So You Think You Can Dance S10 Top 8 Perform

21 08 2013

Don’t faint. I actually was able to write this up within 24 hours after the show.

Opening Number

Song: “Move To The Ocean (Baauer Remix) by Brick & Mortar
Choreographer: Mia Michaels

That was just weird. I am not sure how I feel about that. I usually love the choreography of Mia too. Oh well. That is why it is art. Some people will love it, some people won’t, and some people will scratch their heads.

Judges Tonight

Classically trained Jenna Elfman joined Nigel Lythgoe and Mary Murphy to judge tonight’s special event where the all-stars from previous seasons will not only dance but also choreograph their routines.

Bottom 2

Fik-Shun, Jenna, Hayley and–Tucker???? That is just so wrong on so many levels. All four will do solos. Fik-Shun is up first dancing to “If You Crump Stand Up” by edIT. I forgot that he is an animator. That was fun! Hayley chose “Skin & Bones” by David J Roch. That was great–goosebumps. Jenna danced to “Greyhound” by Swedish House Mafia. It is so difficult to do a Latin ballroom solo, but it did get my attention. Tucker danced to “Beautiful Child” by Rufus Wainwright. That was delightful.

Couples

Dancer: Aaron and all-star Chelsie Hightower
Style: Jive
Song: “Great Balls of Fire” by Million Dollar Quartet (Broadway Cast Recording)

That was a lot of fun! High energy, great chemistry, good leading by Aaron indeed! Top 2–here you come.

The judges: Mary picked out some areas for Aaron that were weak so he can learn and apply to future opportunities. Jenna thought it was awesome. She has been so impressed with his journey. Nigel thought he would have done better being a tapper but reminds America to take everything into account across the season in casting their vote tonight.

 

Dancers: Fik-Shun and all-star Allison Holker
Style: Contemporary
Song: “Skinny Love” by Birdy

A dance about discrimination. That was beautiful and gave me goosebumps and I got a bit teary-eyed. Allison really brought out things in him we have not seen before, but his partnering skills are still an issue where he messed up in a lift move but the pro Allison recovered so she did not fall. He may need to try some weightlifting to build up those necessary muscles.

The judges: Jenna said that Fik-Shun can do no wrong. He is already an all-star and is pure life force. Nigel pointed out that her routine must have been inspired with her relationship with tWitch (and they are getting married later this year). He said, in short, that while Fik-Shun lacks in a lot of technique, his quality that cannot be ignored. Mary agrees with everything being said.

 

Dancers: Tucker and all-star Courtney Galiano
Style: Jazz
Song: “Clarity” by Zedd featuring Foxes

Romeo and Juliet. I had goosebumps! I LOVED that!

The judges: Nigel told us that Courtney was diagnosed with multiple sclerosis and she has lost half the vision of her left eye. (Courtney–my business is a sponsor of our local MS Walk in October!). Mary was teary-eyed as was I and she loves Courtney and Tucker and Tucker’s dad (they showed a clip about how supportive his father has been, which many times does not happen from a dad whose son wants to dance). Jenna said Tucker is so special and he moves her every time she sees him.

 

Dancers: Paul and all-star Comfort Fedoke
Style: Hip hop
Song: “Dum Dum” by Tedashii featuring Lecrae

Paul just had an Alex Wong moment (when he danced with tWitch). Latin ballroom dancer can get down!!!

The judges: Mary said he is one of the most versatile dancers on the show. She thinks he is going full steam ahead on the hot tamale train. Jenna is so inspired by him. Nigel said Paul got down and dirty.

 

Dancers: Hayley and all-star Dmitry Chaplin
Style: Rumba
Song: “Meant” by Elizaveta

They are an engaged couple. She finds out he cheated on her. That dance sizzled. I felt like I was watching a very private moment between the two. You could feel the angst. This is the kind of ballroom dancing I love.

The judges: Jenna thinks there is not anything Hayley can’t do. Nigel says that there is not anything she has done wrong in this competition. She has grown week after week. Mary said Hayley got it right tonight. It was phenomenal.

 

Dancers: Jenna and all-star Mark Kanemura
Style: Jazz
Song: “I Am The Best” by 2NE1

This is a fusion of styles. I saw elements of Bollywood and hip hop. That was so different and so quirky. I loved it.

The judges: Nigel thought it was phenomenal and fantastic. He thinks she is a brilliant dancer. Mary thought it was great and had some Bollywood and African and Middle Eastern and New Age Funk to it. Jenna said it was marvelous. Jenna loves Jenna’s name. She is a beautiful technician who has a long career ahead of her.

 

Dancers: Jasmine and all-star tWitch
Style: Hip hop
Song: “The Power” by District 78 featuring Cheesa

Superheroes! The fact that Jasmine can hold her own with tWitch speaks volumes to her talent. That was indeed on the level of superhero dancers!

The judges: Mary said she could have been intimidated by him but she was not. She is the superhero and conquered this routine tonight. Jenna thought Jasmine owned it. She thinks there is something so beautiful about her, unique and wonderful. Nigel agrees with Jenna. She thinks she out-tWitched tWitch. She has stolen his heart.

 

Dancers: Amy and all-star Travis Wall
Style: Contemporary
Song: “Wicked Game (Live at Killkenny Arts Festival, Ireland/2011” by James Vincent McMorrow

This is going to be good and I don’t know the whole story yet. The story is about the games that are played when first entering a relationship. This is the very best I have seen Amy dance. I really believe that partnering her with Fik-Shun was a disadvantage. Her dancing like this reminded me why I fell in love with Amy during the auditions. Travis Wall–you’ve done it again. Amy made it look effortless.

The judges: Were standing. Jenna said Amy is perfect, so full of heart and soul and technique. She thinks the world is such a better place because of both of them. Nigel thinks we saw something very special there. He thinks Travis is a genius. Mary agrees. She thinks it was mature and sophisticated.

 

Going Home

Jenna and Tucker go home. Tucker going home is SO wrong.

 

My picks

It is so difficult to choose at this time. I think Fik-Shun should be going home next week. Paul and Aaron should and deserve to be the top 2 guys. As far as the girls, Jasmine and Amy did the best job tonight, so that would leave Hayley going home.

I really enjoyed seeing the all-stars do choreography. The show should keep that aspect for next year.

Who are you favorites?  Leave a comment!  Let’s talk about it, but please keep the discussion civil. 





How Dance Changed Their Lives

24 05 2013

Some fantastic news from tWtich! Congratulations to them both!





So You Think You Can Dance — Top 4 Perform

13 09 2012

Tuesday night was the last time we could vote on our favorites, the finale sort-of version. One more episode to go–to crown not just one winner but two: America’s favorite girl and guy. Lending critiques to the evening’s performances are resident judges Nigel Lythgoe and Mary Murphy. Award-winner Rob Marshall was in the house lending his extensive knowledge to the mix.

Dancers: Eliana and Cyrus
Choreographer: Jason Gilkison
Style: Paso Doble (Eliana is the matador and Cyrus the bull)
Song: “The Game Has Changed” by Daft Punk

My thoughts: Cyrus is one determined bull, but was ultimately defeated by the lovely Eliana who continues to bring her strength of character to each role she embodies. It was a great opening number and a very smart move on the part of the choreographer, knowing that Cyrus’ lack of technique would not work in this situation.

