So You Think You Can Dance Season 11 Top 20 Perform

3 07 2014

Opening Number

Song: “Stalker Ha” by Kingdom
Choreographer: Sonya Tayeh

My thoughts: It was okay. Usually Sonya pieces blow me away but that is okay. We have many weeks to go.

Interesting twist. In past seasons the first night we get to just watch them dance with no pressure. Tonight they will dance in their own style and the bottom girl and bottom guy will be going home. Then they mix up the dance partners for next week’s show.

Judges

Mary Murphy, Nigel Lythgoe and Jason Derulo.

Top 20 Perform

Couple: Brooklyn and Serge
Style: Cha-cha
Choreographer: Dmitry Chaplain
Song: “Hell Yeah” by Midnight Red

My thoughts: It’s a fun opening. It sizzled. Death drop was impressive.

Judges: Mary loved it but pointed out to Brooklyn that she saw her nerves in her missteps. She thought Serge looked magnificent. Jason wants to add that routine to his show. Nigel said they uplifted everyone with their energy. He wants Brooklyn to play to her partner as well as to the audience; otherwise it looks fake. Serge’s hard work over the years is paying off.

Dancers: Emily and Casey
Style: Contemporary
Choreographer: Travis Wall
Song: “All of Me (Spotify Live from Milan)” by John Legend

My thoughts: I had goosebumps but I had problems connecting with this version of the song. It did not seem like the choreography synced with the song–either the song was too slow or the dance was too fast.

Judges: Jason did not want the routine to end. Their performance brought the story to life. Sometimes it is not about technique but the story you tell. Nigel said they brought the technique with the emotion which made it absolutely superb. Mary said it was a beautiful love story between the two of them. It was yummy.

Dancers: Valerie and Zack
Style: Tap
Choreographer: Anthony Morigerato
Song: “Sing” by Ed Sheeran

My thoughts: Gosh they make it look easy. And to do it together? You can’t hide any mistakes in there.

Judges: Nigel: “Wow, wow, wow, wow.” They were both magnificent. Mary said they were on fire up there. She loved the rhythmic conversation they were having with us. Jason said he comes from a tap background and that was unbelievable. He educated the audience that the taps on the shoes are actually slippery so to add the stairs in there was crazy.

Dancers: Bridget and Stanley
Style: Contemporary
Choreographer: Bonnie Story
Song: “Doesn’t Mean Goodbye” by Jon McLaughlin

My thoughts: Major goosebumps. That was beautiful.

Judges: Jason Derulo crying? Wow! Mary thought it was wow. It was so authentic, completely from the heart. Jason said it looked effortless. We felt like we were a part of the story. Nigel said it was tremendous.

Dancers: Jacque and Jourdan
Style: Ballet
Choreographer: Marat Daukayev
Song: “Pas de Deux-Black Swan”–Tchaikovsky

My thoughts: It is not as exciting as contemporary or tap but it was lovely to see classical dance on the show. Based on the lack of applause I worry for them.

Judges: Jason thought it was beautiful. Nigel gave them tips on technique. Mary said what they did took incredible strength. She also thought they looked like sisters.

Jason Derulo and Snoop Dog performed to Jason’s hit song, “Wiggle”.

 

Dancers: Marlene and Marcquet
Style: Samba
Choreographer: Louis Van Amstel
Song: “Morning Drums” by Gregor Salto

My thoughts: That was really fun and well done. I still think Marlene looks like Mila Kunis.

Judges: Nigel loved how her energy came bursting through at the very beginning. Marcquet is a force to be reckoned with. He felt the technique was strong too. Mary said there were hot samba rolls cooking in the oven today. She thought Marcquet was wonderful except for the jive part. Jason could tell they were in their element. He enjoyed it.

Dancers: Carly and Rudy
Style:  Contemporary
Choreographer:   Stacey Tookey
Song: “Take It Easy” by Jetta

My thoughts: I am such a sucker for contemporary. Goosebumps! I like the serious side of Rudy!

Judges: Mary said the passion just poured out all over the stage. Rudy has heart and it touches you. Carly is stunning. It was special. Jason felt like when looking at them anything was possible. Nigel felt like they have the best top 20 dancers they have ever had. Carly’s technique is terrific and Rudy is so damn likable.

Dancers: Emilio and Teddy
Style: Hip hop
Choreographer: Christopher Scott
Song: “Nightshift” by The Commodores

My thoughts: Teddy looks like he could be Robin Thicke’s relative. I love this style as much as contemporary. A few parts were not in sync but it was wonderful nonetheless.

Judges: Jason said it was super dope. It was seamless. Nigel said they are both soloists but they found a way to connect. Mary said it was sharp, clean and easy to read. She hopes to see both of them in the next Step-Up movie.

Dancers: Jessica and Ricky
Style: Contemporary
Choreographer: Sonya Tayeh
Song: “Vow” by Meredith Monk

My thoughts: I gasped before they even took a step. I was iffy about Jessica but her performance tonight changed my mind completely. This was breathtaking, goosebump-making awesomeness. THIS is the Sonya Tayeh I love. My favorite so far this evening.

Judges: The judges were on their feet. Nigel wants America to know they just witnessed an entirely different level of performance. It was other-worldly. Ricky is the magician of dance. Jessica is a star in her own right. One of the best routines he has ever seen. Mary said that came from heaven. It was the best number of the night. Jason thanked them for blessing all of us. Jason held his breath the whole time.

Dancers: Tanisha and Nick
Style: Cha-cha
Choreographer: Louis Van Amstel
Song: “I’m A Freak” by Enrique Iglesias featuring Pitbull

My thoughts: I feel sorry for anyone having to dance after Ricky and Jessica. It was fun but Nick had some facial expressions that annoyed me. I felt he was playing more to the audience than he was interacting with his partner.

Judges: Mary said it was fun, fast and fabulous. Jason said they hit it hard. Nigel thought it was great.





So You Think You Can Dance — Top 4 Perform

13 09 2012

Tuesday night was the last time we could vote on our favorites, the finale sort-of version. One more episode to go–to crown not just one winner but two: America’s favorite girl and guy. Lending critiques to the evening’s performances are resident judges Nigel Lythgoe and Mary Murphy. Award-winner Rob Marshall was in the house lending his extensive knowledge to the mix.

Dancers: Eliana and Cyrus
Choreographer: Jason Gilkison
Style: Paso Doble (Eliana is the matador and Cyrus the bull)
Song: “The Game Has Changed” by Daft Punk

My thoughts: Cyrus is one determined bull, but was ultimately defeated by the lovely Eliana who continues to bring her strength of character to each role she embodies. It was a great opening number and a very smart move on the part of the choreographer, knowing that Cyrus’ lack of technique would not work in this situation.

The judges: Nigel thought Eliana had secured her place in the industry. He pointed out some things to Cyrus to help him improve and commended him on good partnering. Mary said that Cyrus conquering the paso doble must have felt like skinny dipping with snapping turtles and was very masculine. Eliana was on fire tonight. Rob loved how Eliana threw away technique and focused on the story. He told Cyrus it was exciting to watch them let it happen in the moment.

