So You Think You Can Dance S10: The Winners!

13 09 2013

Wednesday night was a celebration of the best dances of the season. It was also announced that So You Think You Can Dance will be back for Season 11. As Mary Murphy would say, “WOOOOOOOOOOOO- HOOOOOOOOOOOOOOOOOO! Put THAT on the hot tamale train.

Logo

We were also treated to new dances. Dominic “D-Trix” Sandoval from season 3 is now part of the new movie, “Battle of the Year” which showcases unscripted live acts. Dominic’s crew, choreographed by Dave Scott, served up an extraordinary dance routine to the song, “Fast Man (Z-Trip Remix)/Know The Ledge” by The PC’s Ltd./Eric B. and Rakim. It was like a mixture of dance and martial arts especially with those kicks.

Napoleon and Tabitha D’Umo had the top 20 dancers, Mary Murphy, Nigel Lythgoe and some of the other choreographers dancing to “Puttin’ on the Ritz.”

Mary and Nigel also danced alone to “Let’s Get It On” by Marvin Gaye, when Adam Shankman crashing the party.

But we get down to the winners: Congratulations to Amy and Fik-Shun for winning.

Winners

Amy and Fik-Shun

To Aaron and Jasmine and all the other contestants: Remember that not everyone can take the prize home. It is what you do with the opportunities that present themselves from this point forward that truly will determine your life-long success in dance. There are so many contestants who did not win on the show, who have had extraordinary success: Travis Wall, Dominic Sandoval, Stephen ‘tWitch’ Boss, Alex Wong, Robert Roldan, Lacey Schwimmer, Mark Kanemura, Kathryn McCormick just to name a few. Just BE AWESOME.





So You Think You Can Dance Top 16 to 14

24 07 2013

Opening Number

Song: “New World” by The Irrepressibles
Choreographers: Stacey Tookey and Peter Chu

Once again, I adored the opening number. It was very cool when they changed wardrobe from red to white. It was like a snake shedding its skin. Although I don’t like snakes, I do love this.

Panel of judges

Nigel Lythgoe, Mary Murphy, and Carly Rae Jepsen. Grammys! Seven nominations. Congratulations! Woo-hoo!

The Bottom 6/Solos

Mariah, Alan, Makenzie, BluPrint, Jenna, and Curtis are all in danger, but they quickly send Jenna back to safety. The rest have to dance solos to help the judges make their decision about who is staying and who is going.

Makenzie starts the solos. She dances to “Claire de Lune” by Laura Sullivan. That was lovely. I liked how the audience kept quiet until the last 2 seconds to count. If they were like me, they were holding their breath and breathing with the dancer. Alan took the floor next and danced to “Return Of The King” by X-Ray Dog. It was a little strange. Like a Russian matador. I have not seen him dance like that since the auditions. The cape work was outstanding. Curtis danced to “Used To Love U” by John Legend. It was a nice reminder about how great a tap dancer he is. Dancing to “Set It Off” by Kardinal Offishall featuring The Clipse, Mariah showed us why it is important to keep a female krumper in the mix. The last person to strut their stuff was animator BluPrint to “Illusion of Choice” by Gramatik. I never tire watching him perform in his native style. Wow. That is going to be a tough call and I am glad I don’t have to make it!

Couples

Dancers: Alexis and Nico
Style: Jive
Choreographer: Tony Meredith and Melanie LaPatin
Song: “Mayhem” by Imelda May

Before I talk about the dance, I really like Tony’s longer hairdo. The song was fun. Tapper Alexis stepped up. The jive and the quickstep are dances that the audience has a very difficult time connecting.

The judges: Nigel felt they lost the bopping step halfway through the routine. Mary enjoyed the routine. She offered advice on how to make it better. Carly enjoyed it and liked Alexis’ dress and Nico’s facial expressions.

Dancers: Jenna and Tucker
Style: Contemporary
Choreographer: Travis Wall
Song: “Hangin’ By A Thread” by Jann Arden

You had me at Travis. Love this dude’s choreography. The story is Jenna has lost all control and is a puppet on a string. Tucker brings her back to life. Once again Travis makes me cry and Jenna and Tucker rocked this. I think it put them back in e forefront in my mind.

The judges: Mary was in tears. She believed they had that moment they were needing. Carly thought it was beautiful. Nigel thought they were both brilliant.

Dancers: Mariah and BluPrint
Style: Jazz
Choreographer: Brian Friedman
Song: “Fall Into The Sky” by Zedd & Lucky Date featuring Ellie Goulding

Did BluPrint find personality within his dance is week? He was better for sure but he really needs to let it GO. I enjoyed the routine so much. It is something I will remember tomorrow. The fact that it reminded me of Stargate with their outfits hooked me in as well. It was good to see him smile at the end of the routine.

The judges: Carly thought it was fun and energetic. Nigel felt they carried off the routine pretty well. Mary loved three-quarters of it.

Dancers: Malece and Alan
Style: Hip hop
Choreographer: Dave Scott
Song: “Bassline” by Chris Brown

Aliens bring us hip-hop. They should have spaced this dance out more from the last routine because there were a lot of similar features. Alan was too stiff. Their synchronicity was off. The pants were distracting to me. Sometimes my 17-year-old with disabilities defecates in his pants and it will look like that. Malece did a better job with the overall steps. By the end of the song I had lost interest (sorry guys)!

The judges: Nigel felt Alan did not have swagger and noticed the stiffness too. Mary thought Malece was on fire and Alan was not. At this point, I think Alan is going home tonight. Carly preferred Malece over Alan.

Dancers: Hayley and Curtis
Style: Contemporary
Choreographer: Dee Caspary
Song: “Don’t Let Go Yet (Radio Edit) by David J. Roch

The story of the song is that they are two people going in different directions, in this case, up and down. I love seeing the unique use of props. When they talked about a ladder in the rehearsals, I thought it was a metaphorical ladder. Hayley is a fiery powerhouse. Curtis continues to make progress but there is something I cannot put my finger on–it looks very amateurish. But when his inexperience fails him, his winning smile compensates. Eventually though, his luck will not hold out. I think Hayley also elevates him as we often see with contestants dancing with the all-stars.

The judges: Mary enjoyed the creativity. She reminded Curtis to drop his shoulders. He had great partnering. She adores Hayley. Carly saw great partnering and chemistry. To work on that, it was revealed that Curtis took her out for sushi. Will they be the new tWitch and Allison? People love romance! That will bring in some votes. Nigel was disappointed that Curtis is not working on dropping his shoulders. The whole routine was ruined for him by his shoulders (well I wouldn’t go that far!). He also was disappointed with his solo; however he thought Hayley was magnificent.