The judges: Nigel thought Eliana had secured her place in the industry. He pointed out some things to Cyrus to help him improve and commended him on good partnering. Mary said that Cyrus conquering the paso doble must have felt like skinny dipping with snapping turtles and was very masculine. Eliana was on fire tonight. Rob loved how Eliana threw away technique and focused on the story. He told Cyrus it was exciting to watch them let it happen in the moment.

Dancers: Tiffany and Will Wingfield (Season 4 All Star)
Choreographer: Sonya Tayeh
Style: Jazz
Song: “The Time is Now” by Moloko

My thoughts: Tiffany was really enjoying herself. She is a little spitfire with a lot of grace and strength. It was nice to see Will back, too. The music was a bit boring.

The judges: Mary that she was a star tonight. She loved it and felt there was great partnering. Rob thought Tiffany was great–fearless. Nigel said Tiffany is so little but her lines are so strong, so big. She is a tremendous dancer.

Dancers: Chehon and Eliana
Choreographer: Marat Daukayev
Style: Ballet
Song: “The Nutcracker Suite (Pas De Deux)” by Bruton APM Studios

My thoughts: FINALLY! The first time two ballet contestants were paired up with each other to actually do ballet. I had chills. The dance was exquisite. Poor Eliana almost had a wardrobe malfunction.

The judges: Rob said it showed their versatility. Eliana’s extensions were breath-taking. Nigel made mention that the choreographer, Marat Daukayev, was the principal dancer with the Kirov Ballet. He said that Chehon made it look so easy. Mary thought it was spectacular.

Dancers: Tiffany and Cyrus
Choreographer: Tessandra Chavez
Style: Lyrical hip-hop (story is that Cyrus has broken Tiffany’s heart).
Song: “Best Thing I Never Had” by Beyonce

My thoughts: It was a good pairing. I did get chills (or was it just the air conditioning?) I still have not been WOWED tonight.

The judges: Nigel mentioned that neither of them had been in the bottom 2 or 3 the entire competition. Both were so good at emotional routines and were incredible. Mary thought they killed it. Rob thought that they had “abandon”. He said it was his favorite so far of the evening.

Dancers: Tiffany, Cyrus, Chehon and Eliana
Choreographer: Tyce Diorio
Style: Quirky (is that a style?) I guess Broadway
Song: “Eine Kleine Nachtmusik (District 78 remix) by KPM Studio Artists

My thoughts: That must have been the most difficult piece to showcase all their unique, diverse skills. I did not care for it personally, but I respect Tyce’s challenge.

Dancers: Chehon & Allison Holker
Choreographer: Stacey Tookey
Style: Contemporary
Song: “Leave” by Once–A New Musical (Original Broadway Cast)

My thoughts: My favorite so far tonight. Those leaps Chehon does are incredible. Allison’s face was so full of expression. I think Chehon is finally peaking, taking in all the feedback he has been given and applying it.

The judges: They received a standing ovation. Mary had a WOOOOO yell. She said that Chehon was free at last, free at last, and that his performance ability was growing and growing. Rob thought the height on his leaps was unbelievable. Allison was fierce. Nigel thought Allison should be an actress. With Allison, Chehon came alive.

Dancers: Eliana and Tiffany
Choreographer: Ray Leeper
Style: Pole dancing? (Broadway)
Song: “When You’re Good to Mama” by Chicago–The Musical (1996 Broadway Revival Cast)

My thoughts: I did not care for it. I understand it is difficult and some of the moves defied gravity. It’s okay; one does not have to like all the dances.

The judges: Another standing ovation. Rob (who won an Academy Award in 2002 for the movie Chicago) said he was trying to imagine Queen Latifah doing that. Mary said the two ladies were extraordinary. It was fun and sassy. Nigel said he could not say anything that would not get him into trouble.

Dancers: Cyrus and Chehon
Choreographer: Sonya Tayeh
Style: Jazz — (story is their struggle for the top)
Song: “Fangs (District 78 Remix)” by Little Red Lung

My thoughts: These are always weird dances. They are either hits or misses. Benji and Travis’ dance of the nerds was memorable. Alex Wong’s dance with Twitch was memorable. This was okay for me. Chehon is definitely the better dancer but Cyrus always tries to keep up and should be commended for that as well.

The judges: No standing ovation this time. Nigel thought Sonya choreographed this well. Cyrus has improved so much as a dancer and he is so proud. Chehon has also grown as a person and is his favorite dancer. Both were inspirational. Mary thought both have had a tremendous journey. Rob felt like they were lifting each other up as dancers always do.

Dancers: Eliana and Alex Wong
Choreographer: Travis Wall
Style: Contemporary
Song: “Without You” by Harry Nilsson

My thoughts: Two ballet dancers doing contemporary. Usually I have chills with every dance Travis choreographs, but this one not. The dancing was awesome, but I think I would have chosen the slower Mariah Carey version of the song. I think that is what was not resonating with me.

The judges: Were on their feet. Rob said it was poetry. They (Eliana and Alex) got lost in it and we (the judges) did, too. Nigel said it was his favorite routine of the night and that Eliana was his favorite of all time on the series. (Nigel–Melanie Moore will be very hurt). Mary said it was her favorite of the night as well. Eliana had extraordinary passion that oozes from her body.

Dancers: Tiffany and Chehon
Choreographer: Dmitry Chaplin
Style: Rumba
Song: “Love Me Tender” by Adam Levy and Norah Jones

My thoughts: Wooooo Tiffany! You have been cute, but this was sexy and sophisticated. It must have been hard to come out and dance like that after hearing all this gush about Eliana. Well done young lady. Dmitry said during the rehearsal shots that this dance you have to feel uncomfortable watching it. Was I? No. And I think that was an issue with Chehon. He needed to bring more Latin steam.

The judges: Mary thought it was beautiful. She did not believe the chemistry but the movement was gorgeous. Tiffany was fabulous. Rob thought it was sexy. He thought the connection was beautiful. Nigel said this dance was so much sexier than the pole dance. He commented to Chehon that they couldn’t find a shirt with buttons for him? Mary laughed and said, “Dmitry was the choreographer!”

Dancers: Cyrus and Twitch (Glitch meets tWitch)
Choreographer: Christopher Scott (with the assistance of Madd Chadd, an animator)
Style: Animator (story is they are robots in a secret lab).
Song: “Like A Criminal” by District 78

My thoughts: THAT ROCKED!!!! It was so Terminator-like. Rise of the Machines. Watch out. My favorite routine of the night.

The judges: Standing ovation. Rob said it was crazy; the two guys were superstars. Mary loved it. Nigel wanted people to know that tWitch worked so hard at that because he is not an animator. Hip hop and animation are so very different. He mentioned that Christopher Scott felt they were world class in what they do.

