So You Think You Can Dance S11 Los Angeles Day 2 and Philadelphia Auditions

18 06 2014

Los Angeles Day 2

SoYouThinkYouCanDanceChristina Applegate joined Mary Murphy and Nigel Lythgoe for day 2 of the LA auditions.

Serge Onik (age 25 from Upper Saddle River, NJ) made it to the green mile last season. He has a new partner this year, Alla Kocherga, a 24-year-old woman from Los Angeles. Five seconds in and I loved it. Goosebumps! Rarely does ballroom give me goosebumps. That had a sizzle finish. Mary loved it. They are through.

Timothy Joseph is a 24-year-old, B-boy dancer from Sacramento, California who specializes in “suicides.” He is fantastic. He reminds me of Legacy. Mary thinks he is fearless. He was flipping too much for this. They send him to choreography; however he hurt himself during the solo so he has a decision to make. He was in too much pain to continue.

Casey Askew, 19 years of age, a contemporary dancer from Seattle, Washington. Goosebumps! I loved watching him. He had such great emotion. I got more impressed the more he dances. They stop the music and give him a ticket.

After a montage of successes J4 might have a problem with his height. But he IS only 9. He wants to show him hip hop “for the experience.” Fik-shun and Cyrus join him on stage. This kid is fabulous! What a joy and talent he is. Everyone is on their feet. He was able to meet his idol Stephen ‘Twitch’ Boss. According to him, it was the best day of his life.

Her dance is for her brother who was struggling with addiction who is now sober and healthy. Jourdan Epstein, age 24, from Plymouth, Minnesota is fabulous. I again had goosebumps. She gave Christina chills. Mary puts her on the hot tamale train. She is through.

Johnny “Waackd” Gibson, age 22, from New York City. I think he had improved from his audition 2 years ago. It is a “yes” to choreography and from there he is through to the next round.

Armen Way is a 28-year-old from Glendale, California, who tried out in season 10. I was turned off by him last year. His dance appeared to be all about himself. He seemed to objectify women from this rap video they showed in his audition packet. Last year he was sent home because he dropped Malece Miller on her head. I LIKE this version of Armen better. This year he had a new partner, Malene Ostergaard, a 25-year-old from Studio City, California. She reminded me of Mila Kunis. That dance was hot and sexy. I felt that Armen’s attention was on his partner this time and the dynamic between them sizzled. Yep, I like this version of Armen much better. Mary Murphy talked the entire way through the dance about how impressed she was. What a dynamic couple they are. She felt Malene ran the hot tamale train straight off the tracks. Christina said people would love them both. They are through to the next round.

Philadelphia Day 1

Prima ballerina Misty Copeland joined Mary Murphy and Nigel Lythgoe during this audition.

Bridget Whitman, age 19, from Tempe, Arizona was up first. Her back-story was making me cry. One of her last memories of her dad before a tragic car accident killed him was her telling him that she wanted to be on the show. He told her that she could get there through a lot of hard work. I was sobbing. Mary Murphy was crying, too. Is she the best contemporary dancer I have seen during the auditions? No. But she does deserve a shot in the next round. Misty thinks she is a beautiful dancer. Mary can feel everything she is going through. She gets her ticket.

They then showed a montage of really fantastic male dancers.

Amir Sanders, age 21, is a self-described funky ballerina from Baltimore, Maryland. She is interesting from her look to her style of dance. It did not give me goosebumps, but I enjoyed it. Misty thinks her technique and lines are beautiful, but there were small moments she needs to focus on to improve. Mary thought for a moment it was like watching Diana Ross striking a pose. They sent her to choreography, which shocked both the audience and me. However, she does make it through to the next round after choreography.

Last year’s Jenna Johnson had a partner last season who was too young to audition. Landon Anderson, age 18, from Springville, Utah came back to audition (along with Jenna). He had some nice foot work but is he as strong as some of the other guys on the show? I don’t know about that. Mary thought he was a great partner. Misty said that he became someone else for dancing–like a little boy in speaking but a man in dancing. He gets a ticket to move to the next round. Jenna gets a surprise as well when Nigel extends to her an invitation to come back this season to be an all-star, something they don’t usually do when they were just contestants the prior year.

