Fringe Season 5 Preview

25 09 2012

It’s 2036. The Observers now rule. The big question is “Where’s Olivia?”

The 13-episode final season of Fringe begins Friday, September 28, 2012 (9:00-10:00 PM ET/PT) on FOX.

When we left off in “Letters of Transit” in season 4’s “Letters of Transit”, we discover that the Fringe team was preserved in amber for 20 years. Peter is reunited with his daughter, Henrietta (Etta), who is now an adult.

Thanks to FOX VIP I received the wonderful privilege of viewing the premiere episode of season 5, “Transilience Thought Unifier Model-11.”

Things are quite different in the future. It’s a world full of bad air, egg sticks (Walter: “What a miserable future”) and amber gypsies. We learn more about things that happened to the original Fringe team both privately and as a unit. With only 13 episodes, the writers quickly get to the point and keep the momentum going, stopping only for important intimate moments between our characters, which left me crying several times. Some questions are answered by the end of the episode and others are raised. Although the episode remained dramatic, there were always moments of levity with nods to other science fiction/fantasy shows. I swear I saw a Daggit in the marketplace. “It’s always the red wire…unless it’s the white wire.” “Resistance is futile” and Etta’s response was priceless. Fans will be fed fabulous clues and symbolism.

The hashtag on Twitter for this episode will be #TheyAreHere. The Twitter protocol (from http://morethanoneofeverything.net/2012/09/19/we-were-warned-they-are-here-fringe-premiere-twitter-event/) is this (you can read it in more detail at the link):

Be sure to make your first tweet of the night a thank you to @FoxBroadcasting and @WarnerBrosEnt for making season five possible.

1) Don’t use #TheyAreHere before the designated time: 1 HOUR before Fringe airs. The event will take place 1 hour before Fringe airs – 8pm EDT.

2) One # term per Tweet. Use only #TheyAreHere

3) Lots of people tweeting matters more than the number of tweets.

4) Those with lots of followers help out a lot!

5) We want to pique the interest of non-Fringe fans.

6) We can discuss aspects of the show in our tweets.

7) Private accounts must have their locked status removed, as the tweets from locked accounts do not count toward the trend tally.

8) Retweets are the easiest way to help out the trending effort.

9) Remember to check in at GetGlue for cool stickers and so that Fringe will trend there as well.

Let’s all tune-in live to give Fringe the send-off it deserves (and leave the door open for movies?)





Glee Preview: The New Rachel

12 09 2012

Thanks to FOX VIP, I had the privilege of viewing episode 1 of Season 4 of Glee, “The New Rachel.” Not only does the title reflect what is going on with Rachel (Lea Michele) in her new surroundings in New York City, but also back in Lima, people are wondering, “Who is the next Rachel Berry?” Artie (Kevin McHale), Tina (Jenna Ushkowitz), Blaine (Darren Criss) or Brittany (Heather Morris)?

When we last saw Glee, Rachel Berry was off to New York City ready to conquer the world. Like many freshman at universities all over the world, she has to find her way, to reinvent herself, dealing with life on her own, with a roommate, and in the big city. She will have her successes, failures, and temptations, but she is an adult now, making her own decisions.

Some of the new faces we see in this episode are: Kate Hudson (Cassandra July), the Sue Sylvester of NYADA; Becca Robin (Kitty), the new old-Quinn of Lima; Alex Newell (Wade “Unique” Adams); Melissa Benoist (Marley Rose); Jacob Artist (Jake Puckerman), Whoopi Goldberg (Carmen Tibideaux); and Dean Geyer (Brody Weston).

The NYADA scenes have a feel of the original Fame movie. The comedy as always is spot-on. Was that Melanie Moore from SYTYCD on there in the background? It is! It is! And oh Lord, Dean Geyer in a towel. And about halfway through I swear I saw Kent Boyd from So You Think You Can Dance, too.

I was curious how they were going to be able to meld the two locations into a show without losing from either one. Would they focus on one location and alternate it all season or mix the two up? I should have never doubted. Both are highlighted without detracting from each other, in fact, enhancing one another.

It would not be a good Glee episode if it didn’t have its moments of tear-shed, and indeed I did, briefly. There is a break-up, updated information on some of our graduates, and a happy reunion at the end. You could not ask for a better way to start a new season, a new sound, and a new chapter. It works.  Make sure to watch Glee on Thursday, September 13, 2012, on Fox starting at 8:00 Eastern/7:00 Central.





So You Think You Can Dance Mia Michaels’ Night

21 08 2012

This is my 100th blog post since moving to this site. Exciting, yes? I had a fabulous trip to New York and will have some blogs, including my moving trip to the 9/11 Memorial Site.

I know. I’m very late with this review. I was behind before I went on vacation and I’m even further behind now that I am back. Tonight the top 14 faced a third elimination. The dancers had two weeks off. The Olympics gave my DVR a break from exploding from overuse. Tonight two very special judges were in town after performing for the Dizzyfeet Foundation’s National Dance Day gala, Michael Nunn and Billy Trevitt of The BalletBoyz from the UK. While the show was away, Tabitha and Napoleon welcomed their son, London Riley D’Umo, into the world.  Of note, someone on Facebook has been pretending to be them, but this is the legitimate Facebook page for them, and you can see pictures of the baby on there.  Congratulations!

Tonight’s show would see the return of our favorite Mia Michaels’ routines. Mia Michaels and Travis Wall are my favorite contemporary choreographers on So You Think You Can Dance. They seem to be able to tap into the emotional center of my brain that leaves the deepest, long-lasting impressions. Whether it be chills or tears, I have never forgotten the original dances.

Mary and Nigel will be bringing bias to the table tonight since they were present for the original Mia choreography where Billy and Michael would be bringing a fresh perspective, judging the dances on tonight’s performances alone.

The opening group number showed us a new dance from Mia. The song was “Hanging On” by Active Child. Was this the first group CPR by our dancers? I could feel the power of the fine line between life and death, although I could see where it could also be the symbolism of the life and death of a relationship on a more simple level. I also hoped those roses were de-thorned.

