So You Think You Can Dance — Top 6 Performance

4 08 2011

After tomorrow night’s show, we will be down to our final 4 contestants and our season finale show. Last week we said goodbye to our favorite J’s: Jordan and Jess. Each was the consummate professional full of gratitude the journey and for the fans. Even for a brief moment when Jordan looked like she was about to fall apart, she took a deep breath and remained positive and hopeful for her career, a trail both will blaze after the tour.

Top6

2011 So You Think You Can Dance Top 6 --Season 8

Guest judges for this evening were the lovely Christina Applegate, and the loquacious Lil’C. They discussed the stupendous success of National Day Dance on July 30, 2011. Perhaps it needs to be renamed “International Dance Day” as people across the world celebrated dance, including physicists in Switzerland. Although not shown on the show this evening, even Vancouver, BC got into the fun.

Dancers: Melanie and all-star Twitch Boss
Song: “Roman’s Revenge”
Artist: Nicki Minaj featuring Lil Wayne
Choreographers: Napoleon & Tabitha Dumo (aka NappyTabs)
Style: Hip-hop
Story: Little Red Riding Hood with a twist

Melanie did well, but I’ve seen some of the other ladies do a better job with hip-hop. The routine was weird. I might have liked it better if in the end she would have slay the big bad wolf versus tame him, but that is the choreography and not the dancers. I think she might have needed to be lower to the ground. Lil’C felt she got off to a rough start but found her ghetto groove and ascended. Christina agreed with Lil’C. Mary felt she was on fire. Nigel loved the dance as well. He confronted internet allegations that Melanie has never been given a dance out of her style, but he dispelled that quickly, saying she was good at everything. Itsy bitsy problem with that. If they are randomly drawing dance styles out of a hat, and last week the talk on the internet was the biggest it’s been about this issue, and she suddenly gets hip-hop, it doesn’t help the argument that these dances are random. It is, however, one of these no-win situations. You will have a group of people who will believe it and some that will not, and like politics, there is no changing anybody’s mind about it.

Dancers: Sasha and all-star Kent Boyd
Song: “Fool on Me”
Artist: Me’Shell Ndegeocello
Choreographer: Tyce DiOrio
Style: Contemporary
Story: Two people who have hit a wall in their relationship and the emotions you go through when someone hurts you.

During the rehearsal taping about the song, Sasha began to cry. The meaning of the dance runs deep for her and I was sure it would come through in her dance–and it did. I had goosebumps but I lost my breath at the moment of the lift that had her legs upside down on the wall, a great symbolism for how upside-down you can feel when you are hurting inside when someone you love hurts you. You love them, you hate them, you want them stay, you want them to go. All the feelings are taken the n’th level. Sometimes you can bust through that wall and sometimes you cannot. I love when Tyce choreographs dances like this (like the dance he created for his friend who had cancer, danced who beautifully by Ade and Melissa). They have a way of reaching a place deep inside your soul that is universal to everyone. Christina described the difference between technicians of dance and dancers like Sasha who can affect your heart, and thanking her for being so courageous as to share with us whatever it was that hurt her so badly in this life. Mary called her intoxicating and got all choked up about the move of when Kent threw her to the floor, and that it only matters that you get back up. When she said that, I was thinking of Mary’s courageous battle with her thyroid cancer. Nigel also complimented Tyce, as did Mary, at this routine being at his best, as was Sasha. Sasha then won Nigel’s “favorite” dancer something that he ping-pongs between Melanie and Sasha. Lil’C was trying not to cry, having identified personally with the dance with experiences in his own life. He wishes that he could have worked with Sasha this season and called her phenomenal. Oh, and did I mention, first kiss on tonight’s show. The kissing season, season 8.

Dancers: Marko and all-star Janette Manrara
Song: “Zorongo” (Traditional)
Artists: Antonia Gomez, Ely “La Gambita”, Guillermo Basilisco and Paco Pena
Choreographer: Dmitry Chaplin
Style: Paso doble
Story: Marko is the matador and Janette is an activist trying to keep him away from killing the bull. (I laughed).

