So You Think You Can Dance Season 12 Top 16 Perform 2 Eliminated

15 08 2015

We are quickly making our way towards the finale where America’s favorite dancer is announced. I think all the dancers are reaching inside themselves to conquer those elements of dance with which they were least familiar. It has made for an exciting season so far.

Tonight’s group dance was choreographed by Nick Florez and RJ Durell to the song “Love is Free” by Robyn & La Bagatelle Magique featuring Maluca. What a fantastic way to wake up the audience in preparation for tonight’s show. I am always in awe when these dancers can learn things that have so many complicated fast moves. It shows such great effort on their parts to want to give the best performance possible.

Cat revealed who won most of the votes last week. Team Stage barely won with 50.5% of the votes with Team Street pulling 49.5% of the vote. Derek injured himself this week and won’t be able to perform. He may or may not be in danger this week but if he makes it through to next week, he will automatically be in the bottom 3.

Ray Leeper choreographed Hailee and JaJa in a jazz number. It is a song about female empowerment danced to the song “Endangered Species” by Dianne Reeves. JaJa held her own. Hailee brought more sexiness to the dance than JaJa and dug a little deeper to bend more, stretch more, and emphasize more. But JaJa represented a different type of woman I think; after all, there are so many versions of us. Nigel said they are two incredible ladies. Together they are a knockout. He said whether it is Hailee’s hair or eyes or the “hey look at me” mentality she has when she walks on stage, he has to focus on her. She is just a sensation. JaJa is one of the most interesting street dancers they have ever had on the program. She is growing in technique exponentially. Paula thinks the spectrum from where JaJa started from last year not making it to the choreography rounds to where she is today is unrecognizable. It is brilliant to watch the growth. She knocks them out week after week. Hailee has a radiance about her and they are drawn into the luster of her brilliance. It shines with her like a dance partner that never leaves her. Words that you cannot even describe. They can’t help but laser into her. It’s a beautiful gift. Jason thought it was a beautiful performance. He is so proud of JaJa. Her intention was there. The style of the dance was there. He cautioned her to be careful with her leg extensions and stretch a bit more because when both of their legs are up, Hailee’s leg is “way up here” and hers is “a little down here.” Hailee is coming out of her shell and becoming a star right before their eyes. Cat reveals the results from last week’s dances for them. Both of them are safe.

Dave Scott choreographed Neptune and Alexia. It is a crazy love story type of hip-hop dance to the song “Flex (Ooh Ooh Ooh)” by Rich Homie Quan. I loved this. I got goosebumps. Traditionally I get goosebumps to songs that touch an emotion in me. This pairing was perfect. Alexia was fantastic with her moves. She had great chemistry with Neptune. The added feature of a padded-wall prop made the routine so much more interesting. When things like this are introduced they are either a hit or a flop. This was definitely a hit. Their marks for the wall were perfectly timed singly and in duet. I totally got “crazy love story” from this. If I had to guess I would say Alexia’s character was more of the cray-cray part of the relationship. Paula gave them a standing ovation. Paula thought it was a fun, fun routine. Twerking up a padded wall was pretty creative. Both were committed to the character. They both had so much fun. It was sick, crazy love, whacky, insane, sensual, sexy and just weird and she loved it. Jason told Neptune he will be important to his team. He is a head runner and will steer his team over. Let sure he is leading his team. Alexia is getting better and better every week and keep it going. Nigel agrees Alexia is getting better and better every week. As Jason said, Neptune started quietly and every week is building himself slowly week upon week. America is crazy if they don’t recognize that. Based on last week’s dancing, Alexia and Neptune are both safe.

JJ and Derek got together with choreographers Miriam Larici and Leonardo Barrionuevo for an Argentine tango. Since Derek can’t perform, she gets to dance with Leonardo. What a treat for her. The song is “Duo De Amor” by Astor Piazzolla. He really helped her get all those lines and high lifts. I think the chemistry was there. It was beautiful. The judges were on their feet. Jason said, “Girl, you brought sexy back, and all the judges didn’t know how to act.” He said it was unbelievable. She overcame adversity and she held her own. Nigel said from the first breath throughout the routine how sensual she was making it. If Mary Murphy were there now, JJ would definitely be on her hot tamale train. He teased her that Leonardo held her at the end for a bit longer and she was enjoying every second of that. She laughed in agreement. She was a credit to her team. Paula said it was beautiful routine. The most incredible, incredible transformation comes from her. It’s the whole 360. The grace and beauty of her extensions. She is like a young ingénue of maybe Natalie Wood and maybe Leslie Caron. It is lovely seeing her like this. Results from last week’s dance: JJ and Derek are both in danger.

Ariana and Jim were paired with Sean Cheesman who choreographed a contemporary routine. The story is about the ups and downs of dealing with depression. The song is “Everyone Wants to Rule the World” by Lorde. Interesting version of this song; I had never heard it before. It set the mood for the dance. The dancing was fabulous but I think Jim needed to dig a little deeper for the emotional connection. There is great despair in depression and it was more like he was playing a part versus experiencing it. Situational depression is different from chronic depression and trying to dig your way up from that. Usually dances like this will certainly give me goosebumps, but not today. Bummed. The judges were on their feet. Nigel said he thought they conveyed the brilliant message that Sean wanted to convey. Nigel said that dance is a great weapon in depression and dementia so if you ever feel this way, get up and dance. He said he didn’t know why the audience was not connecting with Ariana. Nigel felt Jim was not struggling at all. Paula said just when you think you can’t grow better or stronger, both of them are proving that each week. She thinks it is one of the best routines that showcased both of the breadth of who they are as dancers, and both the light and the shame of the depression, the light and the light—it worked beautifully, seamlessly. Ariana was keeping up with Jim step for step with him. Jason said he is blown away by Ariana for being able to dance with such a technical dancer as Jim and hold her own is unreal. He can never tell what team she is on. He said to Jim that he has never seen talent/technique like that live and thanked him. After hearing these comments from the judges, I wonder if the song is what threw the whole dance off for me. I was concentrating on the song so much (as the original is an all-time favorite of mine) that I was trying to wrap my head around that which held me back from fully experiencing it as they did. The results from last week from Cat: Jim is safe and Ariana is in danger.

Virgil and Gaby were teamed with Al Blackstone for a Broadway routine about two people on the streets of New York who think they know each other after they bump into each other to the song “Where or When” by Sammy Davis Jr. That was adorable and so much fun. I could picture them having a job on Broadway. Nigel was on his feet—wait all the judges! Paula said some wonderful things about the dance but turned to Virgil and said he is like a young Sammy Davis Jr. He can do it all and he is so wonderful to watch. She thought Mattel should slap their sign on the back of his behind and sell a million Virgil dolls. (Okay?) Paula said Gaby is impeccable. She is so well versed. It’s lovely to see how elegant and how amazing she is in this competition. Jason told Virgil he breathes life into every performance. Jason shares he went to college for musical theater and *this* (meaning the routine) is his thing. They both did an amazing job. He said the breadth of knowledge of dance that Gaby has is pretty amazing. He cautioned him to not let Virgil upstage her. He told her not to underestimate a smile. Her smile lights up a room. Nigel said he disagrees with Jason—they were both a fabulous power couple tonight. He said Broadway demands the best of you. When they go on those hallowed boards, you have to be brilliant every time, rain or shine, whether you are ill or fine, you just have to be brilliant and both of them were brilliant tonight. Cat told them they are both safe based on last week’s dance.