The last contestant for day 1 was Shafeek Westbrook. In season 9, he left with a really bad attitude. His words were “not coming back ever.” He hails from Upper Darby, Pennsylvania and is 24 years old. I loved his moves, but I was not sure why he felt the need to take his shirt off. Mary wanted more “wow” moments. Misty felt like he was trying to sell them his body versus his dancing. Nigel says yes to choreography. He makes it through to the next round after the choreography sessions.

Philadelphia Day 2

Billy Porter joins the judging panel for this round of auditions.

First up is Stanley Glover. His mother died when he was 4 years old while he was sleeping next to her; she had a heart attack in her sleep and they found her dead in the morning. Both sides of his family failed to go to the court date that would decide guardianship of him. His mother’s friend, Margaret Chamberlain, stepped up and brought him into their home. He is a 19-year-old from Chicago, Illinois. His choreography was genius and for a moment the words “Shelob’s mate” popped into my mind. Or at least a creature from the show on the CW called “The 100.”

Krumper James “Banks” Davis was shot twice in his knee four years ago. They were about to amputate his leg but his pulse came back. He is from Brooklyn, New York, age 24. This gave me goosebumps. It was such a unique style of krumping. Way to represent Brooklyn (I was born there). Billy felt like he was a true storyteller and it was fantastic. He gets to go to choreography, but he does not get to the next round.

Dance Crews

This was a tough choice. It was between a Bollywood/Hip-Hop Dance Crew called Wanted Ashiqz versus a group of hip-hop street style called Mix’d Elements. I’m really torn between them.  As of right now, we do not know the results of the vote.





So You Think You Can Dance S11 Chicago Day 2 and Los Angeles Auditions

11 06 2014

Chicago Day 2

Joining Mary Murphy and Nigel Lythgoe for day 2 of the Chicago auditions was Fabrice Calmels from the Joffrey Ballet.

First up was “The Puppet” Paul Brushaber. He is 18 and from Mokena, Illinois. He makes it look so easy but I cannot imagine how difficult his style of dance is. I would send him to choreography just to give him an opportunity to partner with someone. The judges surprised me. Mary wanted to live in his world. Fabrice loved that he created his own style.

Emily James, a 21-year-old from North Kingstown, Rhode Island, auditioned twice before in seasons 8 and 9. She took season 10 auditions off so she could use her degree, but she discovered that it is dance is what she should be doing. I got a mini-set of goosebumps at times. She has power but there is something missing here. Maybe it was just nerves or maybe a disconnection of her dance to the chosen music emotionally. I remember when I first saw Melanie Moore and I knew she would be the winner. Melanie always extended her reach lines just a little bit further. But Emily had some interesting moves I have not seen others do. Fabrice said it was solid. She is through to the next round.

We are then shown a montage of people who get through, but they are cutting the audition features down it seems.

Next up is Franchesca Bass, an 18-year-old young lady from Crown Point, Indiana. I loved that she created this story behind her dance. It was unique and interesting. Nigel was mesmerized by her and she had fabulous techniques. Fabrice, too, thought it was unique and he really enjoyed it. She is through to the next round.

Jenna Scaccia is an 18-year-old trainee with the Joffrey Ballet and apparently has a slight crush on Fabrice. She is a ballet dancer but it looks more like contemporary with ballet mixed in. It was light and heavenly and I’d give her a ticket. And they do. Nigel said she had a good flow of movement and it was very beautiful. Mary said it was like she floated on a cloud. She made Fabrice proud; he loved it.

James Thomas is a hip-hop dancer who does contortion and bopping. He is from Chicago. This type of dance is always so freaky to watch (in a good way). Fabrice thought it was insane. He tells them that he knows other styles so they give him a yes to choreography. Choreography proved too much for him and he drops out.

Los Angeles

Christina Applegate joined Mary and Nigel for this round of the auditions.

Jessica Richens from Yorba Linda, California did a jazz number. I loved the routine but I hope her “sexy” does not become a crutch. I think this particular audition was my favorite to watch so far of all the ones shown to date. Mary and Christina thought she could win the show and she is through.

I enjoyed Valerie Rockey‘s tap routine quite a bit. Mary said she was full of light and life. Christina said she wanted to look at her feet but she was drawn up to her face and then she saw what she was looking for in her expressions. She is through to choreography and from there she got through to the next round.

Jana “JaJa” Vankova is part of Phillip Cheeb’s animation crew who hails from the Czech Republic but now lives in Chatworth, California. She needs some lessons from Cyrus to get her animating to the next level. It was enjoyable. She is through to the next round.

