That is a unique pairing of styles! I enjoyed it. It wasn’t my absolute favorite but it was different.
Judges For Tonight
Cat has bad news. Curtis injured his shoulder and the doctors said he cannot perform this week. Nigel, Mary and guest judge Anna Kendrick.
Bottom 6
Jasmine, Alan, Alexis, Curtis, Makenzie, and Nico. Jasmine? Are you friggin’ kidding me America? This is a GROSS injustice. She is one of the top 3 girl dancers! The judges do not want to see any of the guys dance a solo. Makenzie is going back to safety. Jasmine and Alexis are dancing solos. Jasmine is phenomenal, so you know at this point Alexis is going home.
Alexis dances a wonderful tap routine to the song, “Stand By Me” by Ben E. King. She is a wonderful tap dancer. Jasmine dances to “Endangered Species” by Dianne Reeves. She is a force of nature. She is safe. If she is not, then I question the wisdom of the judges.
Couples Dance
Dancers: Jenna & Tucker Style: Hip-hop Choreographer: Luther Brown Song: “Slight Work” by Wale featuring Big Sean
Jenna did a better job than Tucker but I did not like the routine. Personal taste issues. Tucker was too stiff. Jenna was less so but still needed more. The bendover-bottom move will get some votes. Also dance moves that Tucker needed to be tighter and more hard-hitting in fell flat. I was bored. My interest was re-ignited when they went to the platform, but it was short-lived.
The judges: Nigel thought it was unconvincing. Mary agreed but paid them some compliments. Anna thought it was not their strongest but it was a little cute.
Dancers: Alexis and Nico Style: Contemporary Choreographer: Sonya Tayeh Song: “Ashes” by The Bengsons
The story is it is at the point of a relationship where it all falls apart. it was fantastic. Alexis really channeled some intense emotions. I always love Sonya’s routines but it did not elicit goosebumps. I found my eye drawn more to Alexis this time than Nico.
The judges: Mary gave specifics about what she loved and thought it was spectacular. Anna said it was lovely. Nigel felt that Sonya gave them a vehicle to show emotion this week.
Dancers: Hayley and Curtis Style: Tango Choreographer: Miriam Larici and Leonardo Barrionuevo Song: “Estes Es El Rey” by Juan D’Arienzo
The story is that they meet for the first time on the dance floor. Leonardo is subbing for the injured Curtis. And THAT is what it looks like when dancing with the real deal. It was fabulous. Still did not give me goosebumps but I think Curtis really would have had trouble with the lifts even without a shoulder injury.
The judges: Mary was on her feet. Anna felt if she had Hayley’s body just for one day she would be invincible. Nigel felt she nailed it and it was stunning. Mary said it was impressive and gave the more technical descriptions of the dance. Mary wants to be her today too so she could dance with Leonardo.
Dancers: Makenzie and Paul Style: Jazz Choreographer: Sonya Tayeh Song: “You’ll Find a Way (Switch & Sinden Remix) by Santigold
I loved it 5 seconds into the song. I knew then it was going to ooze sexy and sultry and heat and passion. I got my goosebumps on.
The judges: Nigel said they were brilliant. Mary feels the same. She enjoyed every second of it. Anna felt Paul was pulling an MVP and Makenzie was powerful in this.
Dancers: Jasmine and Aaron Style: Contemporary Choreographer: Justin Giles Song: “The District Sleeps Alone Tonight” by Birdy
A piece based on “The Giving Tree.” I already have goosebumps and I haven’t even seen the dance yet. I am already welling up with tears in my eyes and they have not started dancing. It is without a doubt my favorite book of all time. It is even more special in that I got to read this book to my niece’s classroom on one of my trips up to New Jersey, a special honor I will cherish forever. Because of the severity of my son’s autism and my first child dying I never got to experience many things that parents with neurotypical children get to do in regular classrooms. My damn mascara is running and I now have raccoon eyes. Ugh. Okay, let’s get past the first 5 seconds or their practice. Deep breath. My goosebumps runneth over. That was my favorite routine of the night.
The judges: Mary gives props to the prop and to them for making it look effortless. The dance was endearing and she loves watching them dance. Anna believed the emotions. She loves Jasmine’s grace. She told Aaron that she roots for him. And she wants a piggyback ride on Aaron’s back. Nigel tells them the story. He feels that as partners they have unconditional love for each other just as the tree had for the boy. He loves them as a couple (and so do I).
Dancers: Fik-Shun and Amy Style: Hip-hop Choreographer: Christopher Scott Song: “Let’s Get It On” by Marvin Gaye
Fik-Shun orders the catch of the day at a restaurant (which is Amy). This was fun and quirky and flirty.
The judges: Anna thinks they are cute. Amy is her favorite dancer on the show. Nigel felt it was tremendous. He worries that they are playing similar characters each week. Mary agrees with Nigel and Anna. She did not want it to be over.
Dancers: Malece and Alan Style: Salsa Choreographer: Jonathan Platero (season 5 contestant) Song: “Pa’ Los Rumberos” by Tito Puente and His Orchestra
This dance had a lot of acrobatics and tricks but I was bored. Sorry I am just not excited by ballroom most of the time. It’s like country music for me–every now and then I pay attention but it takes a phenomenal song (or in this case dance).
The judges: Nigel thought it was well choreographed and danced. Mary said the routine was insane. Anna said it made her want to take lessons or have an affair on a tropical island. She wants them to make a baby.
Dancers: Malece, Curtis, Alan, Jenna, Nico, Hayley, Makenzie Style: Broadway Choreographer: Spencer Liff Song: “Come Together” by Joe Cocker (Across The Universe Soundtrack)
Spencer substituted for the injured Curtis. I enjoyed that. I never heard that version of the song before. Very sexy. I don’t know why Mad Men was springing to mind because I have never watched the show, only promos. Spencer looked like he really enjoyed doing that.
The judges: Anna wanted to give a shout-out to the steady-cam operators. She also gives the group kudos. Nigel said his eye was on Spencer. He thought the girls were tremendous. Mary thought Spencer was great. She thought the girls killed it.
Dancers: Aaron, Amy, Paul, Jasmine, Tucker, Fik-Shun, Alexis Style: Contemporary Choreographer: Bonnie Story Song: “Tears of an Angel” by Ryandan
A story about being bullied and people walking by and ignoring it. No words, only tears. That was so beautiful. It was SO powerful.
The judges: They were all on their feet. Mary thought it was a beautiful piece. Anna thanked all of them and thought it was fantastic. Nigel called attention to cyber bullying (Oh gosh Nigel if you only knew, and some of those bullies pretend to be victims in a sick, twisted way to control people insidiously).
Who goes home
Curtis and Alexis are going home.
Who is in the bottom this week/my picks
I hate to keep picking on Alan, but–fooled you. This week Tucker is on the bottom and that may be just because Alan got a dance in his own style this week. Nico might also be in the bottom 2. For the bottom girls, I am going to have to say this week Malece and Jenna and only because the other girls were just a little bit better.
Song: “New World” by The Irrepressibles Choreographers: Stacey Tookey and Peter Chu
Once again, I adored the opening number. It was very cool when they changed wardrobe from red to white. It was like a snake shedding its skin. Although I don’t like snakes, I do love this.
Mariah, Alan, Makenzie, BluPrint, Jenna, and Curtis are all in danger, but they quickly send Jenna back to safety. The rest have to dance solos to help the judges make their decision about who is staying and who is going.
Makenzie starts the solos. She dances to “Claire de Lune” by Laura Sullivan. That was lovely. I liked how the audience kept quiet until the last 2 seconds to count. If they were like me, they were holding their breath and breathing with the dancer. Alan took the floor next and danced to “Return Of The King” by X-Ray Dog. It was a little strange. Like a Russian matador. I have not seen him dance like that since the auditions. The cape work was outstanding. Curtis danced to “Used To Love U” by John Legend. It was a nice reminder about how great a tap dancer he is. Dancing to “Set It Off” by Kardinal Offishall featuring The Clipse, Mariah showed us why it is important to keep a female krumper in the mix. The last person to strut their stuff was animator BluPrint to “Illusion of Choice” by Gramatik. I never tire watching him perform in his native style. Wow. That is going to be a tough call and I am glad I don’t have to make it!
Couples
Dancers: Alexis and Nico Style: Jive Choreographer: Tony Meredith and Melanie LaPatin Song: “Mayhem” by Imelda May
Before I talk about the dance, I really like Tony’s longer hairdo. The song was fun. Tapper Alexis stepped up. The jive and the quickstep are dances that the audience has a very difficult time connecting.
The judges: Nigel felt they lost the bopping step halfway through the routine. Mary enjoyed the routine. She offered advice on how to make it better. Carly enjoyed it and liked Alexis’ dress and Nico’s facial expressions.
Dancers: Jenna and Tucker Style: Contemporary Choreographer: Travis Wall Song: “Hangin’ By A Thread” by Jann Arden
You had me at Travis. Love this dude’s choreography. The story is Jenna has lost all control and is a puppet on a string. Tucker brings her back to life. Once again Travis makes me cry and Jenna and Tucker rocked this. I think it put them back in e forefront in my mind.
The judges: Mary was in tears. She believed they had that moment they were needing. Carly thought it was beautiful. Nigel thought they were both brilliant.
Dancers: Mariah and BluPrint Style: Jazz Choreographer: Brian Friedman Song: “Fall Into The Sky” by Zedd & Lucky Date featuring Ellie Goulding
Did BluPrint find personality within his dance is week? He was better for sure but he really needs to let it GO. I enjoyed the routine so much. It is something I will remember tomorrow. The fact that it reminded me of Stargate with their outfits hooked me in as well. It was good to see him smile at the end of the routine.
The judges: Carly thought it was fun and energetic. Nigel felt they carried off the routine pretty well. Mary loved three-quarters of it.
Dancers: Malece and Alan Style: Hip hop Choreographer: Dave Scott Song: “Bassline” by Chris Brown
Aliens bring us hip-hop. They should have spaced this dance out more from the last routine because there were a lot of similar features. Alan was too stiff. Their synchronicity was off. The pants were distracting to me. Sometimes my 17-year-old with disabilities defecates in his pants and it will look like that. Malece did a better job with the overall steps. By the end of the song I had lost interest (sorry guys)!
The judges: Nigel felt Alan did not have swagger and noticed the stiffness too. Mary thought Malece was on fire and Alan was not. At this point, I think Alan is going home tonight. Carly preferred Malece over Alan.
Dancers: Hayley and Curtis Style: Contemporary Choreographer: Dee Caspary Song: “Don’t Let Go Yet (Radio Edit) by David J. Roch
The story of the song is that they are two people going in different directions, in this case, up and down. I love seeing the unique use of props. When they talked about a ladder in the rehearsals, I thought it was a metaphorical ladder. Hayley is a fiery powerhouse. Curtis continues to make progress but there is something I cannot put my finger on–it looks very amateurish. But when his inexperience fails him, his winning smile compensates. Eventually though, his luck will not hold out. I think Hayley also elevates him as we often see with contestants dancing with the all-stars.
