So You Think You Can Dance — S10 — Top 14 to 12

1 08 2013

Opening Number

Song: “Dimman Kryper Sakta In” by District 78
Choreographers: Sonya Tayeh and Dmitry Chaplin

That is a unique pairing of styles! I enjoyed it. It wasn’t my absolute favorite but it was different.

Judges For Tonight

Cat has bad news. Curtis injured his shoulder and the doctors said he cannot perform this week. Nigel, Mary and guest judge Anna Kendrick.

Bottom 6

Jasmine, Alan, Alexis, Curtis, Makenzie, and Nico. Jasmine? Are you friggin’ kidding me America? This is a GROSS injustice. She is one of the top 3 girl dancers! The judges do not want to see any of the guys dance a solo. Makenzie is going back to safety. Jasmine and Alexis are dancing solos. Jasmine is phenomenal, so you know at this point Alexis is going home.

Alexis dances a wonderful tap routine to the song, “Stand By Me” by Ben E. King. She is a wonderful tap dancer. Jasmine dances to “Endangered Species” by Dianne Reeves. She is a force of nature. She is safe. If she is not, then I question the wisdom of the judges.

Couples Dance

Dancers: Jenna & Tucker
Style: Hip-hop
Choreographer: Luther Brown
Song: “Slight Work” by Wale featuring Big Sean

Jenna did a better job than Tucker but I did not like the routine. Personal taste issues. Tucker was too stiff. Jenna was less so but still needed more. The bendover-bottom move will get some votes. Also dance moves that Tucker needed to be tighter and more hard-hitting in fell flat. I was bored. My interest was re-ignited when they went to the platform, but it was short-lived.

The judges: Nigel thought it was unconvincing. Mary agreed but paid them some compliments. Anna thought it was not their strongest but it was a little cute.

Dancers: Alexis and Nico
Style: Contemporary
Choreographer: Sonya Tayeh
Song: “Ashes” by The Bengsons

The story is it is at the point of a relationship where it all falls apart. it was fantastic. Alexis really channeled some intense emotions. I always love Sonya’s routines but it did not elicit goosebumps. I found my eye drawn more to Alexis this time than Nico.

The judges: Mary gave specifics about what she loved and thought it was spectacular. Anna said it was lovely. Nigel felt that Sonya gave them a vehicle to show emotion this week.

Dancers: Hayley and Curtis
Style: Tango
Choreographer: Miriam Larici and Leonardo Barrionuevo
Song: “Estes Es El Rey” by Juan D’Arienzo

The story is that they meet for the first time on the dance floor. Leonardo is subbing for the injured Curtis. And THAT is what it looks like when dancing with the real deal. It was fabulous. Still did not give me goosebumps but I think Curtis really would have had trouble with the lifts even without a shoulder injury.

The judges: Mary was on her feet. Anna felt if she had Hayley’s body just for one day she would be invincible. Nigel felt she nailed it and it was stunning. Mary said it was impressive and gave the more technical descriptions of the dance. Mary wants to be her today too so she could dance with Leonardo.

Dancers: Makenzie and Paul
Style: Jazz
Choreographer: Sonya Tayeh
Song: “You’ll Find a Way (Switch & Sinden Remix) by Santigold

I loved it 5 seconds into the song. I knew then it was going to ooze sexy and sultry and heat and passion. I got my goosebumps on.

The judges: Nigel said they were brilliant. Mary feels the same. She enjoyed every second of it. Anna felt Paul was pulling an MVP and Makenzie was powerful in this.