Dancers: Tiffany and Will Wingfield (Season 4 All Star)
Choreographer: Sonya Tayeh
Style: Jazz
Song: “The Time is Now” by Moloko

My thoughts: Tiffany was really enjoying herself. She is a little spitfire with a lot of grace and strength. It was nice to see Will back, too. The music was a bit boring.

The judges: Mary that she was a star tonight. She loved it and felt there was great partnering. Rob thought Tiffany was great–fearless. Nigel said Tiffany is so little but her lines are so strong, so big. She is a tremendous dancer.

Dancers: Chehon and Eliana
Choreographer: Marat Daukayev
Style: Ballet
Song: “The Nutcracker Suite (Pas De Deux)” by Bruton APM Studios

My thoughts: FINALLY! The first time two ballet contestants were paired up with each other to actually do ballet. I had chills. The dance was exquisite. Poor Eliana almost had a wardrobe malfunction.

The judges: Rob said it showed their versatility. Eliana’s extensions were breath-taking. Nigel made mention that the choreographer, Marat Daukayev, was the principal dancer with the Kirov Ballet. He said that Chehon made it look so easy. Mary thought it was spectacular.

Dancers: Tiffany and Cyrus
Choreographer: Tessandra Chavez
Style: Lyrical hip-hop (story is that Cyrus has broken Tiffany’s heart).
Song: “Best Thing I Never Had” by Beyonce

My thoughts: It was a good pairing. I did get chills (or was it just the air conditioning?) I still have not been WOWED tonight.

The judges: Nigel mentioned that neither of them had been in the bottom 2 or 3 the entire competition. Both were so good at emotional routines and were incredible. Mary thought they killed it. Rob thought that they had “abandon”. He said it was his favorite so far of the evening.

Dancers: Tiffany, Cyrus, Chehon and Eliana
Choreographer: Tyce Diorio
Style: Quirky (is that a style?) I guess Broadway
Song: “Eine Kleine Nachtmusik (District 78 remix) by KPM Studio Artists

My thoughts: That must have been the most difficult piece to showcase all their unique, diverse skills. I did not care for it personally, but I respect Tyce’s challenge.

Dancers: Chehon & Allison Holker
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Leave” by Once–A New Musical (Original Broadway Cast)

My thoughts: My favorite so far tonight. Those leaps Chehon does are incredible. Allison’s face was so full of expression. I think Chehon is finally peaking, taking in all the feedback he has been given and applying it.

The judges: They received a standing ovation. Mary had a WOOOOO yell. She said that Chehon was free at last, free at last, and that his performance ability was growing and growing. Rob thought the height on his leaps was unbelievable. Allison was fierce. Nigel thought Allison should be an actress. With Allison, Chehon came alive.

Dancers: Eliana and Tiffany
Choreographer: Ray Leeper
Style: Pole dancing? (Broadway)
Song: “When You’re Good to Mama” by Chicago–The Musical (1996 Broadway Revival Cast)

My thoughts: I did not care for it. I understand it is difficult and some of the moves defied gravity. It’s okay; one does not have to like all the dances.

The judges: Another standing ovation. Rob (who won an Academy Award in 2002 for the movie Chicago) said he was trying to imagine Queen Latifah doing that. Mary said the two ladies were extraordinary. It was fun and sassy. Nigel said he could not say anything that would not get him into trouble.

Dancers: Cyrus and Chehon
Choreographer: Sonya Tayeh
Style: Jazz — (story is their struggle for the top)
Song: “Fangs (District 78 Remix)” by Little Red Lung

My thoughts: These are always weird dances. They are either hits or misses. Benji and Travis’ dance of the nerds was memorable. Alex Wong’s dance with Twitch was memorable. This was okay for me. Chehon is definitely the better dancer but Cyrus always tries to keep up and should be commended for that as well.

The judges: No standing ovation this time. Nigel thought Sonya choreographed this well. Cyrus has improved so much as a dancer and he is so proud. Chehon has also grown as a person and is his favorite dancer. Both were inspirational. Mary thought both have had a tremendous journey. Rob felt like they were lifting each other up as dancers always do.

Dancers: Eliana and Alex Wong
Choreographer: Travis Wall
Style: Contemporary
Song: “Without You” by Harry Nilsson

My thoughts: Two ballet dancers doing contemporary. Usually I have chills with every dance Travis choreographs, but this one not. The dancing was awesome, but I think I would have chosen the slower Mariah Carey version of the song. I think that is what was not resonating with me.

The judges: Were on their feet. Rob said it was poetry. They (Eliana and Alex) got lost in it and we (the judges) did, too. Nigel said it was his favorite routine of the night and that Eliana was his favorite of all time on the series. (Nigel–Melanie Moore will be very hurt). Mary said it was her favorite of the night as well. Eliana had extraordinary passion that oozes from her body.

Dancers: Tiffany and Chehon
Choreographer: Dmitry Chaplin
Style: Rumba
Song: “Love Me Tender” by Adam Levy and Norah Jones

My thoughts: Wooooo Tiffany! You have been cute, but this was sexy and sophisticated. It must have been hard to come out and dance like that after hearing all this gush about Eliana. Well done young lady. Dmitry said during the rehearsal shots that this dance you have to feel uncomfortable watching it. Was I? No. And I think that was an issue with Chehon. He needed to bring more Latin steam.

The judges: Mary thought it was beautiful. She did not believe the chemistry but the movement was gorgeous. Tiffany was fabulous. Rob thought it was sexy. He thought the connection was beautiful. Nigel said this dance was so much sexier than the pole dance. He commented to Chehon that they couldn’t find a shirt with buttons for him? Mary laughed and said, “Dmitry was the choreographer!”

Dancers: Cyrus and Twitch (Glitch meets tWitch)
Choreographer: Christopher Scott (with the assistance of Madd Chadd, an animator)
Style: Animator (story is they are robots in a secret lab).
Song: “Like A Criminal” by District 78

My thoughts: THAT ROCKED!!!! It was so Terminator-like. Rise of the Machines. Watch out. My favorite routine of the night.

The judges: Standing ovation. Rob said it was crazy; the two guys were superstars. Mary loved it. Nigel wanted people to know that tWitch worked so hard at that because he is not an animator. Hip hop and animation are so very different. He mentioned that Christopher Scott felt they were world class in what they do.

Then Nigel really upset me. Cyrus is having a moment, the time of his life, and Nigel drops a spirit-crushing blow to Cyrus: I am supporting Chehon for my own personal reasons. And goes on and on about it. That Nigel “loved his bones, but won’t vote for him.” Nigel has been a mentor to Cyrus. Nigel’s opinions hold great weight to Cyrus. I remember thinking, “Why don’t you just tear out his heart and stomp on it, Nigel?” Did you really HAVE to say that? Could you have just critiqued his performance and left it at that?

I have always respected Nigel. In that moment, I lost a generous portion of that respect. Did Nigel just have a gaffe on live TV where he said something he should not have? It reminded me of his comments last year to the two guys that one of the girls would win the competition for which he later apologized. Again a spirit-crushing moment to Tadd and Marko. Or are you trying to manipulate voters? Either way, it is not cool, dude. Nigel, I love your bones but that move made me not vote for either one. I do not appreciate being manipulated into voting.