Dancers: Cyrus and Eliana
Inspired Dances: Cyrus had been inspired by Brian Gaynor’s audition. Brian is now one of Cyrus’ roommates at Dragon House. Eliana’s inspiration was Wade Robson’s Peace Dance with 10 dancers interpreting the same movement.
Mia’s Dance: The Door Dance originally performed by tWitch and Katee Shean
Song: “Mercy” by Duffy

My thoughts: Cyrus’ and Eliana’s kiss looked “icky” and not full of hot passion. Cyrus was able to ignite his own locking/popping style that made it stand apart from tWitch. I would never believe that Eliana is a ballet dancer because she was that awesome at contemporary.

The judges: Nigel pointed out Cyrus bringing out his own flair but also that he needs to drop the tension in his shoulders. Eliana showed us that she is great at creating these characters because ballet dancers usually focus on technique first and character second. Mary said Eliana was “swagger-welcious” and that Cyrus brought his own swagger to the group. Michael said they were strong performers. Eliana would have him begging for mercy for sure and there was a good use of props. Billy said that something that should not have worked did work fantastically.

Next we saw some clips of National Dance Day and how much it was spreading globally.

Dancers: George and Tiffany
Inspired Dances: For George it was Wade Robinson’s Ramalama group dance from season 2. For Tiffany it was when Ellen was on the other side of the door on Mia’s door dance and moving into the tWitch/Alex Wong “Out of Your Mind” dance. She hopes to be on The Ellen Show.
Mia’s Dance: The Hometown Glory dance originally performed by Katee Shean and Joshua Allen in Season 4.
Song: “Hometown Glory” by Adele

My thoughts: I had chills from the beginning. It was phenomenal. I know it was only two dances so far tonight, but this one became my favorite of the night (until the last routine).

The judges: Mary felt like we needed to call 911 because we witnessed a murder this evening on stage. She thought it was phenomenal, that Tiffany was soft when she needed to be and powerful when that was needed. The assisted lift was perfect (my note–did she mean the assisted run?) She said George elevated the role today. Michael felt like it had fantastic energy. It was a great match up to each other. Tiffany got so into character, but maybe too much because she didn’t look like she needed any help whatsoever from George in the assisted run and that was the point (she needed to be lifted). He felt like she needed to pull it back a bit. Nigel felt like we finally saw the best from George this evening. Tiffany over-egged the pudding, but would prefer that and trying to calm it down, versus not giving enough energy and having to ramp it up.

Dancers: Will and Amelia
Inspired Dances: For Will it was the group routine where Nigel got kidnapped in season 4. For Amelia it was Melanie and Neal’s routine “Total Eclipse of the Heart.”
Mia’s Dance: The Butt Dance made famous by Evan Kasprzak and Randy Evans. Interestingly, Amelia seemed surprised, but there is a French feel for it and her audition was French-inspired. Mia was probably remembering that when this routine was assigned. Amelia looked like she might feel uncomfortable with everyone looking at her butt for the evening.
Song: “Koop Island Blues” by Koop

My thoughts: While it might be technically challenging and does elicit an emotional response from me, it was not goosebumps. I could feel Amelia’s discomfort at the thought of everyone looking at her butt. There was a height difference, too. Evan and Randy were shorter. Also Evan’s Broadway experience allowed him to shine the character more than Will’s contemporary background. Please also see my notes after hearing what Nigel had to say. George and Tiffany’s routine still my favorite at this point.

The judges: Nigel felt that Will was trying to bring the character out. He said Amelia needed to bring more character. He noticed that she was looking at the floor much of the routine. At this point, that comment from Nigel made me feel like, “Yeah, do you think so?” Perhaps knowing everyone was looking at her butt made her a little self-conscious and perhaps psyched her out a bit. The first thing Nigel said was that he had Randy’s butt in his mind for the last 3 years! I like Nigel but that is a little creepy. Even the most seasoned dancer would have felt weird hearing that. Mary liked it. Felt it was too big and maybe the character needed to be pulled back more. Was Will entranced by Amelia’s butt? Absolutely. She also felt that Amelia maybe looking down at the floor was her attempt at being coy. Having nothing to compare it to, Billy felt it was very strong, musical, and endearing. Both dancers were wonderfully in character. There were moments when subtlety would have been good, but it overall was great.

Dancers: Janelle and Dareian
Inspired Dances: For Janelle, it was the Mark Kanemura and Chelsie Hightower’s “Bleeding Love” routine. For Dareian, it was Kent and Neal’s Season 7 routine by Travis Wall “In The End” routine.
Mia’s Routine: The “bed” routine done by tWitch and Kherington Payne
Song: “Dreaming With a Broken Heart” by John Mayer

My thoughts: This might be their strongest routine yet, but I did not have chills, the kind I got seeing the original. They might be bringing their A-game too late.

The judges: Michael thought it was “wow!” The choreography and the ideas about it were wonderful. He was worried about Dareian’s lines. If he gets over that hurdle, he’s got it. Janelle had a great performance but he found himself looking at her hair oddly rather than the choreography. He did not know why but he just did. Billy said that it was difficult or Janelle because the movement is all about Dareian and not her, but they did well. Nigel said this was Mia Michaels at her best. For Dareian it was the first time he felt personality out of him and Nigel felt what Dareian was feeling. Janelle is at her best when he can see Janelle’s eyes smiling and her hips moving. She did not stand out tonight. Dareian’s technique was stronger than the original done by tWitch. Mary agrees with the comment on technique. There was no passion and at the end felt that it was overacted by Janelle. Dareian needs to fix his feet.