I didn’t recognize Dmitry with his beard. Has it been that long? You have to been pretty beautiful and passionate to sway a matador from his mission. How could Janette be ignored? I had a problem at first with that story stuck in my head since we are so used to the woman being the bull or the cape, but after a minute, I concentrated on the actual dance and let the story go. After Cat drew comparisons to the matador costume and Mary Murphy’s shoulder pads, she complimented him for being spot-on at the arrogance that was necessary for the dance. She pointed out that he lost his footing from time-to-time, but most of the time, he nailed it. Nigel loved the twirls that mimicked the movement of the matador’s cape (as did Mary). However, Nigel said it left him feeling cold. He was looking for more passion. I think it is difficult to bring a ballroom routine up against a brilliantly danced contemporary piece. It’s like coming back from San Diego Comic Con. You are on this incredible high and then–CRASH–everything around you seems so boring and mundane. Lil’C loved his stoic performance which was necessary to this particular dance. Christina wanted him to drop it down a little (lower in his crotch level), but loved the bravado.

They took a break in the action to listen to messages from home. The love and pride of all the contestants’ families touched my heart and my tear ducts. Then Ricky took the stage to dance his solo to “After Tonight” by Justin Nozuka. It was lovely.

Dancers: Tadd and all-star Ellenore Scott
Song: “The Gulag Orkestar”
Artist: Beirut
Choreographer: Sonya Tayeh
Style: Contemporary?/Jazz?
Story: A period piece where everyone was prim and proper, but once they touch, everything gets thrown out the window and becomes with wild, reckless, lustful.

Sonya Tayeh is the goddess of strange and Ellenore was the perfect all-star to fill that role. I was not feeling the passion that Sonya demands from her dancers coming from Tadd. The spin on the chandelier was reminiscent of Cirque de Soleil. It was an interesting prop. Nigel had no words and said he felt like it needed more time to develop, that he was left “hanging.” (Oh, Nigel, you make me laugh). Lil’C complimented Sonya’s talent of showcasing a dancer’s unique abilities. He felt like Tadd was just going through the movements instead of making them last a lifetime. Christina likes the dirtier side of dance, and complimented Tadd that he is a b-beat pointing his toes and how great is that. Mary felt Tadd was still growing and complimented Sonya’s trust in doing such a dangerous thing with a prop.

Next was Caitlynn’s mom sharing that she one day said she was going to be on this show. Via the internet, Caitlynn’s dad, away on business, shared his pride. Caitlynn then performed her solo to “What’s Love Got to Do With It” by Katie Thompson. Afterwards, Caitlynn was crying, moved from the words from her parents, the song, the moment or all the above.

Dancers: Ricky and all-star Jaimie Goodwin
Song: “Inside These Lines”
Artist: Trent Dabbs
Choreographer: Dee Caspary
Style: Contemporary
Story: A couple trying to stay together, but he feels her slipping away so he tries to control her. (I call this The Puppetmaster.)

I noticed that when Ricky was close to Jaimie during the routine, he didn’t extend himself as you would see him do when they were apart. Perhaps he was concentrating on the sticks and not hurting his partner. While the sticks did enhance the routine, you can’t forsake the dance for the prop. At the end of the dance, Jaimie did what I was hoping–she took the sticks and threw them to the ground. Lil’C gave props to him and the props (and Cat Deeley just stole my line, damn). As usual Lil’C had a mouthful, “What a magically, magnificent puppeteer of physically rhythmic artistry you are.” In other words, buckness. Christina said he was a beautiful dancer, but wanted to help him grow and said he does not always dance with the clearest intention, like a push and a pull, like when he reached for Jaimie, it was harder to let her go away from him. That would help take him up another notch, which was great advice. Mary added, “All of that” plus that it was beautiful, free-flowing movement. Nigel loved the story of the dance from Dee. The only advice Nigel had to help Ricky was that he wants him to feel the movement more in his gut because he is so up and high in his dancing.