Dancers: Amy and Fik-Shun
Style: Hobo jazz? What the hell is hobo jazz?
Choreographer: Tyce Diorio
Song: “Under The Bridge (Sous le pont) by The Triplets of Belleville (Soundtrack)

They showed a picture of a younger Amy with a golden retriever puppy. Another brownie point goes to her in my fandom. That dance was adorably quirky. I gasped when she jumped up in his arms and then fearlessly went backwards. If Fik-Shun was not doing great partnering, she would have smashed the floor with her head with great force (like the kind in traumatic brain injuries). Wow! That is a lesson in trust now, isn’t it? I liked this routine even more than the alien routine with BluPrint and Mariah.

The judges: Mary and Carly were on their feet. Carly said it was perfect. Nigel thought Tyce gave them one of the best pieces of choreography he has ever done, and Fik-shun has grown enormously this week. He felt they were the couple to beat. Mary thought the routine was as sweet as a Twinkie. They are on the hot tamale train.

Dancers: Makenzie and Paul
Style: Hip-hop
Choreographer: Dave Scott
Song: “Pretty Lil’ Heart” by Robin Thicke featuring Lil’ Wayne

The story is about a photographer and a 1930’s model. He is trying to get the sexy out of her. I was worried when the song first started that it would be boring but it was smoldering HOT. MERCY! Paul was a bit more hard-hitting than Makenzie by just a smidgen.

The judges: All three of them were on their feet. Nigel felt it was the sexiest routine of the evening. They are on HIS hot tamale train. Mary says he is 100% right–for once. Carly was on the edge of her seat the entire time.

Dancers: Aaron and Jasmine
Style: Quick Step
Choreographer: Tony Meredith and Melanie LaPatin
Song: “Pencil Full of Lead” by Paolo Nutini

Oh God help them! Having the final spot is strategic in either it is just mediocre but it will be the last thing in people’s minds OR the pimp spot was given because it was potentially the winning dance of the night. #AsTheJasTurns. Apparently Aaron sings. Wouldn’t that be cool to see Aaron try out for American Idol or The X-Factor or….(says quietly)…The Voice? I think tapping will be an asset to Aaron in his dancing of the quick step. I was worried about Jasmine’s costume for a wardrobe malfunction. I am not sure why but he looks like Michael Ealy’s cousin the way he is stylized (which is a good thing–love Michael Ealy). There were moments when I think Aaron was too stiff and moments when it felt perfect. Jasmine is perfect. She may be in my top 3 girls. That ending lifts were spectacular. When they were listening to the judges, it struck me that she could pass as Michelle Obama’s cousin. Yes, I have this thing about saying who people look like.

The judges: Mary loved it! She had some nitpicky things that needed fixing but she thought it rocked. She puts Aaron and Jasmine on the hot tamale train (third couple this evening). Carly thought it was fun and sexy. Nigel thought it was great.

The results

BluPrint will be the male contestant leaving tonight. Mariah will be leaving too. It’s always sad to say goodbye to people when they are really all so wonderful, but they do have careers in front of them. I’ve said it many times: One of the reasons why I love this show is that all these young people will have jobs when they leave the show. You’ll see them on other television shows (especially on Fox) or award show or movies.

My picks for the bottom this week

Alan for the guys and maybe Nico? For the girls, it is much more difficult for me. Alexis perhaps? At this time it is a matter of splitting hairs.

Who are your bottom picks? Let’s talk about it!





So You Think You Can Dance Top 18 to 16

11 07 2013

Group number

Song: “Pretty Face (Nathan Lanier Remix)” by Soley
Choreographers: Sonya Tayeh and Christopher Scott

I got goosebumps. It did not surprise me that it was in part choreographed by warrior woman Sonya.

Group

The judges

Paula Abdul and Erin Andrews joined Happy Birthday boy Nigel Lythgoe and Mary Murphy to judge tonight’s group of dancers. Cat says that last week’s format was not received well so they are changing it back to reveal the dancer who is going home at the end of the show. Jade has to have surgery (so I am guessing he is the male competitor going home).

The Bottom 3

Jasmine Mason, BluPrint, Jenna, Curtis, Alexis, and Jade. Nigel informs them that with Jade being unable to continue in the competition, BluPrint and Curtis can continue and do not have to dance for their lives. They, however, are going to ask all 3 ladies to dance for their lives in routines in their style. The decision will be made at the end of the show. Alexis is up first, tapping to “Try A Little Tenderness” by Otis Redding. I loved it. My ankles hurt for her. Jasmine danced to “10 Seconds” by Jazmine Sullivan (Jasmine dances to Jazmine–that’s kind of cute!). Here is the thing I have issues with. They come on the show and get exposed to all these terrific choreographers and I never see what they have learned incorporated into their solos. They revert back to what the judges call self-worship and rolling on the floor. Finally Jenna dances ballroom to “Wild” by Jessie J featuring Big Sean. This routine had life. I appreciated that she did not do the self-worship stuff in a Latin routine. Clearly I feel that Jasmine’s was not the best one.

Couples

Dancers: Amy and Fik-Shun
Style: Paso Doble
Choreographer: Jean-Marc Genereux
Song: “Tactical Dominance (Orch Hybrid Version) by Jack Trammell

Ten seconds in and I completely loved it and got chills. They had my complete attention. I am not a ballroom expert and usually I yawn through a lot of them, but not this. Fik-Shun had a few moments when his lines were not perfectly straight, but for this not being his genre, he did a tremendous job. I still cannot get over how much Amy could pass as a cousin of Melanie Moore especially when she is smiling.

The judges: Mary loved his passion. Technically it needed a bit of work but it seemed like her enjoyment overall is going to let those issues slide. She felt that Amy is a warrior princess. Erin said it is the chemistry and connection they have together. She felt they set the tone for this evening. Paula felt they committed to the feeling that was necessary for the routine and made them believe in it. Paula said she would have had Amy in the front center if she was around during the days Paula did choreography. Fik-Shun was apparently on Paula’s show when he was 16 (that’s interesting). She is so proud of him. He has studied and grown and done his homework. Nigel said they demand attention when they come in stage, a hallmark of a great performer. Nigel suggested to Fik-Shun that he relax his shoulders.

AmyFikshun

Dancers: Jasmine H. And Aaron
Style: Broadway
Choreographer: Spencer Liff
Song: “They Just Keep Moving The Line (SMASH Cast Version) by Smash Cast featuring Megan Hilty

Broadway always seems to get the dancers in trouble on this show. I think the young voters appreciate contemporary and hip-hop more. The story is that Aaron is a detective on a case and Jasmine is the victim whose spirit appears. This played to both their strengths. It reminded me of a soft-shoe style and Aaron excelled in that. I believed Jasmine was a spirit reconciling the fact that she was dead. They are another power couple who have fantastic chemistry together. There was a lot of shouting going on from the audience in favor of the style they delivered. I think this was a winner.