The next contestant was a joy. Kyle Taylor is a 28-year-old man from Wichita, Kansas. He does popping in his home, but has never had professional guidance. I was amazed. Kyle just wanted to get a favorable opinion from other dancers. Kyle, I don’t know if my opinion counts, but that was hot! You were on fire! Nigel proposes a battle and Fik-Shun, Cyrus, and Legacy get up from the audience and join Kyle on stage for a little dance-off. I enjoyed this part so much. It made this guy’s day. He did such a great job that they give him a yes to choreography but he bowed out when he realized it was too much above his level.

Justine Lutz has experience in ballet and jazz but decides to do a contemporary routine for her audition. For a moment I was worried for her. For someone who has no experience in contemporary (and freely admitted this to the judges) who had the guts to do contemporary, it was beautiful. I had goosebumps. All three judges were standing and she is, of course, through to the next round.

Mauricio Vera and Deise Mendoza are in love. They are 27 and 23 respectively from Santa Barbara, California. I got goosebumps. Christina was in tears. She wanted to watch them all day long. Mary started crying. Off to the next round for both of them.

Hailee Payne is a 19-year-old from Roy, Utah. Her family is a lot of fun as well. I think Sonya Tayeh will LOVE getting her hands on her. I loved her hair (I want it). I also loved her dance. I will remember her because of the unique style that makes her stand out. I also liked her personality. That is a big part of the ability to win over people’s votes. It is not always being about the best dancer. She is through.

Sebastian Serra, a 24-year-old from Orlando, Florida, was fabulous! He was cut last year right before the green mile. I hope he makes it further this year.

Dani Platz‘s story of overcoming an eating disorder (and still fights these demons) between ages 16 and 18 was powerful. Her story was in her dance. She is such a brave young lady and a great role model for other dancers who starve themselves. Not only did I have goosebumps, but I was crying. I felt like she was broken and then at times healed and then broken and then healed throughout the entire dance. This is what I mean about having an emotional connection to the dance that I felt was lacking in Emily James. This is NOW my favorite dance shown to date. “Dance is like oxygen for the soul.” I loved that. Christina saw her story in her dance, too. She said she was healing through dance and it was beautiful. I was SHOCKED that they wanted to put her through choreography (and Christina was, too). But she fortunately made it through that round.

Marie “Poppins” Bonnevay is a popper who lives in North Hollywood, California and performs on the street. In doing such, she has to engage the audience in order for them to leave money to support herself. She utilized this skill during her audition with a very positive response as well. When she got close enough to the show’s previous contestants, Fik-Shun jumped up on stage and engaged with her. I love seeing this with the other dancers coming up and getting caught up in the moment (or if it is rehearsed, who cares about that). They need to keep this portion of it. She is moved to tears by it and she gets a ticket to the next round.

Dance Crews

Breaksk8 versus Academy of Villains.

Breaksk8 was interesting but I liked the Academy of Villains better.





So You Think You Can Dance — Top 6 Performance

4 08 2011

After tomorrow night’s show, we will be down to our final 4 contestants and our season finale show. Last week we said goodbye to our favorite J’s: Jordan and Jess. Each was the consummate professional full of gratitude the journey and for the fans. Even for a brief moment when Jordan looked like she was about to fall apart, she took a deep breath and remained positive and hopeful for her career, a trail both will blaze after the tour.

Top6

2011 So You Think You Can Dance Top 6 --Season 8

Guest judges for this evening were the lovely Christina Applegate, and the loquacious Lil’C. They discussed the stupendous success of National Day Dance on July 30, 2011. Perhaps it needs to be renamed “International Dance Day” as people across the world celebrated dance, including physicists in Switzerland. Although not shown on the show this evening, even Vancouver, BC got into the fun.

Dancers: Melanie and all-star Twitch Boss
Song: “Roman’s Revenge”
Artist: Nicki Minaj featuring Lil Wayne
Choreographers: Napoleon & Tabitha Dumo (aka NappyTabs)
Style: Hip-hop
Story: Little Red Riding Hood with a twist

Melanie did well, but I’ve seen some of the other ladies do a better job with hip-hop. The routine was weird. I might have liked it better if in the end she would have slay the big bad wolf versus tame him, but that is the choreography and not the dancers. I think she might have needed to be lower to the ground. Lil’C felt she got off to a rough start but found her ghetto groove and ascended. Christina agreed with Lil’C. Mary felt she was on fire. Nigel loved the dance as well. He confronted internet allegations that Melanie has never been given a dance out of her style, but he dispelled that quickly, saying she was good at everything. Itsy bitsy problem with that. If they are randomly drawing dance styles out of a hat, and last week the talk on the internet was the biggest it’s been about this issue, and she suddenly gets hip-hop, it doesn’t help the argument that these dances are random. It is, however, one of these no-win situations. You will have a group of people who will believe it and some that will not, and like politics, there is no changing anybody’s mind about it.