Solos

Eliana danced to “Passacaglia” by Johann Johannsson. Interestingly, she said in her interview that she did not want to be typecast as just ballet, but then she does a ballet number. It’s beautiful but I see no risk-taking here. Cyrus decided to go with something we’ve already seen–his solo during Vegas week to “Holy Ghost (Helicopter Showdown and Sluggo Remix)” by Messinian. It would have been nice to have seen something different. Tiffany danced to “I Believe” by Fantasia. With her, too, I think I have seen all these moves in previous solos. Chehon’s solo was the best. He danced to “How It Ends” by DeVotchKa. I liked the use of a prop other than a costume. I liked it already. His solo incorporated all that he has learned and not just another ballet routine, which is his strength. It was risky and I admired him for it.

Guest Performance

A B-boy dancer named Jean Sok from Paris, France took the stage. The young man only has one leg and uses crutches sometimes. It was a beautiful combination of strength and grace. I stopped breathing for a moment. He danced to the song, “Expression” by Helen Jane Long.

Who will be the winners?  I think it could go either way.





So You Think You Can Dance — Vegas Hell Week Recap

23 06 2012

So You Think You Can Dance: Vegas Hell Week

By Hilda Clark Bowen (PBMom)

Vegas week–the dancers’ equivalent to Navy SEAL hell week. Eight grueling rounds. Late nights. Early mornings. No sleep. Pushing themselves to the brink physically, mentally, emotionally. That is what it takes on the road to becoming America’s Favorite Dancer. There were 8 rounds. Nigel Lythgoe, Mary Murphy, Adam Shankman, Debbie Allen, Tyce DiOrio, and Lil’C were the primary judges with others sitting in to comment on their own choreographed segments.

Round 1: Solos

Hampton “The Exorcist” Williams from Richardson, Texas (Dallas auditions) danced his unique style to Evanescence’s “My Immortal.” He was mouthing the words to the song which I did not like. Debbie Allen was crying. It was very similar to his Dallas audition. After 10 solos, Jennifer and Briana go home. Hampton and 7 other dancers make it through to the next round.

Hampton “The Exorcist” Williams

Next bunch included Janelle Issis, the belly dancer from Birmingham, Alabama. Both Tyce and Adam loved her. By the end of the round, 51 dancers were cut, including martial arts expert Tim Conkel.

Round 2: Hip-Hop with tWitch and Comfort

This proved too much for two contestants. Hampton felt that the choreography was too difficult to learn left the competition. I praise the respect he showed the judges by coming up on stage and sharing that. Andre Rucker, from the Dragon House trio, just left. Good impressions are won, and you just do not up and leave. It’s too easy just to quit. I hope that Hampton gets some experience in some other areas and comes back to the competition next year. The song chosen was “B.O.B.” by OutKast. It was fast and slick. After the first group, Boris Penton from Dragon House was cut as was Gene Lonardo (the praying mantis guy), and Bree Hafen. After the last group performed, and Cyrus “Glitch” Spencer. Glitch meets tWitch and I’m loving this. All the members of the final group survived, which totaled 105 dancers surviving to the next round.

Round 3 (Day 2): Broadway with Tyce DiOrio

Tyce comes with a story about dancers in a club at 2 a.m. and drinking water and then POW!…a lust force seizes them. Witney Carson and Lindsay Arnold, from the Salt Lake City auditions, are out of their comfort zones. They have known each other since age 9 and found out they were roommates in Las Vegas. The song, “Must Be the Water” by Marc Broussard. Everyone who danced in the morning made it through. The judges gave Alexa Anderson a stern lecture about lacking an emotional connection and getting tired of fighting for her. I think she is terrified that she will not make it through again at the very last moment and she is guarding her heart. Joseph and Trey were gone. Teddy Tedholm went home. After this round another 23 dancers went home, which by my count 105 minus 23 leaves 82 dancers for the next round.

Round 4: Jazz with Sonya Tayeh

Eighty-two contestants remain. Sonya is looking for strength, aggression, texture, and musicality. Shafeek Westbrook is struggling, but bacon-girl Danielle Dominguez is trying to be supportive. The song is “Freak Out (Gold Chains, Panique Mix) by Brightest Diamond. Shafeek was cut and left with a terrible attitude. Danielle steps forward to partner with Giovanni and is rewarded with a big smack to her head. She is sent to the hospital; he is sent home. Cyrus partners with Lindsay and does an adequate job. I think his uniqueness and the judges desire to have him through to the top 20 is allowing them to forgive mistakes. This is about the favorite dancer and not necessarily the best dancer. They ask Amelia Lowe to dance for her life. Rachel Applehans is asked to dance for her life (It’s a Man’s Man’s Man’s World by Leela James). Sonya, Nigel, Mary and Tyce all say no. I have to say I am glad about Rachel because she just did not fit into the show. It’s fine to turn on the sex appeal once or twice, but every time it makes me uncomfortable, like she is dancing for men at a strip club. Amelia danced to “To Kill a Mockingbird” by Elmer Bernstein. Adam is visibly moved. Sonya is smiling and says she wants to get her hands on her. Sonya, Mary, Lil’C, Tyce and Debbie say yes. Adam says “yes” and thanks her. Nigel gave a surprising no.

Round 5: Groups

It’s now day 2 at 10 p.m., and it is group time. The twist this year was that the people got to pick their own groups (about 5-6 people). The first group up on day 3 in the morning includes Daniel Baker, Audrey Case, Danielle Dominguez. Danielle got back late from the hospital. They danced to Gotye’s song, “Somebody That I Used to Know.” Charlie and Danielle are sent home. The judges should have allowed Danielle to at least dance for her life. She did not have to volunteer to partner in the previous round a second time. Boo to the judges on that. In the next group, Taylor Giri (? spelling) was sent home. The next dance, choreographed by Aubrey Klinger, was praised by Nigel, and he complimented her by calling her a mini Mia Michaels. Aubrey danced with 4 other guys. The story was that she was the only girl at the prom and they called themselves the “High Schoolers.” The song was Side Project’s “I Want to Dance with Somebody.” The entire group is sent through to the next round.

The High Schoolers

The first group in the afternoon were The Wolfpack which included Dres Reid, Adrian Lee and Alexa Alexander, all who auditioned in previous seasons and danced to “I’m Glad You Came” by The Wanted. Alexa was called out again by the judges. They prodded her until tears flowed. They allow her one more chance. Sixty-one contestants now remain for the next round.

Wolfpack

Round 6: Ballroom, specifically the cha-cha with Jason Gilkison.