Dancers: Jasmine and Aaron
Style: Contemporary
Choreographer: Justin Giles
Song: “The District Sleeps Alone Tonight” by Birdy

A piece based on The Giving Tree.” I already have goosebumps and I haven’t even seen the dance yet. I am already welling up with tears in my eyes and they have not started dancing. It is without a doubt my favorite book of all time. It is even more special in that I got to read this book to my niece’s classroom on one of my trips up to New Jersey, a special honor I will cherish forever. Because of the severity of my son’s autism and my first child dying I never got to experience many things that parents with neurotypical children get to do in regular classrooms. My damn mascara is running and I now have raccoon eyes. Ugh. Okay, let’s get past the first 5 seconds or their practice. Deep breath. My goosebumps runneth over. That was my favorite routine of the night.

The judges: Mary gives props to the prop and to them for making it look effortless. The dance was endearing and she loves watching them dance. Anna believed the emotions. She loves Jasmine’s grace. She told Aaron that she roots for him. And she wants a piggyback ride on Aaron’s back. Nigel tells them the story. He feels that as partners they have unconditional love for each other just as the tree had for the boy. He loves them as a couple (and so do I).

Dancers: Fik-Shun and Amy
Style: Hip-hop
Choreographer: Christopher Scott
Song: “Let’s Get It On” by Marvin Gaye

Fik-Shun orders the catch of the day at a restaurant (which is Amy). This was fun and quirky and flirty.

The judges: Anna thinks they are cute. Amy is her favorite dancer on the show. Nigel felt it was tremendous. He worries that they are playing similar characters each week. Mary agrees with Nigel and Anna. She did not want it to be over.

Dancers: Malece and Alan
Style: Salsa
Choreographer: Jonathan Platero (season 5 contestant)
Song: “Pa’ Los Rumberos” by Tito Puente and His Orchestra

This dance had a lot of acrobatics and tricks but I was bored. Sorry I am just not excited by ballroom most of the time. It’s like country music for me–every now and then I pay attention but it takes a phenomenal song (or in this case dance).

The judges: Nigel thought it was well choreographed and danced. Mary said the routine was insane. Anna said it made her want to take lessons or have an affair on a tropical island. She wants them to make a baby.

Dancers: Malece, Curtis, Alan, Jenna, Nico, Hayley, Makenzie
Style: Broadway
Choreographer: Spencer Liff
Song: “Come Together” by Joe Cocker (Across The Universe Soundtrack)

Spencer substituted for the injured Curtis. I enjoyed that. I never heard that version of the song before. Very sexy. I don’t know why Mad Men was springing to mind because I have never watched the show, only promos. Spencer looked like he really enjoyed doing that.

The judges: Anna wanted to give a shout-out to the steady-cam operators. She also gives the group kudos. Nigel said his eye was on Spencer. He thought the girls were tremendous. Mary thought Spencer was great. She thought the girls killed it.

Dancers: Aaron, Amy, Paul, Jasmine, Tucker, Fik-Shun, Alexis
Style: Contemporary
Choreographer: Bonnie Story
Song: “Tears of an Angel” by Ryandan

A story about being bullied and people walking by and ignoring it. No words, only tears. That was so beautiful. It was SO powerful.

The judges: They were all on their feet. Mary thought it was a beautiful piece. Anna thanked all of them and thought it was fantastic. Nigel called attention to cyber bullying (Oh gosh Nigel if you only knew, and some of those bullies pretend to be victims in a sick, twisted way to control people insidiously).

Who goes home

Curtis and Alexis are going home.

Who is in the bottom this week/my picks

I hate to keep picking on Alan, but–fooled you. This week Tucker is on the bottom and that may be just because Alan got a dance in his own style this week. Nico might also be in the bottom 2. For the bottom girls, I am going to have to say this week Malece and Jenna and only because the other girls were just a little bit better.





