So You Think You Can Dance Season 12 Top 16 Perform 2 Eliminated

15 08 2015

We are quickly making our way towards the finale where America’s favorite dancer is announced. I think all the dancers are reaching inside themselves to conquer those elements of dance with which they were least familiar. It has made for an exciting season so far.

Tonight’s group dance was choreographed by Nick Florez and RJ Durell to the song “Love is Free” by Robyn & La Bagatelle Magique featuring Maluca. What a fantastic way to wake up the audience in preparation for tonight’s show. I am always in awe when these dancers can learn things that have so many complicated fast moves. It shows such great effort on their parts to want to give the best performance possible.

Cat revealed who won most of the votes last week. Team Stage barely won with 50.5% of the votes with Team Street pulling 49.5% of the vote. Derek injured himself this week and won’t be able to perform. He may or may not be in danger this week but if he makes it through to next week, he will automatically be in the bottom 3.

Ray Leeper choreographed Hailee and JaJa in a jazz number. It is a song about female empowerment danced to the song “Endangered Species” by Dianne Reeves. JaJa held her own. Hailee brought more sexiness to the dance than JaJa and dug a little deeper to bend more, stretch more, and emphasize more. But JaJa represented a different type of woman I think; after all, there are so many versions of us. Nigel said they are two incredible ladies. Together they are a knockout. He said whether it is Hailee’s hair or eyes or the “hey look at me” mentality she has when she walks on stage, he has to focus on her. She is just a sensation. JaJa is one of the most interesting street dancers they have ever had on the program. She is growing in technique exponentially. Paula thinks the spectrum from where JaJa started from last year not making it to the choreography rounds to where she is today is unrecognizable. It is brilliant to watch the growth. She knocks them out week after week. Hailee has a radiance about her and they are drawn into the luster of her brilliance. It shines with her like a dance partner that never leaves her. Words that you cannot even describe. They can’t help but laser into her. It’s a beautiful gift. Jason thought it was a beautiful performance. He is so proud of JaJa. Her intention was there. The style of the dance was there. He cautioned her to be careful with her leg extensions and stretch a bit more because when both of their legs are up, Hailee’s leg is “way up here” and hers is “a little down here.” Hailee is coming out of her shell and becoming a star right before their eyes. Cat reveals the results from last week’s dances for them. Both of them are safe.

Dave Scott choreographed Neptune and Alexia. It is a crazy love story type of hip-hop dance to the song “Flex (Ooh Ooh Ooh)” by Rich Homie Quan. I loved this. I got goosebumps. Traditionally I get goosebumps to songs that touch an emotion in me. This pairing was perfect. Alexia was fantastic with her moves. She had great chemistry with Neptune. The added feature of a padded-wall prop made the routine so much more interesting. When things like this are introduced they are either a hit or a flop. This was definitely a hit. Their marks for the wall were perfectly timed singly and in duet. I totally got “crazy love story” from this. If I had to guess I would say Alexia’s character was more of the cray-cray part of the relationship. Paula gave them a standing ovation. Paula thought it was a fun, fun routine. Twerking up a padded wall was pretty creative. Both were committed to the character. They both had so much fun. It was sick, crazy love, whacky, insane, sensual, sexy and just weird and she loved it. Jason told Neptune he will be important to his team. He is a head runner and will steer his team over. Let sure he is leading his team. Alexia is getting better and better every week and keep it going. Nigel agrees Alexia is getting better and better every week. As Jason said, Neptune started quietly and every week is building himself slowly week upon week. America is crazy if they don’t recognize that. Based on last week’s dancing, Alexia and Neptune are both safe.

JJ and Derek got together with choreographers Miriam Larici and Leonardo Barrionuevo for an Argentine tango. Since Derek can’t perform, she gets to dance with Leonardo. What a treat for her. The song is “Duo De Amor” by Astor Piazzolla. He really helped her get all those lines and high lifts. I think the chemistry was there. It was beautiful. The judges were on their feet. Jason said, “Girl, you brought sexy back, and all the judges didn’t know how to act.” He said it was unbelievable. She overcame adversity and she held her own. Nigel said from the first breath throughout the routine how sensual she was making it. If Mary Murphy were there now, JJ would definitely be on her hot tamale train. He teased her that Leonardo held her at the end for a bit longer and she was enjoying every second of that. She laughed in agreement. She was a credit to her team. Paula said it was beautiful routine. The most incredible, incredible transformation comes from her. It’s the whole 360. The grace and beauty of her extensions. She is like a young ingénue of maybe Natalie Wood and maybe Leslie Caron. It is lovely seeing her like this. Results from last week’s dance: JJ and Derek are both in danger.