The song: “Let’s Get Loud” by Jennifer Lopez. I was shouting GO CYRUS. I just love this guy’s attitude and energy. He is asked to dance for his life. It was a no to Asher Walker, Dee Tomasetta, and a huge surprise Aubrey Klinger who had just been highly praised in the group round. My heart was hurting for her as she said she was not able to get work as a dancer audition after audition. While hurting for her, it reminded me what is so fantastic about this show: Even dancers who are not crowned the winners are getting work in the industry as evidenced by the many times I’ve seen them especially on Fox shows. Witney, Stepheon Stewart (great hip work!), Eliana Girard and Alexa (who was being cheered from the sidelines by Tyce and Adam) all received a yes to the next round. Cyrus dances to “Holy Ghost (Helicopter Showdown and Sluggo Remix) by Messinian. He BLOWS my mind. I was so glad he got to dance for Lil’C who thought it was EXTRA BUCK. I loved the support he was also receiving from his fellow contestants in the audience. A total of 52 contestants are put through to contemporary.

Round 7: Contemporary with Travis Wall

The contestants only have 1 hour to get the steps down. That’s insane. Travis says, “Technically I’m looking for perception.” Travis, your standards are set so low. The song is “I Won’t Give Up” Jason Mraz. Cyrus, Eliana, Lindsay, Janelle, Trenton, Daniel, Witney, Amelia, Luciano, Cyrus and Tiffany are all put through. Eighteen dancers’ fates were in question. The judges asked them to perform again and only Joshua and Abigail make it through. I was so sad about white-girl krumper Mariah. I thought she did very well.

Round 8: Final solos

Trying to stand-out, Joshua attempted to do a new trick in the waiting area and fell smack to the ground. The medics are called and he is taken away. He was not able to perform his final solo. Alexa Anderson was first, dancing to The Naked and Famous’ “Young Blood (White Sea Remix)”.  (PS Thank you Warren for the correction on this).  Debbie Allen said to her fellow judges that “This child could win” but Tyce balked at that observation. The last solo was Chehon Wespi-Tschopp of Zurich, Switzerland, the ballet dancer. The heights he could reach were phenomenal. The song to which he danced was “Suite of the Winter Songbirds,” by Noah Lifschey.

The guys were called up. Adrian Lee, who almost made it in season 7, and whose mother stopped watching the show because of it, was cut. Nigel reminded the group that they were not going for the “best dancers” but the uniqueness. The girls get called up; no one is cut….at this point.

There are 35 in the end. Next week, they will have to cut that down to 20 people. Joshua will find out if his stunt to try to impress will cost him a spot in the final 20.

Who are your favorites? I think Chehon and Cyrus are going to make it simply because of their unique styles. Cyrus improves with each lesson and America adores him. Chehon is, I think, the only ballet dancer in the group and they tend to like a diverse group of individuals. I am unsure about the girls. Amelia is very unique. I was truly rooting for Mariah. Janelle should make it.





So You Think You Can Dance: Atlanta

10 06 2012

Season 9 – Atlanta auditions

Mother Nature decided to interfere with my television viewing of this episode, but most of it was aired. My satellite carrier apparently does not have on-demand services, so if I fail to mention someone, I apologize in advance.

After seeing how many contestants went through from this city, I think it might have been cheaper to buy out an entire plane (just an expression; I know they all are not going to be flying out of Atlanta). This is the city which gave us last year’s champion, Melanie Moore, and usually after a win like that, the hometown of the winner is an ideal site for next year’s auditions. People who were possibly holding back will look at her as an example that they, too, could win it.

Judges for this segment were Debbie Allen, Mary Murphy and Nigel Lythgoe.

Who I Liked A LOT

Audrey Case; Edmond, Oklahoma; contemporary. The woman who can apparently fart with her neck and elbow (actually her neck thing was more like a squeak). She had a beautiful smile and beautiful lines. It was a great way to start off this segment’s audition.

Audrey Case

Dragon House Boys; Atlanta, Georgia. I adored Boris Penton’s blue hair and his colorful shoes. His popping was extraordinary but will he be able to do the different styles of dance that will be required? I did find my eyes were fixed on him and I was anticipatory of what he would do next in his dance. I assumed they would put him through to choreography, but it was a ticket to Vegas for him.

Boris Penton from Dragon House.

Andre Rucker of Dragon House was also fantastic, and I knew a ticket to Vegas was in the cards for him.

Andre Rucker from Dragon House

However, I was not prepared for Cyrus “Glitch” Spencer at all. I have never seen anything so amazing in popping before on the 8 previous seasons of this show. He wanted to be a robot-animated popper and every movement of every muscle of his body was involved in this audition. All my hopes are with them that they will be able to make it through SYTYCD’s version of Navy Seal Hell week.

Cyrus “Glitch” Spencer

Danielle Dominguez; Tampa, Florida; contemporary. Her dancing was different due to her double-jointed body. Her choice of song was terrific. Her mom was a former cheerleader and Nigel asked her to do a cheer in the audience. And she loves bacon. She could eat 10 slices a bacon every day. She went through to Vegas.

Danielle Dominguez

George Lawrence, II; Atlanta, Georgia; contemporary. One of the best male contemporary potentials for this season. He is a track star turned dancer. His father is not convinced yet of his talent. After seeing him dance, that made me incredibly sad. This young man has a future in dance ahead of him.

George Lawrence II

Who I Thought Was Average

Joshua Alexander; Columbia, South Carolina; contemporary. I thought he wasn’t as powerful as I have seen from past male contemporary contestants but he is through to Vegas. Debbie Allen felt like his dancing was “testifying.”

Joshua Alexander

Courtney Kirby; Lutz, Florida; contemporary. Her dancing is average and I’ll probably get hate mail for this. Her personality, her name, and her beauty are all what they are looking for in a contestant. The song choice was great (it sounded like music from The Hunger Games). I’ll need to see more of her dancing to decide. Nigel had a great time with her grandmother, dancer Eva Dean Booth. Sometimes I looked at Courtney and wondered if she was dying on the inside that her grandmother was embarrassing her and/or possibly messing up her audition because the attention was truly on the grandmother. You know how young people are. Her grandmother was delightful and judges certainly enjoyed her. Nigel, however, put Courtney through to choreography. Debbie Allen put her through to Vegas. Mary looked like a deer in the headlights and gave it a great deal of consideration before being handed a ticket to Vegas. Eva asked Nigel if perhaps he should reconsider his decision so as not to look foolish.

Courtney Kirby

The Odd-Ball Lot

Tim Conkel; Atlanta, Georgia; breakdancer. One thing that Tim does not lack is an ego. Initially borderline annoying, he grows on you. After showing the judges what he learned during his 7 full days of ballet training, he sails right through to Vegas versus choreography. Debbie Allen calls him a wolfman.

Tim Conkel

Janelle Issis; Birmingham, Alabama; a belly dancer, I did not get to see because my power was out, but I did catch her during choreography. It did pop in long enough for me to hear she learned this way of dancing at church. Interesting. She and 13 other dancers from day 1 who were not shown are headed to Vegas.

Asher Walker; Glade Hill, Virginia. He wants to be a backup dancer for Justin Bieber. His break dancing was fun and he told a story during the dance, interjecting moves with humor. His All-American look and what he brought to his dancing earned him a ticket to Vegas. He differs from Tim Conkel in that he is more humble, not cocky. While conceit can get you far, if you’ve noticed dancers like that in the past, it eventually got them voted off, so Asher’s humbleness might take him far. However, he is going to need to get through Hell Week in order to get on the show’s top 20. He does have a Kent Boyd of season 7 feel about him.

