o You Think You Can Dance Season 12 Detroit Auditions

19 06 2015

The auditions move on to Detroit where 18-year-old Christine Shepard from Columbus, Ohio danced to “Settle Down” by Kimbra hoping for a ticket to Vegas and an ultimate spot on Team Travis. While I developed no goosebumps, I did find it very entertaining. I felt like she incorporated some movements of African jazz into her own eclectic jazz performance. It had so much personality and had Paula on her feet. Paula said she is a bright light, a breath of fresh air, hashtag everything. She adored her. Jason said it was a hell of a start. He thanked her for blessing the audience. The nuances were everything for him. It makes such a difference when you have the bing, bang, boom, and then you hit them with a little nuance, a little ornament. It’s those moments that make a performance special. He commented as well on the African vibe that made it a little different. Nigel said everyone has a light inside of them that there is something in life that will make them turn it on. Sometimes they don’t know they have it or what will make that happen, but she has it and it is shining out like a beacon. It was the little things like the side-split contraction, then the shoulders, and then the contraction. It was magical and a great way to start the day. Of course, she made it through to Vegas.

Animator Kenya Sutton is the Queen of Detroit, Queen of the Streets, S.O, Standing O, just O. She is almost as good as Cyrus. All three judges were on their feet. That is just so difficult to do (animation). Jason said now he knows why she is called Standing O because there is no better response than a standing ovation to her performance. The fact that she brought sexiness to animation he has never seen that. She made it hot, sexy and feminine, and that is dope. Paula said she is everything they have been looking for in this competition. She is unique. She is clever and witty, tongue-in-cheek, great flirting with Jason. She is pretty darn special. Nigel asked her why it has been so long since she came to audition. She was afraid of being overlooked. Before she would have had to go through ballroom and contemporary and she didn’t train yet in that. She wasn’t even going to fool herself. So Nigel says now that there is just stage and street side she is going to climb up and up that ladder. She gets a ticket.

Kelly MacCoy met Tyrell Noll in line at last year’s auditions in Atlanta who is now her fiancé. I think that makes two couples (tWitch and Allison Holker got married). She chose “A New Day Has Come” by Celine Dion. It was done well but there were only some moves at the end that made it special. It’s hard when you have other people like Christine. I think she deserves to go to Vegas because she will only get better. Nigel said that she reminds him of Ginger Rogers. She had fabulous technique, great feet, loved everything she did. He felt her connection with the music as well. Paula said what is special about her is that even in the moments where she is not dancing there is such a different emotional connection. She was outstanding. Jason said it was a stunning performance and he loved everything about it. Her kicks were way up and her altitudes were some of the best they have seen. Three yeses.

Her fiancé Tyrell Noll performs freestyle to “Habits” by Maria Mena. The music is beautiful. He was animating so well it sort of glided. It was beautiful. Paula said he went against the grain and picked music not typically used for street dancing and that was very intelligent. His movement reflected a story. Nigel said it is very rare that they disagree. He didn’t find a lot of dancing going on. He has seen the puff and walk done so many times and it done better. Tyrell makes his case that dance is about emotion and pouring your heart out on the stage. Jason gave it two thumbs up. There was such an element of acting to it and dancers need to be actors as well. He gets two out of three yeses which gives him a ticket to Vegas.

Break dancer Corey “Mission” Whitfield, age 30, is from Detroit and works for the Pistons. He chose “Latch” by Disclosure featuring Sam Smith. He reminds me a little of Legacy. Jason thought it was very impressive. Paula loved him. Nigel invited his godchildren up on stage to dance with him. The kids were awesome. How old are they? Can they go through to Vegas? Mission is going to Vegas.

Then came a large montage of people going through to Vegas for Team Street.

Brooke Fong came to do a jazz routine from California. She chose “Fever” by Beyonce. I like her. Her spin moves were pretty phenomenal. Jason said they talk about those special moments where they can go home and still talk about and she had them in those pirouettes. Paula thought she was a very smart dancer, very sharp and in her control of her core. She thought she was a contender. Nigel said she was sharper than the spikes on a porcupine’s ass. He felt like she was raising the standard again this year. Three yeses.

Next was a montage of people trying out for Team Stage.

Two dancers from The Bronx came together to try out on opposing teams. First was stage dancer Chelsea Harold, age 26, dancing contemporary to “Brain” by Banks. Her flexibility did not seem to be there like the other dancers we’ve seen. She looked like she was struggling. Her legs were not high enough in her jumps. I love her spirit and I loved the concept of the dance, but I’m not sure what happened in the other. Paula said she is a proficient dancer—she could see her training—but there were areas where she needed to extend more. Nigel said her legs appeared tensed. Jason felt that her emotion was more internalized. She received three no’s.