Ariana and Jim were paired with Sean Cheesman who choreographed a contemporary routine. The story is about the ups and downs of dealing with depression. The song is “Everyone Wants to Rule the World” by Lorde. Interesting version of this song; I had never heard it before. It set the mood for the dance. The dancing was fabulous but I think Jim needed to dig a little deeper for the emotional connection. There is great despair in depression and it was more like he was playing a part versus experiencing it. Situational depression is different from chronic depression and trying to dig your way up from that. Usually dances like this will certainly give me goosebumps, but not today. Bummed. The judges were on their feet. Nigel said he thought they conveyed the brilliant message that Sean wanted to convey. Nigel said that dance is a great weapon in depression and dementia so if you ever feel this way, get up and dance. He said he didn’t know why the audience was not connecting with Ariana. Nigel felt Jim was not struggling at all. Paula said just when you think you can’t grow better or stronger, both of them are proving that each week. She thinks it is one of the best routines that showcased both of the breadth of who they are as dancers, and both the light and the shame of the depression, the light and the light—it worked beautifully, seamlessly. Ariana was keeping up with Jim step for step with him. Jason said he is blown away by Ariana for being able to dance with such a technical dancer as Jim and hold her own is unreal. He can never tell what team she is on. He said to Jim that he has never seen talent/technique like that live and thanked him. After hearing these comments from the judges, I wonder if the song is what threw the whole dance off for me. I was concentrating on the song so much (as the original is an all-time favorite of mine) that I was trying to wrap my head around that which held me back from fully experiencing it as they did. The results from last week from Cat: Jim is safe and Ariana is in danger.

Virgil and Gaby were teamed with Al Blackstone for a Broadway routine about two people on the streets of New York who think they know each other after they bump into each other to the song “Where or When” by Sammy Davis Jr. That was adorable and so much fun. I could picture them having a job on Broadway. Nigel was on his feet—wait all the judges! Paula said some wonderful things about the dance but turned to Virgil and said he is like a young Sammy Davis Jr. He can do it all and he is so wonderful to watch. She thought Mattel should slap their sign on the back of his behind and sell a million Virgil dolls. (Okay?) Paula said Gaby is impeccable. She is so well versed. It’s lovely to see how elegant and how amazing she is in this competition. Jason told Virgil he breathes life into every performance. Jason shares he went to college for musical theater and *this* (meaning the routine) is his thing. They both did an amazing job. He said the breadth of knowledge of dance that Gaby has is pretty amazing. He cautioned him to not let Virgil upstage her. He told her not to underestimate a smile. Her smile lights up a room. Nigel said he disagrees with Jason—they were both a fabulous power couple tonight. He said Broadway demands the best of you. When they go on those hallowed boards, you have to be brilliant every time, rain or shine, whether you are ill or fine, you just have to be brilliant and both of them were brilliant tonight. Cat told them they are both safe based on last week’s dance.

Asaf and Kate joined together to do a jazz routine choreographed by Sean Cheesman. The story of the dance is that Asaf and Kate ARE the in-crowd at the club. Kate unfortunately does not feel safe with Asaf who is having trouble with the lifts. The song is “Braveheart” by Neon Jungle. I guess thes choreographer and the team captains felt it was better to get the lifts out of the song. It was an okay routine. I feel bad for Kate. She tried her best to make the situation work, but I think what happened messed up the chemistry they might have been able to have—to connect better. Jason told Kate she has been a favorite of his in the past few weeks. Jason said they got a lot of heat last week for saving him and he does not regret it. He thinks, however, that he is in that danger zone. He does not think his performance saved him. Jason feels like Asaf is in a limbo. Nigel said to Kate that her technique has never been in question; it has always been about a connection. She really connected to him tonight and he hopes she did with America. Nigel said that he is constantly being told by his choreographers how hard he works. This was so much better this week than his cha-cha last week. He lived up to his name and he “danced his ass-af.” Paula told Kate she looks lovely tonight. She said what she was happy about was that there was no more fear; she trusted her partner; both of them worked very well together. She told Asaf he was there for his partner and it is like night and day from last week to this week. Cat announces the results from last week’s votes, they ae both in danger this week.