So You Think You Can Dance — Top 20 Dance Again & First Elimination

22 07 2012

So You Think You Can Dance — Top 20 Dance for a Third Time

I don’t know about you, but this entire format this year has me very confused. Why the change? The first week traditionally has been for us to meet the Top 20 and get a chance to see them dance. Then the second week, traditionally the top 20 dance, we vote, and then the next day, the 3 people with the lowest votes in the girls and the guys get to dance for their lives and the judges choose who is going home. However, the second week, the top 20 danced, and then there was no show the next day. When I heard they would tell who was going home the next week, I thought to myself, okay, so they are going to make us vote again, give the Top 20 a third week to dance so we could thoroughly enjoy them, get to know them, etc., and then on the next-day show, they will add the two weeks’ votes together, and continue on. However, that was not the case. The top 20 danced, but based on the votes, based on what they saw this week and last week, and with additional input from the choreographers from this week and last week decided who was leaving tonight. Nigel reminded us that they were not “voting people” off, but rather sending home the people who did not receive the most votes. Personally it is a game of semantics–like is the cup half empty or half full. I inquired with my OFFICIALFOXVIP contacts if this was just a one-time thing because of scheduling difficulty with the other shows and apparently this is the way they are doing it this year. On one hand, it makes it better for me because trying to type up a blog on Wednesday night before the Thursday show is very difficult. On the other hand, it seems kind of cruel to the dancers. They do not know if their previous week’s dance is going to put them in the bottom 3, and that will translate in the dances they perform on Wednesday night, which in turn will turn into the votes they get for that dance and whether or not they are in the bottom 3 the following week. It sounds like a mind game. I know Nigel Lythgoe is not like that, and I do not know if it was a demand of the network, but I do not like it.

Having said, that, let’s get on with the performances this week. We had Adam Shankman, guest judge, on tonight and the barrage of funny plugs for “Step-Up Revolution.” The group dance was choreographed by Tabitha and Napoleon D’Umo to the song: “The Beautiful People (District 78 Remix) by Marilyn Manson. I started having déjà vu. Didn’t we see a song choreographed to this song before? I looked it up and turns out I was right. Comfort Fedoke and Chris Jarosz performed to it, choreographed by Tyce Diorio, in week 3 of season 4, in 2008. See a YouTube clip from the episode.

Even though it was a repeat, the dance was slightly different and it was zombie-esque (I like the word “esque” lately) and had hints of the Thriller dance.

The show opens and Adam thinks Cat is like a big sexy tomato. Cat invites him to take a bite. I love when Adam Shankman is on. He has the BEST lines.

Dancers: Cole and Lindsay
Choreographer: Christopher Scott
Song: “Teeth” by Lady Gaga

My thoughts: It was a lot of fun. Cole was great and definitely played the nerd wonderfully, keeping in character throughout the judges’ critique. Was Lindsay a nerd’s dream or did the nitrous oxide do things to Cole’s head? What a happy gaseous delusion! Christopher Scott’s routines are kind of hit or miss for me. There are either brilliant, or seemingly hastily put together.

The judges: Adam thought the American Dental Association should adopt the routine. Cole was freaking him out (in a good way). He thought Lindsay was holding her sex kitten in and needed to really attack it. Nigel certainly thought it was incentive for Great Britain to go to the dentist. He felt it was a bit immature. He thought Lindsay was playing to the audience and not to Cole. Mary said the routine put a smile on her face. She felt Lindsay needed to be vampier. Part of the show is acting and she will need to bring that. Cole is a lean, mean dancing machine.

Dancers: Amelia and Will
Choreographer: Sonya Tayeh
Song: “3326” by Olafor Arnalds
Story: Two souls are carrying the weight of the world on their shoulders. They are searching for the light at the end of the tunnel.

My thoughts: I could feel that weight and the oppression of their souls. I had goosebumps, the first tonight. They had stunning lines. Amelia and Will have great chemistry. In this dance, they moved as one. WOW! It was my favorite routine of the night.

The judges: Mary screamed: “OOOOOOOO!” Sonya was right on top tonight with this beautiful routine. Will and Amelia brought it to life. Will was rising to the occasion. They have gone another floor up in her eyes. Adam gave them a standing ovation. Of Amelia, he said he was completely lost in the piece and it took him on a journey. Will 1,000,000% “Stepped it up” (movie plug). It was brilliant. Nigel said that not only had Travis grown, but Sonya, too, has show tremendous growth on the show since she joined. She said Amelia was great a great, quirky dancer. Both Will and Amelia were absolutely brilliant dancers.