Asaf and Kate joined together to do a jazz routine choreographed by Sean Cheesman. The story of the dance is that Asaf and Kate ARE the in-crowd at the club. Kate unfortunately does not feel safe with Asaf who is having trouble with the lifts. The song is “Braveheart” by Neon Jungle. I guess thes choreographer and the team captains felt it was better to get the lifts out of the song. It was an okay routine. I feel bad for Kate. She tried her best to make the situation work, but I think what happened messed up the chemistry they might have been able to have—to connect better. Jason told Kate she has been a favorite of his in the past few weeks. Jason said they got a lot of heat last week for saving him and he does not regret it. He thinks, however, that he is in that danger zone. He does not think his performance saved him. Jason feels like Asaf is in a limbo. Nigel said to Kate that her technique has never been in question; it has always been about a connection. She really connected to him tonight and he hopes she did with America. Nigel said that he is constantly being told by his choreographers how hard he works. This was so much better this week than his cha-cha last week. He lived up to his name and he “danced his ass-af.” Paula told Kate she looks lovely tonight. She said what she was happy about was that there was no more fear; she trusted her partner; both of them worked very well together. She told Asaf he was there for his partner and it is like night and day from last week to this week. Cat announces the results from last week’s votes, they ae both in danger this week.

Marissa and Yorelis join together for a Christopher Scott hip-hop number. For the story, Yorelis gets to hypnotize Marissa to win her over to Team Street. The song is “Let Go” by Kezwik featuring Mimi Page. They make a great team. This routine is among my favorites tonight. This is when I like Christopher Scott’s routines. Nigel thought Marissa’s tumbling skills really came into this routine, although she was terrific. He warns her she has to be careful to get the same liquid flow to her body that Yorelis has. He echoed Jason’s words earlier that he does not know who is on whose team tonight. He thought Yorelis is so beautiful and sensational. Her whole body moves to the music. It’s almost like she hasn’t been choreographed. The music drives her body. Paula wants to compliment both of them. She thought Marissa just licked it up and acknowledged it is hard for a jazz/contemporary dancer—the animation is hard. The choreography was well thought out and very clever. This is where Yorelis shines. Jason thought it was a really good performance. He said that after seeing some of the performances today, it did fall a little short. He wanted them to be a little more intense, a little bigger, based on the intensity of the song. At times they nailed it and at times they didn’t. The little intricacies he thought they did well. For the size of the song, he didn’t feel like the performance matched. It was good but it didn’t blow him away. Cat said that Marissa is the final dancer in danger tonight based on last week’s routine.

Megz and Edson are paired for a contemporary dance from Talia Favia. The story is about temptation and being extremely intrigued by it. Megz is discovering temptation and is constantly being pulled back by Edson. The song is “You There” by Aquilo. GOOSEBUMPS. The expressions on Megz face and her technique considering she is Team Street is so impressive. All the judges were on their feet. Paula was in tears. Paula had bumps all over her arms and she is very taken with this routine. She thought Megz was truly amazing. She told Edson they danced—she didn’t know how it could be any better. Words cannot describe so she is going to leave it at that. Jason said easily one of the best performances of the night. He thought the struggling in the shirt was a concept that was so dope but it could easily go wrong. You had to have the right amount of desperation and he believes they accomplished that. He thinks this number will go into SYTYCD history. Nigel thought for the first time a shirt has come off in this show for a good reason. Cat shrugs and says, “So you say.” The image of how much we hide from each other in a relationship was captured beautifully by Talia’s choreography. He felt she and JaJa have become contemporary dancers. You’ve moved over to Travis’ team. He told Edson that Edson finds it hard to be passionate in his dancing sometimes, but he did not tonight. He really released his emotions so it was great to see. It was a beautiful routine as everyone has said. And since the dancers who are in danger have already been revealed, both Edson and Megz are safe.

Team Street dances together to choreography by Luam. She feels it captures the spirit of New York and the hustler spirit. The song is “Commas” by Future. They nailed it. It was wonderful. The judges were on their feet.

Next up is Team Stage choreographed by Travis Wall. The theme is ghosts of theaters past. The song is “Beautiful Friends” by Helen Money. WOW TRAVIS WALL! I love you! That was so wonderful. I think this is the third time Travis has choreographed his own group number. Time to “Step Up” tWitch!

Twitter votes save JJ and Derek (injured Derek—is that fair Twitter?—he is automatically going to be in the bottom 3 next week). The judges save Kate and let Marissa go. As far as the street dancers, the judges save Ariana; Asaf is leaving the competition.





So You Think You Can Dance Season 12 New York Auditions

7 07 2015

SoYouThinkYouCanDanceThe final leg of the auditions for season 12 were in New York. Virgil Gadson had auditioned in season 8. He had almost made it into the top 20 but got cut. He kept practicing and got a part in “After Midnight” on Broadway. He chose “Uptown Funk” to audition with this time for Team Street. As he got started, Paula whispered to Nigel that he reminds her of Fik-shun. He glides like ice across that stage which is hard for hip-hop. He has great star quality. Nigel said he set the bar for that day for hip hop. It was unique, great things in it, lots of different angles, wonderful personality. It was exactly what he was looking for. Paula said he was a like a day of Disneyland in a minute and a half. He is born to entertain. Jason said his technique was the dope part about it. It was amazing to watch. He gets a ticket to Vegas.

Alexia Meyer was up next trying out for Team Stage. The choreography had a lot of thought to it. I thought the eye wink was a bit odd. I really enjoyed the dance overall. Paula said she had great showmanship. The hardest thing for her is that she saw moments of great connection, and then she kind of went off and lost it a little, and then would fall back into it. Paula got booed! She thought nerves got to her. Jason got booed before he even started. He didn’t know if that was the end of Paula’s boos or the start of his. He thoroughly enjoyed it and he is not just saying that because they booed. Nigel enjoyed it, too. She gets three yeses.

Korey Cleveland had a tough road in getting to the audition. His dad was never there and his mom was battling her addiction. He, too, has struggled with crack cocaine to the point where he was incarcerated for 2 years in Missouri. Dance saved him. He would rather dance than do drugs. He said if he made it to 30 days clean he would come to the audition. He danced to Keys and Krates “Treat Me Right.” That was wicked. When he was moving his upper trunk around his head (or is that the head around his upper trunk) that was phenomenal. It has been awhile since I saw someone do that so well. Paula said she is proud of him because he proves you can live your passion and inspire people. Jason said he was inspiring. A lot of people can relate to his situation. He felt his passion. Paula and Jason both say yes. Nigel said that it is 2 months before Vegas. That means he is going to have to stay clean for 90 days. He said he’ll bring his 90-day key to show them. He gets a conditional ticket to Vegas.

“Hoofing” dancer Justin Ballasy wants to show what he can do to the song “Love Ain’t Gonna Let You Down” by Jamie Cullum. His tapping was insane. I didn’t see the tapping story translate into the song being played however. Paula said she felt like she just saw the movie “Whiplash” with tap. It was very impressive. Great timing, fast, clean. She didn’t know where the music and the tap made sense. Nigel asked him what time signature he was using. He said 4/4. Nigel said, no, and Justin asked three-four? That was Nigel’s complaint to him. He loved his tap and loved what he can do but it had absolutely nothing to do with that music. Justin said it was difficult to hear himself up there in his defense (not sure that was a good idea—the judges don’t like excuses). Nigel said he is so against people coming in and laying down machine-gun tap. Jason said it made him feel something—his heart started to race. But at the same time the musicality in it means so much to tap. If they didn’t say something, all the tappers out there would have been saying “What?” He is worried. He asks to do something a capella. They say no, but they say yes to Vegas.