Marissa and Yorelis join together for a Christopher Scott hip-hop number. For the story, Yorelis gets to hypnotize Marissa to win her over to Team Street. The song is “Let Go” by Kezwik featuring Mimi Page. They make a great team. This routine is among my favorites tonight. This is when I like Christopher Scott’s routines. Nigel thought Marissa’s tumbling skills really came into this routine, although she was terrific. He warns her she has to be careful to get the same liquid flow to her body that Yorelis has. He echoed Jason’s words earlier that he does not know who is on whose team tonight. He thought Yorelis is so beautiful and sensational. Her whole body moves to the music. It’s almost like she hasn’t been choreographed. The music drives her body. Paula wants to compliment both of them. She thought Marissa just licked it up and acknowledged it is hard for a jazz/contemporary dancer—the animation is hard. The choreography was well thought out and very clever. This is where Yorelis shines. Jason thought it was a really good performance. He said that after seeing some of the performances today, it did fall a little short. He wanted them to be a little more intense, a little bigger, based on the intensity of the song. At times they nailed it and at times they didn’t. The little intricacies he thought they did well. For the size of the song, he didn’t feel like the performance matched. It was good but it didn’t blow him away. Cat said that Marissa is the final dancer in danger tonight based on last week’s routine.

Megz and Edson are paired for a contemporary dance from Talia Favia. The story is about temptation and being extremely intrigued by it. Megz is discovering temptation and is constantly being pulled back by Edson. The song is “You There” by Aquilo. GOOSEBUMPS. The expressions on Megz face and her technique considering she is Team Street is so impressive. All the judges were on their feet. Paula was in tears. Paula had bumps all over her arms and she is very taken with this routine. She thought Megz was truly amazing. She told Edson they danced—she didn’t know how it could be any better. Words cannot describe so she is going to leave it at that. Jason said easily one of the best performances of the night. He thought the struggling in the shirt was a concept that was so dope but it could easily go wrong. You had to have the right amount of desperation and he believes they accomplished that. He thinks this number will go into SYTYCD history. Nigel thought for the first time a shirt has come off in this show for a good reason. Cat shrugs and says, “So you say.” The image of how much we hide from each other in a relationship was captured beautifully by Talia’s choreography. He felt she and JaJa have become contemporary dancers. You’ve moved over to Travis’ team. He told Edson that Edson finds it hard to be passionate in his dancing sometimes, but he did not tonight. He really released his emotions so it was great to see. It was a beautiful routine as everyone has said. And since the dancers who are in danger have already been revealed, both Edson and Megz are safe.

Team Street dances together to choreography by Luam. She feels it captures the spirit of New York and the hustler spirit. The song is “Commas” by Future. They nailed it. It was wonderful. The judges were on their feet.

Next up is Team Stage choreographed by Travis Wall. The theme is ghosts of theaters past. The song is “Beautiful Friends” by Helen Money. WOW TRAVIS WALL! I love you! That was so wonderful. I think this is the third time Travis has choreographed his own group number. Time to “Step Up” tWitch!

Twitter votes save JJ and Derek (injured Derek—is that fair Twitter?—he is automatically going to be in the bottom 3 next week). The judges save Kate and let Marissa go. As far as the street dancers, the judges save Ariana; Asaf is leaving the competition.





So You Think You Can Dance S10 Performance Finale Show

5 09 2013

Tonight was the last performance show that would count for voting before next week’s announcement of the top girl and top guy winners. It was a terrific season with such wonderful dancers. There were highs and lows but overall the quality level of the performers continues to improve each year. At the end of 10 seasons, this show has not lost its appeal. I think part of that is because other networks are not producing dance shows that are causing us to fatigue of them unlike perhaps American Idol. Although I have a special place in my heart for Aaron and Jasmine, Amy and Fik-Shun had a terrific night as well. I think they will have wonderful careers ahead of them regardless of whether they win the big prize. Every dancer had the opportunity to work with some of the best choreographers in the business and provided a wonderful education for them. Let’s review tonight’s show.

