So You Think You Can Dance Season 10 — Top 10 Revealed

8 08 2013

Opening Number

Song: “Pandeyjee Seeti” by Dabangg 2 (Original Soundtrack)
Choreographer: Nakul Dev Mahajan

Group Bollywood opening number! I think someone had to super-size their energy drink before coming on stage. How in the world do they keep up that level of energy? Nico and Alan’s hands were not as sharp as the other guys. I enjoyed it very much, however.

Judges Tonight

Kenny Ortega joined Nigel Lythgoe and Mary Murphy on the judges’ panel tonight. Cat delivers more bad news about the dancers. Tucker had an infection in his knee and cannot perform tonight. If he survives the cuts on this evening’s show, he will automatically be in the bottom next week. What does Cat mean about Mary and “retiring?”

In The Bottom

Tonight’s cut is important because the top 10 dancers remaining will be the ones going on tour. Jenna, Alan, Malece, Nico, Amy, Tucker. I am surprised about Amy. It could be that she needs a new dance partner (even though Fik-Shun made it through). Nigel sends Nico and Jenna into the top 10. Amy is NOT going home so I suspect it is Malece’s time to leave. Tucker is dancing? I am confused. Cat said he was not dancing tonight. Hoping to secure his place, Tucker dances to “Maestro” from The Holiday (Original Soundtrack). Now there is the Tucker I remember from the auditions that I loved. So fluid and beautiful. Amy danced to “Je Suis Malade” by Lara Fabian. I got goosebumps! The audience was rooting for her too. Now THAT is dancing for your life. Malece dances to “Patient Love” by Passenger. It was nice but Amy was better. Alan danced to “Mas Que Nada” by Sergio mended featuring The Black Eyed Peas. Sergio Mendes is a name I have not heard for quite awhile. His timing seemed off to the music.

Couples Dance

Dancers: Hayley and Nico
Style: Broadway
Choreographer: Sean Cheesman
Song: “Kiss Of The Spider Woman” by Jeffrey Huard & Chita Rivera (Kiss Of The Spider Woman Cast Recording).

Whoa! I was vacillating between wondering whether or not I liked it or if it was boring, but the flip he did made me pause to rewind. She stands back-to-back with him. She has one leg in the arm (so it looks like a split standing up) he starts bending forward. She starts bending backward (with that right leg straight up now bending backward as her left knee bends. The motion continues and her left leg leaves the floor and he flips her over and she lands facing him, then falls backward onto the stage with that right leg still up in the air and she does a backward tumblesault and then stands up as he does a round-off, back spring, backward somersault. And then a kiss. Wow!

The judges: On their feet! Nigel says it was one of the best Broadway routines they have ever had on the series (Tyce will be sad to hear this). He said it was magnificently danced. Mary thought it was outrageous. Mary loved the passion and the power that Nico brought to the character. Mary thought Hayley was a little temptress. Kenny thought Sean created a courageous piece. Hayley and Nico handled it with bravery and passion.

Dancers: Malece and Alan
Style: Jazz
Choreographer: Mandy Moore
Song: “Come Dance With Me” by Michael Bublé

He should go home just on the fact that he is a dancer who has never seen Gene Kelly dance. (LOL). She should go home because apparently she is not environmentally friendly (never wears the same thing twice and shops all the time?). Annoying. I think Alan did a better job than Malece. His hips moved better than hers did. It was okay.

The judges: Kenny made sure Alan went onto You Tube to see a Gene Kelly film. Malece has the sparkle of a young Judie Holiday or Goldie Hawn. He wished they would have found that melding point better between their two styles (missing chemistry, not technical dancing). Nigel thought it was uncomfortable to watch. The style and chemistry were not there. Mary thought it was fun and entertaining but there were some issues with the technical part. She is on the fence about it overall.

Dancers: Jenna and Alex Wong (standing in for Tucker)
Style: Paso Doble
Choreographer: Jean-Marc Généreux
Song: “He’s A Pirate (Ship Ahoy Tribal Remix) by Chris Joss and Klaus Badelt

This makes me very excited to see the top 10 paired with the all-stars next week. Remember when I said it takes a lot to get me excited about ballroom dancing? This is what I am talking about. I wonder if she now likes a new pirate other than Orlando Bloom.

The judges: Mary loved it. She wishes she could trade places with Jenna. Kenny complimented her on dancing with someone she had never danced with before with such passion and confidence. She is now at the top of the list for him. Nigel made it known that Alex had never done ballroom on the show before (due to his early leave because of his injury in his season). He also made a comment about the all-stars.

Dancers: Makenzie and Paul
Style: Contemporary
Choreographer: Mandy Moore
Song: “The Edge of Glory” (Live From “A Very Gaga Thanksgiving”) by Lady Gaga

Unlikely lovers. He’s a boy from the wrong side of the tracks (depends on your perspective I imagine–perhaps he is the RIGHT side of the tracks). That sizzled. I got goosebumps! The lines were exquisite. The chemistry exploded. The judges were standing.

The judges: Nigel talked about all the wonderful moments in their movement. Mary said it was done beautifully. They melted together and oozed. Kenny said they are two of his favorite dancers in this competition and have been for awhile.

Dancers: Amy and Fik-Shun
Style: Viennese waltz
Choreographer: Jean-Marc Généreux
Song: “A Thousand Years, Part 2” by Christina Perri featuring Steve Kazee

This is not going to be pretty. People who dance this usually find themselves in the bottom. The Twilight fans might like it. Fik-Shun’s foot work was sloppy. He gave a good effort with his posture. There was something I had difficulty putting my finger on and I think it is in this dance I felt like more “boy” than “man” came through. His partnering was better this week and he was there for all the lifts and tricks and nothing on the floor she might have tripped on.

