American Idol Season 13 Salt Lake City

8 02 2014

LogoThe next city in the tour is Salt Lake City where 30 talented individuals received a golden ticket to Hollywood.

Radioactive is a really bad song choice with which to audition. Austin Wolfe, a 16-year-old student from Park City, Utah got some of the lyrics wrong. Her voice is nice, but I don’t like the song choice. She is through.

In the first group montage, lumberjack Kylee Adamson, age 18, from Salem, UT has a lovely voice and she is through. Michael Simeon, 19, student, from Lumberton, MS (there is a “lumbar” theme going on here) sings but his voice does not match his face. I loved it. Tessa Norman, a 19-year-old student from Lindon, UT has a pretty smile but an average voice. Jennifer thinks she is going to be a star. Really? I don’t see it.

Samantha Townsend, a 22-year-old nursing assistant from Layton, UT, sounded horrible. Could it get any more nasal? It almost sounds like someone singing with a sinus infection.

I love, love (did I say love) Alex Preston, a 20-year-old student) from Mont Vernon, NH. He sings an original. HE is original. The judges gave him three yeses but they were also impressed with his song.

Fanny-pack Samantha Calmes, is a 25-year-old musical educator, from Hammond, LA. She sings an original song. I am not sure what I make of it. She is interesting. The song sounded more like poetry slam. When Harry asks her to sing something else, she chooses the theme song from The Jefferson’s. I will definitely remember her in Hollywood week.

Next are four contestants from the Idol bus tour. Lebryant Crew, age 24, a real estate manager from El Dorado, AR. He is a minister too. Did he wink at Jennifer or was that Harry? Laurel Wright, age 18, a student from Maryville, TN was next. I loved her quiet voice. They need a folk singer sound in the competition. DJ Bradley, age 20, is unemployed, also from Maryville, TN. He reminds the judges he is not Ed Sheeran (although it does look like him). He is interesting. He is not the best voice in the competition but definitely interesting. I enjoyed the falsetto. He has this quirky vibe and I love quirky. Jennifer is a yes, but what about Harry or Keith? And for a #IdolHollywood or #IdolHome, they ask the audience about Julie Offill. Sixty-seven percent said Hollywood and 33% said home. Keith is a no, but the others are a yes. All the bus tour contestants are through.

Kenzie Hall is a 16-year-old student from Draper, UT. She has a very interesting voice. Three yeses.

Paisley Van Patten is a 25-year-old waitress from Salt Lake City, had a record deal but it crashed because of her addiction. Her fiancé said that if she tried out for American Idol he was not going to remain being engaged. I loved her voice. She receives three yeses.

Emily Rottler was amazing and she is through. She is a 17-year-old student from Salt Lake City.

Dexter Roberts works at “BBFF.” He says it stands for, “Bang, Bang, Flop, Flop” and Keith pipes in “…speaking of Harry’s concerts.” He is a dog trainer, farm hand from Fayette, AL. I liked his voice and he is interesting. Harry thinks it sounded authentic. He gets three yeses.

Ally Roundy is nice, but I did not think she was good enough. Keith thinks this 18-year-old student from Sandy, UT needs a little more time. Jennifer disagrees. Harry said he likes the concept of a diamond in the rough but there was too much rough. She is going home.

Briston Maroney‘s great great grandfather was a recording artist in Nashville. His guitar was passed down and is now Briston’s. But then later he says great grandfather so I think it is more great grandfather. This 15-year-old student from Knoxville, TN has a strange voice but one I would remember. It was very nasal. I am not sure about him–maybe in a few more years. Jennifer said he had a unique voice. Keith says he has a very affected style of singing and is hoping other colors will come out without losing the whole sound. Harry is worried he is going to lose his voice, but he is through to Hollywood.

The next three are in a group. Leia “Fish” Lotulelei, 19, student, Des Moines, WA. I liked the nice falsetto. But we have heard a lot of unique voices. Is his unique enough? Three yeses for him. Sabrina Lentini, 15, student, Tustin, CA has a nice voice. Yes from the judges but she confides that Harry said no. She only needs two. Carson Henline, 16, student, Gunnison, UT, has a powerful but immature voice. It is a no from the judges.

Johnny Newcomb, a 16-year-old student from Tennessee, did a pretty good job. He has an interesting voice although he missed a note or two. Harry thinks Johnny is imitating his idol rather than finding his own. Keith said sometimes people will pull in several elements of different people instead of just one. Jennifer lets him sing one more to get them to change their minds. I would have said yes to him. Jennifer said yes. Harry says no because he does not think he is ready yet. Keith said yes. Jennifer tells him he has to bring the feeling with him to Hollywood. It is not enough just to bring the voice.

Then there is some comic relief between the judges. Harry says if his dentist looked like Jennifer he would eat a box of Oreos just to have her clean his teeth.

Trained in opera, Kimberly Tosti, a 25-year-old marketing coordinator from Park City, UT, gave her best effort. I trained in opera too. It doesn’t mean I could call myself an opera singer. But unfortunately she really cannot sing well. It is a no from all of them.

During a judges’ interview, they wanted to know what was the best advice their parents ever gave. Jennifer said her mother told her “don’t be a baby.” Apparently on her first job she was the only one without a solo. Her mother said, “That’s the business you chose and you better toughen up.”

Carmen Delgina, age 24, is a resale clerk from Las Vegas, NV. Her father is Wonder Mike from the Sugar Hill Gang. It was a bad song choice. I think she has a voice in there but it was sort in and out of different keys by trying to do too many runs. Harry does not think her vocals are strong enough to get her to the end. Jennifer felt she has a God-given voice but it was inconsistent. Keith felt something was disconnecting this beautiful voice with her delivery. Three yeses? I’m shocked. Jennifer thinks she needs to practice.

Next up is Kassandra Castaneda, age 16, a student from Eastvale, CA. Her speaking voice and singing voice are very different. Her uncle gave her his number to give to Jennifer. How funny. I think her voice is better than Carmen but still was average. Harry was not impressed. Jennifer thought it was worthy of going to Hollywood. Keith hears what both Harry and Jennifer are saying and thinks her raw talent could blossom out in Hollywood. He says yes.

Kenneth “Woodie” Gaddie, age 28, substitute teacher, from Maumelle, AR. He has a beautiful voice and is through to Hollywood.

Casey Thrasher is living with his aunt with his two children in Tuscaloosa, Alabama. He chooses a song because of an experience he had with Keith. Harry chimes in, “Should we leave?” Keith took a picture with him at the gate of the CMA’s. Keith looks moved that he had that effect but I think Keith is also worried this guy may suck and he would hate that. Jennifer is moved by his emotion. She said it wasn’t 100% perfect but there was feeling and a real voice there. Harry said his drive is strong. Keith said he felt the hunger, drive and desperation to be able to just get a break. Casey gets emotional upon hearing that from him. Three yeses.

At this point, there have been 193 tickets given out, including the 30 given in Salt Lake City.

Last stop: Omaha–Where I lived for 4 years.





So You Think You Can Dance — Vegas Hell Week Recap

23 06 2012

So You Think You Can Dance: Vegas Hell Week

By Hilda Clark Bowen (PBMom)

Vegas week–the dancers’ equivalent to Navy SEAL hell week. Eight grueling rounds. Late nights. Early mornings. No sleep. Pushing themselves to the brink physically, mentally, emotionally. That is what it takes on the road to becoming America’s Favorite Dancer. There were 8 rounds. Nigel Lythgoe, Mary Murphy, Adam Shankman, Debbie Allen, Tyce DiOrio, and Lil’C were the primary judges with others sitting in to comment on their own choreographed segments.

Round 1: Solos

Hampton “The Exorcist” Williams from Richardson, Texas (Dallas auditions) danced his unique style to Evanescence’s “My Immortal.” He was mouthing the words to the song which I did not like. Debbie Allen was crying. It was very similar to his Dallas audition. After 10 solos, Jennifer and Briana go home. Hampton and 7 other dancers make it through to the next round.

Hampton “The Exorcist” Williams

Next bunch included Janelle Issis, the belly dancer from Birmingham, Alabama. Both Tyce and Adam loved her. By the end of the round, 51 dancers were cut, including martial arts expert Tim Conkel.

Round 2: Hip-Hop with tWitch and Comfort

This proved too much for two contestants. Hampton felt that the choreography was too difficult to learn left the competition. I praise the respect he showed the judges by coming up on stage and sharing that. Andre Rucker, from the Dragon House trio, just left. Good impressions are won, and you just do not up and leave. It’s too easy just to quit. I hope that Hampton gets some experience in some other areas and comes back to the competition next year. The song chosen was “B.O.B.” by OutKast. It was fast and slick. After the first group, Boris Penton from Dragon House was cut as was Gene Lonardo (the praying mantis guy), and Bree Hafen. After the last group performed, and Cyrus “Glitch” Spencer. Glitch meets tWitch and I’m loving this. All the members of the final group survived, which totaled 105 dancers surviving to the next round.

