So You Think You Can Dance — Top 20 Dance Again & First Elimination

22 07 2012

So You Think You Can Dance — Top 20 Dance for a Third Time

I don’t know about you, but this entire format this year has me very confused. Why the change? The first week traditionally has been for us to meet the Top 20 and get a chance to see them dance. Then the second week, traditionally the top 20 dance, we vote, and then the next day, the 3 people with the lowest votes in the girls and the guys get to dance for their lives and the judges choose who is going home. However, the second week, the top 20 danced, and then there was no show the next day. When I heard they would tell who was going home the next week, I thought to myself, okay, so they are going to make us vote again, give the Top 20 a third week to dance so we could thoroughly enjoy them, get to know them, etc., and then on the next-day show, they will add the two weeks’ votes together, and continue on. However, that was not the case. The top 20 danced, but based on the votes, based on what they saw this week and last week, and with additional input from the choreographers from this week and last week decided who was leaving tonight. Nigel reminded us that they were not “voting people” off, but rather sending home the people who did not receive the most votes. Personally it is a game of semantics–like is the cup half empty or half full. I inquired with my OFFICIALFOXVIP contacts if this was just a one-time thing because of scheduling difficulty with the other shows and apparently this is the way they are doing it this year. On one hand, it makes it better for me because trying to type up a blog on Wednesday night before the Thursday show is very difficult. On the other hand, it seems kind of cruel to the dancers. They do not know if their previous week’s dance is going to put them in the bottom 3, and that will translate in the dances they perform on Wednesday night, which in turn will turn into the votes they get for that dance and whether or not they are in the bottom 3 the following week. It sounds like a mind game. I know Nigel Lythgoe is not like that, and I do not know if it was a demand of the network, but I do not like it.

Having said, that, let’s get on with the performances this week. We had Adam Shankman, guest judge, on tonight and the barrage of funny plugs for “Step-Up Revolution.” The group dance was choreographed by Tabitha and Napoleon D’Umo to the song: “The Beautiful People (District 78 Remix) by Marilyn Manson. I started having déjà vu. Didn’t we see a song choreographed to this song before? I looked it up and turns out I was right. Comfort Fedoke and Chris Jarosz performed to it, choreographed by Tyce Diorio, in week 3 of season 4, in 2008. See a YouTube clip from the episode.

Even though it was a repeat, the dance was slightly different and it was zombie-esque (I like the word “esque” lately) and had hints of the Thriller dance.

The show opens and Adam thinks Cat is like a big sexy tomato. Cat invites him to take a bite. I love when Adam Shankman is on. He has the BEST lines.

Dancers: Cole and Lindsay
Choreographer: Christopher Scott
Song: “Teeth” by Lady Gaga

My thoughts: It was a lot of fun. Cole was great and definitely played the nerd wonderfully, keeping in character throughout the judges’ critique. Was Lindsay a nerd’s dream or did the nitrous oxide do things to Cole’s head? What a happy gaseous delusion! Christopher Scott’s routines are kind of hit or miss for me. There are either brilliant, or seemingly hastily put together.

The judges: Adam thought the American Dental Association should adopt the routine. Cole was freaking him out (in a good way). He thought Lindsay was holding her sex kitten in and needed to really attack it. Nigel certainly thought it was incentive for Great Britain to go to the dentist. He felt it was a bit immature. He thought Lindsay was playing to the audience and not to Cole. Mary said the routine put a smile on her face. She felt Lindsay needed to be vampier. Part of the show is acting and she will need to bring that. Cole is a lean, mean dancing machine.

Dancers: Amelia and Will
Choreographer: Sonya Tayeh
Song: “3326” by Olafor Arnalds
Story: Two souls are carrying the weight of the world on their shoulders. They are searching for the light at the end of the tunnel.

My thoughts: I could feel that weight and the oppression of their souls. I had goosebumps, the first tonight. They had stunning lines. Amelia and Will have great chemistry. In this dance, they moved as one. WOW! It was my favorite routine of the night.

The judges: Mary screamed: “OOOOOOOO!” Sonya was right on top tonight with this beautiful routine. Will and Amelia brought it to life. Will was rising to the occasion. They have gone another floor up in her eyes. Adam gave them a standing ovation. Of Amelia, he said he was completely lost in the piece and it took him on a journey. Will 1,000,000% “Stepped it up” (movie plug). It was brilliant. Nigel said that not only had Travis grown, but Sonya, too, has show tremendous growth on the show since she joined. She said Amelia was great a great, quirky dancer. Both Will and Amelia were absolutely brilliant dancers.

Dancers: Amber and Nick
Choreographers: Miriam Larici and Leonardo Barrionuevo
Style: Tango
Song: “Tanguera” by Sexteto Mayor

My thoughts: My eyes were drawn to Amber immediately and not because of her red dress. There is one spot where she almost looked at the audience and lost her character. There was a lot of hard footwork being performed by both Nick and Amber. It was intense.

The judges: Adam thought it was hot. Amber was spectacular, a fire-breathing dragon. Nick was a brilliant partner but he vanished a bit. Nigel thought Amber made herself look good, a cobra ready to pounce. Nick was very strong and it showed. Mary said it was a difficult routine. Nick and Amber made it not look like work. Amber was a fire out there and she was in awe. She gave a “hats-off” to Nick; he did great.

Dancers: Audrey and Matt
Choreographer: Sonya Tayeh
Song: “Hear Me Now” (Dri, Lind and Lukka Mix) by Steed Lord
Story: The robotic struggle between men and women

My thoughts: It was hard hitting and angry. You could feel the struggle. It was my second favorite routine of the evening. These two have great chemistry together and are superior dancers.

The judges: Nigel loves the “stank steps.” They were incredible and are one of America’s favorite couples. Mary said they, too, were one of her favorite couples, and quite the dynamic duo. They maximized everything. One of her favorite routines tonight. Adam said tonight belongs to Sonya. Audrey was “friggin brilliant.” He told Matt if he kept it up like that, it was his competition to lose. It was amazing and for them to stay in the zone.

Dancers: Dareian and Janelle
Choreographer: Christopher Scott
Song: “My Girl” by The Temptations
Story: A wedding proposal

My thoughts: It was the first kiss of the season, which promptly some fun from the judges, more fun than this routine unfortunately. Mary said she was not getting into this kissing thing this season, so Adam fake-kissed Nigel. It was fantastic. This routine did nothing for me. Dareian was the stronger dancer of the two, however. I think Christopher Scott did not do such a great job tonight with his choreography. Maybe he is the type that needs awhile to prepare, to think things out. He needs to learn how to Twitter-up his dance routines. Less than 140 characters but strong thoughts that resonate with people.

The judges: Adam felt Dareian was more invested than Janelle. Nigel said that so much depends on the choreography and it was a little uninspiring. Both are better dancers but they have to bring it, too, as Adam pointed out. Mary said the routine was sweet and it was just okay.

Dancers: Brandon and Janaya
Choreographer: Sean Cheesman
Song: “Bring On The Men (From Jekyll & Hyde: The Gothic Musical Thriller) by Linda Eder
Style: Broadway — Hot romance book gets the girl frisky

My thoughts: It was a very fun routine with high energy. Some of the moves were great. Sean Cheesman is another “hit or miss” choreographer for me, but this one, I liked.

The judges: He felt like Brandon “stepped it up” (movie plug). Janaya’s lines were great and she played the crowd. Nigel thought it was brilliant Broadway and agreed with Adam. Janaya brought something this week that she did not have last week. Mary thought it was the most entertaining routine of the night. The stepper (Brandon) was “stepping it up” tonight with energy. Great acting from Brandon and Janaya was amazing. Cat thought it was fearless.

Dancers: Cyrus and Eliana
Choreographers: Melaine LaPatin and Tony Meredith
Song: “I’m Shakin'” by Jack White
Style: Jive

My thoughts: I am a huge fan of Cyrus. He brings his personality and enthusiasm to every dance; however, his lack of technique is beginning to show in a big way. Eliana is always wonderful. The routine was lively. Cyrus tries so hard and I am so proud of him.

The judges: Mary said Cyrus’ feet were not quite right, that his posture goes in and out. He is doing great partnership. Her star is still showing for Eliana. She is a phenomenal dancer. She was cookin’. Adam said that he was amazed Cyrus got through it. Eliana was the hardest working woman tonight. Nigel said that at some time Cyrus will hit a brick wall. Cyrus has to connect the dots and needs to fill in the blank spaces. Eliana has a tough job with Cyrus. She has to compensate a great deal for Cyrus’ lack of knowledge.

Dancers: Alexa and Daniel
Choreographer: Dee Caspary
Song: “So Long My Friend” by Yanni
Additional info: The bath tub is the water drowning the words.

My thoughts: They are good technical dancers. They did much better this week, but I really hated last week’s piece. However, by the end of the song, I realize the chemistry really is not there. I don’t know what exactly it is. Is Alexa shutting off her heart again to protect it like she did in Vegas because she does not want to fail, thus really fulfilling her own destiny with her thoughts? Do she and Daniel not have any chemistry off screen? I hoped the title of the song was not going to be their ironic fate. I loved the blue outfit that resembled the water. It was beautiful.

The judges: Adam complimented Dee on a beautiful routine. He told Alexa and Daniel although it was beautiful it was a bit chilly. He is not sure exactly what was missing. It was missing the passion. They were not connecting. Mary agreed with Adam. There is no chemistry between the two of them. Nigel said it was danced brilliantly but there is no chemistry.

Dancers: Tiffany and George
Choreographers: Melanie LaPatin and Tony Meredith
Style: Foxtrot
Song: “I Want To Be Loved by You” by Sinead O’Connor

My thoughts: Sinead O’Connor? Really? That was the biggest surprise to me. I suppose I have not kept up on her career. It was my third favorite routine this evening. My eyes were drawn to George, but they did a tremendous job. I love George’s energy; it is always happy and calm. He is such a smooth operator. I also loved her costume.

The judges: Mary thought Tiffany did everything perfectly. Adam was madly in love with it. It reminded him of Fred and Ginger. They “stepped up” (movie plug) to a whole new level. It was “in-freaking-credible.” Nigel they could be the “Opening Act” for anybody. They should be a lesson to every couple on the show.

Dancers: Witney and Chehon
Choreographer: Nakul Dev Mahajan
Song: “Tandav Music” by Aatish Kapadia
Style: Bollywood of course

My thoughts: It was high energy. Bollywood has to be one of the toughest dances out there, especially because of the hand moves, but also it requires a great deal of stamina and strength. Chehon did the better job of the two. Nakul looked so proud of them. I would not have known Chehon was a ballet dancer tonight. He took the constructive criticism he received last week and applied it.

The judges: Adam said it was the first time he saw joy in Chehon. Witney needed to extend her neck. He still felt chemistry between them even though they were apart during the dance. Mary said it was so much better this week for Chehon and that he was on fire tonight. Nigel thought Chehon was fantastic. He cannot believe that Witney was doing knee turns. He also noticed with khattak in the dance routine.

The Results From Last Week

Based on last week’s votes, Janaya, Alexa, and Witney were in the bottom 3 for the girls. When the camera flashed to Alexa, she knows she is leaving. She looks down and cannot smile. Janaya and Witney are there with their chins up and smiles on their faces. The bottom 3 guys were Nick, Daniel and Chehon. Nigel said that the votes were for people America liked, but they have to stay unemotional about their decision. They were the best 20 dancers across this season. After talking to the choreographers, seeing them dance this week and last, they were saving Chehon and Witney. I imagine the Bollywood routine helped to save them.

Extra Bonuses

There was a great segment about the movie “Step-Up Revolution” coming out. Jamal Sims is the choreographer, but so are Travis Wall and Mia Michaels, Mia also playing the role of “Olivia” in the movie. Adam Shankman is the producer. It features several SYTYCD alumni including Stephen “tWitch” Boss, Tony Bellissimo, Phillip Chbeeb, and Kathryn McCormick.

Speak Out and Step Up (movie plug): What do you think of the decisions this week? What do you think of this new format? Let us know!

Note: I’m headed to New York on Thursday. Since it takes me about 4-6 hours to get this blog done, I do not think I’ll be able to do a detailed blog and pack Wednesday night. I’ll try to get something up, although it likely will not be in this regular format. I appreciate your support for this blog. I’d love to get more comments on it and have a discussion.


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Categories : Fox Shows, So You Think You Can Dance, TV shows

So You Think You Can Dance — Let the Voting Begin

12 07 2012

So You Think You Can Dance — Top 20 Voting Begins

The evening started out well with a Mad-Men-ish dance, choreographed by Christopher Scott, to the song, “Architect of the Mind” by Kerry Muzzey. The judges for this evening were our resident judges Nigel Lythgoe and Mary Murphy with the guest judge the fabulous Kenny Ortega. Many goosebump moments happened for me this evening.

