So You Think You Can Dance Season 12 Top 18 Perform, 2 Eliminated

1 08 2015

The opening number is Justin Timberlake’s “Let The Groove Get In.” Edson and Virgil were the ones who caught my eye tonight. I enjoyed that a lot. One of the better openers. It was choreographed by Reina Hidalgo and Asiel Hardison. Cat shared the results from last week’s show. Team Street had 48% of the vote and Team Stage got 52% of the vote.

Alexia and Derek and JaJa were paired with Stacey Tookey to perform a contemporary routine. The story is about bravery and how it takes on different forms. Derek is a war veteran; JaJa is a woman leaving an abusive situation; Alexia is a single mom. The song is “All Waters” by Perfume Genius. OH MY GOD. GOOSEBUMPS!!!! The entire song—goosebumps. I was almost near tears. Each one of them did a wonderful job, but JaJa and Derek affected me the most. Nigel said Alexia did a tremendous job. Seeing Derek relying on the girls and the girls on him was terrific. JaJa said she just started a new show for him—“Guess who is the street krumper”—because he would have never known. He said someone in his life told him to bloom wherever you are planted and that is exactly what she is doing. Paula said it always starts with choreography and she gets it right. She takes 3 separate unique dancers and blend them beautifully. They all danced beautifully tonight. Regarding Derek, she felt he really fell into the character and tonight so far was his best night. Regarding Alexia, she understands the height challenges and she is always going to have to stretch to be seen and she IS being seen. Regarding JaJa, each and every week she is morphing into a very accomplished dancer and because of that she is always going to have them in the palm of their hands rooting for her. Jason thought said it was beautiful. He felt like our country needed to see that. It was more than a competition—they were living up there. He agrees that tonight by far was Derek’s best routine. He felt like it was about the story and they delivered that tonight. The votes, based on last week’s dances: Alexia and JaJa and Derek are all safe.

Megz, Moises and Jim were paired together for a Team Street hip-hop routine choreographed by JaQuel Knight (who choreographed “All The Single Ladies” for Beyoncé). This dancer, however, is about standing up to the haters saying “whatever.” And appropriately the song choice is “Whuteva” by Remy Ma. Megz was the star of this. Moises was probably next best and Jim still struggled with being straight. Overall I enjoyed the routine quite a bit, and I have a feeling this might be my new anthem. I thought, too, it was clever that the song lyrics cued them in on what the choreography should be with the arms. Paula felt the routine they were given wasn’t necessarily technically challenging so the dance really relies on them filling in the spaces, committing to being in character and being over the top with the vibe and feel. She felt Megz did well but could even give more. Moises really needs to drop down into it like tWitch was saying. She felt the same with Jim but he was giving it his all. Jason thought it was cool. He said the first 75% she was giving it to him, but the last 25% she kind of dropped off. The guys were kind of like the brother back-up dancers. He felt this was not the guys’ best number and they struggled. Nigel agrees with Paula that it was more about the attitude than the steps. Nigel said it didn’t work. Megz gave it everything she had. He didn’t think Moises could be mean or cruel if anyone was kicking him about the stage, but he has to find that attitude. He didn’t comment on Jim. Cat shares the results from last week’s show: Jim and Megz are safe; Moises is in danger again this week.

Edson, JJ and Yorelis were next up to do a jazz routine with choreographer Tovaris Wilson. The song is about the push and pull of relationships. The song is “Restart” by Sam Smith. Edson owned the sexiness. The girls had no worries about their sexiness. They did a terrific job. Jason thought it was good and entertaining. Jason demonstrated to Edson what he was looking for—that he could be into the ladies at any time and not worrying about looking at one or the other. He encouraged him to be more free. Nigel said the girls were two of his favorite street kids this year. This was a nice way to bring the street kids into jazz with the groove. Edson needs to start using his sensuality into it now. Jason is right—keep your options open. Paula said this routine was all about the vibe. The two girls are little bright lights but they have to look at their techniques. We have to see pointed toes and arms with intention. Yorelis was more comfortable in this zone than JJ but they are both wonderful to watch. Edson was the dude; he was the stud; nothing more can be said. The results for last week’s dance puts Edson is in danger; Yorelis and JJ are safe.