Round 3 (Day 2): Broadway with Tyce DiOrio

Tyce comes with a story about dancers in a club at 2 a.m. and drinking water and then POW!…a lust force seizes them. Witney Carson and Lindsay Arnold, from the Salt Lake City auditions, are out of their comfort zones. They have known each other since age 9 and found out they were roommates in Las Vegas. The song, “Must Be the Water” by Marc Broussard. Everyone who danced in the morning made it through. The judges gave Alexa Anderson a stern lecture about lacking an emotional connection and getting tired of fighting for her. I think she is terrified that she will not make it through again at the very last moment and she is guarding her heart. Joseph and Trey were gone. Teddy Tedholm went home. After this round another 23 dancers went home, which by my count 105 minus 23 leaves 82 dancers for the next round.

Round 4: Jazz with Sonya Tayeh

Eighty-two contestants remain. Sonya is looking for strength, aggression, texture, and musicality. Shafeek Westbrook is struggling, but bacon-girl Danielle Dominguez is trying to be supportive. The song is “Freak Out (Gold Chains, Panique Mix) by Brightest Diamond. Shafeek was cut and left with a terrible attitude. Danielle steps forward to partner with Giovanni and is rewarded with a big smack to her head. She is sent to the hospital; he is sent home. Cyrus partners with Lindsay and does an adequate job. I think his uniqueness and the judges desire to have him through to the top 20 is allowing them to forgive mistakes. This is about the favorite dancer and not necessarily the best dancer. They ask Amelia Lowe to dance for her life. Rachel Applehans is asked to dance for her life (It’s a Man’s Man’s Man’s World by Leela James). Sonya, Nigel, Mary and Tyce all say no. I have to say I am glad about Rachel because she just did not fit into the show. It’s fine to turn on the sex appeal once or twice, but every time it makes me uncomfortable, like she is dancing for men at a strip club. Amelia danced to “To Kill a Mockingbird” by Elmer Bernstein. Adam is visibly moved. Sonya is smiling and says she wants to get her hands on her. Sonya, Mary, Lil’C, Tyce and Debbie say yes. Adam says “yes” and thanks her. Nigel gave a surprising no.

Round 5: Groups

It’s now day 2 at 10 p.m., and it is group time. The twist this year was that the people got to pick their own groups (about 5-6 people). The first group up on day 3 in the morning includes Daniel Baker, Audrey Case, Danielle Dominguez. Danielle got back late from the hospital. They danced to Gotye’s song, “Somebody That I Used to Know.” Charlie and Danielle are sent home. The judges should have allowed Danielle to at least dance for her life. She did not have to volunteer to partner in the previous round a second time. Boo to the judges on that. In the next group, Taylor Giri (? spelling) was sent home. The next dance, choreographed by Aubrey Klinger, was praised by Nigel, and he complimented her by calling her a mini Mia Michaels. Aubrey danced with 4 other guys. The story was that she was the only girl at the prom and they called themselves the “High Schoolers.” The song was Side Project’s “I Want to Dance with Somebody.” The entire group is sent through to the next round.

The High Schoolers

The first group in the afternoon were The Wolfpack which included Dres Reid, Adrian Lee and Alexa Alexander, all who auditioned in previous seasons and danced to “I’m Glad You Came” by The Wanted. Alexa was called out again by the judges. They prodded her until tears flowed. They allow her one more chance. Sixty-one contestants now remain for the next round.

Wolfpack

Round 6: Ballroom, specifically the cha-cha with Jason Gilkison.

The song: “Let’s Get Loud” by Jennifer Lopez. I was shouting GO CYRUS. I just love this guy’s attitude and energy. He is asked to dance for his life. It was a no to Asher Walker, Dee Tomasetta, and a huge surprise Aubrey Klinger who had just been highly praised in the group round. My heart was hurting for her as she said she was not able to get work as a dancer audition after audition. While hurting for her, it reminded me what is so fantastic about this show: Even dancers who are not crowned the winners are getting work in the industry as evidenced by the many times I’ve seen them especially on Fox shows. Witney, Stepheon Stewart (great hip work!), Eliana Girard and Alexa (who was being cheered from the sidelines by Tyce and Adam) all received a yes to the next round. Cyrus dances to “Holy Ghost (Helicopter Showdown and Sluggo Remix) by Messinian. He BLOWS my mind. I was so glad he got to dance for Lil’C who thought it was EXTRA BUCK. I loved the support he was also receiving from his fellow contestants in the audience. A total of 52 contestants are put through to contemporary.

Round 7: Contemporary with Travis Wall

The contestants only have 1 hour to get the steps down. That’s insane. Travis says, “Technically I’m looking for perception.” Travis, your standards are set so low. The song is “I Won’t Give Up” Jason Mraz. Cyrus, Eliana, Lindsay, Janelle, Trenton, Daniel, Witney, Amelia, Luciano, Cyrus and Tiffany are all put through. Eighteen dancers’ fates were in question. The judges asked them to perform again and only Joshua and Abigail make it through. I was so sad about white-girl krumper Mariah. I thought she did very well.

Round 8: Final solos

Trying to stand-out, Joshua attempted to do a new trick in the waiting area and fell smack to the ground. The medics are called and he is taken away. He was not able to perform his final solo. Alexa Anderson was first, dancing to The Naked and Famous’ “Young Blood (White Sea Remix)”.  (PS Thank you Warren for the correction on this).  Debbie Allen said to her fellow judges that “This child could win” but Tyce balked at that observation. The last solo was Chehon Wespi-Tschopp of Zurich, Switzerland, the ballet dancer. The heights he could reach were phenomenal. The song to which he danced was “Suite of the Winter Songbirds,” by Noah Lifschey.

The guys were called up. Adrian Lee, who almost made it in season 7, and whose mother stopped watching the show because of it, was cut. Nigel reminded the group that they were not going for the “best dancers” but the uniqueness. The girls get called up; no one is cut….at this point.

There are 35 in the end. Next week, they will have to cut that down to 20 people. Joshua will find out if his stunt to try to impress will cost him a spot in the final 20.

Who are your favorites? I think Chehon and Cyrus are going to make it simply because of their unique styles. Cyrus improves with each lesson and America adores him. Chehon is, I think, the only ballet dancer in the group and they tend to like a diverse group of individuals. I am unsure about the girls. Amelia is very unique. I was truly rooting for Mariah. Janelle should make it.





So You Think You Can Dance — Salt Lake City auditions

14 06 2012

So You Think You Can Dance, Season 9, Salt Lake Auditions — 2012

Judges Adam Shankman, Mary Murphy and Nigel Lythgoe gave a tutorial about what NOT to do when you are auditioning: No booty shaking; no self-worship (rubbing, touching yourself); and no reaching, with Adam Shankman doing the illustrations. The girls dominated in this city as did ballroom dance, which has been not seen much at all in the other cities.

Who I Liked A LOT

Witney Carson, American Fork, Utah, Cha-Cha/Tango: The girl on FIRE. It was hot and she is only 18 years of age. Her father looked very uncomfortable in the audience as Nigel talked about her sensuality and sexuality within the dance. Mary, for the first time this audition season, put her on the HOT TAMALE TRAIN, and blew out the eardrums of Nigel and Adam. Adam claimed, “I’m a slave for you.” And uses the “F” word in Salt Lake City. She is definitely through to Vegas.

Witney Carson

Gene Lonardo; Las Vegas, Nevada; contemporary: Although I should put him in the Odd-Ball LOT because he came out saying he was going to do the dance of the male praying mantis, it was stunning to watch, and I immediately thought that Sonya Tayeh (choreographer) would love to play the female praying mantis. The routine really made him stand out. He was an average dancer as contemporary styles go, but the fact that he choreographed the dance himself set him apart. Although it did get weird when Gene told Nigel he imagined him as the female praying mantis (because Nigel was fearsome to him). Awkward. He is through to Vegas.

Gene Lonardo, male praying mantis

Lindsay Arnold; Provo, Utah; ballroom Latin: She dances wonderfully. It was a shame her partner was not competing because he deserved a ticket as well). She was through to Vegas.

Lindsay Arnold

Mariah Spears; Phoenix, Arizona; krump: White girls CAN KRUMP! I was not expecting this. When she said she was going to krump, Adam spat out his drink. But she lived up to the hype. She was fabulous. I wished L’il C was in the room judging then. I think she needs to work on the open-mouth look. The anger should come through her movements without the “O” face. She was sent to choreography and then on to Vegas.

