Don’t faint. I actually was able to write this up within 24 hours after the show.
Opening Number
Song: “Move To The Ocean (Baauer Remix) by Brick & Mortar
Choreographer: Mia Michaels
That was just weird. I am not sure how I feel about that. I usually love the choreography of Mia too. Oh well. That is why it is art. Some people will love it, some people won’t, and some people will scratch their heads.
Judges Tonight
Classically trained Jenna Elfman joined Nigel Lythgoe and Mary Murphy to judge tonight’s special event where the all-stars from previous seasons will not only dance but also choreograph their routines.
Bottom 2
Fik-Shun, Jenna, Hayley and–Tucker???? That is just so wrong on so many levels. All four will do solos. Fik-Shun is up first dancing to “If You Crump Stand Up” by edIT. I forgot that he is an animator. That was fun! Hayley chose “Skin & Bones” by David J Roch. That was great–goosebumps. Jenna danced to “Greyhound” by Swedish House Mafia. It is so difficult to do a Latin ballroom solo, but it did get my attention. Tucker danced to “Beautiful Child” by Rufus Wainwright. That was delightful.
Couples
Dancer: Aaron and all-star Chelsie Hightower
Style: Jive
Song: “Great Balls of Fire” by Million Dollar Quartet (Broadway Cast Recording)
That was a lot of fun! High energy, great chemistry, good leading by Aaron indeed! Top 2–here you come.
The judges: Mary picked out some areas for Aaron that were weak so he can learn and apply to future opportunities. Jenna thought it was awesome. She has been so impressed with his journey. Nigel thought he would have done better being a tapper but reminds America to take everything into account across the season in casting their vote tonight.
Dancers: Fik-Shun and all-star Allison Holker
Style: Contemporary
Song: “Skinny Love” by Birdy
A dance about discrimination. That was beautiful and gave me goosebumps and I got a bit teary-eyed. Allison really brought out things in him we have not seen before, but his partnering skills are still an issue where he messed up in a lift move but the pro Allison recovered so she did not fall. He may need to try some weightlifting to build up those necessary muscles.
The judges: Jenna said that Fik-Shun can do no wrong. He is already an all-star and is pure life force. Nigel pointed out that her routine must have been inspired with her relationship with tWitch (and they are getting married later this year). He said, in short, that while Fik-Shun lacks in a lot of technique, his quality that cannot be ignored. Mary agrees with everything being said.
Dancers: Tucker and all-star Courtney Galiano
Style: Jazz
Song: “Clarity” by Zedd featuring Foxes
Romeo and Juliet. I had goosebumps! I LOVED that!
The judges: Nigel told us that Courtney was diagnosed with multiple sclerosis and she has lost half the vision of her left eye. (Courtney–my business is a sponsor of our local MS Walk in October!). Mary was teary-eyed as was I and she loves Courtney and Tucker and Tucker’s dad (they showed a clip about how supportive his father has been, which many times does not happen from a dad whose son wants to dance). Jenna said Tucker is so special and he moves her every time she sees him.
Dancers: Paul and all-star Comfort Fedoke
Style: Hip hop
Song: “Dum Dum” by Tedashii featuring Lecrae
Paul just had an Alex Wong moment (when he danced with tWitch). Latin ballroom dancer can get down!!!
The judges: Mary said he is one of the most versatile dancers on the show. She thinks he is going full steam ahead on the hot tamale train. Jenna is so inspired by him. Nigel said Paul got down and dirty.
Dancers: Hayley and all-star Dmitry Chaplin
Style: Rumba
Song: “Meant” by Elizaveta
They are an engaged couple. She finds out he cheated on her. That dance sizzled. I felt like I was watching a very private moment between the two. You could feel the angst. This is the kind of ballroom dancing I love.
The judges: Jenna thinks there is not anything Hayley can’t do. Nigel says that there is not anything she has done wrong in this competition. She has grown week after week. Mary said Hayley got it right tonight. It was phenomenal.
Dancers: Jenna and all-star Mark Kanemura
Style: Jazz
Song: “I Am The Best” by 2NE1
This is a fusion of styles. I saw elements of Bollywood and hip hop. That was so different and so quirky. I loved it.
The judges: Nigel thought it was phenomenal and fantastic. He thinks she is a brilliant dancer. Mary thought it was great and had some Bollywood and African and Middle Eastern and New Age Funk to it. Jenna said it was marvelous. Jenna loves Jenna’s name. She is a beautiful technician who has a long career ahead of her.
Dancers: Jasmine and all-star tWitch
Style: Hip hop
Song: “The Power” by District 78 featuring Cheesa
Superheroes! The fact that Jasmine can hold her own with tWitch speaks volumes to her talent. That was indeed on the level of superhero dancers!
The judges: Mary said she could have been intimidated by him but she was not. She is the superhero and conquered this routine tonight. Jenna thought Jasmine owned it. She thinks there is something so beautiful about her, unique and wonderful. Nigel agrees with Jenna. She thinks she out-tWitched tWitch. She has stolen his heart.
Dancers: Amy and all-star Travis Wall Style: Contemporary
Song: “Wicked Game (Live at Killkenny Arts Festival, Ireland/2011” by James Vincent McMorrow
This is going to be good and I don’t know the whole story yet. The story is about the games that are played when first entering a relationship. This is the very best I have seen Amy dance. I really believe that partnering her with Fik-Shun was a disadvantage. Her dancing like this reminded me why I fell in love with Amy during the auditions. Travis Wall–you’ve done it again. Amy made it look effortless.
The judges: Were standing. Jenna said Amy is perfect, so full of heart and soul and technique. She thinks the world is such a better place because of both of them. Nigel thinks we saw something very special there. He thinks Travis is a genius. Mary agrees. She thinks it was mature and sophisticated.
Going Home
Jenna and Tucker go home. Tucker going home is SO wrong.
My picks
It is so difficult to choose at this time. I think Fik-Shun should be going home next week. Paul and Aaron should and deserve to be the top 2 guys. As far as the girls, Jasmine and Amy did the best job tonight, so that would leave Hayley going home.
I really enjoyed seeing the all-stars do choreography. The show should keep that aspect for next year.
Who are you favorites? Leave a comment! Let’s talk about it, but please keep the discussion civil.
I could not believe it when I came home on Tuesday, June 11, and found my DVR did not record So You Think You Can Dance because of a glitch. I missed Vegas Hell Week. I tried to find it elsewhere but apparently my satellite company does not interact with Fox on-line for on-demand programming (although I can see it 30 days after the air date–what good is that going to do me. I also was not going to pay Hulu Plus for the chance to see it. I did watch the first 40 minutes live before I had to leave, but I took no notes. I do remember someone liking my #TruthInFikshun hash tag on Twitter, which I promptly claimed ownership and bragging rights.
This week’s episode announced the Top 20 and allowed us the opportunity to see them dance for the first time. Thirty-three contestants awaited their fate.
Du-Shaunt “Fik-Shun” Stegall and Mariah Spears made it through to the top 20. However, Emilio “Millie” Dosal, Phillip Cheeeb’s friend, made it, but had an injury and had to withdraw. Markus Shields who auditioned in season 4 and got to the green mile only to receive a “no”, received a “no” for a second time.
Du-Shant “Fik-Shun” Stegall
Mariah Spears
Dance: Hip-hop Choreographer:Luther Brown Song: “Ball” by T.I. featuring Lil Wayne
It was wonderful seeing a female hip-hop dancer this year. There was nice chemistry and synchronicity to their movements. Mariah was the stronger dancer her. As Cat was making introductions you could see Fik-Shun was a little sad that he didn’t get lavish praise from the judges. He seemed to take it in and sighed. It’s okay Fik-Shun–next week raise your game.
Mariah & Fik-Shun
Makenzie Dustman (The contestant I thought rolled too much on the floor for her audition) is a yes. Jasmine Harper, Cyrus ex-girlfriend), gets a yes. A surprise yes was given to both Tucker Knox and Nico Greetham who went into the judges together. Ryan Johnson, who auditioned in Memphis, received a no for this season. There were several other contestants I did not recognize (whose names were not said) that also were turned down for this season.
Makenzie Dustman
Jasmine Harper
Tucker Knox
Nico Greetham
Dance: Contemporary Choreographer: Stacey Tookey Song: “Goes On and On” by Sleeping At Last
This was a very strong performance by all 4 and I got them–yes GOOSEBUMPS! The judges felt the magic too and gave them a standing ovation.
Makenzie, Tucker, Nico and Jasmine
Tappers Alexis Juliano and Curtis Holland both received a yes. Aaron Turner was an initially a “no” but when Emilio withdrew from the competition, Aaron was guy #11 so he was back in.
Alexis Juliano
Curtis Holland
Aaron Turner
Dance: Tap Choreographer: Anthony Morigerato Song:“You Really Did It” (Live) by Jason Mraz
That was so enjoyable. Curtis had some balance issues at the end there, but the judges were also gave them a standing ovation.
Dance: Animation Choreographer: Christopher Scott Song: “Trigger” (Original Mix) by Kezwik featuring Mel Presson
That ROCKED! There were a few spots that should have been synchronized but were a bit off but it’s only week one. The mannequins moving freaked me out. The judges once again were on their feet.