Then Nigel really upset me. Cyrus is having a moment, the time of his life, and Nigel drops a spirit-crushing blow to Cyrus: I am supporting Chehon for my own personal reasons. And goes on and on about it. That Nigel “loved his bones, but won’t vote for him.” Nigel has been a mentor to Cyrus. Nigel’s opinions hold great weight to Cyrus. I remember thinking, “Why don’t you just tear out his heart and stomp on it, Nigel?” Did you really HAVE to say that? Could you have just critiqued his performance and left it at that?

I have always respected Nigel. In that moment, I lost a generous portion of that respect. Did Nigel just have a gaffe on live TV where he said something he should not have? It reminded me of his comments last year to the two guys that one of the girls would win the competition for which he later apologized. Again a spirit-crushing moment to Tadd and Marko. Or are you trying to manipulate voters? Either way, it is not cool, dude. Nigel, I love your bones but that move made me not vote for either one. I do not appreciate being manipulated into voting.

Solos

Eliana danced to “Passacaglia” by Johann Johannsson. Interestingly, she said in her interview that she did not want to be typecast as just ballet, but then she does a ballet number. It’s beautiful but I see no risk-taking here. Cyrus decided to go with something we’ve already seen–his solo during Vegas week to “Holy Ghost (Helicopter Showdown and Sluggo Remix)” by Messinian. It would have been nice to have seen something different. Tiffany danced to “I Believe” by Fantasia. With her, too, I think I have seen all these moves in previous solos. Chehon’s solo was the best. He danced to “How It Ends” by DeVotchKa. I liked the use of a prop other than a costume. I liked it already. His solo incorporated all that he has learned and not just another ballet routine, which is his strength. It was risky and I admired him for it.

Guest Performance

A B-boy dancer named Jean Sok from Paris, France took the stage. The young man only has one leg and uses crutches sometimes. It was a beautiful combination of strength and grace. I stopped breathing for a moment. He danced to the song, “Expression” by Helen Jane Long.

Who will be the winners?  I think it could go either way.





So You Think You Can Dance — All Stars Part 2

4 09 2012

I had this big long write up I planned to type up this weekend, but I decided to do some intense yard work and hurt my dominant hand in the process. So no blog for the last week, especially since tomorrow is a new show. Still hurting, so I don’t know what I’m going to do about tomorrow’s show. So let me keep it brief. I thought most of the dancers stepped it up on Wednesday. My chills have returned. As far as the contestants who were at the bottom: I was not surprised with Lindsay and Witney being at the bottom 2, but I think the judges were wrong. I prefer Lindsay’s way of ballroom dancing. As far as the boys, I was shocked Will was in the bottom 2. That Bollywood dance was incredibly difficult. Cole is a great dancer as well, but his technique has not been so great the last few weeks. For who remains, I will predict Eliana will be the win for the girls (Tiffany in second place) and for the guys Cyrus will win this and I am really unsure who will be in second place between Cole and Chehon.





So You Think You Can Dance — All Stars Return

23 08 2012

Tonight our top 10 are paired with our All Stars from previous seasons. The one dancer I am looking most forward to watching tonight is Eliana, with whom she is going to be paired, and seeing her dance. You know that the show is going to reward her from being paired all these weeks with Cyrus. I enjoy Cyrus and I think Eliana has elevated his technique all these weeks; it is time for her to have a chance in the spotlight.

Joining the resident judges Nigel Lythgoe and Mary Murphy is Benjamin Millepied who starred in the movie “Black Swan.” He is part of a creative force behind the new group called the L.A. Dance Project and that group would be performing that evening.

The opening song was choreographed by Tyce Diorio as a tribute to the legend Gene Kelly who would have been 100 years old on Thursday. His wife, Patricia, was in the audience. Tyce also filled in for the slightly injured Cole in the dance routine. The song was “The Cool World Stomp (Reprise)” by Mark Isham.

I have not given Cat Deeley enough love this season. I wish she could host every show (including The XFactor). She is so lovely and seems so genuine in her appreciation of the dancers as her children.

Dancer: Tiffany
All-Star: Brandon Bryant (Season 5)
Style: Disco (ugh)
Choreographer: Doriana Sanchez
Song: “You Make Me Feel…(Disco Fries Remix)” by Cobra Starship featuring Sabi

My thoughts: I am not a big fan of this style on the show. It does showcase athleticism and gymnastics, but this is more of a dance in which one participates, not for a competition. They did a great job. Cat Deeley thought it was Saturday Night Fever On Steroids. No, not really. Maybe more like Saturday Night Fever On Starbucks. Tiffany does not even look like she is sweating (I hate her–not really).

The judges: Loved it. They felt Tiffany and Brandon had a great connection and it was a great party. Benjamin said that she had a chance to be fearless tonight because of Brandon’s partnering. He was impressed by the constant level of energy and expressive face.

Dancer: Witney
All-Star: Nick Lazzarini (Season 1)
Style: Jazz
Choreographer: Travis Wall
Song: “Sing It Back” by Moloko
Necessary story: They are in an abandoned lounge. Witney and Nick are ghosts who are still doing the show but no one is seeing it.

My thoughts: Travis Wall jazz? I am glad I watched it back again because the So You Think You Can Dance app program was irritating the crap out of me (had to put on my reading glasses to read my phone, then put my distance glasses on to watch them dance). However, it was only slightly better. I thought Witney looked out at the audience too much. Just when she was connecting with Nick and I started feeling the dance, she would look at the judges or at the audience and it would break that connection for me. I didn’t feel any chemistry between them. I thought Witney had a lot of chemistry with Witney. It could have been a smoldering hot (like Eliana’s dance to come). It was not my favorite. I even preferred the disco dance more. I disagreed wholeheartedly with the judges.

The judges: Benjamin thought it was excellent and great fun to watch. Nigel said, “You were totally committed.” She was sexy when she was breathing. “You’re a star.” Mary said, “Lord Have Murphy.” It was smoldering. Each week she is a shining star and she loved the ending move.

Dancer: Cole
All-Star: Anya Garnis (Season 3)
Style: Cha-Cha
Choreographer: Dmitry Chaplin (a.k.a. Be Still My heart)
Song: “Glad You Came” by The Wanted

My thoughts: What is in the water tonight??? Cole is one of my favorites. It was rough. His foot work was rough. It looked a little amateurish. Did his injury play into this. I think he might be in danger for this week’s eliminations (that will be announced next Wednesday). It looked better the second time I watched versus the first time because I was still irritated with that app. When you dance with Anya you have to bring it. Unfortunately, I kept trying to stick Dmitry in there and knew how much better it would be with him in there. Note to Cole: You cannot say you want to be the first in the top 10 to be on the hot tamale train and then have an under-seasoned dish.

The judges: Mary thought it was amazing. She reminded people that Anya was the reason why the phrase “hot tamale train” became infamous. She thought Cole did a tremendous job. She said the foot work and lines were okay, and the chemistry was not hot enough. He did a good job and his bags are packed but he is still on the platform. Benjamin thought it was great, that Cole partnered well. He offered to Cole to think of movement quality and contrast in a performance for something Cole could learn. Nigel agreed with Mary. He was a little disappointed with the contact with Anya. There was no rise and fall. He needed to get sexy with Anya first and then in the performing. He needed to have both.