Dancers: Audrey and Matthew
Inspired Dances: For Audrey it was season 1’s Brian Friedman’s disco routine performed by Melody Lacayanga and Nick Lazzarini. (I did not watch season 1 of this show). For Matthew it was the 80’s jazz piece in season 7 by Ade Torbert and Lauren Froderman.
Mia’s Dance: The loss of Mia’s father and the reunion in heaven originally performed By Lacey Schwimmer and Neil Haskell.
Song: “Time” by Billy Porter

My thoughts: I thought Matthew was the star in this piece. Just watching the “making of/behind the scenes practice” brought tears to my eyes, but watching Mathew at the beginning where he smiles at first seeing his daughter (Audrey) and then the breath he took was he first caught sight of her had me in tears. Audrey was great, too, but I was watching Matthew more. They were able to make the transition I thought between the chemistry of a couple in love from previous weeks to the energy of a father and daughter. My new favorite of the night. I was a little shocked at what the judges had to say about Matthew, so after hearing their comments I watched it again and I could see some of what they were saying that he could have been more playful, but I think their comments were a bit too harsh.

The judges: Mary was very emotional, sharing that when Mia originally choreographed the song that Mary’s father had been diagnosed with lung cancer and the song gave her courage to take leave from her business to go be with her father in those final times. Mary, however, did not feel the passion or truth in this piece tonight from Matthew. She thought Audrey was the shining star. Billy said there were amazing things from Audrey and the first pirouette was flawless. He felt Matthew needed to disguise the effort of the dancing that weighed into it. Nigel felt that when Neil did the dance, it showed the playful man that Mia’s father was, that Matthew needed to bring fun into Audrey’s life. He felt Matthew was a little too focused on the dance steps rather than being a dad joined up with his daughter. That character that was needed did not come across.

Dancers: Witney and Chehon
Inspired Dances: For Chehon it was Melanie Moore’s Atlanta audition. For Witney it was “Danielle’s” audition in S4 (that turned out to be Travis Wall in drag).
Mia’s Dance: The bench routine performed by Season 2 Travis Wall and Heidi Groskreutz
Song: “Calling You” by Celine Dion

My thoughts: It was hard for a ballet dancer like Chehon to move into a contemporary style that requires him to loosening up a little. Regardless I still got chills when Chehon was lying on the bench with Witney under it. Not as good as Heidi and Travis’ routine, but that is some hard competition to live up to. They did a good job, but this dance is so iconic and it was TRAVIS WALL.

The judges: Nigel was pleased. He felt the passion came across. He also explained what the dance was about. Apparently Mia was in love with a gay man who was not going to be able to return the same kind of love to her. Mary felt they pulled it off. She wants Chehon to let go a bit more. She thought Witney was “wow” and was remarkable tonight. Michael asked Witney is she was a Salt Lake City girl, and said that Salt Lake is a fantastic place for dance (without really commenting on Witney’s dance tonight). He told Chehon he always had a job with The BalletBoyz if he ever wanted one.

Dancers: Lindsay and Cole
Inspired Dances: For Cole, it was Mark Kanemura in Season 4. They are friends and are from the same dance studio. Lindsay was inspired was Travis Wall and Benji Schwimmer’s nerd dance on the finale of season 2.
Mia’s Dance: The “Addiction” routine originally performed by Kupono Aweau and Kayla Radomski in season 5.
Song: “Gravity” by Sara Bareilles

My thoughts: Cole was spectacular. This was indeed my favorite routine of the night. When he ran his lips up her leg in a gesture of him “the addiction” consuming the whole of her, I got chills. Lindsay did a great job, too, but Cole was mesmerizing in his robotic-like movements.

The judges: Billy was impressed. Both have versatility in bucket loads, something that is needed for the business. Mary said this was the best performance from both of them. Kupono was a bit more sinister, but Cole was a quirky kind of demented, but it worked. Lindsay was amazing. Nigel said they came out on top tonight of everyone. Cole’s performance was quite chilling.

Eliminations

George, Dareian and Matthew are in the bottom 3 for the guys and Amelia, Janelle and Lindsay are in the bottom 3 for the girls. The judges wanted to see all of them perform solos before they made their decisions.

Amelia danced to “Falling Slowly” by Glen Hansard and Marketa Irglova. I prefer Kris Allen’s version. It does not look like she is dancing for her life. Janelle did a belly dance routine to “Inta Omri” by Elie Attieh and she, too, does not look like she wants it. It was fun but there was nothing remarkable or stand-out about it. Lindsay did a dance to “Hip Hip Chin Chin” by Club des Belugas. I felt like out of the three girls she wanted it more and I think her routine with Cole tonight is likely to save her.

The guys looked more poised to fight for their spots. George danced to “So Long, Lonesome” by Exploding in the Sky. He really wants it. There is something about George that reminds me of the painter Thomas Kinkade. When George dances, he lights up the stage. Dareian came out fighting, dancing to “It’s a Man’s Man’s Man’s World” by Joshua Ledet. Unfortunately he has underperformed his peers most of the season and has not made a real connection with the audience. Matthew danced to “Delicate” by Damien Rice. Out of the three guys, I was not so sure he wanted that spot so badly, like he had written it off that it would not be his. But out of the three guys, I think they’ll put George through.

Nigel said the judges would save Lindsay mostly because of her performance in tonight’s routines. For the boys, they would save George. Dareian really needed to fix his feet and they felt Matthew was not connecting with the audience (I would disagree with them on that).

As a personal note, I think that Cyrus, as much as I adore him, should have been up there instead of Matthew because he has been getting by without a great technique, but it is about America’s favorite dancers, not the “best” technical dancer. Next week the couples will be broken up and they will be paired with all-stars from previous seasons.

Who will go home this week based on their performances on Wednesday? I think Cyrus should be in the bottom 2 and maybe Will is in trouble. Witney and Audrey might be in the bottom 2 for the girls. The voting is going to get more difficult. I am looking forward to seeing Eliana paired with an all-star. She, I think, is the most underappreciated dancer in the show. It’s time for her to have a moment in the sun.