The next auditioner’s family call him “Mr. Hollywood.” I smell trouble. Thomas Condello chooses “As Long As You Love Me” by Justin Bieber. He has some rhythm and some moves, but they were sloppy. The competition is fierce this year and he dances fine for entertaining, but not to win the show. All the judges were smiling but you know they are just going to thank him for making them smile. He said he did impressions, like Jason Derulo, and they invite him to show them. Paula said he has a lot of heart. He is not through.

Angely “Cookie” Deaza and Angela “Angyil” McNeal try out together for Team Street. I don’t know why they reminded me of Japanese robots that I saw on an episode of Almost Human on Fox. I loved them. Jason looked like he was really getting in to it (and, in fact, gave them a standing ovation). Jason said he would pay money to see that. Angyil and Cookie are a yes for him. Angyil is a yes for Paula. She thinks Cookie is limited in her style. Paula advises her to lift it and elevate it and get out of that monotone aspect and add character. She doesn’t think Cookie is ready. Nigel says a yes for Angyil and a no for Cookie for this year.

Allyson Wilcox works on the Vegas strip as a dancer in a show that is similar to Medieval Times. She is trying out for a spot on Team Stage. She chose “Wasting My Young Years” by London Grammar. Some of her moves I liked. I thought she spent too much time on the ground. Sometimes her lines were fabulous; other times they weren’t. Paula thought she had tremendous control. The start of her choreography was spot-on, but then she felt like her ability was far better than her choreography. Jason thought he saw things he hadn’t seen yet that day. Her arabesque was beautiful. Nigel gives her a ticket to Vegas.

One of the last auditions for this day was from a special man named Alain “Hurrikane” Lauture from Haiti. He chose Jeremy Joshua’s “Thinking About Your Face” to show his locking routine for the judges. His routine demonstrated a great command for choreography and the nuances of the music. He has a lot of talent. I was drawn to him. Employing the stairs as a prop to his routine was different in a smart way. Nigel liked it because it was fun. Paula thought it brought back the 1980’s fun and saw influences of Shabba Doo and Boogaloo Shrimp. All agreed his smile was terrific. He gets three yeses.

Kenya Welch and Connor Bermingham decided to audition together versus separately. They chose A Great Big World’s “Say Something.” Their decision proved to be the right one. I felt the choreography of the number as well as the performance of the number was something you would actually see on this show. I loved their emotion. Well done!!! Paula said she didn’t expect that and it was a very nice surprise. Paula kind of got lost in it. Nigel chimed in that it was one of the best they had seen all day. Jason thought it was awesome and a joy to watch. He said more like a fan than a judge. Both of them are through to Vegas.

As day two begins I am not sure who I like better, the contestant or his mother! Ryan Raffloer decided to try out without a partner in Latin ballroom to Tom Jones’ “Sex Bomb.” He was a surprise! I felt certain he was stoned out of his mind, but he turned into someone else while he was dancing. I could have done without the overindulgence in facial grimacing but his dancing for a Latin solo was unbelievable. I had a feeling Nigel was going to compare him to Dmitry Chaplin. Nigel thought he was excellent. It was over the top and too much but it is what you have to do when you are auditioning yourself. Paula thought he has this “je nais sais quoi”, a presence about him, it stands for something important. Jason felt he brought this grand presence. Jason thought “expensive” was the right word and Paula went “ooo”. He gets three yeses.

Bobby “Anime” Major dances to District 78’s “I Need an Explosion.” Wow!!! He is FANTASTIC! The judges were on their feet. There was no feedback; just a ticket to Vegas.

Eliazer Chapman brought “The Bronx” break dancing to the SYTYCD audition stage with a song from Madcon called “Beggin.” He had some really great moves. Nigel said it was raw and exciting. Paula thought it was entertaining. Jason said he was a strong b-boy and he wants to see what else he has. He is going to Vegas.

The next audition combines break dancing and ballet to form his unique style. Ian Williams surely doesn’t lack confidence as he dances to “Clocks” by Coldplay. His extensions and lines aren’t even there for his ballet. I saw no waacking. Jason looks like he is trying hard not to break out laughing. Nigel is a no. Paula said he is not ready yet. Jason said it was a no for sure.

Darius Drooh has a huge crush on Paula Abdul. She inspired him to dance. He chose Michael Buble’s “Cry Me a River.” He was fabulous. Jason said it was awesome. The choreography didn’t have a lot of the bing, bang, boom, but he liked the straightforward choreography a lot. Nigel said it was beautiful, but he just wanted the flow to stop every now and then. But it was magnificent. Paula thinks he has a beautiful technique and strength. Darius calls up a friend from the audience to do Paula’s “Coldhearted Snake.”

The last contestant of the day is Alyssa Guerrieri. Her grandmother was a dancer. Alyssa dances to “Take Me to Church” by Sofia Karlberg. She has beautiful lines and great personality in her dance. Paula said she is a breath of fresh air. Her technique was beautiful and her choreography was seamless and yummy. Jason felt her confidence was through the roof. Her acrobatics were right on. And it fit right in with the contemporary. Nigel said she is like a little ray of sunshine. Three yeses.

And this concludes the auditions for season 12. This gives Team Travis 114 hopefuls for a spot in the top 10 for stage dancers and 105 would join Team tWitch for a spot in the top 10 for street dancers.





o You Think You Can Dance Season 12 Detroit Auditions

19 06 2015

The auditions move on to Detroit where 18-year-old Christine Shepard from Columbus, Ohio danced to “Settle Down” by Kimbra hoping for a ticket to Vegas and an ultimate spot on Team Travis. While I developed no goosebumps, I did find it very entertaining. I felt like she incorporated some movements of African jazz into her own eclectic jazz performance. It had so much personality and had Paula on her feet. Paula said she is a bright light, a breath of fresh air, hashtag everything. She adored her. Jason said it was a hell of a start. He thanked her for blessing the audience. The nuances were everything for him. It makes such a difference when you have the bing, bang, boom, and then you hit them with a little nuance, a little ornament. It’s those moments that make a performance special. He commented as well on the African vibe that made it a little different. Nigel said everyone has a light inside of them that there is something in life that will make them turn it on. Sometimes they don’t know they have it or what will make that happen, but she has it and it is shining out like a beacon. It was the little things like the side-split contraction, then the shoulders, and then the contraction. It was magical and a great way to start the day. Of course, she made it through to Vegas.

Animator Kenya Sutton is the Queen of Detroit, Queen of the Streets, S.O, Standing O, just O. She is almost as good as Cyrus. All three judges were on their feet. That is just so difficult to do (animation). Jason said now he knows why she is called Standing O because there is no better response than a standing ovation to her performance. The fact that she brought sexiness to animation he has never seen that. She made it hot, sexy and feminine, and that is dope. Paula said she is everything they have been looking for in this competition. She is unique. She is clever and witty, tongue-in-cheek, great flirting with Jason. She is pretty darn special. Nigel asked her why it has been so long since she came to audition. She was afraid of being overlooked. Before she would have had to go through ballroom and contemporary and she didn’t train yet in that. She wasn’t even going to fool herself. So Nigel says now that there is just stage and street side she is going to climb up and up that ladder. She gets a ticket.