Dancers: Sasha and all-star Kent Boyd
Song: “Fool on Me”
Artist: Me’Shell Ndegeocello
Choreographer: Tyce DiOrio
Style: Contemporary
Story: Two people who have hit a wall in their relationship and the emotions you go through when someone hurts you.

During the rehearsal taping about the song, Sasha began to cry. The meaning of the dance runs deep for her and I was sure it would come through in her dance–and it did. I had goosebumps but I lost my breath at the moment of the lift that had her legs upside down on the wall, a great symbolism for how upside-down you can feel when you are hurting inside when someone you love hurts you. You love them, you hate them, you want them stay, you want them to go. All the feelings are taken the n’th level. Sometimes you can bust through that wall and sometimes you cannot. I love when Tyce choreographs dances like this (like the dance he created for his friend who had cancer, danced who beautifully by Ade and Melissa). They have a way of reaching a place deep inside your soul that is universal to everyone. Christina described the difference between technicians of dance and dancers like Sasha who can affect your heart, and thanking her for being so courageous as to share with us whatever it was that hurt her so badly in this life. Mary called her intoxicating and got all choked up about the move of when Kent threw her to the floor, and that it only matters that you get back up. When she said that, I was thinking of Mary’s courageous battle with her thyroid cancer. Nigel also complimented Tyce, as did Mary, at this routine being at his best, as was Sasha. Sasha then won Nigel’s “favorite” dancer something that he ping-pongs between Melanie and Sasha. Lil’C was trying not to cry, having identified personally with the dance with experiences in his own life. He wishes that he could have worked with Sasha this season and called her phenomenal. Oh, and did I mention, first kiss on tonight’s show. The kissing season, season 8.

Dancers: Marko and all-star Janette Manrara
Song: “Zorongo” (Traditional)
Artists: Antonia Gomez, Ely “La Gambita”, Guillermo Basilisco and Paco Pena
Choreographer: Dmitry Chaplin
Style: Paso doble
Story: Marko is the matador and Janette is an activist trying to keep him away from killing the bull. (I laughed).

I didn’t recognize Dmitry with his beard. Has it been that long? You have to been pretty beautiful and passionate to sway a matador from his mission. How could Janette be ignored? I had a problem at first with that story stuck in my head since we are so used to the woman being the bull or the cape, but after a minute, I concentrated on the actual dance and let the story go. After Cat drew comparisons to the matador costume and Mary Murphy’s shoulder pads, she complimented him for being spot-on at the arrogance that was necessary for the dance. She pointed out that he lost his footing from time-to-time, but most of the time, he nailed it. Nigel loved the twirls that mimicked the movement of the matador’s cape (as did Mary). However, Nigel said it left him feeling cold. He was looking for more passion. I think it is difficult to bring a ballroom routine up against a brilliantly danced contemporary piece. It’s like coming back from San Diego Comic Con. You are on this incredible high and then–CRASH–everything around you seems so boring and mundane. Lil’C loved his stoic performance which was necessary to this particular dance. Christina wanted him to drop it down a little (lower in his crotch level), but loved the bravado.

They took a break in the action to listen to messages from home. The love and pride of all the contestants’ families touched my heart and my tear ducts. Then Ricky took the stage to dance his solo to “After Tonight” by Justin Nozuka. It was lovely.

Dancers: Tadd and all-star Ellenore Scott
Song: “The Gulag Orkestar”
Artist: Beirut
Choreographer: Sonya Tayeh
Style: Contemporary?/Jazz?
Story: A period piece where everyone was prim and proper, but once they touch, everything gets thrown out the window and becomes with wild, reckless, lustful.

