My “Touch” Moment

21 03 2012

By Hilda Clark Bowen

Coincidence. Fate. Is there truly a God that controls all things down to the microsecond of your life or just the big stuff? After all, if God exists, he/she gave us the free will to make choices. Those choices ripple out into consequences, good or bad. These are the questions we all ask ourselves and our answers may vary throughout our life as our own experiences shape our reality.

I had always felt it was fate that led me to find Jeff. It is difficult to put a starting point in this story. My father-in-law passed away in February 2012. For those of you who haven’t seen the new Fox series “Touch”, the experience made me instantly think of this show. It is loosely based on the red string of fate, a Chinese legend that said the gods tie an invisible red string around the ankles of those that are destined to be soul mates and will one day marry each other. The two people connected by the red thread are destined lovers, regardless of time, place, or circumstances. This magical cord may stretch or tangle, but never break, a concept very similar to soul mates. Tim Kring of the new TV show “Touch” expands that to include groups of individuals but still connected by love.

Red string of fate; unknown credit

I met Jeff on July 4, 1990, the last day of my vacation that began with my dear friend, Louise Rizzuto, getting married, on Long Island. I was a bridesmaid in her wedding. After the wedding, I traveled down to New Jersey to see my sister and my aunt. On that last night back on Long Island, my friend and now Patrick’s godmother, Patty, asked me to go out with her that evening. She wanted me to meet the best friend of her boyfriend, Larry. I almost did not get there. My foster brother stole my keys and would not give them back to me, and making me very late. Jeff told me he was about to leave. We met around the corner from where he lived in Setauket. We stayed at the restaurant for a few hours and then I told Jeff I would still love to sit by the water, as I had not had an opportunity to do that. He took me to a beach that apparently was frequented by drug dealers. When the police raided the beach, I was terrified I was going to jail for just sitting on the beach talking with him, so I ran. Jeff grabbed my purse and ran with me. After the police car stopped us and determined I truly was just some out-of-towner who did not realize the beach was closed, he let us go. Jeff found another place where we could talk out in public. I think I left about 4-5 a.m. and went back to where I was staying to pack and drive to the airport.

The rest of our relationship unfolded. He eventually moved down here in January of 1991 into his own apartment. We were engaged in July of 1991, but he wanted me to meet his family before making the announcement.  We did that on August 11, 1991 the day after his cousin’s wedding. We were married in October 1992.

My friend Patty said that we were the best thing that came out of her relationship with Jeff’s best friend. Patty and Larry broke up shortly after that.

As we continued to find out about each other, I discovered that Jeff went to our rival high school, Ward Melville, and had often been to our school for sports. I was often at the school because in my sophomore year, I was president of my class. He lived right around the corner from SUNY Stony Brook, the college my sister attended, and where I often visited. That is important because around the corner from there was the Pancake Cottage, where my sister and I would have breakfast, as would Jeff and his family. It is possible that we were in the restaurant at the same time together and never knew it. Then we traced ourselves back even further. He remembers a classmate of his coming back from the Suffolk County LIBEC contest for typing in 1981, saying she was beat from someone from Patchogue (as if that was pond scum; we were a lower socioeconomic group than Ward Melville). Yep, that person was me.

Meanwhile in Setauket, Long Island, before we met, Jeff’s sister Deirdre was off at college in Massachusetts. She became roommates with Trish. Deirdre eventually married Frank. Trish married John.

Trish and John belonged to a very small church in New Jersey. They were very close to Jennifer. Jennifer and John were working on bringing a more contemporary service to their church. He knew Marilyn and Tony, Jennifer’s parents. He also knew Michelle and Gordon Dobson. One day Jennifer tells them she is moving to Texas to start a business to help this family out. Marilyn and Tony followed. They were very sad to see her go.

I had a miscarriage with my first baby (a boy, we named Matthew Joseph). Then Patrick was born, and he was later diagnosed with multiple disabilities including autism. In August 2010, I decided to pull him out of public school and try to get him into an autism school in the area. The place we found was Including Kids (InKids) run by Jennifer Dantzler.

On February 5, 2012, my father-in-law died. The wake would be Thursday of that next week and the funeral on Friday. We debated back and forth about who would go up there–just Jeff or would we try to attempt this trip as a family. Patrick’s behavior was much better since being at InKids, and we knew Jeff’s mom would love to see Patrick; she had not seen him in almost a decade (she could not fly down because of my father-in-law’s condition and we dared not even try before this time). The whole family would be happy to see him.

