Tadd brought the sexy back and Melanie’s strut was like no other.

In the final interview and solo, Sasha never thought she would make it this far, loving that her sister has been with her the entire journey. Her favorite moment was when Lady Gaga threw her shoe. Several routines stood out to her, but she asked Cat which one she liked and Cat said the routine with Twitch. She talked more about the wonderful routine with Kent Boyd (with the wall), saying she had to go to a very dark place, and she had to put her journey into the dance. Seeing people affected emotionally in response to her dancing meant a great deal to her. Dancing to “Be Be Your Love” by Rachael Yamagata, Sasha also showed the audience the growth attained this season from that of her first audition.

Dancers: Sasha and Melanie
Song: “Heart Asks Pleasure First”
Artist: Anh Trio
Choreographer: Stacey Tookey
Style: Contemporary
Story: Suppressed housewives in the 1950s, feelings of isolation and loneliness. The two join forces to break free.

Extremely beautiful. Melanie and Sasha are in direct competition with each other, yet they dance and support each other every time they dance together like true professionals. Another moment of chills for me. Kenny thought the picket fences were symbolic of prison bars and the space in the yard the only place where these women could express themselves. It made him feel hopeless and he wanted to rush in and free them. It also made him curious about their paths, where these characters came from and where they were going. Katie loved the message about friendship and the power that two women can give to each other. Mary enjoyed every second of it, enjoying the movement and musicality. Nigel shared with the audience what we did not see–that each of them hugged each other and wished each other luck before the show came back on air. He said it did not matter who won because they would both grace any dance company they would join.

Dancers: Marko and Tadd
Song: “B.O.B.”
Artist: Outkast
Choreographer: Chuck Maldonado
Style: Gumboot stepping (hip-hop)
Story: Form of dance that was used to communicate in the mines of South Africa

A fantastic, high-energy way to close the show. Tadd had the slight edge in this dance, but Marko was not too shabby. The timing was a little off, but I noticed Tadd looking over at Marko at times to try to get them back in sync again. Katie enjoyed the athletic ability in this number, but it also sound like she was holding something back. Mary felt like it was solid gold for her. Nigel pointed out the rhythms were not together in this routine. Then he crushed them by saying he has felt all along a girl would win this season and that hadn’t changed although they stood up well for themselves tonight. Kenny thanked the dancers and the choreographer.

If it was simply based on dancing tonight, it would have to be Melanie, Marko, Sasha and Tadd. If it came down to most improved dancers over the season, it would be Tadd, Sasha, Marko and Melanie since Tadd, the b-boy held his own outside his own style of dance. Then Sasha was finally partnered with someone who brought out the best in her during the all-stars, and Marko and Melanie have remained pretty level throughout the competition. If it is based on the dancing all season it would be a tie between Melanie/Sasha then Marko and Tadd. However, the show is about America’s favorite dancer. Sasha has an overwhelming fan base and it will come down to who voted more, Melanie’s fans or Sasha’s fans. The margin of votes will be very, very close.  I predict Sasha is going to win.  But Nigel is right:  Both Melanie and Sasha will have tremendous careers after this (and I believe Marko and Tadd will, too).

Hilda Clark Bowen (a.k.a. PBMom)

Hilda Bowen (a.k.a. PBMom)