The judges: Mary said they were precious together. There were definitely technical issues but something special Happens between them. Kenny praised Jean Marc on being a great teacher. He thought if a choreographer asked Fik-Shun to fly he would find a way to do it. Amy is like the dancer in a music box. Nigel acknowledged the problem this dance has getting votes. He feels like Fik-Shun is learning week after week.

Dancers: Jasmine and Aaron
Style: Hip-hop
Choreographer: Tabitha and Napoleon D’Umo
Song: “Gold Rush” by Clinton Sparks featuring 2 Chainz, Macklemore & D.A.

Stagecoach robber meets gold-digging saloon girl. They truly are my favorite couple. It was fun, playful, sexy, and entertaining. I liked it so much I had to watch it again (and again and again). My favorite routine of the night. Here–You should watch it, too.

The judges–were on their feet! Kenny said after SYTYCD choreographers will have to form a lottery to see who gets to work with them first. Nigel felt that Aaron was right about height but he would have been right had it not been for Jasmine. He did not know the pelvic girdle could move like that (on Jasmine). Mary felt Jasmine’s hip and torso isolations were crazy tonight. Aaron did great too.

Dancers: Nico, Paul, Fik-Shun, Alan
Style: Hip-hop
Choreographers: Tabitha and Napoleon D’Umo
Song: “It’s A Man’s Man’s Man’s World (American Idol Performance) by Joshua Ledet

The guys have to pull their own weight in a relationship. It was a great routine. The girls went NUTS in the audience.

The judges: Mary and Kenny were standing. Nigel thought it was really good. Mary picked out Paul and Aaron to compliment. Kenny gave Alan a compliment for throwing his all into the dance. He also complimented Paul and Aaron (although I think he mistakenly said Alan instead of Aaron).

Dancers: Jenna, Hayley, Malece, Makenzie, Amy, Jasmine
Style: Contemporary
Choreographer: Stacey Tookey
Song: “Young and Beautiful” (DH Orchestral Version) by Lana Del Rey (The Great Gatsby Soundtrack)

At the fountain of youth, the ladies ultimately find that what matters most is on the inside. It was haunting and celebrated their sisterhood.

The judges: Also standing again. Mary said they are the best 6 girls that they have had in 10 seasons. Kenny said their commitment to dance is evident in every movement they make. Nigel thought it was beautiful.

Going Home

Malece and Alan. But Nigel said he would try his best to get them on the tour in some capacity.

My picks for next week

I can’t pick the bottom this week. Everyone was so good. My favorites though were Aaron and Jasmine and Paul and Makenzie. But Nico and Hayley get props for the complicated moves in their dance. Well, okay, maybe I do have picks for the bottom seeing who is then left. We know Tucker automatically goes into the bottom 2, but the other should be Fik-Shun. Jenna should be the next one to leave. Amy needs a chance to shine with an all-star next week and that leaves only Jenna.





So You Think You Can Dance — Let the Voting Begin

12 07 2012

So You Think You Can Dance — Top 20 Voting Begins

The evening started out well with a Mad-Men-ish dance, choreographed by Christopher Scott, to the song, “Architect of the Mind” by Kerry Muzzey. The judges for this evening were our resident judges Nigel Lythgoe and Mary Murphy with the guest judge the fabulous Kenny Ortega. Many goosebump moments happened for me this evening.

What We Learned in 7 Seconds About Our Contestants

Witney Carson is 18, plays guitar and the drums, likes to golf, has over 100 relatives and is afraid of crickets. Chehon Wespi-Tschopp is 23. He was born in Chicago, but grew up in Switzerland. He is a ballet dancer, thinks in 2 languages and finds it hard to talk really fast. Tiffany Maher is 19. Her nickname is T-Maher-Starr, has “baby hands”, had a pet duck, and likes going to the beach. George Lawrence II is 19 and loves the color green. He loves collard greens, hates being outside, is camera shy and had a pet frog (want to bet he named it Kermit?). Janaya French is 20, wants to meet Shamu, loves fuzzy socks, hates orange candy and thinks Chucky is her worst nightmare. Brandon Mitchell is 27, from Kansas City, Kansas, is allergic to cats and dogs. His brother broke the world’s record for the long jump for 8 year olds. Alexa Anderson is 19, loves red lipstick, being outside, watermelon and puppies. She can eat frozen yogurt for every meal and her favorite topping is sprinkles. Daniel Baker humored things up by playing up America’s stereotypical idea of an Aussie. He is 24, puts shrimp on the barbie, throws boomerangs, has a pet kangaroo, is related to Crocodile Dundee and owns vegemite. Right. Amber Jackson is 21. She loves track, bunnies, and skating. She hates sausage and sleeps with stuffed animals. Nick Bloxson-Carter is 20, just took 23 credits and does not advise anyone else to be quite that insane. He loves movies, hanging out with friends, laughing, and the beach. His dad works at the Playboy mansion. Amelia Lowe is 18. Her dad is a tattoo artist. She was named after Amelia Earhart because her dad loves to fly planes. Her mom is a Pilates instructor.  Will Thomas is 19. Orange is his favorite color. He believes he is Simba. Janelle Issis is 24 and from Birmingham, Alabama. She likes the movie, “The Color Purple”. She can cook. She loves roller coasters. Dareian Kujawa is 20. He left home to join the circus. He used to play hockey. He hates spiders. He loves the color blue and can mimic Donald Duck. Eliana Girard is 21. She hates raisins, is addicted to “True Blood” and loves the word “Alfred.” Cyrus Spencer is also known as Glitch, is age 22, a Pisces (I knew I liked him for some reason!), has a dozen pair of gauges (earrings), is addicted to shoes and loves basketball. Audrey Case is 18 and is from Oklahoma. She reminded us that she can make fart noises with her neck. She collects elephants and loves Taylor Lautner. Matthew Kazmierczak is 21. He loves hiking, is definitely a cat person, is terrified of sharks, has 6 tattoos and is terrified of the mannequin that was in the room with him at the time of the interview. Cole Horibe is 26 and is a walking cliché. He is an Asian male who is a ninja martial artist. He liked math when he was “young” (oh please, like 26 is old?), and is part of the descendent line of the 47 Ronin Samurai. Lindsay Arnold is 18, likes food, hates spiders and tomatoes, cannot cook and gave someone stitches once.