Asaf and Marissa got together for a club cha-cha with Jean Marc Genereux. This is about the rock star coming into the room and the groupie fan. Twitch jokes with him that this week he doesn’t have to take him outside to talk to him and that is amazing. The song is “+1” by Martin Solveig featuring Sam White. Marissa was fantastic. You could really see Asaf struggling. He could see him thinking in his head about what he had to do and where he had to be to be a good partner that he totally left his hotness in the closet. This is a routine where he could have used his flirty nature to turn up the heat and if he had accomplished that all the little mistakes with arm positioning and many other things would have been overlooked. He had this little firecracker on his arm! Such a shame. I am glad he didn’t complain about the routine, now he needs to stretch himself. I have no idea why the audience gave them a standing ovation. Perhaps it was because of Marissa. Nigel said he didn’t know what club cha-cha was but it didn’t feel much like a cha-cha to him. I have to agree with Nigel. Towards the end there, I was thinking modern-day disco perhaps. He felt Marissa did everything that was required of her but instead of using him throughout the performance, she used the audience and she was supposed to be the “groupie” of Asaf (who he jabbed with that he looks like a rock star but doesn’t dance like one). Nigel complimented Asaf on how hard he did work this week. It is a journey. This was not a good routine for Asaf (comparing him to a caterpillar that will someday bloom into a butterfly). Paula said she could tell him about the cha-cha about not turning his hips in, not to be pigeon-toed with his feet, but forget all that. She looks at where he started and you can’t help but to feel completely changed to where he is now. It didn’t work for her either but he gets an “A” for effort. Regarding Marissa, the selflessness she saw in rehearsal didn’t come through in the final product and she agrees with Nigel. Jason said it is all about the connection. She didn’t have the same connection with him as she did with the audience and him; it came off as being fake. Regarding Asaf, he has to flex his muscles some to get some votes because he is going to have a hard time. Cat told them that Marissa is safe this week and Asaf is in danger this week.

Sean Cheesman choreographs Gaby, Burim and Ariana for an African jazz number that is what Sean calls the “Dance of the Blood Moon.” He says they are mystical creatures, like creepy animals. Indeed they looked like creepy spiders when the dance began to the song “Gorilla” by Lord Kraven. I would say Ariana was the star of that dance followed very closely by Gaby, but props to Burmin who held his own. He was worried about not getting it, but I think he got it. I loved the standing back rolls the ladies did. Did it give me goosebumps? No. But I think so far it was my second favorite dance of the night. Paula said it was a very strong routine. Paula said to Burim “I loved watching your package.” And Nigel interrupted and Paula realized what she said. She said the show is also about overcoming adversity as it is about getting constant praise. She loves to see the struggle and then they get to sit back with a smile on their face and say, “wow, you pulled through.” That’s charming, that’s exciting, and it makes them proud. Regarding the ladies, she said she knew they were strong but seeing them lift each other and throw each other—those two were fierce. The precision of dancing together was very well done. Jason said if Burim can’t find the foot, don’t let it not happen, just look down for it, because the audience doesn’t know that he isn’t supposed to look down. All in all Jason thought it was a really good performance. Conceptually it was one of the best numbers for him. Nigel said it was one of the best numbers for him tonight. Regarding Ariana, she looked comfortable in it. She was great and powerful in it. He can’t believe that Gaby is really a tap dancer. He is so proud of her. Nigel gave him some dancing pointers. Cat said Ariana and Burim are in danger this week and Gaby is safe.

Neptune and Kate teamed up with Justin Giles for a contemporary routine. It’s about a husband and wife saying goodbye not knowing if the husband will return from a dangerous job. The song is “Promise” by Ben Howard. I had such wonderful goosebumps. Kate improved with her emotional connection and Neptune—wow! He really dug deep. That was beautiful. Jason said that piece was beautiful. Choreography these days are a million steps, but this was not and they had to fill in the pieces and they did that beautifully. The chemistry was chilling. He felt like they were item and still feel that (just putting it out there). That was a grade-A performance. He felt Kate really came out of her shell. It was his performance from her. Neptune surprises him every single week. He doesn’t know who his favorite is this week but Neptune is kind of taking that spot. Nigel said he found it interesting and challenging. It was static in its movements but expansive in what it was trying to say as well. I was shocked when Nigel said that 10 years ago he would get complaints about a black person dancing with a white person (WOW—shocking). But he feels that so much was said in that routine and both portrayed it beautifully and complimented Kate on her performance. He has complained about her not releasing but she did this week. Paula said it was such a simple, beautiful concept yet so complex with emotions and both were able to deliver beautifully. Paula told Kate she was worried about Kate letting go and being vulnerable and she was just right. Neptune is one of the favorites. He is really showing the breadth of a dancer that he really is. Cat said that Neptune is safe. Kate is in danger.

Virgil and Hailee take on a hip-hop routine with Pharside and Phoenix number. They are robots from outer space. The song is “Runnin’” by Noahplause. WOW!!!!! I would have said Hailee was on Team Street. The moves were fantastic. I was blown away. Now, it didn’t give my goosebumps, but I think it was my favorite non-goosebumped-song. The judges were on their feet. Nigel said these two were the best two characters they have this year. Their personalities shine out beyond the little lights on their chest. Even though Hailee’s light has gone out she still….and Virgil came in and turned her light back on, still in character. That was a memorable routine. He thinks when they have a season 20 anniversary special, this routine would be on there. Paula said if they represent what aliens are, sign her up—she’ll go there. It was fantastic. It was crazy fun. Jason said he always knew Virgil was crazy, but he didn’t know Hailee was that crazy. If she is this good in street, he is anxious to see how far she will go. He had no idea. Cat tells them both of them are safe.

The group number for Team Stage was choreographed by Jaci Royal and it is about when you need help from people to overcome obstacles. The song chosen was “For My Help” by Hayden Calnin. OH MY GOD!!!! I’m in love. It looked like everything was timed perfectly and at times it took my breath away. I like that new choreographers are on board this year. It has added a different layer of depth to the show. The judges were on their feet.