Tadd’s parents, and his entire Filipino community, are very proud of his accomplishments (and the first story that did not make me cry but smile). His song selection also made me laugh, “We Speak No Americano” by Yolanda B Cool and DCup. Tadd’s solos have always been interesting in that he is a b-boy and he chooses all these songs from eras past that make for a weird and wonderful combination. It has become his signature.

Returning from the break, Sasha’s solo was shown but not before her parents got to boast about their beautiful, bubbly baby girl. I smiled, too, when I saw Sasha picked “Teeth” by Lady Gaga after she received such high praise from Lady Gaga last week (and her shoe!). Again she did a terrific job.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Drop It Low (District 78 Remix)”
Artist: Kat DeLuna
Choreographer: Dmitry Chaplin
Style: Samba
Story: None, just sexy, great music and being sexy.

Pasha and Dmitry behind one dance? Wow. Double boiler kind of hot. Was it sexy? YES IT WAS! Was there great music. YES , THERE WAS! And was it really sexy? SIZZLING. At that precise moment, I desperately wished to have use of the communication stones that are used in the show Stargate Universe (where people can swap consciousness with another body–yes, I’m a geek). I wanted to be dancing with Pasha. Be still my heart. Wait, this is about Caitlynn. She did a fabulous job. I have to remind myself she is just a senior in high school (or was). Christina loved it. Mary thought it was great, especially on the reverse samba rolls. Her only criticism were some of her facial expressions. Nigel ad Lil’C had similar advice.

Marko’s mother was very emotional about his journey to the show. Dancing to “Wonderful World” By James Morrison, Marko combined a lot of technique with acrobatics. I always enjoy his solos.

Then Melanie’s mother had a message for her. Instead of talking, she sang; instead of walking, she danced. Melanie chose to dance to “Cracks (Flux Pavilion Remix)” by Freestylers featuring Belle Humble. Some truth rang to me with the name “Belle” and “Humble” to describe Melanie. Her solos have become more complex as she incorporates what she has learned over the weeks into her dance. She is both beautiful and humble.  It was the best solo of the night.

Dancers: Sasha and Ricky
Song: “Schoolin’ Life”
Artist: Beyonce
Choreographer: Kumari Suraj
Style: Waacking
Story: None.

Waacking is a new style of dance to SYTYCD, the origins from Los Angeles in the 1970’s. It’s about the individual and who you are right now in your life. It’s about skill, precision and control. After watching the routine, it does bring fond memories of the 70’s back to me. Sasha was great; Ricky less so. He was too stiff once again. I would have hoped he would have taken to heart the earlier critique and applied it to this dance. Mary never liked this type of dance until Samara “Princess” Lockeroo, who was the first to audition and win to a ticket to Vegas with this type of dance. She felt like Sasha had the edge in the dancing. Both were out of their styles, but neither could take it to Princess Lockeroo’s level. Nigel says when Ricky is thinking about dancing, he does lose a little bit. Then Nigel took a comment that they said to Caitlynn and applied it to Sasha, saying she did not have to act sexy because she is sexy. Oops! Lil’C wishes both of them would have enjoyed it more because he felt they were so focused on the steps and speed. Christina enjoyed it and thought perhaps they could have “whacked it harder.” She’s so funny.

Dancers: Melanie and Tadd
Song: “(Where Do I Begin) Love Story (Away Team Mix)
Artist: Shirley Bassey
Choreographer: Spencer Liff
Style: Broadway/Jazz?
Story: A rehearsal within a rehearsal. Tadd uses Melanie’s crush on him to bring out the best dance in her, but she discovers her feelings are not reciprocated.