Couples Dances

Dancers: Witney Carson and Chehon Wespi-Tschopp
Choreographer: Louis Van Amstel
Dance: Samba
Song: “Jump” by The Cube Guys and Lucinana

My opinion: I loved Witney’s pink dress. Chehon did well being a ballet dancer and worked the audience well during one of the moves, but he is too straight in his posture. Witney did a great job.

The Judges: Nigel thought Witney was a star. Chehon needed to relax more and enjoy the music. Mary pointed out Chehon’s foot work, but moved his body well across the floor. Witney got a 1st class ticket on the hot-tamale train. Kenny thought Witney was like Marilyn Munroe in “Some Like It Hot” but hotter. He told Chehon to surrender to the music and agrees pretty much with Nigel.

Dancers: Tiffany Maher and George Lawrence II
Choreographer: Sonya Tayeh (Dance is about the stars being aligned for a couple and they realize each other and who they are.)
Dance: Contemporary
Song: “Turning Page” by Sleeping At Last

My opinion: Goosebumps. I had them when Sonya was just describing the dance, the emotion that the feel towards each other (I am a hopeful romantic at heart) and goosebumps while it was being performed. I have always rooted for George and hoped that his dad could see that he really is a fantastic dancer.

The Judges: Mary said it left her breathless. She said that George is one of the best dancers in the competition. She commented how connected the two of them were. Kenny said they both surrendered, and it reminded him of youth. “You spilled it.” Nigel thought it was superb and loved the arabesque in the lift.

Dancers: Janaya French and Brandon Mitchell
Choreographer: Napoleon and Tabitha Dumo (who looks radiant and like she is going to give birth at any moment). The story is about addiction and the choice between it and love.
Dance: Hip-Hop
Song: “Take Care” by Drake featuring Rihanna

My thoughts: It was average. Brandon got the feelings of anger across well but I did not feel the struggle. Not exactly sure why.

The Judges: Kenny believed the story and thought they did a great job. Nigel thought Nappytabs was very clever to hide some of their flaws through this dance. Mary believed Brandon but felt Janaya needed to be more gritty.

Dancers: Alexa Anderson and Daniel Baker
Choreographer: Sean Cheesman
Dance: Jazz (it is supposed to be sexy, quirky).
Song: “Hey, Hey (DF’s Attention Vocal Mix) by Dennis Ferrer

My opinion: I felt absolutely no chemistry between these two. It was intricate, but sexy and quirky? No. Their faces showed that there were really thinking about all the movements and not really feeling the dance. And they had that one face (smiling) the entire dance. I have had a problem with Alexa’s facial expressions in the past (smiling during a song whose lyrics were sad, for example). Is that the dancers’ issue or the choreographer by making the routine technically difficult? Not sure. Maybe a bit of both. It was my least favorite dance of the evening.

The judges: Nigel hopes the audience can appreciate the level of difficulty. He did not see the chemistry either. Mary said that Daniel looked like he was enjoying himself. Kenny thought it was a demanding piece. He thought they were invested in the exercise but not in the performance.

Dancers: Amber Jackson and Nick Bloxsom-Carter
Choreographer: Jason Gilkison
Dance: Viennese waltz
Song: “Nights in White Satin” by Tina Arena

My opinion: This dance is something you see on Dancing With The Stars. For the audience of So You Think You Can Dance, it usually is the dance of death or at least puts people in the bottom 3. I thought it was beautiful and flowed very well.

The judges: Mary said it was dreamy. Kenny thought it was fluid and flowing and loved it. Nigel told Nick to watch his facial movements.

Dancers: Amelia Lowe and Will Thomas
Choreographers: Napoleon and Tabitha Dumo
Dance: “Unconventional hip-hop” — Character pop. Sophisticated kitty meets alley cat (may explain why Will thinks he is Simba)
Song: “The Lovecats” by The Cure

My opinion: I liked this a great deal. It was upbeat and playful. It made me smile. One of my favorite dances of the evening.

The judges: Kenny thought it was fun and charming and loved it. Nigel thought they were “smitten kittens.” He thought it was terrific and memorable. Mary thought it was “purrrfect.” She commented that it made you happy.

Dancers: Janelle Issis and Dareian Kujawa
Choreographer: Sean Cheesman
Dance: African Jazz
Song: “Jungle” by Hilight Tribe

My opinion: They did a great job. I’d have a headache after dancing like that.

The judges: Nigel loved it. Mary said it was exciting. It was like a jungle dance-off and they both came out as winners. Kenny thought it was universal and was like watching 2 flames dancing across the stage.