What We Learned in 7 Seconds About Our Contestants

Witney Carson is 18, plays guitar and the drums, likes to golf, has over 100 relatives and is afraid of crickets. Chehon Wespi-Tschopp is 23. He was born in Chicago, but grew up in Switzerland. He is a ballet dancer, thinks in 2 languages and finds it hard to talk really fast. Tiffany Maher is 19. Her nickname is T-Maher-Starr, has “baby hands”, had a pet duck, and likes going to the beach. George Lawrence II is 19 and loves the color green. He loves collard greens, hates being outside, is camera shy and had a pet frog (want to bet he named it Kermit?). Janaya French is 20, wants to meet Shamu, loves fuzzy socks, hates orange candy and thinks Chucky is her worst nightmare. Brandon Mitchell is 27, from Kansas City, Kansas, is allergic to cats and dogs. His brother broke the world’s record for the long jump for 8 year olds. Alexa Anderson is 19, loves red lipstick, being outside, watermelon and puppies. She can eat frozen yogurt for every meal and her favorite topping is sprinkles. Daniel Baker humored things up by playing up America’s stereotypical idea of an Aussie. He is 24, puts shrimp on the barbie, throws boomerangs, has a pet kangaroo, is related to Crocodile Dundee and owns vegemite. Right. Amber Jackson is 21. She loves track, bunnies, and skating. She hates sausage and sleeps with stuffed animals. Nick Bloxson-Carter is 20, just took 23 credits and does not advise anyone else to be quite that insane. He loves movies, hanging out with friends, laughing, and the beach. His dad works at the Playboy mansion. Amelia Lowe is 18. Her dad is a tattoo artist. She was named after Amelia Earhart because her dad loves to fly planes. Her mom is a Pilates instructor.  Will Thomas is 19. Orange is his favorite color. He believes he is Simba. Janelle Issis is 24 and from Birmingham, Alabama. She likes the movie, “The Color Purple”. She can cook. She loves roller coasters. Dareian Kujawa is 20. He left home to join the circus. He used to play hockey. He hates spiders. He loves the color blue and can mimic Donald Duck. Eliana Girard is 21. She hates raisins, is addicted to “True Blood” and loves the word “Alfred.” Cyrus Spencer is also known as Glitch, is age 22, a Pisces (I knew I liked him for some reason!), has a dozen pair of gauges (earrings), is addicted to shoes and loves basketball. Audrey Case is 18 and is from Oklahoma. She reminded us that she can make fart noises with her neck. She collects elephants and loves Taylor Lautner. Matthew Kazmierczak is 21. He loves hiking, is definitely a cat person, is terrified of sharks, has 6 tattoos and is terrified of the mannequin that was in the room with him at the time of the interview. Cole Horibe is 26 and is a walking cliché. He is an Asian male who is a ninja martial artist. He liked math when he was “young” (oh please, like 26 is old?), and is part of the descendent line of the 47 Ronin Samurai. Lindsay Arnold is 18, likes food, hates spiders and tomatoes, cannot cook and gave someone stitches once.

Couples Dances

Dancers: Witney Carson and Chehon Wespi-Tschopp
Choreographer: Louis Van Amstel
Dance: Samba
Song: “Jump” by The Cube Guys and Lucinana

My opinion: I loved Witney’s pink dress. Chehon did well being a ballet dancer and worked the audience well during one of the moves, but he is too straight in his posture. Witney did a great job.

The Judges: Nigel thought Witney was a star. Chehon needed to relax more and enjoy the music. Mary pointed out Chehon’s foot work, but moved his body well across the floor. Witney got a 1st class ticket on the hot-tamale train. Kenny thought Witney was like Marilyn Munroe in “Some Like It Hot” but hotter. He told Chehon to surrender to the music and agrees pretty much with Nigel.

Dancers: Tiffany Maher and George Lawrence II
Choreographer: Sonya Tayeh (Dance is about the stars being aligned for a couple and they realize each other and who they are.)
Dance: Contemporary
Song: “Turning Page” by Sleeping At Last

My opinion: Goosebumps. I had them when Sonya was just describing the dance, the emotion that the feel towards each other (I am a hopeful romantic at heart) and goosebumps while it was being performed. I have always rooted for George and hoped that his dad could see that he really is a fantastic dancer.

The Judges: Mary said it left her breathless. She said that George is one of the best dancers in the competition. She commented how connected the two of them were. Kenny said they both surrendered, and it reminded him of youth. “You spilled it.” Nigel thought it was superb and loved the arabesque in the lift.

Dancers: Janaya French and Brandon Mitchell
Choreographer: Napoleon and Tabitha Dumo (who looks radiant and like she is going to give birth at any moment). The story is about addiction and the choice between it and love.
Dance: Hip-Hop
Song: “Take Care” by Drake featuring Rihanna

My thoughts: It was average. Brandon got the feelings of anger across well but I did not feel the struggle. Not exactly sure why.

The Judges: Kenny believed the story and thought they did a great job. Nigel thought Nappytabs was very clever to hide some of their flaws through this dance. Mary believed Brandon but felt Janaya needed to be more gritty.

Dancers: Alexa Anderson and Daniel Baker
Choreographer: Sean Cheesman
Dance: Jazz (it is supposed to be sexy, quirky).
Song: “Hey, Hey (DF’s Attention Vocal Mix) by Dennis Ferrer

My opinion: I felt absolutely no chemistry between these two. It was intricate, but sexy and quirky? No. Their faces showed that there were really thinking about all the movements and not really feeling the dance. And they had that one face (smiling) the entire dance. I have had a problem with Alexa’s facial expressions in the past (smiling during a song whose lyrics were sad, for example). Is that the dancers’ issue or the choreographer by making the routine technically difficult? Not sure. Maybe a bit of both. It was my least favorite dance of the evening.

The judges: Nigel hopes the audience can appreciate the level of difficulty. He did not see the chemistry either. Mary said that Daniel looked like he was enjoying himself. Kenny thought it was a demanding piece. He thought they were invested in the exercise but not in the performance.

Dancers: Amber Jackson and Nick Bloxsom-Carter
Choreographer: Jason Gilkison
Dance: Viennese waltz
Song: “Nights in White Satin” by Tina Arena

My opinion: This dance is something you see on Dancing With The Stars. For the audience of So You Think You Can Dance, it usually is the dance of death or at least puts people in the bottom 3. I thought it was beautiful and flowed very well.

The judges: Mary said it was dreamy. Kenny thought it was fluid and flowing and loved it. Nigel told Nick to watch his facial movements.

Dancers: Amelia Lowe and Will Thomas
Choreographers: Napoleon and Tabitha Dumo
Dance: “Unconventional hip-hop” — Character pop. Sophisticated kitty meets alley cat (may explain why Will thinks he is Simba)
Song: “The Lovecats” by The Cure

My opinion: I liked this a great deal. It was upbeat and playful. It made me smile. One of my favorite dances of the evening.

The judges: Kenny thought it was fun and charming and loved it. Nigel thought they were “smitten kittens.” He thought it was terrific and memorable. Mary thought it was “purrrfect.” She commented that it made you happy.

Dancers: Janelle Issis and Dareian Kujawa
Choreographer: Sean Cheesman
Dance: African Jazz
Song: “Jungle” by Hilight Tribe

My opinion: They did a great job. I’d have a headache after dancing like that.

The judges: Nigel loved it. Mary said it was exciting. It was like a jungle dance-off and they both came out as winners. Kenny thought it was universal and was like watching 2 flames dancing across the stage.

Dancers: Eliana Girard and Cyrus “Glitch” Spencer
Choreographer: Tyce Diorio
Dance: Broadway
Song: “Run And Tell That” by Hairspray (Original Broadway Cast)

My opinion: I am such a fan of Cyrus. Ballet meets the animator and it worked! It was fabulous and so much fun to watch. Tyce was so proud of them. Another one of my favorites this evening.

The judges: Mary said she had never seen Tyce worked up that much before in her life. This will be “googled up”, i.e., watched over and over again. She said, “Winners are ordinary people with extraordinary hearts” and Cyrus lays his heart out on that stage. Eliana was a ballerina who could get down. Kenny felt like it was watching a Broadway performance right on a New York stage. Their personalities were on fire. Nigel said Cyrus is not the best dancer but he always gives 100% of himself. Eliana is the benchmark for the other girls in this competition.

Dancers: Audrey Case and Matthew Kazmierczak
Choreographer: Travis Wall
Dance: Contemporary (story is on the Titanic after the sketch scene)
Song: “Unchained Melody” by The Righteous Brothers

My opinion: I did not think the song was going to work because we associate that song with “Ghost” and not the movie The Titanic, but it worked. I had goosebumps. For someone who was joking around during the interview and rehearsal, Matt turned on the hot factor. It looked like they were totally and completely in love with each other. It was on fire. I think my favorite dance of the evening.

The judges: On their feet! Kenny thought it was an exquisite choice and was brilliantly danced. Nigel thought it was his favorite of the night and it was a very special moment. Mary loved it.

Dancers: Lindsay Arnold and Cole Horibe
Choreographer: Jason Gilkison
Dance: Paso Doble (instead of a bull and matador, Lindsay’s character was going to be like poison to the warrior).
Song: “Unstoppable” by E. S. Posthumus

My opinion: I normally do not like these dances but they pulled it off. I figured they were going to do something big having the pimp spot of the evening. I had goosebumps. My goosebumps never lie. It was hot.

The judges: They were standing once again. Cat made a comment that Cole had the “blue steel” look (from Zoolander). Kenny thought it was electrifying, mesmerizing and the most fantastic dance he has seen on this show. Mary thought it was the best paso doble Jason has ever choreographed on the show. Lindsay was fabulous and fiery. Cole was “oh my God.” She said it was a beautiful paso doble. Nigel said it was the best paso doble ever done on this show.

After tonight, here is my list of favorites in some semblance of order. It is hard to rate them because they really are so good.

Guys: Cole, George, Matt, Cyrus, Will, Brandon, Nick, Dareian, Chehon, Daniel (sorry Daniel fans; it was this particular dance that put him in the bottom for me.

Girls: Audrey, Amelia, Lindsay, Eliana, Janelle, Amber, Tiffany, Witney, Janaya, Alexa (again, the dance was what put her on the bottom of this particular list).

Who are your favorites? Who is your top 3 and bottom 3?


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Categories : Fox Shows, So You Think You Can Dance, TV shows

So You Think You Can Dance — Season 9 — Top 20

28 06 2012

So You Think You Can Dance — Season 9 — Top 20 Revealed and Performance Show

What a great night to not only celebrate the 200th episode of So You Think You Can Dance, but to also welcome back the magnificent Mia Michaels. Cat Deeley looked particularly stunning this evening as she opened the show. Nigel Lythgoe announced that there would be two winners this season: One from the girls and one from the guys. On the judges panel this evening where our regulars, Nigel Lythgoe and Mary Murphy, and guest judge is adorkable Zooey Deschanel from Fox’s hit show “New Girl.”

Learning Their Fate — Whittling down 35 to the Top 20

People who are in: The first 3 people receiving a yes from the judges were Alexa Alexander, George Lawrence II and Will Thomas. Amber Jackson who had auditioned in season 6, got to the Green Mile, did not make it, auditioned again, and did not even get that far, and said she would not audition again was through. She had grown a great deal emotionally and came back. Perseverance and a positive attitude paid off well for her. After a fake out that made Lindsay think she was out, Witney Carson and friend Lindsay Arnold were both in. Nick Bloxson-Carson also won a spot. Daniel Baker, who had left his job in the San Francisco Ballet and Chehon Wespi-Tschopp who left his job in New York City, both were in. Eliana Girard in her blue-suede shoes and bubbly personality was also on the show. Both Tiffany Maher and Audrey Case went in together. Debbie Allen said she was almost invisible but then she pushed her way to the front. As Tiffany receives a yes, Audrey looks worried. Adam Shankman breaks the news that she made it as well. She cannot believe it and asks, “Wait….are you sure?” She goes and calls her mom. Janelle Issis also was in disbelief as Adam welcomed her into the top 20. Adam said, “Honey, OWN this. You’re the first belly dancer in the top 20.” Janelle is a bit accident prone. She smacked her nose going back through the door to the waiting area and was ill this evening and told not to dance in the performance show. Mary Murphy did a silly version of Simon Says with Ryan-Gosling-look-alike Matthew Kazmierczak with which he readily complied and then received a yes. Dareian Kujawa told the panel he was working on his feet positioning, but they are like brutes. Lil’C tells him to keep working on that because he is in to the top 20. Janaya French moved to Los Angeles after she Vegas week and has had some highs and lows. She is through. After telling the last two girls that they were looking for star quality this year, Tyce Diorio  informed Amelia Lowe she was put through as the final female contestant.  Mary was telling Cole Horibe about hills and valleys in a dancer’s life and compliments him on his uniqueness. She sees no valleys for him–he is put through to the top 20. Namaste, Cole. Stepper Brandon Mitchell joined the top 20. Cyrus “Glitch” Spencer, who struggled with choreography in Vegas, but always had a great attitude, showed an ability to adapt quickly, and has that special “it” factor. Not only does he radiate this wonderful energy, but he has quite the fan base in America. Even though his dancing might not be up to par with some of the others, his personality will take him far. Nigel commented that he has “never seen anybody like Cyrus in my entire life.”

People who are out: I was surprised by the no given to Megan Branch. She was really good, but they are looking for variety. Abigail Ruz, Kaitlynn Edgar, Katie Muth, and Rebecca Hart were encouraged to come back next year. Sadly, Joshua Alexander was a no this season. No one can really know if the trip to the emergency room that stopped him from performing his final solo became a factor. They insisted Joshua return next season and I hope he does as well. He is a tremendous dancer. They also passed this year on Blake Zelesnikar, Jasmine Mason, and Daniel Kermidas. Jill Johnson, who went into the judges’ room together with Amelia Lowe, was sent home. Tappers did not fare well this season, sending Aaron Turner and Zack Everheart home. Going into the judges’ room with Brandon Mitchell was Devon McCullough. Adam said they would see Devon next year. With Cyrus in, that meant that Feliciano Turk, who had wonderful moments in Vegas, was out.

Dance #1


Dancers: Alexa, George, Will, Amber
Song: “We Found Love (BBC Radio 1 Live Lounge)” by JessieJ
Choreographer: Tyce Diorio

My thoughts: They had great expression, reach, lines, timing, partnering. They blended and complimented each other with a very fluid flow. I got goosebumps (and if you haven’t read my blog before, my goosebumps never lie) towards the end.