Her friend Samantha Reyes was hoping for a different answer. She dances in the subways. She is going to freestyle street dance. She chose “Faded” by Zhu. It was good. I think she needs some help perfecting her style a bit though. Jason likes her passion but he thinks she needs to add more to her repertoire. Paula said she sees softness in her but Paula reassures her that it is a beautiful thing. Paula said she needs to be taught structure and choreography so she can start building her dance vocabulary but she shows a lot of promise. Nigel says he sees a girl who has to be tough in her life but agrees with Paula that there is a softness about her. She gets three yeses.

Jessica Southwell (aka J-South) auditioned doing a tap/Charleston. OUCH! She fell. It was interesting. He said the routine was juvenile but the outfit made him short for words. She said, “It’s ironic.” Paula thinks she needs to work on the cleanliness of her taps. Jason thought it was like a dirty Snow White. All three were a no, but Jason called her “babe” so she can go away with that I suppose.

At the end of the day ten dancers were joining Team Street and five more were joining Team Stage.

Day two in Detroit. Miranda Wilking just turned 18 on the day of her audition with District 78’s “The Antidote.” That was some hard-hitting dancing there. She was not going to be denied a ticket! I’ll remember the intensity, but not so much signature moves. There was no critique other than Nigel saying “she’s fierce” while she was dancing. She has a ticket to Vegas.

Aaron Viland describes his style as pop-and-lock-a-mation. He dances to “The Creep” by The Lonely Island. He had the judges up dancing. Nigel thanked him for making everyone so happy but it wasn’t strong enough for them to put him through. Paula predicted he was going to become an internet sensation. Jason said they needed a little wakeup call and thanked him.

Michael Manson came on stage to perform the legendary Detroit Jit. That is one FAST dance!!! I wonder how many calories you can burn doing that? Nigel thought it was good. Paula said, “Jit happens.” Michael said that is their slogan. Paula thought what he is doing was extraordinary but he needed to change it up. Jason was there for it. He gets a ticket to Vegas.

Kelsey Rose Young is performing a tap routine to “Bang Bang” by Jessie J. WOW!!!!! She is fantastic. She intermixed some krump into her tap routine. Nigel said she is a born performer. He loved the track she danced to because it was fresh and modern. Her performance was outstanding (a little over the top if he is being honest). Her performance reminded him of Paula. She was double espresso coffee in the morning. Paula wants to carry her in her purse everywhere she goes. She thought she was a little firecracker and she surprised Paula. Jason felt that tap is a dying art and it needs to be brought to current times, like what she did. She gets a ticket.

There was a montage of unnamed stage performers who received a yes for Vegas, followed by a montage of both street and stage dancers who received a no.

Gabby Diaz got cut after her solo in Dallas (a week ago). She completely changed her solo based on the judges’ feedback. She chose “Endangered Species” by Dianne Reeves. I loved it. It was a great tap song. Jason said “now that was amazing” before the actual critiques occurred. Nigel said her auditions were like night and day for him. Her song choice was right, her expressions were right, her interpretation was right. Paula said she took the constructive criticism that they gave her, she took it and it paid off. It was very smart of her and Paula is very proud of her. Jason is proud of her as well. She was almost like a new dancer. She gets the prize—the ticket to Vegas.

Krumper Roydell Shannon blew up the stage with his performance. His son BamBam was called to the stage. BamBam gets a standing ovation from the judges. Nigel thought he was just as good as Russell. Paula thought he brought other dimensions into his routine, not just krumping, and it was incredible. Jason said he was more than a krumper—he is an entertainer. He became a beast and he’s got buck. Definitely going to Vegas.

The tally is 55 dancers for Team Travis and 60 for tWitch





So You Think You Can Dance S11 Los Angeles Day 2 and Philadelphia Auditions

18 06 2014

Los Angeles Day 2

SoYouThinkYouCanDanceChristina Applegate joined Mary Murphy and Nigel Lythgoe for day 2 of the LA auditions.

Serge Onik (age 25 from Upper Saddle River, NJ) made it to the green mile last season. He has a new partner this year, Alla Kocherga, a 24-year-old woman from Los Angeles. Five seconds in and I loved it. Goosebumps! Rarely does ballroom give me goosebumps. That had a sizzle finish. Mary loved it. They are through.

Timothy Joseph is a 24-year-old, B-boy dancer from Sacramento, California who specializes in “suicides.” He is fantastic. He reminds me of Legacy. Mary thinks he is fearless. He was flipping too much for this. They send him to choreography; however he hurt himself during the solo so he has a decision to make. He was in too much pain to continue.