The judges: Mary enjoyed the creativity. She reminded Curtis to drop his shoulders. He had great partnering. She adores Hayley. Carly saw great partnering and chemistry. To work on that, it was revealed that Curtis took her out for sushi. Will they be the new tWitch and Allison? People love romance! That will bring in some votes. Nigel was disappointed that Curtis is not working on dropping his shoulders. The whole routine was ruined for him by his shoulders (well I wouldn’t go that far!). He also was disappointed with his solo; however he thought Hayley was magnificent.
Dancers: Amy and Fik-Shun Style: Hobo jazz? What the hell is hobo jazz? Choreographer: Tyce Diorio Song: “Under The Bridge (Sous le pont) by The Triplets of Belleville (Soundtrack)
They showed a picture of a younger Amy with a golden retriever puppy. Another brownie point goes to her in my fandom. That dance was adorably quirky. I gasped when she jumped up in his arms and then fearlessly went backwards. If Fik-Shun was not doing great partnering, she would have smashed the floor with her head with great force (like the kind in traumatic brain injuries). Wow! That is a lesson in trust now, isn’t it? I liked this routine even more than the alien routine with BluPrint and Mariah.
The judges: Mary and Carly were on their feet. Carly said it was perfect. Nigel thought Tyce gave them one of the best pieces of choreography he has ever done, and Fik-shun has grown enormously this week. He felt they were the couple to beat. Mary thought the routine was as sweet as a Twinkie. They are on the hot tamale train.
Dancers: Makenzie and Paul Style: Hip-hop Choreographer: Dave Scott Song: “Pretty Lil’ Heart” by Robin Thicke featuring Lil’ Wayne
The story is about a photographer and a 1930’s model. He is trying to get the sexy out of her. I was worried when the song first started that it would be boring but it was smoldering HOT. MERCY! Paul was a bit more hard-hitting than Makenzie by just a smidgen.
The judges: All three of them were on their feet. Nigel felt it was the sexiest routine of the evening. They are on HIS hot tamale train. Mary says he is 100% right–for once. Carly was on the edge of her seat the entire time.
Dancers: Aaron and Jasmine Style: Quick Step Choreographer: Tony Meredith and Melanie LaPatin Song: “Pencil Full of Lead” by Paolo Nutini
Oh God help them! Having the final spot is strategic in either it is just mediocre but it will be the last thing in people’s minds OR the pimp spot was given because it was potentially the winning dance of the night. #AsTheJasTurns. Apparently Aaron sings. Wouldn’t that be cool to see Aaron try out for American Idol or The X-Factor or….(says quietly)…The Voice? I think tapping will be an asset to Aaron in his dancing of the quick step. I was worried about Jasmine’s costume for a wardrobe malfunction. I am not sure why but he looks like Michael Ealy’s cousin the way he is stylized (which is a good thing–love Michael Ealy). There were moments when I think Aaron was too stiff and moments when it felt perfect. Jasmine is perfect. She may be in my top 3 girls. That ending lifts were spectacular. When they were listening to the judges, it struck me that she could pass as Michelle Obama’s cousin. Yes, I have this thing about saying who people look like.
The judges: Mary loved it! She had some nitpicky things that needed fixing but she thought it rocked. She puts Aaron and Jasmine on the hot tamale train (third couple this evening). Carly thought it was fun and sexy. Nigel thought it was great.
The results
BluPrint will be the male contestant leaving tonight. Mariah will be leaving too. It’s always sad to say goodbye to people when they are really all so wonderful, but they do have careers in front of them. I’ve said it many times: One of the reasons why I love this show is that all these young people will have jobs when they leave the show. You’ll see them on other television shows (especially on Fox) or award show or movies.
My picks for the bottom this week
Alan for the guys and maybe Nico? For the girls, it is much more difficult for me. Alexis perhaps? At this time it is a matter of splitting hairs.
I got goosebumps. It did not surprise me that it was in part choreographed by warrior woman Sonya.
The judges
Paula Abdul and Erin Andrews joined Happy Birthday boy Nigel Lythgoe and Mary Murphy to judge tonight’s group of dancers. Cat says that last week’s format was not received well so they are changing it back to reveal the dancer who is going home at the end of the show. Jade has to have surgery (so I am guessing he is the male competitor going home).
The Bottom 3
Jasmine Mason, BluPrint, Jenna, Curtis, Alexis, and Jade. Nigel informs them that with Jade being unable to continue in the competition, BluPrint and Curtis can continue and do not have to dance for their lives. They, however, are going to ask all 3 ladies to dance for their lives in routines in their style. The decision will be made at the end of the show. Alexis is up first, tapping to “Try A Little Tenderness” by Otis Redding. I loved it. My ankles hurt for her. Jasmine danced to “10 Seconds” by Jazmine Sullivan (Jasmine dances to Jazmine–that’s kind of cute!). Here is the thing I have issues with. They come on the show and get exposed to all these terrific choreographers and I never see what they have learned incorporated into their solos. They revert back to what the judges call self-worship and rolling on the floor. Finally Jenna dances ballroom to “Wild” by Jessie J featuring Big Sean. This routine had life. I appreciated that she did not do the self-worship stuff in a Latin routine. Clearly I feel that Jasmine’s was not the best one.
Couples
Dancers: Amy and Fik-Shun Style: Paso Doble Choreographer: Jean-Marc Genereux Song: “Tactical Dominance (Orch Hybrid Version) by Jack Trammell
Ten seconds in and I completely loved it and got chills. They had my complete attention. I am not a ballroom expert and usually I yawn through a lot of them, but not this. Fik-Shun had a few moments when his lines were not perfectly straight, but for this not being his genre, he did a tremendous job. I still cannot get over how much Amy could pass as a cousin of Melanie Moore especially when she is smiling.
The judges: Mary loved his passion. Technically it needed a bit of work but it seemed like her enjoyment overall is going to let those issues slide. She felt that Amy is a warrior princess. Erin said it is the chemistry and connection they have together. She felt they set the tone for this evening. Paula felt they committed to the feeling that was necessary for the routine and made them believe in it. Paula said she would have had Amy in the front center if she was around during the days Paula did choreography. Fik-Shun was apparently on Paula’s show when he was 16 (that’s interesting). She is so proud of him. He has studied and grown and done his homework. Nigel said they demand attention when they come in stage, a hallmark of a great performer. Nigel suggested to Fik-Shun that he relax his shoulders.
Dancers: Jasmine H. And Aaron Style: Broadway Choreographer: Spencer Liff Song: “They Just Keep Moving The Line (SMASH Cast Version) by Smash Cast featuring Megan Hilty
Broadway always seems to get the dancers in trouble on this show. I think the young voters appreciate contemporary and hip-hop more. The story is that Aaron is a detective on a case and Jasmine is the victim whose spirit appears. This played to both their strengths. It reminded me of a soft-shoe style and Aaron excelled in that. I believed Jasmine was a spirit reconciling the fact that she was dead. They are another power couple who have fantastic chemistry together. There was a lot of shouting going on from the audience in favor of the style they delivered. I think this was a winner.
The judges: Erin thought it was fantastic. She thought that during rehearsal Aaron was overshadowing Jasmine but not tonight. She thought Aaron made the dance effortless. Paula felt like it reminded her of the dancers of the past who were under MGM contract during that era. He was grounded yet graceful. She thought both did an amazing job. She added that Jasmine reminded her of Cyd Charisse. Nigel said they could have graced the streets of Broadway with every bit of elegance in which the pros are now dancing. Mary said this week it was all about the legs. It was about style and class. They gave 100% and captured what Spencer wanted.
Dancers: Makenzie and Paul Style: Contemporary Choreographer: Lindsay Nelko Song: “No Day But Today (Live from Soundstage)” by Idina Menzel
The story of the dance is that Makenzie is dying and Paul has to come to terms with that. They immediately got into character before the music even started and it moved me. Wow this is a tough night! Everyone is bringing their “A” game. I sobbed. It is an amazing thing to witness when the dying are always the ones to console us when it should be the other way around. I always love Idina Menzel singing. I have adored her since I heard her in “Wicked”. Lindsey is going to be a great addition to the choreographers on the show.
The judges: Paula thought it was a beautiful dance. Poor Paula called him Alan. Nigel felt they kept the technical ability to the piece and brought in the “something else” that is necessary to do their routines. Mary loved it and she was crying. She said Makenzie was liquid gold. Paul surprised her–he finally gave an honest performance. Erin thought it was fantastic was well.
Dancers: Jasmine M and Alan Style: Jazz Choreographer: Shawn Cheesman Song: “Veins” by Charlotte Martin
This is about the mundane life of being a royal. It was very quirky with some tricks. I enjoyed it. Jasmine performed much better here than in her solo but I still think she is going home.
The judges: Nigel thought it was very “Prince William and Katie.” Nigel steals my word “quirky.” He wished they were more quirky with it. Mary loved the beginning and end. Mary agreed with Nigel. Erin agreed with them. Paula loved the routine and thought it was a lot of fun. She also agreed with Nigel and Mary.
Dancers: Jenna and Tucker Style: Hip-hop Choreographer: Keone and Mariel Madrid Songs: “Dangerous (Immortal Version)” by Michael Jackson
Femme fatale meets average guy. I am looking to see if Tucker can let go of his posture and get down with the song. It was lacking the intense hitting you see in this type dance and both were too straight in their posture although they get some points for effort. I disagree with the judges who lavishly praised it. It was okay; it was not the best performance of the night. I am really not connecting emotionally with Jenna or Tucker even though they are technically great dancers in their genres.
The judges: Mary thought it was less hip-hop and more jazz but thought it was great. Erin complimented them. Paula thought it was a hipster kind of jazz and loved it. Nigel thought Jenna reminded her of Audrey Hepburn in a movie with Fred Astaire. It was one of his favorite routines tonight.
Dancers: Malece and substitute dancer Marko Germar Style: Contemporary Choreographer: Sonya Tayeh Song: “In The Embers” by Sleeping At Last
My guess is that Marko is going to elevate her dancing tonight. Before tonight, Sonya said in the rehearsal she was going to have to help Jade but since he has an injury, he withdrew from the competition. Marko saved her for another week. I had not been too pleased with her dancing this season but she did a superb job with Marko. I got goosebumps.
The judges: They were on their feet. Erin thinks Malece is a Tinkerbell. Paula loved it. Nigel said that Sonya said Jade was doing really well this week. Nigel saw the same thing I saw. Marko brought something out in Malece he has never seen before–the woman in her. Mary agrees with Nigel, but she knew Malece would have this moment at some point in the show.
Dancers: Hayley and Curtis Style: Samba Choreographer: Jean-Marc Genereux Song: “Straight to Memphis” by Club des Belugas
Curtis posture was terrible. His lack of experience was grossly evident. He has a wonderful personality though and it carries him through sometimes in these routines. Hayley did a great job. The song was fun and lively. It was not, however, up there on the top of my list of favorites for this evening. Hayley’s lipstick was smeared on her tooth (when they judges were critiquing them).