The judges: Erin thought it was fantastic. She thought that during rehearsal Aaron was overshadowing Jasmine but not tonight. She thought Aaron made the dance effortless. Paula felt like it reminded her of the dancers of the past who were under MGM contract during that era. He was grounded yet graceful. She thought both did an amazing job. She added that Jasmine reminded her of Cyd Charisse. Nigel said they could have graced the streets of Broadway with every bit of elegance in which the pros are now dancing. Mary said this week it was all about the legs. It was about style and class. They gave 100% and captured what Spencer wanted.

JasmineAaron

Dancers: Makenzie and Paul
Style: Contemporary
Choreographer: Lindsay Nelko
Song: “No Day But Today (Live from Soundstage)” by Idina Menzel

The story of the dance is that Makenzie is dying and Paul has to come to terms with that. They immediately got into character before the music even started and it moved me. Wow this is a tough night! Everyone is bringing their “A” game. I sobbed. It is an amazing thing to witness when the dying are always the ones to console us when it should be the other way around. I always love Idina Menzel singing. I have adored her since I heard her in “Wicked”. Lindsey is going to be a great addition to the choreographers on the show.

The judges: Paula thought it was a beautiful dance. Poor Paula called him Alan. Nigel felt they kept the technical ability to the piece and brought in the “something else” that is necessary to do their routines. Mary loved it and she was crying. She said Makenzie was liquid gold. Paul surprised her–he finally gave an honest performance. Erin thought it was fantastic was well.

MakenziePaul

Dancers: Jasmine M and Alan
Style: Jazz
Choreographer: Shawn Cheesman
Song: “Veins” by Charlotte Martin

This is about the mundane life of being a royal. It was very quirky with some tricks. I enjoyed it. Jasmine performed much better here than in her solo but I still think she is going home.

The judges: Nigel thought it was very “Prince William and Katie.” Nigel steals my word “quirky.” He wished they were more quirky with it. Mary loved the beginning and end. Mary agreed with Nigel. Erin agreed with them. Paula loved the routine and thought it was a lot of fun. She also agreed with Nigel and Mary.

JasmineMAlan

Dancers: Jenna and Tucker
Style: Hip-hop
Choreographer: Keone and Mariel Madrid
Songs: “Dangerous (Immortal Version)” by Michael Jackson

Femme fatale meets average guy. I am looking to see if Tucker can let go of his posture and get down with the song. It was lacking the intense hitting you see in this type dance and both were too straight in their posture although they get some points for effort. I disagree with the judges who lavishly praised it. It was okay; it was not the best performance of the night. I am really not connecting emotionally with Jenna or Tucker even though they are technically great dancers in their genres.

The judges: Mary thought it was less hip-hop and more jazz but thought it was great. Erin complimented them. Paula thought it was a hipster kind of jazz and loved it. Nigel thought Jenna reminded her of Audrey Hepburn in a movie with Fred Astaire. It was one of his favorite routines tonight.

JennaTucker

Dancers: Malece and substitute dancer Marko Germar
Style: Contemporary
Choreographer: Sonya Tayeh
Song: “In The Embers” by Sleeping At Last

My guess is that Marko is going to elevate her dancing tonight. Before tonight, Sonya said in the rehearsal she was going to have to help Jade but since he has an injury, he withdrew from the competition. Marko saved her for another week. I had not been too pleased with her dancing this season but she did a superb job with Marko. I got goosebumps.

The judges: They were on their feet. Erin thinks Malece is a Tinkerbell. Paula loved it. Nigel said that Sonya said Jade was doing really well this week. Nigel saw the same thing I saw. Marko brought something out in Malece he has never seen before–the woman in her. Mary agrees with Nigel, but she knew Malece would have this moment at some point in the show.

MarkoMalece

Dancers: Hayley and Curtis
Style: Samba
Choreographer: Jean-Marc Genereux
Song: “Straight to Memphis” by Club des Belugas

Curtis posture was terrible. His lack of experience was grossly evident. He has a wonderful personality though and it carries him through sometimes in these routines. Hayley did a great job. The song was fun and lively. It was not, however, up there on the top of my list of favorites for this evening. Hayley’s lipstick was smeared on her tooth (when they judges were critiquing them).

The judges: Paula thought Hayley nailed the samba hips. She brought fire and ferocity. She gives Curtis a lot of credit being a tap dancer in this, but he needs to work on being a little more grounded and not to be afraid to move her and control her. Nigel said he needed to be the dominant role in this dance, unlike last week when it was right that Hayley was, and he did not achieve that. He looked a little immature. Hayley’s footwork looked good to him. Mary gave Curtis tips about his technique and how to improve that. Hayley was on fire. Erin encouraged Curtis to take the critique and work on it. Hayley was fabulous, a vixen that keeps getting better.

HayleyCurtis

Dancers: Alexis and Nico
Style: Jazz
Choreographer: Spencer Liff
Song: “I Put A Spell On You” by Nina Simone

The story is that Alexis is hypnotizing Nico. Kissing during a routine always gets votes. There were times I felt Alexis was in the dominant role but then sometimes it felt like she slipped out and Nico was in control. I was thinking during this song what it might have been like if Nico put the spell on Alexis but then I laughed that would not be accepted as well. It is okay when a woman puts a spell on a man because she is the seductress, but if a man were to do that to a woman, he is taking advantage of her. For a tap dancer, Alexis did a great job. I think the choreography limited Nico being able to shine completely.

The judges: Nigel liked it. Paula jumped in that Alexis has come back into the forefront for her. Nigel felt Nico was really good. Mary pretended to be hypnotized. Nico was brilliant. Alexis surprised her. Erin was checking on Nigel after Paula play-attacked him. She felt Alexis did well at adapting to a style of dance that is not her strong area. She thought they were more in sync than they were in dress rehearsals, and there was no sleeping about Nico tonight.

AlexisNico

Dancers: Mariah and BluPrint
Style: Hip-Hop
Choreographer: Luther Brown
Song: “Bring The Noize” by M.I.A.

Two hip-hop artists doing hip-hop? They better bring it (they do have the pimp spot on the show tonight). The synchronicity suffered in a few places especially in the beginning. I loved it and was laughing so hard when BluPrint pulled his shirt up and the ladies went wild. They are definitely safe this week. It was full of energy. I felt bad for BluPrint after the judges gave their critique. He looked defeated.