Dancers: Amber and Nick
Choreographers: Miriam Larici and Leonardo Barrionuevo
Style: Tango
Song: “Tanguera” by Sexteto Mayor

My thoughts: My eyes were drawn to Amber immediately and not because of her red dress. There is one spot where she almost looked at the audience and lost her character. There was a lot of hard footwork being performed by both Nick and Amber. It was intense.

The judges: Adam thought it was hot. Amber was spectacular, a fire-breathing dragon. Nick was a brilliant partner but he vanished a bit. Nigel thought Amber made herself look good, a cobra ready to pounce. Nick was very strong and it showed. Mary said it was a difficult routine. Nick and Amber made it not look like work. Amber was a fire out there and she was in awe. She gave a “hats-off” to Nick; he did great.

Dancers: Audrey and Matt
Choreographer: Sonya Tayeh
Song: “Hear Me Now” (Dri, Lind and Lukka Mix) by Steed Lord
Story: The robotic struggle between men and women

My thoughts: It was hard hitting and angry. You could feel the struggle. It was my second favorite routine of the evening. These two have great chemistry together and are superior dancers.

The judges: Nigel loves the “stank steps.” They were incredible and are one of America’s favorite couples. Mary said they, too, were one of her favorite couples, and quite the dynamic duo. They maximized everything. One of her favorite routines tonight. Adam said tonight belongs to Sonya. Audrey was “friggin brilliant.” He told Matt if he kept it up like that, it was his competition to lose. It was amazing and for them to stay in the zone.

Dancers: Dareian and Janelle
Choreographer: Christopher Scott
Song: “My Girl” by The Temptations
Story: A wedding proposal

My thoughts: It was the first kiss of the season, which promptly some fun from the judges, more fun than this routine unfortunately. Mary said she was not getting into this kissing thing this season, so Adam fake-kissed Nigel. It was fantastic. This routine did nothing for me. Dareian was the stronger dancer of the two, however. I think Christopher Scott did not do such a great job tonight with his choreography. Maybe he is the type that needs awhile to prepare, to think things out. He needs to learn how to Twitter-up his dance routines. Less than 140 characters but strong thoughts that resonate with people.

The judges: Adam felt Dareian was more invested than Janelle. Nigel said that so much depends on the choreography and it was a little uninspiring. Both are better dancers but they have to bring it, too, as Adam pointed out. Mary said the routine was sweet and it was just okay.

Dancers: Brandon and Janaya
Choreographer: Sean Cheesman
Song: “Bring On The Men (From Jekyll & Hyde: The Gothic Musical Thriller) by Linda Eder
Style: Broadway — Hot romance book gets the girl frisky

My thoughts: It was a very fun routine with high energy. Some of the moves were great. Sean Cheesman is another “hit or miss” choreographer for me, but this one, I liked.

The judges: He felt like Brandon “stepped it up” (movie plug). Janaya’s lines were great and she played the crowd. Nigel thought it was brilliant Broadway and agreed with Adam. Janaya brought something this week that she did not have last week. Mary thought it was the most entertaining routine of the night. The stepper (Brandon) was “stepping it up” tonight with energy. Great acting from Brandon and Janaya was amazing. Cat thought it was fearless.

Dancers: Cyrus and Eliana
Choreographers: Melaine LaPatin and Tony Meredith
Song: “I’m Shakin'” by Jack White
Style: Jive

My thoughts: I am a huge fan of Cyrus. He brings his personality and enthusiasm to every dance; however, his lack of technique is beginning to show in a big way. Eliana is always wonderful. The routine was lively. Cyrus tries so hard and I am so proud of him.