Mariah Spears

Murphy Yang; Roy, Utah; contemporary: His family disowned him and moved to California. He was homeless for awhile. I admire him for sticking to his dreams despite his idiot family. He had quite a mixture of styles in his dance. There was a good sense of humor, good musicality. Then he lifted his shirt with “Vegas?” on it and I loved it. He has had no formal training. I bet you if Debbie Allen had been the judge, she would have offered him free lessons at one of her schools. Adam Shankman was on the verge of tears. Murphy was sent to choreography but for this year it was a no to Vegas. Murphy–Keep on refining your technique. You are SO close to getting a ticket to Vegas. Do not give up. I ADMIRE you.

Murphy Yang

Dareian Kujawa; Boulder City, Nevada; contemporary: He, too, had a very rough life. They were very poor and it was a depressing, dark life. He decided to create a roadmap for himself and dancing pulled him out of this dark place. This man is filled with inner strength and it showed in his dance. It was filled with great emotion and great athleticism. He had beautiful lines. Of course he was going to Vegas!

Dareian Kujawa

Leroy Martinez; Sacramento, California; hip-hop. He also has had a rough life, but turning to dance helped him. He is the only one in his family to live a straight life. It was his first audition ever. He works at a doggie day care by day and gives back to the community working with the Peacemakers program, a group who works to establish afterschool programs in the community. There is an article done in a local paper about this group. Please click here to read more about it.  Because of his larger size, one thinks he is going to be unable to do impressive moves. He breaks stereotypes. He was AWESOME. Adam was crying and hesitated to say it, but said it was “fucking awesome.” Of course it was bleeped out. He went on to choreography and it was a no for Vegas, but something inside of me tells me that Adam is going to do something for this young man.

Leroy Martinez

Who I Thought Was Average

Deanna “Dee” Tomasetta; Millbury, MA; contemporary: She was beautiful to watch. I really liked the backbend move she had which showed really excellent control. The one thing that did not match for me was the smile with the song, which then reminded me of Ryan Ramirez. The song she chose was “I Can’t Make You Love Me” by Bonnie Raitt. The song is about unrequited love. But she is smiling the ENTIRE performance. I should have felt angst in there. That is the only reason why she is in the “average” category for me. But the judges loved it and she is through to Vegas.

Deanna “Dee” Tomasetta

Adrian Lee; Los Angeles, California; contemporary: In season 7 he came so close to being in the show, but that was the year they picked the best 10 and had them dance with 10 all-stars. He was not invited. His family became very down on the show after that and he chose not to tell them he was auditioning this time. However, between then and now, season 8 happened–the top 20 best dancers EVER chosen, and his dance looks very amateurish when comparing it to people from last season. He is doing the self-worship moves despite being told that the judges did not want to see that. Mary was crying because the emotion of having to tell him “no” in season 7 came flooding back. He did get a ticket to Vegas and Nigel gave him another ticket for his mother to come along. He has to do better in Vegas or he will be cut.

Adrian Lee

Rachel Applehaus; Denver, Colorado; burlesque jazz: She claims she was shy growing up. She hoped that her dance would make Nigel uncomfortable.  She was hot and sultry but she rolled on the floor too much. Then I started thinking this reminds me of a dancer in a gentleman’s club and I became uncomfortable. There was not enough substance in her routine. Then they said she was doing burlesque jazz (Is that like Anchorman’s jazz flute?) and she is through to choreography and then on to Vegas.

Rachel Applehaus

Odd-Ball LOT

Lynn Gravatt; Portland, Oregon; space dance: The story was being set up as a disaster. She claims that her energy comes from the Pleiades constellation. She has three spirit guides (Divine DeFlame–which is her highest self; they flash Mary Murphy on the frame; then Devil DeFlame (which is her “male” dancer, and of course Nigel is flashed on the screen; the third is Rainbow Light Bright, which is of course Adam). Before Lynn starts, Mary is giggling a lot. Lynn is a former aerospace engineer that has worked on aircraft we will see in 10-15 years. Very intelligent woman. She was not that bad considering she has had no formal training. Being 33, that automatically disqualified her from being part of the show, but the judges were very kind to her.  She left with a wonderful message for people to never give up on their dreams, no matter what their age.

Lynn Gravatt

Johnny Ahn and Whitney Hallam; Orem, Utah; ballroom: This guy is so full of EGO it isn’t funny. And the look on his partner’s face the entire time she is with him is one of contempt. I do not blame her. He should spend less time on watching videos on how to get dates and more time on how to be a good dance partner. There is a 10-year age difference between them. She is unimpressed with his MAN-GO. His ballroom “O” face bothers me. He NEVER looks at his gorgeous partner. The dance is all about him–“Hey look at me–I think I’m hotter than I really am.” They are sent through to choreography but it is a “no” to Vegas for both of them. My advice to Whitney is to get another dance partner quickly and come back next year. I would never pick up the phone and vote for him, so he should just not come back to audition for the show.

If looks could kill….Whitney Hallam and Johnny Ahn

Next week is So You Think You Can Dance Hell Week! I cannot wait.





So You Think You Can Dance — Finale Performance Show

11 08 2011

It has been a wonderful journey with the best group of dancers to ever be picked in the Top 20 of So You Think You Can Dance. Tonight, the four favorites who flitted into our hearts were: Marko, Melanie, Sasha and Tadd. Katie Holmes and Kenny Ortega served as guest judges for this evening (I just LOVE Kenny Ortega).

Final4

The final 4: Marko, Sasha, Melanie, Tadd

Dancers: Melanie and Marko
Song: “I Feel Love”
Artist: Donna Summer
Choreographer: Doriana Sanchez
Style: Disco
Story: None, just high-energy disco.

I was wondering when disco was going to show up. This song was a blast to my past. It was lovely seeing them partner again. Dressed like John Travolta, Marko did a slightly better job than Melanie with a bit more energy into all his movements. While it was danced well and it was fun to watch, there was no emotional investment in it for me and did not bring me back to that golden era. Kenny thought it was electric, sizzling and great. Katie loved it and said it was like watching Saturday Night Fever. Mary Murphy pointed out that the lifts were not great and they went in and out of the style. Nigel agreed with Mary and felt they were uncomfortable in the style and hoped that they do better in their other routines this evening.

Dancers: Sasha and all-star Mark Kanemura
Song: “Raise Your Weapon”
Artist: Deadmau5
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Ode to Sasha from Sonya, that Sasha handles all the struggles in her life with such grace and integrity, fueling her and giving her power. Mark represents the obstacles.

Another emotional dance for Sasha. This dance brought both goosebumps and tears and then a “hell-yah” out of me during the final sequence when she throws her obstacles to the ground (i.e., Mark). What a powerhouse duo in this pairing (Are you ready to join Lady Gaga’s tour, Sasha, with Mark?)! It stung me in all my emotionally vulnerable hotspots. Sasha has had some incredible performances, but this one tops them all. Mark is the perfect example of someone who did not win the show who went on to do fantastic things in the dance world. Like a fine wine, he has gotten better with age. Katie loved it, especially that walk at the end. Mary pulled out her train-whistled woo-hoo for this and called her a champion and a star. Nigel thought Sasha just threw down the gauntlet to the other three contestants.
Before getting to Sasha’s critique, Kenny had glowing things to say to Sonya who was deeply moved by his accolades. Turning to Sasha, he cited her struggles this week–an injury, battling against Melanie–but claimed her “Sasha, Warrior Princess.”

Dancers: Tadd and all-star Joshua Allen
Song: “Hustle Hard” (Traditional)
Artists: Ace Hood
Choreographer: Lil’C
Style: Hip-hop
Story: None, just the hustle.

Lil’C choreographed a very difficult routine. Tadd is the dark horse in this race, but having Joshua dance with him did not help him, like watching a master and his apprentice. Joshua was crouching lower and hitting harder. Tadd made it this far not only because of his dance technique but also his personality. Just looking at Tadd though, this is the best I have seen him dance all season. Mary said his difficulty is the “sweetie-pie” factor, but was able to pull off a hard-hitting hip-hop style. “Hustle Hard” was Tadd’s theme song for this season. Nigel complimented the moves on the knees, but still felt he was too sweet. Kenny thought the pairing was perfect and wants a pair of the red shoes. Katie thought his hustling was terrific and she loved the pairing. The red shoes helped to highlight how fast of a dancer he was.

Dancers: Melanie and all-star Robert Roldan
Song: “Sacrifice”
Artist: Sinead O’Connor
Choreographer: Stacey Tookey
Style: Contemporary
Story: Unrequited love; in order to save herself, she has to say good-bye.

My goosebumps started halfway through and were at standing straight up on my arm and traveling down my legs by the time the song was over, a lovely rendition of the famous Elton John song. I loved this pairing as well, as each complimented each other. Nigel felt like Sasha threw down the gauntlet and the challenge was accepted. Kenny would push himself to the front of the line to have a chance to work with Melanie. At this point, Cat announced that he would be resurrecting “Dirty Dancing” and got Melanie her first job after SYTYCD. Katie thinks she is a magical dancer and loves how she creates stories. Mary feels like she is in a class of her own and is so proud of her. Melanie feels so blessed for the journey.