Casey Askew, 19 years of age, a contemporary dancer from Seattle, Washington. Goosebumps! I loved watching him. He had such great emotion. I got more impressed the more he dances. They stop the music and give him a ticket.

After a montage of successes J4 might have a problem with his height. But he IS only 9. He wants to show him hip hop “for the experience.” Fik-shun and Cyrus join him on stage. This kid is fabulous! What a joy and talent he is. Everyone is on their feet. He was able to meet his idol Stephen ‘Twitch’ Boss. According to him, it was the best day of his life.

Her dance is for her brother who was struggling with addiction who is now sober and healthy. Jourdan Epstein, age 24, from Plymouth, Minnesota is fabulous. I again had goosebumps. She gave Christina chills. Mary puts her on the hot tamale train. She is through.

Johnny “Waackd” Gibson, age 22, from New York City. I think he had improved from his audition 2 years ago. It is a “yes” to choreography and from there he is through to the next round.

Armen Way is a 28-year-old from Glendale, California, who tried out in season 10. I was turned off by him last year. His dance appeared to be all about himself. He seemed to objectify women from this rap video they showed in his audition packet. Last year he was sent home because he dropped Malece Miller on her head. I LIKE this version of Armen better. This year he had a new partner, Malene Ostergaard, a 25-year-old from Studio City, California. She reminded me of Mila Kunis. That dance was hot and sexy. I felt that Armen’s attention was on his partner this time and the dynamic between them sizzled. Yep, I like this version of Armen much better. Mary Murphy talked the entire way through the dance about how impressed she was. What a dynamic couple they are. She felt Malene ran the hot tamale train straight off the tracks. Christina said people would love them both. They are through to the next round.

Philadelphia Day 1

Prima ballerina Misty Copeland joined Mary Murphy and Nigel Lythgoe during this audition.

Bridget Whitman, age 19, from Tempe, Arizona was up first. Her back-story was making me cry. One of her last memories of her dad before a tragic car accident killed him was her telling him that she wanted to be on the show. He told her that she could get there through a lot of hard work. I was sobbing. Mary Murphy was crying, too. Is she the best contemporary dancer I have seen during the auditions? No. But she does deserve a shot in the next round. Misty thinks she is a beautiful dancer. Mary can feel everything she is going through. She gets her ticket.

They then showed a montage of really fantastic male dancers.

Amir Sanders, age 21, is a self-described funky ballerina from Baltimore, Maryland. She is interesting from her look to her style of dance. It did not give me goosebumps, but I enjoyed it. Misty thinks her technique and lines are beautiful, but there were small moments she needs to focus on to improve. Mary thought for a moment it was like watching Diana Ross striking a pose. They sent her to choreography, which shocked both the audience and me. However, she does make it through to the next round after choreography.

Last year’s Jenna Johnson had a partner last season who was too young to audition. Landon Anderson, age 18, from Springville, Utah came back to audition (along with Jenna). He had some nice foot work but is he as strong as some of the other guys on the show? I don’t know about that. Mary thought he was a great partner. Misty said that he became someone else for dancing–like a little boy in speaking but a man in dancing. He gets a ticket to move to the next round. Jenna gets a surprise as well when Nigel extends to her an invitation to come back this season to be an all-star, something they don’t usually do when they were just contestants the prior year.

The last contestant for day 1 was Shafeek Westbrook. In season 9, he left with a really bad attitude. His words were “not coming back ever.” He hails from Upper Darby, Pennsylvania and is 24 years old. I loved his moves, but I was not sure why he felt the need to take his shirt off. Mary wanted more “wow” moments. Misty felt like he was trying to sell them his body versus his dancing. Nigel says yes to choreography. He makes it through to the next round after the choreography sessions.

Philadelphia Day 2

Billy Porter joins the judging panel for this round of auditions.

First up is Stanley Glover. His mother died when he was 4 years old while he was sleeping next to her; she had a heart attack in her sleep and they found her dead in the morning. Both sides of his family failed to go to the court date that would decide guardianship of him. His mother’s friend, Margaret Chamberlain, stepped up and brought him into their home. He is a 19-year-old from Chicago, Illinois. His choreography was genius and for a moment the words “Shelob’s mate” popped into my mind. Or at least a creature from the show on the CW called “The 100.”

Krumper James “Banks” Davis was shot twice in his knee four years ago. They were about to amputate his leg but his pulse came back. He is from Brooklyn, New York, age 24. This gave me goosebumps. It was such a unique style of krumping. Way to represent Brooklyn (I was born there). Billy felt like he was a true storyteller and it was fantastic. He gets to go to choreography, but he does not get to the next round.