The judges: Mary said Cyrus’ feet were not quite right, that his posture goes in and out. He is doing great partnership. Her star is still showing for Eliana. She is a phenomenal dancer. She was cookin’. Adam said that he was amazed Cyrus got through it. Eliana was the hardest working woman tonight. Nigel said that at some time Cyrus will hit a brick wall. Cyrus has to connect the dots and needs to fill in the blank spaces. Eliana has a tough job with Cyrus. She has to compensate a great deal for Cyrus’ lack of knowledge.

Dancers: Alexa and Daniel
Choreographer: Dee Caspary
Song: “So Long My Friend” by Yanni
Additional info: The bath tub is the water drowning the words.

My thoughts: They are good technical dancers. They did much better this week, but I really hated last week’s piece. However, by the end of the song, I realize the chemistry really is not there. I don’t know what exactly it is. Is Alexa shutting off her heart again to protect it like she did in Vegas because she does not want to fail, thus really fulfilling her own destiny with her thoughts? Do she and Daniel not have any chemistry off screen? I hoped the title of the song was not going to be their ironic fate. I loved the blue outfit that resembled the water. It was beautiful.

The judges: Adam complimented Dee on a beautiful routine. He told Alexa and Daniel although it was beautiful it was a bit chilly. He is not sure exactly what was missing. It was missing the passion. They were not connecting. Mary agreed with Adam. There is no chemistry between the two of them. Nigel said it was danced brilliantly but there is no chemistry.

Dancers: Tiffany and George
Choreographers: Melanie LaPatin and Tony Meredith
Style: Foxtrot
Song: “I Want To Be Loved by You” by Sinead O’Connor

My thoughts: Sinead O’Connor? Really? That was the biggest surprise to me. I suppose I have not kept up on her career. It was my third favorite routine this evening. My eyes were drawn to George, but they did a tremendous job. I love George’s energy; it is always happy and calm. He is such a smooth operator. I also loved her costume.

The judges: Mary thought Tiffany did everything perfectly. Adam was madly in love with it. It reminded him of Fred and Ginger. They “stepped up” (movie plug) to a whole new level. It was “in-freaking-credible.” Nigel they could be the “Opening Act” for anybody. They should be a lesson to every couple on the show.

Dancers: Witney and Chehon
Choreographer: Nakul Dev Mahajan
Song: “Tandav Music” by Aatish Kapadia
Style: Bollywood of course

My thoughts: It was high energy. Bollywood has to be one of the toughest dances out there, especially because of the hand moves, but also it requires a great deal of stamina and strength. Chehon did the better job of the two. Nakul looked so proud of them. I would not have known Chehon was a ballet dancer tonight. He took the constructive criticism he received last week and applied it.

The judges: Adam said it was the first time he saw joy in Chehon. Witney needed to extend her neck. He still felt chemistry between them even though they were apart during the dance. Mary said it was so much better this week for Chehon and that he was on fire tonight. Nigel thought Chehon was fantastic. He cannot believe that Witney was doing knee turns. He also noticed with khattak in the dance routine.

The Results From Last Week

Based on last week’s votes, Janaya, Alexa, and Witney were in the bottom 3 for the girls. When the camera flashed to Alexa, she knows she is leaving. She looks down and cannot smile. Janaya and Witney are there with their chins up and smiles on their faces. The bottom 3 guys were Nick, Daniel and Chehon. Nigel said that the votes were for people America liked, but they have to stay unemotional about their decision. They were the best 20 dancers across this season. After talking to the choreographers, seeing them dance this week and last, they were saving Chehon and Witney. I imagine the Bollywood routine helped to save them.

Extra Bonuses

There was a great segment about the movie “Step-Up Revolution” coming out. Jamal Sims is the choreographer, but so are Travis Wall and Mia Michaels, Mia also playing the role of “Olivia” in the movie. Adam Shankman is the producer. It features several SYTYCD alumni including Stephen “tWitch” Boss, Tony Bellissimo, Phillip Chbeeb, and Kathryn McCormick.