So You Think You Can Dance — Top 20 Dance Again & First Elimination

22 07 2012

So You Think You Can Dance — Top 20 Dance for a Third Time

I don’t know about you, but this entire format this year has me very confused. Why the change? The first week traditionally has been for us to meet the Top 20 and get a chance to see them dance. Then the second week, traditionally the top 20 dance, we vote, and then the next day, the 3 people with the lowest votes in the girls and the guys get to dance for their lives and the judges choose who is going home. However, the second week, the top 20 danced, and then there was no show the next day. When I heard they would tell who was going home the next week, I thought to myself, okay, so they are going to make us vote again, give the Top 20 a third week to dance so we could thoroughly enjoy them, get to know them, etc., and then on the next-day show, they will add the two weeks’ votes together, and continue on. However, that was not the case. The top 20 danced, but based on the votes, based on what they saw this week and last week, and with additional input from the choreographers from this week and last week decided who was leaving tonight. Nigel reminded us that they were not “voting people” off, but rather sending home the people who did not receive the most votes. Personally it is a game of semantics–like is the cup half empty or half full. I inquired with my OFFICIALFOXVIP contacts if this was just a one-time thing because of scheduling difficulty with the other shows and apparently this is the way they are doing it this year. On one hand, it makes it better for me because trying to type up a blog on Wednesday night before the Thursday show is very difficult. On the other hand, it seems kind of cruel to the dancers. They do not know if their previous week’s dance is going to put them in the bottom 3, and that will translate in the dances they perform on Wednesday night, which in turn will turn into the votes they get for that dance and whether or not they are in the bottom 3 the following week. It sounds like a mind game. I know Nigel Lythgoe is not like that, and I do not know if it was a demand of the network, but I do not like it.

Having said, that, let’s get on with the performances this week. We had Adam Shankman, guest judge, on tonight and the barrage of funny plugs for “Step-Up Revolution.” The group dance was choreographed by Tabitha and Napoleon D’Umo to the song: “The Beautiful People (District 78 Remix) by Marilyn Manson. I started having déjà vu. Didn’t we see a song choreographed to this song before? I looked it up and turns out I was right. Comfort Fedoke and Chris Jarosz performed to it, choreographed by Tyce Diorio, in week 3 of season 4, in 2008. See a YouTube clip from the episode.

Even though it was a repeat, the dance was slightly different and it was zombie-esque (I like the word “esque” lately) and had hints of the Thriller dance.

The show opens and Adam thinks Cat is like a big sexy tomato. Cat invites him to take a bite. I love when Adam Shankman is on. He has the BEST lines.

Dancers: Cole and Lindsay
Choreographer: Christopher Scott
Song: “Teeth” by Lady Gaga

My thoughts: It was a lot of fun. Cole was great and definitely played the nerd wonderfully, keeping in character throughout the judges’ critique. Was Lindsay a nerd’s dream or did the nitrous oxide do things to Cole’s head? What a happy gaseous delusion! Christopher Scott’s routines are kind of hit or miss for me. There are either brilliant, or seemingly hastily put together.

The judges: Adam thought the American Dental Association should adopt the routine. Cole was freaking him out (in a good way). He thought Lindsay was holding her sex kitten in and needed to really attack it. Nigel certainly thought it was incentive for Great Britain to go to the dentist. He felt it was a bit immature. He thought Lindsay was playing to the audience and not to Cole. Mary said the routine put a smile on her face. She felt Lindsay needed to be vampier. Part of the show is acting and she will need to bring that. Cole is a lean, mean dancing machine.

Dancers: Amelia and Will
Choreographer: Sonya Tayeh
Song: “3326” by Olafor Arnalds
Story: Two souls are carrying the weight of the world on their shoulders. They are searching for the light at the end of the tunnel.

My thoughts: I could feel that weight and the oppression of their souls. I had goosebumps, the first tonight. They had stunning lines. Amelia and Will have great chemistry. In this dance, they moved as one. WOW! It was my favorite routine of the night.

The judges: Mary screamed: “OOOOOOOO!” Sonya was right on top tonight with this beautiful routine. Will and Amelia brought it to life. Will was rising to the occasion. They have gone another floor up in her eyes. Adam gave them a standing ovation. Of Amelia, he said he was completely lost in the piece and it took him on a journey. Will 1,000,000% “Stepped it up” (movie plug). It was brilliant. Nigel said that not only had Travis grown, but Sonya, too, has show tremendous growth on the show since she joined. She said Amelia was great a great, quirky dancer. Both Will and Amelia were absolutely brilliant dancers.

Dancers: Amber and Nick
Choreographers: Miriam Larici and Leonardo Barrionuevo
Style: Tango
Song: “Tanguera” by Sexteto Mayor

My thoughts: My eyes were drawn to Amber immediately and not because of her red dress. There is one spot where she almost looked at the audience and lost her character. There was a lot of hard footwork being performed by both Nick and Amber. It was intense.

The judges: Adam thought it was hot. Amber was spectacular, a fire-breathing dragon. Nick was a brilliant partner but he vanished a bit. Nigel thought Amber made herself look good, a cobra ready to pounce. Nick was very strong and it showed. Mary said it was a difficult routine. Nick and Amber made it not look like work. Amber was a fire out there and she was in awe. She gave a “hats-off” to Nick; he did great.

Dancers: Audrey and Matt
Choreographer: Sonya Tayeh
Song: “Hear Me Now” (Dri, Lind and Lukka Mix) by Steed Lord
Story: The robotic struggle between men and women

My thoughts: It was hard hitting and angry. You could feel the struggle. It was my second favorite routine of the evening. These two have great chemistry together and are superior dancers.

The judges: Nigel loves the “stank steps.” They were incredible and are one of America’s favorite couples. Mary said they, too, were one of her favorite couples, and quite the dynamic duo. They maximized everything. One of her favorite routines tonight. Adam said tonight belongs to Sonya. Audrey was “friggin brilliant.” He told Matt if he kept it up like that, it was his competition to lose. It was amazing and for them to stay in the zone.

Dancers: Dareian and Janelle
Choreographer: Christopher Scott
Song: “My Girl” by The Temptations
Story: A wedding proposal

My thoughts: It was the first kiss of the season, which promptly some fun from the judges, more fun than this routine unfortunately. Mary said she was not getting into this kissing thing this season, so Adam fake-kissed Nigel. It was fantastic. This routine did nothing for me. Dareian was the stronger dancer of the two, however. I think Christopher Scott did not do such a great job tonight with his choreography. Maybe he is the type that needs awhile to prepare, to think things out. He needs to learn how to Twitter-up his dance routines. Less than 140 characters but strong thoughts that resonate with people.