They paired well together. It was a lovely dance that did not affect me on any emotional level but just was fun to watch. The use of the mirror where Melanie’s hands touched it and it got these weird distortions to it made me think, yes, just like the relationship between this dancer in the dance and the choreographer in the dance, played by Tadd. The relationship is not what it seems to be to Melanie’s character. I look for meaning sometimes that may or may not be in subtle things. Lots of prop use tonight. Cat compared it to “Black Swan” (which I have not seen yet). Nigel complimented Melanie on her solo as the best solo across all the seasons. She is not only the original beast, but a great actress and a great dancer. She now stole Sasha’s earlier place of the evening and is now Nigel’s favorite again. I think if SYTYCD could have a tie, he would be happy having the two of them there. To Tadd he said, “…to say you didn’t suck is a compliment.” He pointed out the things he did well in the routine. Lil’C says Melanie has a quiet fire and Melanie is EXTREMELY buck. Lil’C also wanted to give accolades to her solo performance that it was so beefy. And as an afterthought, he told Tadd he was growing by leaps and bounds and to continue doing so. Christina also commented on her solo, saying they were all banging on the table. She described Melanie’s performance as being better than that of Donna McKechnie in “A Chorus Line.” Tadd continues to surprise Christina with his technique since he is a b-boy. Mary says America has fallen in love with them and they are brilliant in their styles. She got all choked up that she was able to be here for this wonderful season to see it.

Dancers: Caitlynn and Marko
Song: “Heavy in Your Arms”
Artist: Florence and the Machine
Choreographer: Sonya Tayeh
Style: Jazz
Story: Marko is a controlling, overbearing man and Caitlynn is trying to break free.

Perfect song to close the show. This was dynamite and gave me goosebumps. It was much better than the Puppeteer routine performed by Ricky. My breaths felt heavy of the weight of this relationship. The judges were standing in ovation of their performance. Lil’C thought this was double-hashtag buck (#buck #buck or ##buck)? “Reckless and convicted, it was murderous,” according to Lil’C. Translation: Lil’C loved it. Christina makes Marko join the beasts. Christina believes that was Caitlynn’s moment (maybe, but she had one with Mitchell, too). Mary thought it was Caitlynn’s best routines ever. She brought the grit to it and brought it to another level. Marko is Mary’s favorite dancer (I bet Mary and Nigel have a friendly bet going on the side as to who is going to win). Nigel thought this routine redeemed Sonya from her earlier Cirque de Soleil choreography. Regarding Caitlynn, she came of age today, he felt. She is a brilliant dancer. Marko is sensation. Cat added, “But you’re very pretty, too” to Marko.

Common sense would dictate that Marko, Melanie, and Sasha will be in the top 4. Up in the air is whether Tadd or Ricky gets into the final 4.  Or we could use any number of science-fiction shows and their technologies to merge Ricky and Tadd into 1 dancer to get Radd or Ticky so we don’t have to make up our minds.  Of course, it would be temporary….unless…well, they are wearing a red shirt that evening.  What do you say?

Stay tuned tomorrow about more news regarding Miranda’s and Jordan’s fan clubs and what they are doing to show them their love.





So You Think You Can Dance — Top 10 Performance

21 07 2011

Congratulations to So You Think You Can Dance for the well-deserved 8 Emmy nominations.

Tonight was a game-changer in the format of the show. The contestant would now be paired up with former alumni of the show, affectionately known as the all-stars. Neil Patrick Harris was the guest judge this evening. Tickets for the tour go on sale July 29 which kicks off in Orlando, Florida.

Dancers: Marko & all-star Chelsie Hightower
Song: “Cinema Italiano” (The Ron Fair Remix)
Artist: Kate Hudson
Choreographer: Jason Gilkison
Style: Samba
Story: A photographer and his muse.

The big question of the night is this: Will Marko and Melanie shine being apart? While Marko did well, it was not his best dance. Perhaps Melanie is his muse. There was a lot of footwork, but there were spots where I felt his arms could have been up higher and his legs could have been together more than apart. But Mary Murphy is the expert in ballroom and she loved it. He does get kudos for those massive lift/twirls.