The Judges: Nigel gave constructive criticism to Will about keeping up with the shorter dancers. He had encouraging words for Alexa and Amber. To George, Nigel said that if every light in the studio went out, he would still shine. Mary complimented Will’s partnering skills. She complimented Alexa on dealing with her demons. George’s leaps were phenomenal and Amber shed her emotional baggage. Zooey complimented the team work; she could not wait to see more.

Dance #2


Dancers: Witney, Lindsay and Nick
Song: “Dance Again” by Jennifer Lopez featuring Pitbull
Choreographer: Jason Gilkison

My thoughts: It had great energy and great partnering. It didn’t floor me (sorry).

The judges: Mary gave a “woo” that sounded like the train was still in the station and not the hot tamale train that was moving. Zooey said the girls looked like twins and were incredible. Nick kept up with them as well.

Dance #3


Dancers: Daniel, Chehon, and Eliana
Song: “Romantic Inclinations/Like a Shot/Fury” by P. Mottram/S. Everitt/G Shadid, T. Marberger
Choreographer: Desmond Richardson and Dwight Rhoden

My thoughts: Goosebumps, but not the entire song. It looked like at times the boys were flinching when they got too close to Eliana, and then when the judges were commenting, it was apparent that the costume was inflicting wounds on them. Boo to the costuming department on that one.

The judges: Nigel commented the boys on their bravery at leaving paying jobs to come to the show. He also complimented Eliana on her classical skills. Mary called Eliana a ballet warrior. Mary went from “wow” or “woo” in her hot-tamale-train voice but her train whistle did not sound like it was quite fully on the train.

Dance #4


Dancers: Audrey and Tiffany (Janelle was out per doctor’s orders)
Song: “Sail” by AWOLNATION
Choreographer: Sonya Tayeh (assisted by Season 8 winner Melanie Moore)

My thoughts: Audrey and Tiffany had great timing, wonderful warrior spirit and great team work. It did not give me the goosebumps though.

The judges: Zooey said they made an amazing, great pair. The choreography was incredible. Tiffany was very strong and Audrey was graceful, which made for a good pairing. Nigel said that they looked like Pebbles (of the Flintstones) dancing.

Dance #5


Dancers: Dareian, Amelia, Janaya, and Matthew
Song: “Modern Drift” by Efterklang
Choreographer: Stacey Tookey

My thoughts: My eyes were fixed on Amelia. She reminded me of my favorite from last season, Melanie Moore, especially in the jump into Dareian’s arms.

The judges: Zooey thought it was delicate and beautiful, like watching a painting move. Amelia shines like she irradiates light. Mary gave accolades to Stacy Tookey for the routine. She said Dareian had great strength, power and partnering. Amelia was fabulous. Janaya was not on their radar at first, but she is “now out of that radar.” I think Mary meant to say she was now ON their radar. Mary still loves Matthew.

Dance #6


Dancers: Brandon, Cole, Cyrus
Song: “Resolve” by Nathan Lanier
Choreographer: Christopher Scott (and Marko Germar said on Twitter he assisted in this routine)

My thoughts: I loved the baseball voiceover using their real names. Very clever, very inventive. It was a fantastic idea for a routine especially with the baseball all-stars game coming up on Fox. Christopher Scott did a wonderful job highlight each one of their strengths but blended with perfection. I did not get chills but I enjoyed it immensely.

The judges: Cat Deeley said she had the first chills of the season (I know she is not a judge but I love her as a host). Nigel commented that in front of them was a stepper, an animator and a martial artist and that they complimented each other, and complimented Christopher for highlighting each one of their strengths. Mary said they “hit it out of the ballpark with that one.”

Dance #7


Dancers: The girls
Song: “Where The Light Gets In” by Sennen
Choreographer: Travis Wall
Story: The door is the gateway to the afterlife.

My thoughts: Travis Wall’s choreography always seems to elicit a deep emotional response from me, much like Mia Michaels. It was like watching angels dancing on the plane of existence between the two worlds. I got goosebumps about halfway in and had tears in my eyes by the end of the routine.

The judges: Nigel said it was like frieze on a Greek vase and complimented Travis on his growth since being a contestant on SYTYCD. Zooey said it was a beautiful routine for beautiful girls. Cat mentioned the word “ethereal.”

Dance #8


Dancers: The boys
Song: “Precognition (Steed Lord Machine Mix)” by Steed Lord
Choreographer: Sonya Tayeh
Story: They had to fight to win on the show. During the footage of learning the routine, she said having this group is like releasing the wolves to the masses (and I instantly pictured “Twilight”). She wants them to be exposed physically to expose the inner man. Brandon was comfortable with the male-male partnering ’cause he “likes the ladies.”

My thoughts: Each group of guys got to show their strengths but it did not illicit an emotional response from me like the girls did. I definitely did not like the high-waisted costumes. The guys looked very uncomfortable in them.

The judges: Nigel does not like the pants either (called them maternity pants). He chuckles at Will because he is not as buff as the other guys. The routine was athletic, gymnastic and strong, and the boys had to be that way now. Mary enjoyed George’s assisted lift. She loved the routine and thought the guys were great. Zooey would love to join in with them, and the boys were encouraging her to come up and do so. She thought it was all fantastic.

Dance #9


Dancers: The top 20
Song: “Eyes (Coachella Live 2012 Version)” by Kaskade
Choreographer: MIA MICHAELS IS BACK!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

My thoughts: I love Mia and have missed her being on the show. I got goosebumps when they moved their sunglasses off their eyes onto their heads right at the part of the show that said, “look into my eyes.” Eyes are the window into a person’s soul. The choreography keeps building throughout the entire song. I had goosebumps the entire song. And everyone stepped up.

The judges: Nigel kept it short and sweet, “Welcome home momma; you’ve been missed.”

It was a phenomenal ending to a terrific beginning for the journey of season 9’s top 20. They take a week off for our United States July 4th birthday, and will be back on July 11th.

My Early Favorites (in no particular order and I reserve the right to change my mind at any time)


Guys: Cole Horibe, Cyrus “Glitch” Spencer, Daniel Baker, George Lawrence II, Dareian Kujawa
Girls: Amelia Lowe, Janelle Issis, Eliana Gerard, Amber Jackson, Alexa Anderson

Who are yours?

National Dance Day

The third-annual National Dance Day will take place on Saturday, July 28. There is a hip-hop master class with Lauren Gottlieb, Lauren Froderman, and Brandon Bryant video and a Zumba fitness video for people of all levels with Kass Martin, Gina Grant and SYTYCD All-Stars Allison Holker and Ade Obayomi. That Saturday evening, there will be a Dizzy Feet Foundation Gala at the Dorothy Chandler Pavilion in the Music Center. Desmond Richardson will be performing as will Alvin Ailey, American Ballet Theater, LXD, and the All-Stars from SYTYCD (past and present). Click on the logos below to learn more.


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Categories : Fox Shows, New Girl, So You Think You Can Dance, TV shows, Uncategorized

So You Think You Can Dance — Vegas Hell Week Recap

23 06 2012

So You Think You Can Dance: Vegas Hell Week

By Hilda Clark Bowen (PBMom)

Vegas week–the dancers’ equivalent to Navy SEAL hell week. Eight grueling rounds. Late nights. Early mornings. No sleep. Pushing themselves to the brink physically, mentally, emotionally. That is what it takes on the road to becoming America’s Favorite Dancer. There were 8 rounds. Nigel Lythgoe, Mary Murphy, Adam Shankman, Debbie Allen, Tyce DiOrio, and Lil’C were the primary judges with others sitting in to comment on their own choreographed segments.

Round 1: Solos

Hampton “The Exorcist” Williams from Richardson, Texas (Dallas auditions) danced his unique style to Evanescence’s “My Immortal.” He was mouthing the words to the song which I did not like. Debbie Allen was crying. It was very similar to his Dallas audition. After 10 solos, Jennifer and Briana go home. Hampton and 7 other dancers make it through to the next round.

Hampton “The Exorcist” Williams

Next bunch included Janelle Issis, the belly dancer from Birmingham, Alabama. Both Tyce and Adam loved her. By the end of the round, 51 dancers were cut, including martial arts expert Tim Conkel.

Round 2: Hip-Hop with tWitch and Comfort

This proved too much for two contestants. Hampton felt that the choreography was too difficult to learn left the competition. I praise the respect he showed the judges by coming up on stage and sharing that. Andre Rucker, from the Dragon House trio, just left. Good impressions are won, and you just do not up and leave. It’s too easy just to quit. I hope that Hampton gets some experience in some other areas and comes back to the competition next year. The song chosen was “B.O.B.” by OutKast. It was fast and slick. After the first group, Boris Penton from Dragon House was cut as was Gene Lonardo (the praying mantis guy), and Bree Hafen. After the last group performed, and Cyrus “Glitch” Spencer. Glitch meets tWitch and I’m loving this. All the members of the final group survived, which totaled 105 dancers surviving to the next round.

Round 3 (Day 2): Broadway with Tyce DiOrio

Tyce comes with a story about dancers in a club at 2 a.m. and drinking water and then POW!…a lust force seizes them. Witney Carson and Lindsay Arnold, from the Salt Lake City auditions, are out of their comfort zones. They have known each other since age 9 and found out they were roommates in Las Vegas. The song, “Must Be the Water” by Marc Broussard. Everyone who danced in the morning made it through. The judges gave Alexa Anderson a stern lecture about lacking an emotional connection and getting tired of fighting for her. I think she is terrified that she will not make it through again at the very last moment and she is guarding her heart. Joseph and Trey were gone. Teddy Tedholm went home. After this round another 23 dancers went home, which by my count 105 minus 23 leaves 82 dancers for the next round.

Round 4: Jazz with Sonya Tayeh

Eighty-two contestants remain. Sonya is looking for strength, aggression, texture, and musicality. Shafeek Westbrook is struggling, but bacon-girl Danielle Dominguez is trying to be supportive. The song is “Freak Out (Gold Chains, Panique Mix) by Brightest Diamond. Shafeek was cut and left with a terrible attitude. Danielle steps forward to partner with Giovanni and is rewarded with a big smack to her head. She is sent to the hospital; he is sent home. Cyrus partners with Lindsay and does an adequate job. I think his uniqueness and the judges desire to have him through to the top 20 is allowing them to forgive mistakes. This is about the favorite dancer and not necessarily the best dancer. They ask Amelia Lowe to dance for her life. Rachel Applehans is asked to dance for her life (It’s a Man’s Man’s Man’s World by Leela James). Sonya, Nigel, Mary and Tyce all say no. I have to say I am glad about Rachel because she just did not fit into the show. It’s fine to turn on the sex appeal once or twice, but every time it makes me uncomfortable, like she is dancing for men at a strip club. Amelia danced to “To Kill a Mockingbird” by Elmer Bernstein. Adam is visibly moved. Sonya is smiling and says she wants to get her hands on her. Sonya, Mary, Lil’C, Tyce and Debbie say yes. Adam says “yes” and thanks her. Nigel gave a surprising no.

Round 5: Groups

It’s now day 2 at 10 p.m., and it is group time. The twist this year was that the people got to pick their own groups (about 5-6 people). The first group up on day 3 in the morning includes Daniel Baker, Audrey Case, Danielle Dominguez. Danielle got back late from the hospital. They danced to Gotye’s song, “Somebody That I Used to Know.” Charlie and Danielle are sent home. The judges should have allowed Danielle to at least dance for her life. She did not have to volunteer to partner in the previous round a second time. Boo to the judges on that. In the next group, Taylor Giri (? spelling) was sent home. The next dance, choreographed by Aubrey Klinger, was praised by Nigel, and he complimented her by calling her a mini Mia Michaels. Aubrey danced with 4 other guys. The story was that she was the only girl at the prom and they called themselves the “High Schoolers.” The song was Side Project’s “I Want to Dance with Somebody.” The entire group is sent through to the next round.

The High Schoolers

The first group in the afternoon were The Wolfpack which included Dres Reid, Adrian Lee and Alexa Alexander, all who auditioned in previous seasons and danced to “I’m Glad You Came” by The Wanted. Alexa was called out again by the judges. They prodded her until tears flowed. They allow her one more chance. Sixty-one contestants now remain for the next round.

Wolfpack

Round 6: Ballroom, specifically the cha-cha with Jason Gilkison.

The song: “Let’s Get Loud” by Jennifer Lopez. I was shouting GO CYRUS. I just love this guy’s attitude and energy. He is asked to dance for his life. It was a no to Asher Walker, Dee Tomasetta, and a huge surprise Aubrey Klinger who had just been highly praised in the group round. My heart was hurting for her as she said she was not able to get work as a dancer audition after audition. While hurting for her, it reminded me what is so fantastic about this show: Even dancers who are not crowned the winners are getting work in the industry as evidenced by the many times I’ve seen them especially on Fox shows. Witney, Stepheon Stewart (great hip work!), Eliana Girard and Alexa (who was being cheered from the sidelines by Tyce and Adam) all received a yes to the next round. Cyrus dances to “Holy Ghost (Helicopter Showdown and Sluggo Remix) by Messinian. He BLOWS my mind. I was so glad he got to dance for Lil’C who thought it was EXTRA BUCK. I loved the support he was also receiving from his fellow contestants in the audience. A total of 52 contestants are put through to contemporary.

Round 7: Contemporary with Travis Wall

The contestants only have 1 hour to get the steps down. That’s insane. Travis says, “Technically I’m looking for perception.” Travis, your standards are set so low. The song is “I Won’t Give Up” Jason Mraz. Cyrus, Eliana, Lindsay, Janelle, Trenton, Daniel, Witney, Amelia, Luciano, Cyrus and Tiffany are all put through. Eighteen dancers’ fates were in question. The judges asked them to perform again and only Joshua and Abigail make it through. I was so sad about white-girl krumper Mariah. I thought she did very well.