Dancers: Sasha and Marko
Song: “Whatever Lola Wants”
Artist: Ella Fitzgerald
Choreographer: Spencer Liff
Style: Broadway
Story: A restaurant scene. Marko is the waiter, Sasha an elegant dinner who wants to order something off menu.

Hot and spicy, both Sasha and Marko played their roles well. She looked elegant in her purple gown, showing off her cougaress cavort, going after what appeared to be a younger, geeky waiter, portrayed by Marko. Kenny thought it was fun, and their character conversions were fantastic. He had a few extra words of praise for Sasha about her giving her all for every performance. Katie compared Sasha to the legendary Cyd Charisse and thought Marko was great. Mary did not initially recognize Marko and thought he was perhaps one of the all-stars. She was surprised at what a wonderful actor he is, saying that it is not easy to pull off comedy and dance at the same time. The dance, however, did not wow Nigel. He thought Sasha was a better warrior princess than a vamp. He did not understand Marko’s character at all.

Taking a break in the dance action, Cat showed some interviews that she had with all the contestants. Melanie’s favorite moment was dancing with Neil Haskell (with the launch she did into his arms halfway across the stage). Her closest buddy in the competition is Ricky because he can make anyone smile and was such a fighter regardless of the criticism each week. Out of the four remaining, she feels closest to Marko. She misses her father and knows that he would be very proud of her. She then performed her solo to “Song for Viola” by Peter Bradley Adams. I cried, feeling like she was dancing that for her father.

Cat asked Marko what he was thinking when she read his name as the first one through to the finale. He had closed his eyes and wondered why she was waiting (she was waiting for him to open his eyes). His favorite performance was “Turned to Stone” with Melanie. She asked him what it was like to have his mother in the audience, and he again shared that he was not always the most grateful child growing up. Winning would mean “everything” to him. When he got shot, he was searching for the reasons why he survived and perhaps this show was a vehicle for that. He then performed his solo to “The Fear You Won’t Fall” by Joshua Radin, incorporating all he has learned, growing a great deal since his original audition. Tonight, his father was in the audience for the first time, giving him an extra boost.

Dancers: Sasha and Tadd
Song: “Raindrops”
Artist: Basement Jaxx
Choreographer: Mark Ballas
Style: Cha-cha
Story: None, just fun and sassy.

This was not finale-quality dancing. Both looked uncomfortable in the style. Because of that, they did not have that hot, spicy chemistry. The height difference was an issue for me. Katie completely bypassed saying anything about the dance itself and just complimented them on the journey. I think Katie did not want to be booed. Although agreeing with Katie, Mary had to talk about the dance. It just did not work–the connections, the body positions, missing hand connections, lack of chemistry, although Sasha fared a little bit better than Tadd. Nigel agrees with Mary, saying it was uncomfortable to watch. While Sasha did a bit better, Nigel felt it did not bear well for her either. Kenny said it was too ambitious for the last show and for them to walk it off and come back and blow us all away.

Dancers: Marko and all-star Lauren Froderman
Song: “Shirk”
Artist: Me’Shell Ndegedcello
Choreographer: Tessandra Chavez
Style: Contemporary
Story: Two people drawn to each other who can’t seem to find a way to make it work.

Setting the tone for the routine, Lauren was already in character, shedding tears when the dance started. This was another dance that drew me in emotionally, taking me on a journey of moments of my own life. My goosebumps never lie. Mary thought it was beautiful, provoking honest communication in the dance, feeling his soul. Nigel felt like it was a fabulous performance, redeeming his past dances of the evening. Kenny again complimented the outstanding choreography. He felt this was perfect partnering for him, that their spirits became alive, taking him to a distant place. Whatever Marko was doing in that dance, he needed to continue doing it. Katie also thanked Tessandra for the piece. He thanked Marko for creating these picture moments for her while he danced and deemed him magical (Magical Marko–it works–Cat stop stealing my phrases).

Tadd’s interview and solo were next. He thought and dreamed about being in the finale but cannot believe he is here. He thinks America is connecting to him in his solos. His favorite routine was the vulture dance with Jordan that Travis Wall choreographed. Most nervous performance was the first show when they had to make a first impression. There is web site apparently called: The Official “Keep Your Shirt Off Tadd” Fan Club. He said for some reason people want him to be naked, but Cat points out there is a difference between shirtless and naked. Winning would change his and his family’s lives. Dancing his last solo before voting to “Momma Knows Best” by Jessie J, Tadd showed off why we love him so. It was playful and creative.

Dancers: Tadd and Melanie
Song: “Show Me What You’re Working With”
Artist: Sista Monica
Choreographer: Ray Leeper
Style: Jazz
Story: A guy cheats on his girlfriend and she catches him in the act. Sexy, naughty with a little dysfunction thrown in.

This dance showcased Tadd much better. Since he was comfortable, the chemistry flowed like river rapids between them. I got sexy, naughty and the dysfunction. It must have been difficult for Melanie to dance that short while with one heel on and one off; I can barely walk that way. The routine was a lot of good fun. The strip-tease of Tadd for his fan-base was a great touch after the comments made in his interview. The routine brought Nigel’s evening to life. He praised Tadd for a job well done, while complimenting Melanie for selling the character before the dancing ever began. Kenny apparently let out a “woo” during the dance. He loved everything about it and felt the choreographer delivered the perfect routine to showcase their strengths during a finale show. Katie felt like it was a breath of fresh air. Mary thought Tadd brought the sexy back and Melanie’s strut was like no other.

In the final interview and solo, Sasha never thought she would make it this far, loving that her sister has been with her the entire journey. Her favorite moment was when Lady Gaga threw her shoe. Several routines stood out to her, but she asked Cat which one she liked and Cat said the routine with Twitch. She talked more about the wonderful routine with Kent Boyd (with the wall), saying she had to go to a very dark place, and she had to put her journey into the dance. Seeing people affected emotionally in response to her dancing meant a great deal to her. Dancing to “Be Be Your Love” by Rachael Yamagata, Sasha also showed the audience the growth attained this season from that of her first audition.

Dancers: Sasha and Melanie
Song: “Heart Asks Pleasure First”
Artist: Anh Trio
Choreographer: Stacey Tookey
Style: Contemporary
Story: Suppressed housewives in the 1950s, feelings of isolation and loneliness. The two join forces to break free.

Extremely beautiful. Melanie and Sasha are in direct competition with each other, yet they dance and support each other every time they dance together like true professionals. Another moment of chills for me. Kenny thought the picket fences were symbolic of prison bars and the space in the yard the only place where these women could express themselves. It made him feel hopeless and he wanted to rush in and free them. It also made him curious about their paths, where these characters came from and where they were going. Katie loved the message about friendship and the power that two women can give to each other. Mary enjoyed every second of it, enjoying the movement and musicality. Nigel shared with the audience what we did not see–that each of them hugged each other and wished each other luck before the show came back on air. He said it did not matter who won because they would both grace any dance company they would join.

Dancers: Marko and Tadd
Song: “B.O.B.”
Artist: Outkast
Choreographer: Chuck Maldonado
Style: Gumboot stepping (hip-hop)
Story: Form of dance that was used to communicate in the mines of South Africa

A fantastic, high-energy way to close the show. Tadd had the slight edge in this dance, but Marko was not too shabby. The timing was a little off, but I noticed Tadd looking over at Marko at times to try to get them back in sync again. Katie enjoyed the athletic ability in this number, but it also sound like she was holding something back. Mary felt like it was solid gold for her. Nigel pointed out the rhythms were not together in this routine. Then he crushed them by saying he has felt all along a girl would win this season and that hadn’t changed although they stood up well for themselves tonight. Kenny thanked the dancers and the choreographer.

If it was simply based on dancing tonight, it would have to be Melanie, Marko, Sasha and Tadd. If it came down to most improved dancers over the season, it would be Tadd, Sasha, Marko and Melanie since Tadd, the b-boy held his own outside his own style of dance. Then Sasha was finally partnered with someone who brought out the best in her during the all-stars, and Marko and Melanie have remained pretty level throughout the competition. If it is based on the dancing all season it would be a tie between Melanie/Sasha then Marko and Tadd. However, the show is about America’s favorite dancer. Sasha has an overwhelming fan base and it will come down to who voted more, Melanie’s fans or Sasha’s fans. The margin of votes will be very, very close.  I predict Sasha is going to win.  But Nigel is right:  Both Melanie and Sasha will have tremendous careers after this (and I believe Marko and Tadd will, too).