Dancers: Jordan & all-star Brandon Bryant
Song: “Who You Are”
Artist: Jessie J
Choreographers: Dwight Rhoden and Desmond Richardson
Style: Contemporary
Story: The highs and lows of love.

This was a wonderful partnering. Brandon’s age and experience brought more out of Jordan as did the beautiful choreography which left me with goosebumps. The combination gave her a deepened maturity in her dancing. This is one of the reasons why I love the all-stars so much. The contestants seem to rise up to their level. Jordan received high praise from all the judges including a plea from Nigel to keep her in the competition.

Dancers: Tadd and all-star Comfort Fedoke
Song: “Look At Me Now”
Artist: Chris Brown (featuring Lil Wayne and Busta Rhymes)
Choreographer: Chuck Maldonado
Style: Hip-hop
Story: None.

Once again, having Comfort in the mix elevated Tadd’s level of dance. The choreography was also very complex to a very fast beat, but Tadd rose to the challenge. It played to Tadd’s strengths. There was very good chemistry between the two dancers. Nigel and Neil both felt he out-danced Comfort. Mary thought he was ghetto-licious.

Dancers: Mitchell and all-star Melody Lacayanga
Song: “Take Off With Us”
Artist: All That Jazz Soundtrack
Choreographer: Tyce DiOrio
Style: Broadway/jazz
Story: Taking flight.

Once again I’m afraid for Mitchell because Broadway does not bring in the votes. I did not watch SYTYCD in season 1, so Melody is new for me as well. Mitchell had great height in his leaps. There was something awkward about the routine, but I think it was in the height difference actually. I thought Mitchell out-danced Melody. The judges did not like it with Neil Patrick Harris taking aim more at Tyce’s choreography. It was like someone tried to make Boeing, Boeing a musical. It just did not work. Sometimes the dancers are at the mercy of the choreography. Perhaps the awkwardness was not in the height difference, but the fact that the dancers were not feeling it so they overperformed.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Malajunta”
Artist: Orquesta Color Tango
Choreographers: Leonardo Barrionueva and Miriam Larici
Style: Argentine tango
Story: A disconnected couple from the 1930’s era falling in love.

This LA-noire-type tango was on fire. With a partner like Pasha how could you not get totally wrapped up in the chemistry? The intricate steps with the interlocking legs are very difficult and I hope the audience can appreciate that. I still worry for Caitlynn because Broadway and ballroom do not do so well with voters. Mary Murphy gave Caitlynn a standing ovation and was near tears. Nigel commented that she used to be a girl dancing but now he saw a woman dance. Neil stated it took a little bit for him to get into it but he was completely mesmerized by it.

Dancers: Sasha and all-star Twitch
Song: “Misty Blue”
Artist: Dorothy Moore
Choreographer: Christopher Scott
Style: Hip-hop
Story: A couple’s whose love has burned out and they try to rekindle the magic.

As much as I enjoyed Alexander, there was a disconnection for me since the first week between the two of them. Tonight, Sasha was partnered with someone who not only had the chemistry but also had the skills to match her. As a married person of 19 years now, I appreciated this dance a great deal and could relate to it. This routine sizzled with sensuality. It was very nice to hear this song again. The routine was received quite well by the audience based on the level of clapping and hooting they did. I just love Twitch and everything he does. Nigel could not even speak. Neil called it the best routine so far in the evening. The routine brought Mary Murphy to swearing, calling it a “sexy-ass number.”

Dancers: Jess and all-star Kathryn McCormick
Song: “The Lonely”
Artist: Christina Perri
Choreographer: Stacey Tookey
Style: Contemporary
Story: Not being able to see what is right in front of you.