The judges: Adam felt Dareian was more invested than Janelle. Nigel said that so much depends on the choreography and it was a little uninspiring. Both are better dancers but they have to bring it, too, as Adam pointed out. Mary said the routine was sweet and it was just okay.

Dancers: Brandon and Janaya
Choreographer: Sean Cheesman
Song: “Bring On The Men (From Jekyll & Hyde: The Gothic Musical Thriller) by Linda Eder
Style: Broadway — Hot romance book gets the girl frisky

My thoughts: It was a very fun routine with high energy. Some of the moves were great. Sean Cheesman is another “hit or miss” choreographer for me, but this one, I liked.

The judges: He felt like Brandon “stepped it up” (movie plug). Janaya’s lines were great and she played the crowd. Nigel thought it was brilliant Broadway and agreed with Adam. Janaya brought something this week that she did not have last week. Mary thought it was the most entertaining routine of the night. The stepper (Brandon) was “stepping it up” tonight with energy. Great acting from Brandon and Janaya was amazing. Cat thought it was fearless.

Dancers: Cyrus and Eliana
Choreographers: Melaine LaPatin and Tony Meredith
Song: “I’m Shakin'” by Jack White
Style: Jive

My thoughts: I am a huge fan of Cyrus. He brings his personality and enthusiasm to every dance; however, his lack of technique is beginning to show in a big way. Eliana is always wonderful. The routine was lively. Cyrus tries so hard and I am so proud of him.

The judges: Mary said Cyrus’ feet were not quite right, that his posture goes in and out. He is doing great partnership. Her star is still showing for Eliana. She is a phenomenal dancer. She was cookin’. Adam said that he was amazed Cyrus got through it. Eliana was the hardest working woman tonight. Nigel said that at some time Cyrus will hit a brick wall. Cyrus has to connect the dots and needs to fill in the blank spaces. Eliana has a tough job with Cyrus. She has to compensate a great deal for Cyrus’ lack of knowledge.

Dancers: Alexa and Daniel
Choreographer: Dee Caspary
Song: “So Long My Friend” by Yanni
Additional info: The bath tub is the water drowning the words.

My thoughts: They are good technical dancers. They did much better this week, but I really hated last week’s piece. However, by the end of the song, I realize the chemistry really is not there. I don’t know what exactly it is. Is Alexa shutting off her heart again to protect it like she did in Vegas because she does not want to fail, thus really fulfilling her own destiny with her thoughts? Do she and Daniel not have any chemistry off screen? I hoped the title of the song was not going to be their ironic fate. I loved the blue outfit that resembled the water. It was beautiful.

The judges: Adam complimented Dee on a beautiful routine. He told Alexa and Daniel although it was beautiful it was a bit chilly. He is not sure exactly what was missing. It was missing the passion. They were not connecting. Mary agreed with Adam. There is no chemistry between the two of them. Nigel said it was danced brilliantly but there is no chemistry.

Dancers: Tiffany and George
Choreographers: Melanie LaPatin and Tony Meredith
Style: Foxtrot
Song: “I Want To Be Loved by You” by Sinead O’Connor

My thoughts: Sinead O’Connor? Really? That was the biggest surprise to me. I suppose I have not kept up on her career. It was my third favorite routine this evening. My eyes were drawn to George, but they did a tremendous job. I love George’s energy; it is always happy and calm. He is such a smooth operator. I also loved her costume.

The judges: Mary thought Tiffany did everything perfectly. Adam was madly in love with it. It reminded him of Fred and Ginger. They “stepped up” (movie plug) to a whole new level. It was “in-freaking-credible.” Nigel they could be the “Opening Act” for anybody. They should be a lesson to every couple on the show.

Dancers: Witney and Chehon
Choreographer: Nakul Dev Mahajan
Song: “Tandav Music” by Aatish Kapadia
Style: Bollywood of course

My thoughts: It was high energy. Bollywood has to be one of the toughest dances out there, especially because of the hand moves, but also it requires a great deal of stamina and strength. Chehon did the better job of the two. Nakul looked so proud of them. I would not have known Chehon was a ballet dancer tonight. He took the constructive criticism he received last week and applied it.

The judges: Adam said it was the first time he saw joy in Chehon. Witney needed to extend her neck. He still felt chemistry between them even though they were apart during the dance. Mary said it was so much better this week for Chehon and that he was on fire tonight. Nigel thought Chehon was fantastic. He cannot believe that Witney was doing knee turns. He also noticed with khattak in the dance routine.

The Results From Last Week

Based on last week’s votes, Janaya, Alexa, and Witney were in the bottom 3 for the girls. When the camera flashed to Alexa, she knows she is leaving. She looks down and cannot smile. Janaya and Witney are there with their chins up and smiles on their faces. The bottom 3 guys were Nick, Daniel and Chehon. Nigel said that the votes were for people America liked, but they have to stay unemotional about their decision. They were the best 20 dancers across this season. After talking to the choreographers, seeing them dance this week and last, they were saving Chehon and Witney. I imagine the Bollywood routine helped to save them.

Extra Bonuses

There was a great segment about the movie “Step-Up Revolution” coming out. Jamal Sims is the choreographer, but so are Travis Wall and Mia Michaels, Mia also playing the role of “Olivia” in the movie. Adam Shankman is the producer. It features several SYTYCD alumni including Stephen “tWitch” Boss, Tony Bellissimo, Phillip Chbeeb, and Kathryn McCormick.

Speak Out and Step Up (movie plug): What do you think of the decisions this week? What do you think of this new format? Let us know!

Note: I’m headed to New York on Thursday. Since it takes me about 4-6 hours to get this blog done, I do not think I’ll be able to do a detailed blog and pack Wednesday night. I’ll try to get something up, although it likely will not be in this regular format. I appreciate your support for this blog. I’d love to get more comments on it and have a discussion.