Speak Out and Step Up (movie plug): What do you think of the decisions this week? What do you think of this new format? Let us know!

Note: I’m headed to New York on Thursday. Since it takes me about 4-6 hours to get this blog done, I do not think I’ll be able to do a detailed blog and pack Wednesday night. I’ll try to get something up, although it likely will not be in this regular format. I appreciate your support for this blog. I’d love to get more comments on it and have a discussion.





So You Think You Can Dance — Salt Lake City auditions

14 06 2012

So You Think You Can Dance, Season 9, Salt Lake Auditions — 2012

Judges Adam Shankman, Mary Murphy and Nigel Lythgoe gave a tutorial about what NOT to do when you are auditioning: No booty shaking; no self-worship (rubbing, touching yourself); and no reaching, with Adam Shankman doing the illustrations. The girls dominated in this city as did ballroom dance, which has been not seen much at all in the other cities.

Who I Liked A LOT

Witney Carson, American Fork, Utah, Cha-Cha/Tango: The girl on FIRE. It was hot and she is only 18 years of age. Her father looked very uncomfortable in the audience as Nigel talked about her sensuality and sexuality within the dance. Mary, for the first time this audition season, put her on the HOT TAMALE TRAIN, and blew out the eardrums of Nigel and Adam. Adam claimed, “I’m a slave for you.” And uses the “F” word in Salt Lake City. She is definitely through to Vegas.

Witney Carson

Gene Lonardo; Las Vegas, Nevada; contemporary: Although I should put him in the Odd-Ball LOT because he came out saying he was going to do the dance of the male praying mantis, it was stunning to watch, and I immediately thought that Sonya Tayeh (choreographer) would love to play the female praying mantis. The routine really made him stand out. He was an average dancer as contemporary styles go, but the fact that he choreographed the dance himself set him apart. Although it did get weird when Gene told Nigel he imagined him as the female praying mantis (because Nigel was fearsome to him). Awkward. He is through to Vegas.

Gene Lonardo, male praying mantis

Lindsay Arnold; Provo, Utah; ballroom Latin: She dances wonderfully. It was a shame her partner was not competing because he deserved a ticket as well). She was through to Vegas.

Lindsay Arnold

Mariah Spears; Phoenix, Arizona; krump: White girls CAN KRUMP! I was not expecting this. When she said she was going to krump, Adam spat out his drink. But she lived up to the hype. She was fabulous. I wished L’il C was in the room judging then. I think she needs to work on the open-mouth look. The anger should come through her movements without the “O” face. She was sent to choreography and then on to Vegas.

Mariah Spears

Murphy Yang; Roy, Utah; contemporary: His family disowned him and moved to California. He was homeless for awhile. I admire him for sticking to his dreams despite his idiot family. He had quite a mixture of styles in his dance. There was a good sense of humor, good musicality. Then he lifted his shirt with “Vegas?” on it and I loved it. He has had no formal training. I bet you if Debbie Allen had been the judge, she would have offered him free lessons at one of her schools. Adam Shankman was on the verge of tears. Murphy was sent to choreography but for this year it was a no to Vegas. Murphy–Keep on refining your technique. You are SO close to getting a ticket to Vegas. Do not give up. I ADMIRE you.

Murphy Yang

Dareian Kujawa; Boulder City, Nevada; contemporary: He, too, had a very rough life. They were very poor and it was a depressing, dark life. He decided to create a roadmap for himself and dancing pulled him out of this dark place. This man is filled with inner strength and it showed in his dance. It was filled with great emotion and great athleticism. He had beautiful lines. Of course he was going to Vegas!