Dance: Contemporary Choreographer:Mia Michaels Song:“Stay” by Rihanna featuring Mikky Ekko
I thought Carlos had some great partnering skills, catching Malece especially when she fell backwards. After being dropped on her head in Vegas, I bet she was scared. I LOVE Mia Michaels. Goosebumps again.
Malece, Hayley and Carlos
Brittany Cherry, Jenna Johnson and Paul Karmiryan were moved into the top 20, but Serge (?) from the Los Angeles auditions was a no. Two brothers, Alan and Gene Bersten, were pitted against each other and Alan was moving forward.
Brittany Cherry
Jenna Johnson
Paul Karmiryan
Alan Bersten
Dance: Ballroom Choreographer:Louis Van Amstel Song:“Wings” by Little Mix
They had two challenges–Dancing with their partners and trying to synchronize with each other. The first was fine, the latter needs work. I think Jenna was the better girl.
Paul, Jenna, Alan and Brittany
There were many “no” responses for the next group of individuals including Marissa Milele, Tessa, and Gabby Marquez. Amy Yakima from the Detroit auditions received a yes. They brought back Megan and Jasmine. This year, Jasmine Mason made it through.
Amy Yakima (was called The Beast by Nigel; she does look a little like Melanie Moore’s cousin, doesn’t she?
Jasmine Mason, not she is not related to Jeanine Mason
Dance: Jazz Choreographer:Sonya Tayeh Song: “Enjoy” by Bjork
Loved it and Goosebumps. The judges also loved it.
Amy and Jasmine M.
Top 10 guys dance Choreographer: Christopher Scott Song: “Sand” by Nathan Lanier featuring Karen Whipple
Like a sandstorm happening. It is difficult to watch all 10 and say who stood out. I adored it. When Christopher Scott first joined the show, I did not quite understand his perspective. Either he has gotten better or I finally GOT it.
———
Top 10 girls dance Choreographer:Ray Lepper Song: “Let’s Have a Kiki (Guwremix) by Fanny Pak and District 78
I adore Ray for getting sweaty during rehearsals with his group. It was a fun routine.
——–
Top 20 Choreographer: Sonya Tayeh Song: “Ghost of the Sky” (Epic Dub) by Steed Lord
Wow! How talented is Sonya that she created such a vehicle for such a diverse group of dancers to show off their strengths! I love warrior mama.
I am looking forward to seeing them perform next week for voting.
Tonight our top 10 are paired with our All Stars from previous seasons. The one dancer I am looking most forward to watching tonight is Eliana, with whom she is going to be paired, and seeing her dance. You know that the show is going to reward her from being paired all these weeks with Cyrus. I enjoy Cyrus and I think Eliana has elevated his technique all these weeks; it is time for her to have a chance in the spotlight.
The opening song was choreographed by Tyce Diorio as a tribute to the legend Gene Kelly who would have been 100 years old on Thursday. His wife, Patricia, was in the audience. Tyce also filled in for the slightly injured Cole in the dance routine. The song was “The Cool World Stomp (Reprise)” by Mark Isham.
I have not given Cat Deeley enough love this season. I wish she could host every show (including The XFactor). She is so lovely and seems so genuine in her appreciation of the dancers as her children.
Dancer: Tiffany All-Star: Brandon Bryant (Season 5) Style: Disco (ugh) Choreographer: Doriana Sanchez Song: “You Make Me Feel…(Disco Fries Remix)” by Cobra Starship featuring Sabi
My thoughts: I am not a big fan of this style on the show. It does showcase athleticism and gymnastics, but this is more of a dance in which one participates, not for a competition. They did a great job. Cat Deeley thought it was Saturday Night Fever On Steroids. No, not really. Maybe more like Saturday Night Fever On Starbucks. Tiffany does not even look like she is sweating (I hate her–not really).
The judges: Loved it. They felt Tiffany and Brandon had a great connection and it was a great party. Benjamin said that she had a chance to be fearless tonight because of Brandon’s partnering. He was impressed by the constant level of energy and expressive face.
Dancer: Witney All-Star: Nick Lazzarini (Season 1) Style: Jazz Choreographer:Travis Wall Song: “Sing It Back” by Moloko Necessary story: They are in an abandoned lounge. Witney and Nick are ghosts who are still doing the show but no one is seeing it.
My thoughts: Travis Wall jazz? I am glad I watched it back again because the So You Think You Can Dance app program was irritating the crap out of me (had to put on my reading glasses to read my phone, then put my distance glasses on to watch them dance). However, it was only slightly better. I thought Witney looked out at the audience too much. Just when she was connecting with Nick and I started feeling the dance, she would look at the judges or at the audience and it would break that connection for me. I didn’t feel any chemistry between them. I thought Witney had a lot of chemistry with Witney. It could have been a smoldering hot (like Eliana’s dance to come). It was not my favorite. I even preferred the disco dance more. I disagreed wholeheartedly with the judges.
The judges: Benjamin thought it was excellent and great fun to watch. Nigel said, “You were totally committed.” She was sexy when she was breathing. “You’re a star.” Mary said, “Lord Have Murphy.” It was smoldering. Each week she is a shining star and she loved the ending move.
Dancer: Cole All-Star:Anya Garnis (Season 3) Style: Cha-Cha Choreographer:Dmitry Chaplin (a.k.a. Be Still My heart) Song: “Glad You Came” by The Wanted
My thoughts: What is in the water tonight??? Cole is one of my favorites. It was rough. His foot work was rough. It looked a little amateurish. Did his injury play into this. I think he might be in danger for this week’s eliminations (that will be announced next Wednesday). It looked better the second time I watched versus the first time because I was still irritated with that app. When you dance with Anya you have to bring it. Unfortunately, I kept trying to stick Dmitry in there and knew how much better it would be with him in there. Note to Cole: You cannot say you want to be the first in the top 10 to be on the hot tamale train and then have an under-seasoned dish.
The judges: Mary thought it was amazing. She reminded people that Anya was the reason why the phrase “hot tamale train” became infamous. She thought Cole did a tremendous job. She said the foot work and lines were okay, and the chemistry was not hot enough. He did a good job and his bags are packed but he is still on the platform. Benjamin thought it was great, that Cole partnered well. He offered to Cole to think of movement quality and contrast in a performance for something Cole could learn. Nigel agreed with Mary. He was a little disappointed with the contact with Anya. There was no rise and fall. He needed to get sexy with Anya first and then in the performing. He needed to have both.
Dancer: Lindsay All-Star: Jakob Karr (Season 6) Style: Broadway Choreographer:Spencer Liff Song: “Dancin’ Dan (Me and My Shadow)” by Fosse (Original Broadway Cast)
My thoughts: I guess this is the downside of having an emotional episode last week of all my favorite Mia Michaels’ routines: I was very bored tonight; nothing was moving me to want to pick up the phone to vote. She had beautiful lines. The synchronization of the two dancers must have been extremely difficult, especially during those moments they could not see each other.
The judges: Nigel thought it was a great routine, magnificent. She still had a lot to learn but she was nearly there. Mary thought they had first-class tickets on the hot tamale train. The synchronization was fabulous. Benjamin thought it was extremely well executed.
Dancer: Will All-Star: Kathryn McCormick (Season 6) and star of Step-Up Revolution Style: Bollywood Choreographer:Nakul Dev Mahajan Song: “Ooh La La” by The Dirty Picture (Soundtrack) Necessary Story: She is the snake; he is the snake charmer.
Okay back to THIS Will. I LOVED THIS!!!!!!!!!!!!!!!!!!!!!!!! My favorite dance of the evening (so far). Finally woke up some life inside of me. The first move when he moves up her front–it was more sensual in the rehearsals, but I’m nitpicking. The synchronization was spot on. The difficulty of these moves versus the dance with Lindsay and the shadow is multiplied by factor 10. It made me want to get up and dance around my room if I was not so enchanted by the snake charmer. In the end, though, the cobra bit him. And I think he was slightly smitten with her because he kept kissing her when the judges were talking. I’ll vote for him tonight. This is dancing on STEROIDS instead of Starbucks (i.e., the disco routine).
The judges: Mary thought he was the Energizer Bunny but also had amazing control. She felt like he was one of the most likeable guys in the competition. Benjamin thought it was charming and had a unique style. It was completely engaging and interesting. Will took advantage of every section and showed different ways of expressions. Nigel said he brought personality to everything he did.
Dancer: Cyrus All-Star:Jaimie Goodwin (Season 3) Style: Contemporary Choreographer: Travis Wall Song: “Outro” by M83 Necessary Story: Life after destruction; two sole survivors at the end of the world.
My thoughts: Travis Wall and a story about surviving the apocalypse (two of my favorite things). Ah, yes, this is the Travis Wall that gives me goosebumps. I remember being critical of this when I watched it and I was tweeting, but I changed my mind. Not being distracted by that app, I got chills. Cyrus really did rise to the challenge. Travis was smart in the way he choreographed it, showing off his strengths and hiding some of his weaknesses, but he also made Cyrus. You may be able to criticize the technique (and my saying that Eliana was “stuck” with him) but Cyrus is humble and Cyrus has an amazing heart. You know that he is not expecting to win but he feels blessed to be there. And you cannot help but fall in love with that quality about him. I did worry about the length of time the judges were spending on him with the comments because I thought that was preparing him for being in the bottom 3.