The judges: Mary thought Luther did well with all the choreography in there, but she is dying for more of BluPrint’s performance. She thought it was sick tonight (which is one step down from ill. Mariah was just “livin’ it out there.” Erin loved it. She wants Luther to come out with the next work-out video. She agrees with Mary that BluPrint needs to loosen up. She felt it when he lifted his shirt, but they need to see more moments like that. She enjoyed his abs but want to see that from his face. Paula thought they were in sync. There were static moments in the routine when they could breathe, but they have to keep in character. She feels BluPrint is holding back. Mariah’s personality was times 10 and covered for BluPrint sometimes. Nigel agreed with Paula. He added that personality holds a lot of weight sometimes even over great dancers and gave him examples of people who won in the past. It is in his hands what he wants to do. If he does not show his personality soon, he will be going home soon.

BluPrintMariah

The results

Jade by default of his injury will be going home this week. He said the judges and the choreographers are unanimous in their decision that Jenna will be staying. To Jasmine he said that the choreographers feel that there is a lot of self-doubt with her. The judges too feel that at times with her (but not so much tonight). He asked her to try to lose that. The choreographers feel that with Alexis they give her a note but 5 minutes later it is gone. However, Jasmine will be the one leaving this evening.

My predictions for next week

So who are in my bottom 2 for guys and girls? Girls: Jenna. Although I enjoyed Alexis’ dancing tonight, I have a feeling if she winds up in the bottom 3 next week and she does not improve on this issue the choreographers have with her, she will be sent home. For the guys, Tucker and maybe BluPrint if he is not making a connection with the audience but in technique he did well whereas Curtis had a difficult time and this is what Nigel was talking about–personality will carry you far.





So You Think You Can Dance Top 18

3 07 2013

Yes it happened again. My DVR did not record the show last week. I think I finally got it fixed though. I still do not like the way we are getting the results. All 20 have to put their best efforts forward even though only 18 will remain by the end of the show. But it is what it is.

Tonight joining resident judges Nigel Lythgoe and Mary Murphy was Christina Applegate.

Opening number

Song: “The Heroic Weather-Conditions Of The Universe, part 1: A Veiled Mist” by Moonrise Kingdom (Original Soundtrack)
Choreographer: Tyce Diorio

That was fabulous. They look like a real dance troupe that have been working together for years. It is one of those odd dances–like a circus with so much going on you are not quite sure where to look and when you do look you do look out of the corner of your eye you find you are missing a lot.

Group

Yikes! Cat Deeley is already announcing the bottom 3 guys and girls. That is going to either dampen their psyche, or make them dance better in their couples’ routines. Bottom 3 girls: Mariah. Makenzie, Brittany. Bottom 3 guys: Alan, Jade, Carlos.

This season the judges get to save 2 contestants right away. This week it is Alan and Makenzie are saved.

Solos

Mariah danced to “Hard In da Paint” by Waka Flocka Flame. I adore a female hip-hop dancer. Carlos danced a solo to “Radioactive” by Imagine Dragons which I just knew would show up on this season’s show somehow when I heard it. It is the ringtone of my timer on my IPhone. I thought it was a fabulous solo outside of a little but too much rolling on the ground. Brittany danced to “Hacksaw” by Ooah. Was that Ballroom or Jazz? Hard to tell, but there was a lot of self-worship with her hands on her body a lot–something I know the judges dislike from previous seasons’ auditions. Jade danced to “De Novo Adagio (Intro) by Alicia Keys. He is an amazing animator. I felt like he was a maestro pulling on our strings, but in a way it was very smooth like the water. It is very hard to describe.

Oh GEEZ! They are actually telling us who is going home before the couples dance? That is not right at all. I do not like this format. Nigel said he was disappointed in their solos. He did not feel they were dancing for their lives at all. The decision is made by the choreographers’ input as well as what they saw in Vegas and how they feel the contestants would grow. Carlos and Brittany will be leaving the show.

Couples

Dancers: Hayley and Curtis
Choreographer: Ray Leeper
Style: Jazz
Song: “Mama Knows Best” By Jessie J

I loved it when she was pushing him down. What back control and strength. Some of Curtis’ lines need work. I also think he needs to emote more, like Hayley does. It seemed like he was trying to remember the steps too much.

The judges: Nigel could not take his eyes off Hayley but felt Curtis was a good partner. Mary loved it and felt Hayley was a force to be reckoned with on the show. Christina forgot Curtis was a tapper. She felt like maybe everyone should leave to give them some privacy. She gave some helpful points they could take away and put into their work the next time around.

HayleyCurtis

Dancers: Aaron and Jasmine H. (who I affectionately have named #JasTurns)
Choreographers: Tabitha and Napoleon Dumo (NappyTabs)
Style: Lyrical hip-hop
Song: “Tears Always Win” by Alicia Keys

The story is he is a man going in and out of her life. He expects her to be there for him when he does. For a tapper, Aaron does a great job with hip hop. I am so glad he was #11 and someone dropped out because of an injury. There is a lot of chemistry between these dancers. Jasmine conveyed the feelings of being upset with him yet longing for him at the same time. I LOVED it. When he flipped her over into a backbend it was so fluid. It was beautiful.

The judges: Mary loved it. Jasmine is a star. Aaron was sexy. Christina had notes written from the dress rehearsal that she tossed away. She thinks they are the couple to beat at this point. Nigel felt an honesty in the routine. He feels that Aaron is a major asset to the series this year.

AaronJasmine

Dancers: Malece and Jade
Choreographer: Nakul Dev Mahajan
Style: Bollywood
Song: “Radha” by Student Of The Year (Original Soundtrack)

The girl plays hard to get and the guy woos her back in. I know that every movement had purpose including positioning. Would I know if they made a mistake? Nope! I love Bollywood because it is always interesting and full of energy. It makes me want to get up and move. You have to be in superb physical shape to survive those songs.

The Judges: Christina gave Jade some words of encouragement. Nigel is shocked that Jade picked up the choreography as well as he did. He thought Malece is like a little pixie. Mary felt Jade was having fun and Malece did a really great job.

MaleceJade

Dancers: Alexis and Nico
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Old Skin” by Olafur Arnalds & Arnor Dan

This piece is a sequel to Robert Roldan and Kathryn McCormick’s dance from season 7. Kathryn’s character left to go to war; in this piece, she (Alexis) is coming home. These are big shoes to fill. In a sense you can say she had returned from war a changed person quite literally. I cried. I tried to imagine the joy of what real families go through when their loved ones return from war. I think Alexis and Nico found the joy.

The judges: Nigel thinks Nico gets better every week. He felt that Alexis had the hardest job this week because as a tapper they don’t straighten their legs. He felt she did very well but she is going to have to work harder. Mary said they let the music take them some place. She felt Nico was fabulous and Alexis’ performance was so honest. Christina thought it was great and that Alexis has “it.”