Hilda Clark Bowen (a.k.a. PBMom)

Hilda Bowen (a.k.a. PBMom)





So You Think You Can Dance — Top 6 Performance

4 08 2011

After tomorrow night’s show, we will be down to our final 4 contestants and our season finale show. Last week we said goodbye to our favorite J’s: Jordan and Jess. Each was the consummate professional full of gratitude the journey and for the fans. Even for a brief moment when Jordan looked like she was about to fall apart, she took a deep breath and remained positive and hopeful for her career, a trail both will blaze after the tour.

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2011 So You Think You Can Dance Top 6 --Season 8

Guest judges for this evening were the lovely Christina Applegate, and the loquacious Lil’C. They discussed the stupendous success of National Day Dance on July 30, 2011. Perhaps it needs to be renamed “International Dance Day” as people across the world celebrated dance, including physicists in Switzerland. Although not shown on the show this evening, even Vancouver, BC got into the fun.

Dancers: Melanie and all-star Twitch Boss
Song: “Roman’s Revenge”
Artist: Nicki Minaj featuring Lil Wayne
Choreographers: Napoleon & Tabitha Dumo (aka NappyTabs)
Style: Hip-hop
Story: Little Red Riding Hood with a twist

Melanie did well, but I’ve seen some of the other ladies do a better job with hip-hop. The routine was weird. I might have liked it better if in the end she would have slay the big bad wolf versus tame him, but that is the choreography and not the dancers. I think she might have needed to be lower to the ground. Lil’C felt she got off to a rough start but found her ghetto groove and ascended. Christina agreed with Lil’C. Mary felt she was on fire. Nigel loved the dance as well. He confronted internet allegations that Melanie has never been given a dance out of her style, but he dispelled that quickly, saying she was good at everything. Itsy bitsy problem with that. If they are randomly drawing dance styles out of a hat, and last week the talk on the internet was the biggest it’s been about this issue, and she suddenly gets hip-hop, it doesn’t help the argument that these dances are random. It is, however, one of these no-win situations. You will have a group of people who will believe it and some that will not, and like politics, there is no changing anybody’s mind about it.

Dancers: Sasha and all-star Kent Boyd
Song: “Fool on Me”
Artist: Me’Shell Ndegeocello
Choreographer: Tyce DiOrio
Style: Contemporary
Story: Two people who have hit a wall in their relationship and the emotions you go through when someone hurts you.

During the rehearsal taping about the song, Sasha began to cry. The meaning of the dance runs deep for her and I was sure it would come through in her dance–and it did. I had goosebumps but I lost my breath at the moment of the lift that had her legs upside down on the wall, a great symbolism for how upside-down you can feel when you are hurting inside when someone you love hurts you. You love them, you hate them, you want them stay, you want them to go. All the feelings are taken the n’th level. Sometimes you can bust through that wall and sometimes you cannot. I love when Tyce choreographs dances like this (like the dance he created for his friend who had cancer, danced who beautifully by Ade and Melissa). They have a way of reaching a place deep inside your soul that is universal to everyone. Christina described the difference between technicians of dance and dancers like Sasha who can affect your heart, and thanking her for being so courageous as to share with us whatever it was that hurt her so badly in this life. Mary called her intoxicating and got all choked up about the move of when Kent threw her to the floor, and that it only matters that you get back up. When she said that, I was thinking of Mary’s courageous battle with her thyroid cancer. Nigel also complimented Tyce, as did Mary, at this routine being at his best, as was Sasha. Sasha then won Nigel’s “favorite” dancer something that he ping-pongs between Melanie and Sasha. Lil’C was trying not to cry, having identified personally with the dance with experiences in his own life. He wishes that he could have worked with Sasha this season and called her phenomenal. Oh, and did I mention, first kiss on tonight’s show. The kissing season, season 8.

Dancers: Marko and all-star Janette Manrara
Song: “Zorongo” (Traditional)
Artists: Antonia Gomez, Ely “La Gambita”, Guillermo Basilisco and Paco Pena
Choreographer: Dmitry Chaplin
Style: Paso doble
Story: Marko is the matador and Janette is an activist trying to keep him away from killing the bull. (I laughed).

I didn’t recognize Dmitry with his beard. Has it been that long? You have to been pretty beautiful and passionate to sway a matador from his mission. How could Janette be ignored? I had a problem at first with that story stuck in my head since we are so used to the woman being the bull or the cape, but after a minute, I concentrated on the actual dance and let the story go. After Cat drew comparisons to the matador costume and Mary Murphy’s shoulder pads, she complimented him for being spot-on at the arrogance that was necessary for the dance. She pointed out that he lost his footing from time-to-time, but most of the time, he nailed it. Nigel loved the twirls that mimicked the movement of the matador’s cape (as did Mary). However, Nigel said it left him feeling cold. He was looking for more passion. I think it is difficult to bring a ballroom routine up against a brilliantly danced contemporary piece. It’s like coming back from San Diego Comic Con. You are on this incredible high and then–CRASH–everything around you seems so boring and mundane. Lil’C loved his stoic performance which was necessary to this particular dance. Christina wanted him to drop it down a little (lower in his crotch level), but loved the bravado.

They took a break in the action to listen to messages from home. The love and pride of all the contestants’ families touched my heart and my tear ducts. Then Ricky took the stage to dance his solo to “After Tonight” by Justin Nozuka. It was lovely.

Dancers: Tadd and all-star Ellenore Scott
Song: “The Gulag Orkestar”
Artist: Beirut
Choreographer: Sonya Tayeh
Style: Contemporary?/Jazz?
Story: A period piece where everyone was prim and proper, but once they touch, everything gets thrown out the window and becomes with wild, reckless, lustful.

Sonya Tayeh is the goddess of strange and Ellenore was the perfect all-star to fill that role. I was not feeling the passion that Sonya demands from her dancers coming from Tadd. The spin on the chandelier was reminiscent of Cirque de Soleil. It was an interesting prop. Nigel had no words and said he felt like it needed more time to develop, that he was left “hanging.” (Oh, Nigel, you make me laugh). Lil’C complimented Sonya’s talent of showcasing a dancer’s unique abilities. He felt like Tadd was just going through the movements instead of making them last a lifetime. Christina likes the dirtier side of dance, and complimented Tadd that he is a b-beat pointing his toes and how great is that. Mary felt Tadd was still growing and complimented Sonya’s trust in doing such a dangerous thing with a prop.

Next was Caitlynn’s mom sharing that she one day said she was going to be on this show. Via the internet, Caitlynn’s dad, away on business, shared his pride. Caitlynn then performed her solo to “What’s Love Got to Do With It” by Katie Thompson. Afterwards, Caitlynn was crying, moved from the words from her parents, the song, the moment or all the above.

Dancers: Ricky and all-star Jaimie Goodwin
Song: “Inside These Lines”
Artist: Trent Dabbs
Choreographer: Dee Caspary
Style: Contemporary
Story: A couple trying to stay together, but he feels her slipping away so he tries to control her. (I call this The Puppetmaster.)

I noticed that when Ricky was close to Jaimie during the routine, he didn’t extend himself as you would see him do when they were apart. Perhaps he was concentrating on the sticks and not hurting his partner. While the sticks did enhance the routine, you can’t forsake the dance for the prop. At the end of the dance, Jaimie did what I was hoping–she took the sticks and threw them to the ground. Lil’C gave props to him and the props (and Cat Deeley just stole my line, damn). As usual Lil’C had a mouthful, “What a magically, magnificent puppeteer of physically rhythmic artistry you are.” In other words, buckness. Christina said he was a beautiful dancer, but wanted to help him grow and said he does not always dance with the clearest intention, like a push and a pull, like when he reached for Jaimie, it was harder to let her go away from him. That would help take him up another notch, which was great advice. Mary added, “All of that” plus that it was beautiful, free-flowing movement. Nigel loved the story of the dance from Dee. The only advice Nigel had to help Ricky was that he wants him to feel the movement more in his gut because he is so up and high in his dancing.

Tadd’s parents, and his entire Filipino community, are very proud of his accomplishments (and the first story that did not make me cry but smile). His song selection also made me laugh, “We Speak No Americano” by Yolanda B Cool and DCup. Tadd’s solos have always been interesting in that he is a b-boy and he chooses all these songs from eras past that make for a weird and wonderful combination. It has become his signature.

Returning from the break, Sasha’s solo was shown but not before her parents got to boast about their beautiful, bubbly baby girl. I smiled, too, when I saw Sasha picked “Teeth” by Lady Gaga after she received such high praise from Lady Gaga last week (and her shoe!). Again she did a terrific job.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Drop It Low (District 78 Remix)”
Artist: Kat DeLuna
Choreographer: Dmitry Chaplin
Style: Samba
Story: None, just sexy, great music and being sexy.