The judges: Paula thought Hayley nailed the samba hips. She brought fire and ferocity. She gives Curtis a lot of credit being a tap dancer in this, but he needs to work on being a little more grounded and not to be afraid to move her and control her. Nigel said he needed to be the dominant role in this dance, unlike last week when it was right that Hayley was, and he did not achieve that. He looked a little immature. Hayley’s footwork looked good to him. Mary gave Curtis tips about his technique and how to improve that. Hayley was on fire. Erin encouraged Curtis to take the critique and work on it. Hayley was fabulous, a vixen that keeps getting better.
Dancers: Alexis and Nico Style: Jazz Choreographer:Spencer Liff Song: “I Put A Spell On You” by Nina Simone
The story is that Alexis is hypnotizing Nico. Kissing during a routine always gets votes. There were times I felt Alexis was in the dominant role but then sometimes it felt like she slipped out and Nico was in control. I was thinking during this song what it might have been like if Nico put the spell on Alexis but then I laughed that would not be accepted as well. It is okay when a woman puts a spell on a man because she is the seductress, but if a man were to do that to a woman, he is taking advantage of her. For a tap dancer, Alexis did a great job. I think the choreography limited Nico being able to shine completely.
The judges: Nigel liked it. Paula jumped in that Alexis has come back into the forefront for her. Nigel felt Nico was really good. Mary pretended to be hypnotized. Nico was brilliant. Alexis surprised her. Erin was checking on Nigel after Paula play-attacked him. She felt Alexis did well at adapting to a style of dance that is not her strong area. She thought they were more in sync than they were in dress rehearsals, and there was no sleeping about Nico tonight.
Dancers: Mariah and BluPrint Style: Hip-Hop Choreographer:Luther Brown Song: “Bring The Noize” by M.I.A.
Two hip-hop artists doing hip-hop? They better bring it (they do have the pimp spot on the show tonight). The synchronicity suffered in a few places especially in the beginning. I loved it and was laughing so hard when BluPrint pulled his shirt up and the ladies went wild. They are definitely safe this week. It was full of energy. I felt bad for BluPrint after the judges gave their critique. He looked defeated.
The judges: Mary thought Luther did well with all the choreography in there, but she is dying for more of BluPrint’s performance. She thought it was sick tonight (which is one step down from ill. Mariah was just “livin’ it out there.” Erin loved it. She wants Luther to come out with the next work-out video. She agrees with Mary that BluPrint needs to loosen up. She felt it when he lifted his shirt, but they need to see more moments like that. She enjoyed his abs but want to see that from his face. Paula thought they were in sync. There were static moments in the routine when they could breathe, but they have to keep in character. She feels BluPrint is holding back. Mariah’s personality was times 10 and covered for BluPrint sometimes. Nigel agreed with Paula. He added that personality holds a lot of weight sometimes even over great dancers and gave him examples of people who won in the past. It is in his hands what he wants to do. If he does not show his personality soon, he will be going home soon.
The results
Jade by default of his injury will be going home this week. He said the judges and the choreographers are unanimous in their decision that Jenna will be staying. To Jasmine he said that the choreographers feel that there is a lot of self-doubt with her. The judges too feel that at times with her (but not so much tonight). He asked her to try to lose that. The choreographers feel that with Alexis they give her a note but 5 minutes later it is gone. However, Jasmine will be the one leaving this evening.
My predictions for next week
So who are in my bottom 2 for guys and girls? Girls: Jenna. Although I enjoyed Alexis’ dancing tonight, I have a feeling if she winds up in the bottom 3 next week and she does not improve on this issue the choreographers have with her, she will be sent home. For the guys, Tucker and maybe BluPrint if he is not making a connection with the audience but in technique he did well whereas Curtis had a difficult time and this is what Nigel was talking about–personality will carry you far.
Yes it happened again. My DVR did not record the show last week. I think I finally got it fixed though. I still do not like the way we are getting the results. All 20 have to put their best efforts forward even though only 18 will remain by the end of the show. But it is what it is.
Song: “The Heroic Weather-Conditions Of The Universe, part 1: A Veiled Mist” by Moonrise Kingdom (Original Soundtrack) Choreographer:Tyce Diorio
That was fabulous. They look like a real dance troupe that have been working together for years. It is one of those odd dances–like a circus with so much going on you are not quite sure where to look and when you do look you do look out of the corner of your eye you find you are missing a lot.
Yikes! Cat Deeley is already announcing the bottom 3 guys and girls. That is going to either dampen their psyche, or make them dance better in their couples’ routines. Bottom 3 girls: Mariah. Makenzie, Brittany. Bottom 3 guys: Alan, Jade, Carlos.
This season the judges get to save 2 contestants right away. This week it is Alan and Makenzie are saved.
Solos
Mariah danced to “Hard In da Paint” by Waka Flocka Flame. I adore a female hip-hop dancer. Carlos danced a solo to “Radioactive” by Imagine Dragons which I just knew would show up on this season’s show somehow when I heard it. It is the ringtone of my timer on my IPhone. I thought it was a fabulous solo outside of a little but too much rolling on the ground. Brittany danced to “Hacksaw” by Ooah. Was that Ballroom or Jazz? Hard to tell, but there was a lot of self-worship with her hands on her body a lot–something I know the judges dislike from previous seasons’ auditions. Jade danced to “De Novo Adagio (Intro) by Alicia Keys. He is an amazing animator. I felt like he was a maestro pulling on our strings, but in a way it was very smooth like the water. It is very hard to describe.
Oh GEEZ! They are actually telling us who is going home before the couples dance? That is not right at all. I do not like this format. Nigel said he was disappointed in their solos. He did not feel they were dancing for their lives at all. The decision is made by the choreographers’ input as well as what they saw in Vegas and how they feel the contestants would grow. Carlos and Brittany will be leaving the show.
Couples
Dancers: Hayley and Curtis Choreographer: Ray Leeper Style: Jazz Song: “Mama Knows Best” By Jessie J
I loved it when she was pushing him down. What back control and strength. Some of Curtis’ lines need work. I also think he needs to emote more, like Hayley does. It seemed like he was trying to remember the steps too much.
The judges: Nigel could not take his eyes off Hayley but felt Curtis was a good partner. Mary loved it and felt Hayley was a force to be reckoned with on the show. Christina forgot Curtis was a tapper. She felt like maybe everyone should leave to give them some privacy. She gave some helpful points they could take away and put into their work the next time around.
Dancers: Aaron and Jasmine H. (who I affectionately have named #JasTurns) Choreographers:Tabitha and Napoleon Dumo (NappyTabs) Style: Lyrical hip-hop Song: “Tears Always Win” by Alicia Keys
The story is he is a man going in and out of her life. He expects her to be there for him when he does. For a tapper, Aaron does a great job with hip hop. I am so glad he was #11 and someone dropped out because of an injury. There is a lot of chemistry between these dancers. Jasmine conveyed the feelings of being upset with him yet longing for him at the same time. I LOVED it. When he flipped her over into a backbend it was so fluid. It was beautiful.
The judges: Mary loved it. Jasmine is a star. Aaron was sexy. Christina had notes written from the dress rehearsal that she tossed away. She thinks they are the couple to beat at this point. Nigel felt an honesty in the routine. He feels that Aaron is a major asset to the series this year.
Dancers: Malece and Jade Choreographer: Nakul Dev Mahajan Style: Bollywood Song: “Radha” by Student Of The Year (Original Soundtrack)
The girl plays hard to get and the guy woos her back in. I know that every movement had purpose including positioning. Would I know if they made a mistake? Nope! I love Bollywood because it is always interesting and full of energy. It makes me want to get up and move. You have to be in superb physical shape to survive those songs.
The Judges: Christina gave Jade some words of encouragement. Nigel is shocked that Jade picked up the choreography as well as he did. He thought Malece is like a little pixie. Mary felt Jade was having fun and Malece did a really great job.
Dancers: Alexis and Nico Choreographer: Stacey Tookey Style: Contemporary Song: “Old Skin” by Olafur Arnalds & Arnor Dan
This piece is a sequel to Robert Roldan and Kathryn McCormick’s dance from season 7. Kathryn’s character left to go to war; in this piece, she (Alexis) is coming home. These are big shoes to fill. In a sense you can say she had returned from war a changed person quite literally. I cried. I tried to imagine the joy of what real families go through when their loved ones return from war. I think Alexis and Nico found the joy.
The judges: Nigel thinks Nico gets better every week. He felt that Alexis had the hardest job this week because as a tapper they don’t straighten their legs. He felt she did very well but she is going to have to work harder. Mary said they let the music take them some place. She felt Nico was fabulous and Alexis’ performance was so honest. Christina thought it was great and that Alexis has “it.”
Dancers: Brittany and BluPrint Choreographer: Spencer Liff Style: Broadway Song: “It’s Oh So Quiet” by Ice Princess (Original Soundtrack)
Two students in a late-night cram session and they fall in love. The vulnerabilities of BluPrint’s dancing are obvious, but he does get an “A” for trying and being a good partner.
The Judges: Mary adored this piece. She felt like BluPrint was really going to have to make sure the lines get hit. Christina gave BluPrint advice if he gets Broadway again. Nigel agreed with Christina.
Dancers: Jasmine M and Alan Choreographers: Miriam Larici and Leonardo Barrionuevo Style: Tango Song: “Escape From Slavery” by PP Music (UK)
Innocent girl wooed by an evil man. Alan had a powerful male presence but I felt like it was overacting a bit. I believe he did not believe he was evil. The footwork looked good. He did a great job on the lifts.
The Judges: Mary gave them a standing ovation. Christina joined her. Christina thought they had a “moment” like they did last week. Nigel agreed. Mary said it is all about passion and they spilled it all over the stage.
Dancers: Makenzie and Paul Choreographer: Sean Cheesman Style: Jazz Song: “‘Mannequin (Skeet & Tito Remix) by Trish
Mad scientist Paul creates Makenzie. Paul has some good moves there, but he also had some awkward ones, too. His face doesn’t seem to match the story. He looks angry–has that weird pouty face. He also looked out at the audience like you would do in ballroom which I kind of felt was out of place. Mackenzie was doing a great job.
The judges: Nigel loved the routine. He thought they both did fantastic. Mary loved it. She called Makenzie a dance diva without the attitude (hmmm…in order to be a diva you must have attitude). Christina loved it. She urged Paul to get of his carriage in these kinds of numbers.
Dancers: Mariah and Carlos Choreographer: Stacey Tookey Style: Contemporary Song: “Dead In The Water” by Ellie Goulding
Carlos has been in an accident and lost his memory. Carlos is supposed to have this glazed-over look and with the emotion of having to go home tonight, that has to be so very hard to do, but does speak volumes to his professionalism. I could feel the pain in Mariah’s movements. I would never think she was a hip-hop dancer. I got goosebumps! This was so beautiful!
The judges: They were on their feet. Mary told Mariah if she kept dancing like that she will make it to the other side of the rainbow. Christina thought it was like they had an umbilical cord between the two of them. The chemistry was the best she had seen tonight. Nigel said Mariah did a brilliant job at emoting.