The Judges

Gabby Douglas, Paula Abdul, Nigel Lythgoe and Mary Murphy.

The Dances

Dancers: Aaron and Amy
Style: Jazz
Choreographer: Ray Leeper
Song: “Primitive” by Richard Vission vs Luciana

Rawr! Rawr! Rawr! It is nice to see Aaron always connecting with his partners whoever they may be. It was high energy. They both extended themselves with each stretch. I think Aaron kept his shoulders down, too. I think there may have been a time or two when I think Aaron’s leg should have been extended more if I was comparing it to Amy’s legs. I liked the mixed tempo of the song, too because it allowed for a mixture of dance styles which I guess is why Ray was calling it jazz fusion.

The judges: Nigel said it was a great way to open the show. He loved the costumes. They laid down the gauntlet. Mary said they knocked it out of the park again. They had so much strength said they attacked it ferociously. Their strength as dancers blows her mind. Gabby said it had spunk and attitude. She loved the costumes. Paula said Amy’s center is ridiculous and stunning. She felt Aaron is a generous partner. He does not steal focus from Amy. He breathes character into each one he portrays. He takes her breath away watching him. The two of them are fantastic–great opening.

Dancers: Jasmine and Fik-Shun
Style: Contemporary
Choreographer: Travis Wall
Song: “Spiegel Im Spiegel” by Angela Yoffe and Vadim Gluzman

Couple growing apart floating away from each other (imagine under the ocean). I thought it was lovely how they were already into character before the song even started. I am very impressed with Fik-Shun and how much he has grown. There were definite issues with height here though. At times it was clumsy because of it but there were times when I felt myself breathing in their ebb and flow. Jasmine always stole my eye but Fik-Shun rose to the occasion. It embodied a great sense of sadness. Not quite goosebumps but right on e edge for me.

The judges: Mary was standing. She thought Travis was brilliant. It was such beautiful movement. They looked beautiful together. Jasmine is captivating to watch. Fik-Shun throws her off all the time. His emotion and his tenderness and his partnering to her is so magnificent to watch. The beat hit in the chest got her. Gabby had goosebumps. Jasmine’s lines are phenomenal. Paula admires Jasmine. She has been exquisite this entire season. She bought that they were underwater. Every time she sees him on stage, she is increasingly aware of the incredible journey he has made on this show. Nigel thinks that Jasmine’s lines were just perfect. Nigel said Paula nailed it in her critique. In Vegas he was like Bambi on ice and now seeing him now extending himself, and this routine did not allow for him to show his personality–it forced him to dance. Both did really well.

Dancers: Aaron and all-star Melinda Sullivan
Style: Tap
Choreographer: Anthony Morigerato
Song: “When I Was Your Man” by Bruno Mars

I have not had opportunities to see a lot of tap done to modern music. Next time I have an argument with my husband I will suggest tapping it out. So nice seeing Melinda back. The depth of emotion was there as well. I really enjoyed it. Go Aaron!

The judges: The panel was standing. Gabby thought it was just incredible performance. She loves tap. They nailed it, they killed it, were on fire, and wow–just incredible. She was in awe. Paula is excited that there was a tap routine. She thinks Aaron is the ultimate storyteller of this season. Nigel thought who could have thought of doing so much in a couple of step pickups. He thanked Aaron for being the first tap dancer in the finale. It was a great concept that you can have a conversation tap dancing. It was well danced. Mary LOVED IT!!!! She thought it was spectacular and the complex rhythms that they brought to the dance right now was music to her ears.

Dancers: Jasmine and all-star Comfort Fedoke
Style: Hip-Hop
Choreographer: Tabitha and Napoleon D’Umo
Song: “Run The World (Girls) (Nappytabs Remix) by Beyonce

Bikes! Girl power! That was fabulous. I know exactly why she picked this–strategy. She knew Amy was going to choose contemporary. She wanted to show us she can handle anything, and she can. She kept up with the fabulous Comfort. That was so fast and hard-hitting, I am amazed these finale dancers have the energy and strength to do so many dances tonight. The audience was crazy excited, too.