AlexisNico

Dancers: Brittany and BluPrint
Choreographer: Spencer Liff
Style: Broadway
Song: “It’s Oh So Quiet” by Ice Princess (Original Soundtrack)

Two students in a late-night cram session and they fall in love. The vulnerabilities of BluPrint’s dancing are obvious, but he does get an “A” for trying and being a good partner.

The Judges: Mary adored this piece. She felt like BluPrint was really going to have to make sure the lines get hit. Christina gave BluPrint advice if he gets Broadway again. Nigel agreed with Christina.

BrittanyBluPrint

Dancers: Jasmine M and Alan
Choreographers: Miriam Larici and Leonardo Barrionuevo
Style: Tango
Song: “Escape From Slavery” by PP Music (UK)

Innocent girl wooed by an evil man. Alan had a powerful male presence but I felt like it was overacting a bit. I believe he did not believe he was evil. The footwork looked good. He did a great job on the lifts.

The Judges: Mary gave them a standing ovation. Christina joined her. Christina thought they had a “moment” like they did last week. Nigel agreed. Mary said it is all about passion and they spilled it all over the stage.

JasmineAlan

Dancers: Makenzie and Paul
Choreographer: Sean Cheesman
Style: Jazz
Song: “‘Mannequin (Skeet & Tito Remix) by Trish

Mad scientist Paul creates Makenzie. Paul has some good moves there, but he also had some awkward ones, too. His face doesn’t seem to match the story. He looks angry–has that weird pouty face. He also looked out at the audience like you would do in ballroom which I kind of felt was out of place. Mackenzie was doing a great job.

The judges: Nigel loved the routine. He thought they both did fantastic. Mary loved it. She called Makenzie a dance diva without the attitude (hmmm…in order to be a diva you must have attitude). Christina loved it. She urged Paul to get of his carriage in these kinds of numbers.

MackenziePaul

Dancers: Mariah and Carlos
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Dead In The Water” by Ellie Goulding

Carlos has been in an accident and lost his memory. Carlos is supposed to have this glazed-over look and with the emotion of having to go home tonight, that has to be so very hard to do, but does speak volumes to his professionalism. I could feel the pain in Mariah’s movements. I would never think she was a hip-hop dancer. I got goosebumps! This was so beautiful!

The judges: They were on their feet. Mary told Mariah if she kept dancing like that she will make it to the other side of the rainbow. Christina thought it was like they had an umbilical cord between the two of them. The chemistry was the best she had seen tonight. Nigel said Mariah did a brilliant job at emoting.

MariahCarlos

Dancers: Amy and Fik-Shun
Choreographer: Tabitha and Napoleon Dumo
Style: Hip-hop (ratchet?)
Song: “After Party” by Dorrough Music

The story is about two bellhops who love their job. For a contemporary dancer, she did a great job. The audience loved booty dances, too. That will definitely bring in the votes. And what I can I say. There is still #TruthInFikshun! (Yes, I first said that on Twitter).

The Judges: Christina loved that so much. She thought Fik-Shun is something special. She thinks Amy brings him up, too. Nigel said he knew that he was going to love this routine. Both of them light up the entire studio when they dance. He predicted if they kept dancing like that this and they would be in the finale. Mary said they were the pre-party, party-party and after-party.

AmyFikshun

Dancers: Jenna and Tucker
Choreographer: Dmitry Chaplin
Style: Cha-cha
Song: “I Like It Like That (Aaron Jerome Remix) by Pete Rodriguez

Story about a guy who knows everyone in a nightclub and thinks he owns the place; Jenna’s job is to put him in his place. It was very good. It didn’t blow me away but it was respectable. They both played their parts well. It seemed they had the right posture for Latin dancing. It sizzled in spots but it did. It move me emotionally in any direction.

Judges: Mary thinks Jenna is a chameleon. She missed rhythmical action from Tucker. She thought he had it in moments. Christina was thoroughly entertain and loved the story and the characters they portrayed. Nigel felt Jenna did not give enough cha-cha and she was in heroin genre. He actually wanted it to look more like “Dancing With The Stars.” He blames Dmitry.

TuckerJenna

It is hard to predict who might be in the bottom two. I would say for the guys Tucker and BluPrint. For the girls, Jenna and maybe Malece? Picking out the girls is a bit more difficult.





So You Think You Can Dance S10 Top 20 Revealed

23 06 2013

I could not believe it when I came home on Tuesday, June 11, and found my DVR did not record So You Think You Can Dance because of a glitch. I missed Vegas Hell Week. I tried to find it elsewhere but apparently my satellite company does not interact with Fox on-line for on-demand programming (although I can see it 30 days after the air date–what good is that going to do me. I also was not going to pay Hulu Plus for the chance to see it. I did watch the first 40 minutes live before I had to leave, but I took no notes. I do remember someone liking my #TruthInFikshun hash tag on Twitter, which I promptly claimed ownership and bragging rights.

This week’s episode announced the Top 20 and allowed us the opportunity to see them dance for the first time. Thirty-three contestants awaited their fate.

Du-Shaunt “Fik-Shun” Stegall and Mariah Spears made it through to the top 20. However, Emilio “Millie” Dosal, Phillip Cheeeb’s friend, made it, but had an injury and had to withdraw. Markus Shields who auditioned in season 4 and got to the green mile only to receive a “no”, received a “no” for a second time.

Fikshun

Du-Shant “Fik-Shun” Stegall

MariahSpears

Mariah Spears

 

Dance: Hip-hop
Choreographer: Luther Brown
Song: “Ball” by T.I. featuring Lil Wayne

It was wonderful seeing a female hip-hop dancer this year. There was nice chemistry and synchronicity to their movements. Mariah was the stronger dancer her. As Cat was making introductions you could see Fik-Shun was a little sad that he didn’t get lavish praise from the judges. He seemed to take it in and sighed. It’s okay Fik-Shun–next week raise your game.

FikShunMariah

Mariah & Fik-Shun

Makenzie Dustman (The contestant I thought rolled too much on the floor for her audition) is a yes. Jasmine Harper, Cyrus ex-girlfriend), gets a yes. A surprise yes was given to both Tucker Knox and Nico Greetham who went into the judges together. Ryan Johnson, who auditioned in Memphis, received a no for this season. There were several other contestants I did not recognize (whose names were not said) that also were turned down for this season.