The judges: Benjamin finds this energy compelling to watch. He can also partner very well. Cyrus has a raw energy that is very exciting. Nigel paraphrased a quote from George Balanchine: “I don’t want people who want to dance, I want people who have to dance.” He felt that Cyrus HAS to dance. There is still so much for him to learn, but he works very hard. (Cyrus is humbled by the accolades). Mary said that Travis did not hold back and made it even harder for Cyrus. Maybe his feet and his legs are not the best right now. It is the passion he gives and people connect with that.
Dancer: Chehon All-Star:Lauren Gottlieb (Season 3) Style: Lyrical hip-hop Choreographer: Dave Scott Song: “Pretty Wings” by Maxwell Necessary Story: Two friends who support each other.
My thoughts: It is still too stiff in the upper body. I felt like the spiked-out hair made it look like he was trying too hard (although I realize that is not his doing). It is not a world that he belongs (hip-hop). he is a brilliant ballet dancer. However, my expectations are very high because Alex Wong blew my conventional thinking that ballet dancers could never do hip-hop (the dance with tWitch: Get Outta Your Mind–one of my favorite routines of ALL TIME). He tried hard, but it was just okay for me. Again, with the judges giving him a lot of feedback, I felt like he was in the bottom 3 as well.
The judges: Nigel complimented him on everything not being straight and him having a smile on his face. He was much warmer. Mary said she wanted it to be more funky, but it was going in and out. It was not the most memorable but personally he accomplished a lot. Benjamin said the kind of looseness of tonight’s dance he needed to focus on. Performance was spontaneous. He was having fun with her. Chehon was very charismatic.
Dancer: George All-Star: Allison Holker (Season 2) Style: Jazz Choreographer: Tyce Diorio Song: “Bahamut” by Hazmat Modine Story: George lets the train go by because of this great distraction (Allison)
My thoughts: I love George. If you want a song about lightness, you have him dance it. You want something hot and passionate–no. I do not think he has ever been in love like that before so it came off as a little high school production-ish, like he was acting at acting that he was in lust with this woman. After hearing Mary and Benjamin talk, though, I thought I was just cranky again, but Nigel agreed.
The judges: Mary felt it was fun to watch. He had a good time and good technique. Benjamin thought he is an amazing mover. He attacked every step with a vengeance and he was a fan. Nigel thought that his technique is tremendous but he did not believe his character. Here he was to have a raunchy night with this raunchy lady and it just appeared like he was dancing.
Dancer: Eliana (FINALLY!) All-Star: Alex Wong (Season 7) TOTALLY PSYCHED Style: Who cares Choreographer:Stacey Tookey Song: “Bang Bang (My Baby Shot Me Down) By Nancy Sinatra
My thoughts: WOW!!!!!!!!!!!!!!!!!!!!!!!!! FINALLY!!!!!!!!!!!!!!!!! I found my breath rising and falling with the movement. They were so into each other. It was sensual, sexy, smoldering. And I want that red dress. They received a standing ovation. She deserved that! Then I thought, wow, wouldn’t it have sucked if all this lead-up to her performance had fallen flat?
The judges: Nigel said this is what he meant by maturity in movement. Eliana is his favorite girl this year. She was perfect technically and in performance. It was a fusion of the two. Mary said her hair went up on her arm. Her favorite routine of the night. It took her breath away. She was the star of the show tonight–the perfect tiramisu (Mary must have been pretty hungry). Benjamin said it was a great dance and a great song. She has it all: Performance driven by so much passion which is most important.
Dancer: Audrey All-Star:Stephen ‘tWitch’ Boss (Season 4; one of my favorite all-stars) Style: Hip hop Choreographer: Dave Scott Song: “Sincerely, Jane” by Janelle Monae Necessary Story: A couple of 400 years bond together by love and hate. I’m already thinking “Dark Shadows.”
My thoughts: Audrey was worried she wasn’t going to keep up with tWitch and while he definitely owned the stage, she held her own. I kept thinking she reminded me of a particular actress and Nigel named her. That routine was a lot of fun.
The judges: Benjamin thought she did well. He felt it was unfair to have tWitch, but he wanted more from her, to shine of her own accord. He wanted her not to be afraid. Mary thought it was a great comical number and very entertaining. She was watching Audrey the whole time. She thought it synchronized well and she loved the groove. She called Audrey a dance angel. Nigel agreed with Benjamin. He wanted her to be more like Helena Bonham Carter (Tim Burton’s wife) and get a little crazy like she is.
My Favorites Tonight
For the girls, in this order: Eliana, Audrey, Lindsay, Tiffany, Witney
For the guys, in this order: Will, Cyrus, Chehon, Cole, George
Eliminations
They are only going with the bottom 2 this week. For the girls it is Witney (who did the bench routine last week) and Audrey (who did the flowers routine). For the boys, it is Chehon (who did the bench routine) and George (who did the Hometown Glory routine last week). And of course the audience wants to see solos; there is still 20 minutes left in the show.
Witney: Song: “You’ll Find A Way (Switch and Sinden Remix)” by Santigold. I don’t know. Witney is starting to get on my nerves. There was too much self-worship and too much hair (what they tell the people who are auditioning NOT to do).
Audrey: Song: “And I Am Telling You I’m Not Going” by Jennifer Holliday. I LOVE her song choice. I don’t know if that was deliberate but there is a touch of rebellion in her that I like. Her technique in her solo was better than Witney’s, but I did start to see the same moves over and over.
Chehon: Song: “Til Enda” by Olafur Arnalds (Commissioned by Wayne McGregor/Random Dance). His technique is….whoa. I know…profound review.
George: Song: “Brotsjor” by Olafur Arnalds (that’s kind of funny; did they plan that?) It was great, too. A mix of ballet and contemporary.
My going-home picks were Witney (because she seems to have hit a plateau). And for the guys, I think they are going to take George’s blah performance tonight into account.
After the LA Dance Project performed (Song: “Trio” by Nico Muhly), the people going home were announced. Nigel said the decision tonight was not unanimous (I think he meant for the girls), but Audrey was going home. Did you see Witney’s face? I really do not like this young lady any more. She had this smirk on her face–it reminded me of a pageant girl who pretends that she is shocked but not shocked. I do not like people like that. My opinion of her just tanked. For the guys, it will be George who is leaving us tonight.
Predictions for Next Week
Based on tonight’s performances, I think Witney and Tiffany will be in the bottom 2 (Witney because of her performance, but Tiffany because she was closer to the beginning of the show and people have short memories). For the guys, Chehon and Cole because of their performance issues.
This is my 100th blog post since moving to this site. Exciting, yes? I had a fabulous trip to New York and will have some blogs, including my moving trip to the 9/11 Memorial Site.
I know. I’m very late with this review. I was behind before I went on vacation and I’m even further behind now that I am back. Tonight the top 14 faced a third elimination. The dancers had two weeks off. The Olympics gave my DVR a break from exploding from overuse. Tonight two very special judges were in town after performing for the Dizzyfeet Foundation’s National Dance Day gala, Michael Nunn and Billy Trevitt of The BalletBoyz from the UK. While the show was away, Tabitha and Napoleon welcomed their son, London Riley D’Umo, into the world. Of note, someone on Facebook has been pretending to be them, but this is the legitimate Facebook page for them, and you can see pictures of the baby on there. Congratulations!
Tonight’s show would see the return of our favorite Mia Michaels’ routines. Mia Michaels and Travis Wall are my favorite contemporary choreographers on So You Think You Can Dance. They seem to be able to tap into the emotional center of my brain that leaves the deepest, long-lasting impressions. Whether it be chills or tears, I have never forgotten the original dances.
Mary and Nigel will be bringing bias to the table tonight since they were present for the original Mia choreography where Billy and Michael would be bringing a fresh perspective, judging the dances on tonight’s performances alone.
The opening group number showed us a new dance from Mia. The song was “Hanging On” by Active Child. Was this the first group CPR by our dancers? I could feel the power of the fine line between life and death, although I could see where it could also be the symbolism of the life and death of a relationship on a more simple level. I also hoped those roses were de-thorned.
Dancers: Cyrus and Eliana Inspired Dances: Cyrus had been inspired by Brian Gaynor’s audition. Brian is now one of Cyrus’ roommates at Dragon House. Eliana’s inspiration was Wade Robson’s Peace Dance with 10 dancers interpreting the same movement. Mia’s Dance: The Door Dance originally performed by tWitch and Katee Shean Song: “Mercy” by Duffy
My thoughts: Cyrus’ and Eliana’s kiss looked “icky” and not full of hot passion. Cyrus was able to ignite his own locking/popping style that made it stand apart from tWitch. I would never believe that Eliana is a ballet dancer because she was that awesome at contemporary.