Asher Walker

Brittany Ornter; Ovideo, Florida; contemporary. Also known as “the chicken lady.” When I saw the chickens roaming free in town, I thought it would funny to have a Chick-Fil-A or a Kentucky Fried Chicken in the backdrop when showing them in a scene. Just proved to me that Florida has some wacky laws (because the chickens have laws to protect them). Brittany reminded me of Jordan Cassanova from Season 8. She is put through to choreography but then on to Vegas.

Brittany Ornter

Damon Bellmon and Deon Lewis: The whole world thought these two ripped off choreography directly from You Tube “Les Twins” because the dances were identical and the judges complimented them on their original choreography. They got hate mail and the ire of the dance world. Indeed this time around, the show ran the interview with Cat Deeley from season 8 auditions where they said they were doing the dance as a tribute to Les Twins. They danced an original choreographed piece. They were sent to choreography. It was a “no” to Deon for Vegas, but a “yes” for Damon.

Damon Bellmon and Deon Lewis

Don’t Know Enough About to Have an Opinion Yet

Jason Alvarez; Maiden, North Carolina: Just from what I saw–my power to my home glitched about here because of the storm–but his dancing was not on the same level as the Dragon House boys. He was sent to choreography and then to Vegas.

Abigail Ruiz, Goose Creek, South Carolina; Calvin Turner, Jr., Las Vegas, Nevada (auditioning in Atlanta, weird); Aubrey Klinger, Chicago, Illinois — All Vegas bound.

Vegas Bound

Audrey Case; Boris Penton; Joshua Alexander; contestant 2193 from Chicago, who had a rough life and had Debbie Allen in tears….

Contestant 2193 from Chicago, Illinois

Contestant 2255 who deals with Tourette syndrome, and who thinks it has improved because of dance…

Contestant 2255 who deals with Tourette syndrome

Contestant 2537 whose mother died when he was young

Contestant 2537 whose mother died when he was very young.

along with Tim Conkel; Jason Alvarez; Daniele Dominguez: Janelle Issis; Courtney Kirby; Asher Walker; George Lawrence, II; Abigail Ruiz; Calvin Turner; Aubrey Klinger; Brittany Ornter; Damon Bellmon.





So You Think You Can Dance — LA Auditions — Season 9

3 06 2012

So You Think You Can Dance — Season 9 —  Los Angeles Auditions

By Hilda Clark Bowen

On Twitter, East Coast people are complaining that New York only got 1 hour of airtime last week while California got 2 this week. Judges for this panel were Mary Murphy, Nigel Lythgoe, and Jesse Tyler Ferguson.

Who I liked a LOT

Eliana Girad; West Palm Beach, Florida. She has an impressive resume including Joffrey Ballet. She does pole dancing. I got distracted on Twitter by the reminder to people that our local Fox 26 Houston did a story about Pole Dancing for Jesus, a group here locally, which then brought up images and comments for me of, “So that was what Christ and his disciples were looking at on the other side of the table in “The Last Supper!” I understand empowerment, I understand exercise, but I don’t envision pole dancing to Steven Curtis Chapman’s “Dive.” I do see pole dancing to “Supermassive Black Hole” by Muse. Her routine mesmerized me. The judges give her a standing ovation. Vegas baby.

Eliana Girad

Cole Horibe; Honolulu, Hawaii; contemporary. He combined his training in martial arts (silver in the junior Olympics) and dance. He presented a powerful piece. He could be the “Marko” of this year. He is sent straight through to Vegas.

Cole Horibe

Jasmine Mason; Placentia, California; jazz: She was in a wreck 6 weeks prior with Marshae Kidd. She had beautiful lines. Her dance was sultry and sexy. She is sent to Vegas.

Marshae Kidd; Placentia, California: He broke his neck in a car accident 6 weeks prior to the audition. I don’t know if I’d even be out of bed after breaking my neck. I think he has grown since trying out previously. He also gets to go to Vegas.

Jasmine Mason and Marshae Kidd

Who I thought was average

Alexa Anderson; Chandler, Arizona; contemporary: She was on last year, but Ryan Ramirez was picked instead. She had a very strong dance. Quite beautiful. She is through to Vegas.

Sam Lenarz; Lavergne, California; contemporary: Her story was oh-so-familiar-to-me. She was kicked out of the house by her mother (mine occurred when I was 14). She had great fluidity but she wasn’t emotionally connecting with the dance. “You can always believe in yourself.” I felt that way, too: You can take responsibility for your own life and be the captain of your own destiny. It also helps when there is someone there as a safety net as it appears we both did. She is sent to choreography and then to Vegas.

Megan Branch; Gilbert, Arizona; contemporary: She did a great job. She is sent to Vegas.

Who needs improvement

Jontel “Johnny Waacks” Gibson; Portland, Oregon; waacking. The judges could not stop saying “waack” without breaking into hysterics. Johnny was such a good sport and his answers just fed into the hilarity. Jesse called him a Lenny Kravitz nesting doll. While he definitely is no Princess Lockeroo, they put him through to choreography. Unfortunately, Johnny will have to come back another year.

Jontel “Johnny Waacks” Gibson

Jonathan Anzolone; Milan, Italy; B-boying: He was good, but not spectacular. He had tried out previously on SYTYCD. He’s toned down his narcissistic persona, but I get a really negative energy from him. The judges send him to choreography but he did not prove himself worthy of a Vegas ticket.

The Odd-Ball Lot

Nick and James Aragon, contemporary, age 32. (a.k.a. the Ninja Twins). Although they are past the age limit of 30 for the show, these two young men deserve to have a reality show of their own. I LOVE them. They are not only terrific dancers, but charismatic and funny as hell. The judges and the audience gave them a standing ovation.

The Nina Twins: Nick and James Aragon — Someone PLEASE give them their own reality show!!!

Caley Carr; Huntington Beach, California, tapper: He surfs and dances. This is a case where what he looks like on the outside deceives you to what kind of talent he has on the inside. One immediately stereotypes him as a surfer. I did and I’m glad when I am reminded not to do such things. He is sent to choreography and not sent to Vegas.

David Marz; Los Angeles, California; Cyr wheel. What is a cyr wheel? Per Wiki: “The Cyr wheel (also known as the roue Cyr or simple wheel) is an acrobatic device popularized in the early 21st century. It consists of a single large, metal hoop, and is used in a similar manner to a German wheel, with the acrobat rolling the wheel around the stage from the inside. The Cyr wheel was popularized by Daniel Cyr from 2003. There are records of others using a similar apparatus during the 19th and 20th centuries, but Daniel Cyr is known to have popularized it, and claims he created it without any awareness of previous similar devices. It is now used in performance by hundreds of performers around the world.”.  I’ve never seen anything like it before. It was mesmerizing and beautiful. He is sent to choreography and leaves on his own when he finds the choreography difficult.

David Marz using a Cyr wheel for his dance audition.