Team Street is up next. Choreographed by Marty Kudelka (who was a nominee for best choreography in a music video and the 2007 winner VMA for best choreography in Justin Timberlake’s “My Love” video. Twitch said they have to be cooler than a polar bear’s toenails. The song is “Break Ya Neck” by Busta Rhymes. I enjoyed that, but liked Team Stage better.

The Twitter save goes to Ariana from Team Street and Kate from Team Stage. The judges save Asaf from Team Street (that is a mistake—Burim is a much better dancer). From Team Street, the judges save Edson. I think that was the right decision. Moises is a great dancer but Edson is the better of the two.





So You Think You Can Dance S10 Top 10 Perform

18 08 2013

Its all-star pairing tonight!

Opening Number

Song: “The Gravel Road” by The Village (Score from the motion picture)
Choreographer: Christopher Scott

Dancing with props is so difficult but that was so beautifully done. I felt the angst and raw emotion of the piece. I don’t know the story behind it, but I felt it was possibly that the couples just lost a baby and the pain of that loss. Of course that feeling comes from my own experience with that.

Judges

Legendary Debbie Allen joins Nigel Lythgoe and Mary Murphy.

Bottom 2

Tucker is automatically in the bottom because of his inability to perform because of his injury. Joining him are Makenzie, Nico, Jenna. Nigel is going to skip seeing them do their solos and go straight to the all-stars. I like that idea very much.

All-Star Couples

Dancers: Amy and All-Star Brandon Bryant
Style: Disco
Choreographer: Doriana Sanchez
Song: “I Will Always Love You (Hex Hector Radio Mix) by Whitney Houston

Doriana has created a brand new move called the disco location. Amy looked like she was having a blast out there. I would be throwing up on stage with all those spins. Brandon has some major guns on those arms and the moves are effortless. The death drop at the end where she was just inches from the ground made me gasp. I don’t know how dancers do that. Brandon has his back turned to her so he is death-dropping her from behind so how does he know when she is close enough but her face is not smashing the floor?

The judges: Mary is not crazy about the song but is crazy about Amy. Debbie loved it. She thought they were paired well in their energy and size and spirit. Nigel thinks Amy is vivacious. She stood out more than the disco ball did.

Dancers: Fik-Shun and all-star Melanie Moore
Style: Jazz
Choreographer: Mandy Moore
Song: “Feeling Good” by Jennifer Hudson

Ex-lover of a performer returns to town and things get steamy. Melanie looks stunning. It was a great number, but after seeing Aaron perform, it was a little novice. I did not buy into the chemistry. It felt fake. The dance moves were fun. He did wreak attitude and that was well done.

The judges: Also on their feet. Nigel thought it was fantastic. He is proud of Fik-Shun. He well he kept up. Mary thinks he is growing every week. Debbie said that they can say his name is Fik-Shun but that was real tonight.

Dancers: Aaron and all-star Kathryn McCormick
Style: Contemporary
Choreographer: Stacey Tookey
Song: “I ‘m Kissing You” by Des’ree

It is about unconditional love. About 15 seconds into the song I got goosebumps. The damn goosebumps stayed the entire song. As Stacey said it is not about the moves but the emotion in the moves. Their connection for just having met was amazing. It was as if they were dancing together their entire lives. There was love and passion and depth. Aaron–YOU ROCK! There was a little mess up at the end when he had to pick her up that should have been a fluid move but I am nitpicking at this point. I think he might wind up being the top 2 dancers in the finale. Then he was talking about how much he had learned from her and that she took him to a whole new place in his dancing and that made me start crying. He is so humble and so filled with joy. I think that is why I like his energy so much. And to think, he was not going to be on the show until that other person left because of an injury. It’s destiny baby! Fate is calling.

The judges: The judges were standing. Debbie said call the fire department because there is fire going on on this stage right now. She thought it was a magical pairing. Aaron has grown so much over the weeks tonight he has raised the bar in the competition. Nigel felt it too that it was like they were dancing forever. He said that the look in Kathryn’s eyes at the end said that she knew he was something special. Mary agrees with everything that has been said. She thinks Aaron is one of the most captivating dancers ever on the show.

Dancers: Paul and all-star Witney Carson
Style: Cha-cha
Choreographer: Jean-Marc Généreux
Song: “Live It Up” by Jennifer Lopez

It was a fun routine that sizzled at times, but I think there were some misses in the moved, like missing her hand. Was she supposed to be in the floor? Maybe but I thought the move was going to be a drop to just above the ground. Happy birthday Paul! He turns 22.

The judges: On their feet again. Mary said he can dance his patootie off. His foot work is clean and precise. He is on the hot tamale train. Debbie said this was his element and they expected him to soar. It was beautiful and seamless. Nigel thought they were born for each other. He has personality and technique.

Dancers: Hayley and all-star Stephen “tWitch” Boss
Style: Hip-hop
Choreographer: Christopher Scott
Song: “Locked Out of Heaven (District 9 Remix) by Bruno Mars

Bank loan applicant meets loan officer Hayley. Her hip-hop is not good but you tend to overlook it during her sexy-loan-officer moves. I was watching tWitch more. Christopher Scott made up for her lack of being able to loosen up with these staccato-like movements.