Round 8: Final solos

Trying to stand-out, Joshua attempted to do a new trick in the waiting area and fell smack to the ground. The medics are called and he is taken away. He was not able to perform his final solo. Alexa Anderson was first, dancing to The Naked and Famous’ “Young Blood (White Sea Remix)”.  (PS Thank you Warren for the correction on this).  Debbie Allen said to her fellow judges that “This child could win” but Tyce balked at that observation. The last solo was Chehon Wespi-Tschopp of Zurich, Switzerland, the ballet dancer. The heights he could reach were phenomenal. The song to which he danced was “Suite of the Winter Songbirds,” by Noah Lifschey.

The guys were called up. Adrian Lee, who almost made it in season 7, and whose mother stopped watching the show because of it, was cut. Nigel reminded the group that they were not going for the “best dancers” but the uniqueness. The girls get called up; no one is cut….at this point.

There are 35 in the end. Next week, they will have to cut that down to 20 people. Joshua will find out if his stunt to try to impress will cost him a spot in the final 20.

Who are your favorites? I think Chehon and Cyrus are going to make it simply because of their unique styles. Cyrus improves with each lesson and America adores him. Chehon is, I think, the only ballet dancer in the group and they tend to like a diverse group of individuals. I am unsure about the girls. Amelia is very unique. I was truly rooting for Mariah. Janelle should make it.


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Categories : Fox Shows, So You Think You Can Dance, TV shows

So You Think You Can Dance: Atlanta

10 06 2012

Season 9 – Atlanta auditions

Mother Nature decided to interfere with my television viewing of this episode, but most of it was aired. My satellite carrier apparently does not have on-demand services, so if I fail to mention someone, I apologize in advance.

After seeing how many contestants went through from this city, I think it might have been cheaper to buy out an entire plane (just an expression; I know they all are not going to be flying out of Atlanta). This is the city which gave us last year’s champion, Melanie Moore, and usually after a win like that, the hometown of the winner is an ideal site for next year’s auditions. People who were possibly holding back will look at her as an example that they, too, could win it.

Judges for this segment were Debbie Allen, Mary Murphy and Nigel Lythgoe.

Who I Liked A LOT

Audrey Case; Edmond, Oklahoma; contemporary. The woman who can apparently fart with her neck and elbow (actually her neck thing was more like a squeak). She had a beautiful smile and beautiful lines. It was a great way to start off this segment’s audition.

Audrey Case

Dragon House Boys; Atlanta, Georgia. I adored Boris Penton’s blue hair and his colorful shoes. His popping was extraordinary but will he be able to do the different styles of dance that will be required? I did find my eyes were fixed on him and I was anticipatory of what he would do next in his dance. I assumed they would put him through to choreography, but it was a ticket to Vegas for him.

Boris Penton from Dragon House.

Andre Rucker of Dragon House was also fantastic, and I knew a ticket to Vegas was in the cards for him.

Andre Rucker from Dragon House

However, I was not prepared for Cyrus “Glitch” Spencer at all. I have never seen anything so amazing in popping before on the 8 previous seasons of this show. He wanted to be a robot-animated popper and every movement of every muscle of his body was involved in this audition. All my hopes are with them that they will be able to make it through SYTYCD’s version of Navy Seal Hell week.

Cyrus “Glitch” Spencer

Danielle Dominguez; Tampa, Florida; contemporary. Her dancing was different due to her double-jointed body. Her choice of song was terrific. Her mom was a former cheerleader and Nigel asked her to do a cheer in the audience. And she loves bacon. She could eat 10 slices a bacon every day. She went through to Vegas.

Danielle Dominguez

George Lawrence, II; Atlanta, Georgia; contemporary. One of the best male contemporary potentials for this season. He is a track star turned dancer. His father is not convinced yet of his talent. After seeing him dance, that made me incredibly sad. This young man has a future in dance ahead of him.

George Lawrence II

Who I Thought Was Average

Joshua Alexander; Columbia, South Carolina; contemporary. I thought he wasn’t as powerful as I have seen from past male contemporary contestants but he is through to Vegas. Debbie Allen felt like his dancing was “testifying.”

Joshua Alexander

Courtney Kirby; Lutz, Florida; contemporary. Her dancing is average and I’ll probably get hate mail for this. Her personality, her name, and her beauty are all what they are looking for in a contestant. The song choice was great (it sounded like music from The Hunger Games). I’ll need to see more of her dancing to decide. Nigel had a great time with her grandmother, dancer Eva Dean Booth. Sometimes I looked at Courtney and wondered if she was dying on the inside that her grandmother was embarrassing her and/or possibly messing up her audition because the attention was truly on the grandmother. You know how young people are. Her grandmother was delightful and judges certainly enjoyed her. Nigel, however, put Courtney through to choreography. Debbie Allen put her through to Vegas. Mary looked like a deer in the headlights and gave it a great deal of consideration before being handed a ticket to Vegas. Eva asked Nigel if perhaps he should reconsider his decision so as not to look foolish.

Courtney Kirby

The Odd-Ball Lot

Tim Conkel; Atlanta, Georgia; breakdancer. One thing that Tim does not lack is an ego. Initially borderline annoying, he grows on you. After showing the judges what he learned during his 7 full days of ballet training, he sails right through to Vegas versus choreography. Debbie Allen calls him a wolfman.

Tim Conkel

Janelle Issis; Birmingham, Alabama; a belly dancer, I did not get to see because my power was out, but I did catch her during choreography. It did pop in long enough for me to hear she learned this way of dancing at church. Interesting. She and 13 other dancers from day 1 who were not shown are headed to Vegas.

Asher Walker; Glade Hill, Virginia. He wants to be a backup dancer for Justin Bieber. His break dancing was fun and he told a story during the dance, interjecting moves with humor. His All-American look and what he brought to his dancing earned him a ticket to Vegas. He differs from Tim Conkel in that he is more humble, not cocky. While conceit can get you far, if you’ve noticed dancers like that in the past, it eventually got them voted off, so Asher’s humbleness might take him far. However, he is going to need to get through Hell Week in order to get on the show’s top 20. He does have a Kent Boyd of season 7 feel about him.

Asher Walker

Brittany Ornter; Ovideo, Florida; contemporary. Also known as “the chicken lady.” When I saw the chickens roaming free in town, I thought it would funny to have a Chick-Fil-A or a Kentucky Fried Chicken in the backdrop when showing them in a scene. Just proved to me that Florida has some wacky laws (because the chickens have laws to protect them). Brittany reminded me of Jordan Cassanova from Season 8. She is put through to choreography but then on to Vegas.

Brittany Ornter

Damon Bellmon and Deon Lewis: The whole world thought these two ripped off choreography directly from You Tube “Les Twins” because the dances were identical and the judges complimented them on their original choreography. They got hate mail and the ire of the dance world. Indeed this time around, the show ran the interview with Cat Deeley from season 8 auditions where they said they were doing the dance as a tribute to Les Twins. They danced an original choreographed piece. They were sent to choreography. It was a “no” to Deon for Vegas, but a “yes” for Damon.

Damon Bellmon and Deon Lewis

Don’t Know Enough About to Have an Opinion Yet

Jason Alvarez; Maiden, North Carolina: Just from what I saw–my power to my home glitched about here because of the storm–but his dancing was not on the same level as the Dragon House boys. He was sent to choreography and then to Vegas.

Abigail Ruiz, Goose Creek, South Carolina; Calvin Turner, Jr., Las Vegas, Nevada (auditioning in Atlanta, weird); Aubrey Klinger, Chicago, Illinois — All Vegas bound.

Vegas Bound

Audrey Case; Boris Penton; Joshua Alexander; contestant 2193 from Chicago, who had a rough life and had Debbie Allen in tears….

Contestant 2193 from Chicago, Illinois

Contestant 2255 who deals with Tourette syndrome, and who thinks it has improved because of dance…

Contestant 2255 who deals with Tourette syndrome

Contestant 2537 whose mother died when he was young

Contestant 2537 whose mother died when he was very young.

along with Tim Conkel; Jason Alvarez; Daniele Dominguez: Janelle Issis; Courtney Kirby; Asher Walker; George Lawrence, II; Abigail Ruiz; Calvin Turner; Aubrey Klinger; Brittany Ornter; Damon Bellmon.


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Categories : Fox Shows, So You Think You Can Dance, TV shows

So You Think You Can Dance — Finale Performance Show

11 08 2011

It has been a wonderful journey with the best group of dancers to ever be picked in the Top 20 of So You Think You Can Dance. Tonight, the four favorites who flitted into our hearts were: Marko, Melanie, Sasha and Tadd. Katie Holmes and Kenny Ortega served as guest judges for this evening (I just LOVE Kenny Ortega).

Final4

The final 4: Marko, Sasha, Melanie, Tadd

Dancers: Melanie and Marko
Song: “I Feel Love”
Artist: Donna Summer
Choreographer: Doriana Sanchez
Style: Disco
Story: None, just high-energy disco.

I was wondering when disco was going to show up. This song was a blast to my past. It was lovely seeing them partner again. Dressed like John Travolta, Marko did a slightly better job than Melanie with a bit more energy into all his movements. While it was danced well and it was fun to watch, there was no emotional investment in it for me and did not bring me back to that golden era. Kenny thought it was electric, sizzling and great. Katie loved it and said it was like watching Saturday Night Fever. Mary Murphy pointed out that the lifts were not great and they went in and out of the style. Nigel agreed with Mary and felt they were uncomfortable in the style and hoped that they do better in their other routines this evening.

Dancers: Sasha and all-star Mark Kanemura
Song: “Raise Your Weapon”
Artist: Deadmau5
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Ode to Sasha from Sonya, that Sasha handles all the struggles in her life with such grace and integrity, fueling her and giving her power. Mark represents the obstacles.

Another emotional dance for Sasha. This dance brought both goosebumps and tears and then a “hell-yah” out of me during the final sequence when she throws her obstacles to the ground (i.e., Mark). What a powerhouse duo in this pairing (Are you ready to join Lady Gaga’s tour, Sasha, with Mark?)! It stung me in all my emotionally vulnerable hotspots. Sasha has had some incredible performances, but this one tops them all. Mark is the perfect example of someone who did not win the show who went on to do fantastic things in the dance world. Like a fine wine, he has gotten better with age. Katie loved it, especially that walk at the end. Mary pulled out her train-whistled woo-hoo for this and called her a champion and a star. Nigel thought Sasha just threw down the gauntlet to the other three contestants.
Before getting to Sasha’s critique, Kenny had glowing things to say to Sonya who was deeply moved by his accolades. Turning to Sasha, he cited her struggles this week–an injury, battling against Melanie–but claimed her “Sasha, Warrior Princess.”

Dancers: Tadd and all-star Joshua Allen
Song: “Hustle Hard” (Traditional)
Artists: Ace Hood
Choreographer: Lil’C
Style: Hip-hop
Story: None, just the hustle.

Lil’C choreographed a very difficult routine. Tadd is the dark horse in this race, but having Joshua dance with him did not help him, like watching a master and his apprentice. Joshua was crouching lower and hitting harder. Tadd made it this far not only because of his dance technique but also his personality. Just looking at Tadd though, this is the best I have seen him dance all season. Mary said his difficulty is the “sweetie-pie” factor, but was able to pull off a hard-hitting hip-hop style. “Hustle Hard” was Tadd’s theme song for this season. Nigel complimented the moves on the knees, but still felt he was too sweet. Kenny thought the pairing was perfect and wants a pair of the red shoes. Katie thought his hustling was terrific and she loved the pairing. The red shoes helped to highlight how fast of a dancer he was.

Dancers: Melanie and all-star Robert Roldan
Song: “Sacrifice”
Artist: Sinead O’Connor
Choreographer: Stacey Tookey
Style: Contemporary
Story: Unrequited love; in order to save herself, she has to say good-bye.

My goosebumps started halfway through and were at standing straight up on my arm and traveling down my legs by the time the song was over, a lovely rendition of the famous Elton John song. I loved this pairing as well, as each complimented each other. Nigel felt like Sasha threw down the gauntlet and the challenge was accepted. Kenny would push himself to the front of the line to have a chance to work with Melanie. At this point, Cat announced that he would be resurrecting “Dirty Dancing” and got Melanie her first job after SYTYCD. Katie thinks she is a magical dancer and loves how she creates stories. Mary feels like she is in a class of her own and is so proud of her. Melanie feels so blessed for the journey.

Dancers: Sasha and Marko
Song: “Whatever Lola Wants”
Artist: Ella Fitzgerald
Choreographer: Spencer Liff
Style: Broadway
Story: A restaurant scene. Marko is the waiter, Sasha an elegant dinner who wants to order something off menu.

Hot and spicy, both Sasha and Marko played their roles well. She looked elegant in her purple gown, showing off her cougaress cavort, going after what appeared to be a younger, geeky waiter, portrayed by Marko. Kenny thought it was fun, and their character conversions were fantastic. He had a few extra words of praise for Sasha about her giving her all for every performance. Katie compared Sasha to the legendary Cyd Charisse and thought Marko was great. Mary did not initially recognize Marko and thought he was perhaps one of the all-stars. She was surprised at what a wonderful actor he is, saying that it is not easy to pull off comedy and dance at the same time. The dance, however, did not wow Nigel. He thought Sasha was a better warrior princess than a vamp. He did not understand Marko’s character at all.

Taking a break in the dance action, Cat showed some interviews that she had with all the contestants. Melanie’s favorite moment was dancing with Neil Haskell (with the launch she did into his arms halfway across the stage). Her closest buddy in the competition is Ricky because he can make anyone smile and was such a fighter regardless of the criticism each week. Out of the four remaining, she feels closest to Marko. She misses her father and knows that he would be very proud of her. She then performed her solo to “Song for Viola” by Peter Bradley Adams. I cried, feeling like she was dancing that for her father.