The judges: Nigel pointed out Cyrus bringing out his own flair but also that he needs to drop the tension in his shoulders. Eliana showed us that she is great at creating these characters because ballet dancers usually focus on technique first and character second. Mary said Eliana was “swagger-welcious” and that Cyrus brought his own swagger to the group. Michael said they were strong performers. Eliana would have him begging for mercy for sure and there was a good use of props. Billy said that something that should not have worked did work fantastically.
Next we saw some clips of National Dance Day and how much it was spreading globally.
Dancers: George and Tiffany Inspired Dances: For George it was Wade Robinson’s Ramalama group dance from season 2. For Tiffany it was when Ellen was on the other side of the door on Mia’s door dance and moving into the tWitch/Alex Wong “Out of Your Mind” dance. She hopes to be on The Ellen Show. Mia’s Dance: The Hometown Glory dance originally performed by Katee Shean and Joshua Allen in Season 4. Song: “Hometown Glory” by Adele
My thoughts: I had chills from the beginning. It was phenomenal. I know it was only two dances so far tonight, but this one became my favorite of the night (until the last routine).
The judges: Mary felt like we needed to call 911 because we witnessed a murder this evening on stage. She thought it was phenomenal, that Tiffany was soft when she needed to be and powerful when that was needed. The assisted lift was perfect (my note–did she mean the assisted run?) She said George elevated the role today. Michael felt like it had fantastic energy. It was a great match up to each other. Tiffany got so into character, but maybe too much because she didn’t look like she needed any help whatsoever from George in the assisted run and that was the point (she needed to be lifted). He felt like she needed to pull it back a bit. Nigel felt like we finally saw the best from George this evening. Tiffany over-egged the pudding, but would prefer that and trying to calm it down, versus not giving enough energy and having to ramp it up.
Dancers: Will and Amelia Inspired Dances: For Will it was the group routine where Nigel got kidnapped in season 4. For Amelia it was Melanie and Neal’s routine “Total Eclipse of the Heart.” Mia’s Dance: The Butt Dance made famous by Evan Kasprzak and Randy Evans. Interestingly, Amelia seemed surprised, but there is a French feel for it and her audition was French-inspired. Mia was probably remembering that when this routine was assigned. Amelia looked like she might feel uncomfortable with everyone looking at her butt for the evening. Song: “Koop Island Blues” by Koop
My thoughts: While it might be technically challenging and does elicit an emotional response from me, it was not goosebumps. I could feel Amelia’s discomfort at the thought of everyone looking at her butt. There was a height difference, too. Evan and Randy were shorter. Also Evan’s Broadway experience allowed him to shine the character more than Will’s contemporary background. Please also see my notes after hearing what Nigel had to say. George and Tiffany’s routine still my favorite at this point.
The judges: Nigel felt that Will was trying to bring the character out. He said Amelia needed to bring more character. He noticed that she was looking at the floor much of the routine. At this point, that comment from Nigel made me feel like, “Yeah, do you think so?” Perhaps knowing everyone was looking at her butt made her a little self-conscious and perhaps psyched her out a bit. The first thing Nigel said was that he had Randy’s butt in his mind for the last 3 years! I like Nigel but that is a little creepy. Even the most seasoned dancer would have felt weird hearing that. Mary liked it. Felt it was too big and maybe the character needed to be pulled back more. Was Will entranced by Amelia’s butt? Absolutely. She also felt that Amelia maybe looking down at the floor was her attempt at being coy. Having nothing to compare it to, Billy felt it was very strong, musical, and endearing. Both dancers were wonderfully in character. There were moments when subtlety would have been good, but it overall was great.
Dancers: Janelle and Dareian Inspired Dances: For Janelle, it was the Mark Kanemura and Chelsie Hightower’s “Bleeding Love” routine. For Dareian, it was Kent and Neal’s Season 7 routine by Travis Wall “In The End” routine. Mia’s Routine: The “bed” routine done by tWitch and Kherington Payne Song: “Dreaming With a Broken Heart” by John Mayer
My thoughts: This might be their strongest routine yet, but I did not have chills, the kind I got seeing the original. They might be bringing their A-game too late.
The judges: Michael thought it was “wow!” The choreography and the ideas about it were wonderful. He was worried about Dareian’s lines. If he gets over that hurdle, he’s got it. Janelle had a great performance but he found himself looking at her hair oddly rather than the choreography. He did not know why but he just did. Billy said that it was difficult or Janelle because the movement is all about Dareian and not her, but they did well. Nigel said this was Mia Michaels at her best. For Dareian it was the first time he felt personality out of him and Nigel felt what Dareian was feeling. Janelle is at her best when he can see Janelle’s eyes smiling and her hips moving. She did not stand out tonight. Dareian’s technique was stronger than the original done by tWitch. Mary agrees with the comment on technique. There was no passion and at the end felt that it was overacted by Janelle. Dareian needs to fix his feet.
Dancers: Audrey and Matthew Inspired Dances: For Audrey it was season 1’s Brian Friedman’s disco routine performed by Melody Lacayanga and Nick Lazzarini. (I did not watch season 1 of this show). For Matthew it was the 80’s jazz piece in season 7 by Ade Torbert and Lauren Froderman. Mia’s Dance: The loss of Mia’s father and the reunion in heaven originally performed By Lacey Schwimmer and Neil Haskell. Song: “Time” by Billy Porter
My thoughts: I thought Matthew was the star in this piece. Just watching the “making of/behind the scenes practice” brought tears to my eyes, but watching Mathew at the beginning where he smiles at first seeing his daughter (Audrey) and then the breath he took was he first caught sight of her had me in tears. Audrey was great, too, but I was watching Matthew more. They were able to make the transition I thought between the chemistry of a couple in love from previous weeks to the energy of a father and daughter. My new favorite of the night. I was a little shocked at what the judges had to say about Matthew, so after hearing their comments I watched it again and I could see some of what they were saying that he could have been more playful, but I think their comments were a bit too harsh.
The judges: Mary was very emotional, sharing that when Mia originally choreographed the song that Mary’s father had been diagnosed with lung cancer and the song gave her courage to take leave from her business to go be with her father in those final times. Mary, however, did not feel the passion or truth in this piece tonight from Matthew. She thought Audrey was the shining star. Billy said there were amazing things from Audrey and the first pirouette was flawless. He felt Matthew needed to disguise the effort of the dancing that weighed into it. Nigel felt that when Neil did the dance, it showed the playful man that Mia’s father was, that Matthew needed to bring fun into Audrey’s life. He felt Matthew was a little too focused on the dance steps rather than being a dad joined up with his daughter. That character that was needed did not come across.
Dancers: Witney and Chehon Inspired Dances: For Chehon it was Melanie Moore’s Atlanta audition. For Witney it was “Danielle’s” audition in S4 (that turned out to be Travis Wall in drag). Mia’s Dance: The bench routine performed by Season 2 Travis Wall and Heidi Groskreutz Song: “Calling You” by Celine Dion
My thoughts: It was hard for a ballet dancer like Chehon to move into a contemporary style that requires him to loosening up a little. Regardless I still got chills when Chehon was lying on the bench with Witney under it. Not as good as Heidi and Travis’ routine, but that is some hard competition to live up to. They did a good job, but this dance is so iconic and it was TRAVIS WALL.
The judges: Nigel was pleased. He felt the passion came across. He also explained what the dance was about. Apparently Mia was in love with a gay man who was not going to be able to return the same kind of love to her. Mary felt they pulled it off. She wants Chehon to let go a bit more. She thought Witney was “wow” and was remarkable tonight. Michael asked Witney is she was a Salt Lake City girl, and said that Salt Lake is a fantastic place for dance (without really commenting on Witney’s dance tonight). He told Chehon he always had a job with The BalletBoyz if he ever wanted one.
Dancers: Lindsay and Cole Inspired Dances: For Cole, it was Mark Kanemura in Season 4. They are friends and are from the same dance studio. Lindsay was inspired was Travis Wall and Benji Schwimmer’s nerd dance on the finale of season 2. Mia’s Dance: The “Addiction” routine originally performed by Kupono Aweau and Kayla Radomski in season 5. Song: “Gravity” by Sara Bareilles
My thoughts: Cole was spectacular. This was indeed my favorite routine of the night. When he ran his lips up her leg in a gesture of him “the addiction” consuming the whole of her, I got chills. Lindsay did a great job, too, but Cole was mesmerizing in his robotic-like movements.
The judges: Billy was impressed. Both have versatility in bucket loads, something that is needed for the business. Mary said this was the best performance from both of them. Kupono was a bit more sinister, but Cole was a quirky kind of demented, but it worked. Lindsay was amazing. Nigel said they came out on top tonight of everyone. Cole’s performance was quite chilling.
Eliminations
George, Dareian and Matthew are in the bottom 3 for the guys and Amelia, Janelle and Lindsay are in the bottom 3 for the girls. The judges wanted to see all of them perform solos before they made their decisions.