Dancers: Eliana Girard and Cyrus “Glitch” Spencer
Choreographer: Tyce Diorio
Dance: Broadway
Song: “Run And Tell That” by Hairspray (Original Broadway Cast)

My opinion: I am such a fan of Cyrus. Ballet meets the animator and it worked! It was fabulous and so much fun to watch. Tyce was so proud of them. Another one of my favorites this evening.

The judges: Mary said she had never seen Tyce worked up that much before in her life. This will be “googled up”, i.e., watched over and over again. She said, “Winners are ordinary people with extraordinary hearts” and Cyrus lays his heart out on that stage. Eliana was a ballerina who could get down. Kenny felt like it was watching a Broadway performance right on a New York stage. Their personalities were on fire. Nigel said Cyrus is not the best dancer but he always gives 100% of himself. Eliana is the benchmark for the other girls in this competition.

Dancers: Audrey Case and Matthew Kazmierczak
Choreographer: Travis Wall
Dance: Contemporary (story is on the Titanic after the sketch scene)
Song: “Unchained Melody” by The Righteous Brothers

My opinion: I did not think the song was going to work because we associate that song with “Ghost” and not the movie The Titanic, but it worked. I had goosebumps. For someone who was joking around during the interview and rehearsal, Matt turned on the hot factor. It looked like they were totally and completely in love with each other. It was on fire. I think my favorite dance of the evening.

The judges: On their feet! Kenny thought it was an exquisite choice and was brilliantly danced. Nigel thought it was his favorite of the night and it was a very special moment. Mary loved it.

Dancers: Lindsay Arnold and Cole Horibe
Choreographer: Jason Gilkison
Dance: Paso Doble (instead of a bull and matador, Lindsay’s character was going to be like poison to the warrior).
Song: “Unstoppable” by E. S. Posthumus

My opinion: I normally do not like these dances but they pulled it off. I figured they were going to do something big having the pimp spot of the evening. I had goosebumps. My goosebumps never lie. It was hot.

The judges: They were standing once again. Cat made a comment that Cole had the “blue steel” look (from Zoolander). Kenny thought it was electrifying, mesmerizing and the most fantastic dance he has seen on this show. Mary thought it was the best paso doble Jason has ever choreographed on the show. Lindsay was fabulous and fiery. Cole was “oh my God.” She said it was a beautiful paso doble. Nigel said it was the best paso doble ever done on this show.

After tonight, here is my list of favorites in some semblance of order. It is hard to rate them because they really are so good.

Guys: Cole, George, Matt, Cyrus, Will, Brandon, Nick, Dareian, Chehon, Daniel (sorry Daniel fans; it was this particular dance that put him in the bottom for me.

Girls: Audrey, Amelia, Lindsay, Eliana, Janelle, Amber, Tiffany, Witney, Janaya, Alexa (again, the dance was what put her on the bottom of this particular list).

Who are your favorites? Who is your top 3 and bottom 3?





So You Think You Can Dance — Finale Performance Show

11 08 2011

It has been a wonderful journey with the best group of dancers to ever be picked in the Top 20 of So You Think You Can Dance. Tonight, the four favorites who flitted into our hearts were: Marko, Melanie, Sasha and Tadd. Katie Holmes and Kenny Ortega served as guest judges for this evening (I just LOVE Kenny Ortega).

Final4

The final 4: Marko, Sasha, Melanie, Tadd

Dancers: Melanie and Marko
Song: “I Feel Love”
Artist: Donna Summer
Choreographer: Doriana Sanchez
Style: Disco
Story: None, just high-energy disco.

I was wondering when disco was going to show up. This song was a blast to my past. It was lovely seeing them partner again. Dressed like John Travolta, Marko did a slightly better job than Melanie with a bit more energy into all his movements. While it was danced well and it was fun to watch, there was no emotional investment in it for me and did not bring me back to that golden era. Kenny thought it was electric, sizzling and great. Katie loved it and said it was like watching Saturday Night Fever. Mary Murphy pointed out that the lifts were not great and they went in and out of the style. Nigel agreed with Mary and felt they were uncomfortable in the style and hoped that they do better in their other routines this evening.

Dancers: Sasha and all-star Mark Kanemura
Song: “Raise Your Weapon”
Artist: Deadmau5
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Ode to Sasha from Sonya, that Sasha handles all the struggles in her life with such grace and integrity, fueling her and giving her power. Mark represents the obstacles.

Another emotional dance for Sasha. This dance brought both goosebumps and tears and then a “hell-yah” out of me during the final sequence when she throws her obstacles to the ground (i.e., Mark). What a powerhouse duo in this pairing (Are you ready to join Lady Gaga’s tour, Sasha, with Mark?)! It stung me in all my emotionally vulnerable hotspots. Sasha has had some incredible performances, but this one tops them all. Mark is the perfect example of someone who did not win the show who went on to do fantastic things in the dance world. Like a fine wine, he has gotten better with age. Katie loved it, especially that walk at the end. Mary pulled out her train-whistled woo-hoo for this and called her a champion and a star. Nigel thought Sasha just threw down the gauntlet to the other three contestants.
Before getting to Sasha’s critique, Kenny had glowing things to say to Sonya who was deeply moved by his accolades. Turning to Sasha, he cited her struggles this week–an injury, battling against Melanie–but claimed her “Sasha, Warrior Princess.”

Dancers: Tadd and all-star Joshua Allen
Song: “Hustle Hard” (Traditional)
Artists: Ace Hood
Choreographer: Lil’C
Style: Hip-hop
Story: None, just the hustle.