Cat asked Marko what he was thinking when she read his name as the first one through to the finale. He had closed his eyes and wondered why she was waiting (she was waiting for him to open his eyes). His favorite performance was “Turned to Stone” with Melanie. She asked him what it was like to have his mother in the audience, and he again shared that he was not always the most grateful child growing up. Winning would mean “everything” to him. When he got shot, he was searching for the reasons why he survived and perhaps this show was a vehicle for that. He then performed his solo to “The Fear You Won’t Fall” by Joshua Radin, incorporating all he has learned, growing a great deal since his original audition. Tonight, his father was in the audience for the first time, giving him an extra boost.

Dancers: Sasha and Tadd
Song: “Raindrops”
Artist: Basement Jaxx
Choreographer: Mark Ballas
Style: Cha-cha
Story: None, just fun and sassy.

This was not finale-quality dancing. Both looked uncomfortable in the style. Because of that, they did not have that hot, spicy chemistry. The height difference was an issue for me. Katie completely bypassed saying anything about the dance itself and just complimented them on the journey. I think Katie did not want to be booed. Although agreeing with Katie, Mary had to talk about the dance. It just did not work–the connections, the body positions, missing hand connections, lack of chemistry, although Sasha fared a little bit better than Tadd. Nigel agrees with Mary, saying it was uncomfortable to watch. While Sasha did a bit better, Nigel felt it did not bear well for her either. Kenny said it was too ambitious for the last show and for them to walk it off and come back and blow us all away.

Dancers: Marko and all-star Lauren Froderman
Song: “Shirk”
Artist: Me’Shell Ndegedcello
Choreographer: Tessandra Chavez
Style: Contemporary
Story: Two people drawn to each other who can’t seem to find a way to make it work.

Setting the tone for the routine, Lauren was already in character, shedding tears when the dance started. This was another dance that drew me in emotionally, taking me on a journey of moments of my own life. My goosebumps never lie. Mary thought it was beautiful, provoking honest communication in the dance, feeling his soul. Nigel felt like it was a fabulous performance, redeeming his past dances of the evening. Kenny again complimented the outstanding choreography. He felt this was perfect partnering for him, that their spirits became alive, taking him to a distant place. Whatever Marko was doing in that dance, he needed to continue doing it. Katie also thanked Tessandra for the piece. He thanked Marko for creating these picture moments for her while he danced and deemed him magical (Magical Marko–it works–Cat stop stealing my phrases).

Tadd’s interview and solo were next. He thought and dreamed about being in the finale but cannot believe he is here. He thinks America is connecting to him in his solos. His favorite routine was the vulture dance with Jordan that Travis Wall choreographed. Most nervous performance was the first show when they had to make a first impression. There is web site apparently called: The Official “Keep Your Shirt Off Tadd” Fan Club. He said for some reason people want him to be naked, but Cat points out there is a difference between shirtless and naked. Winning would change his and his family’s lives. Dancing his last solo before voting to “Momma Knows Best” by Jessie J, Tadd showed off why we love him so. It was playful and creative.

Dancers: Tadd and Melanie
Song: “Show Me What You’re Working With”
Artist: Sista Monica
Choreographer: Ray Leeper
Style: Jazz
Story: A guy cheats on his girlfriend and she catches him in the act. Sexy, naughty with a little dysfunction thrown in.

This dance showcased Tadd much better. Since he was comfortable, the chemistry flowed like river rapids between them. I got sexy, naughty and the dysfunction. It must have been difficult for Melanie to dance that short while with one heel on and one off; I can barely walk that way. The routine was a lot of good fun. The strip-tease of Tadd for his fan-base was a great touch after the comments made in his interview. The routine brought Nigel’s evening to life. He praised Tadd for a job well done, while complimenting Melanie for selling the character before the dancing ever began. Kenny apparently let out a “woo” during the dance. He loved everything about it and felt the choreographer delivered the perfect routine to showcase their strengths during a finale show. Katie felt like it was a breath of fresh air. Mary thought Tadd brought the sexy back and Melanie’s strut was like no other.

In the final interview and solo, Sasha never thought she would make it this far, loving that her sister has been with her the entire journey. Her favorite moment was when Lady Gaga threw her shoe. Several routines stood out to her, but she asked Cat which one she liked and Cat said the routine with Twitch. She talked more about the wonderful routine with Kent Boyd (with the wall), saying she had to go to a very dark place, and she had to put her journey into the dance. Seeing people affected emotionally in response to her dancing meant a great deal to her. Dancing to “Be Be Your Love” by Rachael Yamagata, Sasha also showed the audience the growth attained this season from that of her first audition.

Dancers: Sasha and Melanie
Song: “Heart Asks Pleasure First”
Artist: Anh Trio
Choreographer: Stacey Tookey
Style: Contemporary
Story: Suppressed housewives in the 1950s, feelings of isolation and loneliness. The two join forces to break free.

Extremely beautiful. Melanie and Sasha are in direct competition with each other, yet they dance and support each other every time they dance together like true professionals. Another moment of chills for me. Kenny thought the picket fences were symbolic of prison bars and the space in the yard the only place where these women could express themselves. It made him feel hopeless and he wanted to rush in and free them. It also made him curious about their paths, where these characters came from and where they were going. Katie loved the message about friendship and the power that two women can give to each other. Mary enjoyed every second of it, enjoying the movement and musicality. Nigel shared with the audience what we did not see–that each of them hugged each other and wished each other luck before the show came back on air. He said it did not matter who won because they would both grace any dance company they would join.

Dancers: Marko and Tadd
Song: “B.O.B.”
Artist: Outkast
Choreographer: Chuck Maldonado
Style: Gumboot stepping (hip-hop)
Story: Form of dance that was used to communicate in the mines of South Africa

A fantastic, high-energy way to close the show. Tadd had the slight edge in this dance, but Marko was not too shabby. The timing was a little off, but I noticed Tadd looking over at Marko at times to try to get them back in sync again. Katie enjoyed the athletic ability in this number, but it also sound like she was holding something back. Mary felt like it was solid gold for her. Nigel pointed out the rhythms were not together in this routine. Then he crushed them by saying he has felt all along a girl would win this season and that hadn’t changed although they stood up well for themselves tonight. Kenny thanked the dancers and the choreographer.

If it was simply based on dancing tonight, it would have to be Melanie, Marko, Sasha and Tadd. If it came down to most improved dancers over the season, it would be Tadd, Sasha, Marko and Melanie since Tadd, the b-boy held his own outside his own style of dance. Then Sasha was finally partnered with someone who brought out the best in her during the all-stars, and Marko and Melanie have remained pretty level throughout the competition. If it is based on the dancing all season it would be a tie between Melanie/Sasha then Marko and Tadd. However, the show is about America’s favorite dancer. Sasha has an overwhelming fan base and it will come down to who voted more, Melanie’s fans or Sasha’s fans. The margin of votes will be very, very close.  I predict Sasha is going to win.  But Nigel is right:  Both Melanie and Sasha will have tremendous careers after this (and I believe Marko and Tadd will, too).

Hilda Clark Bowen (a.k.a. PBMom)

Hilda Bowen (a.k.a. PBMom)


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Categories : So You Think You Can Dance

So You Think You Can Dance — Top 6 Performance

4 08 2011

After tomorrow night’s show, we will be down to our final 4 contestants and our season finale show. Last week we said goodbye to our favorite J’s: Jordan and Jess. Each was the consummate professional full of gratitude the journey and for the fans. Even for a brief moment when Jordan looked like she was about to fall apart, she took a deep breath and remained positive and hopeful for her career, a trail both will blaze after the tour.

Top6

2011 So You Think You Can Dance Top 6 --Season 8

Guest judges for this evening were the lovely Christina Applegate, and the loquacious Lil’C. They discussed the stupendous success of National Day Dance on July 30, 2011. Perhaps it needs to be renamed “International Dance Day” as people across the world celebrated dance, including physicists in Switzerland. Although not shown on the show this evening, even Vancouver, BC got into the fun.

Dancers: Melanie and all-star Twitch Boss
Song: “Roman’s Revenge”
Artist: Nicki Minaj featuring Lil Wayne
Choreographers: Napoleon & Tabitha Dumo (aka NappyTabs)
Style: Hip-hop
Story: Little Red Riding Hood with a twist

Melanie did well, but I’ve seen some of the other ladies do a better job with hip-hop. The routine was weird. I might have liked it better if in the end she would have slay the big bad wolf versus tame him, but that is the choreography and not the dancers. I think she might have needed to be lower to the ground. Lil’C felt she got off to a rough start but found her ghetto groove and ascended. Christina agreed with Lil’C. Mary felt she was on fire. Nigel loved the dance as well. He confronted internet allegations that Melanie has never been given a dance out of her style, but he dispelled that quickly, saying she was good at everything. Itsy bitsy problem with that. If they are randomly drawing dance styles out of a hat, and last week the talk on the internet was the biggest it’s been about this issue, and she suddenly gets hip-hop, it doesn’t help the argument that these dances are random. It is, however, one of these no-win situations. You will have a group of people who will believe it and some that will not, and like politics, there is no changing anybody’s mind about it.

Dancers: Sasha and all-star Kent Boyd
Song: “Fool on Me”
Artist: Me’Shell Ndegeocello
Choreographer: Tyce DiOrio
Style: Contemporary
Story: Two people who have hit a wall in their relationship and the emotions you go through when someone hurts you.

During the rehearsal taping about the song, Sasha began to cry. The meaning of the dance runs deep for her and I was sure it would come through in her dance–and it did. I had goosebumps but I lost my breath at the moment of the lift that had her legs upside down on the wall, a great symbolism for how upside-down you can feel when you are hurting inside when someone you love hurts you. You love them, you hate them, you want them stay, you want them to go. All the feelings are taken the n’th level. Sometimes you can bust through that wall and sometimes you cannot. I love when Tyce choreographs dances like this (like the dance he created for his friend who had cancer, danced who beautifully by Ade and Melissa). They have a way of reaching a place deep inside your soul that is universal to everyone. Christina described the difference between technicians of dance and dancers like Sasha who can affect your heart, and thanking her for being so courageous as to share with us whatever it was that hurt her so badly in this life. Mary called her intoxicating and got all choked up about the move of when Kent threw her to the floor, and that it only matters that you get back up. When she said that, I was thinking of Mary’s courageous battle with her thyroid cancer. Nigel also complimented Tyce, as did Mary, at this routine being at his best, as was Sasha. Sasha then won Nigel’s “favorite” dancer something that he ping-pongs between Melanie and Sasha. Lil’C was trying not to cry, having identified personally with the dance with experiences in his own life. He wishes that he could have worked with Sasha this season and called her phenomenal. Oh, and did I mention, first kiss on tonight’s show. The kissing season, season 8.

Dancers: Marko and all-star Janette Manrara
Song: “Zorongo” (Traditional)
Artists: Antonia Gomez, Ely “La Gambita”, Guillermo Basilisco and Paco Pena
Choreographer: Dmitry Chaplin
Style: Paso doble
Story: Marko is the matador and Janette is an activist trying to keep him away from killing the bull. (I laughed).

I didn’t recognize Dmitry with his beard. Has it been that long? You have to been pretty beautiful and passionate to sway a matador from his mission. How could Janette be ignored? I had a problem at first with that story stuck in my head since we are so used to the woman being the bull or the cape, but after a minute, I concentrated on the actual dance and let the story go. After Cat drew comparisons to the matador costume and Mary Murphy’s shoulder pads, she complimented him for being spot-on at the arrogance that was necessary for the dance. She pointed out that he lost his footing from time-to-time, but most of the time, he nailed it. Nigel loved the twirls that mimicked the movement of the matador’s cape (as did Mary). However, Nigel said it left him feeling cold. He was looking for more passion. I think it is difficult to bring a ballroom routine up against a brilliantly danced contemporary piece. It’s like coming back from San Diego Comic Con. You are on this incredible high and then–CRASH–everything around you seems so boring and mundane. Lil’C loved his stoic performance which was necessary to this particular dance. Christina wanted him to drop it down a little (lower in his crotch level), but loved the bravado.

They took a break in the action to listen to messages from home. The love and pride of all the contestants’ families touched my heart and my tear ducts. Then Ricky took the stage to dance his solo to “After Tonight” by Justin Nozuka. It was lovely.

Dancers: Tadd and all-star Ellenore Scott
Song: “The Gulag Orkestar”
Artist: Beirut
Choreographer: Sonya Tayeh
Style: Contemporary?/Jazz?
Story: A period piece where everyone was prim and proper, but once they touch, everything gets thrown out the window and becomes with wild, reckless, lustful.

Sonya Tayeh is the goddess of strange and Ellenore was the perfect all-star to fill that role. I was not feeling the passion that Sonya demands from her dancers coming from Tadd. The spin on the chandelier was reminiscent of Cirque de Soleil. It was an interesting prop. Nigel had no words and said he felt like it needed more time to develop, that he was left “hanging.” (Oh, Nigel, you make me laugh). Lil’C complimented Sonya’s talent of showcasing a dancer’s unique abilities. He felt like Tadd was just going through the movements instead of making them last a lifetime. Christina likes the dirtier side of dance, and complimented Tadd that he is a b-beat pointing his toes and how great is that. Mary felt Tadd was still growing and complimented Sonya’s trust in doing such a dangerous thing with a prop.