Dancers: Amy and Fik-Shun Choreographer: Tabitha and Napoleon Dumo Style: Hip-hop (ratchet?) Song: “After Party” by Dorrough Music
The story is about two bellhops who love their job. For a contemporary dancer, she did a great job. The audience loved booty dances, too. That will definitely bring in the votes. And what I can I say. There is still #TruthInFikshun! (Yes, I first said that on Twitter).
The Judges: Christina loved that so much. She thought Fik-Shun is something special. She thinks Amy brings him up, too. Nigel said he knew that he was going to love this routine. Both of them light up the entire studio when they dance. He predicted if they kept dancing like that this and they would be in the finale. Mary said they were the pre-party, party-party and after-party.
Dancers: Jenna and Tucker Choreographer: Dmitry Chaplin Style: Cha-cha Song: “I Like It Like That (Aaron Jerome Remix) by Pete Rodriguez
Story about a guy who knows everyone in a nightclub and thinks he owns the place; Jenna’s job is to put him in his place. It was very good. It didn’t blow me away but it was respectable. They both played their parts well. It seemed they had the right posture for Latin dancing. It sizzled in spots but it did. It move me emotionally in any direction.
Judges: Mary thinks Jenna is a chameleon. She missed rhythmical action from Tucker. She thought he had it in moments. Christina was thoroughly entertain and loved the story and the characters they portrayed. Nigel felt Jenna did not give enough cha-cha and she was in heroin genre. He actually wanted it to look more like “Dancing With The Stars.” He blames Dmitry.
It is hard to predict who might be in the bottom two. I would say for the guys Tucker and BluPrint. For the girls, Jenna and maybe Malece? Picking out the girls is a bit more difficult.
I could not believe it when I came home on Tuesday, June 11, and found my DVR did not record So You Think You Can Dance because of a glitch. I missed Vegas Hell Week. I tried to find it elsewhere but apparently my satellite company does not interact with Fox on-line for on-demand programming (although I can see it 30 days after the air date–what good is that going to do me. I also was not going to pay Hulu Plus for the chance to see it. I did watch the first 40 minutes live before I had to leave, but I took no notes. I do remember someone liking my #TruthInFikshun hash tag on Twitter, which I promptly claimed ownership and bragging rights.
This week’s episode announced the Top 20 and allowed us the opportunity to see them dance for the first time. Thirty-three contestants awaited their fate.
Du-Shaunt “Fik-Shun” Stegall and Mariah Spears made it through to the top 20. However, Emilio “Millie” Dosal, Phillip Cheeeb’s friend, made it, but had an injury and had to withdraw. Markus Shields who auditioned in season 4 and got to the green mile only to receive a “no”, received a “no” for a second time.
Du-Shant “Fik-Shun” Stegall
Mariah Spears
Dance: Hip-hop Choreographer:Luther Brown Song: “Ball” by T.I. featuring Lil Wayne
It was wonderful seeing a female hip-hop dancer this year. There was nice chemistry and synchronicity to their movements. Mariah was the stronger dancer her. As Cat was making introductions you could see Fik-Shun was a little sad that he didn’t get lavish praise from the judges. He seemed to take it in and sighed. It’s okay Fik-Shun–next week raise your game.
Mariah & Fik-Shun
Makenzie Dustman (The contestant I thought rolled too much on the floor for her audition) is a yes. Jasmine Harper, Cyrus ex-girlfriend), gets a yes. A surprise yes was given to both Tucker Knox and Nico Greetham who went into the judges together. Ryan Johnson, who auditioned in Memphis, received a no for this season. There were several other contestants I did not recognize (whose names were not said) that also were turned down for this season.
Makenzie Dustman
Jasmine Harper
Tucker Knox
Nico Greetham
Dance: Contemporary Choreographer: Stacey Tookey Song: “Goes On and On” by Sleeping At Last
This was a very strong performance by all 4 and I got them–yes GOOSEBUMPS! The judges felt the magic too and gave them a standing ovation.
Makenzie, Tucker, Nico and Jasmine
Tappers Alexis Juliano and Curtis Holland both received a yes. Aaron Turner was an initially a “no” but when Emilio withdrew from the competition, Aaron was guy #11 so he was back in.
Alexis Juliano
Curtis Holland
Aaron Turner
Dance: Tap Choreographer: Anthony Morigerato Song:“You Really Did It” (Live) by Jason Mraz
That was so enjoyable. Curtis had some balance issues at the end there, but the judges were also gave them a standing ovation.
Dance: Animation Choreographer: Christopher Scott Song: “Trigger” (Original Mix) by Kezwik featuring Mel Presson
That ROCKED! There were a few spots that should have been synchronized but were a bit off but it’s only week one. The mannequins moving freaked me out. The judges once again were on their feet.
Dance: Contemporary Choreographer:Mia Michaels Song:“Stay” by Rihanna featuring Mikky Ekko
I thought Carlos had some great partnering skills, catching Malece especially when she fell backwards. After being dropped on her head in Vegas, I bet she was scared. I LOVE Mia Michaels. Goosebumps again.
Malece, Hayley and Carlos
Brittany Cherry, Jenna Johnson and Paul Karmiryan were moved into the top 20, but Serge (?) from the Los Angeles auditions was a no. Two brothers, Alan and Gene Bersten, were pitted against each other and Alan was moving forward.
Brittany Cherry
Jenna Johnson
Paul Karmiryan
Alan Bersten
Dance: Ballroom Choreographer:Louis Van Amstel Song:“Wings” by Little Mix
They had two challenges–Dancing with their partners and trying to synchronize with each other. The first was fine, the latter needs work. I think Jenna was the better girl.
Paul, Jenna, Alan and Brittany
There were many “no” responses for the next group of individuals including Marissa Milele, Tessa, and Gabby Marquez. Amy Yakima from the Detroit auditions received a yes. They brought back Megan and Jasmine. This year, Jasmine Mason made it through.
Amy Yakima (was called The Beast by Nigel; she does look a little like Melanie Moore’s cousin, doesn’t she?
Jasmine Mason, not she is not related to Jeanine Mason
Dance: Jazz Choreographer:Sonya Tayeh Song: “Enjoy” by Bjork
Loved it and Goosebumps. The judges also loved it.
Amy and Jasmine M.
Top 10 guys dance Choreographer: Christopher Scott Song: “Sand” by Nathan Lanier featuring Karen Whipple
Like a sandstorm happening. It is difficult to watch all 10 and say who stood out. I adored it. When Christopher Scott first joined the show, I did not quite understand his perspective. Either he has gotten better or I finally GOT it.
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Top 10 girls dance Choreographer:Ray Lepper Song: “Let’s Have a Kiki (Guwremix) by Fanny Pak and District 78
I adore Ray for getting sweaty during rehearsals with his group. It was a fun routine.
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Top 20 Choreographer: Sonya Tayeh Song: “Ghost of the Sky” (Epic Dub) by Steed Lord
Wow! How talented is Sonya that she created such a vehicle for such a diverse group of dancers to show off their strengths! I love warrior mama.
I am looking forward to seeing them perform next week for voting.
Tuesday night was the last time we could vote on our favorites, the finale sort-of version. One more episode to go–to crown not just one winner but two: America’s favorite girl and guy. Lending critiques to the evening’s performances are resident judges Nigel Lythgoe and Mary Murphy. Award-winner Rob Marshall was in the house lending his extensive knowledge to the mix.
Dancers: Eliana and Cyrus Choreographer: Jason Gilkison Style: Paso Doble (Eliana is the matador and Cyrus the bull) Song: “The Game Has Changed” by Daft Punk
My thoughts: Cyrus is one determined bull, but was ultimately defeated by the lovely Eliana who continues to bring her strength of character to each role she embodies. It was a great opening number and a very smart move on the part of the choreographer, knowing that Cyrus’ lack of technique would not work in this situation.
The judges: Nigel thought Eliana had secured her place in the industry. He pointed out some things to Cyrus to help him improve and commended him on good partnering. Mary said that Cyrus conquering the paso doble must have felt like skinny dipping with snapping turtles and was very masculine. Eliana was on fire tonight. Rob loved how Eliana threw away technique and focused on the story. He told Cyrus it was exciting to watch them let it happen in the moment.
Dancers: Tiffany and Will Wingfield (Season 4 All Star) Choreographer: Sonya Tayeh Style: Jazz Song: “The Time is Now” by Moloko
My thoughts: Tiffany was really enjoying herself. She is a little spitfire with a lot of grace and strength. It was nice to see Will back, too. The music was a bit boring.
The judges: Mary that she was a star tonight. She loved it and felt there was great partnering. Rob thought Tiffany was great–fearless. Nigel said Tiffany is so little but her lines are so strong, so big. She is a tremendous dancer.
Dancers: Chehon and Eliana Choreographer: Marat Daukayev Style: Ballet Song: “The Nutcracker Suite (Pas De Deux)” by Bruton APM Studios
My thoughts: FINALLY! The first time two ballet contestants were paired up with each other to actually do ballet. I had chills. The dance was exquisite. Poor Eliana almost had a wardrobe malfunction.
The judges: Rob said it showed their versatility. Eliana’s extensions were breath-taking. Nigel made mention that the choreographer, Marat Daukayev, was the principal dancer with the Kirov Ballet. He said that Chehon made it look so easy. Mary thought it was spectacular.
Dancers: Tiffany and Cyrus Choreographer: Tessandra Chavez Style: Lyrical hip-hop (story is that Cyrus has broken Tiffany’s heart). Song: “Best Thing I Never Had” by Beyonce
My thoughts: It was a good pairing. I did get chills (or was it just the air conditioning?) I still have not been WOWED tonight.
The judges: Nigel mentioned that neither of them had been in the bottom 2 or 3 the entire competition. Both were so good at emotional routines and were incredible. Mary thought they killed it. Rob thought that they had “abandon”. He said it was his favorite so far of the evening.
Dancers: Tiffany, Cyrus, Chehon and Eliana Choreographer: Tyce Diorio Style: Quirky (is that a style?) I guess Broadway Song: “Eine Kleine Nachtmusik (District 78 remix) by KPM Studio Artists
My thoughts: That must have been the most difficult piece to showcase all their unique, diverse skills. I did not care for it personally, but I respect Tyce’s challenge.
Dancers: Chehon & Allison Holker Choreographer: Stacey Tookey Style: Contemporary Song: “Leave” by Once–A New Musical (Original Broadway Cast)
My thoughts: My favorite so far tonight. Those leaps Chehon does are incredible. Allison’s face was so full of expression. I think Chehon is finally peaking, taking in all the feedback he has been given and applying it.
The judges: They received a standing ovation. Mary had a WOOOOO yell. She said that Chehon was free at last, free at last, and that his performance ability was growing and growing. Rob thought the height on his leaps was unbelievable. Allison was fierce. Nigel thought Allison should be an actress. With Allison, Chehon came alive.
Dancers: Eliana and Tiffany Choreographer:Ray Leeper Style: Pole dancing? (Broadway) Song: “When You’re Good to Mama” by Chicago–The Musical (1996 Broadway Revival Cast)
My thoughts: I did not care for it. I understand it is difficult and some of the moves defied gravity. It’s okay; one does not have to like all the dances.