Kelly MacCoy met Tyrell Noll in line at last year’s auditions in Atlanta who is now her fiancé. I think that makes two couples (tWitch and Allison Holker got married). She chose “A New Day Has Come” by Celine Dion. It was done well but there were only some moves at the end that made it special. It’s hard when you have other people like Christine. I think she deserves to go to Vegas because she will only get better. Nigel said that she reminds him of Ginger Rogers. She had fabulous technique, great feet, loved everything she did. He felt her connection with the music as well. Paula said what is special about her is that even in the moments where she is not dancing there is such a different emotional connection. She was outstanding. Jason said it was a stunning performance and he loved everything about it. Her kicks were way up and her altitudes were some of the best they have seen. Three yeses.

Her fiancé Tyrell Noll performs freestyle to “Habits” by Maria Mena. The music is beautiful. He was animating so well it sort of glided. It was beautiful. Paula said he went against the grain and picked music not typically used for street dancing and that was very intelligent. His movement reflected a story. Nigel said it is very rare that they disagree. He didn’t find a lot of dancing going on. He has seen the puff and walk done so many times and it done better. Tyrell makes his case that dance is about emotion and pouring your heart out on the stage. Jason gave it two thumbs up. There was such an element of acting to it and dancers need to be actors as well. He gets two out of three yeses which gives him a ticket to Vegas.

Break dancer Corey “Mission” Whitfield, age 30, is from Detroit and works for the Pistons. He chose “Latch” by Disclosure featuring Sam Smith. He reminds me a little of Legacy. Jason thought it was very impressive. Paula loved him. Nigel invited his godchildren up on stage to dance with him. The kids were awesome. How old are they? Can they go through to Vegas? Mission is going to Vegas.

Then came a large montage of people going through to Vegas for Team Street.

Brooke Fong came to do a jazz routine from California. She chose “Fever” by Beyonce. I like her. Her spin moves were pretty phenomenal. Jason said they talk about those special moments where they can go home and still talk about and she had them in those pirouettes. Paula thought she was a very smart dancer, very sharp and in her control of her core. She thought she was a contender. Nigel said she was sharper than the spikes on a porcupine’s ass. He felt like she was raising the standard again this year. Three yeses.

Next was a montage of people trying out for Team Stage.

Two dancers from The Bronx came together to try out on opposing teams. First was stage dancer Chelsea Harold, age 26, dancing contemporary to “Brain” by Banks. Her flexibility did not seem to be there like the other dancers we’ve seen. She looked like she was struggling. Her legs were not high enough in her jumps. I love her spirit and I loved the concept of the dance, but I’m not sure what happened in the other. Paula said she is a proficient dancer—she could see her training—but there were areas where she needed to extend more. Nigel said her legs appeared tensed. Jason felt that her emotion was more internalized. She received three no’s.

Her friend Samantha Reyes was hoping for a different answer. She dances in the subways. She is going to freestyle street dance. She chose “Faded” by Zhu. It was good. I think she needs some help perfecting her style a bit though. Jason likes her passion but he thinks she needs to add more to her repertoire. Paula said she sees softness in her but Paula reassures her that it is a beautiful thing. Paula said she needs to be taught structure and choreography so she can start building her dance vocabulary but she shows a lot of promise. Nigel says he sees a girl who has to be tough in her life but agrees with Paula that there is a softness about her. She gets three yeses.

Jessica Southwell (aka J-South) auditioned doing a tap/Charleston. OUCH! She fell. It was interesting. He said the routine was juvenile but the outfit made him short for words. She said, “It’s ironic.” Paula thinks she needs to work on the cleanliness of her taps. Jason thought it was like a dirty Snow White. All three were a no, but Jason called her “babe” so she can go away with that I suppose.

At the end of the day ten dancers were joining Team Street and five more were joining Team Stage.

Day two in Detroit. Miranda Wilking just turned 18 on the day of her audition with District 78’s “The Antidote.” That was some hard-hitting dancing there. She was not going to be denied a ticket! I’ll remember the intensity, but not so much signature moves. There was no critique other than Nigel saying “she’s fierce” while she was dancing. She has a ticket to Vegas.

Aaron Viland describes his style as pop-and-lock-a-mation. He dances to “The Creep” by The Lonely Island. He had the judges up dancing. Nigel thanked him for making everyone so happy but it wasn’t strong enough for them to put him through. Paula predicted he was going to become an internet sensation. Jason said they needed a little wakeup call and thanked him.

Michael Manson came on stage to perform the legendary Detroit Jit. That is one FAST dance!!! I wonder how many calories you can burn doing that? Nigel thought it was good. Paula said, “Jit happens.” Michael said that is their slogan. Paula thought what he is doing was extraordinary but he needed to change it up. Jason was there for it. He gets a ticket to Vegas.

Kelsey Rose Young is performing a tap routine to “Bang Bang” by Jessie J. WOW!!!!! She is fantastic. She intermixed some krump into her tap routine. Nigel said she is a born performer. He loved the track she danced to because it was fresh and modern. Her performance was outstanding (a little over the top if he is being honest). Her performance reminded him of Paula. She was double espresso coffee in the morning. Paula wants to carry her in her purse everywhere she goes. She thought she was a little firecracker and she surprised Paula. Jason felt that tap is a dying art and it needs to be brought to current times, like what she did. She gets a ticket.

There was a montage of unnamed stage performers who received a yes for Vegas, followed by a montage of both street and stage dancers who received a no.

Gabby Diaz got cut after her solo in Dallas (a week ago). She completely changed her solo based on the judges’ feedback. She chose “Endangered Species” by Dianne Reeves. I loved it. It was a great tap song. Jason said “now that was amazing” before the actual critiques occurred. Nigel said her auditions were like night and day for him. Her song choice was right, her expressions were right, her interpretation was right. Paula said she took the constructive criticism that they gave her, she took it and it paid off. It was very smart of her and Paula is very proud of her. Jason is proud of her as well. She was almost like a new dancer. She gets the prize—the ticket to Vegas.

Krumper Roydell Shannon blew up the stage with his performance. His son BamBam was called to the stage. BamBam gets a standing ovation from the judges. Nigel thought he was just as good as Russell. Paula thought he brought other dimensions into his routine, not just krumping, and it was incredible. Jason said he was more than a krumper—he is an entertainer. He became a beast and he’s got buck. Definitely going to Vegas.

The tally is 55 dancers for Team Travis and 60 for tWitch





So You Think You Can Dance Season 12 Memphis and Dallas Auditions

19 06 2015

I am looking forward to Jason Derulo joining the judges’ panel. When he was a guest judge last season I was impressed with his detailed and constructive feedback. I was very sad that Mary Murphy’s contract was not renewed. Paula Abdul will be taking Mary’s spot. This season it is stage versus street. The person trying out will have to tell the judges whether they are trying out for #TeamStage or #TeamStreet. By the time Vegas week is over, there will be 10 dancers of each style who will be paired up for the show. Travis and tWitch will be the mentors. One dancer from each team will be sent home based on our votes.