Next was Caitlynn’s mom sharing that she one day said she was going to be on this show. Via the internet, Caitlynn’s dad, away on business, shared his pride. Caitlynn then performed her solo to “What’s Love Got to Do With It” by Katie Thompson. Afterwards, Caitlynn was crying, moved from the words from her parents, the song, the moment or all the above.

Dancers: Ricky and all-star Jaimie Goodwin
Song: “Inside These Lines”
Artist: Trent Dabbs
Choreographer: Dee Caspary
Style: Contemporary
Story: A couple trying to stay together, but he feels her slipping away so he tries to control her. (I call this The Puppetmaster.)

I noticed that when Ricky was close to Jaimie during the routine, he didn’t extend himself as you would see him do when they were apart. Perhaps he was concentrating on the sticks and not hurting his partner. While the sticks did enhance the routine, you can’t forsake the dance for the prop. At the end of the dance, Jaimie did what I was hoping–she took the sticks and threw them to the ground. Lil’C gave props to him and the props (and Cat Deeley just stole my line, damn). As usual Lil’C had a mouthful, “What a magically, magnificent puppeteer of physically rhythmic artistry you are.” In other words, buckness. Christina said he was a beautiful dancer, but wanted to help him grow and said he does not always dance with the clearest intention, like a push and a pull, like when he reached for Jaimie, it was harder to let her go away from him. That would help take him up another notch, which was great advice. Mary added, “All of that” plus that it was beautiful, free-flowing movement. Nigel loved the story of the dance from Dee. The only advice Nigel had to help Ricky was that he wants him to feel the movement more in his gut because he is so up and high in his dancing.

Tadd’s parents, and his entire Filipino community, are very proud of his accomplishments (and the first story that did not make me cry but smile). His song selection also made me laugh, “We Speak No Americano” by Yolanda B Cool and DCup. Tadd’s solos have always been interesting in that he is a b-boy and he chooses all these songs from eras past that make for a weird and wonderful combination. It has become his signature.

Returning from the break, Sasha’s solo was shown but not before her parents got to boast about their beautiful, bubbly baby girl. I smiled, too, when I saw Sasha picked “Teeth” by Lady Gaga after she received such high praise from Lady Gaga last week (and her shoe!). Again she did a terrific job.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Drop It Low (District 78 Remix)”
Artist: Kat DeLuna
Choreographer: Dmitry Chaplin
Style: Samba
Story: None, just sexy, great music and being sexy.

Pasha and Dmitry behind one dance? Wow. Double boiler kind of hot. Was it sexy? YES IT WAS! Was there great music. YES , THERE WAS! And was it really sexy? SIZZLING. At that precise moment, I desperately wished to have use of the communication stones that are used in the show Stargate Universe (where people can swap consciousness with another body–yes, I’m a geek). I wanted to be dancing with Pasha. Be still my heart. Wait, this is about Caitlynn. She did a fabulous job. I have to remind myself she is just a senior in high school (or was). Christina loved it. Mary thought it was great, especially on the reverse samba rolls. Her only criticism were some of her facial expressions. Nigel ad Lil’C had similar advice.

Marko’s mother was very emotional about his journey to the show. Dancing to “Wonderful World” By James Morrison, Marko combined a lot of technique with acrobatics. I always enjoy his solos.

Then Melanie’s mother had a message for her. Instead of talking, she sang; instead of walking, she danced. Melanie chose to dance to “Cracks (Flux Pavilion Remix)” by Freestylers featuring Belle Humble. Some truth rang to me with the name “Belle” and “Humble” to describe Melanie. Her solos have become more complex as she incorporates what she has learned over the weeks into her dance. She is both beautiful and humble.  It was the best solo of the night.

Dancers: Sasha and Ricky
Song: “Schoolin’ Life”
Artist: Beyonce
Choreographer: Kumari Suraj
Style: Waacking
Story: None.

Waacking is a new style of dance to SYTYCD, the origins from Los Angeles in the 1970’s. It’s about the individual and who you are right now in your life. It’s about skill, precision and control. After watching the routine, it does bring fond memories of the 70’s back to me. Sasha was great; Ricky less so. He was too stiff once again. I would have hoped he would have taken to heart the earlier critique and applied it to this dance. Mary never liked this type of dance until Samara “Princess” Lockeroo, who was the first to audition and win to a ticket to Vegas with this type of dance. She felt like Sasha had the edge in the dancing. Both were out of their styles, but neither could take it to Princess Lockeroo’s level. Nigel says when Ricky is thinking about dancing, he does lose a little bit. Then Nigel took a comment that they said to Caitlynn and applied it to Sasha, saying she did not have to act sexy because she is sexy. Oops! Lil’C wishes both of them would have enjoyed it more because he felt they were so focused on the steps and speed. Christina enjoyed it and thought perhaps they could have “whacked it harder.” She’s so funny.

Dancers: Melanie and Tadd
Song: “(Where Do I Begin) Love Story (Away Team Mix)
Artist: Shirley Bassey
Choreographer: Spencer Liff
Style: Broadway/Jazz?
Story: A rehearsal within a rehearsal. Tadd uses Melanie’s crush on him to bring out the best dance in her, but she discovers her feelings are not reciprocated.

They paired well together. It was a lovely dance that did not affect me on any emotional level but just was fun to watch. The use of the mirror where Melanie’s hands touched it and it got these weird distortions to it made me think, yes, just like the relationship between this dancer in the dance and the choreographer in the dance, played by Tadd. The relationship is not what it seems to be to Melanie’s character. I look for meaning sometimes that may or may not be in subtle things. Lots of prop use tonight. Cat compared it to “Black Swan” (which I have not seen yet). Nigel complimented Melanie on her solo as the best solo across all the seasons. She is not only the original beast, but a great actress and a great dancer. She now stole Sasha’s earlier place of the evening and is now Nigel’s favorite again. I think if SYTYCD could have a tie, he would be happy having the two of them there. To Tadd he said, “…to say you didn’t suck is a compliment.” He pointed out the things he did well in the routine. Lil’C says Melanie has a quiet fire and Melanie is EXTREMELY buck. Lil’C also wanted to give accolades to her solo performance that it was so beefy. And as an afterthought, he told Tadd he was growing by leaps and bounds and to continue doing so. Christina also commented on her solo, saying they were all banging on the table. She described Melanie’s performance as being better than that of Donna McKechnie in “A Chorus Line.” Tadd continues to surprise Christina with his technique since he is a b-boy. Mary says America has fallen in love with them and they are brilliant in their styles. She got all choked up that she was able to be here for this wonderful season to see it.

Dancers: Caitlynn and Marko
Song: “Heavy in Your Arms”
Artist: Florence and the Machine
Choreographer: Sonya Tayeh
Style: Jazz
Story: Marko is a controlling, overbearing man and Caitlynn is trying to break free.

Perfect song to close the show. This was dynamite and gave me goosebumps. It was much better than the Puppeteer routine performed by Ricky. My breaths felt heavy of the weight of this relationship. The judges were standing in ovation of their performance. Lil’C thought this was double-hashtag buck (#buck #buck or ##buck)? “Reckless and convicted, it was murderous,” according to Lil’C. Translation: Lil’C loved it. Christina makes Marko join the beasts. Christina believes that was Caitlynn’s moment (maybe, but she had one with Mitchell, too). Mary thought it was Caitlynn’s best routines ever. She brought the grit to it and brought it to another level. Marko is Mary’s favorite dancer (I bet Mary and Nigel have a friendly bet going on the side as to who is going to win). Nigel thought this routine redeemed Sonya from her earlier Cirque de Soleil choreography. Regarding Caitlynn, she came of age today, he felt. She is a brilliant dancer. Marko is sensation. Cat added, “But you’re very pretty, too” to Marko.

Common sense would dictate that Marko, Melanie, and Sasha will be in the top 4. Up in the air is whether Tadd or Ricky gets into the final 4.  Or we could use any number of science-fiction shows and their technologies to merge Ricky and Tadd into 1 dancer to get Radd or Ticky so we don’t have to make up our minds.  Of course, it would be temporary….unless…well, they are wearing a red shirt that evening.  What do you say?

Stay tuned tomorrow about more news regarding Miranda’s and Jordan’s fan clubs and what they are doing to show them their love.


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Categories : So You Think You Can Dance

So You Think You Can Dance–Top 8 Performance

28 07 2011

With the departure of the fabulous Mitchell and Clarice last week, we are winding down to the end of the season. With each dance, it gets more difficult to pick which talented powerhouse will be in the bottom.

Guest judges for this evening were the legendary Rob Marshall (director/choreographer, and Lady Gaga who needs no introduction. I am hoping she will be a better judge on this show than she was a mentor on American Idol. Her outfit tonight is much better than the one at the Grammy’s. I remember hearing on Oprah that her sister designs her outfits; I’d never let my sisters dress me.

Top8

The Top 8 Perform

Dancers: Sasha and all-star Pasha Kovalev
Song: “Puttin’ on the Ritz”
Artist: Terry Snyder
Choreographer: Jonathan Roberts
Style: Quickstep
Story: A world turned upside down in an alternate reality.

I enjoyed seeing Sasha have chemistry with yet another all-star (other than Twitch). A fast dance with tons of footwork, Sasha and Pasha carried it out effortlessly. Sasha added her own Sasha-licious flair to some of the moves (in parts as if she was trying to merge the quickstep with an African dance). Rob Marshall is a fan of Sasha and gave her high praise for not only this dance but also her overall work in the competition. Mary Murphy complimented her body positioning as being the best she has seen yet this season for this dance. For Nigel, Sasha is his favorite in the competition (by a hair) who put on a 5-star performance this evening. A congested Lady Gaga enjoyed the dance and loves Sasha inside and out (that she has a beautiful soul).

Dancers: Caitlynn and all-star Ivan Koumaev
Song: “Let Me Love You”
Artist: Mario
Choreographer: Marty Kudelka
Style: Lyrical hip-hop
Story: Caitlynn is fed up with her man; Ivan shows up and wins her over.

Caitlynn continues to grow every week. She had lovely chemistry with Ivan. Even though it was well-danced, it didn’t move me emotionally to the point of goosebumps although I was still drawn into the story. Mary was not wowed, but felt she did a really good job. Nigel offered her some advice about “opening her legs more” (which elicited a juvenile giggle from me, and a comment from Lady Gaga) to help her find her swagga, but complimented her on staying in character. While praising Caitlynn on certain aspects of her dancing, Lady Gaga offered some great advice about her not having similar flowing movements that Ivan had. Tempered with praise, Rob felt she needed to lose herself in the dance more.

Dancers: Jordan and all-star Ade Obayomi
Song: “Nutbush City Limits”
Artist: Tina Turner
Choreographer: Tyce DiOrio
Style: Pop jazz
Story: Being bad together during a secret rendezvous.

The athleticism both Jordan and Ade possess almost made Tyce’s dance flawless. There was one thing that bothered me: Instead of looking and being totally involved with her partner, Jordan was looking out at the audience too much, and one time I even caught her looking at the judges at a crucial point in the dance when her eyes really did need to be on her partner. Because of this, I did not buy into any chemistry between them, critical for the dance (being bad “together”). Nigel loved it. Lady Gaga enjoyed the fact that Jordan was looking at the camera and assertively announcing that she was a star. Rob adores her. Mary gave her a scream of approval. So, hey, what do I know, right?

Dancers: Melanie and all-star Neal Haskell
Song: “Total Eclipse of the Heart”
Artist: Bonnie Tyler
Choreographer: Mandy Moore
Style: Contemporary
Story: A crossroads in a relationship.

Ah, my first goosebumps for the evening. I do have a bias for contemporary and hip-hop routines; they seem to move me emotionally more often than other styles of dance. This was my favorite dance routine of the evening (thus far). Melanie delivered another stellar performance. I am amazed at dancers who have to show complete and total trust in partners they have barely met. When she took a running start from one corner of the stage and leaped into his arms from mid-stage to the opposite corner of the stage was both a feat of technique and trust. It took my breath away. All the judges are standing in applause. Melanie is Lady Gaga’s favorite and she would hire Melanie tomorrow. She is poetry in motion, according to Rob. Mary has run out of adjectives for her. Melanie won over Nigel’s heart for the time being from Sasha. The final scene where Melanie is in the light and Neal was in the darkness reflected beautiful the lyrics being played in the song.

Dancers: Ricky and all-star Anya Garnis
Song: “River Deep, Mountain High”
Artist: Celine Dion
Choreographer: Jason Gilkison
Style: Jive
Story: None, just complicated moves.

If you are not up to Anya’s level of expertise, your weaknesses are going to show. Ricky executed the performance as best he could, but I don’t think it was good enough to get him into the safety zone tomorrow during the elimination. The moves were intense, especially the flip over the head. The dead-drop at the end made me gasp. Rob applauds his personality and technique for the most part, but offers that he needs to dig a little deeper into the floor. Ballroom-dancer Mary had better technical advice to give to Ricky. Nigel felt Ricky’s posture should have been more “river deeper rather than mountain higher.” Lady Gaga has a sweet spot for Ricky and likes his posture.

At this point I begin wondering where the solos are and am grateful they decided to change up the format and do pairs with other contestants again.

Dancers: Jess and all-star Lauren Gottleib
Song: “Take a Bow”
Artist: Rhianna
Choreographer: Tabitha and Napoleon Dumo (NappyTabs)
Style: Lyrical hip-hop
Story: A man who has cheated on his girl and he is trying to apologize.

Jess did a much better job this week. He took in Neil Patrick Harris’ advice about not overdoing the faces. Mary felt that his dance came from his soul this time (I agree) and he had the swag. Nigel commented about how much he has grown and listened to the comments to help him grow. When Lady Gaga made points about the choreography, I wondered if Tabitha had to dig her fingernails into Napoleon’s arm to keep her from saying something. Rob has known Jess since he was little, Jess having worked on Broadway. You could see how proud Rob was of Jess and his growth.