Dancer: Lindsay
All-Star: Jakob Karr (Season 6)
Style: Broadway
Choreographer: Spencer Liff
Song: “Dancin’ Dan (Me and My Shadow)” by Fosse (Original Broadway Cast)

My thoughts: I guess this is the downside of having an emotional episode last week of all my favorite Mia Michaels’ routines: I was very bored tonight; nothing was moving me to want to pick up the phone to vote. She had beautiful lines. The synchronization of the two dancers must have been extremely difficult, especially during those moments they could not see each other.

The judges: Nigel thought it was a great routine, magnificent. She still had a lot to learn but she was nearly there. Mary thought they had first-class tickets on the hot tamale train. The synchronization was fabulous. Benjamin thought it was extremely well executed.

Dancer: Will
All-Star: Kathryn McCormick (Season 6) and star of Step-Up Revolution
Style: Bollywood
Choreographer: Nakul Dev Mahajan
Song: “Ooh La La” by The Dirty Picture (Soundtrack)
Necessary Story: She is the snake; he is the snake charmer.

My thoughts: Oh wow! There was another “Will” that did Bollywood: (See Sanctuary, Will, Season 2, episode 12. Who says science fiction isn’t entertaining).

Okay back to THIS Will. I LOVED THIS!!!!!!!!!!!!!!!!!!!!!!!! My favorite dance of the evening (so far). Finally woke up some life inside of me. The first move when he moves up her front–it was more sensual in the rehearsals, but I’m nitpicking. The synchronization was spot on. The difficulty of these moves versus the dance with Lindsay and the shadow is multiplied by factor 10. It made me want to get up and dance around my room if I was not so enchanted by the snake charmer. In the end, though, the cobra bit him. And I think he was slightly smitten with her because he kept kissing her when the judges were talking. I’ll vote for him tonight. This is dancing on STEROIDS instead of Starbucks (i.e., the disco routine).

The judges: Mary thought he was the Energizer Bunny but also had amazing control. She felt like he was one of the most likeable guys in the competition. Benjamin thought it was charming and had a unique style. It was completely engaging and interesting. Will took advantage of every section and showed different ways of expressions. Nigel said he brought personality to everything he did.

Dancer: Cyrus
All-Star: Jaimie Goodwin (Season 3)
Style: Contemporary
Choreographer: Travis Wall
Song: “Outro” by M83
Necessary Story: Life after destruction; two sole survivors at the end of the world.

My thoughts: Travis Wall and a story about surviving the apocalypse (two of my favorite things). Ah, yes, this is the Travis Wall that gives me goosebumps. I remember being critical of this when I watched it and I was tweeting, but I changed my mind. Not being distracted by that app, I got chills. Cyrus really did rise to the challenge. Travis was smart in the way he choreographed it, showing off his strengths and hiding some of his weaknesses, but he also made Cyrus. You may be able to criticize the technique (and my saying that Eliana was “stuck” with him) but Cyrus is humble and Cyrus has an amazing heart. You know that he is not expecting to win but he feels blessed to be there. And you cannot help but fall in love with that quality about him. I did worry about the length of time the judges were spending on him with the comments because I thought that was preparing him for being in the bottom 3.

The judges: Benjamin finds this energy compelling to watch. He can also partner very well. Cyrus has a raw energy that is very exciting. Nigel paraphrased a quote from George Balanchine: “I don’t want people who want to dance, I want people who have to dance.” He felt that Cyrus HAS to dance. There is still so much for him to learn, but he works very hard. (Cyrus is humbled by the accolades). Mary said that Travis did not hold back and made it even harder for Cyrus. Maybe his feet and his legs are not the best right now. It is the passion he gives and people connect with that.

Dancer: Chehon
All-Star: Lauren Gottlieb (Season 3)
Style: Lyrical hip-hop
Choreographer: Dave Scott
Song: “Pretty Wings” by Maxwell
Necessary Story: Two friends who support each other.

My thoughts: It is still too stiff in the upper body. I felt like the spiked-out hair made it look like he was trying too hard (although I realize that is not his doing). It is not a world that he belongs (hip-hop). he is a brilliant ballet dancer. However, my expectations are very high because Alex Wong blew my conventional thinking that ballet dancers could never do hip-hop (the dance with tWitch: Get Outta Your Mind–one of my favorite routines of ALL TIME). He tried hard, but it was just okay for me. Again, with the judges giving him a lot of feedback, I felt like he was in the bottom 3 as well.

The judges: Nigel complimented him on everything not being straight and him having a smile on his face. He was much warmer. Mary said she wanted it to be more funky, but it was going in and out. It was not the most memorable but personally he accomplished a lot. Benjamin said the kind of looseness of tonight’s dance he needed to focus on. Performance was spontaneous. He was having fun with her. Chehon was very charismatic.

Dancer: George
All-Star: Allison Holker (Season 2)
Style: Jazz
Choreographer: Tyce Diorio
Song: “Bahamut” by Hazmat Modine
Story: George lets the train go by because of this great distraction (Allison)

My thoughts: I love George. If you want a song about lightness, you have him dance it. You want something hot and passionate–no. I do not think he has ever been in love like that before so it came off as a little high school production-ish, like he was acting at acting that he was in lust with this woman. After hearing Mary and Benjamin talk, though, I thought I was just cranky again, but Nigel agreed.

The judges: Mary felt it was fun to watch. He had a good time and good technique. Benjamin thought he is an amazing mover. He attacked every step with a vengeance and he was a fan. Nigel thought that his technique is tremendous but he did not believe his character. Here he was to have a raunchy night with this raunchy lady and it just appeared like he was dancing.

Dancer: Eliana (FINALLY!)
All-Star: Alex Wong (Season 7) TOTALLY PSYCHED
Style: Who cares
Choreographer: Stacey Tookey
Song: “Bang Bang (My Baby Shot Me Down) By Nancy Sinatra

My thoughts: WOW!!!!!!!!!!!!!!!!!!!!!!!!! FINALLY!!!!!!!!!!!!!!!!! I found my breath rising and falling with the movement. They were so into each other. It was sensual, sexy, smoldering. And I want that red dress. They received a standing ovation. She deserved that! Then I thought, wow, wouldn’t it have sucked if all this lead-up to her performance had fallen flat?

The judges: Nigel said this is what he meant by maturity in movement. Eliana is his favorite girl this year. She was perfect technically and in performance. It was a fusion of the two. Mary said her hair went up on her arm. Her favorite routine of the night. It took her breath away. She was the star of the show tonight–the perfect tiramisu (Mary must have been pretty hungry). Benjamin said it was a great dance and a great song. She has it all: Performance driven by so much passion which is most important.

Dancer: Audrey
All-Star: Stephen ‘tWitch’ Boss (Season 4; one of my favorite all-stars)
Style: Hip hop
Choreographer: Dave Scott
Song: “Sincerely, Jane” by Janelle Monae
Necessary Story: A couple of 400 years bond together by love and hate. I’m already thinking “Dark Shadows.”