Amelia danced to “Falling Slowly” by Glen Hansard and Marketa Irglova. I prefer Kris Allen’s version. It does not look like she is dancing for her life. Janelle did a belly dance routine to “Inta Omri” by Elie Attieh and she, too, does not look like she wants it. It was fun but there was nothing remarkable or stand-out about it. Lindsay did a dance to “Hip Hip Chin Chin”by Club des Belugas. I felt like out of the three girls she wanted it more and I think her routine with Cole tonight is likely to save her.
The guys looked more poised to fight for their spots. George danced to “So Long, Lonesome” by Exploding in the Sky. He really wants it. There is something about George that reminds me of the painter Thomas Kinkade. When George dances, he lights up the stage. Dareian came out fighting, dancing to “It’s a Man’s Man’s Man’s World” by Joshua Ledet. Unfortunately he has underperformed his peers most of the season and has not made a real connection with the audience. Matthew danced to “Delicate” by Damien Rice. Out of the three guys, I was not so sure he wanted that spot so badly, like he had written it off that it would not be his. But out of the three guys, I think they’ll put George through.
Nigel said the judges would save Lindsay mostly because of her performance in tonight’s routines. For the boys, they would save George. Dareian really needed to fix his feet and they felt Matthew was not connecting with the audience (I would disagree with them on that).
As a personal note, I think that Cyrus, as much as I adore him, should have been up there instead of Matthew because he has been getting by without a great technique, but it is about America’s favorite dancers, not the “best” technical dancer. Next week the couples will be broken up and they will be paired with all-stars from previous seasons.
Who will go home this week based on their performances on Wednesday? I think Cyrus should be in the bottom 2 and maybe Will is in trouble. Witney and Audrey might be in the bottom 2 for the girls. The voting is going to get more difficult. I am looking forward to seeing Eliana paired with an all-star. She, I think, is the most underappreciated dancer in the show. It’s time for her to have a moment in the sun.
So You Think You Can Dance — Top 20 Dance for a Third Time
I don’t know about you, but this entire format this year has me very confused. Why the change? The first week traditionally has been for us to meet the Top 20 and get a chance to see them dance. Then the second week, traditionally the top 20 dance, we vote, and then the next day, the 3 people with the lowest votes in the girls and the guys get to dance for their lives and the judges choose who is going home. However, the second week, the top 20 danced, and then there was no show the next day. When I heard they would tell who was going home the next week, I thought to myself, okay, so they are going to make us vote again, give the Top 20 a third week to dance so we could thoroughly enjoy them, get to know them, etc., and then on the next-day show, they will add the two weeks’ votes together, and continue on. However, that was not the case. The top 20 danced, but based on the votes, based on what they saw this week and last week, and with additional input from the choreographers from this week and last week decided who was leaving tonight. Nigel reminded us that they were not “voting people” off, but rather sending home the people who did not receive the most votes. Personally it is a game of semantics–like is the cup half empty or half full. I inquired with my OFFICIALFOXVIP contacts if this was just a one-time thing because of scheduling difficulty with the other shows and apparently this is the way they are doing it this year. On one hand, it makes it better for me because trying to type up a blog on Wednesday night before the Thursday show is very difficult. On the other hand, it seems kind of cruel to the dancers. They do not know if their previous week’s dance is going to put them in the bottom 3, and that will translate in the dances they perform on Wednesday night, which in turn will turn into the votes they get for that dance and whether or not they are in the bottom 3 the following week. It sounds like a mind game. I know Nigel Lythgoe is not like that, and I do not know if it was a demand of the network, but I do not like it.
Having said, that, let’s get on with the performances this week. We had Adam Shankman, guest judge, on tonight and the barrage of funny plugs for “Step-Up Revolution.” The group dance was choreographed by Tabitha and Napoleon D’Umo to the song: “The Beautiful People (District 78 Remix)by Marilyn Manson. I started having déjà vu. Didn’t we see a song choreographed to this song before? I looked it up and turns out I was right. Comfort Fedoke and Chris Jarosz performed to it, choreographed by Tyce Diorio, in week 3 of season 4, in 2008. See a YouTube clip from the episode.
Even though it was a repeat, the dance was slightly different and it was zombie-esque (I like the word “esque” lately) and had hints of the Thriller dance.
The show opens and Adam thinks Cat is like a big sexy tomato. Cat invites him to take a bite. I love when Adam Shankman is on. He has the BEST lines.
Dancers: Cole and Lindsay Choreographer:Christopher Scott Song: “Teeth” by Lady Gaga
My thoughts: It was a lot of fun. Cole was great and definitely played the nerd wonderfully, keeping in character throughout the judges’ critique. Was Lindsay a nerd’s dream or did the nitrous oxide do things to Cole’s head? What a happy gaseous delusion! Christopher Scott’s routines are kind of hit or miss for me. There are either brilliant, or seemingly hastily put together.
The judges: Adam thought the American Dental Association should adopt the routine. Cole was freaking him out (in a good way). He thought Lindsay was holding her sex kitten in and needed to really attack it. Nigel certainly thought it was incentive for Great Britain to go to the dentist. He felt it was a bit immature. He thought Lindsay was playing to the audience and not to Cole. Mary said the routine put a smile on her face. She felt Lindsay needed to be vampier. Part of the show is acting and she will need to bring that. Cole is a lean, mean dancing machine.
Dancers: Amelia and Will Choreographer: Sonya Tayeh Song: “3326” by Olafor Arnalds Story: Two souls are carrying the weight of the world on their shoulders. They are searching for the light at the end of the tunnel.
My thoughts: I could feel that weight and the oppression of their souls. I had goosebumps, the first tonight. They had stunning lines. Amelia and Will have great chemistry. In this dance, they moved as one. WOW! It was my favorite routine of the night.
The judges: Mary screamed: “OOOOOOOO!” Sonya was right on top tonight with this beautiful routine. Will and Amelia brought it to life. Will was rising to the occasion. They have gone another floor up in her eyes. Adam gave them a standing ovation. Of Amelia, he said he was completely lost in the piece and it took him on a journey. Will 1,000,000% “Stepped it up” (movie plug). It was brilliant. Nigel said that not only had Travis grown, but Sonya, too, has show tremendous growth on the show since she joined. She said Amelia was great a great, quirky dancer. Both Will and Amelia were absolutely brilliant dancers.
My thoughts: My eyes were drawn to Amber immediately and not because of her red dress. There is one spot where she almost looked at the audience and lost her character. There was a lot of hard footwork being performed by both Nick and Amber. It was intense.
The judges: Adam thought it was hot. Amber was spectacular, a fire-breathing dragon. Nick was a brilliant partner but he vanished a bit. Nigel thought Amber made herself look good, a cobra ready to pounce. Nick was very strong and it showed. Mary said it was a difficult routine. Nick and Amber made it not look like work. Amber was a fire out there and she was in awe. She gave a “hats-off” to Nick; he did great.
Dancers: Audrey and Matt Choreographer: Sonya Tayeh Song: “Hear Me Now” (Dri, Lind and Lukka Mix) by Steed Lord Story: The robotic struggle between men and women
My thoughts: It was hard hitting and angry. You could feel the struggle. It was my second favorite routine of the evening. These two have great chemistry together and are superior dancers.
The judges: Nigel loves the “stank steps.” They were incredible and are one of America’s favorite couples. Mary said they, too, were one of her favorite couples, and quite the dynamic duo. They maximized everything. One of her favorite routines tonight. Adam said tonight belongs to Sonya. Audrey was “friggin brilliant.” He told Matt if he kept it up like that, it was his competition to lose. It was amazing and for them to stay in the zone.
Dancers: Dareian and Janelle Choreographer: Christopher Scott Song: “My Girl” by The Temptations Story: A wedding proposal
My thoughts: It was the first kiss of the season, which promptly some fun from the judges, more fun than this routine unfortunately. Mary said she was not getting into this kissing thing this season, so Adam fake-kissed Nigel. It was fantastic. This routine did nothing for me. Dareian was the stronger dancer of the two, however. I think Christopher Scott did not do such a great job tonight with his choreography. Maybe he is the type that needs awhile to prepare, to think things out. He needs to learn how to Twitter-up his dance routines. Less than 140 characters but strong thoughts that resonate with people.
The judges: Adam felt Dareian was more invested than Janelle. Nigel said that so much depends on the choreography and it was a little uninspiring. Both are better dancers but they have to bring it, too, as Adam pointed out. Mary said the routine was sweet and it was just okay.
Dancers: Brandon and Janaya Choreographer: Sean Cheesman Song: “Bring On The Men (From Jekyll & Hyde: The Gothic Musical Thriller) by Linda Eder Style: Broadway — Hot romance book gets the girl frisky
My thoughts: It was a very fun routine with high energy. Some of the moves were great. Sean Cheesman is another “hit or miss” choreographer for me, but this one, I liked.
The judges: He felt like Brandon “stepped it up” (movie plug). Janaya’s lines were great and she played the crowd. Nigel thought it was brilliant Broadway and agreed with Adam. Janaya brought something this week that she did not have last week. Mary thought it was the most entertaining routine of the night. The stepper (Brandon) was “stepping it up” tonight with energy. Great acting from Brandon and Janaya was amazing. Cat thought it was fearless.