I was with Patrick in a lounge area at the funeral home when Jeff pops his head in and says, “You have to come over here; someone here knows Jennifer Dantzler.” I looked at him what a “what the hell” look. As we are walking, he tells me, “Deirdre’s roommate from college.” Then I thought the connection was that Jennifer also went to college in Massachusetts (not the same place, but maybe they knew each other from that area). While they were talking, Jeff stated that Patrick had autism and that he was going to a school for autism. Trish asked, “Do you know Jennifer Dantzler?” Jeff said, “She runs the school.” There are many schools for autism here in throughout Houston and the surrounding areas. As we talked to these people, my mind was connecting all the dots. Jennifer Dantzler is the executive director of Including Kids (InKids), the place where Patrick goes to school.

We talked about this huge coincidence for almost 30 minutes or more. John told me he remembered clearly when Jennifer said she was moving down to Texas. They were all shocked. I said, “The woman is fearless.” He agreed that was a good word for her. He said they had lost touch with each other in the last 4 years. At that very moment, I wanted to place a call to InKids, but it was late at night and no one would be there. We also discovered that while they were at this church, the Dobson’s offered up a French meal for 10-12 as a church raffle. Michelle is a French chef. It is something they offer similarly here for our Boots and Bling Gala, which is coming up on April 14, 2012. Trish said, “We invited Deirdre and Frank to that.” The Dobson’s are now on the board of directors for the school and also live down here. Tony and Marilyn routinely are the ones to serve the food to people at these type events, so Deirdre and Frank likely saw them at that dinner without ever knowing they were to become part of our lives, too, at a future date. John said Jennifer, Marilyn and Tony had been on his mind for the last 2 weeks. We shared with Trish and John that if it were not for Jennifer and her staff, Patrick would not be here making that long journey from Texas to New Jersey. We shared with them all the progress Patrick has been able to make since going to InKids. The next day at Deirdre’s house, I told Deirdre about the connections. They also took her by surprise.

Upon returning home, I was eager to run in and tell Jennifer, but I was too late. They had already contacted them. Marilyn said the email started, “I don’t believe in coincidences…” The email made her cry. Marilyn shared with me that 2 weeks ago, Trish and John were on her mind, too. Apparently, Marilyn/Jennifer and Trish/John had lost contact with each other for at least the past 4 years. Trish and John went on to make a monetary donation to Including Kids in honor of Patrick and in memory of Patrick’s grandfather.  Best of all, they were back in contact with each other.

The mathematical probability of this happening is unlikely, but there it was–my “Touch” moment. There was a string that connected all our lives and it took this particularly sad event of my father-in-law’s passing for all the pieces to be revealed.

Have you ever had moments such as these? Please feel free to share in the comment section.

UPDATE FEB 2013

Trish and John subsequently made donations to my son’s school for autism, Including Kids. In January, their son came down to see if a particular career path was right for him or not. Where was he? At Patrick’s school. He had been down for 3 weeks and one day I went in to volunteer and we met. This was almost a full year after my father-in-law passed away. If he does decide to move here, we may also have some part-time work he can do directly with Patrick at home. The connections continue.





Touch — Review and Synopsis

26 01 2012

Touch

It has been a long time since I have been profoundly moved by a television show that has left me feeling hopeful regarding the interconnectedness of humanity. For anyone who believes things happen for a reason, this will be your new favorite show. Having previewed their new baby on Wednesday, January 25, 2012, Fox will enjoy seeing news about this series spread in the coming months. When it debuts on March 19, 2012, it will be seen around the globe in more than 100 countries within 3 days’ period of time and try to achieve a level of connectedness by the fan-base as never before. Arguably it has been something people have been complaining about for quite some time about the US or Canada having exclusive access to a show, and other countries having to wait to see it, sometimes many weeks, sometimes many months, sometimes never, which leads to seeking access on torrent sites which ultimately results in the demise of a show because no one is live-viewing it anymore.

The story centers around Martin Bohm (Kiefer Sutherland) and his son, Jake Bohm (David Mazouz). Labeled “severely autistic”, Martin never believed in the diagnosis given to his child and seems to be just trying to do whatever he could to make a connection with his son, yet fully accepting and loving his child at whatever place he was (very Son-Rise-esque).