The judges: Paula said wow, unbelievable. If these two girls ran the world life would be really fun. She was ferocious on this stage. Nigel said Jasmine is showing us that she is better than just contemporary. She is “in it to win it” tonight. She is fighting to win. Mary said Jasmine danced it like she choreographed it. She is a bad ass in the best possible sense. Gabby said she should get a call from Beyonce–that routine was the bomb. She is looking for a new floor routine for 2014 and maybe that was it.

Dancers: Amy and Fik-Shun
Style: Argentine Tango
Choreographer: Leonardo Barrionuevo and Miriam Larici
Song: “Hazardous/Zero Signs” by PP Music (UK)

I think this music was on Battlestar Galactica (the newer version). I thought she was leading. He tried hard and did his absolute best but Amy did a better job. I really do admire his spirit.

The judges: Nigel thought this was Fik-Shun’s toughest challenge yet. It was a brave attempt but was not strong enough for him. He felt Amy was really strong in this. The competition begins now between Jasmine and Amy. Mary said he was there for her as a partner but pointed out some weaknesses in technique. Amy is one of the most dominating dancers on all the seasons of So You Think You Can Dance. Gabby loved it and the emotion and chemistry. Paula thought Fik-Shun was handling Amy pretty darn well and Amy was perfection.

Dancers: Jasmine’s solo
Song: “Ready For Love” by India.Arie

I could watch her all day and get goosebumps all day long. I also now want her haircut. New news–Cat Deeley fought for her to be in the top 20. So Aaron and Jasmine were both not supposed to be here and here they are, poised to take it all. I love you Cat Deeley!

Dancers: Jasmine and Aaron
Style: Samba
Choreographer: Dmitry Chaplin
Song: “Can’t Touch It (Radio Edit) by Ricki-Lee

That was soooo entertaining! But where were the samba hips? Felt it was danced more like a jazz or Broadway dance versus a samba. Wardrobe malfunction but in this case the costume would not come off Jasmine. Aaron’s arm positioning is a bit sloppy.

The judges: Mary said it was not danced very well. Jasmine fared a little bit better. This was not the best thing for both of them but not bad. Gabby loved it. It was not their strongest one. Paula said they have been one of her favorite couples of all time. The energy and the synergy are beautiful. Nigel said every single thing you do tonight has to be outstanding. He wanted more from them. The chemistry was not there tonight. He felt they were not comfortable with the routine tonight.

Dancer: Fik-Shun’s solo
Song: “Gangham Style” by Psy

I like what he said in his montage. He may not be America’s best dancer, but he could be America’s favorite dancer. I had my doubts about how this would turn out with such an iconic song. I loved that he pulled some of Psy’s dancing and made it his own. I enjoyed it so much.

Dancer: Amy’s solo
Song: “Unchained Melody” by The Righteous Brothers

We’ll never forget your dance with Travis either. Amy has such passion and such beautiful technique. I have said it before and I will say it again. She reminds me of Melanie Moore.

Dancers: Fik-Shun and all-star tWitch
Style: Hip-hop
Choreographer: Luther Brown
Song: “Hello Good Morning (Remix) by Diddy-Dirty Money featuring Nicki Minaj and Rick Ross

Wow! Fik-Shun is short! They looked like a father and son dancing together. That was a fun routine. I was watching tWitch, however. I could not help myself. I thoroughly enjoyed that.

The judges: Gabby thought it was fantastic and she loved it with the spark and attitude she loved. Paula wants to dance with Nigel. Nigel thought it was tWitch and tWitch Jr. It was fantastic. He gave Fik-Shun some career advice that tWitch kept growing after the show was over and that is what he needs to do, too. Mary loved it. She thought he is going to be very proud when he sees it play back later.

Dancer: Aaron’s solo
Song: “You & I (Acoustic) by Jason Mraz

He truly has made me fall in love with contemporary tap. The height on that jump! Nigel said it–Fate has brought you to us for a reason. I believe it.