My thoughts: Audrey was worried she wasn’t going to keep up with tWitch and while he definitely owned the stage, she held her own. I kept thinking she reminded me of a particular actress and Nigel named her. That routine was a lot of fun.

The judges: Benjamin thought she did well. He felt it was unfair to have tWitch, but he wanted more from her, to shine of her own accord. He wanted her not to be afraid. Mary thought it was a great comical number and very entertaining. She was watching Audrey the whole time. She thought it synchronized well and she loved the groove. She called Audrey a dance angel. Nigel agreed with Benjamin. He wanted her to be more like Helena Bonham Carter (Tim Burton’s wife) and get a little crazy like she is.

My Favorites Tonight

For the girls, in this order: Eliana, Audrey, Lindsay, Tiffany, Witney

For the guys, in this order: Will, Cyrus, Chehon, Cole, George

Eliminations

They are only going with the bottom 2 this week. For the girls it is Witney (who did the bench routine last week) and Audrey (who did the flowers routine). For the boys, it is Chehon (who did the bench routine) and George (who did the Hometown Glory routine last week). And of course the audience wants to see solos; there is still 20 minutes left in the show.

Witney: Song: “You’ll Find A Way (Switch and Sinden Remix)” by Santigold. I don’t know. Witney is starting to get on my nerves. There was too much self-worship and too much hair (what they tell the people who are auditioning NOT to do).

Audrey: Song: “And I Am Telling You I’m Not Going” by Jennifer Holliday. I LOVE her song choice. I don’t know if that was deliberate but there is a touch of rebellion in her that I like. Her technique in her solo was better than Witney’s, but I did start to see the same moves over and over.

Chehon: Song: “Til Enda” by Olafur Arnalds (Commissioned by Wayne McGregor/Random Dance). His technique is….whoa. I know…profound review.

George: Song: “Brotsjor” by Olafur Arnalds (that’s kind of funny; did they plan that?) It was great, too. A mix of ballet and contemporary.

My going-home picks were Witney (because she seems to have hit a plateau). And for the guys, I think they are going to take George’s blah performance tonight into account.

After the LA Dance Project performed (Song: “Trio” by Nico Muhly), the people going home were announced. Nigel said the decision tonight was not unanimous (I think he meant for the girls), but Audrey was going home. Did you see Witney’s face? I really do not like this young lady any more. She had this smirk on her face–it reminded me of a pageant girl who pretends that she is shocked but not shocked. I do not like people like that. My opinion of her just tanked. For the guys, it will be George who is leaving us tonight.

Predictions for Next Week

Based on tonight’s performances, I think Witney and Tiffany will be in the bottom 2 (Witney because of her performance, but Tiffany because she was closer to the beginning of the show and people have short memories). For the guys, Chehon and Cole because of their performance issues.





So You Think You Can Dance — Season 9 — Top 20

28 06 2012

So You Think You Can Dance — Season 9 — Top 20 Revealed and Performance Show

What a great night to not only celebrate the 200th episode of So You Think You Can Dance, but to also welcome back the magnificent Mia Michaels. Cat Deeley looked particularly stunning this evening as she opened the show. Nigel Lythgoe announced that there would be two winners this season: One from the girls and one from the guys. On the judges panel this evening where our regulars, Nigel Lythgoe and Mary Murphy, and guest judge is adorkable Zooey Deschanel from Fox’s hit show “New Girl.

Learning Their Fate — Whittling down 35 to the Top 20

People who are in: The first 3 people receiving a yes from the judges were Alexa Alexander, George Lawrence II and Will Thomas. Amber Jackson who had auditioned in season 6, got to the Green Mile, did not make it, auditioned again, and did not even get that far, and said she would not audition again was through. She had grown a great deal emotionally and came back. Perseverance and a positive attitude paid off well for her. After a fake out that made Lindsay think she was out, Witney Carson and friend Lindsay Arnold were both in. Nick Bloxson-Carson also won a spot. Daniel Baker, who had left his job in the San Francisco Ballet and Chehon Wespi-Tschopp who left his job in New York City, both were in. Eliana Girard in her blue-suede shoes and bubbly personality was also on the show. Both Tiffany Maher and Audrey Case went in together. Debbie Allen said she was almost invisible but then she pushed her way to the front. As Tiffany receives a yes, Audrey looks worried. Adam Shankman breaks the news that she made it as well. She cannot believe it and asks, “Wait….are you sure?” She goes and calls her mom. Janelle Issis also was in disbelief as Adam welcomed her into the top 20. Adam said, “Honey, OWN this. You’re the first belly dancer in the top 20.” Janelle is a bit accident prone. She smacked her nose going back through the door to the waiting area and was ill this evening and told not to dance in the performance show. Mary Murphy did a silly version of Simon Says with Ryan-Gosling-look-alike Matthew Kazmierczak with which he readily complied and then received a yes. Dareian Kujawa told the panel he was working on his feet positioning, but they are like brutes. Lil’C tells him to keep working on that because he is in to the top 20. Janaya French moved to Los Angeles after she Vegas week and has had some highs and lows. She is through. After telling the last two girls that they were looking for star quality this year, Tyce Diorio  informed Amelia Lowe she was put through as the final female contestant.  Mary was telling Cole Horibe about hills and valleys in a dancer’s life and compliments him on his uniqueness. She sees no valleys for him–he is put through to the top 20. Namaste, Cole. Stepper Brandon Mitchell joined the top 20. Cyrus “Glitch” Spencer, who struggled with choreography in Vegas, but always had a great attitude, showed an ability to adapt quickly, and has that special “it” factor. Not only does he radiate this wonderful energy, but he has quite the fan base in America. Even though his dancing might not be up to par with some of the others, his personality will take him far. Nigel commented that he has “never seen anybody like Cyrus in my entire life.”

People who are out: I was surprised by the no given to Megan Branch. She was really good, but they are looking for variety. Abigail Ruz, Kaitlynn Edgar, Katie Muth, and Rebecca Hart were encouraged to come back next year. Sadly, Joshua Alexander was a no this season. No one can really know if the trip to the emergency room that stopped him from performing his final solo became a factor. They insisted Joshua return next season and I hope he does as well. He is a tremendous dancer. They also passed this year on Blake Zelesnikar, Jasmine Mason, and Daniel Kermidas. Jill Johnson, who went into the judges’ room together with Amelia Lowe, was sent home. Tappers did not fare well this season, sending Aaron Turner and Zack Everheart home. Going into the judges’ room with Brandon Mitchell was Devon McCullough. Adam said they would see Devon next year. With Cyrus in, that meant that Feliciano Turk, who had wonderful moments in Vegas, was out.

Dance #1


Dancers: Alexa, George, Will, Amber
Song: “We Found Love (BBC Radio 1 Live Lounge)” by JessieJ
Choreographer: Tyce Diorio

My thoughts: They had great expression, reach, lines, timing, partnering. They blended and complimented each other with a very fluid flow. I got goosebumps (and if you haven’t read my blog before, my goosebumps never lie) towards the end.