The judges: Debbie felt when she pulled her hair out, she rose to the occasion. Debbie was watching tWitch, too, more. Nigel said it was great fun and calls her a dark horse. Mary thinks she is following in tWitch’s tracks and agrees with Nigel. She loves her.

Dancers: Jenna and all-star Neil Haskell
Style: Contemporary
Choreographer: Mandy Moore
Song: “I Can’t Make You Love Me” by Mark Masri

A story about breaking up. The lift and turn was great. The acrobatics were great. Jenna and Neil were both filled with emotion but I did not believe they were in a relationship, not in the way I believed in Aaron and Kathryn earlier. I think Jenna was trying to make it happen but Neil was not reciprocating. No goosebumps.

The judges: They were on their feet again. Nigel loved the fluidity in the movement. Mary agrees; the movement was perfect. Debbie says that she sees someone who is one of the most gifted dancers.

Dancers: Jasmine and all-star Marko Germar
Style: Jazz
Choreographer: Ray Leeper
Song: “Blurred Lines” by Robin Thicke featuring Pharrell

Ray said they had to look like one person but their movements were not (microseconds but not exact). It got better as the song went on though. I love this song. That was a barrel of fun.

Judges: They were on their feet again. Mary was drawn to Jasmine in the performance. The only thing missing from the video of the song of the summer was them dancing in it. Debbie could not keep her eyes off Jasmine. Nigel thought at some points he was reminded of Michael Jackson and sometimes other people back in history. He did not know if he was actually looking at two all-stars.

Dancers: Makenzie and all-star Jakob Karr
Style: Broadway
Choreographer: Spencer Liff
Song: “Too Darn Hot (RAC Mix)” by Ella Fitzgerald

This was a dance about attitude versus tricks. Makenzie did a great job. It is going to be hard to decide who goes home between her and Jenna.

The judges: They were on their feet again. Debbie loved it so much and compared her to Cyd Charisse Nigel said they have the best pair o feet he has ever seen. Mary said it was so darn hot. Nigel chimed in that it was more Rita Hayworth than Cyd.

Dancers: Nico and all-star Comfort Fedoke
Style: Hip-hop
Choreographers: Tabitha and Napoleon D’Umo (Nappytabs)
Song: “Get UR Freak On (Amended LP Version)” by Missy Elliott

This was reptiles on the prowl. Nico looked like a white boy trying to find attitude and dance moves in the hip-hop style. It was fun, but there have been so many other dances so much better than this tonight.

The judges: Finally, they are not giving them a standing ovation. Nigel things the audience loved the routine a little more than he did. He complimented him on getting into character. Mary thought he got his freak on. Debbie enjoyed it. She felt like she was in Jurassic Park.

Dancers: Tucker and all-star Robert Roldan
Style: Contemporary
Choreographer: Travis Wall
Song: “Medicine” by Daughter

Two brothers–one hits rock bottom and the other helps. It was done with a nod to his brother Danny Tidwell, but Tucker was in a car accident where he was paralyzed for awhile and Robert apparently had a brush with death from a serious fall. In fact, back in June of 2012. In September of 2012, Robert tweeted this: The Reason I Will Not Be An All Star: This past June my life was almost ended. One night I had a major accident that changed my life. I injured myself very badly and to the extent where I had to be rushed to the hospital immediately. This accident has caused me to be unable to dance which is why I’m writing this letter. Every doctor that I have been to since has said “wow…you’re lucky you are alive..” or “people with kind of accident are usually are pronounced dead on the spot..” Therefore I just want to tell everyone single one of you how much your support and encouragement means to me. It makes me fight through this bump in the road. The kind things you have said to me and things you have done for me truly mean the world. One day I will be back on my feet and dancing and doing the things I love to do. In the mean time I am so lucky to be living breathing and opening my eyes every day. I will never take anyone of you and your support for granted because every single one of you are important weather I know you or not. You have made my journey from SYTYCD to now more than a dream and I can’t thank you enough for it. Always cherish the things that you have, even if they are the smallest things because it can all be taken away in the snap of a finger. My heart goes out to each and every one of you with so much thanks! This is not the end. God has a plan. I won’t give up till I’m on that stage again. Much love and thanks, Robert.”

I was welling up in tears within a few seconds. What an amazing idea pairing them together. There was a spot in the middle where they were supposed to be in-sync that they weren’t, but you know what? It just doesn’t matter. That was so beautiful, so exquisite, and so emotional. What a brilliant job. Travis Wall–you ALWAYS get to me.

The judges: Standing as they should be. I think Nico is going home. Mary was crying. She talked about their amazing journeys and triumphs and gave it over to Debbie because she could not speak anymore. Debbie said she did not know how he could be on the bottom but he was on top now. Nigel said all the stars were aligned and it created this piece that will always be remembered on the show.

Going Home

Makenzie and Nico will leave the show tonight.