The judges: Another standing ovation. Rob (who won an Academy Award in 2002 for the movie Chicago) said he was trying to imagine Queen Latifah doing that. Mary said the two ladies were extraordinary. It was fun and sassy. Nigel said he could not say anything that would not get him into trouble.
Dancers: Cyrus and Chehon Choreographer: Sonya Tayeh Style: Jazz — (story is their struggle for the top) Song: “Fangs (District 78 Remix)” by Little Red Lung
My thoughts: These are always weird dances. They are either hits or misses. Benji and Travis’ dance of the nerds was memorable. Alex Wong’s dance with Twitch was memorable. This was okay for me. Chehon is definitely the better dancer but Cyrus always tries to keep up and should be commended for that as well.
The judges: No standing ovation this time. Nigel thought Sonya choreographed this well. Cyrus has improved so much as a dancer and he is so proud. Chehon has also grown as a person and is his favorite dancer. Both were inspirational. Mary thought both have had a tremendous journey. Rob felt like they were lifting each other up as dancers always do.
Dancers: Eliana and Alex Wong Choreographer:Travis Wall Style: Contemporary Song: “Without You” by Harry Nilsson
My thoughts: Two ballet dancers doing contemporary. Usually I have chills with every dance Travis choreographs, but this one not. The dancing was awesome, but I think I would have chosen the slower Mariah Carey version of the song. I think that is what was not resonating with me.
The judges: Were on their feet. Rob said it was poetry. They (Eliana and Alex) got lost in it and we (the judges) did, too. Nigel said it was his favorite routine of the night and that Eliana was his favorite of all time on the series. (Nigel–Melanie Moore will be very hurt). Mary said it was her favorite of the night as well. Eliana had extraordinary passion that oozes from her body.
Dancers: Tiffany and Chehon Choreographer: Dmitry Chaplin Style: Rumba Song: “Love Me Tender” by Adam Levy and Norah Jones
My thoughts: Wooooo Tiffany! You have been cute, but this was sexy and sophisticated. It must have been hard to come out and dance like that after hearing all this gush about Eliana. Well done young lady. Dmitry said during the rehearsal shots that this dance you have to feel uncomfortable watching it. Was I? No. And I think that was an issue with Chehon. He needed to bring more Latin steam.
The judges: Mary thought it was beautiful. She did not believe the chemistry but the movement was gorgeous. Tiffany was fabulous. Rob thought it was sexy. He thought the connection was beautiful. Nigel said this dance was so much sexier than the pole dance. He commented to Chehon that they couldn’t find a shirt with buttons for him? Mary laughed and said, “Dmitry was the choreographer!”
Dancers: Cyrus and Twitch (Glitch meets tWitch) Choreographer: Christopher Scott (with the assistance of Madd Chadd, an animator) Style: Animator (story is they are robots in a secret lab). Song: “Like A Criminal” by District 78
My thoughts: THAT ROCKED!!!! It was so Terminator-like. Rise of the Machines. Watch out. My favorite routine of the night.
The judges: Standing ovation. Rob said it was crazy; the two guys were superstars. Mary loved it. Nigel wanted people to know that tWitch worked so hard at that because he is not an animator. Hip hop and animation are so very different. He mentioned that Christopher Scott felt they were world class in what they do.
Then Nigel really upset me. Cyrus is having a moment, the time of his life, and Nigel drops a spirit-crushing blow to Cyrus: I am supporting Chehon for my own personal reasons. And goes on and on about it. That Nigel “loved his bones, but won’t vote for him.” Nigel has been a mentor to Cyrus. Nigel’s opinions hold great weight to Cyrus. I remember thinking, “Why don’t you just tear out his heart and stomp on it, Nigel?” Did you really HAVE to say that? Could you have just critiqued his performance and left it at that?
I have always respected Nigel. In that moment, I lost a generous portion of that respect. Did Nigel just have a gaffe on live TV where he said something he should not have? It reminded me of his comments last year to the two guys that one of the girls would win the competition for which he later apologized. Again a spirit-crushing moment to Tadd and Marko. Or are you trying to manipulate voters? Either way, it is not cool, dude. Nigel, I love your bones but that move made me not vote for either one. I do not appreciate being manipulated into voting.
Solos
Eliana danced to “Passacaglia” by Johann Johannsson. Interestingly, she said in her interview that she did not want to be typecast as just ballet, but then she does a ballet number. It’s beautiful but I see no risk-taking here. Cyrus decided to go with something we’ve already seen–his solo during Vegas week to “Holy Ghost (Helicopter Showdown and Sluggo Remix)” by Messinian. It would have been nice to have seen something different. Tiffany danced to “I Believe” by Fantasia. With her, too, I think I have seen all these moves in previous solos. Chehon’s solo was the best. He danced to “How It Ends” by DeVotchKa. I liked the use of a prop other than a costume. I liked it already. His solo incorporated all that he has learned and not just another ballet routine, which is his strength. It was risky and I admired him for it.
Guest Performance
A B-boy dancer named Jean Sok from Paris, France took the stage. The young man only has one leg and uses crutches sometimes. It was a beautiful combination of strength and grace. I stopped breathing for a moment. He danced to the song, “Expression” by Helen Jane Long.
Who will be the winners? I think it could go either way.
I had this big long write up I planned to type up this weekend, but I decided to do some intense yard work and hurt my dominant hand in the process. So no blog for the last week, especially since tomorrow is a new show. Still hurting, so I don’t know what I’m going to do about tomorrow’s show. So let me keep it brief. I thought most of the dancers stepped it up on Wednesday. My chills have returned. As far as the contestants who were at the bottom: I was not surprised with Lindsay and Witney being at the bottom 2, but I think the judges were wrong. I prefer Lindsay’s way of ballroom dancing. As far as the boys, I was shocked Will was in the bottom 2. That Bollywood dance was incredibly difficult. Cole is a great dancer as well, but his technique has not been so great the last few weeks. For who remains, I will predict Eliana will be the win for the girls (Tiffany in second place) and for the guys Cyrus will win this and I am really unsure who will be in second place between Cole and Chehon.
Tonight our top 10 are paired with our All Stars from previous seasons. The one dancer I am looking most forward to watching tonight is Eliana, with whom she is going to be paired, and seeing her dance. You know that the show is going to reward her from being paired all these weeks with Cyrus. I enjoy Cyrus and I think Eliana has elevated his technique all these weeks; it is time for her to have a chance in the spotlight.
The opening song was choreographed by Tyce Diorio as a tribute to the legend Gene Kelly who would have been 100 years old on Thursday. His wife, Patricia, was in the audience. Tyce also filled in for the slightly injured Cole in the dance routine. The song was “The Cool World Stomp (Reprise)” by Mark Isham.
I have not given Cat Deeley enough love this season. I wish she could host every show (including The XFactor). She is so lovely and seems so genuine in her appreciation of the dancers as her children.
Dancer: Tiffany All-Star: Brandon Bryant (Season 5) Style: Disco (ugh) Choreographer: Doriana Sanchez Song: “You Make Me Feel…(Disco Fries Remix)” by Cobra Starship featuring Sabi
My thoughts: I am not a big fan of this style on the show. It does showcase athleticism and gymnastics, but this is more of a dance in which one participates, not for a competition. They did a great job. Cat Deeley thought it was Saturday Night Fever On Steroids. No, not really. Maybe more like Saturday Night Fever On Starbucks. Tiffany does not even look like she is sweating (I hate her–not really).
The judges: Loved it. They felt Tiffany and Brandon had a great connection and it was a great party. Benjamin said that she had a chance to be fearless tonight because of Brandon’s partnering. He was impressed by the constant level of energy and expressive face.
Dancer: Witney All-Star: Nick Lazzarini (Season 1) Style: Jazz Choreographer:Travis Wall Song: “Sing It Back” by Moloko Necessary story: They are in an abandoned lounge. Witney and Nick are ghosts who are still doing the show but no one is seeing it.
My thoughts: Travis Wall jazz? I am glad I watched it back again because the So You Think You Can Dance app program was irritating the crap out of me (had to put on my reading glasses to read my phone, then put my distance glasses on to watch them dance). However, it was only slightly better. I thought Witney looked out at the audience too much. Just when she was connecting with Nick and I started feeling the dance, she would look at the judges or at the audience and it would break that connection for me. I didn’t feel any chemistry between them. I thought Witney had a lot of chemistry with Witney. It could have been a smoldering hot (like Eliana’s dance to come). It was not my favorite. I even preferred the disco dance more. I disagreed wholeheartedly with the judges.
The judges: Benjamin thought it was excellent and great fun to watch. Nigel said, “You were totally committed.” She was sexy when she was breathing. “You’re a star.” Mary said, “Lord Have Murphy.” It was smoldering. Each week she is a shining star and she loved the ending move.
Dancer: Cole All-Star:Anya Garnis (Season 3) Style: Cha-Cha Choreographer:Dmitry Chaplin (a.k.a. Be Still My heart) Song: “Glad You Came” by The Wanted
My thoughts: What is in the water tonight??? Cole is one of my favorites. It was rough. His foot work was rough. It looked a little amateurish. Did his injury play into this. I think he might be in danger for this week’s eliminations (that will be announced next Wednesday). It looked better the second time I watched versus the first time because I was still irritated with that app. When you dance with Anya you have to bring it. Unfortunately, I kept trying to stick Dmitry in there and knew how much better it would be with him in there. Note to Cole: You cannot say you want to be the first in the top 10 to be on the hot tamale train and then have an under-seasoned dish.
The judges: Mary thought it was amazing. She reminded people that Anya was the reason why the phrase “hot tamale train” became infamous. She thought Cole did a tremendous job. She said the foot work and lines were okay, and the chemistry was not hot enough. He did a good job and his bags are packed but he is still on the platform. Benjamin thought it was great, that Cole partnered well. He offered to Cole to think of movement quality and contrast in a performance for something Cole could learn. Nigel agreed with Mary. He was a little disappointed with the contact with Anya. There was no rise and fall. He needed to get sexy with Anya first and then in the performing. He needed to have both.
Dancer: Lindsay All-Star: Jakob Karr (Season 6) Style: Broadway Choreographer:Spencer Liff Song: “Dancin’ Dan (Me and My Shadow)” by Fosse (Original Broadway Cast)
My thoughts: I guess this is the downside of having an emotional episode last week of all my favorite Mia Michaels’ routines: I was very bored tonight; nothing was moving me to want to pick up the phone to vote. She had beautiful lines. The synchronization of the two dancers must have been extremely difficult, especially during those moments they could not see each other.
The judges: Nigel thought it was a great routine, magnificent. She still had a lot to learn but she was nearly there. Mary thought they had first-class tickets on the hot tamale train. The synchronization was fabulous. Benjamin thought it was extremely well executed.