I am a mother with a child with severe autism. In the weeks leading up to the show, I seemed to be getting a lot of negative feedback about that–not ANOTHER show about another kid with autism–as if autism is the célèbre-du-jour of Hollywood. Indeed kids or adults with autism were turning up everywhere on every show either as part of the main cast or as a guest star. There are a few shows that got it right, but most did not. Most people with autism are not savants (only about 10%). While parents with autism appreciate the desire to bring awareness to the spectrum disorder, when it is depicted incorrectly, it hurts our cause. The general population has grown tired of hearing “My child has autism.” They scoff at you like you are just part of the misguided parents who need to have a diagnosis for their child. Or, you have the medical community trying to reclassify the spectrum of autism to water it down so it does not appear to be an epidemic (a blog for a later time). Even I started viewing this show with a bias.

From this point forward, there will be spoilers:

The show opens with a narrative from Jake about numbers very similar to the a belief borne from the red string of fate, a Chinese legend that said the gods tie an invisible red string around the ankles of those that are destined to be soul mates and will one day marry each other. The two people connected by the red thread are destined lovers, regardless of time, place, or circumstances. This magical cord may stretch or tangle, but never break, a concept very similar to soul mates. But Tim Kring, the creator of Touch, twists this idea even further to tie a group of individuals together.

Fans of Jericho (or Three Rivers or Hawaii-Five-O) will be thrilled to see that Carol Barbee is executive producer on this pilot. Executive producer Peter Chernin now has another hit on his hands after enjoying great success with Terra Nova and New Girl, also on Fox. Also sharing executive producer co-credits are Katherine Pope (also of Terra Nova and New Girl), Kiefer Sutherland, and producers, Neal Ahern, Jr., (Terra Nova, Parenthood), and Dennis Hammer (Heroes, Crossing Jordan).

The show opens with Martin at his job at the JFK airport in New York where he is gathering a bunch of cell phones, that were left in the lost and found and unclaimed, for his son who is fascinated by them. One of them rings as he is walking away. Apparently it is the owner of one of the phones trying to get the phone back after losing it at Heathrow Airport in London 2 days previously. He is not looking to get back the phone itself, but rather photographs within the phone. Apparently it is her birthday “tomorrow” but he is now in Mumbai. And he seems to be in great emotional distress. Martin’s phone is ringing so he places the man’s phone down in a bin. His son is in trouble. “I pay your school good money to keep my son safe. Are you grasping me?” Oh yes, I was relating to this character very much.

He’s off to talk his son down off an electricity tower, and I mean that literally. Meanwhile, the cell phone gets mixed up on top of some luggage. Jack Bauer is scared of heights? What? Oh wait, wrong show. It is hard NOT to put Kiefer automatically into the role of Jack. The workers want to know if the numbers 318 have any special meaning to Jake but Martin shrugs it off. A report to child services is going to need to be made.

On the way home, they stop at a gas station. Martin gazes at his son in the rear-view mirror while gazing over at the school bus filled with children talking and acting like normally developed children. My heart sinks. I know EXACTLY what this character is feeling. How many times have I done this with Patrick, just for a brief second wondering what life would be like? Martin and I share a common bond in addition to the fact that they are our only living child so we know really no other kind of life. He looks into the rear-view mirror and his son is gone, having taken off to go over towards the bus. Another similarity to autism–so I’m still very hesitant. How many of us turn away for a second and our kids with autism take off? Martin talks to his son like one would talk to their loved one in a coma, hoping that something they say will jar their loved one to respond in some way, desperately longing for that contact. I have been in this place, too, where Patrick was seemingly catatonic (but very noisy, unlike Martin’s Jake). Martin notices the number on the bus: District No 318. In the store, the TV is showing a story on “The Children of 9/11” and the struggles they endure. A man is trying to buy a Lotto ticket. Jake looks up as the man calls out the numbers: 87 1 9 20 31 11. Jake grabs the Lotto ticket and runs to the car, locking the doors. He writes down these numbers on pages of numbers he already wrote previously and hands the ticket back. The man says, “You ought to keep that kid in a cage.” Oh yes, that is something we’ve had to endure hearing before.  But this is actor Titus Welliver from “Lost” so I expect dark mystery to surround him.