Dancers: Amy and all-star Robert Roldan
Style: Contemporary
Choreographer: Stacey Tookey
Song: “Say Something” by A Great Big World

It is a story about courage and bad timing. Best friends; he’s been in love with her for years. She realizes that she loves him back. She has to find the courage to tell him before he goes. Goosebumps! Oh my God. That was my favorite routine of the night. I held my breath when he lifted her up in the air and held her for a second before coming down. It was so powerful and vulnerable at the same time. I felt every part of the story as they danced. And the story did not have a happy ending. Maybe there will be a part 2 of this story. I love Robert.

The judges: Paula said this was her favorite routine of the night. The pairing of the two of them was a symphony up there. Her raw emotion–she just steals her heart every time. Nigel said this was terrible choreography–why did he leave her? They were getting along very well (he was kidding). The combination of emotion, performance, technique from the pair of them was intoxicating. She stepped into his lead tonight. Mary loved it. Amy gives every single part of herself. The energy comes from her soul and radiates outward across that stage. Gabby said it was one of her favorites this evening. Everything was on-point.

Dancers: Fik-Shun and Aaron
Style: Broadway
Choreographer: Tyce Diorio
Song: “The Jitter” by Big Bad Voodoo Daddy

Enjoyable. They both did a good job but it is not quite my style. They complimented each other well.

The judges: Nigel said it reminded him of a Michael Kidd routine. It gave them fun stuff. They did not stop dancing since the music began and they must be exhausted. Mary said that absolutely was the cutest thing ever. Aaron was back on top again with this number and Fik-Shun just charms the pants off everyone. Gabby loved the energy. They were fantastic, phenomenal. Paula said both of them were in their element completely. The two top showmen of the season. She also reminded the audience that Tyce was paper of her dance crew a long time ago.

Dancers: Amy and Jasmine
Style: Jazz
Choreographer: Mark Kanemura
Song: “The Diva Dance” by Eric Serra

Mark has been hanging out with Lady Gaga too long. Siamese twins from the fierce jungles of Saturn? The music reminded me of The Fifth Element. Wait! It is the same music–when the blue diva who has the stones inside of her and she sings opera and gets shot and dies but not before Bruce Willis does a c-section and delivers wind, fire, water, and earth stones. I am not really sure about this one. It was different and creative. The ladies did a wonderful job. It will be something I never forget and that is a good thing.

The judges: Mary said she has a bit of clown in her soul too and that was crazy and creative and quirky and she loved it. If Mary could vote them both into first place she would. Gabby thought it was a great way to end. It was crazy and fun and had humor to it. Paula said she finally felt like she was home. E.T phone home. She loved it. Nigel said it was a zany routine. It was loopy which is why he understands why Paula felt at home. It was fun. He felt this year the girls have stolen the show for him. If they were both in competition with the boys this year, he felt they would both would have won. They are some of the best dancers they have ever, ever had.

I will have to agree with Nigel here. Both Amy and Jasmine overall did the best job tonight.





So You Think You Can Dance Top 18

3 07 2013

Yes it happened again. My DVR did not record the show last week. I think I finally got it fixed though. I still do not like the way we are getting the results. All 20 have to put their best efforts forward even though only 18 will remain by the end of the show. But it is what it is.

Tonight joining resident judges Nigel Lythgoe and Mary Murphy was Christina Applegate.

Opening number

Song: “The Heroic Weather-Conditions Of The Universe, part 1: A Veiled Mist” by Moonrise Kingdom (Original Soundtrack)
Choreographer: Tyce Diorio

That was fabulous. They look like a real dance troupe that have been working together for years. It is one of those odd dances–like a circus with so much going on you are not quite sure where to look and when you do look you do look out of the corner of your eye you find you are missing a lot.

Group

Yikes! Cat Deeley is already announcing the bottom 3 guys and girls. That is going to either dampen their psyche, or make them dance better in their couples’ routines. Bottom 3 girls: Mariah. Makenzie, Brittany. Bottom 3 guys: Alan, Jade, Carlos.

This season the judges get to save 2 contestants right away. This week it is Alan and Makenzie are saved.