The first contestant is Peyton Albrecht from Robert, Louisiana. He will be dancing for a spot on #TeamStage with a contemporary routine to Steed Lord’s “Ghost of Sky.” There were some interesting elements to it and I was on the verge of goosebumps, but not quite there. I definitely think he deserves a ticket to Vegas. Paula thought he was a powerful dancer with wonderful technique. He has it all (but she is very stoic about her delivery of the comment. Maybe Paula wants to try playing the serious one and keep it as she would with choreography try-outs versus trying to make off-the-cuff comments which sometimes get her into trouble). Jason said it was a hell of a song choice. Jason said that is what performers strive for—to create something that is your own so there is something remaining to remember you by when you are gone. Nigel thought he reminded him of a young Travis Wall (well, I wouldn’t go THAT far Nigel). He received three yeses.

Street dancer Andre Rucker is a part of the infamous Dragon House (an Atlanta group that specializes in popping and animation). He made it to Vegas in season 9 (the season that Cyrus from his house also made it to the finals). He danced to “Special Powers” by Harikiri. GOOSEBUMPS!!! This young man has mad skills in animation. Jason said it was fire. He liked his wave and tutting that he had never seen before. Paula complimented his musicality, how he utilized the choreography right to the different beats and how he enhanced certain instrumentation. He is very special. Nigel enjoyed the hand that came around like a snake. It was really creative and his musicality was terrific. He gets a ticket to Vegas.

Trying out for #TeamStage is Jordan Hilgenberg from Claremont, Florida. She has a ballet base but is more of a contemporary person and incorporates both in her dance style. Her audition song is Julia Stone’s “The Line That Ties Me.” I got goosebumps with that routine. She had enormous control and gorgeous lines. I also felt emotion coming through as well which gave me the goosebumps. I like that the lyrics had “call you the beast.” Nigel often refers to women dancers like Melanie Moore as “beasts.” Nigel said she has beautiful feet. Her arabesque is tremendous. The penche was beautiful. The control of it all was terrific. He was impressed with her grand jeté en avant en tournant and he needs to see more movement. He felt like she was a bird held in a cage. Paula said she has extraordinary elegance. Her core is amazing, balance is amazing, feet are stunning, and breadth of her training is incredible. Jason said she is a beautiful dancer through and through. Her lines were stunning that it carried the performance. She has the potential of being very amazing. Three yeses!

The next contestant planned to showcase Memphis jookin’. It combines foot work, gliding, gangsta-ness, hype-ness. It is footwork, ankle breaking, buck jumping and bounce. The bounce is the heartbeat of the dance that gives it the Memphis attitude. Representing this was Ladia Yates, age 23, from Richmond, California? Okay. I was expecting a Memphis girl. Her song was Bow Wow’s “It’s Going Down.” I love a female hip-hip dancer. Some of her hand work was weird (not as tight as the other stuff), but I liked the rest of it. Nigel said he was proud of what he had just seen. Paula thought she was special and unique. Jason said where he comes from it’s called “a movie” and she just made a movie for them. She propositions Jason to go to the movies after this is all over. He said it was incredible. He said it was so incredible he wanted her to come in and teach some of his dancers what she does. Then we find out why she is in Memphis. She has a dance team of little ones there in Memphis. Nigel calls them up. They all said they wanted to dance to Jason Derulo’s “Talk Dirty to Me.” Jason comes up on stage to sing while they danced. That was fantastic. Those little kids are TALENTED!! Ladia comes down to hug the judges for her ticket and lingers at Jason. That will be the last allowed hug from him for the season. We know what got Paula in trouble on American Idol (allegedly).

After a montage of stage dancers who made it through, a few street dancers came to the stage but it was not strong enough to make it through.

Fifteen dancers would be joining Team Travis, and only 9 were joining tWitch’s street team (and you know they have made it impossible for me to choose between Travis and tWitch). Courtney Barnes returned after last season to dance to Meek Mills’ “Dreams and Nightmares.” Interesting song choice. And it morphed into Selena’s “Bidi Bidi Bom Bom.” He is truly entertaining. (I hope I used the proper pronoun). And then it morphed into Nick Jonas’ “Jealous.” Jason whispered to Paula, “One more hair swipe and I’m gonna lose my mind.” Jason thought it was interesting. He hadn’t seen anyone else put a mash-up together like that. It was a bit too much of hair whipping for him. Jason said it wasn’t ready for this show. Paula said she would pack him in her bag and take him everywhere with her because he adds tremendous life to everything. Nigel thought his style and flexibility were good. Nigel says he is in a difficult position because he always says that he wants them to be unique. Paula is a yes. Jason is a no. Nigel says he is going to have a lot of work to do before he gets to Vegas, but he puts him through.

An unexpected snafu occurred on day 2 of the Memphis auditions when there was an underground substation fire which made the lights go out throughout downtown Memphis and it was unknown if power would be restored. Many said they would go to the other cities to audition, but many said they spent all the money they had to get to Memphis. Mid-afternoon they made the announcement that they would be dancing; however, the auditions would be modified. They would be put into groups based on their style. They will be asked to either stay to do a solo or be dismissed. At the end of the day eight dancers will be joining Travis for the stage group and ten more will be joining tWitch for the street team.

The next stop was in Dallas. The first contestant comes from Miami and he is rather humorous as he stumbles over the word contemporary. He just started dancing 3 years prior when sports bored him. Dancing to Il Divo’s “CarusoGuillermo Morales has some great moves, but he didn’t move any emotion inside of me. His athleticism was compelling. He received a ticket to Vegas. Nigel commented that “he’s a star.”

Jaclyn Hamric danced to “Sleepwalk.” She is a beautiful young lady and she has talent, but there was not anything special to her routine. There was a lot of ponytail turning (which annoyed Jason in a previous city). I also noted that for a contemporary routine, she had her toes pointed out a lot instead of keeping them straight. Nigel thought it was pretty and her technique was good. Paula said she is lovely to watch. The camera and audience love her. Paula likes her a lot. Jason said he liked her a lot as well. He forgot about technique and became a fan. It is a unanimous yes.

Steven Ban looks like an atypical street dancer. Honestly, he looks like someone from my community—a nerd (and describes himself that way as well). Nigel thought he looked like Bill Gates. He chose Thiftworks’ “Sky Fiyah.” He had some skills, but there have been better animators to come through the doors to audition now and in the past. He had some cool moves but was it enough to get him through? Jason said he loved his musicality. He thought he was unique and he loved the whole look. Paula said she thought he was more of an illusionist than an animator. He received three yeses.

Vishona Sims is auditioning for the first time. I liked that she said she wanted to show us what she feels instead of what she can do in a freestyle routine to Eryka Badu’s “The Healer.” Wow she is great. Nigel thought it was dope. He felt it was a little static but still enough to go “wow.” Jason said wow as well. He felt he was alive inside watching her. He thought she told a story. Paula said she is a little star. She was poetic with her movement and thinks she is very, very special. She gets three yeses to Vegas.

Kiosh Monroe from Pleasant Grove, Texas takes the stage to Mark Ronson’s “Uptown Funk.” There was no technique in his dance but it was entertaining. Paula felt like she was watching multiple personalities. He is enjoyable to watch and a lot of fun. She does not know if he is right for the competition. Jason was honest and said it was not for him. He thought he was like the good cousin that could dance. Jason steers him to workout tapes. Jason and many women join him on stage to see if he could have a workout video.

Thirteen will join Team Travis and 16 will join Team tWitch in Vegas.