Dancers: Tadd and all-star Lauren Froderman
Song: “Another One Bites the Dust”
Artist: Queen
Choreographer: Mandy Moore
Style: Jazz
Story: Pulling off a heist (Smooth Criminal?)

This is another favorite routine of mine this evening. Tadd and Lauren were a great partnership. I was thinking during the routine about how Lauren was not everyone’s favorite at the beginning of her season and turned things around to win. He did not flinch when Lauren accidentally smacked him in the face. He was not jarred when he lost his hat, either. Tadd is a dark horse, one I never expected to be possibly in the final 4 at the end of the season. Nigel called Tadd a sponge and suspected he would not be going home this week. Lady Gaga is much better suited to be a judge on this show. I like the way she interpreted the song to Tadd, enjoying the muggy look like, “Yeah, I just robbed a bank and got away with it.” Rob Marshall thought he was very special and acted like a true professional during the mishaps. Mary predicts he will be in the finale.

Dancers: Marko and all-star Allison Holker
Song: “I Know It’s Over”
Artist: Jeff Buckley
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Causing damage to a person, basking in the guilt because of it, but it moves you to change.

Allison brought the magic back out in Marko and another box in my favorite dances this week. Marko will be in the top 4. Pain and hurt came through on both their faces and although I had no goosebumps, I found myself crying because of the song’s message. What a time to shine with his mother in the audience! In this unedited, entitled society hiding behind internet anonymity and cyber bullying, people hurt others without a second thought. When attention is called to the hurt, people go on the defensive (because it is all about them) instead of listening to the grievance, acknowledging it and apologizing for it. Whether or not you think you did wrong to that person, if that person felt that way and you love them, it matters. Once you accomplish that, then you can use those new skills to open up to the world around you. Lady Gaga was also in tears and the panel gave them a standing ovation. In an act of contrition, Lady Gaga remembered all the mistakes she made in her past. Marko is deeply moved by his mother’s presence and he confesses and apologizes for his hurts. Rob appreciated the fluidity of the movements and the partnership between Allison and Marko. Mary chokes back her tears and says Marko is her favorite dancer on the show. Nigel remarks about the sheer moment of this, that a dance could affect such a change so quickly, and that people need to say what they need to their moms (and I would like to extend that to not just moms but everyone) before they are no longer walking among us here on planet Earth.

Dancers: Caitlynn and Tadd
Song: “Top Hat, White Tie and Tails”
Artist: Ella Fitzgerald
Choreographer: Jonathan Roberts
Style: Foxtrot
Story: Classic boy meets girl

Caitlynn’s dress was stunning and Tadd looked hot in a tux. Wait for it….Yep, Season 8: The Kissing Season did not let me down. Tadd gave Caitlynn a kiss on the cheek midway through the routine. Caitlynn seemed more at ease with this genre, although Tadd was not awful. I would hate to be them coming off that Marko and Allison number. After that, ANYTHING is going to look boring. “Sparkling” is what Rob thought, a “black and white movie come to life.” Mary thought it was beautiful and elegant but she needed more powerful and did not think this would be a memorable dance from this evening. Nigel was heaven and wanted to dance with Caitlynn. Lady Gaga loved the routine but offered that every now and then Caitlynn’s hands say, “I won a lot of trophies!”

Dancers: Marko and Ricky
Song: “Bad Boy For Life”
Artist: Diddy featuring Black Rob and Mark Curry
Choreographers: Tabitha and Napoleon Dumo (aka NappyTabs)
Style: Hip-hop
Story: They are waste management technicians.

This dance was better than the Emilio Estevez/Charlie Sheen movie, “Garbage Men.” Sometimes throughout the routine, I felt Marko had more swagga and other times Ricky. It was moving along at a slow pace. Knowing what NappyTabs has choreographed for SYTYCD over the years, just when I was expecting there to be more, more was delivered. The pace quickened, and then it was abruptly over. I was left disappointed; the pickup in tempo should have occurred sooner. Perhaps they were trying to recapture the magic of the Alex/Twitch routine, but it fell short. A quick camera shot to the audience and Tabitha was caught taking a deep breath, looking over at the judges. Mary Murphy was standing in applause and she loved it. Nigel felt it was fun, but Ricky was still a bit too high versus being lower to the ground for hip-hop. He feels Ricky might be in the bottom this week and I agree. Lady Gaga took a swipe at NappyTabs basing her opinion on her days when stomp was emerging and her own choreographer. Picking NappyTabs back up, Rob applauded their routine.

Dancers: Jordan and Jess
Song: “Set Fire to the Rain”
Artist: Adele
Choreographer: Jason Gilkison
Style: Rumba
Story: A woman in a controlling relationship and she is blinded by her love for him.

Jordan did a better job in this dance. Jess’ Broadway face came out several times. But did they set fire to the rain? No. I am sorry Jordan and Jess fans. They gave it a good try, but at this point in the competition; it is not okay just to dance the routine. There has to be that extra “oomph.” Nigel did not think they had chemistry. She called Jordan on her sway-back. It was not his favorite routine this night. Lady Gaga did not think there was anything “wrong” with it, but as an artist, she would have interpreted the song differently–two elements that do not fit together–and faulted the choreography and not the dancers. Rob thought they brought out the best in each other and sees theater careers for both of them. Mary said the back-split/lift was the best she had seen all season. What was lacking for her was the elasticity of the rumba and the sensuality that develops from that.

Dancers: Sasha and Melanie
Song: “Game On”
Artist: District 78
Choreographer: Sonya Tayeh
Style: Jazz
Story: None, just the combination powerhouse of their two styles for an ultimately beastly creation.

Warrior Sonya concocted a powerful dance routine that showcased each of these ladies quite well. These dynamic dynamos deserved the last spot of the evening and had the judges on their feet. Who was better? I would give a slight edge to Sasha. They will be in the top 4. In the audience, passionate Sonya beamed with pride at her lionesses. Lady Gaga threw her shoe at them, the highest form of compliment. She claimed it to be the performance of the evening. Rob adored it. Mary thought they put it all out there. She thought it was the best number Sonya’s ever done and proclaimed it to be the performance of the evening. Nigel thinks only a tissue paper separates the two of them on who is the best dancer. Sasha and Melanie bowed in homage to their Mother Goddess (Sonya). Either one of them can be this year’s champion, according to Nigel.

The bottom 2 girls will be Caitlynn and Jordan. The bottom 2 guys will be Ricky and Jess.  Whoever does get through, they will need to dance like there is no tomorrow because Marko, Melanie, Sasha and Tadd have made a definitive move to the head of the pack.

Update to Miranda’s fans on the contest going on: According to @mirandacandance on Twitter, they are holding a contest to find the most creative way to express your fan love for Miranda, with Miranda picking the winner. For details, please click here.


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Categories : So You Think You Can Dance

So You Think You Can Dance — Top 10 Performance

21 07 2011

Congratulations to So You Think You Can Dance for the well-deserved 8 Emmy nominations.

Tonight was a game-changer in the format of the show. The contestant would now be paired up with former alumni of the show, affectionately known as the all-stars. Neil Patrick Harris was the guest judge this evening. Tickets for the tour go on sale July 29 which kicks off in Orlando, Florida.

Dancers: Marko & all-star Chelsie Hightower
Song: “Cinema Italiano” (The Ron Fair Remix)
Artist: Kate Hudson
Choreographer: Jason Gilkison
Style: Samba
Story: A photographer and his muse.

The big question of the night is this: Will Marko and Melanie shine being apart? While Marko did well, it was not his best dance. Perhaps Melanie is his muse. There was a lot of footwork, but there were spots where I felt his arms could have been up higher and his legs could have been together more than apart. But Mary Murphy is the expert in ballroom and she loved it. He does get kudos for those massive lift/twirls.

Dancers: Jordan & all-star Brandon Bryant
Song: “Who You Are”
Artist: Jessie J
Choreographers: Dwight Rhoden and Desmond Richardson
Style: Contemporary
Story: The highs and lows of love.

This was a wonderful partnering. Brandon’s age and experience brought more out of Jordan as did the beautiful choreography which left me with goosebumps. The combination gave her a deepened maturity in her dancing. This is one of the reasons why I love the all-stars so much. The contestants seem to rise up to their level. Jordan received high praise from all the judges including a plea from Nigel to keep her in the competition.

Dancers: Tadd and all-star Comfort Fedoke
Song: “Look At Me Now”
Artist: Chris Brown (featuring Lil Wayne and Busta Rhymes)
Choreographer: Chuck Maldonado
Style: Hip-hop
Story: None.

Once again, having Comfort in the mix elevated Tadd’s level of dance. The choreography was also very complex to a very fast beat, but Tadd rose to the challenge. It played to Tadd’s strengths. There was very good chemistry between the two dancers. Nigel and Neil both felt he out-danced Comfort. Mary thought he was ghetto-licious.

Dancers: Mitchell and all-star Melody Lacayanga
Song: “Take Off With Us”
Artist: All That Jazz Soundtrack
Choreographer: Tyce DiOrio
Style: Broadway/jazz
Story: Taking flight.

Once again I’m afraid for Mitchell because Broadway does not bring in the votes. I did not watch SYTYCD in season 1, so Melody is new for me as well. Mitchell had great height in his leaps. There was something awkward about the routine, but I think it was in the height difference actually. I thought Mitchell out-danced Melody. The judges did not like it with Neil Patrick Harris taking aim more at Tyce’s choreography. It was like someone tried to make Boeing, Boeing a musical. It just did not work. Sometimes the dancers are at the mercy of the choreography. Perhaps the awkwardness was not in the height difference, but the fact that the dancers were not feeling it so they overperformed.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Malajunta”
Artist: Orquesta Color Tango
Choreographers: Leonardo Barrionueva and Miriam Larici
Style: Argentine tango
Story: A disconnected couple from the 1930’s era falling in love.

This LA-noire-type tango was on fire. With a partner like Pasha how could you not get totally wrapped up in the chemistry? The intricate steps with the interlocking legs are very difficult and I hope the audience can appreciate that. I still worry for Caitlynn because Broadway and ballroom do not do so well with voters. Mary Murphy gave Caitlynn a standing ovation and was near tears. Nigel commented that she used to be a girl dancing but now he saw a woman dance. Neil stated it took a little bit for him to get into it but he was completely mesmerized by it.

Dancers: Sasha and all-star Twitch
Song: “Misty Blue”
Artist: Dorothy Moore
Choreographer: Christopher Scott
Style: Hip-hop
Story: A couple’s whose love has burned out and they try to rekindle the magic.

As much as I enjoyed Alexander, there was a disconnection for me since the first week between the two of them. Tonight, Sasha was partnered with someone who not only had the chemistry but also had the skills to match her. As a married person of 19 years now, I appreciated this dance a great deal and could relate to it. This routine sizzled with sensuality. It was very nice to hear this song again. The routine was received quite well by the audience based on the level of clapping and hooting they did. I just love Twitch and everything he does. Nigel could not even speak. Neil called it the best routine so far in the evening. The routine brought Mary Murphy to swearing, calling it a “sexy-ass number.”

Dancers: Jess and all-star Kathryn McCormick
Song: “The Lonely”
Artist: Christina Perri
Choreographer: Stacey Tookey
Style: Contemporary
Story: Not being able to see what is right in front of you.

This routine required Jess to give all his eye contact to Kathryn while Kathryn is basically ignoring him. There was not a flowing movement that I would have liked to have seen with the routine. Even dancing separately, there still has to be a bond between them for the audience to be pulled in–a difficult order to be filled by even seasoned dancers. Kathryn did a beautiful job and I have missed seeing her dance. Neil thought the choreography was magnificent but pointed out Jess’ facial expressions that are typical of a Broadway dancer, but thought it was the best he has seen Jess dance. Mary concurred that it was her favorite piece Jess has done to date. Nigel thought Jess did a great job.

Dancers: Melanie and all-star Pasha
Song: “Everybody Hurts”
Artist: Tina Arena
Choreographer: Jason Gilkison
Style: Viennese waltz
Story: A guy who has lost his will to live with Melanie as the friend who is nurturing him through it.

Melanie did not lose herself without Marko. This was the second time this evening I got the chills. Melanie’s movements were ethereal and she looked like a guardian angel cradling Pasha’s troubled soul. I am not really sure what might be troubling Pasha’s soul since he got to dance with two beautiful women this evening! Mary complimented her on her effortless lifts and felt she was right up there on the top of the leaderboard. Nigel called her a solid, brilliant dancer. Neil thinks Melanie looks like she is from the past but dances like she is from the future and is easily his favorite dancer on the show.

Dancers: Ricky and all-star Allison Holker
Song: “Precious Things”
Artist: Tori Amos
Choreographer: Tyce DiOrio
Style: Jazz
Story: A bad dream (Ricky being Allison’s worst nightmare).

It’s hard to imagine cheerful Ricky as anybody’s worst nightmare, but he pulled this dance off. The lift where Allison is in a curved position and Ricky’s arms are straight up took my breath away. There was great power in his movements. Both Neil and Nigel were impressed with both the choreography and Ricky’s performance. Mary thought it was raw, reckless, passionate, intense and committed.

Dancers: Clarice and all-star Robert Roldan
Song: “Aila Re Aila”
Artist: Khatta Meetha
Choreographer: Nakul Dev Mahajan
Style: Bollywood
Story: A game of cat and mouse.

Nakul threw everything except the kitchen sink into this dance routine. Clarice did a fantastic job keeping up with all-star Robert. This season of SYTYCD has got to be labeled the kissing season. This sexy dance was fast with intricate moves. Everyone loved it. It was a great way to end this wonderful show.