Dancer: Will All-Star: Kathryn McCormick (Season 6) and star of Step-Up Revolution Style: Bollywood Choreographer:Nakul Dev Mahajan Song: “Ooh La La” by The Dirty Picture (Soundtrack) Necessary Story: She is the snake; he is the snake charmer.
Okay back to THIS Will. I LOVED THIS!!!!!!!!!!!!!!!!!!!!!!!! My favorite dance of the evening (so far). Finally woke up some life inside of me. The first move when he moves up her front–it was more sensual in the rehearsals, but I’m nitpicking. The synchronization was spot on. The difficulty of these moves versus the dance with Lindsay and the shadow is multiplied by factor 10. It made me want to get up and dance around my room if I was not so enchanted by the snake charmer. In the end, though, the cobra bit him. And I think he was slightly smitten with her because he kept kissing her when the judges were talking. I’ll vote for him tonight. This is dancing on STEROIDS instead of Starbucks (i.e., the disco routine).
The judges: Mary thought he was the Energizer Bunny but also had amazing control. She felt like he was one of the most likeable guys in the competition. Benjamin thought it was charming and had a unique style. It was completely engaging and interesting. Will took advantage of every section and showed different ways of expressions. Nigel said he brought personality to everything he did.
Dancer: Cyrus All-Star:Jaimie Goodwin (Season 3) Style: Contemporary Choreographer: Travis Wall Song: “Outro” by M83 Necessary Story: Life after destruction; two sole survivors at the end of the world.
My thoughts: Travis Wall and a story about surviving the apocalypse (two of my favorite things). Ah, yes, this is the Travis Wall that gives me goosebumps. I remember being critical of this when I watched it and I was tweeting, but I changed my mind. Not being distracted by that app, I got chills. Cyrus really did rise to the challenge. Travis was smart in the way he choreographed it, showing off his strengths and hiding some of his weaknesses, but he also made Cyrus. You may be able to criticize the technique (and my saying that Eliana was “stuck” with him) but Cyrus is humble and Cyrus has an amazing heart. You know that he is not expecting to win but he feels blessed to be there. And you cannot help but fall in love with that quality about him. I did worry about the length of time the judges were spending on him with the comments because I thought that was preparing him for being in the bottom 3.
The judges: Benjamin finds this energy compelling to watch. He can also partner very well. Cyrus has a raw energy that is very exciting. Nigel paraphrased a quote from George Balanchine: “I don’t want people who want to dance, I want people who have to dance.” He felt that Cyrus HAS to dance. There is still so much for him to learn, but he works very hard. (Cyrus is humbled by the accolades). Mary said that Travis did not hold back and made it even harder for Cyrus. Maybe his feet and his legs are not the best right now. It is the passion he gives and people connect with that.
Dancer: Chehon All-Star:Lauren Gottlieb (Season 3) Style: Lyrical hip-hop Choreographer: Dave Scott Song: “Pretty Wings” by Maxwell Necessary Story: Two friends who support each other.
My thoughts: It is still too stiff in the upper body. I felt like the spiked-out hair made it look like he was trying too hard (although I realize that is not his doing). It is not a world that he belongs (hip-hop). he is a brilliant ballet dancer. However, my expectations are very high because Alex Wong blew my conventional thinking that ballet dancers could never do hip-hop (the dance with tWitch: Get Outta Your Mind–one of my favorite routines of ALL TIME). He tried hard, but it was just okay for me. Again, with the judges giving him a lot of feedback, I felt like he was in the bottom 3 as well.
The judges: Nigel complimented him on everything not being straight and him having a smile on his face. He was much warmer. Mary said she wanted it to be more funky, but it was going in and out. It was not the most memorable but personally he accomplished a lot. Benjamin said the kind of looseness of tonight’s dance he needed to focus on. Performance was spontaneous. He was having fun with her. Chehon was very charismatic.
Dancer: George All-Star: Allison Holker (Season 2) Style: Jazz Choreographer: Tyce Diorio Song: “Bahamut” by Hazmat Modine Story: George lets the train go by because of this great distraction (Allison)
My thoughts: I love George. If you want a song about lightness, you have him dance it. You want something hot and passionate–no. I do not think he has ever been in love like that before so it came off as a little high school production-ish, like he was acting at acting that he was in lust with this woman. After hearing Mary and Benjamin talk, though, I thought I was just cranky again, but Nigel agreed.
The judges: Mary felt it was fun to watch. He had a good time and good technique. Benjamin thought he is an amazing mover. He attacked every step with a vengeance and he was a fan. Nigel thought that his technique is tremendous but he did not believe his character. Here he was to have a raunchy night with this raunchy lady and it just appeared like he was dancing.
Dancer: Eliana (FINALLY!) All-Star: Alex Wong (Season 7) TOTALLY PSYCHED Style: Who cares Choreographer:Stacey Tookey Song: “Bang Bang (My Baby Shot Me Down) By Nancy Sinatra
My thoughts: WOW!!!!!!!!!!!!!!!!!!!!!!!!! FINALLY!!!!!!!!!!!!!!!!! I found my breath rising and falling with the movement. They were so into each other. It was sensual, sexy, smoldering. And I want that red dress. They received a standing ovation. She deserved that! Then I thought, wow, wouldn’t it have sucked if all this lead-up to her performance had fallen flat?
The judges: Nigel said this is what he meant by maturity in movement. Eliana is his favorite girl this year. She was perfect technically and in performance. It was a fusion of the two. Mary said her hair went up on her arm. Her favorite routine of the night. It took her breath away. She was the star of the show tonight–the perfect tiramisu (Mary must have been pretty hungry). Benjamin said it was a great dance and a great song. She has it all: Performance driven by so much passion which is most important.
Dancer: Audrey All-Star:Stephen ‘tWitch’ Boss (Season 4; one of my favorite all-stars) Style: Hip hop Choreographer: Dave Scott Song: “Sincerely, Jane” by Janelle Monae Necessary Story: A couple of 400 years bond together by love and hate. I’m already thinking “Dark Shadows.”
My thoughts: Audrey was worried she wasn’t going to keep up with tWitch and while he definitely owned the stage, she held her own. I kept thinking she reminded me of a particular actress and Nigel named her. That routine was a lot of fun.
The judges: Benjamin thought she did well. He felt it was unfair to have tWitch, but he wanted more from her, to shine of her own accord. He wanted her not to be afraid. Mary thought it was a great comical number and very entertaining. She was watching Audrey the whole time. She thought it synchronized well and she loved the groove. She called Audrey a dance angel. Nigel agreed with Benjamin. He wanted her to be more like Helena Bonham Carter (Tim Burton’s wife) and get a little crazy like she is.
My Favorites Tonight
For the girls, in this order: Eliana, Audrey, Lindsay, Tiffany, Witney
For the guys, in this order: Will, Cyrus, Chehon, Cole, George
Eliminations
They are only going with the bottom 2 this week. For the girls it is Witney (who did the bench routine last week) and Audrey (who did the flowers routine). For the boys, it is Chehon (who did the bench routine) and George (who did the Hometown Glory routine last week). And of course the audience wants to see solos; there is still 20 minutes left in the show.
Witney: Song: “You’ll Find A Way (Switch and Sinden Remix)” by Santigold. I don’t know. Witney is starting to get on my nerves. There was too much self-worship and too much hair (what they tell the people who are auditioning NOT to do).
Audrey: Song: “And I Am Telling You I’m Not Going” by Jennifer Holliday. I LOVE her song choice. I don’t know if that was deliberate but there is a touch of rebellion in her that I like. Her technique in her solo was better than Witney’s, but I did start to see the same moves over and over.
Chehon: Song: “Til Enda” by Olafur Arnalds (Commissioned by Wayne McGregor/Random Dance). His technique is….whoa. I know…profound review.
George: Song: “Brotsjor” by Olafur Arnalds (that’s kind of funny; did they plan that?) It was great, too. A mix of ballet and contemporary.
My going-home picks were Witney (because she seems to have hit a plateau). And for the guys, I think they are going to take George’s blah performance tonight into account.
After the LA Dance Project performed (Song: “Trio” by Nico Muhly), the people going home were announced. Nigel said the decision tonight was not unanimous (I think he meant for the girls), but Audrey was going home. Did you see Witney’s face? I really do not like this young lady any more. She had this smirk on her face–it reminded me of a pageant girl who pretends that she is shocked but not shocked. I do not like people like that. My opinion of her just tanked. For the guys, it will be George who is leaving us tonight.
Predictions for Next Week
Based on tonight’s performances, I think Witney and Tiffany will be in the bottom 2 (Witney because of her performance, but Tiffany because she was closer to the beginning of the show and people have short memories). For the guys, Chehon and Cole because of their performance issues.
This is my 100th blog post since moving to this site. Exciting, yes? I had a fabulous trip to New York and will have some blogs, including my moving trip to the 9/11 Memorial Site.
I know. I’m very late with this review. I was behind before I went on vacation and I’m even further behind now that I am back. Tonight the top 14 faced a third elimination. The dancers had two weeks off. The Olympics gave my DVR a break from exploding from overuse. Tonight two very special judges were in town after performing for the Dizzyfeet Foundation’s National Dance Day gala, Michael Nunn and Billy Trevitt of The BalletBoyz from the UK. While the show was away, Tabitha and Napoleon welcomed their son, London Riley D’Umo, into the world. Of note, someone on Facebook has been pretending to be them, but this is the legitimate Facebook page for them, and you can see pictures of the baby on there. Congratulations!
Tonight’s show would see the return of our favorite Mia Michaels’ routines. Mia Michaels and Travis Wall are my favorite contemporary choreographers on So You Think You Can Dance. They seem to be able to tap into the emotional center of my brain that leaves the deepest, long-lasting impressions. Whether it be chills or tears, I have never forgotten the original dances.
Mary and Nigel will be bringing bias to the table tonight since they were present for the original Mia choreography where Billy and Michael would be bringing a fresh perspective, judging the dances on tonight’s performances alone.
The opening group number showed us a new dance from Mia. The song was “Hanging On” by Active Child. Was this the first group CPR by our dancers? I could feel the power of the fine line between life and death, although I could see where it could also be the symbolism of the life and death of a relationship on a more simple level. I also hoped those roses were de-thorned.
Dancers: Cyrus and Eliana Inspired Dances: Cyrus had been inspired by Brian Gaynor’s audition. Brian is now one of Cyrus’ roommates at Dragon House. Eliana’s inspiration was Wade Robson’s Peace Dance with 10 dancers interpreting the same movement. Mia’s Dance: The Door Dance originally performed by tWitch and Katee Shean Song: “Mercy” by Duffy
My thoughts: Cyrus’ and Eliana’s kiss looked “icky” and not full of hot passion. Cyrus was able to ignite his own locking/popping style that made it stand apart from tWitch. I would never believe that Eliana is a ballet dancer because she was that awesome at contemporary.
The judges: Nigel pointed out Cyrus bringing out his own flair but also that he needs to drop the tension in his shoulders. Eliana showed us that she is great at creating these characters because ballet dancers usually focus on technique first and character second. Mary said Eliana was “swagger-welcious” and that Cyrus brought his own swagger to the group. Michael said they were strong performers. Eliana would have him begging for mercy for sure and there was a good use of props. Billy said that something that should not have worked did work fantastically.