Lil’C choreographed a very difficult routine. Tadd is the dark horse in this race, but having Joshua dance with him did not help him, like watching a master and his apprentice. Joshua was crouching lower and hitting harder. Tadd made it this far not only because of his dance technique but also his personality. Just looking at Tadd though, this is the best I have seen him dance all season. Mary said his difficulty is the “sweetie-pie” factor, but was able to pull off a hard-hitting hip-hop style. “Hustle Hard” was Tadd’s theme song for this season. Nigel complimented the moves on the knees, but still felt he was too sweet. Kenny thought the pairing was perfect and wants a pair of the red shoes. Katie thought his hustling was terrific and she loved the pairing. The red shoes helped to highlight how fast of a dancer he was.

Dancers: Melanie and all-star Robert Roldan
Song: “Sacrifice”
Artist: Sinead O’Connor
Choreographer: Stacey Tookey
Style: Contemporary
Story: Unrequited love; in order to save herself, she has to say good-bye.

My goosebumps started halfway through and were at standing straight up on my arm and traveling down my legs by the time the song was over, a lovely rendition of the famous Elton John song. I loved this pairing as well, as each complimented each other. Nigel felt like Sasha threw down the gauntlet and the challenge was accepted. Kenny would push himself to the front of the line to have a chance to work with Melanie. At this point, Cat announced that he would be resurrecting “Dirty Dancing” and got Melanie her first job after SYTYCD. Katie thinks she is a magical dancer and loves how she creates stories. Mary feels like she is in a class of her own and is so proud of her. Melanie feels so blessed for the journey.

Dancers: Sasha and Marko
Song: “Whatever Lola Wants”
Artist: Ella Fitzgerald
Choreographer: Spencer Liff
Style: Broadway
Story: A restaurant scene. Marko is the waiter, Sasha an elegant dinner who wants to order something off menu.

Hot and spicy, both Sasha and Marko played their roles well. She looked elegant in her purple gown, showing off her cougaress cavort, going after what appeared to be a younger, geeky waiter, portrayed by Marko. Kenny thought it was fun, and their character conversions were fantastic. He had a few extra words of praise for Sasha about her giving her all for every performance. Katie compared Sasha to the legendary Cyd Charisse and thought Marko was great. Mary did not initially recognize Marko and thought he was perhaps one of the all-stars. She was surprised at what a wonderful actor he is, saying that it is not easy to pull off comedy and dance at the same time. The dance, however, did not wow Nigel. He thought Sasha was a better warrior princess than a vamp. He did not understand Marko’s character at all.

Taking a break in the dance action, Cat showed some interviews that she had with all the contestants. Melanie’s favorite moment was dancing with Neil Haskell (with the launch she did into his arms halfway across the stage). Her closest buddy in the competition is Ricky because he can make anyone smile and was such a fighter regardless of the criticism each week. Out of the four remaining, she feels closest to Marko. She misses her father and knows that he would be very proud of her. She then performed her solo to “Song for Viola” by Peter Bradley Adams. I cried, feeling like she was dancing that for her father.

Cat asked Marko what he was thinking when she read his name as the first one through to the finale. He had closed his eyes and wondered why she was waiting (she was waiting for him to open his eyes). His favorite performance was “Turned to Stone” with Melanie. She asked him what it was like to have his mother in the audience, and he again shared that he was not always the most grateful child growing up. Winning would mean “everything” to him. When he got shot, he was searching for the reasons why he survived and perhaps this show was a vehicle for that. He then performed his solo to “The Fear You Won’t Fall” by Joshua Radin, incorporating all he has learned, growing a great deal since his original audition. Tonight, his father was in the audience for the first time, giving him an extra boost.

Dancers: Sasha and Tadd
Song: “Raindrops”
Artist: Basement Jaxx
Choreographer: Mark Ballas
Style: Cha-cha
Story: None, just fun and sassy.

This was not finale-quality dancing. Both looked uncomfortable in the style. Because of that, they did not have that hot, spicy chemistry. The height difference was an issue for me. Katie completely bypassed saying anything about the dance itself and just complimented them on the journey. I think Katie did not want to be booed. Although agreeing with Katie, Mary had to talk about the dance. It just did not work–the connections, the body positions, missing hand connections, lack of chemistry, although Sasha fared a little bit better than Tadd. Nigel agrees with Mary, saying it was uncomfortable to watch. While Sasha did a bit better, Nigel felt it did not bear well for her either. Kenny said it was too ambitious for the last show and for them to walk it off and come back and blow us all away.

Dancers: Marko and all-star Lauren Froderman
Song: “Shirk”
Artist: Me’Shell Ndegedcello
Choreographer: Tessandra Chavez
Style: Contemporary
Story: Two people drawn to each other who can’t seem to find a way to make it work.

Setting the tone for the routine, Lauren was already in character, shedding tears when the dance started. This was another dance that drew me in emotionally, taking me on a journey of moments of my own life. My goosebumps never lie. Mary thought it was beautiful, provoking honest communication in the dance, feeling his soul. Nigel felt like it was a fabulous performance, redeeming his past dances of the evening. Kenny again complimented the outstanding choreography. He felt this was perfect partnering for him, that their spirits became alive, taking him to a distant place. Whatever Marko was doing in that dance, he needed to continue doing it. Katie also thanked Tessandra for the piece. He thanked Marko for creating these picture moments for her while he danced and deemed him magical (Magical Marko–it works–Cat stop stealing my phrases).

Tadd’s interview and solo were next. He thought and dreamed about being in the finale but cannot believe he is here. He thinks America is connecting to him in his solos. His favorite routine was the vulture dance with Jordan that Travis Wall choreographed. Most nervous performance was the first show when they had to make a first impression. There is web site apparently called: The Official “Keep Your Shirt Off Tadd” Fan Club. He said for some reason people want him to be naked, but Cat points out there is a difference between shirtless and naked. Winning would change his and his family’s lives. Dancing his last solo before voting to “Momma Knows Best” by Jessie J, Tadd showed off why we love him so. It was playful and creative.