Dance Crews

This was a tough choice. It was between a Bollywood/Hip-Hop Dance Crew called Wanted Ashiqz versus a group of hip-hop street style called Mix’d Elements. I’m really torn between them.  As of right now, we do not know the results of the vote.





So You Think You Can Dance S11 Chicago Day 2 and Los Angeles Auditions

11 06 2014

Chicago Day 2

Joining Mary Murphy and Nigel Lythgoe for day 2 of the Chicago auditions was Fabrice Calmels from the Joffrey Ballet.

First up was “The Puppet” Paul Brushaber. He is 18 and from Mokena, Illinois. He makes it look so easy but I cannot imagine how difficult his style of dance is. I would send him to choreography just to give him an opportunity to partner with someone. The judges surprised me. Mary wanted to live in his world. Fabrice loved that he created his own style.

Emily James, a 21-year-old from North Kingstown, Rhode Island, auditioned twice before in seasons 8 and 9. She took season 10 auditions off so she could use her degree, but she discovered that it is dance is what she should be doing. I got a mini-set of goosebumps at times. She has power but there is something missing here. Maybe it was just nerves or maybe a disconnection of her dance to the chosen music emotionally. I remember when I first saw Melanie Moore and I knew she would be the winner. Melanie always extended her reach lines just a little bit further. But Emily had some interesting moves I have not seen others do. Fabrice said it was solid. She is through to the next round.

We are then shown a montage of people who get through, but they are cutting the audition features down it seems.

Next up is Franchesca Bass, an 18-year-old young lady from Crown Point, Indiana. I loved that she created this story behind her dance. It was unique and interesting. Nigel was mesmerized by her and she had fabulous techniques. Fabrice, too, thought it was unique and he really enjoyed it. She is through to the next round.

Jenna Scaccia is an 18-year-old trainee with the Joffrey Ballet and apparently has a slight crush on Fabrice. She is a ballet dancer but it looks more like contemporary with ballet mixed in. It was light and heavenly and I’d give her a ticket. And they do. Nigel said she had a good flow of movement and it was very beautiful. Mary said it was like she floated on a cloud. She made Fabrice proud; he loved it.

James Thomas is a hip-hop dancer who does contortion and bopping. He is from Chicago. This type of dance is always so freaky to watch (in a good way). Fabrice thought it was insane. He tells them that he knows other styles so they give him a yes to choreography. Choreography proved too much for him and he drops out.

Los Angeles

Christina Applegate joined Mary and Nigel for this round of the auditions.

Jessica Richens from Yorba Linda, California did a jazz number. I loved the routine but I hope her “sexy” does not become a crutch. I think this particular audition was my favorite to watch so far of all the ones shown to date. Mary and Christina thought she could win the show and she is through.

I enjoyed Valerie Rockey‘s tap routine quite a bit. Mary said she was full of light and life. Christina said she wanted to look at her feet but she was drawn up to her face and then she saw what she was looking for in her expressions. She is through to choreography and from there she got through to the next round.

Jana “JaJa” Vankova is part of Phillip Cheeb’s animation crew who hails from the Czech Republic but now lives in Chatworth, California. She needs some lessons from Cyrus to get her animating to the next level. It was enjoyable. She is through to the next round.

The next contestant was a joy. Kyle Taylor is a 28-year-old man from Wichita, Kansas. He does popping in his home, but has never had professional guidance. I was amazed. Kyle just wanted to get a favorable opinion from other dancers. Kyle, I don’t know if my opinion counts, but that was hot! You were on fire! Nigel proposes a battle and Fik-Shun, Cyrus, and Legacy get up from the audience and join Kyle on stage for a little dance-off. I enjoyed this part so much. It made this guy’s day. He did such a great job that they give him a yes to choreography but he bowed out when he realized it was too much above his level.

Justine Lutz has experience in ballet and jazz but decides to do a contemporary routine for her audition. For a moment I was worried for her. For someone who has no experience in contemporary (and freely admitted this to the judges) who had the guts to do contemporary, it was beautiful. I had goosebumps. All three judges were standing and she is, of course, through to the next round.

Mauricio Vera and Deise Mendoza are in love. They are 27 and 23 respectively from Santa Barbara, California. I got goosebumps. Christina was in tears. She wanted to watch them all day long. Mary started crying. Off to the next round for both of them.