Pasha and Dmitry behind one dance? Wow. Double boiler kind of hot. Was it sexy? YES IT WAS! Was there great music. YES , THERE WAS! And was it really sexy? SIZZLING. At that precise moment, I desperately wished to have use of the communication stones that are used in the show Stargate Universe (where people can swap consciousness with another body–yes, I’m a geek). I wanted to be dancing with Pasha. Be still my heart. Wait, this is about Caitlynn. She did a fabulous job. I have to remind myself she is just a senior in high school (or was). Christina loved it. Mary thought it was great, especially on the reverse samba rolls. Her only criticism were some of her facial expressions. Nigel ad Lil’C had similar advice.

Marko’s mother was very emotional about his journey to the show. Dancing to “Wonderful World” By James Morrison, Marko combined a lot of technique with acrobatics. I always enjoy his solos.

Then Melanie’s mother had a message for her. Instead of talking, she sang; instead of walking, she danced. Melanie chose to dance to “Cracks (Flux Pavilion Remix)” by Freestylers featuring Belle Humble. Some truth rang to me with the name “Belle” and “Humble” to describe Melanie. Her solos have become more complex as she incorporates what she has learned over the weeks into her dance. She is both beautiful and humble.  It was the best solo of the night.

Dancers: Sasha and Ricky
Song: “Schoolin’ Life”
Artist: Beyonce
Choreographer: Kumari Suraj
Style: Waacking
Story: None.

Waacking is a new style of dance to SYTYCD, the origins from Los Angeles in the 1970’s. It’s about the individual and who you are right now in your life. It’s about skill, precision and control. After watching the routine, it does bring fond memories of the 70’s back to me. Sasha was great; Ricky less so. He was too stiff once again. I would have hoped he would have taken to heart the earlier critique and applied it to this dance. Mary never liked this type of dance until Samara “Princess” Lockeroo, who was the first to audition and win to a ticket to Vegas with this type of dance. She felt like Sasha had the edge in the dancing. Both were out of their styles, but neither could take it to Princess Lockeroo’s level. Nigel says when Ricky is thinking about dancing, he does lose a little bit. Then Nigel took a comment that they said to Caitlynn and applied it to Sasha, saying she did not have to act sexy because she is sexy. Oops! Lil’C wishes both of them would have enjoyed it more because he felt they were so focused on the steps and speed. Christina enjoyed it and thought perhaps they could have “whacked it harder.” She’s so funny.

Dancers: Melanie and Tadd
Song: “(Where Do I Begin) Love Story (Away Team Mix)
Artist: Shirley Bassey
Choreographer: Spencer Liff
Style: Broadway/Jazz?
Story: A rehearsal within a rehearsal. Tadd uses Melanie’s crush on him to bring out the best dance in her, but she discovers her feelings are not reciprocated.

They paired well together. It was a lovely dance that did not affect me on any emotional level but just was fun to watch. The use of the mirror where Melanie’s hands touched it and it got these weird distortions to it made me think, yes, just like the relationship between this dancer in the dance and the choreographer in the dance, played by Tadd. The relationship is not what it seems to be to Melanie’s character. I look for meaning sometimes that may or may not be in subtle things. Lots of prop use tonight. Cat compared it to “Black Swan” (which I have not seen yet). Nigel complimented Melanie on her solo as the best solo across all the seasons. She is not only the original beast, but a great actress and a great dancer. She now stole Sasha’s earlier place of the evening and is now Nigel’s favorite again. I think if SYTYCD could have a tie, he would be happy having the two of them there. To Tadd he said, “…to say you didn’t suck is a compliment.” He pointed out the things he did well in the routine. Lil’C says Melanie has a quiet fire and Melanie is EXTREMELY buck. Lil’C also wanted to give accolades to her solo performance that it was so beefy. And as an afterthought, he told Tadd he was growing by leaps and bounds and to continue doing so. Christina also commented on her solo, saying they were all banging on the table. She described Melanie’s performance as being better than that of Donna McKechnie in “A Chorus Line.” Tadd continues to surprise Christina with his technique since he is a b-boy. Mary says America has fallen in love with them and they are brilliant in their styles. She got all choked up that she was able to be here for this wonderful season to see it.

Dancers: Caitlynn and Marko
Song: “Heavy in Your Arms”
Artist: Florence and the Machine
Choreographer: Sonya Tayeh
Style: Jazz
Story: Marko is a controlling, overbearing man and Caitlynn is trying to break free.

Perfect song to close the show. This was dynamite and gave me goosebumps. It was much better than the Puppeteer routine performed by Ricky. My breaths felt heavy of the weight of this relationship. The judges were standing in ovation of their performance. Lil’C thought this was double-hashtag buck (#buck #buck or ##buck)? “Reckless and convicted, it was murderous,” according to Lil’C. Translation: Lil’C loved it. Christina makes Marko join the beasts. Christina believes that was Caitlynn’s moment (maybe, but she had one with Mitchell, too). Mary thought it was Caitlynn’s best routines ever. She brought the grit to it and brought it to another level. Marko is Mary’s favorite dancer (I bet Mary and Nigel have a friendly bet going on the side as to who is going to win). Nigel thought this routine redeemed Sonya from her earlier Cirque de Soleil choreography. Regarding Caitlynn, she came of age today, he felt. She is a brilliant dancer. Marko is sensation. Cat added, “But you’re very pretty, too” to Marko.

Common sense would dictate that Marko, Melanie, and Sasha will be in the top 4. Up in the air is whether Tadd or Ricky gets into the final 4.  Or we could use any number of science-fiction shows and their technologies to merge Ricky and Tadd into 1 dancer to get Radd or Ticky so we don’t have to make up our minds.  Of course, it would be temporary….unless…well, they are wearing a red shirt that evening.  What do you say?

Stay tuned tomorrow about more news regarding Miranda’s and Jordan’s fan clubs and what they are doing to show them their love.





So You Think You Can Dance–Top 8 Performance

28 07 2011

With the departure of the fabulous Mitchell and Clarice last week, we are winding down to the end of the season. With each dance, it gets more difficult to pick which talented powerhouse will be in the bottom.

Guest judges for this evening were the legendary Rob Marshall (director/choreographer, and Lady Gaga who needs no introduction. I am hoping she will be a better judge on this show than she was a mentor on American Idol. Her outfit tonight is much better than the one at the Grammy’s. I remember hearing on Oprah that her sister designs her outfits; I’d never let my sisters dress me.

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The Top 8 Perform

Dancers: Sasha and all-star Pasha Kovalev
Song: “Puttin’ on the Ritz”
Artist: Terry Snyder
Choreographer: Jonathan Roberts
Style: Quickstep
Story: A world turned upside down in an alternate reality.

I enjoyed seeing Sasha have chemistry with yet another all-star (other than Twitch). A fast dance with tons of footwork, Sasha and Pasha carried it out effortlessly. Sasha added her own Sasha-licious flair to some of the moves (in parts as if she was trying to merge the quickstep with an African dance). Rob Marshall is a fan of Sasha and gave her high praise for not only this dance but also her overall work in the competition. Mary Murphy complimented her body positioning as being the best she has seen yet this season for this dance. For Nigel, Sasha is his favorite in the competition (by a hair) who put on a 5-star performance this evening. A congested Lady Gaga enjoyed the dance and loves Sasha inside and out (that she has a beautiful soul).

Dancers: Caitlynn and all-star Ivan Koumaev
Song: “Let Me Love You”
Artist: Mario
Choreographer: Marty Kudelka
Style: Lyrical hip-hop
Story: Caitlynn is fed up with her man; Ivan shows up and wins her over.

Caitlynn continues to grow every week. She had lovely chemistry with Ivan. Even though it was well-danced, it didn’t move me emotionally to the point of goosebumps although I was still drawn into the story. Mary was not wowed, but felt she did a really good job. Nigel offered her some advice about “opening her legs more” (which elicited a juvenile giggle from me, and a comment from Lady Gaga) to help her find her swagga, but complimented her on staying in character. While praising Caitlynn on certain aspects of her dancing, Lady Gaga offered some great advice about her not having similar flowing movements that Ivan had. Tempered with praise, Rob felt she needed to lose herself in the dance more.

Dancers: Jordan and all-star Ade Obayomi
Song: “Nutbush City Limits”
Artist: Tina Turner
Choreographer: Tyce DiOrio
Style: Pop jazz
Story: Being bad together during a secret rendezvous.

The athleticism both Jordan and Ade possess almost made Tyce’s dance flawless. There was one thing that bothered me: Instead of looking and being totally involved with her partner, Jordan was looking out at the audience too much, and one time I even caught her looking at the judges at a crucial point in the dance when her eyes really did need to be on her partner. Because of this, I did not buy into any chemistry between them, critical for the dance (being bad “together”). Nigel loved it. Lady Gaga enjoyed the fact that Jordan was looking at the camera and assertively announcing that she was a star. Rob adores her. Mary gave her a scream of approval. So, hey, what do I know, right?

Dancers: Melanie and all-star Neal Haskell
Song: “Total Eclipse of the Heart”
Artist: Bonnie Tyler
Choreographer: Mandy Moore
Style: Contemporary
Story: A crossroads in a relationship.