Dancers: Cyrus and Eliana Choreographers:Melaine LaPatin and Tony Meredith Song: “I’m Shakin'” by Jack White Style: Jive
My thoughts: I am a huge fan of Cyrus. He brings his personality and enthusiasm to every dance; however, his lack of technique is beginning to show in a big way. Eliana is always wonderful. The routine was lively. Cyrus tries so hard and I am so proud of him.
The judges: Mary said Cyrus’ feet were not quite right, that his posture goes in and out. He is doing great partnership. Her star is still showing for Eliana. She is a phenomenal dancer. She was cookin’. Adam said that he was amazed Cyrus got through it. Eliana was the hardest working woman tonight. Nigel said that at some time Cyrus will hit a brick wall. Cyrus has to connect the dots and needs to fill in the blank spaces. Eliana has a tough job with Cyrus. She has to compensate a great deal for Cyrus’ lack of knowledge.
Dancers: Alexa and Daniel Choreographer: Dee Caspary Song: “So Long My Friend” by Yanni Additional info: The bath tub is the water drowning the words.
My thoughts: They are good technical dancers. They did much better this week, but I really hated last week’s piece. However, by the end of the song, I realize the chemistry really is not there. I don’t know what exactly it is. Is Alexa shutting off her heart again to protect it like she did in Vegas because she does not want to fail, thus really fulfilling her own destiny with her thoughts? Do she and Daniel not have any chemistry off screen? I hoped the title of the song was not going to be their ironic fate. I loved the blue outfit that resembled the water. It was beautiful.
The judges: Adam complimented Dee on a beautiful routine. He told Alexa and Daniel although it was beautiful it was a bit chilly. He is not sure exactly what was missing. It was missing the passion. They were not connecting. Mary agreed with Adam. There is no chemistry between the two of them. Nigel said it was danced brilliantly but there is no chemistry.
Dancers: Tiffany and George Choreographers: Melanie LaPatin and Tony Meredith Style: Foxtrot Song: “I Want To Be Loved by You” by Sinead O’Connor
My thoughts: Sinead O’Connor? Really? That was the biggest surprise to me. I suppose I have not kept up on her career. It was my third favorite routine this evening. My eyes were drawn to George, but they did a tremendous job. I love George’s energy; it is always happy and calm. He is such a smooth operator. I also loved her costume.
The judges: Mary thought Tiffany did everything perfectly. Adam was madly in love with it. It reminded him of Fred and Ginger. They “stepped up” (movie plug) to a whole new level. It was “in-freaking-credible.” Nigel they could be the “Opening Act” for anybody. They should be a lesson to every couple on the show.
Dancers: Witney and Chehon Choreographer: Nakul Dev Mahajan Song: “Tandav Music” by Aatish Kapadia Style: Bollywood of course
My thoughts: It was high energy. Bollywood has to be one of the toughest dances out there, especially because of the hand moves, but also it requires a great deal of stamina and strength. Chehon did the better job of the two. Nakul looked so proud of them. I would not have known Chehon was a ballet dancer tonight. He took the constructive criticism he received last week and applied it.
The judges: Adam said it was the first time he saw joy in Chehon. Witney needed to extend her neck. He still felt chemistry between them even though they were apart during the dance. Mary said it was so much better this week for Chehon and that he was on fire tonight. Nigel thought Chehon was fantastic. He cannot believe that Witney was doing knee turns. He also noticed with khattak in the dance routine.
The Results From Last Week
Based on last week’s votes, Janaya, Alexa, and Witney were in the bottom 3 for the girls. When the camera flashed to Alexa, she knows she is leaving. She looks down and cannot smile. Janaya and Witney are there with their chins up and smiles on their faces. The bottom 3 guys were Nick, Daniel and Chehon. Nigel said that the votes were for people America liked, but they have to stay unemotional about their decision. They were the best 20 dancers across this season. After talking to the choreographers, seeing them dance this week and last, they were saving Chehon and Witney. I imagine the Bollywood routine helped to save them.
Speak Out and Step Up (movie plug): What do you think of the decisions this week? What do you think of this new format? Let us know!
Note: I’m headed to New York on Thursday. Since it takes me about 4-6 hours to get this blog done, I do not think I’ll be able to do a detailed blog and pack Wednesday night. I’ll try to get something up, although it likely will not be in this regular format. I appreciate your support for this blog. I’d love to get more comments on it and have a discussion.
So You Think You Can Dance — Season 9 — Top 20 Revealed and Performance Show
What a great night to not only celebrate the 200th episode of So You Think You Can Dance, but to also welcome back the magnificent Mia Michaels. Cat Deeley looked particularly stunning this evening as she opened the show. Nigel Lythgoe announced that there would be two winners this season: One from the girls and one from the guys. On the judges panel this evening where our regulars, Nigel Lythgoe and Mary Murphy, and guest judge is adorkable Zooey Deschanel from Fox’s hit show “New Girl.”
Learning Their Fate — Whittling down 35 to the Top 20
People who are in: The first 3 people receiving a yes from the judges were Alexa Alexander, George Lawrence II and Will Thomas. Amber Jackson who had auditioned in season 6, got to the Green Mile, did not make it, auditioned again, and did not even get that far, and said she would not audition again was through. She had grown a great deal emotionally and came back. Perseverance and a positive attitude paid off well for her. After a fake out that made Lindsay think she was out, Witney Carson and friend Lindsay Arnold were both in. Nick Bloxson-Carson also won a spot. Daniel Baker, who had left his job in the San Francisco Ballet and Chehon Wespi-Tschopp who left his job in New York City, both were in. Eliana Girard in her blue-suede shoes and bubbly personality was also on the show. Both Tiffany Maher and Audrey Case went in together. Debbie Allen said she was almost invisible but then she pushed her way to the front. As Tiffany receives a yes, Audrey looks worried. Adam Shankman breaks the news that she made it as well. She cannot believe it and asks, “Wait….are you sure?” She goes and calls her mom. Janelle Issis also was in disbelief as Adam welcomed her into the top 20. Adam said, “Honey, OWN this. You’re the first belly dancer in the top 20.” Janelle is a bit accident prone. She smacked her nose going back through the door to the waiting area and was ill this evening and told not to dance in the performance show. Mary Murphy did a silly version of Simon Says with Ryan-Gosling-look-alike Matthew Kazmierczak with which he readily complied and then received a yes. Dareian Kujawa told the panel he was working on his feet positioning, but they are like brutes. Lil’C tells him to keep working on that because he is in to the top 20. Janaya French moved to Los Angeles after she Vegas week and has had some highs and lows. She is through. After telling the last two girls that they were looking for star quality this year, Tyce Diorio informed Amelia Lowe she was put through as the final female contestant. Mary was telling Cole Horibe about hills and valleys in a dancer’s life and compliments him on his uniqueness. She sees no valleys for him–he is put through to the top 20. Namaste, Cole. Stepper Brandon Mitchell joined the top 20. Cyrus “Glitch” Spencer, who struggled with choreography in Vegas, but always had a great attitude, showed an ability to adapt quickly, and has that special “it” factor. Not only does he radiate this wonderful energy, but he has quite the fan base in America. Even though his dancing might not be up to par with some of the others, his personality will take him far. Nigel commented that he has “never seen anybody like Cyrus in my entire life.”
People who are out: I was surprised by the no given to Megan Branch. She was really good, but they are looking for variety. Abigail Ruz, Kaitlynn Edgar, Katie Muth, and Rebecca Hart were encouraged to come back next year. Sadly, Joshua Alexander was a no this season. No one can really know if the trip to the emergency room that stopped him from performing his final solo became a factor. They insisted Joshua return next season and I hope he does as well. He is a tremendous dancer. They also passed this year on Blake Zelesnikar, Jasmine Mason, and Daniel Kermidas. Jill Johnson, who went into the judges’ room together with Amelia Lowe, was sent home. Tappers did not fare well this season, sending Aaron Turner and Zack Everheart home. Going into the judges’ room with Brandon Mitchell was Devon McCullough. Adam said they would see Devon next year. With Cyrus in, that meant that Feliciano Turk, who had wonderful moments in Vegas, was out.
Dance #1
Dancers: Alexa, George, Will, Amber Song:“We Found Love (BBC Radio 1 Live Lounge)” by JessieJ Choreographer: Tyce Diorio
My thoughts: They had great expression, reach, lines, timing, partnering. They blended and complimented each other with a very fluid flow. I got goosebumps (and if you haven’t read my blog before, my goosebumps never lie) towards the end.
The Judges: Nigel gave constructive criticism to Will about keeping up with the shorter dancers. He had encouraging words for Alexa and Amber. To George, Nigel said that if every light in the studio went out, he would still shine. Mary complimented Will’s partnering skills. She complimented Alexa on dealing with her demons. George’s leaps were phenomenal and Amber shed her emotional baggage. Zooey complimented the team work; she could not wait to see more.
Dance #2
Dancers: Witney, Lindsay and Nick Song:“Dance Again” by Jennifer Lopez featuring Pitbull Choreographer:Jason Gilkison
My thoughts: It had great energy and great partnering. It didn’t floor me (sorry).