The Judges: Nigel gave constructive criticism to Will about keeping up with the shorter dancers. He had encouraging words for Alexa and Amber. To George, Nigel said that if every light in the studio went out, he would still shine. Mary complimented Will’s partnering skills. She complimented Alexa on dealing with her demons. George’s leaps were phenomenal and Amber shed her emotional baggage. Zooey complimented the team work; she could not wait to see more.

Dance #2


Dancers: Witney, Lindsay and Nick
Song: “Dance Again” by Jennifer Lopez featuring Pitbull
Choreographer: Jason Gilkison

My thoughts: It had great energy and great partnering. It didn’t floor me (sorry).

The judges: Mary gave a “woo” that sounded like the train was still in the station and not the hot tamale train that was moving. Zooey said the girls looked like twins and were incredible. Nick kept up with them as well.

Dance #3


Dancers: Daniel, Chehon, and Eliana
Song: “Romantic Inclinations/Like a Shot/Fury” by P. Mottram/S. Everitt/G Shadid, T. Marberger
Choreographer: Desmond Richardson and Dwight Rhoden

My thoughts: Goosebumps, but not the entire song. It looked like at times the boys were flinching when they got too close to Eliana, and then when the judges were commenting, it was apparent that the costume was inflicting wounds on them. Boo to the costuming department on that one.

The judges: Nigel commented the boys on their bravery at leaving paying jobs to come to the show. He also complimented Eliana on her classical skills. Mary called Eliana a ballet warrior. Mary went from “wow” or “woo” in her hot-tamale-train voice but her train whistle did not sound like it was quite fully on the train.

Dance #4


Dancers: Audrey and Tiffany (Janelle was out per doctor’s orders)
Song: “Sail” by AWOLNATION
Choreographer: Sonya Tayeh (assisted by Season 8 winner Melanie Moore)

My thoughts: Audrey and Tiffany had great timing, wonderful warrior spirit and great team work. It did not give me the goosebumps though.

The judges: Zooey said they made an amazing, great pair. The choreography was incredible. Tiffany was very strong and Audrey was graceful, which made for a good pairing. Nigel said that they looked like Pebbles (of the Flintstones) dancing.

Dance #5


Dancers: Dareian, Amelia, Janaya, and Matthew
Song: “Modern Drift” by Efterklang
Choreographer: Stacey Tookey

My thoughts: My eyes were fixed on Amelia. She reminded me of my favorite from last season, Melanie Moore, especially in the jump into Dareian’s arms.

The judges: Zooey thought it was delicate and beautiful, like watching a painting move. Amelia shines like she irradiates light. Mary gave accolades to Stacy Tookey for the routine. She said Dareian had great strength, power and partnering. Amelia was fabulous. Janaya was not on their radar at first, but she is “now out of that radar.” I think Mary meant to say she was now ON their radar. Mary still loves Matthew.

Dance #6


Dancers: Brandon, Cole, Cyrus
Song: “Resolve” by Nathan Lanier
Choreographer: Christopher Scott (and Marko Germar said on Twitter he assisted in this routine)

My thoughts: I loved the baseball voiceover using their real names. Very clever, very inventive. It was a fantastic idea for a routine especially with the baseball all-stars game coming up on Fox. Christopher Scott did a wonderful job highlight each one of their strengths but blended with perfection. I did not get chills but I enjoyed it immensely.

The judges: Cat Deeley said she had the first chills of the season (I know she is not a judge but I love her as a host). Nigel commented that in front of them was a stepper, an animator and a martial artist and that they complimented each other, and complimented Christopher for highlighting each one of their strengths. Mary said they “hit it out of the ballpark with that one.”

Dance #7


Dancers: The girls
Song: “Where The Light Gets In” by Sennen
Choreographer: Travis Wall
Story: The door is the gateway to the afterlife.

My thoughts: Travis Wall’s choreography always seems to elicit a deep emotional response from me, much like Mia Michaels. It was like watching angels dancing on the plane of existence between the two worlds. I got goosebumps about halfway in and had tears in my eyes by the end of the routine.

The judges: Nigel said it was like frieze on a Greek vase and complimented Travis on his growth since being a contestant on SYTYCD. Zooey said it was a beautiful routine for beautiful girls. Cat mentioned the word “ethereal.”

Dance #8


Dancers: The boys
Song: “Precognition (Steed Lord Machine Mix)” by Steed Lord
Choreographer: Sonya Tayeh
Story: They had to fight to win on the show. During the footage of learning the routine, she said having this group is like releasing the wolves to the masses (and I instantly pictured “Twilight”). She wants them to be exposed physically to expose the inner man. Brandon was comfortable with the male-male partnering ’cause he “likes the ladies.”

My thoughts: Each group of guys got to show their strengths but it did not illicit an emotional response from me like the girls did. I definitely did not like the high-waisted costumes. The guys looked very uncomfortable in them.

The judges: Nigel does not like the pants either (called them maternity pants). He chuckles at Will because he is not as buff as the other guys. The routine was athletic, gymnastic and strong, and the boys had to be that way now. Mary enjoyed George’s assisted lift. She loved the routine and thought the guys were great. Zooey would love to join in with them, and the boys were encouraging her to come up and do so. She thought it was all fantastic.

Dance #9


Dancers:
The top 20
Song:
“Eyes (Coachella Live 2012 Version)” by Kaskade
Choreographer:
MIA MICHAELS IS BACK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

My thoughts: I love Mia and have missed her being on the show. I got goosebumps when they moved their sunglasses off their eyes onto their heads right at the part of the show that said, “look into my eyes.” Eyes are the window into a person’s soul. The choreography keeps building throughout the entire song. I had goosebumps the entire song. And everyone stepped up.

The judges: Nigel kept it short and sweet, “Welcome home momma; you’ve been missed.”

It was a phenomenal ending to a terrific beginning for the journey of season 9’s top 20. They take a week off for our United States July 4th birthday, and will be back on July 11th.

My Early Favorites (in no particular order and I reserve the right to change my mind at any time)


Guys: Cole Horibe, Cyrus “Glitch” Spencer, Daniel Baker, George Lawrence II, Dareian Kujawa
Girls: Amelia Lowe, Janelle Issis, Eliana Gerard, Amber Jackson, Alexa Anderson

Who are yours?

National Dance Day

The third-annual National Dance Day will take place on Saturday, July 28. There is a hip-hop master class with Lauren Gottlieb, Lauren Froderman, and Brandon Bryant video and a Zumba fitness video for people of all levels with Kass Martin, Gina Grant and SYTYCD All-Stars Allison Holker and Ade Obayomi. That Saturday evening, there will be a Dizzy Feet Foundation Gala at the Dorothy Chandler Pavilion in the Music Center. Desmond Richardson will be performing as will Alvin Ailey, American Ballet Theater, LXD, and the All-Stars from SYTYCD (past and present). Click on the logos below to learn more.





So You Think You Can Dance — Top 6 Performance

4 08 2011

After tomorrow night’s show, we will be down to our final 4 contestants and our season finale show. Last week we said goodbye to our favorite J’s: Jordan and Jess. Each was the consummate professional full of gratitude the journey and for the fans. Even for a brief moment when Jordan looked like she was about to fall apart, she took a deep breath and remained positive and hopeful for her career, a trail both will blaze after the tour.