MakenzieDustman

Makenzie Dustman

JasmineHarper

Jasmine Harper

TuckerKnox

Tucker Knox

NicoGreetham

Nico Greetham

 

Dance: Contemporary
Choreographer: Stacey Tookey
Song: “Goes On and On” by Sleeping At Last

This was a very strong performance by all 4 and I got them–yes GOOSEBUMPS! The judges felt the magic too and gave them a standing ovation.

MakenzieTuckerNicoJasmine

Makenzie, Tucker, Nico and Jasmine

Tappers Alexis Juliano and Curtis Holland both received a yes. Aaron Turner was an initially a “no” but when Emilio withdrew from the competition, Aaron was guy #11 so he was back in.

AlexisJuliano

Alexis Juliano

CurtisHolland

Curtis Holland

AaronTurner

Aaron Turner

Dance: Tap
Choreographer: Anthony Morigerato
Song: “You Really Did It” (Live) by Jason Mraz

That was so enjoyable. Curtis had some balance issues at the end there, but the judges were also gave them a standing ovation.

AlexisCurtisAaron

Aaron, Alexis and Curtis

Animators Jade Zuberi and Dragon House’s Dorian “BluPrint” Hector were both in the top 20.

JadeZuberi

Jade Zuberi

BluPrint

Dorian “BluPrint” Hector

Dance: Animation
Choreographer: Christopher Scott
Song: “Trigger” (Original Mix) by Kezwik featuring Mel Presson

That ROCKED! There were a few spots that should have been synchronized but were a bit off but it’s only week one. The mannequins moving freaked me out. The judges once again were on their feet.

JadeBluPrint

Jade and BluPrint

While David Lorenzo was sent home, Carlos Garland, Hayley Erbert and Malece Miller were moving to the top 20.

CarlosGarland

Carlos Garland

HayleyErbert

Hayley Erbert

MaleceMiller

Malece Miller

Dance: Contemporary
Choreographer:  Mia Michaels
Song: “Stay” by Rihanna featuring Mikky Ekko

I thought Carlos had some great partnering skills, catching Malece especially when she fell backwards. After being dropped on her head in Vegas, I bet she was scared. I LOVE Mia Michaels. Goosebumps again.

MaleceHayleyCarlos

Malece, Hayley and Carlos

Brittany Cherry, Jenna Johnson and Paul Karmiryan were moved into the top 20, but Serge (?) from the Los Angeles auditions was a no. Two brothers, Alan and Gene Bersten, were pitted against each other and Alan was moving forward.

BrittanyCherry

Brittany Cherry

JennaJohnson

Jenna Johnson

PaulKarmiryan

Paul Karmiryan

AlanBersten

Alan Bersten

 

Dance: Ballroom
Choreographer: Louis Van Amstel
Song: “Wings” by Little Mix

They had two challenges–Dancing with their partners and trying to synchronize with each other. The first was fine, the latter needs work. I think Jenna was the better girl.

BrittanyJennaPaulAlan

Paul, Jenna, Alan and Brittany

There were many “no” responses for the next group of individuals including Marissa Milele, Tessa, and Gabby Marquez. Amy Yakima from the Detroit auditions received a yes. They brought back Megan and Jasmine. This year, Jasmine Mason made it through.

AmyYakima

Amy Yakima (was called The Beast by Nigel; she does look a little like Melanie Moore’s cousin, doesn’t she?

JasmineMason

Jasmine Mason, not she is not related to Jeanine Mason

Dance: Jazz
Choreographer:  Sonya Tayeh
Song: “Enjoy” by Bjork

Loved it and Goosebumps. The judges also loved it.

AmyJasmine

Amy and Jasmine M.

 

Top 10 guys dance
Choreographer: Christopher Scott
Song: “Sand” by Nathan Lanier featuring Karen Whipple

Like a sandstorm happening. It is difficult to watch all 10 and say who stood out. I adored it. When Christopher Scott first joined the show, I did not quite understand his perspective. Either he has gotten better or I finally GOT it.

———

Top 10 girls dance
Choreographer: Ray Lepper
Song: “Let’s Have a Kiki (Guwremix) by Fanny Pak and District 78

I adore Ray for getting sweaty during rehearsals with his group. It was a fun routine.

——–

Top 20
Choreographer: Sonya Tayeh
Song: “Ghost of the Sky” (Epic Dub) by Steed Lord

Wow! How talented is Sonya that she created such a vehicle for such a diverse group of dancers to show off their strengths! I love warrior mama.

I am looking forward to seeing them perform next week for voting.

Top20

SYTYCD Season 10 Top 20 — Good luck everyone!





So You Think You Can Dance — Vegas Hell Week Recap

23 06 2012

So You Think You Can Dance: Vegas Hell Week

By Hilda Clark Bowen (PBMom)

Vegas week–the dancers’ equivalent to Navy SEAL hell week. Eight grueling rounds. Late nights. Early mornings. No sleep. Pushing themselves to the brink physically, mentally, emotionally. That is what it takes on the road to becoming America’s Favorite Dancer. There were 8 rounds. Nigel Lythgoe, Mary Murphy, Adam Shankman, Debbie Allen, Tyce DiOrio, and Lil’C were the primary judges with others sitting in to comment on their own choreographed segments.

Round 1: Solos

Hampton “The Exorcist” Williams from Richardson, Texas (Dallas auditions) danced his unique style to Evanescence’s “My Immortal.” He was mouthing the words to the song which I did not like. Debbie Allen was crying. It was very similar to his Dallas audition. After 10 solos, Jennifer and Briana go home. Hampton and 7 other dancers make it through to the next round.

Hampton “The Exorcist” Williams

Next bunch included Janelle Issis, the belly dancer from Birmingham, Alabama. Both Tyce and Adam loved her. By the end of the round, 51 dancers were cut, including martial arts expert Tim Conkel.

Round 2: Hip-Hop with tWitch and Comfort

This proved too much for two contestants. Hampton felt that the choreography was too difficult to learn left the competition. I praise the respect he showed the judges by coming up on stage and sharing that. Andre Rucker, from the Dragon House trio, just left. Good impressions are won, and you just do not up and leave. It’s too easy just to quit. I hope that Hampton gets some experience in some other areas and comes back to the competition next year. The song chosen was “B.O.B.” by OutKast. It was fast and slick. After the first group, Boris Penton from Dragon House was cut as was Gene Lonardo (the praying mantis guy), and Bree Hafen. After the last group performed, and Cyrus “Glitch” Spencer. Glitch meets tWitch and I’m loving this. All the members of the final group survived, which totaled 105 dancers surviving to the next round.