Then we see a beautiful young singer, Kayla Graham (Karen David) on stage, surrounded by her fans, recording her performance on a cell phone that looks very similar to the one found at JFK. She does not believe she’ll ever be a big star. Her co-worker, Niles Borne, (Simon Delaney), tries to encourage her, saying half the company was there to support her tonight. He tells her that we all have a destiny, and hers is to be a big star. The cell phone, he believes, is the key. He found that the cell phone had traveled all around the world and now her recording was on it. The phone apparently right now is in Dublin, Ireland. He sticks the cell phone into the luggage of someone headed to Japan and away the cell phone goes.

An alarm set for 3:18 goes off at Martin’s computer. He goes in to put Jake to bed. Jake has apparently lined up cell phones. He mentions that the doctor said he was going to grow up bigger than him and how was that going to work? I’m already living that. I’m 5’3″ and my 16-year-old son is now 6 feet tall, and has seizures. The cell phones go off. Jake has all of them programmed to show the numbers 87, 1, 9, 20, 31, 11.

A family in the Middle East, Baghdad, is the next bunch introduced. The son is trying to imitate Chris Rock and wants to be a comedian. They need an oven to keep their bakery. It will cost 800,000 dinar (about $687 US dollars). The only way to make that kind of money is with shady characters who make people blow themselves up. His friend suggests they check out Hassam’s place.

Clea Hopkins (Gugu Mbatha-Raw) from family services shows up at Martin’s door the next morning. One reality disconnect: They do not show up that quickly. I already dislike this woman, so she did a great job as an actress. She lists his inadequacies as a parent, supposing that the state could do a better job. Another reality disconnect: The writers did not Google: State facilities, Texas, fight clubs, Department of Justice report, Corpus Christi. “The financial challenges will only increase as your son gets older.” I can relate to that statement, but do you know what the first thing is to get cut when state budgets are on the line? Yep, people with disabilities. Good thing Martin lives in New York versus, let’s say, Texas.

Martin shares that his wife died in the 9/11 tragedy (making Jake a child of 9/11–see above).  While Clea is trying to “talk” with the silent Jake, Martin sees the numbers in the newspaper: The numbers belong to the new Lotto winner. The man (Randall) who bought the ticket realizes he is a winner and places a phone call to a woman. He says he wants to come home now.

Simon (the owner of the cell phone now off to Japan) is on a plane and calls a woman. He is on his way to Tokyo. He wants to be there for “her” birthday (the child) but the woman is short on conversation. She also appears to be in emotional pain. My first thought was a divorce. He asks her if they took any photographs of Lily while they were on vacation besides for the ones on his phone; a tear streams down her face as she says no.

Clea tries to explain the strange coincidence off as it being part of Jake’s autism, which Martin insists is NOT his diagnosis. Martin said that for all he knows Jake does not speak because he has nothing to say. Martin says he is trying to communicate; Clea belittles his thought to wish fulfillment. Her character then starts softening up, trying to say no one is judging him (but they are).

A young Japanese woman goes through the bag of the man who came from Ireland, the one with the cell phone in his bag. She and her friend, Izumi, are in a fan club of a group called “The Morticians” who are from Ireland (actually a band based out of Waco, Texas). The man lives in Tokyo but wants to have some fun with the young girl before going home. She grabs the cell phone in his bag and leaves.

Back in New York, Martin is leaving Jake at the boarding facility. Obviously no research has been done here either. These state facilities do NOT look like this gorgeous facility. My heart wrenches for Martin not only for having to leave his son in one of these places, but also that he cannot even hug him to say goodbye. Personally, I’d skip the country and run. No one is ever taking my kid from me. Martin then goes to visit the grave of his wife, Sarah. He says, “They say God never gives you more than you can handle. But I think he has this time.” Oh dear, the tears start streaming from my eyes. How many times have I felt and said the exact same words, or felt extreme anger at people who have said that to me, not having the slightest clue what our lives are like. He looks down to find a FDNY badge with the numbers 318 on them.

The Japanese girls see Kayla Graham’s video and decide to start up a fan club as they believe she is probably already a big star in Ireland. They are going to enlist the talents of their friend, Takezo, who runs the Jumbotron at Shibuya. They will get him to download “everything” on that phone and put it up on the Jumbotron (you can see where this is going). They’ll pass the phone to another client at 4:00 p.m. , who is catching a plane to Kuwait in 3 hours.