Stephen Jacobsen; Cincinnati, Ohio; ballet: I wonder if the audition dance was some kind of plant by the producers because it was horrible. However, when Nigel had him do a ballet routine, which was incredible, they put him straight through to Vegas.

Vegas bound

Eliana Girad; contestant numbers 20515 (tapper Aaron Turner?, son of the famous Earl Turner); contestant 20323 (inspired by Desmond); and contestant 20429 (inspired by Sasha); Megan Branch, contestants 20273, 20309; Cole Horibe; Stephen Jacobsen; Jasmine Mason; Marshae Kidd; Sam Lenarz.





So You Think You Can Dance — Top 10 Performance

21 07 2011

Congratulations to So You Think You Can Dance for the well-deserved 8 Emmy nominations.

Tonight was a game-changer in the format of the show. The contestant would now be paired up with former alumni of the show, affectionately known as the all-stars. Neil Patrick Harris was the guest judge this evening. Tickets for the tour go on sale July 29 which kicks off in Orlando, Florida.

Dancers: Marko & all-star Chelsie Hightower
Song: “Cinema Italiano” (The Ron Fair Remix)
Artist: Kate Hudson
Choreographer: Jason Gilkison
Style: Samba
Story: A photographer and his muse.

The big question of the night is this: Will Marko and Melanie shine being apart? While Marko did well, it was not his best dance. Perhaps Melanie is his muse. There was a lot of footwork, but there were spots where I felt his arms could have been up higher and his legs could have been together more than apart. But Mary Murphy is the expert in ballroom and she loved it. He does get kudos for those massive lift/twirls.

Dancers: Jordan & all-star Brandon Bryant
Song: “Who You Are”
Artist: Jessie J
Choreographers: Dwight Rhoden and Desmond Richardson
Style: Contemporary
Story: The highs and lows of love.

This was a wonderful partnering. Brandon’s age and experience brought more out of Jordan as did the beautiful choreography which left me with goosebumps. The combination gave her a deepened maturity in her dancing. This is one of the reasons why I love the all-stars so much. The contestants seem to rise up to their level. Jordan received high praise from all the judges including a plea from Nigel to keep her in the competition.

Dancers: Tadd and all-star Comfort Fedoke
Song: “Look At Me Now”
Artist: Chris Brown (featuring Lil Wayne and Busta Rhymes)
Choreographer: Chuck Maldonado
Style: Hip-hop
Story: None.

Once again, having Comfort in the mix elevated Tadd’s level of dance. The choreography was also very complex to a very fast beat, but Tadd rose to the challenge. It played to Tadd’s strengths. There was very good chemistry between the two dancers. Nigel and Neil both felt he out-danced Comfort. Mary thought he was ghetto-licious.

Dancers: Mitchell and all-star Melody Lacayanga
Song: “Take Off With Us”
Artist: All That Jazz Soundtrack
Choreographer: Tyce DiOrio
Style: Broadway/jazz
Story: Taking flight.

Once again I’m afraid for Mitchell because Broadway does not bring in the votes. I did not watch SYTYCD in season 1, so Melody is new for me as well. Mitchell had great height in his leaps. There was something awkward about the routine, but I think it was in the height difference actually. I thought Mitchell out-danced Melody. The judges did not like it with Neil Patrick Harris taking aim more at Tyce’s choreography. It was like someone tried to make Boeing, Boeing a musical. It just did not work. Sometimes the dancers are at the mercy of the choreography. Perhaps the awkwardness was not in the height difference, but the fact that the dancers were not feeling it so they overperformed.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Malajunta”
Artist: Orquesta Color Tango
Choreographers: Leonardo Barrionueva and Miriam Larici
Style: Argentine tango
Story: A disconnected couple from the 1930’s era falling in love.

This LA-noire-type tango was on fire. With a partner like Pasha how could you not get totally wrapped up in the chemistry? The intricate steps with the interlocking legs are very difficult and I hope the audience can appreciate that. I still worry for Caitlynn because Broadway and ballroom do not do so well with voters. Mary Murphy gave Caitlynn a standing ovation and was near tears. Nigel commented that she used to be a girl dancing but now he saw a woman dance. Neil stated it took a little bit for him to get into it but he was completely mesmerized by it.

Dancers: Sasha and all-star Twitch
Song: “Misty Blue”
Artist: Dorothy Moore
Choreographer: Christopher Scott
Style: Hip-hop
Story: A couple’s whose love has burned out and they try to rekindle the magic.

As much as I enjoyed Alexander, there was a disconnection for me since the first week between the two of them. Tonight, Sasha was partnered with someone who not only had the chemistry but also had the skills to match her. As a married person of 19 years now, I appreciated this dance a great deal and could relate to it. This routine sizzled with sensuality. It was very nice to hear this song again. The routine was received quite well by the audience based on the level of clapping and hooting they did. I just love Twitch and everything he does. Nigel could not even speak. Neil called it the best routine so far in the evening. The routine brought Mary Murphy to swearing, calling it a “sexy-ass number.”

Dancers: Jess and all-star Kathryn McCormick
Song: “The Lonely”
Artist: Christina Perri
Choreographer: Stacey Tookey
Style: Contemporary
Story: Not being able to see what is right in front of you.

This routine required Jess to give all his eye contact to Kathryn while Kathryn is basically ignoring him. There was not a flowing movement that I would have liked to have seen with the routine. Even dancing separately, there still has to be a bond between them for the audience to be pulled in–a difficult order to be filled by even seasoned dancers. Kathryn did a beautiful job and I have missed seeing her dance. Neil thought the choreography was magnificent but pointed out Jess’ facial expressions that are typical of a Broadway dancer, but thought it was the best he has seen Jess dance. Mary concurred that it was her favorite piece Jess has done to date. Nigel thought Jess did a great job.

Dancers: Melanie and all-star Pasha
Song: “Everybody Hurts”
Artist: Tina Arena
Choreographer: Jason Gilkison
Style: Viennese waltz
Story: A guy who has lost his will to live with Melanie as the friend who is nurturing him through it.

Melanie did not lose herself without Marko. This was the second time this evening I got the chills. Melanie’s movements were ethereal and she looked like a guardian angel cradling Pasha’s troubled soul. I am not really sure what might be troubling Pasha’s soul since he got to dance with two beautiful women this evening! Mary complimented her on her effortless lifts and felt she was right up there on the top of the leaderboard. Nigel called her a solid, brilliant dancer. Neil thinks Melanie looks like she is from the past but dances like she is from the future and is easily his favorite dancer on the show.

Dancers: Ricky and all-star Allison Holker
Song: “Precious Things”
Artist: Tori Amos
Choreographer: Tyce DiOrio
Style: Jazz
Story: A bad dream (Ricky being Allison’s worst nightmare).

It’s hard to imagine cheerful Ricky as anybody’s worst nightmare, but he pulled this dance off. The lift where Allison is in a curved position and Ricky’s arms are straight up took my breath away. There was great power in his movements. Both Neil and Nigel were impressed with both the choreography and Ricky’s performance. Mary thought it was raw, reckless, passionate, intense and committed.

Dancers: Clarice and all-star Robert Roldan
Song: “Aila Re Aila”
Artist: Khatta Meetha
Choreographer: Nakul Dev Mahajan
Style: Bollywood
Story: A game of cat and mouse.