My Top Picks

For the guys, it’s quite easy: Tucker and Aaron. For the girls, definitely Jasmine, but I’m torn between Amy and Jenna.





So You Think You Can Dance Season 10 — Top 10 Revealed

8 08 2013

Opening Number

Song: “Pandeyjee Seeti” by Dabangg 2 (Original Soundtrack)
Choreographer: Nakul Dev Mahajan

Group Bollywood opening number! I think someone had to super-size their energy drink before coming on stage. How in the world do they keep up that level of energy? Nico and Alan’s hands were not as sharp as the other guys. I enjoyed it very much, however.

Judges Tonight

Kenny Ortega joined Nigel Lythgoe and Mary Murphy on the judges’ panel tonight. Cat delivers more bad news about the dancers. Tucker had an infection in his knee and cannot perform tonight. If he survives the cuts on this evening’s show, he will automatically be in the bottom next week. What does Cat mean about Mary and “retiring?”

In The Bottom

Tonight’s cut is important because the top 10 dancers remaining will be the ones going on tour. Jenna, Alan, Malece, Nico, Amy, Tucker. I am surprised about Amy. It could be that she needs a new dance partner (even though Fik-Shun made it through). Nigel sends Nico and Jenna into the top 10. Amy is NOT going home so I suspect it is Malece’s time to leave. Tucker is dancing? I am confused. Cat said he was not dancing tonight. Hoping to secure his place, Tucker dances to “Maestro” from The Holiday (Original Soundtrack). Now there is the Tucker I remember from the auditions that I loved. So fluid and beautiful. Amy danced to “Je Suis Malade” by Lara Fabian. I got goosebumps! The audience was rooting for her too. Now THAT is dancing for your life. Malece dances to “Patient Love” by Passenger. It was nice but Amy was better. Alan danced to “Mas Que Nada” by Sergio mended featuring The Black Eyed Peas. Sergio Mendes is a name I have not heard for quite awhile. His timing seemed off to the music.

Couples Dance

Dancers: Hayley and Nico
Style: Broadway
Choreographer: Sean Cheesman
Song: “Kiss Of The Spider Woman” by Jeffrey Huard & Chita Rivera (Kiss Of The Spider Woman Cast Recording).

Whoa! I was vacillating between wondering whether or not I liked it or if it was boring, but the flip he did made me pause to rewind. She stands back-to-back with him. She has one leg in the arm (so it looks like a split standing up) he starts bending forward. She starts bending backward (with that right leg straight up now bending backward as her left knee bends. The motion continues and her left leg leaves the floor and he flips her over and she lands facing him, then falls backward onto the stage with that right leg still up in the air and she does a backward tumblesault and then stands up as he does a round-off, back spring, backward somersault. And then a kiss. Wow!

The judges: On their feet! Nigel says it was one of the best Broadway routines they have ever had on the series (Tyce will be sad to hear this). He said it was magnificently danced. Mary thought it was outrageous. Mary loved the passion and the power that Nico brought to the character. Mary thought Hayley was a little temptress. Kenny thought Sean created a courageous piece. Hayley and Nico handled it with bravery and passion.

Dancers: Malece and Alan
Style: Jazz
Choreographer: Mandy Moore
Song: “Come Dance With Me” by Michael Bublé

He should go home just on the fact that he is a dancer who has never seen Gene Kelly dance. (LOL). She should go home because apparently she is not environmentally friendly (never wears the same thing twice and shops all the time?). Annoying. I think Alan did a better job than Malece. His hips moved better than hers did. It was okay.

The judges: Kenny made sure Alan went onto You Tube to see a Gene Kelly film. Malece has the sparkle of a young Judie Holiday or Goldie Hawn. He wished they would have found that melding point better between their two styles (missing chemistry, not technical dancing). Nigel thought it was uncomfortable to watch. The style and chemistry were not there. Mary thought it was fun and entertaining but there were some issues with the technical part. She is on the fence about it overall.

Dancers: Jenna and Alex Wong (standing in for Tucker)
Style: Paso Doble
Choreographer: Jean-Marc Généreux
Song: “He’s A Pirate (Ship Ahoy Tribal Remix) by Chris Joss and Klaus Badelt

This makes me very excited to see the top 10 paired with the all-stars next week. Remember when I said it takes a lot to get me excited about ballroom dancing? This is what I am talking about. I wonder if she now likes a new pirate other than Orlando Bloom.

The judges: Mary loved it. She wishes she could trade places with Jenna. Kenny complimented her on dancing with someone she had never danced with before with such passion and confidence. She is now at the top of the list for him. Nigel made it known that Alex had never done ballroom on the show before (due to his early leave because of his injury in his season). He also made a comment about the all-stars.

Dancers: Makenzie and Paul
Style: Contemporary
Choreographer: Mandy Moore
Song: “The Edge of Glory” (Live From “A Very Gaga Thanksgiving”) by Lady Gaga

Unlikely lovers. He’s a boy from the wrong side of the tracks (depends on your perspective I imagine–perhaps he is the RIGHT side of the tracks). That sizzled. I got goosebumps! The lines were exquisite. The chemistry exploded. The judges were standing.