Dancers: Tadd and Melanie
Song: “Show Me What You’re Working With”
Artist: Sista Monica
Choreographer: Ray Leeper
Style: Jazz
Story: A guy cheats on his girlfriend and she catches him in the act. Sexy, naughty with a little dysfunction thrown in.

This dance showcased Tadd much better. Since he was comfortable, the chemistry flowed like river rapids between them. I got sexy, naughty and the dysfunction. It must have been difficult for Melanie to dance that short while with one heel on and one off; I can barely walk that way. The routine was a lot of good fun. The strip-tease of Tadd for his fan-base was a great touch after the comments made in his interview. The routine brought Nigel’s evening to life. He praised Tadd for a job well done, while complimenting Melanie for selling the character before the dancing ever began. Kenny apparently let out a “woo” during the dance. He loved everything about it and felt the choreographer delivered the perfect routine to showcase their strengths during a finale show. Katie felt like it was a breath of fresh air. Mary thought Tadd brought the sexy back and Melanie’s strut was like no other.

In the final interview and solo, Sasha never thought she would make it this far, loving that her sister has been with her the entire journey. Her favorite moment was when Lady Gaga threw her shoe. Several routines stood out to her, but she asked Cat which one she liked and Cat said the routine with Twitch. She talked more about the wonderful routine with Kent Boyd (with the wall), saying she had to go to a very dark place, and she had to put her journey into the dance. Seeing people affected emotionally in response to her dancing meant a great deal to her. Dancing to “Be Be Your Love” by Rachael Yamagata, Sasha also showed the audience the growth attained this season from that of her first audition.

Dancers: Sasha and Melanie
Song: “Heart Asks Pleasure First”
Artist: Anh Trio
Choreographer: Stacey Tookey
Style: Contemporary
Story: Suppressed housewives in the 1950s, feelings of isolation and loneliness. The two join forces to break free.

Extremely beautiful. Melanie and Sasha are in direct competition with each other, yet they dance and support each other every time they dance together like true professionals. Another moment of chills for me. Kenny thought the picket fences were symbolic of prison bars and the space in the yard the only place where these women could express themselves. It made him feel hopeless and he wanted to rush in and free them. It also made him curious about their paths, where these characters came from and where they were going. Katie loved the message about friendship and the power that two women can give to each other. Mary enjoyed every second of it, enjoying the movement and musicality. Nigel shared with the audience what we did not see–that each of them hugged each other and wished each other luck before the show came back on air. He said it did not matter who won because they would both grace any dance company they would join.

Dancers: Marko and Tadd
Song: “B.O.B.”
Artist: Outkast
Choreographer: Chuck Maldonado
Style: Gumboot stepping (hip-hop)
Story: Form of dance that was used to communicate in the mines of South Africa

A fantastic, high-energy way to close the show. Tadd had the slight edge in this dance, but Marko was not too shabby. The timing was a little off, but I noticed Tadd looking over at Marko at times to try to get them back in sync again. Katie enjoyed the athletic ability in this number, but it also sound like she was holding something back. Mary felt like it was solid gold for her. Nigel pointed out the rhythms were not together in this routine. Then he crushed them by saying he has felt all along a girl would win this season and that hadn’t changed although they stood up well for themselves tonight. Kenny thanked the dancers and the choreographer.

If it was simply based on dancing tonight, it would have to be Melanie, Marko, Sasha and Tadd. If it came down to most improved dancers over the season, it would be Tadd, Sasha, Marko and Melanie since Tadd, the b-boy held his own outside his own style of dance. Then Sasha was finally partnered with someone who brought out the best in her during the all-stars, and Marko and Melanie have remained pretty level throughout the competition. If it is based on the dancing all season it would be a tie between Melanie/Sasha then Marko and Tadd. However, the show is about America’s favorite dancer. Sasha has an overwhelming fan base and it will come down to who voted more, Melanie’s fans or Sasha’s fans. The margin of votes will be very, very close.  I predict Sasha is going to win.  But Nigel is right:  Both Melanie and Sasha will have tremendous careers after this (and I believe Marko and Tadd will, too).

Hilda Clark Bowen (a.k.a. PBMom)

Hilda Bowen (a.k.a. PBMom)





So You Think You Can Dance — Top 14 Performance

7 07 2011

Tonight viewers were in for a special treat. Travis Wall, previous contestant on So You Think You Can Dance Season 2 and choreographer for the last few years, was asked to sit in to judge tonight. Is there anywhere Travis does not fit like a hand in a glove? His critiques were deadly accurate with lavish praise for the high points and technical pointers for the weaker points to help the dancers learn. When I heard Carmen Electra was going to judge, I had no idea she had a background in dance. I enjoyed her in “Meet the Spartans.” I loved Cat Deeley’s earrings tonight that had the number 8 on them for season 8.

Tonight we will find out more about the contestants. There are also new choreographers to the show. According to http://www.markmeismer.com, Justin began his training in South Carolina. He was the winner of Star Search and Destination Stardom in Hawaii. In 2001, he worked with the Poz Dance Theater in Seoul, Korea. Soon thereafter he opened a dance company in Dallas, Texas and has been with LA Dance Magic for the past 5 years. Ray Leeper has worked in film and theater and for big names singers such as Cher and Elton John.