Nakul threw everything except the kitchen sink into this dance routine. Clarice did a fantastic job keeping up with all-star Robert. This season of SYTYCD has got to be labeled the kissing season. This sexy dance was fast with intricate moves. Everyone loved it. It was a great way to end this wonderful show.

Solos

Sasha‘s routine to “Syrup and Honey” by Duffy had very complex moves and good emotional connectivity. It reminded me of a little dragonfly. Jess performed his solo to “Come By Me” by Harry Connick, Jr., utilizing the entire stage very well with his Broadway-like routine. He always has a lot of good energy. Melanie danced beautifully to “You’re The One That I Want” by Angus and Julia Stone. Ricky performed a lovely solo to “Daylight Breaks” by Cassidy Haley. Clarice danced her solo with a Latin-vibe to “Royal T” from Crookers featuring Roison Murphy. Performing to “This Time” by John Legend, Mitchell redeemed himself from his all-star routine. Jordan danced to “Tonight” by Lykee L., taking to heart the judge’s advice last week that they needed to see something different from her. Tadd provided an entertaining solo to “Everything I Can’t Have” by Robin Thicke. Caitlynn’s contemporary piece was lovely to Florence and The Machine’s “Cosmic Love.”  Marko closed out the solo performances of the night with a song from Gavin DeGraw, “More Than Anyone”, reminding us what a beautiful dancer he is.

For me, my least favorite dance this evening was Jess, but I am very worried for Mitchell because he was the only one to receive negative feedback. It would be difficult to say exactly which my favorite was because I had so many. All the solos were stupendous.

I would like to pass on some news from Miranda’s fans at @mirandacandance on Twitter. On Saturday they have an exciting announcement to pass to everyone and a chance to win some really great prizes, so make sure you stay glued to Twitter on Saturday.

Who were your favorites and least favorites this evening?





So You Think You Can Dance — Top 14 Performance

7 07 2011

Tonight viewers were in for a special treat. Travis Wall, previous contestant on So You Think You Can Dance Season 2 and choreographer for the last few years, was asked to sit in to judge tonight. Is there anywhere Travis does not fit like a hand in a glove? His critiques were deadly accurate with lavish praise for the high points and technical pointers for the weaker points to help the dancers learn. When I heard Carmen Electra was going to judge, I had no idea she had a background in dance. I enjoyed her in “Meet the Spartans.” I loved Cat Deeley’s earrings tonight that had the number 8 on them for season 8.

Tonight we will find out more about the contestants. There are also new choreographers to the show. According to http://www.markmeismer.com, Justin began his training in South Carolina. He was the winner of Star Search and Destination Stardom in Hawaii. In 2001, he worked with the Poz Dance Theater in Seoul, Korea. Soon thereafter he opened a dance company in Dallas, Texas and has been with LA Dance Magic for the past 5 years. Ray Leeper has worked in film and theater and for big names singers such as Cher and Elton John.

Dancers: Boys’ Group Number
Song: “Prague”
Artist: Damien Rice
Choreographer: Justin Giles
Story: The seven stages of grief after a breakup: Shock, anger, denial, depression, guilt, bargaining, and acceptance.

It was a beautiful contemporary number. Chris, unfortunately, was off in his timing with the other dancers. Although the judges are not offering critiques, performances in the group number will be taken into consideration for elimination eve. A warm welcome to Justin. I hope we see more of his work on this show.

Dancers: Melanie & Marko
Song: “Americano”
Artist: Lady Gaga
Choreographer: Ray Leeper
Style: Jazz
Story: Young Latin couple whose families have been fighting like the Hatfield’s and McCoy’s, now run off and want to get married.

Marko had auditioned before but had not won over the judges until this year. He is from Guam and most of his family became lawyers and doctors. There were not many dance opportunities on the island. The one job he had was on a cruise ship and the hazing ritual was dressing up as a girl (in homage to the drag queen show where he was not–and he repeats was NOT–the drag queen). Melanie is from Marietta, Georgia (woo-hoo, my sister lived there for many years), but she left to attend Fordham University in New York City, majoring in art. Her boyfriend, Mitchell, whom she has dated since the 10th grade in high school, came to see her perform last week, the week of the Marko kiss.

There was a moment at the beginning of the dance where I thought, “Oh my” with regards to hand placement. She had to be deadly accurate or risk incapacitating her partner!

Melanie & Marko

Hand placement must be precise!

It was a fantastic way to start the show off on a high note. Cat Deeley says Marko looks like a sexy fireman in that outfit. Travis tells Melanie she is, by far, his favorite dancer in the competition. He also comments that he has been taking Ray’s class since he was 9 years old (great way to make someone feel old, Travis!). Mary loved their passion and heat. I enjoyed this number a great deal. This was Ray’s first appearance on SYTYCD as well and a hearty hello to him as well. Nigel reassures Marko that he is a fan now.

Dancers: Sasha & Alexander
Song: “To the Moon”
Artist: Miguel
Choreographer: Shawn Evaristo
Style: Hip-Hop
Story: A first date and Alex wants a kiss at the end of the night from Sasha.

Sasha spoke lovingly of her family, especially of her sister and having her sister with her through her journey on SYTYCD. She comes from a large Trinidadian family who now lives in Bakersfield, CA and there is always a party going on–lots of food, drinks, dancing, and singing. It sounds like Sasha’s family knows how to live in the moment and express joy of just being alive. Dancing began for Alexander at the age of 17. Instead of going to college, he was accepted into a ballet school where he fell in love with ballet. He grew up in Alhambra. His father used to be an actor on such shows (that I remember) as Barney Miller, TJ Hooker, Hill Street Blues, shows Alex says he has never heard of. Psssst. Alex. I probably saw your dad at some point on those shows and not on the reruns.

Alex is swagger-challenged. One might say because of the natural of ballet, it is trained out of them because posture has to be perfect, lines have to be straight, etc. However, one day ballet dancer Alex Wong walked into our lives and performed one of the best routines ever in the history of SYTYCD with Twitch, choreographed by Tabitha and Napoleon. Click here to watch. Alex Wong made a bold statement that ballet dancers CAN do hip-hop. Compared to the level of what we’ve seen in the competition thus far, this was below the bar. I think it will put them in danger. Carmen articulated it best when she was not feeling them as a couple. When I see Alex in his natural environment, he seems like a different person than he is on stage. The “ballet face” comes on when he dances on stage and because Sasha is operating from a different point of view, trying to get into whatever character she needs to be, that is where the disconnect is happening.

Dancers: Jordan & Tadd
Song: “Nocturne”
Artist: Secret Garden
Choreographer: Toni Redpath
Style: Smooth Jazz
Story: Jordan is a siren, a black widow spider of the deep sea.

Jordan’s story brought tears to my eyes as she shared the depth of her family’s sacrifices so she could dance and the level of appreciation she has for it. After seeing the fun side of Jordan, it was moving to see she has a vulnerable side. She hopes that this is a reward for them as well after all they have done. Tadd grew up in Salt Lake City and because of the lack of Filipino culture there when he was young, grew up thinking he was Caucasian. Once he got to meet extended family in San Francisco, California, his world grew much bigger.