Tailor’s “Shaped Like a Gun” was the song choice for Lily Leyva, a 19-year-old from Las Vegas. She is a beautiful dancer. She is through.

Jaden Ziarha danced to “Big Spender” and fused ballet with hip-hop. His appearance is deceiving. Paula thinks he marches to the beat of his own drum. Nigel thinks he should be Stephen Colbert’s dancing double. He does not get through to Vegas.

The All-Stars got invited to do the #GimmeFive challenge with Michelle Obama to celebrate the anniversary of her initiative.

The final audition was Tank Hope’s “This Makes You Love Me.” Edson Juarez from Mission, Texas tried out in season 11 but didn’t make it; however, he has worked on those issues since. It was lovely. Jason thought it was the best routine they’ve seen all day. Paula agrees. Nigel still wants more connection. He is through.

Next up: Detroit





So You Think You Can Dance S11 Hell Week

2 07 2014

SoYouThinkYouCanDanceDuring the Pasadena, California callbacks, Adam Shankman, Stephen “tWitch” Boss, Tara Lipinski, and Irina Dvorovenko joined Mary Murphy and Nigel Lythgoe.

 

CallbackJudges

Solos were first. One hundred and fifty-seven contestants danced in front of the judges. Tanisha Belnap‘s solo was okay, but now that I’ve seen other ballroom dancers, she is not quite at their level. I loved Steven Kador. Even “tWitch” went “oooooo.” After this round, 36 dancers were cut including puppet-dancer Paul Brushaber. One hundred twenty-one dancers remained.

The first choreography challenge was hip-hop. Christopher Scott and Jasmine Harper demonstrated the routine. The contestants had the night to rehearse. Steven Kador and Malene Ostergaard danced together and were through. Marie Poppins was through. Jessica Richens was asked to dance for her life. Marcquet Hill was fabulous and was put through. Trevor Bryce, Caleb Bruner, Megan Marcano, and Franchesca Bass were sent home. Jessica Richens danced for her life and made it through to the next round of choreography.

ScottAndHarper

Sonya Tayeh put them through the paces with a jazz routine. George Lawrence II and Amy Yakima demonstrated the dance. Alla Kocherga was a no, but Zach Everheart moved on. Serge Onik, Johnny “Waackd” Gibson, and Jourdan Epstein are all through. Steven Kador, Shafeek Westbrook, and Marie Poppins all were sent home. Jana “Jaja” Vankova had to dance for her life and she was sent through to the next round of choreography along with 64 other dancers.

SonyaTayeh

The dreaded ballroom was choreography round 3 with Dmitry Chaplin and Anya Garnis demonstrated. They were once again given the night to practice. Zach Everheart and Valerie Rockey were through.

DmitryAnya

Travis Wall led round 4 of choreography for contemporary dance with the lovely Makenzie Dustman. Bridget Whitman and Landon Anderson had to dance for their lives. After the contemporary rounds, 29 boys and 21 girls were left to compete.

Travis

Group night was next. Once again they were given overnight to choreograph and learn their steps.  They were broken up into groups of five and given a CD of music. They are required to choreograph and perform the routine. “One Love” consisting of Ryan Johnson, Ryan Redman, Carly Blaney, Novien Yarber, and Serena Pav did not do well at all. Tara thought it was “a mess” as did Irina. Mary told Serena that international rumba is not done on the show for a reason. Nigel said they need smart dancers and that was not smart. He makes the group go decide who will go home. When they could not reach a decision, and because they were willing to all go home versus give up a name, Nigel puts them all through.

The group containing Trenton Williams, Kamille Upshaw, Zach Everheart, Malene Ostergaard, and Johnny “Waackd” Gibson did a wonderful job dancing to “All of Me” by John Legend. I had goosebumps. Adam Shankman thought it was lovely. Tara said it showed they thought about each other but showcased their individual strengths as well. It was Nigel’s favorite routine of the morning.

At this point there were 44 dancers left. They were asked to dance their final solos. Ricky Ubeda may be my favorite dancer this year. I had seriously major goosebumps. In the background you could hear Adam Shankman say, “He’s the best dancer you have.” The four dance crews who will perform are “Academy of Villans“, “Wanted Ashiqz,” “Control Freakz” and “Syncopated Ladies.”

The dancers who walked the final mile were: Ricky Ubeda, Jessica Richens, Jacque LeWarne, Teddy Coffey, Stanley Glover, Carly Blaney, Emilio Dosal, Jana “Jaja” Vankova, Novien Yarber, Serena Pav, Armen Way, Johnny Wacckd Gibson, Bridget Whitman, Valerie Rockey, Zach Everheart, Jourdan Epstein, Casey Askew, Emily James, Landon Anderson, Haley Payne, Justine Lutz, Nick Garcia, Rudy Abreu, Tanisha Belnap, Serge Onik, Malene Ostergaard, Brooklyn Fullmer, Marcquet Hill, and Erik “Silky” Moore.





So You Think You Can Dance S11 Los Angeles Day 2 and Philadelphia Auditions

18 06 2014

Los Angeles Day 2

SoYouThinkYouCanDanceChristina Applegate joined Mary Murphy and Nigel Lythgoe for day 2 of the LA auditions.

Serge Onik (age 25 from Upper Saddle River, NJ) made it to the green mile last season. He has a new partner this year, Alla Kocherga, a 24-year-old woman from Los Angeles. Five seconds in and I loved it. Goosebumps! Rarely does ballroom give me goosebumps. That had a sizzle finish. Mary loved it. They are through.

Timothy Joseph is a 24-year-old, B-boy dancer from Sacramento, California who specializes in “suicides.” He is fantastic. He reminds me of Legacy. Mary thinks he is fearless. He was flipping too much for this. They send him to choreography; however he hurt himself during the solo so he has a decision to make. He was in too much pain to continue.

Casey Askew, 19 years of age, a contemporary dancer from Seattle, Washington. Goosebumps! I loved watching him. He had such great emotion. I got more impressed the more he dances. They stop the music and give him a ticket.

After a montage of successes J4 might have a problem with his height. But he IS only 9. He wants to show him hip hop “for the experience.” Fik-shun and Cyrus join him on stage. This kid is fabulous! What a joy and talent he is. Everyone is on their feet. He was able to meet his idol Stephen ‘Twitch’ Boss. According to him, it was the best day of his life.

Her dance is for her brother who was struggling with addiction who is now sober and healthy. Jourdan Epstein, age 24, from Plymouth, Minnesota is fabulous. I again had goosebumps. She gave Christina chills. Mary puts her on the hot tamale train. She is through.

Johnny “Waackd” Gibson, age 22, from New York City. I think he had improved from his audition 2 years ago. It is a “yes” to choreography and from there he is through to the next round.

Armen Way is a 28-year-old from Glendale, California, who tried out in season 10. I was turned off by him last year. His dance appeared to be all about himself. He seemed to objectify women from this rap video they showed in his audition packet. Last year he was sent home because he dropped Malece Miller on her head. I LIKE this version of Armen better. This year he had a new partner, Malene Ostergaard, a 25-year-old from Studio City, California. She reminded me of Mila Kunis. That dance was hot and sexy. I felt that Armen’s attention was on his partner this time and the dynamic between them sizzled. Yep, I like this version of Armen much better. Mary Murphy talked the entire way through the dance about how impressed she was. What a dynamic couple they are. She felt Malene ran the hot tamale train straight off the tracks. Christina said people would love them both. They are through to the next round.