Dancers: Boys’ Group Number
Song: “Prague”
Artist: Damien Rice
Choreographer: Justin Giles
Story: The seven stages of grief after a breakup: Shock, anger, denial, depression, guilt, bargaining, and acceptance.

It was a beautiful contemporary number. Chris, unfortunately, was off in his timing with the other dancers. Although the judges are not offering critiques, performances in the group number will be taken into consideration for elimination eve. A warm welcome to Justin. I hope we see more of his work on this show.

Dancers: Melanie & Marko
Song: “Americano”
Artist: Lady Gaga
Choreographer: Ray Leeper
Style: Jazz
Story: Young Latin couple whose families have been fighting like the Hatfield’s and McCoy’s, now run off and want to get married.

Marko had auditioned before but had not won over the judges until this year. He is from Guam and most of his family became lawyers and doctors. There were not many dance opportunities on the island. The one job he had was on a cruise ship and the hazing ritual was dressing up as a girl (in homage to the drag queen show where he was not–and he repeats was NOT–the drag queen). Melanie is from Marietta, Georgia (woo-hoo, my sister lived there for many years), but she left to attend Fordham University in New York City, majoring in art. Her boyfriend, Mitchell, whom she has dated since the 10th grade in high school, came to see her perform last week, the week of the Marko kiss.

There was a moment at the beginning of the dance where I thought, “Oh my” with regards to hand placement. She had to be deadly accurate or risk incapacitating her partner!

Melanie & Marko

Hand placement must be precise!

It was a fantastic way to start the show off on a high note. Cat Deeley says Marko looks like a sexy fireman in that outfit. Travis tells Melanie she is, by far, his favorite dancer in the competition. He also comments that he has been taking Ray’s class since he was 9 years old (great way to make someone feel old, Travis!). Mary loved their passion and heat. I enjoyed this number a great deal. This was Ray’s first appearance on SYTYCD as well and a hearty hello to him as well. Nigel reassures Marko that he is a fan now.

Dancers: Sasha & Alexander
Song: “To the Moon”
Artist: Miguel
Choreographer: Shawn Evaristo
Style: Hip-Hop
Story: A first date and Alex wants a kiss at the end of the night from Sasha.

Sasha spoke lovingly of her family, especially of her sister and having her sister with her through her journey on SYTYCD. She comes from a large Trinidadian family who now lives in Bakersfield, CA and there is always a party going on–lots of food, drinks, dancing, and singing. It sounds like Sasha’s family knows how to live in the moment and express joy of just being alive. Dancing began for Alexander at the age of 17. Instead of going to college, he was accepted into a ballet school where he fell in love with ballet. He grew up in Alhambra. His father used to be an actor on such shows (that I remember) as Barney Miller, TJ Hooker, Hill Street Blues, shows Alex says he has never heard of. Psssst. Alex. I probably saw your dad at some point on those shows and not on the reruns.

Alex is swagger-challenged. One might say because of the natural of ballet, it is trained out of them because posture has to be perfect, lines have to be straight, etc. However, one day ballet dancer Alex Wong walked into our lives and performed one of the best routines ever in the history of SYTYCD with Twitch, choreographed by Tabitha and Napoleon. Click here to watch. Alex Wong made a bold statement that ballet dancers CAN do hip-hop. Compared to the level of what we’ve seen in the competition thus far, this was below the bar. I think it will put them in danger. Carmen articulated it best when she was not feeling them as a couple. When I see Alex in his natural environment, he seems like a different person than he is on stage. The “ballet face” comes on when he dances on stage and because Sasha is operating from a different point of view, trying to get into whatever character she needs to be, that is where the disconnect is happening.

Dancers: Jordan & Tadd
Song: “Nocturne”
Artist: Secret Garden
Choreographer: Toni Redpath
Style: Smooth Jazz
Story: Jordan is a siren, a black widow spider of the deep sea.

Jordan’s story brought tears to my eyes as she shared the depth of her family’s sacrifices so she could dance and the level of appreciation she has for it. After seeing the fun side of Jordan, it was moving to see she has a vulnerable side. She hopes that this is a reward for them as well after all they have done. Tadd grew up in Salt Lake City and because of the lack of Filipino culture there when he was young, grew up thinking he was Caucasian. Once he got to meet extended family in San Francisco, California, his world grew much bigger.

Let’s think of Jordan being a siren of dance (not voice, LOL, sorry babe, your talent is in dancing, not singing). I loved the hair extensions; I don’t think I would have recognized her on the street with them. Her costume was beautiful; she did look like a goddess from the sea. Being a hip-hop dancer, Tadd did a super job. His posture was superb; his arms were high. He died well.

Dancers: Clarice & Jess
Song: “Light Through the Branches”
Artist: Celeste Lear
Choreographer: Justin Giles
Style: Contemporary
Story: A super intense love affair that is coming to an end.

Clarice also appreciates the sacrifices her family has made for her.  Although she grew up in Hollywood, California, she now studies dance at California State University at Long Beach. After a long day, she drives her sister to dance and then teaches dance later on after that. Clarice enjoys spending time with her family after a long day. Jess grew up in Little Falls, New Jersey with family members who are also entertainers. Jess’ father was an actor, but is now a teacher. While many of us would like to forget our high school experience, Jess has wonderful memories, being part of all the performing arts clubs.

Clarice is a contemporary dancer and Jess is used to Broadway. My eye was drawn to Clarice during the routine. Jess is growing as a dancer in this area but I would compare his performance to Tadd’s in ballet. Although not his style, he did try to rise to meet the challenge. Unlike Alex and Sasha, Clarice and Jess are developing chemistry between them and that shone through during the routine. In this routine, it demanded that it did or it would have fallen apart. I agree with Travis that it is my favorite routine they have done all season. Carmen and Mary said they felt the anger they were feeling. Maybe that was true in the studio. As a TV viewer, I saw the anger between the two of them, but they did not bring me along for the ride.