The judges: Nigel talked about all the wonderful moments in their movement. Mary said it was done beautifully. They melted together and oozed. Kenny said they are two of his favorite dancers in this competition and have been for awhile.

Dancers: Amy and Fik-Shun
Style: Viennese waltz
Choreographer: Jean-Marc Généreux
Song: “A Thousand Years, Part 2” by Christina Perri featuring Steve Kazee

This is not going to be pretty. People who dance this usually find themselves in the bottom. The Twilight fans might like it. Fik-Shun’s foot work was sloppy. He gave a good effort with his posture. There was something I had difficulty putting my finger on and I think it is in this dance I felt like more “boy” than “man” came through. His partnering was better this week and he was there for all the lifts and tricks and nothing on the floor she might have tripped on.

The judges: Mary said they were precious together. There were definitely technical issues but something special Happens between them. Kenny praised Jean Marc on being a great teacher. He thought if a choreographer asked Fik-Shun to fly he would find a way to do it. Amy is like the dancer in a music box. Nigel acknowledged the problem this dance has getting votes. He feels like Fik-Shun is learning week after week.

Dancers: Jasmine and Aaron
Style: Hip-hop
Choreographer: Tabitha and Napoleon D’Umo
Song: “Gold Rush” by Clinton Sparks featuring 2 Chainz, Macklemore & D.A.

Stagecoach robber meets gold-digging saloon girl. They truly are my favorite couple. It was fun, playful, sexy, and entertaining. I liked it so much I had to watch it again (and again and again). My favorite routine of the night. Here–You should watch it, too.

The judges–were on their feet! Kenny said after SYTYCD choreographers will have to form a lottery to see who gets to work with them first. Nigel felt that Aaron was right about height but he would have been right had it not been for Jasmine. He did not know the pelvic girdle could move like that (on Jasmine). Mary felt Jasmine’s hip and torso isolations were crazy tonight. Aaron did great too.

Dancers: Nico, Paul, Fik-Shun, Alan
Style: Hip-hop
Choreographers: Tabitha and Napoleon D’Umo
Song: “It’s A Man’s Man’s Man’s World (American Idol Performance) by Joshua Ledet

The guys have to pull their own weight in a relationship. It was a great routine. The girls went NUTS in the audience.

The judges: Mary and Kenny were standing. Nigel thought it was really good. Mary picked out Paul and Aaron to compliment. Kenny gave Alan a compliment for throwing his all into the dance. He also complimented Paul and Aaron (although I think he mistakenly said Alan instead of Aaron).

Dancers: Jenna, Hayley, Malece, Makenzie, Amy, Jasmine
Style: Contemporary
Choreographer: Stacey Tookey
Song: “Young and Beautiful” (DH Orchestral Version) by Lana Del Rey (The Great Gatsby Soundtrack)

At the fountain of youth, the ladies ultimately find that what matters most is on the inside. It was haunting and celebrated their sisterhood.

The judges: Also standing again. Mary said they are the best 6 girls that they have had in 10 seasons. Kenny said their commitment to dance is evident in every movement they make. Nigel thought it was beautiful.

Going Home

Malece and Alan. But Nigel said he would try his best to get them on the tour in some capacity.

My picks for next week

I can’t pick the bottom this week. Everyone was so good. My favorites though were Aaron and Jasmine and Paul and Makenzie. But Nico and Hayley get props for the complicated moves in their dance. Well, okay, maybe I do have picks for the bottom seeing who is then left. We know Tucker automatically goes into the bottom 2, but the other should be Fik-Shun. Jenna should be the next one to leave. Amy needs a chance to shine with an all-star next week and that leaves only Jenna.





So You Think You Can Dance Top 18 to 16

11 07 2013

Group number

Song: “Pretty Face (Nathan Lanier Remix)” by Soley
Choreographers: Sonya Tayeh and Christopher Scott

I got goosebumps. It did not surprise me that it was in part choreographed by warrior woman Sonya.

Group

The judges

Paula Abdul and Erin Andrews joined Happy Birthday boy Nigel Lythgoe and Mary Murphy to judge tonight’s group of dancers. Cat says that last week’s format was not received well so they are changing it back to reveal the dancer who is going home at the end of the show. Jade has to have surgery (so I am guessing he is the male competitor going home).

The Bottom 3

Jasmine Mason, BluPrint, Jenna, Curtis, Alexis, and Jade. Nigel informs them that with Jade being unable to continue in the competition, BluPrint and Curtis can continue and do not have to dance for their lives. They, however, are going to ask all 3 ladies to dance for their lives in routines in their style. The decision will be made at the end of the show. Alexis is up first, tapping to “Try A Little Tenderness” by Otis Redding. I loved it. My ankles hurt for her. Jasmine danced to “10 Seconds” by Jazmine Sullivan (Jasmine dances to Jazmine–that’s kind of cute!). Here is the thing I have issues with. They come on the show and get exposed to all these terrific choreographers and I never see what they have learned incorporated into their solos. They revert back to what the judges call self-worship and rolling on the floor. Finally Jenna dances ballroom to “Wild” by Jessie J featuring Big Sean. This routine had life. I appreciated that she did not do the self-worship stuff in a Latin routine. Clearly I feel that Jasmine’s was not the best one.