Solos

Sasha‘s routine to “Syrup and Honey” by Duffy had very complex moves and good emotional connectivity. It reminded me of a little dragonfly. Jess performed his solo to “Come By Me” by Harry Connick, Jr., utilizing the entire stage very well with his Broadway-like routine. He always has a lot of good energy. Melanie danced beautifully to “You’re The One That I Want” by Angus and Julia Stone. Ricky performed a lovely solo to “Daylight Breaks” by Cassidy Haley. Clarice danced her solo with a Latin-vibe to “Royal T” from Crookers featuring Roison Murphy. Performing to “This Time” by John Legend, Mitchell redeemed himself from his all-star routine. Jordan danced to “Tonight” by Lykee L., taking to heart the judge’s advice last week that they needed to see something different from her. Tadd provided an entertaining solo to “Everything I Can’t Have” by Robin Thicke. Caitlynn’s contemporary piece was lovely to Florence and The Machine’s “Cosmic Love.”  Marko closed out the solo performances of the night with a song from Gavin DeGraw, “More Than Anyone”, reminding us what a beautiful dancer he is.

For me, my least favorite dance this evening was Jess, but I am very worried for Mitchell because he was the only one to receive negative feedback. It would be difficult to say exactly which my favorite was because I had so many. All the solos were stupendous.

I would like to pass on some news from Miranda’s fans at @mirandacandance on Twitter. On Saturday they have an exciting announcement to pass to everyone and a chance to win some really great prizes, so make sure you stay glued to Twitter on Saturday.

Who were your favorites and least favorites this evening?


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Categories : So You Think You Can Dance

So You Think You Can Dance — Top 14 Performance

7 07 2011

Tonight viewers were in for a special treat. Travis Wall, previous contestant on So You Think You Can Dance Season 2 and choreographer for the last few years, was asked to sit in to judge tonight. Is there anywhere Travis does not fit like a hand in a glove? His critiques were deadly accurate with lavish praise for the high points and technical pointers for the weaker points to help the dancers learn. When I heard Carmen Electra was going to judge, I had no idea she had a background in dance. I enjoyed her in “Meet the Spartans.” I loved Cat Deeley’s earrings tonight that had the number 8 on them for season 8.

Tonight we will find out more about the contestants. There are also new choreographers to the show. According to http://www.markmeismer.com, Justin began his training in South Carolina. He was the winner of Star Search and Destination Stardom in Hawaii. In 2001, he worked with the Poz Dance Theater in Seoul, Korea. Soon thereafter he opened a dance company in Dallas, Texas and has been with LA Dance Magic for the past 5 years. Ray Leeper has worked in film and theater and for big names singers such as Cher and Elton John.

Dancers: Boys’ Group Number
Song: “Prague”
Artist: Damien Rice
Choreographer: Justin Giles
Story: The seven stages of grief after a breakup: Shock, anger, denial, depression, guilt, bargaining, and acceptance.

It was a beautiful contemporary number. Chris, unfortunately, was off in his timing with the other dancers. Although the judges are not offering critiques, performances in the group number will be taken into consideration for elimination eve. A warm welcome to Justin. I hope we see more of his work on this show.

Dancers: Melanie & Marko
Song: “Americano”
Artist: Lady Gaga
Choreographer: Ray Leeper
Style: Jazz
Story: Young Latin couple whose families have been fighting like the Hatfield’s and McCoy’s, now run off and want to get married.

Marko had auditioned before but had not won over the judges until this year. He is from Guam and most of his family became lawyers and doctors. There were not many dance opportunities on the island. The one job he had was on a cruise ship and the hazing ritual was dressing up as a girl (in homage to the drag queen show where he was not–and he repeats was NOT–the drag queen). Melanie is from Marietta, Georgia (woo-hoo, my sister lived there for many years), but she left to attend Fordham University in New York City, majoring in art. Her boyfriend, Mitchell, whom she has dated since the 10th grade in high school, came to see her perform last week, the week of the Marko kiss.

There was a moment at the beginning of the dance where I thought, “Oh my” with regards to hand placement. She had to be deadly accurate or risk incapacitating her partner!

Melanie & Marko

Hand placement must be precise!

It was a fantastic way to start the show off on a high note. Cat Deeley says Marko looks like a sexy fireman in that outfit. Travis tells Melanie she is, by far, his favorite dancer in the competition. He also comments that he has been taking Ray’s class since he was 9 years old (great way to make someone feel old, Travis!). Mary loved their passion and heat. I enjoyed this number a great deal. This was Ray’s first appearance on SYTYCD as well and a hearty hello to him as well. Nigel reassures Marko that he is a fan now.

Dancers: Sasha & Alexander
Song: “To the Moon”
Artist: Miguel
Choreographer: Shawn Evaristo
Style: Hip-Hop
Story: A first date and Alex wants a kiss at the end of the night from Sasha.

Sasha spoke lovingly of her family, especially of her sister and having her sister with her through her journey on SYTYCD. She comes from a large Trinidadian family who now lives in Bakersfield, CA and there is always a party going on–lots of food, drinks, dancing, and singing. It sounds like Sasha’s family knows how to live in the moment and express joy of just being alive. Dancing began for Alexander at the age of 17. Instead of going to college, he was accepted into a ballet school where he fell in love with ballet. He grew up in Alhambra. His father used to be an actor on such shows (that I remember) as Barney Miller, TJ Hooker, Hill Street Blues, shows Alex says he has never heard of. Psssst. Alex. I probably saw your dad at some point on those shows and not on the reruns.

Alex is swagger-challenged. One might say because of the natural of ballet, it is trained out of them because posture has to be perfect, lines have to be straight, etc. However, one day ballet dancer Alex Wong walked into our lives and performed one of the best routines ever in the history of SYTYCD with Twitch, choreographed by Tabitha and Napoleon. Click here to watch. Alex Wong made a bold statement that ballet dancers CAN do hip-hop. Compared to the level of what we’ve seen in the competition thus far, this was below the bar. I think it will put them in danger. Carmen articulated it best when she was not feeling them as a couple. When I see Alex in his natural environment, he seems like a different person than he is on stage. The “ballet face” comes on when he dances on stage and because Sasha is operating from a different point of view, trying to get into whatever character she needs to be, that is where the disconnect is happening.

Dancers: Jordan & Tadd
Song: “Nocturne”
Artist: Secret Garden
Choreographer: Toni Redpath
Style: Smooth Jazz
Story: Jordan is a siren, a black widow spider of the deep sea.

Jordan’s story brought tears to my eyes as she shared the depth of her family’s sacrifices so she could dance and the level of appreciation she has for it. After seeing the fun side of Jordan, it was moving to see she has a vulnerable side. She hopes that this is a reward for them as well after all they have done. Tadd grew up in Salt Lake City and because of the lack of Filipino culture there when he was young, grew up thinking he was Caucasian. Once he got to meet extended family in San Francisco, California, his world grew much bigger.

Let’s think of Jordan being a siren of dance (not voice, LOL, sorry babe, your talent is in dancing, not singing). I loved the hair extensions; I don’t think I would have recognized her on the street with them. Her costume was beautiful; she did look like a goddess from the sea. Being a hip-hop dancer, Tadd did a super job. His posture was superb; his arms were high. He died well.

Dancers: Clarice & Jess
Song: “Light Through the Branches”
Artist: Celeste Lear
Choreographer: Justin Giles
Style: Contemporary
Story: A super intense love affair that is coming to an end.

Clarice also appreciates the sacrifices her family has made for her.  Although she grew up in Hollywood, California, she now studies dance at California State University at Long Beach. After a long day, she drives her sister to dance and then teaches dance later on after that. Clarice enjoys spending time with her family after a long day. Jess grew up in Little Falls, New Jersey with family members who are also entertainers. Jess’ father was an actor, but is now a teacher. While many of us would like to forget our high school experience, Jess has wonderful memories, being part of all the performing arts clubs.

Clarice is a contemporary dancer and Jess is used to Broadway. My eye was drawn to Clarice during the routine. Jess is growing as a dancer in this area but I would compare his performance to Tadd’s in ballet. Although not his style, he did try to rise to meet the challenge. Unlike Alex and Sasha, Clarice and Jess are developing chemistry between them and that shone through during the routine. In this routine, it demanded that it did or it would have fallen apart. I agree with Travis that it is my favorite routine they have done all season. Carmen and Mary said they felt the anger they were feeling. Maybe that was true in the studio. As a TV viewer, I saw the anger between the two of them, but they did not bring me along for the ride.

Dancers: Ashley & Chris
Song: “Mambo Beat”
Artist: Tito Puente
Choreographer: Liz Lira
Style: Salsa
Story: None, just fast, lots of tricks, etc.

From Antioch, California, Ashley grew up as the daughter of a deacon, surrounded by music and dance her entire life, her mom being director of the dance program. She loves to cook (perhaps we will see her on a future episode of Masterchef). Chris comes from a large family in Dallas which gives them always something to do and always something to clean. He was diagnosed with dyslexia and credits his parents for him graduating high school because the challenges for him were that difficult.

I understand the choreographers wanting to do a challenging dance, but they also need to take into consideration the level of ability of the dancers. Latin dances need a strong male partner who is sure of himself and Chris even verbalized his awkwardness in this style. I was worried for them seeing the rehearsals. The actual dance was better than rehearsals. You could see Chris thinking all the steps so he could complete the dance without his partner getting hurt, but because of that, the heat was missing. Ashley did a nice job and it was so lovely of her to tell him how proud she was of him as they stood next to Cat Deeley. Sadly, I think this is going to put them in the bottom 3. I’m certain that if this is the case, Chris will be the guy going home because of the comment Nigel said last week about him needing to grow faster, and because of the off-timing in tonight’s group routine.

Dancers: Ryan & Ricky
Song: “Fashion”
Artist: David Bowie
Choreographer: Chucky Klapow
Style: Jazz
Story: Two members of a cult of fashion. Following what was hot and hip eventually “did them in.” They got hit by a car they were so into themselves they wouldn’t even take the time to look left or right to cross the street. Elaborate story.

Ryan was raised in Morgan Hill, California. She went to Sacramento and got an opportunity to work with Mia Michaels during a convention. Because of economic hardships, Ryan had to give up dancing for awhile. She reunited with Mia Michaels on the “House” episode “Bombshells.” Ricky is from Miami and loves the beach because it allows him to spend time with his family. When he was 15, his mother said they were moving to Tampa (and they made it sound like it was such a horrible thing to happen. I lived in St. Petersburg for a year of my life; Tampa is not a bad place). But apparently there is not a lot of dancing in Tampa (ah, code word for a lot of old people live there). He was not only the first male cheerleader at his new high school, but also became co-captain.

This dance was “Ghouls Gone to Vogue Hell” to the PERFECT song choice. It was so enjoyable. It made me want to learn the steps so I could follow along. How do you judge such a thing? Fun? Check. Did I believe they were zombies? Check. Did I believe they were once fashion icons? Check. When they were required to dance in sync, did they? Check. Bonus points: It was quirky; I adore quirky. They are absolutely safe with this one.

Some trivia about Chucky Klapow. He was one of the main dancers in Michael Jackson’s tour “This Is It” and has been Kenny Ortega’s co-choreographer in the High School Musical movies. Kenny Ortega did a season of judging on SYTYCD. He also choreographed another Fox show, Bones, “The Girl With The Curl.”

Dancers: Caitlynn & Mitchell
Song: “To Love You More”
Artist: Celine Dion
Choreographer: Mandy Moore
Style: Contemporary
Story: A couple falling in love.

Caitlynn was a tomboy growing up in Moses Lake, Washington and loves engaging in outdoor activities from snowboarding to fishing. Her father works overseas and is home only every other month. Thank goodness she lives in an age where there is Skype and other type of networking; back when I was her age there was two methods of communication: Telephone and snail-mail. Mitchell’s backstory made me cry. His father died when he was 2. When he was 8, he and his mother moved from Chicago to Atlanta and wound up sleeping in their car for a full year. They were homeless. His mother was able to find a job and wanted Mitchell to fulfill his dreams there. His mother is so inspiring. It is so difficult to break out of the cycle of homeless and there is such a horrible stereotype about the face of the homeless, people mischaracterizing the group as lazy, not wanting to work, etc. I know that just is not true and to hear people’s ignorance when they speak of such things irritates me greatly. Mitchell, to his credit, could have turned to a life of drugs or gangs, but did not. It says a lot about his personal character as a mere 8-year-old child. He is such a great role model.

Wait, what? Caitlynn spills secrets that Marko reads romance novels. Too funny.

Remember that Mitchell is still trying to recover from his injury from week 1, but he continues to push through to stay in the competition. Caitlynn has complete trust that he will be there for her as her partner. They have the coveted last spot of the evening, so I’m preparing to be wowed. I love this song and the romantic in me loved this dance. It was my favorite of the evening. I know it is a wonderful dance when I’m breathing with the dancers. It was absolutely PERFECT and Mitchell knows they NAILED it. He is overwhelmed with emotion.

Dancers: The Girls aka “The Beasts”
Song: “My Discarded Men”
Artist: Eartha Kitt with Bronski Beat
Choreographer: Ray Leeper
Style: Jazz
Story: Seven girlfriends ridding the world of evil men. (Hmm, femme fatales?)

It was a great dance and everyone worked well together as a group. A nice way to end the show.

So based on their dancing tonight, I think Sasha and Alexander and Ashley and Chris are in trouble. But Sasha has a lot of Adam Lambert fans voting, so I’m not sure if they will be in the bottom 3. I’m not sure who the other couple would be. I am certain Chris is going home Thursday night if he is among the bottom 3 males.

Who were your favorites? Who do you think will be in the bottom three?


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Categories : So You Think You Can Dance

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