Dancers: Ashley & Chris
Song: “Mambo Beat”
Artist: Tito Puente
Choreographer: Liz Lira
Style: Salsa
Story: None, just fast, lots of tricks, etc.

From Antioch, California, Ashley grew up as the daughter of a deacon, surrounded by music and dance her entire life, her mom being director of the dance program. She loves to cook (perhaps we will see her on a future episode of Masterchef). Chris comes from a large family in Dallas which gives them always something to do and always something to clean. He was diagnosed with dyslexia and credits his parents for him graduating high school because the challenges for him were that difficult.

I understand the choreographers wanting to do a challenging dance, but they also need to take into consideration the level of ability of the dancers. Latin dances need a strong male partner who is sure of himself and Chris even verbalized his awkwardness in this style. I was worried for them seeing the rehearsals. The actual dance was better than rehearsals. You could see Chris thinking all the steps so he could complete the dance without his partner getting hurt, but because of that, the heat was missing. Ashley did a nice job and it was so lovely of her to tell him how proud she was of him as they stood next to Cat Deeley. Sadly, I think this is going to put them in the bottom 3. I’m certain that if this is the case, Chris will be the guy going home because of the comment Nigel said last week about him needing to grow faster, and because of the off-timing in tonight’s group routine.

Dancers: Ryan & Ricky
Song: “Fashion”
Artist: David Bowie
Choreographer: Chucky Klapow
Style: Jazz
Story: Two members of a cult of fashion. Following what was hot and hip eventually “did them in.” They got hit by a car they were so into themselves they wouldn’t even take the time to look left or right to cross the street. Elaborate story.

Ryan was raised in Morgan Hill, California. She went to Sacramento and got an opportunity to work with Mia Michaels during a convention. Because of economic hardships, Ryan had to give up dancing for awhile. She reunited with Mia Michaels on the “House” episode “Bombshells.” Ricky is from Miami and loves the beach because it allows him to spend time with his family. When he was 15, his mother said they were moving to Tampa (and they made it sound like it was such a horrible thing to happen. I lived in St. Petersburg for a year of my life; Tampa is not a bad place). But apparently there is not a lot of dancing in Tampa (ah, code word for a lot of old people live there). He was not only the first male cheerleader at his new high school, but also became co-captain.

This dance was “Ghouls Gone to Vogue Hell” to the PERFECT song choice. It was so enjoyable. It made me want to learn the steps so I could follow along. How do you judge such a thing? Fun? Check. Did I believe they were zombies? Check. Did I believe they were once fashion icons? Check. When they were required to dance in sync, did they? Check. Bonus points: It was quirky; I adore quirky. They are absolutely safe with this one.

Some trivia about Chucky Klapow. He was one of the main dancers in Michael Jackson’s tour “This Is It” and has been Kenny Ortega’s co-choreographer in the High School Musical movies. Kenny Ortega did a season of judging on SYTYCD. He also choreographed another Fox show, Bones, “The Girl With The Curl.”

Dancers: Caitlynn & Mitchell
Song: “To Love You More”
Artist: Celine Dion
Choreographer: Mandy Moore
Style: Contemporary
Story: A couple falling in love.

Caitlynn was a tomboy growing up in Moses Lake, Washington and loves engaging in outdoor activities from snowboarding to fishing. Her father works overseas and is home only every other month. Thank goodness she lives in an age where there is Skype and other type of networking; back when I was her age there was two methods of communication: Telephone and snail-mail. Mitchell’s backstory made me cry. His father died when he was 2. When he was 8, he and his mother moved from Chicago to Atlanta and wound up sleeping in their car for a full year. They were homeless. His mother was able to find a job and wanted Mitchell to fulfill his dreams there. His mother is so inspiring. It is so difficult to break out of the cycle of homeless and there is such a horrible stereotype about the face of the homeless, people mischaracterizing the group as lazy, not wanting to work, etc. I know that just is not true and to hear people’s ignorance when they speak of such things irritates me greatly. Mitchell, to his credit, could have turned to a life of drugs or gangs, but did not. It says a lot about his personal character as a mere 8-year-old child. He is such a great role model.

Wait, what? Caitlynn spills secrets that Marko reads romance novels. Too funny.

Remember that Mitchell is still trying to recover from his injury from week 1, but he continues to push through to stay in the competition. Caitlynn has complete trust that he will be there for her as her partner. They have the coveted last spot of the evening, so I’m preparing to be wowed. I love this song and the romantic in me loved this dance. It was my favorite of the evening. I know it is a wonderful dance when I’m breathing with the dancers. It was absolutely PERFECT and Mitchell knows they NAILED it. He is overwhelmed with emotion.

Dancers: The Girls aka “The Beasts”
Song: “My Discarded Men”
Artist: Eartha Kitt with Bronski Beat
Choreographer: Ray Leeper
Style: Jazz
Story: Seven girlfriends ridding the world of evil men. (Hmm, femme fatales?)

It was a great dance and everyone worked well together as a group. A nice way to end the show.

So based on their dancing tonight, I think Sasha and Alexander and Ashley and Chris are in trouble. But Sasha has a lot of Adam Lambert fans voting, so I’m not sure if they will be in the bottom 3. I’m not sure who the other couple would be. I am certain Chris is going home Thursday night if he is among the bottom 3 males.

Who were your favorites? Who do you think will be in the bottom three?