Let’s think of Jordan being a siren of dance (not voice, LOL, sorry babe, your talent is in dancing, not singing). I loved the hair extensions; I don’t think I would have recognized her on the street with them. Her costume was beautiful; she did look like a goddess from the sea. Being a hip-hop dancer, Tadd did a super job. His posture was superb; his arms were high. He died well.

Dancers: Clarice & Jess
Song: “Light Through the Branches”
Artist: Celeste Lear
Choreographer: Justin Giles
Style: Contemporary
Story: A super intense love affair that is coming to an end.

Clarice also appreciates the sacrifices her family has made for her.  Although she grew up in Hollywood, California, she now studies dance at California State University at Long Beach. After a long day, she drives her sister to dance and then teaches dance later on after that. Clarice enjoys spending time with her family after a long day. Jess grew up in Little Falls, New Jersey with family members who are also entertainers. Jess’ father was an actor, but is now a teacher. While many of us would like to forget our high school experience, Jess has wonderful memories, being part of all the performing arts clubs.

Clarice is a contemporary dancer and Jess is used to Broadway. My eye was drawn to Clarice during the routine. Jess is growing as a dancer in this area but I would compare his performance to Tadd’s in ballet. Although not his style, he did try to rise to meet the challenge. Unlike Alex and Sasha, Clarice and Jess are developing chemistry between them and that shone through during the routine. In this routine, it demanded that it did or it would have fallen apart. I agree with Travis that it is my favorite routine they have done all season. Carmen and Mary said they felt the anger they were feeling. Maybe that was true in the studio. As a TV viewer, I saw the anger between the two of them, but they did not bring me along for the ride.

Dancers: Ashley & Chris
Song: “Mambo Beat”
Artist: Tito Puente
Choreographer: Liz Lira
Style: Salsa
Story: None, just fast, lots of tricks, etc.

From Antioch, California, Ashley grew up as the daughter of a deacon, surrounded by music and dance her entire life, her mom being director of the dance program. She loves to cook (perhaps we will see her on a future episode of Masterchef). Chris comes from a large family in Dallas which gives them always something to do and always something to clean. He was diagnosed with dyslexia and credits his parents for him graduating high school because the challenges for him were that difficult.

I understand the choreographers wanting to do a challenging dance, but they also need to take into consideration the level of ability of the dancers. Latin dances need a strong male partner who is sure of himself and Chris even verbalized his awkwardness in this style. I was worried for them seeing the rehearsals. The actual dance was better than rehearsals. You could see Chris thinking all the steps so he could complete the dance without his partner getting hurt, but because of that, the heat was missing. Ashley did a nice job and it was so lovely of her to tell him how proud she was of him as they stood next to Cat Deeley. Sadly, I think this is going to put them in the bottom 3. I’m certain that if this is the case, Chris will be the guy going home because of the comment Nigel said last week about him needing to grow faster, and because of the off-timing in tonight’s group routine.

Dancers: Ryan & Ricky
Song: “Fashion”
Artist: David Bowie
Choreographer: Chucky Klapow
Style: Jazz
Story: Two members of a cult of fashion. Following what was hot and hip eventually “did them in.” They got hit by a car they were so into themselves they wouldn’t even take the time to look left or right to cross the street. Elaborate story.

Ryan was raised in Morgan Hill, California. She went to Sacramento and got an opportunity to work with Mia Michaels during a convention. Because of economic hardships, Ryan had to give up dancing for awhile. She reunited with Mia Michaels on the “House” episode “Bombshells.” Ricky is from Miami and loves the beach because it allows him to spend time with his family. When he was 15, his mother said they were moving to Tampa (and they made it sound like it was such a horrible thing to happen. I lived in St. Petersburg for a year of my life; Tampa is not a bad place). But apparently there is not a lot of dancing in Tampa (ah, code word for a lot of old people live there). He was not only the first male cheerleader at his new high school, but also became co-captain.

This dance was “Ghouls Gone to Vogue Hell” to the PERFECT song choice. It was so enjoyable. It made me want to learn the steps so I could follow along. How do you judge such a thing? Fun? Check. Did I believe they were zombies? Check. Did I believe they were once fashion icons? Check. When they were required to dance in sync, did they? Check. Bonus points: It was quirky; I adore quirky. They are absolutely safe with this one.

Some trivia about Chucky Klapow. He was one of the main dancers in Michael Jackson’s tour “This Is It” and has been Kenny Ortega’s co-choreographer in the High School Musical movies. Kenny Ortega did a season of judging on SYTYCD. He also choreographed another Fox show, Bones, “The Girl With The Curl.”

Dancers: Caitlynn & Mitchell
Song: “To Love You More”
Artist: Celine Dion
Choreographer: Mandy Moore
Style: Contemporary
Story: A couple falling in love.

Caitlynn was a tomboy growing up in Moses Lake, Washington and loves engaging in outdoor activities from snowboarding to fishing. Her father works overseas and is home only every other month. Thank goodness she lives in an age where there is Skype and other type of networking; back when I was her age there was two methods of communication: Telephone and snail-mail. Mitchell’s backstory made me cry. His father died when he was 2. When he was 8, he and his mother moved from Chicago to Atlanta and wound up sleeping in their car for a full year. They were homeless. His mother was able to find a job and wanted Mitchell to fulfill his dreams there. His mother is so inspiring. It is so difficult to break out of the cycle of homeless and there is such a horrible stereotype about the face of the homeless, people mischaracterizing the group as lazy, not wanting to work, etc. I know that just is not true and to hear people’s ignorance when they speak of such things irritates me greatly. Mitchell, to his credit, could have turned to a life of drugs or gangs, but did not. It says a lot about his personal character as a mere 8-year-old child. He is such a great role model.

Wait, what? Caitlynn spills secrets that Marko reads romance novels. Too funny.

Remember that Mitchell is still trying to recover from his injury from week 1, but he continues to push through to stay in the competition. Caitlynn has complete trust that he will be there for her as her partner. They have the coveted last spot of the evening, so I’m preparing to be wowed. I love this song and the romantic in me loved this dance. It was my favorite of the evening. I know it is a wonderful dance when I’m breathing with the dancers. It was absolutely PERFECT and Mitchell knows they NAILED it. He is overwhelmed with emotion.

Dancers: The Girls aka “The Beasts”
Song: “My Discarded Men”
Artist: Eartha Kitt with Bronski Beat
Choreographer: Ray Leeper
Style: Jazz
Story: Seven girlfriends ridding the world of evil men. (Hmm, femme fatales?)

It was a great dance and everyone worked well together as a group. A nice way to end the show.

So based on their dancing tonight, I think Sasha and Alexander and Ashley and Chris are in trouble. But Sasha has a lot of Adam Lambert fans voting, so I’m not sure if they will be in the bottom 3. I’m not sure who the other couple would be. I am certain Chris is going home Thursday night if he is among the bottom 3 males.

Who were your favorites? Who do you think will be in the bottom three?