Round 3 (Day 2): Broadway with Tyce DiOrio

Tyce comes with a story about dancers in a club at 2 a.m. and drinking water and then POW!…a lust force seizes them. Witney Carson and Lindsay Arnold, from the Salt Lake City auditions, are out of their comfort zones. They have known each other since age 9 and found out they were roommates in Las Vegas. The song, “Must Be the Water” by Marc Broussard. Everyone who danced in the morning made it through. The judges gave Alexa Anderson a stern lecture about lacking an emotional connection and getting tired of fighting for her. I think she is terrified that she will not make it through again at the very last moment and she is guarding her heart. Joseph and Trey were gone. Teddy Tedholm went home. After this round another 23 dancers went home, which by my count 105 minus 23 leaves 82 dancers for the next round.

Round 4: Jazz with Sonya Tayeh

Eighty-two contestants remain. Sonya is looking for strength, aggression, texture, and musicality. Shafeek Westbrook is struggling, but bacon-girl Danielle Dominguez is trying to be supportive. The song is “Freak Out (Gold Chains, Panique Mix) by Brightest Diamond. Shafeek was cut and left with a terrible attitude. Danielle steps forward to partner with Giovanni and is rewarded with a big smack to her head. She is sent to the hospital; he is sent home. Cyrus partners with Lindsay and does an adequate job. I think his uniqueness and the judges desire to have him through to the top 20 is allowing them to forgive mistakes. This is about the favorite dancer and not necessarily the best dancer. They ask Amelia Lowe to dance for her life. Rachel Applehans is asked to dance for her life (It’s a Man’s Man’s Man’s World by Leela James). Sonya, Nigel, Mary and Tyce all say no. I have to say I am glad about Rachel because she just did not fit into the show. It’s fine to turn on the sex appeal once or twice, but every time it makes me uncomfortable, like she is dancing for men at a strip club. Amelia danced to “To Kill a Mockingbird” by Elmer Bernstein. Adam is visibly moved. Sonya is smiling and says she wants to get her hands on her. Sonya, Mary, Lil’C, Tyce and Debbie say yes. Adam says “yes” and thanks her. Nigel gave a surprising no.

Round 5: Groups

It’s now day 2 at 10 p.m., and it is group time. The twist this year was that the people got to pick their own groups (about 5-6 people). The first group up on day 3 in the morning includes Daniel Baker, Audrey Case, Danielle Dominguez. Danielle got back late from the hospital. They danced to Gotye’s song, “Somebody That I Used to Know.” Charlie and Danielle are sent home. The judges should have allowed Danielle to at least dance for her life. She did not have to volunteer to partner in the previous round a second time. Boo to the judges on that. In the next group, Taylor Giri (? spelling) was sent home. The next dance, choreographed by Aubrey Klinger, was praised by Nigel, and he complimented her by calling her a mini Mia Michaels. Aubrey danced with 4 other guys. The story was that she was the only girl at the prom and they called themselves the “High Schoolers.” The song was Side Project’s “I Want to Dance with Somebody.” The entire group is sent through to the next round.

The High Schoolers

The first group in the afternoon were The Wolfpack which included Dres Reid, Adrian Lee and Alexa Alexander, all who auditioned in previous seasons and danced to “I’m Glad You Came” by The Wanted. Alexa was called out again by the judges. They prodded her until tears flowed. They allow her one more chance. Sixty-one contestants now remain for the next round.

Wolfpack

Round 6: Ballroom, specifically the cha-cha with Jason Gilkison.

The song: “Let’s Get Loud” by Jennifer Lopez. I was shouting GO CYRUS. I just love this guy’s attitude and energy. He is asked to dance for his life. It was a no to Asher Walker, Dee Tomasetta, and a huge surprise Aubrey Klinger who had just been highly praised in the group round. My heart was hurting for her as she said she was not able to get work as a dancer audition after audition. While hurting for her, it reminded me what is so fantastic about this show: Even dancers who are not crowned the winners are getting work in the industry as evidenced by the many times I’ve seen them especially on Fox shows. Witney, Stepheon Stewart (great hip work!), Eliana Girard and Alexa (who was being cheered from the sidelines by Tyce and Adam) all received a yes to the next round. Cyrus dances to “Holy Ghost (Helicopter Showdown and Sluggo Remix) by Messinian. He BLOWS my mind. I was so glad he got to dance for Lil’C who thought it was EXTRA BUCK. I loved the support he was also receiving from his fellow contestants in the audience. A total of 52 contestants are put through to contemporary.

Round 7: Contemporary with Travis Wall

The contestants only have 1 hour to get the steps down. That’s insane. Travis says, “Technically I’m looking for perception.” Travis, your standards are set so low. The song is “I Won’t Give Up” Jason Mraz. Cyrus, Eliana, Lindsay, Janelle, Trenton, Daniel, Witney, Amelia, Luciano, Cyrus and Tiffany are all put through. Eighteen dancers’ fates were in question. The judges asked them to perform again and only Joshua and Abigail make it through. I was so sad about white-girl krumper Mariah. I thought she did very well.

Round 8: Final solos

Trying to stand-out, Joshua attempted to do a new trick in the waiting area and fell smack to the ground. The medics are called and he is taken away. He was not able to perform his final solo. Alexa Anderson was first, dancing to The Naked and Famous’ “Young Blood (White Sea Remix)”.  (PS Thank you Warren for the correction on this).  Debbie Allen said to her fellow judges that “This child could win” but Tyce balked at that observation. The last solo was Chehon Wespi-Tschopp of Zurich, Switzerland, the ballet dancer. The heights he could reach were phenomenal. The song to which he danced was “Suite of the Winter Songbirds,” by Noah Lifschey.

The guys were called up. Adrian Lee, who almost made it in season 7, and whose mother stopped watching the show because of it, was cut. Nigel reminded the group that they were not going for the “best dancers” but the uniqueness. The girls get called up; no one is cut….at this point.

There are 35 in the end. Next week, they will have to cut that down to 20 people. Joshua will find out if his stunt to try to impress will cost him a spot in the final 20.

Who are your favorites? I think Chehon and Cyrus are going to make it simply because of their unique styles. Cyrus improves with each lesson and America adores him. Chehon is, I think, the only ballet dancer in the group and they tend to like a diverse group of individuals. I am unsure about the girls. Amelia is very unique. I was truly rooting for Mariah. Janelle should make it.





So You Think You Can Dance — Salt Lake City auditions

14 06 2012

So You Think You Can Dance, Season 9, Salt Lake Auditions — 2012

Judges Adam Shankman, Mary Murphy and Nigel Lythgoe gave a tutorial about what NOT to do when you are auditioning: No booty shaking; no self-worship (rubbing, touching yourself); and no reaching, with Adam Shankman doing the illustrations. The girls dominated in this city as did ballroom dance, which has been not seen much at all in the other cities.