The judges: Mary gave a “woo” that sounded like the train was still in the station and not the hot tamale train that was moving. Zooey said the girls looked like twins and were incredible. Nick kept up with them as well.
Dance #3
Dancers: Daniel, Chehon, and Eliana Song:“Romantic Inclinations/Like a Shot/Fury” by P. Mottram/S. Everitt/G Shadid, T. Marberger Choreographer: Desmond Richardson and Dwight Rhoden
My thoughts: Goosebumps, but not the entire song. It looked like at times the boys were flinching when they got too close to Eliana, and then when the judges were commenting, it was apparent that the costume was inflicting wounds on them. Boo to the costuming department on that one.
The judges: Nigel commented the boys on their bravery at leaving paying jobs to come to the show. He also complimented Eliana on her classical skills. Mary called Eliana a ballet warrior. Mary went from “wow” or “woo” in her hot-tamale-train voice but her train whistle did not sound like it was quite fully on the train.
Dance #4
Dancers: Audrey and Tiffany (Janelle was out per doctor’s orders) Song:“Sail” by AWOLNATION Choreographer:Sonya Tayeh (assisted by Season 8 winner Melanie Moore)
My thoughts: Audrey and Tiffany had great timing, wonderful warrior spirit and great team work. It did not give me the goosebumps though.
The judges: Zooey said they made an amazing, great pair. The choreography was incredible. Tiffany was very strong and Audrey was graceful, which made for a good pairing. Nigel said that they looked like Pebbles (of the Flintstones) dancing.
Dance #5
Dancers: Dareian, Amelia, Janaya, and Matthew Song:“Modern Drift” by Efterklang Choreographer: Stacey Tookey
My thoughts: My eyes were fixed on Amelia. She reminded me of my favorite from last season, Melanie Moore, especially in the jump into Dareian’s arms.
The judges: Zooey thought it was delicate and beautiful, like watching a painting move. Amelia shines like she irradiates light. Mary gave accolades to Stacy Tookey for the routine. She said Dareian had great strength, power and partnering. Amelia was fabulous. Janaya was not on their radar at first, but she is “now out of that radar.” I think Mary meant to say she was now ON their radar. Mary still loves Matthew.
Dance #6
Dancers: Brandon, Cole, Cyrus Song:“Resolve” by Nathan Lanier Choreographer:Christopher Scott (and Marko Germar said on Twitter he assisted in this routine)
My thoughts: I loved the baseball voiceover using their real names. Very clever, very inventive. It was a fantastic idea for a routine especially with the baseball all-stars game coming up on Fox. Christopher Scott did a wonderful job highlight each one of their strengths but blended with perfection. I did not get chills but I enjoyed it immensely.
The judges: Cat Deeley said she had the first chills of the season (I know she is not a judge but I love her as a host). Nigel commented that in front of them was a stepper, an animator and a martial artist and that they complimented each other, and complimented Christopher for highlighting each one of their strengths. Mary said they “hit it out of the ballpark with that one.”
Dance #7
Dancers: The girls Song: “Where The Light Gets In” by Sennen Choreographer: Travis Wall Story: The door is the gateway to the afterlife.
My thoughts: Travis Wall’s choreography always seems to elicit a deep emotional response from me, much like Mia Michaels. It was like watching angels dancing on the plane of existence between the two worlds. I got goosebumps about halfway in and had tears in my eyes by the end of the routine.
The judges: Nigel said it was like frieze on a Greek vase and complimented Travis on his growth since being a contestant on SYTYCD. Zooey said it was a beautiful routine for beautiful girls. Cat mentioned the word “ethereal.”
Dance #8
Dancers: The boys Song: “Precognition (Steed Lord Machine Mix)” by Steed Lord Choreographer: Sonya Tayeh Story: They had to fight to win on the show. During the footage of learning the routine, she said having this group is like releasing the wolves to the masses (and I instantly pictured “Twilight”). She wants them to be exposed physically to expose the inner man. Brandon was comfortable with the male-male partnering ’cause he “likes the ladies.”
My thoughts: Each group of guys got to show their strengths but it did not illicit an emotional response from me like the girls did. I definitely did not like the high-waisted costumes. The guys looked very uncomfortable in them.
The judges: Nigel does not like the pants either (called them maternity pants). He chuckles at Will because he is not as buff as the other guys. The routine was athletic, gymnastic and strong, and the boys had to be that way now. Mary enjoyed George’s assisted lift. She loved the routine and thought the guys were great. Zooey would love to join in with them, and the boys were encouraging her to come up and do so. She thought it was all fantastic.
Dance #9
Dancers: The top 20 Song: “Eyes (Coachella Live 2012 Version)” by Kaskade Choreographer: MIA MICHAELS IS BACK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
My thoughts: I love Mia and have missed her being on the show. I got goosebumps when they moved their sunglasses off their eyes onto their heads right at the part of the show that said, “look into my eyes.” Eyes are the window into a person’s soul. The choreography keeps building throughout the entire song. I had goosebumps the entire song. And everyone stepped up.
The judges: Nigel kept it short and sweet, “Welcome home momma; you’ve been missed.”
It was a phenomenal ending to a terrific beginning for the journey of season 9’s top 20. They take a week off for our United States July 4th birthday, and will be back on July 11th.
My Early Favorites (in no particular order and I reserve the right to change my mind at any time)
Guys: Cole Horibe, Cyrus “Glitch” Spencer, Daniel Baker, George Lawrence II, Dareian Kujawa Girls: Amelia Lowe, Janelle Issis, Eliana Gerard, Amber Jackson, Alexa Anderson
Who are yours?
National Dance Day
The third-annual National Dance Day will take place on Saturday, July 28. There is a hip-hop master class with Lauren Gottlieb, Lauren Froderman, and Brandon Bryant video and a Zumba fitness video for people of all levels with Kass Martin, Gina Grant and SYTYCD All-Stars Allison Holker and Ade Obayomi. That Saturday evening, there will be a Dizzy Feet Foundation Gala at the Dorothy Chandler Pavilion in the Music Center. Desmond Richardson will be performing as will Alvin Ailey, American Ballet Theater, LXD, and the All-Stars from SYTYCD (past and present). Click on the logos below to learn more.
Tonight viewers were in for a special treat. Travis Wall, previous contestant on So You Think You Can Dance Season 2 and choreographer for the last few years, was asked to sit in to judge tonight. Is there anywhere Travis does not fit like a hand in a glove? His critiques were deadly accurate with lavish praise for the high points and technical pointers for the weaker points to help the dancers learn. When I heard Carmen Electra was going to judge, I had no idea she had a background in dance. I enjoyed her in “Meet the Spartans.” I loved Cat Deeley’s earrings tonight that had the number 8 on them for season 8.
Tonight we will find out more about the contestants. There are also new choreographers to the show. According to http://www.markmeismer.com, Justin began his training in South Carolina. He was the winner of Star Search and Destination Stardom in Hawaii. In 2001, he worked with the Poz Dance Theater in Seoul, Korea. Soon thereafter he opened a dance company in Dallas, Texas and has been with LA Dance Magic for the past 5 years. Ray Leeper has worked in film and theater and for big names singers such as Cher and Elton John.
Dancers: Boys’ Group Number Song: “Prague” Artist: Damien Rice Choreographer: Justin Giles Story: The seven stages of grief after a breakup: Shock, anger, denial, depression, guilt, bargaining, and acceptance.
It was a beautiful contemporary number. Chris, unfortunately, was off in his timing with the other dancers. Although the judges are not offering critiques, performances in the group number will be taken into consideration for elimination eve. A warm welcome to Justin. I hope we see more of his work on this show.
Dancers: Melanie & Marko Song: “Americano” Artist: Lady Gaga Choreographer: Ray Leeper Style: Jazz Story: Young Latin couple whose families have been fighting like the Hatfield’s and McCoy’s, now run off and want to get married.
Marko had auditioned before but had not won over the judges until this year. He is from Guam and most of his family became lawyers and doctors. There were not many dance opportunities on the island. The one job he had was on a cruise ship and the hazing ritual was dressing up as a girl (in homage to the drag queen show where he was not–and he repeats was NOT–the drag queen). Melanie is from Marietta, Georgia (woo-hoo, my sister lived there for many years), but she left to attend Fordham University in New York City, majoring in art. Her boyfriend, Mitchell, whom she has dated since the 10th grade in high school, came to see her perform last week, the week of the Marko kiss.
There was a moment at the beginning of the dance where I thought, “Oh my” with regards to hand placement. She had to be deadly accurate or risk incapacitating her partner!
Hand placement must be precise!
It was a fantastic way to start the show off on a high note. Cat Deeley says Marko looks like a sexy fireman in that outfit. Travis tells Melanie she is, by far, his favorite dancer in the competition. He also comments that he has been taking Ray’s class since he was 9 years old (great way to make someone feel old, Travis!). Mary loved their passion and heat. I enjoyed this number a great deal. This was Ray’s first appearance on SYTYCD as well and a hearty hello to him as well. Nigel reassures Marko that he is a fan now.