Next we saw some clips of National Dance Day and how much it was spreading globally.
Dancers: George and Tiffany Inspired Dances: For George it was Wade Robinson’s Ramalama group dance from season 2. For Tiffany it was when Ellen was on the other side of the door on Mia’s door dance and moving into the tWitch/Alex Wong “Out of Your Mind” dance. She hopes to be on The Ellen Show. Mia’s Dance: The Hometown Glory dance originally performed by Katee Shean and Joshua Allen in Season 4. Song: “Hometown Glory” by Adele
My thoughts: I had chills from the beginning. It was phenomenal. I know it was only two dances so far tonight, but this one became my favorite of the night (until the last routine).
The judges: Mary felt like we needed to call 911 because we witnessed a murder this evening on stage. She thought it was phenomenal, that Tiffany was soft when she needed to be and powerful when that was needed. The assisted lift was perfect (my note–did she mean the assisted run?) She said George elevated the role today. Michael felt like it had fantastic energy. It was a great match up to each other. Tiffany got so into character, but maybe too much because she didn’t look like she needed any help whatsoever from George in the assisted run and that was the point (she needed to be lifted). He felt like she needed to pull it back a bit. Nigel felt like we finally saw the best from George this evening. Tiffany over-egged the pudding, but would prefer that and trying to calm it down, versus not giving enough energy and having to ramp it up.
Dancers: Will and Amelia Inspired Dances: For Will it was the group routine where Nigel got kidnapped in season 4. For Amelia it was Melanie and Neal’s routine “Total Eclipse of the Heart.” Mia’s Dance: The Butt Dance made famous by Evan Kasprzak and Randy Evans. Interestingly, Amelia seemed surprised, but there is a French feel for it and her audition was French-inspired. Mia was probably remembering that when this routine was assigned. Amelia looked like she might feel uncomfortable with everyone looking at her butt for the evening. Song: “Koop Island Blues” by Koop
My thoughts: While it might be technically challenging and does elicit an emotional response from me, it was not goosebumps. I could feel Amelia’s discomfort at the thought of everyone looking at her butt. There was a height difference, too. Evan and Randy were shorter. Also Evan’s Broadway experience allowed him to shine the character more than Will’s contemporary background. Please also see my notes after hearing what Nigel had to say. George and Tiffany’s routine still my favorite at this point.
The judges: Nigel felt that Will was trying to bring the character out. He said Amelia needed to bring more character. He noticed that she was looking at the floor much of the routine. At this point, that comment from Nigel made me feel like, “Yeah, do you think so?” Perhaps knowing everyone was looking at her butt made her a little self-conscious and perhaps psyched her out a bit. The first thing Nigel said was that he had Randy’s butt in his mind for the last 3 years! I like Nigel but that is a little creepy. Even the most seasoned dancer would have felt weird hearing that. Mary liked it. Felt it was too big and maybe the character needed to be pulled back more. Was Will entranced by Amelia’s butt? Absolutely. She also felt that Amelia maybe looking down at the floor was her attempt at being coy. Having nothing to compare it to, Billy felt it was very strong, musical, and endearing. Both dancers were wonderfully in character. There were moments when subtlety would have been good, but it overall was great.
Dancers: Janelle and Dareian Inspired Dances: For Janelle, it was the Mark Kanemura and Chelsie Hightower’s “Bleeding Love” routine. For Dareian, it was Kent and Neal’s Season 7 routine by Travis Wall “In The End” routine. Mia’s Routine: The “bed” routine done by tWitch and Kherington Payne Song: “Dreaming With a Broken Heart” by John Mayer
My thoughts: This might be their strongest routine yet, but I did not have chills, the kind I got seeing the original. They might be bringing their A-game too late.
The judges: Michael thought it was “wow!” The choreography and the ideas about it were wonderful. He was worried about Dareian’s lines. If he gets over that hurdle, he’s got it. Janelle had a great performance but he found himself looking at her hair oddly rather than the choreography. He did not know why but he just did. Billy said that it was difficult or Janelle because the movement is all about Dareian and not her, but they did well. Nigel said this was Mia Michaels at her best. For Dareian it was the first time he felt personality out of him and Nigel felt what Dareian was feeling. Janelle is at her best when he can see Janelle’s eyes smiling and her hips moving. She did not stand out tonight. Dareian’s technique was stronger than the original done by tWitch. Mary agrees with the comment on technique. There was no passion and at the end felt that it was overacted by Janelle. Dareian needs to fix his feet.
Dancers: Audrey and Matthew Inspired Dances: For Audrey it was season 1’s Brian Friedman’s disco routine performed by Melody Lacayanga and Nick Lazzarini. (I did not watch season 1 of this show). For Matthew it was the 80’s jazz piece in season 7 by Ade Torbert and Lauren Froderman. Mia’s Dance: The loss of Mia’s father and the reunion in heaven originally performed By Lacey Schwimmer and Neil Haskell. Song: “Time” by Billy Porter
My thoughts: I thought Matthew was the star in this piece. Just watching the “making of/behind the scenes practice” brought tears to my eyes, but watching Mathew at the beginning where he smiles at first seeing his daughter (Audrey) and then the breath he took was he first caught sight of her had me in tears. Audrey was great, too, but I was watching Matthew more. They were able to make the transition I thought between the chemistry of a couple in love from previous weeks to the energy of a father and daughter. My new favorite of the night. I was a little shocked at what the judges had to say about Matthew, so after hearing their comments I watched it again and I could see some of what they were saying that he could have been more playful, but I think their comments were a bit too harsh.
The judges: Mary was very emotional, sharing that when Mia originally choreographed the song that Mary’s father had been diagnosed with lung cancer and the song gave her courage to take leave from her business to go be with her father in those final times. Mary, however, did not feel the passion or truth in this piece tonight from Matthew. She thought Audrey was the shining star. Billy said there were amazing things from Audrey and the first pirouette was flawless. He felt Matthew needed to disguise the effort of the dancing that weighed into it. Nigel felt that when Neil did the dance, it showed the playful man that Mia’s father was, that Matthew needed to bring fun into Audrey’s life. He felt Matthew was a little too focused on the dance steps rather than being a dad joined up with his daughter. That character that was needed did not come across.
Dancers: Witney and Chehon Inspired Dances: For Chehon it was Melanie Moore’s Atlanta audition. For Witney it was “Danielle’s” audition in S4 (that turned out to be Travis Wall in drag). Mia’s Dance: The bench routine performed by Season 2 Travis Wall and Heidi Groskreutz Song: “Calling You” by Celine Dion
My thoughts: It was hard for a ballet dancer like Chehon to move into a contemporary style that requires him to loosening up a little. Regardless I still got chills when Chehon was lying on the bench with Witney under it. Not as good as Heidi and Travis’ routine, but that is some hard competition to live up to. They did a good job, but this dance is so iconic and it was TRAVIS WALL.
The judges: Nigel was pleased. He felt the passion came across. He also explained what the dance was about. Apparently Mia was in love with a gay man who was not going to be able to return the same kind of love to her. Mary felt they pulled it off. She wants Chehon to let go a bit more. She thought Witney was “wow” and was remarkable tonight. Michael asked Witney is she was a Salt Lake City girl, and said that Salt Lake is a fantastic place for dance (without really commenting on Witney’s dance tonight). He told Chehon he always had a job with The BalletBoyz if he ever wanted one.
Dancers: Lindsay and Cole Inspired Dances: For Cole, it was Mark Kanemura in Season 4. They are friends and are from the same dance studio. Lindsay was inspired was Travis Wall and Benji Schwimmer’s nerd dance on the finale of season 2. Mia’s Dance: The “Addiction” routine originally performed by Kupono Aweau and Kayla Radomski in season 5. Song: “Gravity” by Sara Bareilles
My thoughts: Cole was spectacular. This was indeed my favorite routine of the night. When he ran his lips up her leg in a gesture of him “the addiction” consuming the whole of her, I got chills. Lindsay did a great job, too, but Cole was mesmerizing in his robotic-like movements.
The judges: Billy was impressed. Both have versatility in bucket loads, something that is needed for the business. Mary said this was the best performance from both of them. Kupono was a bit more sinister, but Cole was a quirky kind of demented, but it worked. Lindsay was amazing. Nigel said they came out on top tonight of everyone. Cole’s performance was quite chilling.
Eliminations
George, Dareian and Matthew are in the bottom 3 for the guys and Amelia, Janelle and Lindsay are in the bottom 3 for the girls. The judges wanted to see all of them perform solos before they made their decisions.
Amelia danced to “Falling Slowly” by Glen Hansard and Marketa Irglova. I prefer Kris Allen’s version. It does not look like she is dancing for her life. Janelle did a belly dance routine to “Inta Omri” by Elie Attieh and she, too, does not look like she wants it. It was fun but there was nothing remarkable or stand-out about it. Lindsay did a dance to “Hip Hip Chin Chin”by Club des Belugas. I felt like out of the three girls she wanted it more and I think her routine with Cole tonight is likely to save her.
The guys looked more poised to fight for their spots. George danced to “So Long, Lonesome” by Exploding in the Sky. He really wants it. There is something about George that reminds me of the painter Thomas Kinkade. When George dances, he lights up the stage. Dareian came out fighting, dancing to “It’s a Man’s Man’s Man’s World” by Joshua Ledet. Unfortunately he has underperformed his peers most of the season and has not made a real connection with the audience. Matthew danced to “Delicate” by Damien Rice. Out of the three guys, I was not so sure he wanted that spot so badly, like he had written it off that it would not be his. But out of the three guys, I think they’ll put George through.
Nigel said the judges would save Lindsay mostly because of her performance in tonight’s routines. For the boys, they would save George. Dareian really needed to fix his feet and they felt Matthew was not connecting with the audience (I would disagree with them on that).
As a personal note, I think that Cyrus, as much as I adore him, should have been up there instead of Matthew because he has been getting by without a great technique, but it is about America’s favorite dancers, not the “best” technical dancer. Next week the couples will be broken up and they will be paired with all-stars from previous seasons.
Who will go home this week based on their performances on Wednesday? I think Cyrus should be in the bottom 2 and maybe Will is in trouble. Witney and Audrey might be in the bottom 2 for the girls. The voting is going to get more difficult. I am looking forward to seeing Eliana paired with an all-star. She, I think, is the most underappreciated dancer in the show. It’s time for her to have a moment in the sun.