Top6

2011 So You Think You Can Dance Top 6 --Season 8

Guest judges for this evening were the lovely Christina Applegate, and the loquacious Lil’C. They discussed the stupendous success of National Day Dance on July 30, 2011. Perhaps it needs to be renamed “International Dance Day” as people across the world celebrated dance, including physicists in Switzerland. Although not shown on the show this evening, even Vancouver, BC got into the fun.

Dancers: Melanie and all-star Twitch Boss
Song: “Roman’s Revenge”
Artist: Nicki Minaj featuring Lil Wayne
Choreographers: Napoleon & Tabitha Dumo (aka NappyTabs)
Style: Hip-hop
Story: Little Red Riding Hood with a twist

Melanie did well, but I’ve seen some of the other ladies do a better job with hip-hop. The routine was weird. I might have liked it better if in the end she would have slay the big bad wolf versus tame him, but that is the choreography and not the dancers. I think she might have needed to be lower to the ground. Lil’C felt she got off to a rough start but found her ghetto groove and ascended. Christina agreed with Lil’C. Mary felt she was on fire. Nigel loved the dance as well. He confronted internet allegations that Melanie has never been given a dance out of her style, but he dispelled that quickly, saying she was good at everything. Itsy bitsy problem with that. If they are randomly drawing dance styles out of a hat, and last week the talk on the internet was the biggest it’s been about this issue, and she suddenly gets hip-hop, it doesn’t help the argument that these dances are random. It is, however, one of these no-win situations. You will have a group of people who will believe it and some that will not, and like politics, there is no changing anybody’s mind about it.

Dancers: Sasha and all-star Kent Boyd
Song: “Fool on Me”
Artist: Me’Shell Ndegeocello
Choreographer: Tyce DiOrio
Style: Contemporary
Story: Two people who have hit a wall in their relationship and the emotions you go through when someone hurts you.

During the rehearsal taping about the song, Sasha began to cry. The meaning of the dance runs deep for her and I was sure it would come through in her dance–and it did. I had goosebumps but I lost my breath at the moment of the lift that had her legs upside down on the wall, a great symbolism for how upside-down you can feel when you are hurting inside when someone you love hurts you. You love them, you hate them, you want them stay, you want them to go. All the feelings are taken the n’th level. Sometimes you can bust through that wall and sometimes you cannot. I love when Tyce choreographs dances like this (like the dance he created for his friend who had cancer, danced who beautifully by Ade and Melissa). They have a way of reaching a place deep inside your soul that is universal to everyone. Christina described the difference between technicians of dance and dancers like Sasha who can affect your heart, and thanking her for being so courageous as to share with us whatever it was that hurt her so badly in this life. Mary called her intoxicating and got all choked up about the move of when Kent threw her to the floor, and that it only matters that you get back up. When she said that, I was thinking of Mary’s courageous battle with her thyroid cancer. Nigel also complimented Tyce, as did Mary, at this routine being at his best, as was Sasha. Sasha then won Nigel’s “favorite” dancer something that he ping-pongs between Melanie and Sasha. Lil’C was trying not to cry, having identified personally with the dance with experiences in his own life. He wishes that he could have worked with Sasha this season and called her phenomenal. Oh, and did I mention, first kiss on tonight’s show. The kissing season, season 8.

Dancers: Marko and all-star Janette Manrara
Song: “Zorongo” (Traditional)
Artists: Antonia Gomez, Ely “La Gambita”, Guillermo Basilisco and Paco Pena
Choreographer: Dmitry Chaplin
Style: Paso doble
Story: Marko is the matador and Janette is an activist trying to keep him away from killing the bull. (I laughed).

I didn’t recognize Dmitry with his beard. Has it been that long? You have to been pretty beautiful and passionate to sway a matador from his mission. How could Janette be ignored? I had a problem at first with that story stuck in my head since we are so used to the woman being the bull or the cape, but after a minute, I concentrated on the actual dance and let the story go. After Cat drew comparisons to the matador costume and Mary Murphy’s shoulder pads, she complimented him for being spot-on at the arrogance that was necessary for the dance. She pointed out that he lost his footing from time-to-time, but most of the time, he nailed it. Nigel loved the twirls that mimicked the movement of the matador’s cape (as did Mary). However, Nigel said it left him feeling cold. He was looking for more passion. I think it is difficult to bring a ballroom routine up against a brilliantly danced contemporary piece. It’s like coming back from San Diego Comic Con. You are on this incredible high and then–CRASH–everything around you seems so boring and mundane. Lil’C loved his stoic performance which was necessary to this particular dance. Christina wanted him to drop it down a little (lower in his crotch level), but loved the bravado.

They took a break in the action to listen to messages from home. The love and pride of all the contestants’ families touched my heart and my tear ducts. Then Ricky took the stage to dance his solo to “After Tonight” by Justin Nozuka. It was lovely.

Dancers: Tadd and all-star Ellenore Scott
Song: “The Gulag Orkestar”
Artist: Beirut
Choreographer: Sonya Tayeh
Style: Contemporary?/Jazz?
Story: A period piece where everyone was prim and proper, but once they touch, everything gets thrown out the window and becomes with wild, reckless, lustful.

Sonya Tayeh is the goddess of strange and Ellenore was the perfect all-star to fill that role. I was not feeling the passion that Sonya demands from her dancers coming from Tadd. The spin on the chandelier was reminiscent of Cirque de Soleil. It was an interesting prop. Nigel had no words and said he felt like it needed more time to develop, that he was left “hanging.” (Oh, Nigel, you make me laugh). Lil’C complimented Sonya’s talent of showcasing a dancer’s unique abilities. He felt like Tadd was just going through the movements instead of making them last a lifetime. Christina likes the dirtier side of dance, and complimented Tadd that he is a b-beat pointing his toes and how great is that. Mary felt Tadd was still growing and complimented Sonya’s trust in doing such a dangerous thing with a prop.

Next was Caitlynn’s mom sharing that she one day said she was going to be on this show. Via the internet, Caitlynn’s dad, away on business, shared his pride. Caitlynn then performed her solo to “What’s Love Got to Do With It” by Katie Thompson. Afterwards, Caitlynn was crying, moved from the words from her parents, the song, the moment or all the above.

Dancers: Ricky and all-star Jaimie Goodwin
Song: “Inside These Lines”
Artist: Trent Dabbs
Choreographer: Dee Caspary
Style: Contemporary
Story: A couple trying to stay together, but he feels her slipping away so he tries to control her. (I call this The Puppetmaster.)

I noticed that when Ricky was close to Jaimie during the routine, he didn’t extend himself as you would see him do when they were apart. Perhaps he was concentrating on the sticks and not hurting his partner. While the sticks did enhance the routine, you can’t forsake the dance for the prop. At the end of the dance, Jaimie did what I was hoping–she took the sticks and threw them to the ground. Lil’C gave props to him and the props (and Cat Deeley just stole my line, damn). As usual Lil’C had a mouthful, “What a magically, magnificent puppeteer of physically rhythmic artistry you are.” In other words, buckness. Christina said he was a beautiful dancer, but wanted to help him grow and said he does not always dance with the clearest intention, like a push and a pull, like when he reached for Jaimie, it was harder to let her go away from him. That would help take him up another notch, which was great advice. Mary added, “All of that” plus that it was beautiful, free-flowing movement. Nigel loved the story of the dance from Dee. The only advice Nigel had to help Ricky was that he wants him to feel the movement more in his gut because he is so up and high in his dancing.