Couples

Dancers: Amy and Fik-Shun
Style: Paso Doble
Choreographer: Jean-Marc Genereux
Song: “Tactical Dominance (Orch Hybrid Version) by Jack Trammell

Ten seconds in and I completely loved it and got chills. They had my complete attention. I am not a ballroom expert and usually I yawn through a lot of them, but not this. Fik-Shun had a few moments when his lines were not perfectly straight, but for this not being his genre, he did a tremendous job. I still cannot get over how much Amy could pass as a cousin of Melanie Moore especially when she is smiling.

The judges: Mary loved his passion. Technically it needed a bit of work but it seemed like her enjoyment overall is going to let those issues slide. She felt that Amy is a warrior princess. Erin said it is the chemistry and connection they have together. She felt they set the tone for this evening. Paula felt they committed to the feeling that was necessary for the routine and made them believe in it. Paula said she would have had Amy in the front center if she was around during the days Paula did choreography. Fik-Shun was apparently on Paula’s show when he was 16 (that’s interesting). She is so proud of him. He has studied and grown and done his homework. Nigel said they demand attention when they come in stage, a hallmark of a great performer. Nigel suggested to Fik-Shun that he relax his shoulders.

AmyFikshun

Dancers: Jasmine H. And Aaron
Style: Broadway
Choreographer: Spencer Liff
Song: “They Just Keep Moving The Line (SMASH Cast Version) by Smash Cast featuring Megan Hilty

Broadway always seems to get the dancers in trouble on this show. I think the young voters appreciate contemporary and hip-hop more. The story is that Aaron is a detective on a case and Jasmine is the victim whose spirit appears. This played to both their strengths. It reminded me of a soft-shoe style and Aaron excelled in that. I believed Jasmine was a spirit reconciling the fact that she was dead. They are another power couple who have fantastic chemistry together. There was a lot of shouting going on from the audience in favor of the style they delivered. I think this was a winner.

The judges: Erin thought it was fantastic. She thought that during rehearsal Aaron was overshadowing Jasmine but not tonight. She thought Aaron made the dance effortless. Paula felt like it reminded her of the dancers of the past who were under MGM contract during that era. He was grounded yet graceful. She thought both did an amazing job. She added that Jasmine reminded her of Cyd Charisse. Nigel said they could have graced the streets of Broadway with every bit of elegance in which the pros are now dancing. Mary said this week it was all about the legs. It was about style and class. They gave 100% and captured what Spencer wanted.

JasmineAaron

Dancers: Makenzie and Paul
Style: Contemporary
Choreographer: Lindsay Nelko
Song: “No Day But Today (Live from Soundstage)” by Idina Menzel

The story of the dance is that Makenzie is dying and Paul has to come to terms with that. They immediately got into character before the music even started and it moved me. Wow this is a tough night! Everyone is bringing their “A” game. I sobbed. It is an amazing thing to witness when the dying are always the ones to console us when it should be the other way around. I always love Idina Menzel singing. I have adored her since I heard her in “Wicked”. Lindsey is going to be a great addition to the choreographers on the show.

The judges: Paula thought it was a beautiful dance. Poor Paula called him Alan. Nigel felt they kept the technical ability to the piece and brought in the “something else” that is necessary to do their routines. Mary loved it and she was crying. She said Makenzie was liquid gold. Paul surprised her–he finally gave an honest performance. Erin thought it was fantastic was well.

MakenziePaul

Dancers: Jasmine M and Alan
Style: Jazz
Choreographer: Shawn Cheesman
Song: “Veins” by Charlotte Martin

This is about the mundane life of being a royal. It was very quirky with some tricks. I enjoyed it. Jasmine performed much better here than in her solo but I still think she is going home.

The judges: Nigel thought it was very “Prince William and Katie.” Nigel steals my word “quirky.” He wished they were more quirky with it. Mary loved the beginning and end. Mary agreed with Nigel. Erin agreed with them. Paula loved the routine and thought it was a lot of fun. She also agreed with Nigel and Mary.

JasmineMAlan

Dancers: Jenna and Tucker
Style: Hip-hop
Choreographer: Keone and Mariel Madrid
Songs: “Dangerous (Immortal Version)” by Michael Jackson

Femme fatale meets average guy. I am looking to see if Tucker can let go of his posture and get down with the song. It was lacking the intense hitting you see in this type dance and both were too straight in their posture although they get some points for effort. I disagree with the judges who lavishly praised it. It was okay; it was not the best performance of the night. I am really not connecting emotionally with Jenna or Tucker even though they are technically great dancers in their genres.

The judges: Mary thought it was less hip-hop and more jazz but thought it was great. Erin complimented them. Paula thought it was a hipster kind of jazz and loved it. Nigel thought Jenna reminded her of Audrey Hepburn in a movie with Fred Astaire. It was one of his favorite routines tonight.