Dareian Kujawa

Leroy Martinez; Sacramento, California; hip-hop. He also has had a rough life, but turning to dance helped him. He is the only one in his family to live a straight life. It was his first audition ever. He works at a doggie day care by day and gives back to the community working with the Peacemakers program, a group who works to establish afterschool programs in the community. There is an article done in a local paper about this group. Please click here to read more about it.  Because of his larger size, one thinks he is going to be unable to do impressive moves. He breaks stereotypes. He was AWESOME. Adam was crying and hesitated to say it, but said it was “fucking awesome.” Of course it was bleeped out. He went on to choreography and it was a no for Vegas, but something inside of me tells me that Adam is going to do something for this young man.

Leroy Martinez

Who I Thought Was Average

Deanna “Dee” Tomasetta; Millbury, MA; contemporary: She was beautiful to watch. I really liked the backbend move she had which showed really excellent control. The one thing that did not match for me was the smile with the song, which then reminded me of Ryan Ramirez. The song she chose was “I Can’t Make You Love Me” by Bonnie Raitt. The song is about unrequited love. But she is smiling the ENTIRE performance. I should have felt angst in there. That is the only reason why she is in the “average” category for me. But the judges loved it and she is through to Vegas.

Deanna “Dee” Tomasetta

Adrian Lee; Los Angeles, California; contemporary: In season 7 he came so close to being in the show, but that was the year they picked the best 10 and had them dance with 10 all-stars. He was not invited. His family became very down on the show after that and he chose not to tell them he was auditioning this time. However, between then and now, season 8 happened–the top 20 best dancers EVER chosen, and his dance looks very amateurish when comparing it to people from last season. He is doing the self-worship moves despite being told that the judges did not want to see that. Mary was crying because the emotion of having to tell him “no” in season 7 came flooding back. He did get a ticket to Vegas and Nigel gave him another ticket for his mother to come along. He has to do better in Vegas or he will be cut.

Adrian Lee

Rachel Applehaus; Denver, Colorado; burlesque jazz: She claims she was shy growing up. She hoped that her dance would make Nigel uncomfortable.  She was hot and sultry but she rolled on the floor too much. Then I started thinking this reminds me of a dancer in a gentleman’s club and I became uncomfortable. There was not enough substance in her routine. Then they said she was doing burlesque jazz (Is that like Anchorman’s jazz flute?) and she is through to choreography and then on to Vegas.

Rachel Applehaus

Odd-Ball LOT

Lynn Gravatt; Portland, Oregon; space dance: The story was being set up as a disaster. She claims that her energy comes from the Pleiades constellation. She has three spirit guides (Divine DeFlame–which is her highest self; they flash Mary Murphy on the frame; then Devil DeFlame (which is her “male” dancer, and of course Nigel is flashed on the screen; the third is Rainbow Light Bright, which is of course Adam). Before Lynn starts, Mary is giggling a lot. Lynn is a former aerospace engineer that has worked on aircraft we will see in 10-15 years. Very intelligent woman. She was not that bad considering she has had no formal training. Being 33, that automatically disqualified her from being part of the show, but the judges were very kind to her.  She left with a wonderful message for people to never give up on their dreams, no matter what their age.

Lynn Gravatt

Johnny Ahn and Whitney Hallam; Orem, Utah; ballroom: This guy is so full of EGO it isn’t funny. And the look on his partner’s face the entire time she is with him is one of contempt. I do not blame her. He should spend less time on watching videos on how to get dates and more time on how to be a good dance partner. There is a 10-year age difference between them. She is unimpressed with his MAN-GO. His ballroom “O” face bothers me. He NEVER looks at his gorgeous partner. The dance is all about him–“Hey look at me–I think I’m hotter than I really am.” They are sent through to choreography but it is a “no” to Vegas for both of them. My advice to Whitney is to get another dance partner quickly and come back next year. I would never pick up the phone and vote for him, so he should just not come back to audition for the show.

If looks could kill….Whitney Hallam and Johnny Ahn

Next week is So You Think You Can Dance Hell Week! I cannot wait.