So You Think You Can Dance — Top 20 Dance for a Third Time
I don’t know about you, but this entire format this year has me very confused. Why the change? The first week traditionally has been for us to meet the Top 20 and get a chance to see them dance. Then the second week, traditionally the top 20 dance, we vote, and then the next day, the 3 people with the lowest votes in the girls and the guys get to dance for their lives and the judges choose who is going home. However, the second week, the top 20 danced, and then there was no show the next day. When I heard they would tell who was going home the next week, I thought to myself, okay, so they are going to make us vote again, give the Top 20 a third week to dance so we could thoroughly enjoy them, get to know them, etc., and then on the next-day show, they will add the two weeks’ votes together, and continue on. However, that was not the case. The top 20 danced, but based on the votes, based on what they saw this week and last week, and with additional input from the choreographers from this week and last week decided who was leaving tonight. Nigel reminded us that they were not “voting people” off, but rather sending home the people who did not receive the most votes. Personally it is a game of semantics–like is the cup half empty or half full. I inquired with my OFFICIALFOXVIP contacts if this was just a one-time thing because of scheduling difficulty with the other shows and apparently this is the way they are doing it this year. On one hand, it makes it better for me because trying to type up a blog on Wednesday night before the Thursday show is very difficult. On the other hand, it seems kind of cruel to the dancers. They do not know if their previous week’s dance is going to put them in the bottom 3, and that will translate in the dances they perform on Wednesday night, which in turn will turn into the votes they get for that dance and whether or not they are in the bottom 3 the following week. It sounds like a mind game. I know Nigel Lythgoe is not like that, and I do not know if it was a demand of the network, but I do not like it.
Having said, that, let’s get on with the performances this week. We had Adam Shankman, guest judge, on tonight and the barrage of funny plugs for “Step-Up Revolution.” The group dance was choreographed by Tabitha and Napoleon D’Umo to the song: “The Beautiful People (District 78 Remix)by Marilyn Manson. I started having déjà vu. Didn’t we see a song choreographed to this song before? I looked it up and turns out I was right. Comfort Fedoke and Chris Jarosz performed to it, choreographed by Tyce Diorio, in week 3 of season 4, in 2008. See a YouTube clip from the episode.
Even though it was a repeat, the dance was slightly different and it was zombie-esque (I like the word “esque” lately) and had hints of the Thriller dance.
The show opens and Adam thinks Cat is like a big sexy tomato. Cat invites him to take a bite. I love when Adam Shankman is on. He has the BEST lines.
Dancers: Cole and Lindsay Choreographer:Christopher Scott Song: “Teeth” by Lady Gaga
My thoughts: It was a lot of fun. Cole was great and definitely played the nerd wonderfully, keeping in character throughout the judges’ critique. Was Lindsay a nerd’s dream or did the nitrous oxide do things to Cole’s head? What a happy gaseous delusion! Christopher Scott’s routines are kind of hit or miss for me. There are either brilliant, or seemingly hastily put together.
The judges: Adam thought the American Dental Association should adopt the routine. Cole was freaking him out (in a good way). He thought Lindsay was holding her sex kitten in and needed to really attack it. Nigel certainly thought it was incentive for Great Britain to go to the dentist. He felt it was a bit immature. He thought Lindsay was playing to the audience and not to Cole. Mary said the routine put a smile on her face. She felt Lindsay needed to be vampier. Part of the show is acting and she will need to bring that. Cole is a lean, mean dancing machine.
Dancers: Amelia and Will Choreographer: Sonya Tayeh Song: “3326” by Olafor Arnalds Story: Two souls are carrying the weight of the world on their shoulders. They are searching for the light at the end of the tunnel.
My thoughts: I could feel that weight and the oppression of their souls. I had goosebumps, the first tonight. They had stunning lines. Amelia and Will have great chemistry. In this dance, they moved as one. WOW! It was my favorite routine of the night.
The judges: Mary screamed: “OOOOOOOO!” Sonya was right on top tonight with this beautiful routine. Will and Amelia brought it to life. Will was rising to the occasion. They have gone another floor up in her eyes. Adam gave them a standing ovation. Of Amelia, he said he was completely lost in the piece and it took him on a journey. Will 1,000,000% “Stepped it up” (movie plug). It was brilliant. Nigel said that not only had Travis grown, but Sonya, too, has show tremendous growth on the show since she joined. She said Amelia was great a great, quirky dancer. Both Will and Amelia were absolutely brilliant dancers.
My thoughts: My eyes were drawn to Amber immediately and not because of her red dress. There is one spot where she almost looked at the audience and lost her character. There was a lot of hard footwork being performed by both Nick and Amber. It was intense.
The judges: Adam thought it was hot. Amber was spectacular, a fire-breathing dragon. Nick was a brilliant partner but he vanished a bit. Nigel thought Amber made herself look good, a cobra ready to pounce. Nick was very strong and it showed. Mary said it was a difficult routine. Nick and Amber made it not look like work. Amber was a fire out there and she was in awe. She gave a “hats-off” to Nick; he did great.
Dancers: Audrey and Matt Choreographer: Sonya Tayeh Song: “Hear Me Now” (Dri, Lind and Lukka Mix) by Steed Lord Story: The robotic struggle between men and women
My thoughts: It was hard hitting and angry. You could feel the struggle. It was my second favorite routine of the evening. These two have great chemistry together and are superior dancers.
The judges: Nigel loves the “stank steps.” They were incredible and are one of America’s favorite couples. Mary said they, too, were one of her favorite couples, and quite the dynamic duo. They maximized everything. One of her favorite routines tonight. Adam said tonight belongs to Sonya. Audrey was “friggin brilliant.” He told Matt if he kept it up like that, it was his competition to lose. It was amazing and for them to stay in the zone.
Dancers: Dareian and Janelle Choreographer: Christopher Scott Song: “My Girl” by The Temptations Story: A wedding proposal
My thoughts: It was the first kiss of the season, which promptly some fun from the judges, more fun than this routine unfortunately. Mary said she was not getting into this kissing thing this season, so Adam fake-kissed Nigel. It was fantastic. This routine did nothing for me. Dareian was the stronger dancer of the two, however. I think Christopher Scott did not do such a great job tonight with his choreography. Maybe he is the type that needs awhile to prepare, to think things out. He needs to learn how to Twitter-up his dance routines. Less than 140 characters but strong thoughts that resonate with people.
The judges: Adam felt Dareian was more invested than Janelle. Nigel said that so much depends on the choreography and it was a little uninspiring. Both are better dancers but they have to bring it, too, as Adam pointed out. Mary said the routine was sweet and it was just okay.
Dancers: Brandon and Janaya Choreographer: Sean Cheesman Song: “Bring On The Men (From Jekyll & Hyde: The Gothic Musical Thriller) by Linda Eder Style: Broadway — Hot romance book gets the girl frisky
My thoughts: It was a very fun routine with high energy. Some of the moves were great. Sean Cheesman is another “hit or miss” choreographer for me, but this one, I liked.
The judges: He felt like Brandon “stepped it up” (movie plug). Janaya’s lines were great and she played the crowd. Nigel thought it was brilliant Broadway and agreed with Adam. Janaya brought something this week that she did not have last week. Mary thought it was the most entertaining routine of the night. The stepper (Brandon) was “stepping it up” tonight with energy. Great acting from Brandon and Janaya was amazing. Cat thought it was fearless.
Dancers: Cyrus and Eliana Choreographers:Melaine LaPatin and Tony Meredith Song: “I’m Shakin'” by Jack White Style: Jive
My thoughts: I am a huge fan of Cyrus. He brings his personality and enthusiasm to every dance; however, his lack of technique is beginning to show in a big way. Eliana is always wonderful. The routine was lively. Cyrus tries so hard and I am so proud of him.
The judges: Mary said Cyrus’ feet were not quite right, that his posture goes in and out. He is doing great partnership. Her star is still showing for Eliana. She is a phenomenal dancer. She was cookin’. Adam said that he was amazed Cyrus got through it. Eliana was the hardest working woman tonight. Nigel said that at some time Cyrus will hit a brick wall. Cyrus has to connect the dots and needs to fill in the blank spaces. Eliana has a tough job with Cyrus. She has to compensate a great deal for Cyrus’ lack of knowledge.
Dancers: Alexa and Daniel Choreographer: Dee Caspary Song: “So Long My Friend” by Yanni Additional info: The bath tub is the water drowning the words.
My thoughts: They are good technical dancers. They did much better this week, but I really hated last week’s piece. However, by the end of the song, I realize the chemistry really is not there. I don’t know what exactly it is. Is Alexa shutting off her heart again to protect it like she did in Vegas because she does not want to fail, thus really fulfilling her own destiny with her thoughts? Do she and Daniel not have any chemistry off screen? I hoped the title of the song was not going to be their ironic fate. I loved the blue outfit that resembled the water. It was beautiful.
The judges: Adam complimented Dee on a beautiful routine. He told Alexa and Daniel although it was beautiful it was a bit chilly. He is not sure exactly what was missing. It was missing the passion. They were not connecting. Mary agreed with Adam. There is no chemistry between the two of them. Nigel said it was danced brilliantly but there is no chemistry.
Dancers: Tiffany and George Choreographers: Melanie LaPatin and Tony Meredith Style: Foxtrot Song: “I Want To Be Loved by You” by Sinead O’Connor
My thoughts: Sinead O’Connor? Really? That was the biggest surprise to me. I suppose I have not kept up on her career. It was my third favorite routine this evening. My eyes were drawn to George, but they did a tremendous job. I love George’s energy; it is always happy and calm. He is such a smooth operator. I also loved her costume.
The judges: Mary thought Tiffany did everything perfectly. Adam was madly in love with it. It reminded him of Fred and Ginger. They “stepped up” (movie plug) to a whole new level. It was “in-freaking-credible.” Nigel they could be the “Opening Act” for anybody. They should be a lesson to every couple on the show.
Dancers: Witney and Chehon Choreographer: Nakul Dev Mahajan Song: “Tandav Music” by Aatish Kapadia Style: Bollywood of course
My thoughts: It was high energy. Bollywood has to be one of the toughest dances out there, especially because of the hand moves, but also it requires a great deal of stamina and strength. Chehon did the better job of the two. Nakul looked so proud of them. I would not have known Chehon was a ballet dancer tonight. He took the constructive criticism he received last week and applied it.
The judges: Adam said it was the first time he saw joy in Chehon. Witney needed to extend her neck. He still felt chemistry between them even though they were apart during the dance. Mary said it was so much better this week for Chehon and that he was on fire tonight. Nigel thought Chehon was fantastic. He cannot believe that Witney was doing knee turns. He also noticed with khattak in the dance routine.
The Results From Last Week
Based on last week’s votes, Janaya, Alexa, and Witney were in the bottom 3 for the girls. When the camera flashed to Alexa, she knows she is leaving. She looks down and cannot smile. Janaya and Witney are there with their chins up and smiles on their faces. The bottom 3 guys were Nick, Daniel and Chehon. Nigel said that the votes were for people America liked, but they have to stay unemotional about their decision. They were the best 20 dancers across this season. After talking to the choreographers, seeing them dance this week and last, they were saving Chehon and Witney. I imagine the Bollywood routine helped to save them.
Speak Out and Step Up (movie plug): What do you think of the decisions this week? What do you think of this new format? Let us know!
Note: I’m headed to New York on Thursday. Since it takes me about 4-6 hours to get this blog done, I do not think I’ll be able to do a detailed blog and pack Wednesday night. I’ll try to get something up, although it likely will not be in this regular format. I appreciate your support for this blog. I’d love to get more comments on it and have a discussion.
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