Hailee Payne is a 19-year-old from Roy, Utah. Her family is a lot of fun as well. I think Sonya Tayeh will LOVE getting her hands on her. I loved her hair (I want it). I also loved her dance. I will remember her because of the unique style that makes her stand out. I also liked her personality. That is a big part of the ability to win over people’s votes. It is not always being about the best dancer. She is through.

Sebastian Serra, a 24-year-old from Orlando, Florida, was fabulous! He was cut last year right before the green mile. I hope he makes it further this year.

Dani Platz‘s story of overcoming an eating disorder (and still fights these demons) between ages 16 and 18 was powerful. Her story was in her dance. She is such a brave young lady and a great role model for other dancers who starve themselves. Not only did I have goosebumps, but I was crying. I felt like she was broken and then at times healed and then broken and then healed throughout the entire dance. This is what I mean about having an emotional connection to the dance that I felt was lacking in Emily James. This is NOW my favorite dance shown to date. “Dance is like oxygen for the soul.” I loved that. Christina saw her story in her dance, too. She said she was healing through dance and it was beautiful. I was SHOCKED that they wanted to put her through choreography (and Christina was, too). But she fortunately made it through that round.

Marie “Poppins” Bonnevay is a popper who lives in North Hollywood, California and performs on the street. In doing such, she has to engage the audience in order for them to leave money to support herself. She utilized this skill during her audition with a very positive response as well. When she got close enough to the show’s previous contestants, Fik-Shun jumped up on stage and engaged with her. I love seeing this with the other dancers coming up and getting caught up in the moment (or if it is rehearsed, who cares about that). They need to keep this portion of it. She is moved to tears by it and she gets a ticket to the next round.

Dance Crews

Breaksk8 versus Academy of Villains.

Breaksk8 was interesting but I liked the Academy of Villains better.





Immortality and Legacy

14 01 2012

Immortality on this earth would be something I would gladly choose if I could stay the way I looked at 25 years old forever with the wisdom of who I am now. It would be sad to see family and loved ones die, but despite my incredibly dysfunctional first half of my life, it’s been a blast. There was so much more I want to do. So many careers that take many years to learn. So many arts to master. So many places to visit. So many people to meet.

Me around age 27

Hilda at age 25

Knowing this was unrealistic in at least my lifetime, I had the next best plan. I was on my way in my youth to becoming the first Air Force woman combat fighter jet pilot, who was also a medical doctor, who then applied to the space program and became the first woman astronaut who flew the Mars mission or lived on the moon base. Then I would work in third-world countries where I would spend the rest of my years eradicating the diseases of the world, of body, mind and spirit, where in my spare time I would learn about people’s religions and cultures as I moved from village to village all over the world. I had no desire to get married. The children of the world I would informally adopt. I had a strategic plan to achieve all that. I wanted to find a way to eliminate poverty, to free the world of prejudice and hate. I wanted to be a blazing comet that set the world on fire, a world that would remember me for leaving it a better place before I departed. But as a teenager with a strict plan, you don’t plan on curveballs.

Hilda at age 25

In 2011, I had an unusual number of friends pass away. In October, after one of them passed away, I became more acutely aware of the need to be more proactive in some of my friendships I had neglected. Although we were in contact by email, phone and Facebook, my friend, Diane, had become unable to drive. Since 2009, I have wanted to drive over to Channelview to meet her for lunch, but my health was not good and I found myself too busy fighting with school districts to take what seemed like a very long drive (I thought it was closer to Beaumont for some reason) to see her. I knew the holidays were coming. I barely had time to schedule a kidney biopsy in the month of December before the year ran out. I promised her that after the holiday madness was over, we would pull out the calendar and figure out which weekend she was on call and which weekend I was on call and get make a date for the one of the other two weekends (we both worked for the same company, her since 1993, but I had known her since at least 1989 or 1990).

She celebrated her birthday on Thursday, January 5. Although I knew that she loved Hoops & Yo-yo from Hallmark, I wanted to surprise her with something else and got her a Darth Vader card. Then it occurred to me that I did not know if she had even WATCHED the Star Wars movies. Having confirmed she saw the first one that was all she needed to know to understand the card. Thursday night I became unwell. Saturday an email awaited me. I was in bed until Monday afternoon. At 3:20 p.m., I scanned through my emails upon which time I saw the email that let me know my friend, Diane had died on Saturday.