Philadelphia Day 1

Prima ballerina Misty Copeland joined Mary Murphy and Nigel Lythgoe during this audition.

Bridget Whitman, age 19, from Tempe, Arizona was up first. Her back-story was making me cry. One of her last memories of her dad before a tragic car accident killed him was her telling him that she wanted to be on the show. He told her that she could get there through a lot of hard work. I was sobbing. Mary Murphy was crying, too. Is she the best contemporary dancer I have seen during the auditions? No. But she does deserve a shot in the next round. Misty thinks she is a beautiful dancer. Mary can feel everything she is going through. She gets her ticket.

They then showed a montage of really fantastic male dancers.

Amir Sanders, age 21, is a self-described funky ballerina from Baltimore, Maryland. She is interesting from her look to her style of dance. It did not give me goosebumps, but I enjoyed it. Misty thinks her technique and lines are beautiful, but there were small moments she needs to focus on to improve. Mary thought for a moment it was like watching Diana Ross striking a pose. They sent her to choreography, which shocked both the audience and me. However, she does make it through to the next round after choreography.

Last year’s Jenna Johnson had a partner last season who was too young to audition. Landon Anderson, age 18, from Springville, Utah came back to audition (along with Jenna). He had some nice foot work but is he as strong as some of the other guys on the show? I don’t know about that. Mary thought he was a great partner. Misty said that he became someone else for dancing–like a little boy in speaking but a man in dancing. He gets a ticket to move to the next round. Jenna gets a surprise as well when Nigel extends to her an invitation to come back this season to be an all-star, something they don’t usually do when they were just contestants the prior year.

The last contestant for day 1 was Shafeek Westbrook. In season 9, he left with a really bad attitude. His words were “not coming back ever.” He hails from Upper Darby, Pennsylvania and is 24 years old. I loved his moves, but I was not sure why he felt the need to take his shirt off. Mary wanted more “wow” moments. Misty felt like he was trying to sell them his body versus his dancing. Nigel says yes to choreography. He makes it through to the next round after the choreography sessions.

Philadelphia Day 2

Billy Porter joins the judging panel for this round of auditions.

First up is Stanley Glover. His mother died when he was 4 years old while he was sleeping next to her; she had a heart attack in her sleep and they found her dead in the morning. Both sides of his family failed to go to the court date that would decide guardianship of him. His mother’s friend, Margaret Chamberlain, stepped up and brought him into their home. He is a 19-year-old from Chicago, Illinois. His choreography was genius and for a moment the words “Shelob’s mate” popped into my mind. Or at least a creature from the show on the CW called “The 100.”

Krumper James “Banks” Davis was shot twice in his knee four years ago. They were about to amputate his leg but his pulse came back. He is from Brooklyn, New York, age 24. This gave me goosebumps. It was such a unique style of krumping. Way to represent Brooklyn (I was born there). Billy felt like he was a true storyteller and it was fantastic. He gets to go to choreography, but he does not get to the next round.

Dance Crews

This was a tough choice. It was between a Bollywood/Hip-Hop Dance Crew called Wanted Ashiqz versus a group of hip-hop street style called Mix’d Elements. I’m really torn between them.  As of right now, we do not know the results of the vote.





So You Think You Can Dance S10 Performance Finale Show

5 09 2013

Tonight was the last performance show that would count for voting before next week’s announcement of the top girl and top guy winners. It was a terrific season with such wonderful dancers. There were highs and lows but overall the quality level of the performers continues to improve each year. At the end of 10 seasons, this show has not lost its appeal. I think part of that is because other networks are not producing dance shows that are causing us to fatigue of them unlike perhaps American Idol. Although I have a special place in my heart for Aaron and Jasmine, Amy and Fik-Shun had a terrific night as well. I think they will have wonderful careers ahead of them regardless of whether they win the big prize. Every dancer had the opportunity to work with some of the best choreographers in the business and provided a wonderful education for them. Let’s review tonight’s show.

The Judges

Gabby Douglas, Paula Abdul, Nigel Lythgoe and Mary Murphy.

The Dances

Dancers: Aaron and Amy
Style: Jazz
Choreographer: Ray Leeper
Song: “Primitive” by Richard Vission vs Luciana

Rawr! Rawr! Rawr! It is nice to see Aaron always connecting with his partners whoever they may be. It was high energy. They both extended themselves with each stretch. I think Aaron kept his shoulders down, too. I think there may have been a time or two when I think Aaron’s leg should have been extended more if I was comparing it to Amy’s legs. I liked the mixed tempo of the song, too because it allowed for a mixture of dance styles which I guess is why Ray was calling it jazz fusion.

The judges: Nigel said it was a great way to open the show. He loved the costumes. They laid down the gauntlet. Mary said they knocked it out of the park again. They had so much strength said they attacked it ferociously. Their strength as dancers blows her mind. Gabby said it had spunk and attitude. She loved the costumes. Paula said Amy’s center is ridiculous and stunning. She felt Aaron is a generous partner. He does not steal focus from Amy. He breathes character into each one he portrays. He takes her breath away watching him. The two of them are fantastic–great opening.

Dancers: Jasmine and Fik-Shun
Style: Contemporary
Choreographer: Travis Wall
Song: “Spiegel Im Spiegel” by Angela Yoffe and Vadim Gluzman

Couple growing apart floating away from each other (imagine under the ocean). I thought it was lovely how they were already into character before the song even started. I am very impressed with Fik-Shun and how much he has grown. There were definite issues with height here though. At times it was clumsy because of it but there were times when I felt myself breathing in their ebb and flow. Jasmine always stole my eye but Fik-Shun rose to the occasion. It embodied a great sense of sadness. Not quite goosebumps but right on e edge for me.

The judges: Mary was standing. She thought Travis was brilliant. It was such beautiful movement. They looked beautiful together. Jasmine is captivating to watch. Fik-Shun throws her off all the time. His emotion and his tenderness and his partnering to her is so magnificent to watch. The beat hit in the chest got her. Gabby had goosebumps. Jasmine’s lines are phenomenal. Paula admires Jasmine. She has been exquisite this entire season. She bought that they were underwater. Every time she sees him on stage, she is increasingly aware of the incredible journey he has made on this show. Nigel thinks that Jasmine’s lines were just perfect. Nigel said Paula nailed it in her critique. In Vegas he was like Bambi on ice and now seeing him now extending himself, and this routine did not allow for him to show his personality–it forced him to dance. Both did really well.

Dancers: Aaron and all-star Melinda Sullivan
Style: Tap
Choreographer: Anthony Morigerato
Song: “When I Was Your Man” by Bruno Mars

I have not had opportunities to see a lot of tap done to modern music. Next time I have an argument with my husband I will suggest tapping it out. So nice seeing Melinda back. The depth of emotion was there as well. I really enjoyed it. Go Aaron!

The judges: The panel was standing. Gabby thought it was just incredible performance. She loves tap. They nailed it, they killed it, were on fire, and wow–just incredible. She was in awe. Paula is excited that there was a tap routine. She thinks Aaron is the ultimate storyteller of this season. Nigel thought who could have thought of doing so much in a couple of step pickups. He thanked Aaron for being the first tap dancer in the finale. It was a great concept that you can have a conversation tap dancing. It was well danced. Mary LOVED IT!!!! She thought it was spectacular and the complex rhythms that they brought to the dance right now was music to her ears.