Solos

Mariah danced to “Hard In da Paint” by Waka Flocka Flame. I adore a female hip-hop dancer. Carlos danced a solo to “Radioactive” by Imagine Dragons which I just knew would show up on this season’s show somehow when I heard it. It is the ringtone of my timer on my IPhone. I thought it was a fabulous solo outside of a little but too much rolling on the ground. Brittany danced to “Hacksaw” by Ooah. Was that Ballroom or Jazz? Hard to tell, but there was a lot of self-worship with her hands on her body a lot–something I know the judges dislike from previous seasons’ auditions. Jade danced to “De Novo Adagio (Intro) by Alicia Keys. He is an amazing animator. I felt like he was a maestro pulling on our strings, but in a way it was very smooth like the water. It is very hard to describe.

Oh GEEZ! They are actually telling us who is going home before the couples dance? That is not right at all. I do not like this format. Nigel said he was disappointed in their solos. He did not feel they were dancing for their lives at all. The decision is made by the choreographers’ input as well as what they saw in Vegas and how they feel the contestants would grow. Carlos and Brittany will be leaving the show.

Couples

Dancers: Hayley and Curtis
Choreographer: Ray Leeper
Style: Jazz
Song: “Mama Knows Best” By Jessie J

I loved it when she was pushing him down. What back control and strength. Some of Curtis’ lines need work. I also think he needs to emote more, like Hayley does. It seemed like he was trying to remember the steps too much.

The judges: Nigel could not take his eyes off Hayley but felt Curtis was a good partner. Mary loved it and felt Hayley was a force to be reckoned with on the show. Christina forgot Curtis was a tapper. She felt like maybe everyone should leave to give them some privacy. She gave some helpful points they could take away and put into their work the next time around.

HayleyCurtis

Dancers: Aaron and Jasmine H. (who I affectionately have named #JasTurns)
Choreographers: Tabitha and Napoleon Dumo (NappyTabs)
Style: Lyrical hip-hop
Song: “Tears Always Win” by Alicia Keys

The story is he is a man going in and out of her life. He expects her to be there for him when he does. For a tapper, Aaron does a great job with hip hop. I am so glad he was #11 and someone dropped out because of an injury. There is a lot of chemistry between these dancers. Jasmine conveyed the feelings of being upset with him yet longing for him at the same time. I LOVED it. When he flipped her over into a backbend it was so fluid. It was beautiful.

The judges: Mary loved it. Jasmine is a star. Aaron was sexy. Christina had notes written from the dress rehearsal that she tossed away. She thinks they are the couple to beat at this point. Nigel felt an honesty in the routine. He feels that Aaron is a major asset to the series this year.

AaronJasmine

Dancers: Malece and Jade
Choreographer: Nakul Dev Mahajan
Style: Bollywood
Song: “Radha” by Student Of The Year (Original Soundtrack)

The girl plays hard to get and the guy woos her back in. I know that every movement had purpose including positioning. Would I know if they made a mistake? Nope! I love Bollywood because it is always interesting and full of energy. It makes me want to get up and move. You have to be in superb physical shape to survive those songs.

The Judges: Christina gave Jade some words of encouragement. Nigel is shocked that Jade picked up the choreography as well as he did. He thought Malece is like a little pixie. Mary felt Jade was having fun and Malece did a really great job.

MaleceJade

Dancers: Alexis and Nico
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Old Skin” by Olafur Arnalds & Arnor Dan

This piece is a sequel to Robert Roldan and Kathryn McCormick’s dance from season 7. Kathryn’s character left to go to war; in this piece, she (Alexis) is coming home. These are big shoes to fill. In a sense you can say she had returned from war a changed person quite literally. I cried. I tried to imagine the joy of what real families go through when their loved ones return from war. I think Alexis and Nico found the joy.

The judges: Nigel thinks Nico gets better every week. He felt that Alexis had the hardest job this week because as a tapper they don’t straighten their legs. He felt she did very well but she is going to have to work harder. Mary said they let the music take them some place. She felt Nico was fabulous and Alexis’ performance was so honest. Christina thought it was great and that Alexis has “it.”