Tadd’s parents, and his entire Filipino community, are very proud of his accomplishments (and the first story that did not make me cry but smile). His song selection also made me laugh, “We Speak No Americano” by Yolanda B Cool and DCup. Tadd’s solos have always been interesting in that he is a b-boy and he chooses all these songs from eras past that make for a weird and wonderful combination. It has become his signature.

Returning from the break, Sasha’s solo was shown but not before her parents got to boast about their beautiful, bubbly baby girl. I smiled, too, when I saw Sasha picked “Teeth” by Lady Gaga after she received such high praise from Lady Gaga last week (and her shoe!). Again she did a terrific job.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Drop It Low (District 78 Remix)”
Artist: Kat DeLuna
Choreographer: Dmitry Chaplin
Style: Samba
Story: None, just sexy, great music and being sexy.

Pasha and Dmitry behind one dance? Wow. Double boiler kind of hot. Was it sexy? YES IT WAS! Was there great music. YES , THERE WAS! And was it really sexy? SIZZLING. At that precise moment, I desperately wished to have use of the communication stones that are used in the show Stargate Universe (where people can swap consciousness with another body–yes, I’m a geek). I wanted to be dancing with Pasha. Be still my heart. Wait, this is about Caitlynn. She did a fabulous job. I have to remind myself she is just a senior in high school (or was). Christina loved it. Mary thought it was great, especially on the reverse samba rolls. Her only criticism were some of her facial expressions. Nigel ad Lil’C had similar advice.

Marko’s mother was very emotional about his journey to the show. Dancing to “Wonderful World” By James Morrison, Marko combined a lot of technique with acrobatics. I always enjoy his solos.

Then Melanie’s mother had a message for her. Instead of talking, she sang; instead of walking, she danced. Melanie chose to dance to “Cracks (Flux Pavilion Remix)” by Freestylers featuring Belle Humble. Some truth rang to me with the name “Belle” and “Humble” to describe Melanie. Her solos have become more complex as she incorporates what she has learned over the weeks into her dance. She is both beautiful and humble.  It was the best solo of the night.

Dancers: Sasha and Ricky
Song: “Schoolin’ Life”
Artist: Beyonce
Choreographer: Kumari Suraj
Style: Waacking
Story: None.

Waacking is a new style of dance to SYTYCD, the origins from Los Angeles in the 1970’s. It’s about the individual and who you are right now in your life. It’s about skill, precision and control. After watching the routine, it does bring fond memories of the 70’s back to me. Sasha was great; Ricky less so. He was too stiff once again. I would have hoped he would have taken to heart the earlier critique and applied it to this dance. Mary never liked this type of dance until Samara “Princess” Lockeroo, who was the first to audition and win to a ticket to Vegas with this type of dance. She felt like Sasha had the edge in the dancing. Both were out of their styles, but neither could take it to Princess Lockeroo’s level. Nigel says when Ricky is thinking about dancing, he does lose a little bit. Then Nigel took a comment that they said to Caitlynn and applied it to Sasha, saying she did not have to act sexy because she is sexy. Oops! Lil’C wishes both of them would have enjoyed it more because he felt they were so focused on the steps and speed. Christina enjoyed it and thought perhaps they could have “whacked it harder.” She’s so funny.

Dancers: Melanie and Tadd
Song: “(Where Do I Begin) Love Story (Away Team Mix)
Artist: Shirley Bassey
Choreographer: Spencer Liff
Style: Broadway/Jazz?
Story: A rehearsal within a rehearsal. Tadd uses Melanie’s crush on him to bring out the best dance in her, but she discovers her feelings are not reciprocated.

They paired well together. It was a lovely dance that did not affect me on any emotional level but just was fun to watch. The use of the mirror where Melanie’s hands touched it and it got these weird distortions to it made me think, yes, just like the relationship between this dancer in the dance and the choreographer in the dance, played by Tadd. The relationship is not what it seems to be to Melanie’s character. I look for meaning sometimes that may or may not be in subtle things. Lots of prop use tonight. Cat compared it to “Black Swan” (which I have not seen yet). Nigel complimented Melanie on her solo as the best solo across all the seasons. She is not only the original beast, but a great actress and a great dancer. She now stole Sasha’s earlier place of the evening and is now Nigel’s favorite again. I think if SYTYCD could have a tie, he would be happy having the two of them there. To Tadd he said, “…to say you didn’t suck is a compliment.” He pointed out the things he did well in the routine. Lil’C says Melanie has a quiet fire and Melanie is EXTREMELY buck. Lil’C also wanted to give accolades to her solo performance that it was so beefy. And as an afterthought, he told Tadd he was growing by leaps and bounds and to continue doing so. Christina also commented on her solo, saying they were all banging on the table. She described Melanie’s performance as being better than that of Donna McKechnie in “A Chorus Line.” Tadd continues to surprise Christina with his technique since he is a b-boy. Mary says America has fallen in love with them and they are brilliant in their styles. She got all choked up that she was able to be here for this wonderful season to see it.

Dancers: Caitlynn and Marko
Song: “Heavy in Your Arms”
Artist: Florence and the Machine
Choreographer: Sonya Tayeh
Style: Jazz
Story: Marko is a controlling, overbearing man and Caitlynn is trying to break free.

Perfect song to close the show. This was dynamite and gave me goosebumps. It was much better than the Puppeteer routine performed by Ricky. My breaths felt heavy of the weight of this relationship. The judges were standing in ovation of their performance. Lil’C thought this was double-hashtag buck (#buck #buck or ##buck)? “Reckless and convicted, it was murderous,” according to Lil’C. Translation: Lil’C loved it. Christina makes Marko join the beasts. Christina believes that was Caitlynn’s moment (maybe, but she had one with Mitchell, too). Mary thought it was Caitlynn’s best routines ever. She brought the grit to it and brought it to another level. Marko is Mary’s favorite dancer (I bet Mary and Nigel have a friendly bet going on the side as to who is going to win). Nigel thought this routine redeemed Sonya from her earlier Cirque de Soleil choreography. Regarding Caitlynn, she came of age today, he felt. She is a brilliant dancer. Marko is sensation. Cat added, “But you’re very pretty, too” to Marko.

Common sense would dictate that Marko, Melanie, and Sasha will be in the top 4. Up in the air is whether Tadd or Ricky gets into the final 4.  Or we could use any number of science-fiction shows and their technologies to merge Ricky and Tadd into 1 dancer to get Radd or Ticky so we don’t have to make up our minds.  Of course, it would be temporary….unless…well, they are wearing a red shirt that evening.  What do you say?

Stay tuned tomorrow about more news regarding Miranda’s and Jordan’s fan clubs and what they are doing to show them their love.