Dancers:Sasha & Alexander Song: “To the Moon” Artist: Miguel Choreographer: Shawn Evaristo Style: Hip-Hop Story: A first date and Alex wants a kiss at the end of the night from Sasha.
Sasha spoke lovingly of her family, especially of her sister and having her sister with her through her journey on SYTYCD. She comes from a large Trinidadian family who now lives in Bakersfield, CA and there is always a party going on–lots of food, drinks, dancing, and singing. It sounds like Sasha’s family knows how to live in the moment and express joy of just being alive. Dancing began for Alexander at the age of 17. Instead of going to college, he was accepted into a ballet school where he fell in love with ballet. He grew up in Alhambra. His father used to be an actor on such shows (that I remember) as Barney Miller, TJ Hooker, Hill Street Blues, shows Alex says he has never heard of. Psssst. Alex. I probably saw your dad at some point on those shows and not on the reruns.
Alex is swagger-challenged. One might say because of the natural of ballet, it is trained out of them because posture has to be perfect, lines have to be straight, etc. However, one day ballet dancer Alex Wong walked into our lives and performed one of the best routines ever in the history of SYTYCD with Twitch, choreographed by Tabitha and Napoleon. Click here to watch. Alex Wong made a bold statement that ballet dancers CAN do hip-hop. Compared to the level of what we’ve seen in the competition thus far, this was below the bar. I think it will put them in danger. Carmen articulated it best when she was not feeling them as a couple. When I see Alex in his natural environment, he seems like a different person than he is on stage. The “ballet face” comes on when he dances on stage and because Sasha is operating from a different point of view, trying to get into whatever character she needs to be, that is where the disconnect is happening.
Dancers: Jordan & Tadd Song: “Nocturne” Artist: Secret Garden Choreographer: Toni Redpath Style: Smooth Jazz Story: Jordan is a siren, a black widow spider of the deep sea.
Jordan’s story brought tears to my eyes as she shared the depth of her family’s sacrifices so she could dance and the level of appreciation she has for it. After seeing the fun side of Jordan, it was moving to see she has a vulnerable side. She hopes that this is a reward for them as well after all they have done. Tadd grew up in Salt Lake City and because of the lack of Filipino culture there when he was young, grew up thinking he was Caucasian. Once he got to meet extended family in San Francisco, California, his world grew much bigger.
Let’s think of Jordan being a siren of dance (not voice, LOL, sorry babe, your talent is in dancing, not singing). I loved the hair extensions; I don’t think I would have recognized her on the street with them. Her costume was beautiful; she did look like a goddess from the sea. Being a hip-hop dancer, Tadd did a super job. His posture was superb; his arms were high. He died well.
Dancers: Clarice & Jess Song: “Light Through the Branches” Artist: Celeste Lear Choreographer: Justin Giles Style: Contemporary Story: A super intense love affair that is coming to an end.
Clarice also appreciates the sacrifices her family has made for her. Although she grew up in Hollywood, California, she now studies dance at California State University at Long Beach. After a long day, she drives her sister to dance and then teaches dance later on after that. Clarice enjoys spending time with her family after a long day. Jess grew up in Little Falls, New Jersey with family members who are also entertainers. Jess’ father was an actor, but is now a teacher. While many of us would like to forget our high school experience, Jess has wonderful memories, being part of all the performing arts clubs.
Clarice is a contemporary dancer and Jess is used to Broadway. My eye was drawn to Clarice during the routine. Jess is growing as a dancer in this area but I would compare his performance to Tadd’s in ballet. Although not his style, he did try to rise to meet the challenge. Unlike Alex and Sasha, Clarice and Jess are developing chemistry between them and that shone through during the routine. In this routine, it demanded that it did or it would have fallen apart. I agree with Travis that it is my favorite routine they have done all season. Carmen and Mary said they felt the anger they were feeling. Maybe that was true in the studio. As a TV viewer, I saw the anger between the two of them, but they did not bring me along for the ride.
Dancers: Ashley & Chris Song: “Mambo Beat” Artist: Tito Puente Choreographer: Liz Lira Style: Salsa Story: None, just fast, lots of tricks, etc.
From Antioch, California, Ashley grew up as the daughter of a deacon, surrounded by music and dance her entire life, her mom being director of the dance program. She loves to cook (perhaps we will see her on a future episode of Masterchef). Chris comes from a large family in Dallas which gives them always something to do and always something to clean. He was diagnosed with dyslexia and credits his parents for him graduating high school because the challenges for him were that difficult.
I understand the choreographers wanting to do a challenging dance, but they also need to take into consideration the level of ability of the dancers. Latin dances need a strong male partner who is sure of himself and Chris even verbalized his awkwardness in this style. I was worried for them seeing the rehearsals. The actual dance was better than rehearsals. You could see Chris thinking all the steps so he could complete the dance without his partner getting hurt, but because of that, the heat was missing. Ashley did a nice job and it was so lovely of her to tell him how proud she was of him as they stood next to Cat Deeley. Sadly, I think this is going to put them in the bottom 3. I’m certain that if this is the case, Chris will be the guy going home because of the comment Nigel said last week about him needing to grow faster, and because of the off-timing in tonight’s group routine.
Dancers: Ryan & Ricky Song: “Fashion” Artist: David Bowie Choreographer: Chucky Klapow Style: Jazz Story: Two members of a cult of fashion. Following what was hot and hip eventually “did them in.” They got hit by a car they were so into themselves they wouldn’t even take the time to look left or right to cross the street. Elaborate story.
Ryan was raised in Morgan Hill, California. She went to Sacramento and got an opportunity to work with Mia Michaels during a convention. Because of economic hardships, Ryan had to give up dancing for awhile. She reunited with Mia Michaels on the “House” episode “Bombshells.” Ricky is from Miami and loves the beach because it allows him to spend time with his family. When he was 15, his mother said they were moving to Tampa (and they made it sound like it was such a horrible thing to happen. I lived in St. Petersburg for a year of my life; Tampa is not a bad place). But apparently there is not a lot of dancing in Tampa (ah, code word for a lot of old people live there). He was not only the first male cheerleader at his new high school, but also became co-captain.
This dance was “Ghouls Gone to Vogue Hell” to the PERFECT song choice. It was so enjoyable. It made me want to learn the steps so I could follow along. How do you judge such a thing? Fun? Check. Did I believe they were zombies? Check. Did I believe they were once fashion icons? Check. When they were required to dance in sync, did they? Check. Bonus points: It was quirky; I adore quirky. They are absolutely safe with this one.
Some trivia about Chucky Klapow. He was one of the main dancers in Michael Jackson’s tour “This Is It” and has been Kenny Ortega’s co-choreographer in the High School Musical movies. Kenny Ortega did a season of judging on SYTYCD. He also choreographed another Fox show, Bones, “The Girl With The Curl.”
Dancers: Caitlynn & Mitchell Song: “To Love You More” Artist: Celine Dion Choreographer: Mandy Moore Style: Contemporary Story: A couple falling in love.
Caitlynn was a tomboy growing up in Moses Lake, Washington and loves engaging in outdoor activities from snowboarding to fishing. Her father works overseas and is home only every other month. Thank goodness she lives in an age where there is Skype and other type of networking; back when I was her age there was two methods of communication: Telephone and snail-mail. Mitchell’s backstory made me cry. His father died when he was 2. When he was 8, he and his mother moved from Chicago to Atlanta and wound up sleeping in their car for a full year. They were homeless. His mother was able to find a job and wanted Mitchell to fulfill his dreams there. His mother is so inspiring. It is so difficult to break out of the cycle of homeless and there is such a horrible stereotype about the face of the homeless, people mischaracterizing the group as lazy, not wanting to work, etc. I know that just is not true and to hear people’s ignorance when they speak of such things irritates me greatly. Mitchell, to his credit, could have turned to a life of drugs or gangs, but did not. It says a lot about his personal character as a mere 8-year-old child. He is such a great role model.
Wait, what? Caitlynn spills secrets that Marko reads romance novels. Too funny.
Remember that Mitchell is still trying to recover from his injury from week 1, but he continues to push through to stay in the competition. Caitlynn has complete trust that he will be there for her as her partner. They have the coveted last spot of the evening, so I’m preparing to be wowed. I love this song and the romantic in me loved this dance. It was my favorite of the evening. I know it is a wonderful dance when I’m breathing with the dancers. It was absolutely PERFECT and Mitchell knows they NAILED it. He is overwhelmed with emotion.
Dancers: The Girls aka “The Beasts” Song: “My Discarded Men” Artist: Eartha Kitt with Bronski Beat Choreographer: Ray Leeper Style: Jazz Story: Seven girlfriends ridding the world of evil men. (Hmm, femme fatales?)
It was a great dance and everyone worked well together as a group. A nice way to end the show.
So based on their dancing tonight, I think Sasha and Alexander and Ashley and Chris are in trouble. But Sasha has a lot of Adam Lambert fans voting, so I’m not sure if they will be in the bottom 3. I’m not sure who the other couple would be. I am certain Chris is going home Thursday night if he is among the bottom 3 males.
Who were your favorites? Who do you think will be in the bottom three?
Pbmom's Blog 