Ah, my first goosebumps for the evening. I do have a bias for contemporary and hip-hop routines; they seem to move me emotionally more often than other styles of dance. This was my favorite dance routine of the evening (thus far). Melanie delivered another stellar performance. I am amazed at dancers who have to show complete and total trust in partners they have barely met. When she took a running start from one corner of the stage and leaped into his arms from mid-stage to the opposite corner of the stage was both a feat of technique and trust. It took my breath away. All the judges are standing in applause. Melanie is Lady Gaga’s favorite and she would hire Melanie tomorrow. She is poetry in motion, according to Rob. Mary has run out of adjectives for her. Melanie won over Nigel’s heart for the time being from Sasha. The final scene where Melanie is in the light and Neal was in the darkness reflected beautiful the lyrics being played in the song.

Dancers: Ricky and all-star Anya Garnis
Song: “River Deep, Mountain High”
Artist: Celine Dion
Choreographer: Jason Gilkison
Style: Jive
Story: None, just complicated moves.

If you are not up to Anya’s level of expertise, your weaknesses are going to show. Ricky executed the performance as best he could, but I don’t think it was good enough to get him into the safety zone tomorrow during the elimination. The moves were intense, especially the flip over the head. The dead-drop at the end made me gasp. Rob applauds his personality and technique for the most part, but offers that he needs to dig a little deeper into the floor. Ballroom-dancer Mary had better technical advice to give to Ricky. Nigel felt Ricky’s posture should have been more “river deeper rather than mountain higher.” Lady Gaga has a sweet spot for Ricky and likes his posture.

At this point I begin wondering where the solos are and am grateful they decided to change up the format and do pairs with other contestants again.

Dancers: Jess and all-star Lauren Gottleib
Song: “Take a Bow”
Artist: Rhianna
Choreographer: Tabitha and Napoleon Dumo (NappyTabs)
Style: Lyrical hip-hop
Story: A man who has cheated on his girl and he is trying to apologize.

Jess did a much better job this week. He took in Neil Patrick Harris’ advice about not overdoing the faces. Mary felt that his dance came from his soul this time (I agree) and he had the swag. Nigel commented about how much he has grown and listened to the comments to help him grow. When Lady Gaga made points about the choreography, I wondered if Tabitha had to dig her fingernails into Napoleon’s arm to keep her from saying something. Rob has known Jess since he was little, Jess having worked on Broadway. You could see how proud Rob was of Jess and his growth.

Dancers: Tadd and all-star Lauren Froderman
Song: “Another One Bites the Dust”
Artist: Queen
Choreographer: Mandy Moore
Style: Jazz
Story: Pulling off a heist (Smooth Criminal?)

This is another favorite routine of mine this evening. Tadd and Lauren were a great partnership. I was thinking during the routine about how Lauren was not everyone’s favorite at the beginning of her season and turned things around to win. He did not flinch when Lauren accidentally smacked him in the face. He was not jarred when he lost his hat, either. Tadd is a dark horse, one I never expected to be possibly in the final 4 at the end of the season. Nigel called Tadd a sponge and suspected he would not be going home this week. Lady Gaga is much better suited to be a judge on this show. I like the way she interpreted the song to Tadd, enjoying the muggy look like, “Yeah, I just robbed a bank and got away with it.” Rob Marshall thought he was very special and acted like a true professional during the mishaps. Mary predicts he will be in the finale.

Dancers: Marko and all-star Allison Holker
Song: “I Know It’s Over”
Artist: Jeff Buckley
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Causing damage to a person, basking in the guilt because of it, but it moves you to change.

Allison brought the magic back out in Marko and another box in my favorite dances this week. Marko will be in the top 4. Pain and hurt came through on both their faces and although I had no goosebumps, I found myself crying because of the song’s message. What a time to shine with his mother in the audience! In this unedited, entitled society hiding behind internet anonymity and cyber bullying, people hurt others without a second thought. When attention is called to the hurt, people go on the defensive (because it is all about them) instead of listening to the grievance, acknowledging it and apologizing for it. Whether or not you think you did wrong to that person, if that person felt that way and you love them, it matters. Once you accomplish that, then you can use those new skills to open up to the world around you. Lady Gaga was also in tears and the panel gave them a standing ovation. In an act of contrition, Lady Gaga remembered all the mistakes she made in her past. Marko is deeply moved by his mother’s presence and he confesses and apologizes for his hurts. Rob appreciated the fluidity of the movements and the partnership between Allison and Marko. Mary chokes back her tears and says Marko is her favorite dancer on the show. Nigel remarks about the sheer moment of this, that a dance could affect such a change so quickly, and that people need to say what they need to their moms (and I would like to extend that to not just moms but everyone) before they are no longer walking among us here on planet Earth.

Dancers: Caitlynn and Tadd
Song: “Top Hat, White Tie and Tails”
Artist: Ella Fitzgerald
Choreographer: Jonathan Roberts
Style: Foxtrot
Story: Classic boy meets girl

Caitlynn’s dress was stunning and Tadd looked hot in a tux. Wait for it….Yep, Season 8: The Kissing Season did not let me down. Tadd gave Caitlynn a kiss on the cheek midway through the routine. Caitlynn seemed more at ease with this genre, although Tadd was not awful. I would hate to be them coming off that Marko and Allison number. After that, ANYTHING is going to look boring. “Sparkling” is what Rob thought, a “black and white movie come to life.” Mary thought it was beautiful and elegant but she needed more powerful and did not think this would be a memorable dance from this evening. Nigel was heaven and wanted to dance with Caitlynn. Lady Gaga loved the routine but offered that every now and then Caitlynn’s hands say, “I won a lot of trophies!”

Dancers: Marko and Ricky
Song: “Bad Boy For Life”
Artist: Diddy featuring Black Rob and Mark Curry
Choreographers: Tabitha and Napoleon Dumo (aka NappyTabs)
Style: Hip-hop
Story: They are waste management technicians.

This dance was better than the Emilio Estevez/Charlie Sheen movie, “Garbage Men.” Sometimes throughout the routine, I felt Marko had more swagga and other times Ricky. It was moving along at a slow pace. Knowing what NappyTabs has choreographed for SYTYCD over the years, just when I was expecting there to be more, more was delivered. The pace quickened, and then it was abruptly over. I was left disappointed; the pickup in tempo should have occurred sooner. Perhaps they were trying to recapture the magic of the Alex/Twitch routine, but it fell short. A quick camera shot to the audience and Tabitha was caught taking a deep breath, looking over at the judges. Mary Murphy was standing in applause and she loved it. Nigel felt it was fun, but Ricky was still a bit too high versus being lower to the ground for hip-hop. He feels Ricky might be in the bottom this week and I agree. Lady Gaga took a swipe at NappyTabs basing her opinion on her days when stomp was emerging and her own choreographer. Picking NappyTabs back up, Rob applauded their routine.

Dancers: Jordan and Jess
Song: “Set Fire to the Rain”
Artist: Adele
Choreographer: Jason Gilkison
Style: Rumba
Story: A woman in a controlling relationship and she is blinded by her love for him.

Jordan did a better job in this dance. Jess’ Broadway face came out several times. But did they set fire to the rain? No. I am sorry Jordan and Jess fans. They gave it a good try, but at this point in the competition; it is not okay just to dance the routine. There has to be that extra “oomph.” Nigel did not think they had chemistry. She called Jordan on her sway-back. It was not his favorite routine this night. Lady Gaga did not think there was anything “wrong” with it, but as an artist, she would have interpreted the song differently–two elements that do not fit together–and faulted the choreography and not the dancers. Rob thought they brought out the best in each other and sees theater careers for both of them. Mary said the back-split/lift was the best she had seen all season. What was lacking for her was the elasticity of the rumba and the sensuality that develops from that.

Dancers: Sasha and Melanie
Song: “Game On”
Artist: District 78
Choreographer: Sonya Tayeh
Style: Jazz
Story: None, just the combination powerhouse of their two styles for an ultimately beastly creation.

Warrior Sonya concocted a powerful dance routine that showcased each of these ladies quite well. These dynamic dynamos deserved the last spot of the evening and had the judges on their feet. Who was better? I would give a slight edge to Sasha. They will be in the top 4. In the audience, passionate Sonya beamed with pride at her lionesses. Lady Gaga threw her shoe at them, the highest form of compliment. She claimed it to be the performance of the evening. Rob adored it. Mary thought they put it all out there. She thought it was the best number Sonya’s ever done and proclaimed it to be the performance of the evening. Nigel thinks only a tissue paper separates the two of them on who is the best dancer. Sasha and Melanie bowed in homage to their Mother Goddess (Sonya). Either one of them can be this year’s champion, according to Nigel.