Diane was a star in the sky. She lived in this area all of her life. She had a huge family. She was many things to many people–mentor, educator, teacher, sister, daughter, aunt, great aunt, and friend. She talked about her nieces and nephews and then great nieces and nephews with such love and pride. There were so many of them, it was so hard to keep them straight. I knew Diane before I got married to my husband. She was there when I got married, when I got pregnant and miscarried, when I got pregnant and had Patrick, when Patrick was diagnosed with autism, my journey with that. She was my ear, a person I vented to, my cheerleader, Patrick’s cheerleader. Once she got on Facebook, I talked to her more than my own sisters. In the past 2 years with Patrick at his new private school and the huge progress he was making, she “liked” every comment, and on some left “woo-hoo’s” and some beautiful notes that would make my heart either swell with pride or my eyes swell with tears of joy.

Brandy & Diane

She had a fierce sense of humor. As diabetes kept claiming more parts of her slowly, there came a point where a toe had to be amputated. She made jokes about it. She said, “Asked the podiatrist to trim my toenails but also asked him if he’d give me a discount since I now have only 9 toes. Actually he didn’t charge me anything as I’m still considered seeing him for surgical followup. Anyway, thanks for thinking of me and for the beautiful plant and for just being you.”

She knew, too, that my birthday is on St. Patrick’s Day. However, on February 17th, 2010 I received a birthday card (I think it was an e-card). I emailed her at 1:12 p.m. and said, “Thanks for the birthday card. The words I need to remember because in 20 minutes I’ll be at Patrick’s school. Just one teeny, tiny thing. It’s not until March 17. St. Patrick’s Day. But I will take it as a divine-inspired intervention that I need to be polite to these people today, don’t necessarily have to cave-in, but they aren’t to blame for the director being a bully. They are going to unfortunately be her victim as well if no one can get control of his individual. Think good thoughts. My stomach is in knots. I feel like I want to puke. I imagine I’ll be shaking uncontrollably by the time I come home.” At 1:34 p.m., an email arrived that said, “After I sent it, I realized it wasn’t St. Patrick’s Day yet! Maybe I just needed to tell you I was thinking of you?? Love, Diane.” We had many letters of correspondence like this.

For 45 minutes on Wednesday, people got up and shared perhaps 1 story they had about Diane. Or just stories in general. I didn’t realize we were going to do this so I was ill-prepared. For most people, they had people laughing. After 4 days of rain and flooding, Wednesday was 70 degrees and beautiful; the next day would usher in below freezing temperatures. If you were going to have to say goodbye to a treasured loved one, Wednesday was the best day to do it.

Diane’s niece Brandy did not recognize me until I said Patrick on Diane’s Facebook page, and then knew immediately who I was. Of course! That is why I am PBMom. I’m Patrick Bowen’s mom. (People always think it is Peanut Butter Mom).  But we immediately recognized each other when I entered the funeral home.

The entire drive home, I thought about my own inevitable death, what people might take the time to actually come to a service, what would be said about me. After Jeff returned home, I sobbed in his arms, saying that I felt like I had failed in this life because I did not become what I had set out to be. Some things I let go of by choice; some things because there was no choice.

A fan rendering of a concert performance.

He did not understand what I was saying. He said he spent his whole life caring too much about what other people thought of him that he could care less what people thought of him when he died. And I sat there not understanding how you could NOT care. Isn’t that what our purpose here is? Aren’t we supposed to make the world better while we are here (and I’m not talking about political differences, but the benefit of humanity in the interest of humanity, like elimination of hunger, poverty, homelessness, illness, etc., not the ideologies of how to achieve that)? Aren’t we supposed to want to be the next Bill Gates or Steve Jobs or Louis Pasteur or Marie Curie? With our blood line ending with Patrick, and unless autism is cured, he is unlikely to become a father since he is unable to take care of himself, we have no one to remember the stories of us to pass down to future generations so we have to find other ways.

Hamman Hall, Rice University, 1986-1987? during my "steroid" days that gave me Cushing's disease.

I know what Patrick’s purpose in this life is. He has changed the hearts of so many. He has inspired at least 2 young people to want to be teachers. He was the reason why I started the first special needs ministry ever in The Woodlands in 1998-2005 at St. Anthony of Padua and because of that ministry and the people who came forward to help, so many people who needed help were helped. I often felt like I was being Patrick’s conduit but also a conduit of hooking up those people who needed help with those people who could help.

The next day, Brandy posted on my Facebook page that she was going through Diane’s things and found a picture of Patrick and a picture of Jeff and me. I misread the note thinking it was a picture of all three of us in the same picture, something that rarely occurs. She responded: “It was a picture of your son when he was younger. It looked like he was playing in the yard and then there was a separate picture of you and your husband that she had beside the picture of Patrick. I knew immediately who it was but, to make sure I flipped it over because she always wrote who was in the picture on the back and the age of the kids or the year that it was taken. She had it in her family album. It was in amongst pictures of her great nieces and nephews. 🙂 “I honestly felt Patrick had been invited to Jesus’ table for dinner because I knew how she felt about her nieces and nephews. I responded: “I knew Patrick was special to her, but I never knew that. And knowing the immense love and pride she had for all of you, that she loved him so much to place him among you all. Wow. I miss her SO much. Thank you for telling me that. My love and thoughts are with you all today. It must be so difficult going through her things.”