So You Think You Can Dance — Top 16 Elimination

4 07 2011

Elimination day is always a mixture of angst for the dancers and the viewers who love then, but it also gives other dance troupes throughout the world a chance to shine. Tonight’s episode had a dance that touched me deeply. The top 16 came out to perform a spy-like routine to the song, “The Incredits” from The Incredibles (soundtrack). The dance was choreographed by Michael Rooney.

Kristen Chenoweth pushed her new CD, coming out September 13. A clip of her first music video was played. I remember Kristen when she was on Broadway in “Wicked” and sang these songs on Good Morning America.

The first bunch of contestants was brought up: Melanie & Marko, Ryan & Ricky, Ashley & Chris. Ashley and Chris were in the bottom and would need to perform solos. This was not surprising. There was something missing from either the choreography of the dance, or the dancers’ ability to pump more soul into the dance itself.

The second group is called up: Jordan & Tadd, Sasha & Alexander, Miranda & Robert. Cat announced that Miranda and Robert were in the bottom 3. After they had this group together, I knew Miranda and Robert would be in the ones whose names were called just because the others had some outstanding dances and once again, when going up against contemporary and hip-hop, ballroom or Broadway will lose every time.

Finally, the last group appeared on stage: Clarice & Jess, Caitlynn & Mitchell. I had worried about Caitlynn and Mitchell being in the bottom 3 just because of the foxtrot. The young people voting just do not understand ballroom dancing.

While the contestants prepared for their solos, we were treated to a remarkable dance routine from Axis Dance Company. The mission of Axis is 1) to create and perform contemporary dance that is developed through the collaboration of dancers with and without disabilities; 2) to teach dance and educate about collaboration and disability through community education and outreach programs; 3) to promote and support physically integrated dance locally, nationally and internationally. Dancers Sonsheree Giles and Rodney Bell moved me to tears with their compelling routine set to “Partita for Violin Solo No 2 in D minor, BWV 1004: V. Ciaccona” by Janine Jansen. Please click on the below link to visit their site and see their stunning choreography.

Axis Dance Company

Click here to visit Axis Dance Company

After the break, Ashley danced her contemporary solo to “For You” by David Ryan Harris. Performing to “You’re Going to Make It” by KJ-52 (featuring Blanca Reyes), Chris showed the judges why he deserved to stay with his hip-hop moves. Miranda reminded the judges of her beauty and grace while dancing to “Unthinkable” by Maria Zouroudis. Robert then took the stage to dance his hip-hop style to “I Don’t Need It” by Jamie Foxx. Returning from commercial, Caitlynn performed to “It Doesn’t Hurt” by Katie Thompson. Rounding out the solos was contemporary dancer, Mitchell, performing to “Rolling In The Deep” by Adele.

Judging strictly on the solos, I would have had to pick Caitlynn as the girl. Miranda and Ashley had better solos. For the guys, I would have picked Chris because Robert and Mitchell had more stand-out solos. However, we know that the judges take everything into consideration: Past performances, the group performance from Wednesday night, the popularity with the viewers, etc.

Cat dismisses the judges who have a tough decision to make. While they are contemplating that, the current United States and world theatrical ballroom dancers/choreographers, Eric Luna and Georgia Ambarian, performed to “Calypso” from Pirates of the Caribbean: At World’s End.” Judging from their dancing and the crowd’s appreciation of it, I may have to take back my earlier opinion on the young people not understanding ballroom dancing. If they were contestants performing like this, they would not be in the bottom 3.

LunaAmbarian

Click here to visit Eric & Georgia's website

The judges return with their decision and the girl’s choice was not unanimous. Miranda would be leaving the group this evening. For the guys, it would be Robert, but Chris was told that he must grow faster.

I tweet with many Miranda fans who were understandably upset. I told them to remember this competition is about America’s favorite dancer. Skill does play into the final decision, but so many other factors contribute: Luck of the draw of dances, the vision of the choreographer for that dance, partnering, personality, standing out in the crowd, etc. What is so wonderful about this show is that you do not have to win in order to have a long and wonderful career in dance. Look at Mark Kanemura. He finished 5th in season 4 and this past year I’ve seen him in Glee (in the Britney Spears episode) and was on tour with Lady Gaga. Kherington Payne was eliminated in week 6 of season 4 and went on to star in the remake of “Fame” and was also on a Glee episode. To all the fans of people being eliminated, please keep this in mind. Sadly someone has to leave each week. This truly is the most talented top 20 the show has ever had and the competition is fierce.





So You Think You Can Dance — Top 20 Elimination

18 06 2011

As the minutes ticked down on Thursday night on “So You Think You Can Dance,” my nails were getting shorter. I went from disliking Nigel to loving Nigel in a matter of a minute. Was he dragging out the drama of an impossible decision or was it truly too tough to call? I have felt that suspense at the finale but never on decision night after the first week’s competition. I can only imagine what the nerves must have been like for the contestants.

Dancing to Sonya Tayeh’s choreographed routine to the song “XR2” by MIA, the group looked like futuristic military ninjas. Nigel announces that National Dance Day will be July 30, 2011. There will be three levels of dance routines. He encourages everyone to get out there and organize flash mobs for charity to celebrate dance.

Group dance

Group dance

The first group is called to the stage. In this group are Melanie and Marko, Missy and Wadi, and Iveta and Nick. It was pretty safe to say Melanie and Marko were safe after the Travis Wall routine. Would Iveta and Nick break the quickstep curse? All three couples are safe.

Mitchell was cleared to dance his solo later on the show after having an injury prevented him from performing on Wednesday night. I worried for him. If he was sent home, I hoped they would allow him a pass to Vegas next year.

The second group was called to the stage: Ashley and Chris, Jordan and Tadd. I predicted Jordan and Tadd would be in the bottom three couples for the simple fact that they went first, all this amazing choreography followed with other stellar performances. People have short attention spans. In part two of this group were Caitlynn (who danced with Robert Roldan instead of Mitchell), and Jess and Clarice. The next couple in the bottom three was Jess and Clarice. I think the challenge there is that many young people are voting and they don’t understand Broadway or ballroom dancing like the waltz, etc. Contemporary, hip-hop, krump, and dances along those lines sway those crowds.