Sonya Tayeh is the goddess of strange and Ellenore was the perfect all-star to fill that role. I was not feeling the passion that Sonya demands from her dancers coming from Tadd. The spin on the chandelier was reminiscent of Cirque de Soleil. It was an interesting prop. Nigel had no words and said he felt like it needed more time to develop, that he was left “hanging.” (Oh, Nigel, you make me laugh). Lil’C complimented Sonya’s talent of showcasing a dancer’s unique abilities. He felt like Tadd was just going through the movements instead of making them last a lifetime. Christina likes the dirtier side of dance, and complimented Tadd that he is a b-beat pointing his toes and how great is that. Mary felt Tadd was still growing and complimented Sonya’s trust in doing such a dangerous thing with a prop.

Next was Caitlynn’s mom sharing that she one day said she was going to be on this show. Via the internet, Caitlynn’s dad, away on business, shared his pride. Caitlynn then performed her solo to “What’s Love Got to Do With It” by Katie Thompson. Afterwards, Caitlynn was crying, moved from the words from her parents, the song, the moment or all the above.

Dancers: Ricky and all-star Jaimie Goodwin
Song: “Inside These Lines”
Artist: Trent Dabbs
Choreographer: Dee Caspary
Style: Contemporary
Story: A couple trying to stay together, but he feels her slipping away so he tries to control her. (I call this The Puppetmaster.)

I noticed that when Ricky was close to Jaimie during the routine, he didn’t extend himself as you would see him do when they were apart. Perhaps he was concentrating on the sticks and not hurting his partner. While the sticks did enhance the routine, you can’t forsake the dance for the prop. At the end of the dance, Jaimie did what I was hoping–she took the sticks and threw them to the ground. Lil’C gave props to him and the props (and Cat Deeley just stole my line, damn). As usual Lil’C had a mouthful, “What a magically, magnificent puppeteer of physically rhythmic artistry you are.” In other words, buckness. Christina said he was a beautiful dancer, but wanted to help him grow and said he does not always dance with the clearest intention, like a push and a pull, like when he reached for Jaimie, it was harder to let her go away from him. That would help take him up another notch, which was great advice. Mary added, “All of that” plus that it was beautiful, free-flowing movement. Nigel loved the story of the dance from Dee. The only advice Nigel had to help Ricky was that he wants him to feel the movement more in his gut because he is so up and high in his dancing.

Tadd’s parents, and his entire Filipino community, are very proud of his accomplishments (and the first story that did not make me cry but smile). His song selection also made me laugh, “We Speak No Americano” by Yolanda B Cool and DCup. Tadd’s solos have always been interesting in that he is a b-boy and he chooses all these songs from eras past that make for a weird and wonderful combination. It has become his signature.

Returning from the break, Sasha’s solo was shown but not before her parents got to boast about their beautiful, bubbly baby girl. I smiled, too, when I saw Sasha picked “Teeth” by Lady Gaga after she received such high praise from Lady Gaga last week (and her shoe!). Again she did a terrific job.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Drop It Low (District 78 Remix)”
Artist: Kat DeLuna
Choreographer: Dmitry Chaplin
Style: Samba
Story: None, just sexy, great music and being sexy.

Pasha and Dmitry behind one dance? Wow. Double boiler kind of hot. Was it sexy? YES IT WAS! Was there great music. YES , THERE WAS! And was it really sexy? SIZZLING. At that precise moment, I desperately wished to have use of the communication stones that are used in the show Stargate Universe (where people can swap consciousness with another body–yes, I’m a geek). I wanted to be dancing with Pasha. Be still my heart. Wait, this is about Caitlynn. She did a fabulous job. I have to remind myself she is just a senior in high school (or was). Christina loved it. Mary thought it was great, especially on the reverse samba rolls. Her only criticism were some of her facial expressions. Nigel ad Lil’C had similar advice.

Marko’s mother was very emotional about his journey to the show. Dancing to “Wonderful World” By James Morrison, Marko combined a lot of technique with acrobatics. I always enjoy his solos.

Then Melanie’s mother had a message for her. Instead of talking, she sang; instead of walking, she danced. Melanie chose to dance to “Cracks (Flux Pavilion Remix)” by Freestylers featuring Belle Humble. Some truth rang to me with the name “Belle” and “Humble” to describe Melanie. Her solos have become more complex as she incorporates what she has learned over the weeks into her dance. She is both beautiful and humble.  It was the best solo of the night.

Dancers: Sasha and Ricky
Song: “Schoolin’ Life”
Artist: Beyonce
Choreographer: Kumari Suraj
Style: Waacking
Story: None.