This routine required Jess to give all his eye contact to Kathryn while Kathryn is basically ignoring him. There was not a flowing movement that I would have liked to have seen with the routine. Even dancing separately, there still has to be a bond between them for the audience to be pulled in–a difficult order to be filled by even seasoned dancers. Kathryn did a beautiful job and I have missed seeing her dance. Neil thought the choreography was magnificent but pointed out Jess’ facial expressions that are typical of a Broadway dancer, but thought it was the best he has seen Jess dance. Mary concurred that it was her favorite piece Jess has done to date. Nigel thought Jess did a great job.

Dancers: Melanie and all-star Pasha
Song: “Everybody Hurts”
Artist: Tina Arena
Choreographer: Jason Gilkison
Style: Viennese waltz
Story: A guy who has lost his will to live with Melanie as the friend who is nurturing him through it.

Melanie did not lose herself without Marko. This was the second time this evening I got the chills. Melanie’s movements were ethereal and she looked like a guardian angel cradling Pasha’s troubled soul. I am not really sure what might be troubling Pasha’s soul since he got to dance with two beautiful women this evening! Mary complimented her on her effortless lifts and felt she was right up there on the top of the leaderboard. Nigel called her a solid, brilliant dancer. Neil thinks Melanie looks like she is from the past but dances like she is from the future and is easily his favorite dancer on the show.

Dancers: Ricky and all-star Allison Holker
Song: “Precious Things”
Artist: Tori Amos
Choreographer: Tyce DiOrio
Style: Jazz
Story: A bad dream (Ricky being Allison’s worst nightmare).

It’s hard to imagine cheerful Ricky as anybody’s worst nightmare, but he pulled this dance off. The lift where Allison is in a curved position and Ricky’s arms are straight up took my breath away. There was great power in his movements. Both Neil and Nigel were impressed with both the choreography and Ricky’s performance. Mary thought it was raw, reckless, passionate, intense and committed.

Dancers: Clarice and all-star Robert Roldan
Song: “Aila Re Aila”
Artist: Khatta Meetha
Choreographer: Nakul Dev Mahajan
Style: Bollywood
Story: A game of cat and mouse.

Nakul threw everything except the kitchen sink into this dance routine. Clarice did a fantastic job keeping up with all-star Robert. This season of SYTYCD has got to be labeled the kissing season. This sexy dance was fast with intricate moves. Everyone loved it. It was a great way to end this wonderful show.

Solos

Sasha‘s routine to “Syrup and Honey” by Duffy had very complex moves and good emotional connectivity. It reminded me of a little dragonfly. Jess performed his solo to “Come By Me” by Harry Connick, Jr., utilizing the entire stage very well with his Broadway-like routine. He always has a lot of good energy. Melanie danced beautifully to “You’re The One That I Want” by Angus and Julia Stone. Ricky performed a lovely solo to “Daylight Breaks” by Cassidy Haley. Clarice danced her solo with a Latin-vibe to “Royal T” from Crookers featuring Roison Murphy. Performing to “This Time” by John Legend, Mitchell redeemed himself from his all-star routine. Jordan danced to “Tonight” by Lykee L., taking to heart the judge’s advice last week that they needed to see something different from her. Tadd provided an entertaining solo to “Everything I Can’t Have” by Robin Thicke. Caitlynn’s contemporary piece was lovely to Florence and The Machine’s “Cosmic Love.”  Marko closed out the solo performances of the night with a song from Gavin DeGraw, “More Than Anyone”, reminding us what a beautiful dancer he is.

For me, my least favorite dance this evening was Jess, but I am very worried for Mitchell because he was the only one to receive negative feedback. It would be difficult to say exactly which my favorite was because I had so many. All the solos were stupendous.

I would like to pass on some news from Miranda’s fans at @mirandacandance on Twitter. On Saturday they have an exciting announcement to pass to everyone and a chance to win some really great prizes, so make sure you stay glued to Twitter on Saturday.

Who were your favorites and least favorites this evening?