Time to take a break with a performance of “Lose Control” by Keri Hilson.

Ryan and Ricky, in the next group, are safe, leaving Miranda and Robert, and Sasha and Alexander. The final couple dancing for their lives would be Miranda and Robert, totaling 7 dancers.

The Gopak was attempted in a previous season of SYTYCD with disastrous results. Tonight to perform how it SHOULD look was Gennadi Saveliev, formerly of the Bolshoi Ballet and co-founder of Youth America Grand Prix, the largest scholarship program for ballet dancers. It was beautiful.

Mitchell was up first with his solo. He reminded us who he was as a dancer and why he made it through during Vegas week. It was too soon for him to go home. Up until this season of SYTYCD, it was pretty easy to pick who was the weakest contestant sometimes up to the top 12. Then it was Jordan’s turn, followed by Tadd and Clarice. After a commercial break, Jess, Miranda and finally Robert perform their solos. I found it just as difficult as the judges, but my choices would have to be Clarice and Robert based on the solos only comparing them to the others in the group.

Lady Gaga’s video for “The Edge of Glory” debuted. I kept waiting for something outrageous to occur, but the video was cut off by a commercial. With no accompanying dancers either, I thought the video was the new victim of the economy. The live performance of this song at the American Idol finale was better (at least what I saw as a home viewer).

After coming back, it was announced that Clarence Clemons who played the saxophone in the Lady Gaga’s video suffered a stroke. Clarence was playing the sax at the American Idol finale. Shocking news. The judges asked Mitchell and Robert to dance again. I felt there was hope for Mitchell. Still not being able to make a decision, they call the girls out one-by-one and give them a critique. Then he makes the girls wait. Nigel calls the guys out and gives them a critique. The decision is: NO ONE LEAVES. A first in SYTYCD history. While that is great news for this week, 4 people will leave next week. If trying to pick out 2 to send home, how will it even be possible to pick out 4? Tune in to find out. See if history is made again.





So You Think You Can Dance — Top 20 Performance

16 06 2011

Tonight’s performance proved that season 8 has the most collectively talented group of dancers out of all the previous seasons. What sets them apart this year may actually be the choreography rather than the execution.

Judging this evening were Nigel Lythgoe, Mary Murphy and a guest judge, Megan Mullally. What? Why? Although I appreciated her humility about her not being an expert, I prefer real choreographers. I’ll be interested to see what kind of feedback she is able to give the contestants.

In order to get to know the contestants better, they are going to have 8 seconds to share some insights about themselves.

Birthday girl, Jordan, is paired with Tadd for an African jazz routine choreographed by Sean Cheesman. Jordan is 19 today. She wants to be a Pussycat Doll. But can you sing, Jordan? The howling like a dog does not sell me on an American Idol title, although she did make me laugh. Jordan loves food and her favorite color is blue. Tadd is 25. He played a dancing taco in a movie. He almost died doing Bollywood (one of my favorite dances). When he was a kid, he thought he was Caucasian. He cannot ride a bike. And world peace. Endearing. He is adorable. Dancing to the song, “Riding the Waves” by Afro Celt Sound System, it was a nice start to the show. Did it feel like a dance about lava? Yes. There were a few spots where their movements were not synchronized (jumping up in the air together, for example), but considering Tadd is a b-boy, he did a great job. This is jazz so it plays to Jordan’s strengths. I liked the little b-boy moves that Sean put into the dance for Tadd to showcase his strengths, too.

Jordan and Tadd

Jordan and Tadd

Sasha is 23 and is already forgetting her age (wait until she is my age). Her favorite color is purple. Alexander, her partner this week, age 20, lives in California, and speaks Spanish. With both of their backgrounds being contemporary, they were relieved to see their style for this week was a contemporary style from the immensely talented Travis Wall to the song, “Stupid” by Sarah McLachlan. Travis always has an amazing story to go with his dances. Poor Alexander got beat up during rehearsals because of the nature of the choreography. The song has some excellent rhythms that Travis capitalizes upon in his interpretative dance. Sasha and Alexander did him proud. I found myself breathing and moving to the deep beats. I was completely mesmerized by this routine. At this point, this is my favorite out of the two routines presented.

Sasha and Alexander

Sasha and Alexander

Clarice is 19 and her eyes “change colors.” She tends to be shy but opens up after you get to know her. Hailing from New Jersey, Jess, her partner, is 18. He loves Broadway and to sing and dance (I would hope so). He likes to make weird noises. Somehow I do not think these dance choices are by chance anymore as they get a Broadway routine, Jess’ strength. Our resident Broadway choreographer, Tyce DiOrio, welcomes them to rehearsal. I think Jess liked the butt slapping a little bit too much, but it makes him endearing. That is part of what makes people vote. They dance to Liza Minnelli’s “Me and My Baby.” It was an upbeat, fun routine. Tyce is very pleased as well. When Nigel praises him, Jess looks like he is going to cry. (If you remember back, Nigel had said something negatively about his arrogance during the auditions).

Jess and Clarice

Jess and Clarice

Nineteen-year-old Ryan talks very fast. She is a Sagittarius who loves Law & Order: SVU and Mexican food. Ricky, her partner, was originally born in Miami and moved to Tampa when he was 15. He loves cheer music. These two contemporary dancers get lyrical hip-hop which is pretty close to contemporary. Think Mark & Chelsie’s routine to “Bleeding Love” in season 4, which is one of my favorites. Christopher Scott choreographs the story here which is important. The characters are in love, but the female is “gone,” and it’s driving the male character slowly insane. When I hear a character is “gone” I immediately think “dead.” The song chosen was “Ain’t No Sunshine” by Lighthouse Family. Ryan did a great job at the hip-hop movements. It is crazy that a simple facial expression could throw off a routine that was meant to be a sensual powerhouse. Ryan explained her interpretation of the dance. However, the lyrics of the song should have dictated her facial expression. This is about there being NO sunshine, but Ryan was beaming full of it. Ricky was quick-witted with his comment about leaving Ryan for Cat. If you are going to leave the beautiful Ryan for some reason, that would be a good one.