AlexisNico

Dancers: Brittany and BluPrint
Choreographer: Spencer Liff
Style: Broadway
Song: “It’s Oh So Quiet” by Ice Princess (Original Soundtrack)

Two students in a late-night cram session and they fall in love. The vulnerabilities of BluPrint’s dancing are obvious, but he does get an “A” for trying and being a good partner.

The Judges: Mary adored this piece. She felt like BluPrint was really going to have to make sure the lines get hit. Christina gave BluPrint advice if he gets Broadway again. Nigel agreed with Christina.

BrittanyBluPrint

Dancers: Jasmine M and Alan
Choreographers: Miriam Larici and Leonardo Barrionuevo
Style: Tango
Song: “Escape From Slavery” by PP Music (UK)

Innocent girl wooed by an evil man. Alan had a powerful male presence but I felt like it was overacting a bit. I believe he did not believe he was evil. The footwork looked good. He did a great job on the lifts.

The Judges: Mary gave them a standing ovation. Christina joined her. Christina thought they had a “moment” like they did last week. Nigel agreed. Mary said it is all about passion and they spilled it all over the stage.

JasmineAlan

Dancers: Makenzie and Paul
Choreographer: Sean Cheesman
Style: Jazz
Song: “‘Mannequin (Skeet & Tito Remix) by Trish

Mad scientist Paul creates Makenzie. Paul has some good moves there, but he also had some awkward ones, too. His face doesn’t seem to match the story. He looks angry–has that weird pouty face. He also looked out at the audience like you would do in ballroom which I kind of felt was out of place. Mackenzie was doing a great job.

The judges: Nigel loved the routine. He thought they both did fantastic. Mary loved it. She called Makenzie a dance diva without the attitude (hmmm…in order to be a diva you must have attitude). Christina loved it. She urged Paul to get of his carriage in these kinds of numbers.

MackenziePaul

Dancers: Mariah and Carlos
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Dead In The Water” by Ellie Goulding

Carlos has been in an accident and lost his memory. Carlos is supposed to have this glazed-over look and with the emotion of having to go home tonight, that has to be so very hard to do, but does speak volumes to his professionalism. I could feel the pain in Mariah’s movements. I would never think she was a hip-hop dancer. I got goosebumps! This was so beautiful!

The judges: They were on their feet. Mary told Mariah if she kept dancing like that she will make it to the other side of the rainbow. Christina thought it was like they had an umbilical cord between the two of them. The chemistry was the best she had seen tonight. Nigel said Mariah did a brilliant job at emoting.

MariahCarlos

Dancers: Amy and Fik-Shun
Choreographer: Tabitha and Napoleon Dumo
Style: Hip-hop (ratchet?)
Song: “After Party” by Dorrough Music

The story is about two bellhops who love their job. For a contemporary dancer, she did a great job. The audience loved booty dances, too. That will definitely bring in the votes. And what I can I say. There is still #TruthInFikshun! (Yes, I first said that on Twitter).

The Judges: Christina loved that so much. She thought Fik-Shun is something special. She thinks Amy brings him up, too. Nigel said he knew that he was going to love this routine. Both of them light up the entire studio when they dance. He predicted if they kept dancing like that this and they would be in the finale. Mary said they were the pre-party, party-party and after-party.

AmyFikshun

Dancers: Jenna and Tucker
Choreographer: Dmitry Chaplin
Style: Cha-cha
Song: “I Like It Like That (Aaron Jerome Remix) by Pete Rodriguez

Story about a guy who knows everyone in a nightclub and thinks he owns the place; Jenna’s job is to put him in his place. It was very good. It didn’t blow me away but it was respectable. They both played their parts well. It seemed they had the right posture for Latin dancing. It sizzled in spots but it did. It move me emotionally in any direction.

Judges: Mary thinks Jenna is a chameleon. She missed rhythmical action from Tucker. She thought he had it in moments. Christina was thoroughly entertain and loved the story and the characters they portrayed. Nigel felt Jenna did not give enough cha-cha and she was in heroin genre. He actually wanted it to look more like “Dancing With The Stars.” He blames Dmitry.

TuckerJenna

It is hard to predict who might be in the bottom two. I would say for the guys Tucker and BluPrint. For the girls, Jenna and maybe Malece? Picking out the girls is a bit more difficult.