JennaTucker

Dancers: Malece and substitute dancer Marko Germar
Style: Contemporary
Choreographer: Sonya Tayeh
Song: “In The Embers” by Sleeping At Last

My guess is that Marko is going to elevate her dancing tonight. Before tonight, Sonya said in the rehearsal she was going to have to help Jade but since he has an injury, he withdrew from the competition. Marko saved her for another week. I had not been too pleased with her dancing this season but she did a superb job with Marko. I got goosebumps.

The judges: They were on their feet. Erin thinks Malece is a Tinkerbell. Paula loved it. Nigel said that Sonya said Jade was doing really well this week. Nigel saw the same thing I saw. Marko brought something out in Malece he has never seen before–the woman in her. Mary agrees with Nigel, but she knew Malece would have this moment at some point in the show.

MarkoMalece

Dancers: Hayley and Curtis
Style: Samba
Choreographer: Jean-Marc Genereux
Song: “Straight to Memphis” by Club des Belugas

Curtis posture was terrible. His lack of experience was grossly evident. He has a wonderful personality though and it carries him through sometimes in these routines. Hayley did a great job. The song was fun and lively. It was not, however, up there on the top of my list of favorites for this evening. Hayley’s lipstick was smeared on her tooth (when they judges were critiquing them).

The judges: Paula thought Hayley nailed the samba hips. She brought fire and ferocity. She gives Curtis a lot of credit being a tap dancer in this, but he needs to work on being a little more grounded and not to be afraid to move her and control her. Nigel said he needed to be the dominant role in this dance, unlike last week when it was right that Hayley was, and he did not achieve that. He looked a little immature. Hayley’s footwork looked good to him. Mary gave Curtis tips about his technique and how to improve that. Hayley was on fire. Erin encouraged Curtis to take the critique and work on it. Hayley was fabulous, a vixen that keeps getting better.

HayleyCurtis

Dancers: Alexis and Nico
Style: Jazz
Choreographer: Spencer Liff
Song: “I Put A Spell On You” by Nina Simone

The story is that Alexis is hypnotizing Nico. Kissing during a routine always gets votes. There were times I felt Alexis was in the dominant role but then sometimes it felt like she slipped out and Nico was in control. I was thinking during this song what it might have been like if Nico put the spell on Alexis but then I laughed that would not be accepted as well. It is okay when a woman puts a spell on a man because she is the seductress, but if a man were to do that to a woman, he is taking advantage of her. For a tap dancer, Alexis did a great job. I think the choreography limited Nico being able to shine completely.

The judges: Nigel liked it. Paula jumped in that Alexis has come back into the forefront for her. Nigel felt Nico was really good. Mary pretended to be hypnotized. Nico was brilliant. Alexis surprised her. Erin was checking on Nigel after Paula play-attacked him. She felt Alexis did well at adapting to a style of dance that is not her strong area. She thought they were more in sync than they were in dress rehearsals, and there was no sleeping about Nico tonight.

AlexisNico

Dancers: Mariah and BluPrint
Style: Hip-Hop
Choreographer: Luther Brown
Song: “Bring The Noize” by M.I.A.

Two hip-hop artists doing hip-hop? They better bring it (they do have the pimp spot on the show tonight). The synchronicity suffered in a few places especially in the beginning. I loved it and was laughing so hard when BluPrint pulled his shirt up and the ladies went wild. They are definitely safe this week. It was full of energy. I felt bad for BluPrint after the judges gave their critique. He looked defeated.

The judges: Mary thought Luther did well with all the choreography in there, but she is dying for more of BluPrint’s performance. She thought it was sick tonight (which is one step down from ill. Mariah was just “livin’ it out there.” Erin loved it. She wants Luther to come out with the next work-out video. She agrees with Mary that BluPrint needs to loosen up. She felt it when he lifted his shirt, but they need to see more moments like that. She enjoyed his abs but want to see that from his face. Paula thought they were in sync. There were static moments in the routine when they could breathe, but they have to keep in character. She feels BluPrint is holding back. Mariah’s personality was times 10 and covered for BluPrint sometimes. Nigel agreed with Paula. He added that personality holds a lot of weight sometimes even over great dancers and gave him examples of people who won in the past. It is in his hands what he wants to do. If he does not show his personality soon, he will be going home soon.

BluPrintMariah

The results

Jade by default of his injury will be going home this week. He said the judges and the choreographers are unanimous in their decision that Jenna will be staying. To Jasmine he said that the choreographers feel that there is a lot of self-doubt with her. The judges too feel that at times with her (but not so much tonight). He asked her to try to lose that. The choreographers feel that with Alexis they give her a note but 5 minutes later it is gone. However, Jasmine will be the one leaving this evening.

My predictions for next week

So who are in my bottom 2 for guys and girls? Girls: Jenna. Although I enjoyed Alexis’ dancing tonight, I have a feeling if she winds up in the bottom 3 next week and she does not improve on this issue the choreographers have with her, she will be sent home. For the guys, Tucker and maybe BluPrint if he is not making a connection with the audience but in technique he did well whereas Curtis had a difficult time and this is what Nigel was talking about–personality will carry you far.