Ricky and Ryan

Ricky and Ryan

Small-town girl Caitlynn is 18 and a senior in high school but has her first-year of college done (AP classes, I imagine). She loves the color green and Disney movies. She is partnered with Mitchell who injured his arm during rehearsal and will not be able to dance this evening. (A shout-out to Mitchell who follows me on Twitter–Get better soon.) You could see how visibly upset he was in the audience and I felt so bad for him. In his 8 seconds to get to know him better, we find out he is allergic to onions (watch your back). He loves chocolate and childhood movies. I would suggest the movies, “UP” and “How To Train Your Dragon” while he recuperates. His favorite color is orange. They were dancing a Sonya Tayeh jazz routine celebrating fearlessness in the warrior spirit. Robert Roldan from season 7 steps in for Mitchell. The song is “In For the Kill” by La Roux. The moves are complicated, as I would expect from Sonya, with a lot of shoulder moves. Caitlynn’s moves WERE fearless and made warrior mother spirit Sonya proud.

Caitlynn and substitute partner Robert

Caitlynn and substitute partner Robert

Miranda is from Pittsburgh. Don’t worry, Miranda–I still need a nightlight, too and I’m much older than you. She likes spicy food. Robert (Woo-Man) gets to be her partner. He is from Brooklyn (where I was born). He loves to cook, play video games, wrestling, dogs and cats. They get a Latin dance and Jason Gilkison has a jive for them. Huh? How is a jive a Latin dance? I am a little worried that they are trying to make Robert like Twitch, especially with the signature glasses. Twitch was an original. The song is “Runaway Baby” by Bruno Mars. It was fast and fun. Robert’s feet are flat instead of pointed. They pretty much stay together with the music (that is difficult to do with such a fast song with fast moves). Afterwards, Robert works the crowd. Mary felt that Robert stole the show tonight. Nigel cautioned him that his “woo” could endear him or make him annoying.

Miranda and Robert

Miranda and Robert

Missy likes yoga, lipstick, long walks, eating, her family and talking in a Jamaican accent. She would like to marry an Australian (perhaps the show “Outback Jack” will be back someday). Wadi, coincidentally, was born in Jamaica. He is 24 years old and loves the Japanese culture. They got the jazz dance card with Sean Cheesman. Pandora’s Box is being opened and sexy, evil demon clones of you get revealed. The first prop of the season is brought out–the box. “Judas” by Lady Gaga is the song. Some of the box work is not synchronized, but it is difficult to do that when you can’t see your partner. I felt like there was some holding back. They could have gone absolutely nuts to make this crazy sensual, but as a viewer, I felt a wall up. It looked like they were thinking too much about the dance. The jumping skills of Wadi worked well here. This was Wadi’s first time ever in his life partnering with someone. Given that, I’ll give them a bit of a pass on the routine.

Missy and Wadi

Missy and Wadi

Melanie is from Georgia and likes chocolate chip cookies. She collects nail polish. Interesting tidbit is that she used to suffer from narcolepsy and had to wear a helmet. She wants to be on Ellen’s show. Marko will be Melanie’s partner. He is from Guam. He loves to eat. He reassures us that his voice is his; he is not sick or has a sore throat. Once again, they get the not-random choice of contemporary with Travis Wall. It is “Night at the Museum” with a twist: The male dancer wants to become one statue with the female statue. The song is “Turn to Stone” by Ingrid Michaelson. This is my favorite dance of the night. It moves me emotionally and gives me goosebumps. Nigel goes so far as to say it might be the first Emmy-nominated routine of this season. About this time, Travis Wall began trending on Twitter. Mary holds back her tears. Nigel calls Melanie the queen bee of the beasts.

Melanie and Marko

Melanie and Marko

Next up is Ashley. She loves food and the color magenta. She is paired with hip-hop dancer Chris who was born and raised in Dallas, Texas. He is one of seven children. Chris likes ice cream, biking, movies and going out with friends. Their routine will be hip-hop, choreographed by Christopher Scott, danced to the song, “Forget You“, by Cee Lo Green. The story is that the couple has been cheating on each other and find out at the same time about the other’s infidelity. Apparently this hits close to home for Chris (who would cheat on him?). The lyrics of this song does not fit this story. The routine is cute, but it lacks synchronicity and better hip-hop moves were coming from Ashley.

Ashley and Chris

Ashley and Chris

The last dance of the night pairs up Nick and Iveta. That was a good pairing. Iveta is intimidating with her ballroom championships in 10 different styles. Iveta is 30 and lives in New York City. She is originally from Lithuania. She wants a pet monkey and she is hot for dance. Nick plays with the camera and talks really slowly for his 8 seconds. He’s just fun. They are dancing ballroom and they act surprised. Doing the quick step, the kiss of death on this show, is Jason Gilkison. They dance to one of my childhood favorites, “Ballroom Blitz” by Sweet, which is fitting considering poor Nick just went through Ballroom Boot Camp, and the song has his name in it at the beginning. I loved it. It was a great way to close the show. Although we won’t know until Thursday night, I think the curse of the quick step has been broken.

Iveta and Nick

Iveta and Nick

To sum-up, my favorite routine of the night was Melanie and Marko. But who will be in the bottom 3 couples? Unfortunately I think Jordan and Tadd might be in trouble for two reasons: They went first and the dancing just got better. However, I know they have a large fan base. We know Mitchell is going to be in the bottom because of his injury, but I am unsure if that means Caitlynn automatically goes there with him. For me, the third couple would have to be Ryan and Ricky or Ashley and Chris just because of the reasons stated above. Both routines were choreographed by Chris Scott. It is difficult to even pick a bottom 3; we are talking differences between 3 teaspoons of sugar versus 2 teaspoons of sugar.

One thing that needs to change is the assignment of the dances. The cards need to be put in a box and shaken up before each couple chooses. The show is about challenging the dancers beyond their comfort zones. Let’s see Iveta do hip-hop. Let’s see any of the hip-hop boys do ballroom.

Who are your top performers? Who do you think will be going home?