Who I Liked A LOT

Witney Carson, American Fork, Utah, Cha-Cha/Tango: The girl on FIRE. It was hot and she is only 18 years of age. Her father looked very uncomfortable in the audience as Nigel talked about her sensuality and sexuality within the dance. Mary, for the first time this audition season, put her on the HOT TAMALE TRAIN, and blew out the eardrums of Nigel and Adam. Adam claimed, “I’m a slave for you.” And uses the “F” word in Salt Lake City. She is definitely through to Vegas.

Witney Carson

Gene Lonardo; Las Vegas, Nevada; contemporary: Although I should put him in the Odd-Ball LOT because he came out saying he was going to do the dance of the male praying mantis, it was stunning to watch, and I immediately thought that Sonya Tayeh (choreographer) would love to play the female praying mantis. The routine really made him stand out. He was an average dancer as contemporary styles go, but the fact that he choreographed the dance himself set him apart. Although it did get weird when Gene told Nigel he imagined him as the female praying mantis (because Nigel was fearsome to him). Awkward. He is through to Vegas.

Gene Lonardo, male praying mantis

Lindsay Arnold; Provo, Utah; ballroom Latin: She dances wonderfully. It was a shame her partner was not competing because he deserved a ticket as well). She was through to Vegas.

Lindsay Arnold

Mariah Spears; Phoenix, Arizona; krump: White girls CAN KRUMP! I was not expecting this. When she said she was going to krump, Adam spat out his drink. But she lived up to the hype. She was fabulous. I wished L’il C was in the room judging then. I think she needs to work on the open-mouth look. The anger should come through her movements without the “O” face. She was sent to choreography and then on to Vegas.

Mariah Spears

Murphy Yang; Roy, Utah; contemporary: His family disowned him and moved to California. He was homeless for awhile. I admire him for sticking to his dreams despite his idiot family. He had quite a mixture of styles in his dance. There was a good sense of humor, good musicality. Then he lifted his shirt with “Vegas?” on it and I loved it. He has had no formal training. I bet you if Debbie Allen had been the judge, she would have offered him free lessons at one of her schools. Adam Shankman was on the verge of tears. Murphy was sent to choreography but for this year it was a no to Vegas. Murphy–Keep on refining your technique. You are SO close to getting a ticket to Vegas. Do not give up. I ADMIRE you.

Murphy Yang

Dareian Kujawa; Boulder City, Nevada; contemporary: He, too, had a very rough life. They were very poor and it was a depressing, dark life. He decided to create a roadmap for himself and dancing pulled him out of this dark place. This man is filled with inner strength and it showed in his dance. It was filled with great emotion and great athleticism. He had beautiful lines. Of course he was going to Vegas!

Dareian Kujawa

Leroy Martinez; Sacramento, California; hip-hop. He also has had a rough life, but turning to dance helped him. He is the only one in his family to live a straight life. It was his first audition ever. He works at a doggie day care by day and gives back to the community working with the Peacemakers program, a group who works to establish afterschool programs in the community. There is an article done in a local paper about this group. Please click here to read more about it.  Because of his larger size, one thinks he is going to be unable to do impressive moves. He breaks stereotypes. He was AWESOME. Adam was crying and hesitated to say it, but said it was “fucking awesome.” Of course it was bleeped out. He went on to choreography and it was a no for Vegas, but something inside of me tells me that Adam is going to do something for this young man.

Leroy Martinez

Who I Thought Was Average

Deanna “Dee” Tomasetta; Millbury, MA; contemporary: She was beautiful to watch. I really liked the backbend move she had which showed really excellent control. The one thing that did not match for me was the smile with the song, which then reminded me of Ryan Ramirez. The song she chose was “I Can’t Make You Love Me” by Bonnie Raitt. The song is about unrequited love. But she is smiling the ENTIRE performance. I should have felt angst in there. That is the only reason why she is in the “average” category for me. But the judges loved it and she is through to Vegas.

Deanna “Dee” Tomasetta

Adrian Lee; Los Angeles, California; contemporary: In season 7 he came so close to being in the show, but that was the year they picked the best 10 and had them dance with 10 all-stars. He was not invited. His family became very down on the show after that and he chose not to tell them he was auditioning this time. However, between then and now, season 8 happened–the top 20 best dancers EVER chosen, and his dance looks very amateurish when comparing it to people from last season. He is doing the self-worship moves despite being told that the judges did not want to see that. Mary was crying because the emotion of having to tell him “no” in season 7 came flooding back. He did get a ticket to Vegas and Nigel gave him another ticket for his mother to come along. He has to do better in Vegas or he will be cut.

Adrian Lee

Rachel Applehaus; Denver, Colorado; burlesque jazz: She claims she was shy growing up. She hoped that her dance would make Nigel uncomfortable.  She was hot and sultry but she rolled on the floor too much. Then I started thinking this reminds me of a dancer in a gentleman’s club and I became uncomfortable. There was not enough substance in her routine. Then they said she was doing burlesque jazz (Is that like Anchorman’s jazz flute?) and she is through to choreography and then on to Vegas.

Rachel Applehaus

Odd-Ball LOT

Lynn Gravatt; Portland, Oregon; space dance: The story was being set up as a disaster. She claims that her energy comes from the Pleiades constellation. She has three spirit guides (Divine DeFlame–which is her highest self; they flash Mary Murphy on the frame; then Devil DeFlame (which is her “male” dancer, and of course Nigel is flashed on the screen; the third is Rainbow Light Bright, which is of course Adam). Before Lynn starts, Mary is giggling a lot. Lynn is a former aerospace engineer that has worked on aircraft we will see in 10-15 years. Very intelligent woman. She was not that bad considering she has had no formal training. Being 33, that automatically disqualified her from being part of the show, but the judges were very kind to her.  She left with a wonderful message for people to never give up on their dreams, no matter what their age.

Lynn Gravatt

Johnny Ahn and Whitney Hallam; Orem, Utah; ballroom: This guy is so full of EGO it isn’t funny. And the look on his partner’s face the entire time she is with him is one of contempt. I do not blame her. He should spend less time on watching videos on how to get dates and more time on how to be a good dance partner. There is a 10-year age difference between them. She is unimpressed with his MAN-GO. His ballroom “O” face bothers me. He NEVER looks at his gorgeous partner. The dance is all about him–“Hey look at me–I think I’m hotter than I really am.” They are sent through to choreography but it is a “no” to Vegas for both of them. My advice to Whitney is to get another dance partner quickly and come back next year. I would never pick up the phone and vote for him, so he should just not come back to audition for the show.

If looks could kill….Whitney Hallam and Johnny Ahn

Next week is So You Think You Can Dance Hell Week! I cannot wait.