Dancers: Jasmine and all-star Comfort Fedoke
Style: Hip-Hop
Choreographer: Tabitha and Napoleon D’Umo
Song: “Run The World (Girls) (Nappytabs Remix) by Beyonce

Bikes! Girl power! That was fabulous. I know exactly why she picked this–strategy. She knew Amy was going to choose contemporary. She wanted to show us she can handle anything, and she can. She kept up with the fabulous Comfort. That was so fast and hard-hitting, I am amazed these finale dancers have the energy and strength to do so many dances tonight. The audience was crazy excited, too.

The judges: Paula said wow, unbelievable. If these two girls ran the world life would be really fun. She was ferocious on this stage. Nigel said Jasmine is showing us that she is better than just contemporary. She is “in it to win it” tonight. She is fighting to win. Mary said Jasmine danced it like she choreographed it. She is a bad ass in the best possible sense. Gabby said she should get a call from Beyonce–that routine was the bomb. She is looking for a new floor routine for 2014 and maybe that was it.

Dancers: Amy and Fik-Shun
Style: Argentine Tango
Choreographer: Leonardo Barrionuevo and Miriam Larici
Song: “Hazardous/Zero Signs” by PP Music (UK)

I think this music was on Battlestar Galactica (the newer version). I thought she was leading. He tried hard and did his absolute best but Amy did a better job. I really do admire his spirit.

The judges: Nigel thought this was Fik-Shun’s toughest challenge yet. It was a brave attempt but was not strong enough for him. He felt Amy was really strong in this. The competition begins now between Jasmine and Amy. Mary said he was there for her as a partner but pointed out some weaknesses in technique. Amy is one of the most dominating dancers on all the seasons of So You Think You Can Dance. Gabby loved it and the emotion and chemistry. Paula thought Fik-Shun was handling Amy pretty darn well and Amy was perfection.

Dancers: Jasmine’s solo
Song: “Ready For Love” by India.Arie

I could watch her all day and get goosebumps all day long. I also now want her haircut. New news–Cat Deeley fought for her to be in the top 20. So Aaron and Jasmine were both not supposed to be here and here they are, poised to take it all. I love you Cat Deeley!

Dancers: Jasmine and Aaron
Style: Samba
Choreographer: Dmitry Chaplin
Song: “Can’t Touch It (Radio Edit) by Ricki-Lee

That was soooo entertaining! But where were the samba hips? Felt it was danced more like a jazz or Broadway dance versus a samba. Wardrobe malfunction but in this case the costume would not come off Jasmine. Aaron’s arm positioning is a bit sloppy.

The judges: Mary said it was not danced very well. Jasmine fared a little bit better. This was not the best thing for both of them but not bad. Gabby loved it. It was not their strongest one. Paula said they have been one of her favorite couples of all time. The energy and the synergy are beautiful. Nigel said every single thing you do tonight has to be outstanding. He wanted more from them. The chemistry was not there tonight. He felt they were not comfortable with the routine tonight.

Dancer: Fik-Shun’s solo
Song: “Gangham Style” by Psy

I like what he said in his montage. He may not be America’s best dancer, but he could be America’s favorite dancer. I had my doubts about how this would turn out with such an iconic song. I loved that he pulled some of Psy’s dancing and made it his own. I enjoyed it so much.

Dancer: Amy’s solo
Song: “Unchained Melody” by The Righteous Brothers

We’ll never forget your dance with Travis either. Amy has such passion and such beautiful technique. I have said it before and I will say it again. She reminds me of Melanie Moore.

Dancers: Fik-Shun and all-star tWitch
Style: Hip-hop
Choreographer: Luther Brown
Song: “Hello Good Morning (Remix) by Diddy-Dirty Money featuring Nicki Minaj and Rick Ross

Wow! Fik-Shun is short! They looked like a father and son dancing together. That was a fun routine. I was watching tWitch, however. I could not help myself. I thoroughly enjoyed that.

The judges: Gabby thought it was fantastic and she loved it with the spark and attitude she loved. Paula wants to dance with Nigel. Nigel thought it was tWitch and tWitch Jr. It was fantastic. He gave Fik-Shun some career advice that tWitch kept growing after the show was over and that is what he needs to do, too. Mary loved it. She thought he is going to be very proud when he sees it play back later.

Dancer: Aaron’s solo
Song: “You & I (Acoustic) by Jason Mraz

He truly has made me fall in love with contemporary tap. The height on that jump! Nigel said it–Fate has brought you to us for a reason. I believe it.

Dancers: Amy and all-star Robert Roldan
Style: Contemporary
Choreographer: Stacey Tookey
Song: “Say Something” by A Great Big World

It is a story about courage and bad timing. Best friends; he’s been in love with her for years. She realizes that she loves him back. She has to find the courage to tell him before he goes. Goosebumps! Oh my God. That was my favorite routine of the night. I held my breath when he lifted her up in the air and held her for a second before coming down. It was so powerful and vulnerable at the same time. I felt every part of the story as they danced. And the story did not have a happy ending. Maybe there will be a part 2 of this story. I love Robert.

The judges: Paula said this was her favorite routine of the night. The pairing of the two of them was a symphony up there. Her raw emotion–she just steals her heart every time. Nigel said this was terrible choreography–why did he leave her? They were getting along very well (he was kidding). The combination of emotion, performance, technique from the pair of them was intoxicating. She stepped into his lead tonight. Mary loved it. Amy gives every single part of herself. The energy comes from her soul and radiates outward across that stage. Gabby said it was one of her favorites this evening. Everything was on-point.

Dancers: Fik-Shun and Aaron
Style: Broadway
Choreographer: Tyce Diorio
Song: “The Jitter” by Big Bad Voodoo Daddy

Enjoyable. They both did a good job but it is not quite my style. They complimented each other well.

The judges: Nigel said it reminded him of a Michael Kidd routine. It gave them fun stuff. They did not stop dancing since the music began and they must be exhausted. Mary said that absolutely was the cutest thing ever. Aaron was back on top again with this number and Fik-Shun just charms the pants off everyone. Gabby loved the energy. They were fantastic, phenomenal. Paula said both of them were in their element completely. The two top showmen of the season. She also reminded the audience that Tyce was paper of her dance crew a long time ago.

Dancers: Amy and Jasmine
Style: Jazz
Choreographer: Mark Kanemura
Song: “The Diva Dance” by Eric Serra

Mark has been hanging out with Lady Gaga too long. Siamese twins from the fierce jungles of Saturn? The music reminded me of The Fifth Element. Wait! It is the same music–when the blue diva who has the stones inside of her and she sings opera and gets shot and dies but not before Bruce Willis does a c-section and delivers wind, fire, water, and earth stones. I am not really sure about this one. It was different and creative. The ladies did a wonderful job. It will be something I never forget and that is a good thing.

The judges: Mary said she has a bit of clown in her soul too and that was crazy and creative and quirky and she loved it. If Mary could vote them both into first place she would. Gabby thought it was a great way to end. It was crazy and fun and had humor to it. Paula said she finally felt like she was home. E.T phone home. She loved it. Nigel said it was a zany routine. It was loopy which is why he understands why Paula felt at home. It was fun. He felt this year the girls have stolen the show for him. If they were both in competition with the boys this year, he felt they would both would have won. They are some of the best dancers they have ever, ever had.

I will have to agree with Nigel here. Both Amy and Jasmine overall did the best job tonight.