Waacking is a new style of dance to SYTYCD, the origins from Los Angeles in the 1970’s. It’s about the individual and who you are right now in your life. It’s about skill, precision and control. After watching the routine, it does bring fond memories of the 70’s back to me. Sasha was great; Ricky less so. He was too stiff once again. I would have hoped he would have taken to heart the earlier critique and applied it to this dance. Mary never liked this type of dance until Samara “Princess” Lockeroo, who was the first to audition and win to a ticket to Vegas with this type of dance. She felt like Sasha had the edge in the dancing. Both were out of their styles, but neither could take it to Princess Lockeroo’s level. Nigel says when Ricky is thinking about dancing, he does lose a little bit. Then Nigel took a comment that they said to Caitlynn and applied it to Sasha, saying she did not have to act sexy because she is sexy. Oops! Lil’C wishes both of them would have enjoyed it more because he felt they were so focused on the steps and speed. Christina enjoyed it and thought perhaps they could have “whacked it harder.” She’s so funny.

Dancers: Melanie and Tadd
Song: “(Where Do I Begin) Love Story (Away Team Mix)
Artist: Shirley Bassey
Choreographer: Spencer Liff
Style: Broadway/Jazz?
Story: A rehearsal within a rehearsal. Tadd uses Melanie’s crush on him to bring out the best dance in her, but she discovers her feelings are not reciprocated.

They paired well together. It was a lovely dance that did not affect me on any emotional level but just was fun to watch. The use of the mirror where Melanie’s hands touched it and it got these weird distortions to it made me think, yes, just like the relationship between this dancer in the dance and the choreographer in the dance, played by Tadd. The relationship is not what it seems to be to Melanie’s character. I look for meaning sometimes that may or may not be in subtle things. Lots of prop use tonight. Cat compared it to “Black Swan” (which I have not seen yet). Nigel complimented Melanie on her solo as the best solo across all the seasons. She is not only the original beast, but a great actress and a great dancer. She now stole Sasha’s earlier place of the evening and is now Nigel’s favorite again. I think if SYTYCD could have a tie, he would be happy having the two of them there. To Tadd he said, “…to say you didn’t suck is a compliment.” He pointed out the things he did well in the routine. Lil’C says Melanie has a quiet fire and Melanie is EXTREMELY buck. Lil’C also wanted to give accolades to her solo performance that it was so beefy. And as an afterthought, he told Tadd he was growing by leaps and bounds and to continue doing so. Christina also commented on her solo, saying they were all banging on the table. She described Melanie’s performance as being better than that of Donna McKechnie in “A Chorus Line.” Tadd continues to surprise Christina with his technique since he is a b-boy. Mary says America has fallen in love with them and they are brilliant in their styles. She got all choked up that she was able to be here for this wonderful season to see it.

Dancers: Caitlynn and Marko
Song: “Heavy in Your Arms”
Artist: Florence and the Machine
Choreographer: Sonya Tayeh
Style: Jazz
Story: Marko is a controlling, overbearing man and Caitlynn is trying to break free.

Perfect song to close the show. This was dynamite and gave me goosebumps. It was much better than the Puppeteer routine performed by Ricky. My breaths felt heavy of the weight of this relationship. The judges were standing in ovation of their performance. Lil’C thought this was double-hashtag buck (#buck #buck or ##buck)? “Reckless and convicted, it was murderous,” according to Lil’C. Translation: Lil’C loved it. Christina makes Marko join the beasts. Christina believes that was Caitlynn’s moment (maybe, but she had one with Mitchell, too). Mary thought it was Caitlynn’s best routines ever. She brought the grit to it and brought it to another level. Marko is Mary’s favorite dancer (I bet Mary and Nigel have a friendly bet going on the side as to who is going to win). Nigel thought this routine redeemed Sonya from her earlier Cirque de Soleil choreography. Regarding Caitlynn, she came of age today, he felt. She is a brilliant dancer. Marko is sensation. Cat added, “But you’re very pretty, too” to Marko.

Common sense would dictate that Marko, Melanie, and Sasha will be in the top 4. Up in the air is whether Tadd or Ricky gets into the final 4.  Or we could use any number of science-fiction shows and their technologies to merge Ricky and Tadd into 1 dancer to get Radd or Ticky so we don’t have to make up our minds.  Of course, it would be temporary….unless…well, they are wearing a red shirt that evening.  What do you say?

Stay tuned tomorrow about more news regarding Miranda’s and Jordan’s fan clubs and what they are doing to show them their love.