The bottom 2 girls will be Caitlynn and Jordan. The bottom 2 guys will be Ricky and Jess.  Whoever does get through, they will need to dance like there is no tomorrow because Marko, Melanie, Sasha and Tadd have made a definitive move to the head of the pack.

Update to Miranda’s fans on the contest going on: According to @mirandacandance on Twitter, they are holding a contest to find the most creative way to express your fan love for Miranda, with Miranda picking the winner. For details, please click here.





So You Think You Can Dance — Top 10 Performance

21 07 2011

Congratulations to So You Think You Can Dance for the well-deserved 8 Emmy nominations.

Tonight was a game-changer in the format of the show. The contestant would now be paired up with former alumni of the show, affectionately known as the all-stars. Neil Patrick Harris was the guest judge this evening. Tickets for the tour go on sale July 29 which kicks off in Orlando, Florida.

Dancers: Marko & all-star Chelsie Hightower
Song: “Cinema Italiano” (The Ron Fair Remix)
Artist: Kate Hudson
Choreographer: Jason Gilkison
Style: Samba
Story: A photographer and his muse.

The big question of the night is this: Will Marko and Melanie shine being apart? While Marko did well, it was not his best dance. Perhaps Melanie is his muse. There was a lot of footwork, but there were spots where I felt his arms could have been up higher and his legs could have been together more than apart. But Mary Murphy is the expert in ballroom and she loved it. He does get kudos for those massive lift/twirls.

Dancers: Jordan & all-star Brandon Bryant
Song: “Who You Are”
Artist: Jessie J
Choreographers: Dwight Rhoden and Desmond Richardson
Style: Contemporary
Story: The highs and lows of love.

This was a wonderful partnering. Brandon’s age and experience brought more out of Jordan as did the beautiful choreography which left me with goosebumps. The combination gave her a deepened maturity in her dancing. This is one of the reasons why I love the all-stars so much. The contestants seem to rise up to their level. Jordan received high praise from all the judges including a plea from Nigel to keep her in the competition.

Dancers: Tadd and all-star Comfort Fedoke
Song: “Look At Me Now”
Artist: Chris Brown (featuring Lil Wayne and Busta Rhymes)
Choreographer: Chuck Maldonado
Style: Hip-hop
Story: None.

Once again, having Comfort in the mix elevated Tadd’s level of dance. The choreography was also very complex to a very fast beat, but Tadd rose to the challenge. It played to Tadd’s strengths. There was very good chemistry between the two dancers. Nigel and Neil both felt he out-danced Comfort. Mary thought he was ghetto-licious.

Dancers: Mitchell and all-star Melody Lacayanga
Song: “Take Off With Us”
Artist: All That Jazz Soundtrack
Choreographer: Tyce DiOrio
Style: Broadway/jazz
Story: Taking flight.

Once again I’m afraid for Mitchell because Broadway does not bring in the votes. I did not watch SYTYCD in season 1, so Melody is new for me as well. Mitchell had great height in his leaps. There was something awkward about the routine, but I think it was in the height difference actually. I thought Mitchell out-danced Melody. The judges did not like it with Neil Patrick Harris taking aim more at Tyce’s choreography. It was like someone tried to make Boeing, Boeing a musical. It just did not work. Sometimes the dancers are at the mercy of the choreography. Perhaps the awkwardness was not in the height difference, but the fact that the dancers were not feeling it so they overperformed.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Malajunta”
Artist: Orquesta Color Tango
Choreographers: Leonardo Barrionueva and Miriam Larici
Style: Argentine tango
Story: A disconnected couple from the 1930’s era falling in love.

This LA-noire-type tango was on fire. With a partner like Pasha how could you not get totally wrapped up in the chemistry? The intricate steps with the interlocking legs are very difficult and I hope the audience can appreciate that. I still worry for Caitlynn because Broadway and ballroom do not do so well with voters. Mary Murphy gave Caitlynn a standing ovation and was near tears. Nigel commented that she used to be a girl dancing but now he saw a woman dance. Neil stated it took a little bit for him to get into it but he was completely mesmerized by it.

Dancers: Sasha and all-star Twitch
Song: “Misty Blue”
Artist: Dorothy Moore
Choreographer: Christopher Scott
Style: Hip-hop
Story: A couple’s whose love has burned out and they try to rekindle the magic.

As much as I enjoyed Alexander, there was a disconnection for me since the first week between the two of them. Tonight, Sasha was partnered with someone who not only had the chemistry but also had the skills to match her. As a married person of 19 years now, I appreciated this dance a great deal and could relate to it. This routine sizzled with sensuality. It was very nice to hear this song again. The routine was received quite well by the audience based on the level of clapping and hooting they did. I just love Twitch and everything he does. Nigel could not even speak. Neil called it the best routine so far in the evening. The routine brought Mary Murphy to swearing, calling it a “sexy-ass number.”

Dancers: Jess and all-star Kathryn McCormick
Song: “The Lonely”
Artist: Christina Perri
Choreographer: Stacey Tookey
Style: Contemporary
Story: Not being able to see what is right in front of you.

This routine required Jess to give all his eye contact to Kathryn while Kathryn is basically ignoring him. There was not a flowing movement that I would have liked to have seen with the routine. Even dancing separately, there still has to be a bond between them for the audience to be pulled in–a difficult order to be filled by even seasoned dancers. Kathryn did a beautiful job and I have missed seeing her dance. Neil thought the choreography was magnificent but pointed out Jess’ facial expressions that are typical of a Broadway dancer, but thought it was the best he has seen Jess dance. Mary concurred that it was her favorite piece Jess has done to date. Nigel thought Jess did a great job.

Dancers: Melanie and all-star Pasha
Song: “Everybody Hurts”
Artist: Tina Arena
Choreographer: Jason Gilkison
Style: Viennese waltz
Story: A guy who has lost his will to live with Melanie as the friend who is nurturing him through it.

Melanie did not lose herself without Marko. This was the second time this evening I got the chills. Melanie’s movements were ethereal and she looked like a guardian angel cradling Pasha’s troubled soul. I am not really sure what might be troubling Pasha’s soul since he got to dance with two beautiful women this evening! Mary complimented her on her effortless lifts and felt she was right up there on the top of the leaderboard. Nigel called her a solid, brilliant dancer. Neil thinks Melanie looks like she is from the past but dances like she is from the future and is easily his favorite dancer on the show.

Dancers: Ricky and all-star Allison Holker
Song: “Precious Things”
Artist: Tori Amos
Choreographer: Tyce DiOrio
Style: Jazz
Story: A bad dream (Ricky being Allison’s worst nightmare).

It’s hard to imagine cheerful Ricky as anybody’s worst nightmare, but he pulled this dance off. The lift where Allison is in a curved position and Ricky’s arms are straight up took my breath away. There was great power in his movements. Both Neil and Nigel were impressed with both the choreography and Ricky’s performance. Mary thought it was raw, reckless, passionate, intense and committed.

Dancers: Clarice and all-star Robert Roldan
Song: “Aila Re Aila”
Artist: Khatta Meetha
Choreographer: Nakul Dev Mahajan
Style: Bollywood
Story: A game of cat and mouse.

Nakul threw everything except the kitchen sink into this dance routine. Clarice did a fantastic job keeping up with all-star Robert. This season of SYTYCD has got to be labeled the kissing season. This sexy dance was fast with intricate moves. Everyone loved it. It was a great way to end this wonderful show.

Solos

Sasha‘s routine to “Syrup and Honey” by Duffy had very complex moves and good emotional connectivity. It reminded me of a little dragonfly. Jess performed his solo to “Come By Me” by Harry Connick, Jr., utilizing the entire stage very well with his Broadway-like routine. He always has a lot of good energy. Melanie danced beautifully to “You’re The One That I Want” by Angus and Julia Stone. Ricky performed a lovely solo to “Daylight Breaks” by Cassidy Haley. Clarice danced her solo with a Latin-vibe to “Royal T” from Crookers featuring Roison Murphy. Performing to “This Time” by John Legend, Mitchell redeemed himself from his all-star routine. Jordan danced to “Tonight” by Lykee L., taking to heart the judge’s advice last week that they needed to see something different from her. Tadd provided an entertaining solo to “Everything I Can’t Have” by Robin Thicke. Caitlynn’s contemporary piece was lovely to Florence and The Machine’s “Cosmic Love.”  Marko closed out the solo performances of the night with a song from Gavin DeGraw, “More Than Anyone”, reminding us what a beautiful dancer he is.

For me, my least favorite dance this evening was Jess, but I am very worried for Mitchell because he was the only one to receive negative feedback. It would be difficult to say exactly which my favorite was because I had so many. All the solos were stupendous.

I would like to pass on some news from Miranda’s fans at @mirandacandance on Twitter. On Saturday they have an exciting announcement to pass to everyone and a chance to win some really great prizes, so make sure you stay glued to Twitter on Saturday.

Who were your favorites and least favorites this evening?