And I burst into tears.

Is being Patrick’s conduit, being known as PBMom, such a bad thing? No, it’s not. But I would rather be the one who figures out the puzzle that is autism and/or cures it so not one more family has to go through this. Or perhaps stumbles upon the fountain of youth where I can become immortal and go back and do all the things I originally planned on doing.

Patrick-- The PB in the PBMom

What do you hope people will say about you when you pass beyond your earthly bonds?





So You Think You Can Dance — Vegas Hell Week

11 06 2011

Vegas week for So You Think You Can Dance is for dancers what Navy Seal hell week is for those candidates. All the candidates are the best of the best. For these dancers, it will be the ultimate battle of mind versus body. Some are at SYTYCD hell week for the first time; others have been here before. They started out with 160 contestants and soon they would be whittled down to American’s Top 20.

Joining them on Day 1 were judges Nigel Lythgoe, Mary Murphy, a casted Adam Shankman, Robin Antin, Debbie Allen and Tyce DiOrio. After their solos, the dancers would be performing routines in hip-hop, Broadway, ballroom, and then the group round and onto contemporary.

Going in a completely opposite direction of this champion ballroom dancer, Iveta Lukosiute comes out wearing a very naughty outfit. Having been cut 2 times before in previous seasons during hell week, she sets her sights on Nigel. She captivates the judges as well as the “Woo-Hoo” man, (Robert Taylor, Jr.). It is very difficult when your strength is in ballroom, who is used to dancing with a partner, to do a solo, but her unique performance and nice cha-cha moves will leave an impression on the judges. After the first 15 perform, Iveta moves on.

Unfortunately, the only thing memorable about Marlin Pelayo’s performance was his unitard, made by his mother and painted by his friend. I understand the desire about standing out, but your dancing has to be equally impressive (like Iveta’s). After the first 15 performed, he was sent packing.

Pelayo_Unitard

Marlin Pelayo's unitard

I was worried about Wadi Jones’ b-boy performance when it first began, remembering the critiques they gave Legacy in seasons’ past about the pauses in between moves. He has a lot of great moves and I look forward to seeing more of him. I loved, too, his blue sneakers matching his shirt.

The final dancers of the solo rounds were Sasha and Natalia Mallory. I love the energy of them together. While Sasha is a typically built dancer, the rebel in me roots for Natalia is breaking stereotypes. The dance reflects the nature of their relationship: Playful, fun, teasing, antagonistic.

After the cuts from the solo rounds, the number of contestants dropped from 160 to 114.

The hip-hop round was choreographed by Tabitha and Napoleon Dumo, a.k.a. NappyTabs for those unfamiliar with the show. Chyna Lee Smith (from Idaho “where the potatoes grow”) apparently started to lose her mind at this point during the warm-up, and it went downhill from there. Wadi Jones develops intense muscle spasms in his legs. Three couples took the stage to perform the routine. Chyna’s mind goes totally blank and she begins to just make up the moves. I almost felt like maybe she was intoxicated, but sleep deprivation has been known to cause similar symptoms. Because of her audition in Salt Lake, she is given the first “dance for your life” card from the judges and asked to do the routine again later. Surprise cuts, and some of my favorites, included Hero McRae (from Japan), Patty Anne Miller (the drummer/Berkeley School of Music grad), Mary Kate Sheehan (the Irish step-dancer), Kristen Dobson (the young lady with only 3 years of Latin dance experience) and Samara “Princess Lockeroo” Cohen, a total of 14 cuts.

Wadi Jones works through his pain and is rewarded with a pass to the next round. Eight contestants had to return to dance for their lives including Chyna and Iveta. Nigel does not understand why some of the contestants did bad earlier but now are so much better. This is not rocket science; the first group had to perform soon after learning the routine; each subsequent group had that much longer to practice. The people dancing for their lives had hours and hours. They are all put through the next round.

Day 2

Tyce DiOrio teaches the group a very sexy Broadway routine. On the judges’ panel, Jason Gilkison sits in while Adam Shankman gets his knee checked out at the hospital. A fully recovered Wadi Jones pairs up with Jordan Casanova, who caught Tyce and Nigel’s eye in the original auditions. Also joining these two on stage were Jessica Watanabe and Virgil “Li’l O” Gadson. Jason said Jessica “owned” that routine. All four are put through to the next round.

Chyna Smith, Jess LeProtto, Sasha Mallory, Natalia Mallory, Derion “DC” Chapman, and the “Woo Man” Robert Taylor, Jr. did a fabulous job and moved through to the next round.

Rebecca Hart and Jeremiah Hughes have been to Vegas many times in the past, hoping 8 will be their lucky number. Jeremiah is notorious for having lost his temper previously. Time matures people, however. Despite his timing being off, the judges will let him through; however, Jeremiah needs to work on his facial expressions though because the anger is still there. People have to be able to take constructive criticism so that they will grow; he seems to find any criticism a personal attack. If Debbie Allen says you’re off, you…are…off. A tearful Rebecca, however, is sent to pack her bags once again. “Krumping for Christ” Brian Henry was given a ticket home.

Jason Gilkison teaches the group a jive dance, a notoriously fast dance, in the afternoon. The female dancers have their podiatrists or orthopedists on speed dial as their heels give them hell and ice packs are helping the economic downturn. Ryan Ramirez came inches close to being in the top 10 last season (all-stars round was the top 10 dancers instead of top 20 in a usual season). After delivering that sad news, Lil’C asked her to return to audition the next year. Her toenail is bleeding and I feel horrible for her.

In the first group, Natalia and her partner Josh Williams are given another opportunity but will be paired up with different partners.

In the second group are Sasha Mallory and Ryan Ramirez. Nigel tells Sasha that her knees are supposed to be together, but hers were open. She’s brought enough in previous rounds to get her through. Everyone else gets through as well.

Natalia performs her routine with Bryce “Professor Lock” Johnson and moves on to the next round.

The last group to appear on camera was Alexia Mason, sister of Jeanine Mason, winner of season 5. She does not do well; there is no joy in the jive. She gets the second “dance for your life pass” and returns to dance contemporary. After watching her solo, her level of dance is not up to the other contestants, especially in those facial expressions. Her lines needed to reach greater heights and deeper, but I believe because of Jeanine, she is given the pass to the next round.

At 10 p.m., there are 39 guys and 35 girls left. They are asked to stay up through the night and learn a group choreography number. Nigel says they will be looking for creativity and entertainment. This is when the drama occurs as people are nearing physical and mental exhaustion. This is when emotionality rules. All the dance numbers go well and no one is sent home.

After a break for lunch in the pool, contemporary style is on the dance card for this day. Cat Deeley says 67 remain, but the math does not add up (39 guys + 35 girls before group round = 72). Choreographing this year is the fantabulous Travis Wall, a former contestant from season 2 who has shown his extraordinary choreography skills during the last few seasons. Assisting were former contestants Jamie Goodwin (season 3) and Robert Roldan (from season 7). Ryan Ramirez hurts her back during practice and goes to the hospital. Natalia also goes to the hospital because her blood glucose level dropped.

Sasha and Bryce “Professor Lock” Johnson are in the first group to perform for the judges. I think contemporary is one of my favorites to watch. It is so beautiful and emotional. Both are put through.

More groups perform and more favorites like Robert Taylor, Jr. (The Woo Man), Wadi Jones, and Virgil “Lil’O” Gadson.

After returning from the hospital, Ryan gets a refresher with Jamie and Robert. She is paired up with the handsome Robert. They are a stunning pair. Debbie Allen tells her to ice her butt; she’s made it through to the next round.

The final group performs. In this group are Jeremiah Hughes and Arielle Coker. Both had made it to the contemporary round, 2 and 4 times respectively, and were cut. Derion “DC” Chapman is also in this final group. DC looks lost. Airelle looks shocked when she is sent home yet again and does not know how to respond to Debbie Allen’s remarks. Three times is the charm for Jeremiah who is overcome with emotion. DC makes an emotional appeal and Debbie Allen gives him a “man-up” speech and gives him free dance lessons.

At the end of the day 12 more dancers are sent home including Chyna Lee Smith.

The remaining contestants have to perform their solo and tell the judges why they deserve to be there. Natalia is given a free pass through the contemporary round. None are given “formal” feedback during the solos, but there are comments from the judges’ gallery, especially for Clarice Ordaz. Going home is Kelsey from the first group. Twenty-four more dancers were sent home including Kimalee Piedad, Chase Thomas, and Amber Williams. Alexis Mason danced her solo but showed her immaturity not only in her moves (when comparing her with others that made it through) but also her facial expressions. She has the ability to grow so much since she is only 18.

Thirty-one dancers remain, but, there is still one final cut to be made and only 20 will be dancing for American’s votes.