A search for mutism and cell phones leads Martin to the door of The Teller Institute that lists the following: Mysticism, Mythology and New Age interpretation; a rise in diagnosing behavioral disorders; for a select few, mutism is a false diagnosis; this is a beginning in a shift of consciousness. (Okay, now I’m thinking Mayan 2012 theories here). We are witnessing an evolutionary step (I’m thinking Alphas here). We must listen to their message. How string theory and quantum entanglement…. (I’m thinking Fringe). The geek that I am (and conditioned Lost fan) looked up the link to http://www.tellerinstitute/electromagnetism.html but it does not exist. He gets an address to this institute: 318 West Tesla Street, Bronx, NY. SWEET. It would have been really great if the address actually existed. A bath-robed Professor Arthur Dewitt (Danny Glover) answers the door. He talks about electromagnetism and that some kids (mostly) are just tuned into the right frequency. Interestingly, he gets Martin an orange soda, the same kind Jake drinks. Apparently Jake has discovered the Fibonacci mathematical sequence on his own. He shows him pictures of the curve, similar to how Jake lined up the cell phones. “The universe is made up of precise ratios and patterns. You and I–we don’t see them. But if we could, life would be magical beyond our wildest dreams, a quantum entanglement of cause and effect where everything and everyone reflects on each other. Every action, every breath, every conscious thought connected. Imagine the unspeakable beauty of the universe he sees. No wonder he doesn’t talk. ” Martin, excited, responds, “My son sees all that?” The professor continues, “Your son sees everything–the past, the present, the future. He sees how it’s all connected.” Martin responds, “You’re telling me my son can predict the future?” The professor adds, “I’m telling you, it’s a roadmap. And your job now, your purpose, is to follow it for him. It’s your fate, Mr. Bohm. It’s your destiny.” I now have complete chills. I see the parallels of my own life being reflected in this story. My Patrick has accomplished a great deal in his 16 years on this earth; my purpose is for him to fulfill his destiny. I have often felt like his conduit.

Back at the school, Clea becomes a believer when Jake uses popcorn to make the numbers 2, 1, 2, 9, 2, 0, 6, 9, 2, 2, the numbers which was her mother’s phone number. And then her cell phone rings with that number. He goes over to circle 18 on the March calendar.

The Lotto winner is headed to Lynchburg, Virginia.

Martin looks at Jake’s numbers again and gets a phone number. Using modern technology, he puts it into the reverse phone numbers feature of a web site and it comes up as Grand Central Station at 87 East 42nd Street. Eighty-seven is the first number of the Lotto sequence. Clea knocks on his door; 3/18 is “today.” Martin is not sure if he is supposed to stop something from happening or make something happen, not only to happen on 3/18 but AT 3:18. Twenty-two minutes to Grand Central Station? Yeah, right. He better live close-by. When he locates the phone, there is a man talking on it. When he turns him around, he realizes it is the man from the store, the one who punched him. Now Martin punches back. The police break up the fight. It’s now 3:19 and Martin thinks he has failed.

Back in Iraq, a group of men walk in on the young boy at Hassam’s and they hide. They have a bunch of cell phones, including the one with Kayla Graham’s recording on it. A little girl sees them, but does not appear to give them away, but one of the terrorists comes back in. They catch him. He tells them about the oven and you can see the evil in their eyes. You know they are going to make him do something bad.

Back at Martin’s the 3:18 alarm goes off again on his computer; he notices there is a message on his answering machine. Randall Meade is calling him. Randall Meade who won Lotto; Randall Meade who was on the phone at Grand Central Station leaving Martin a message on his answering machine. He was a fire fighter on duty who tried to save his wife that tragic day. He was part of Ladder Company 318 on 9/11. He went to the 87th floor of the North Tower. His wife was alive, barely conscious and bleeding pretty badly. He carried her down 31 flights of stairs, but could not carry her any further. He convinced himself that she was dead, but the truth was he was not sure if she really was. He had been thinking about her for 10 years and had been playing the same lotto numbers every week for 10 years. 9, 11, 2001, 87th floor, 31 flights of stairs. He had wanted to try to make the numbers come out right. He was going to give all the money away. Then Martin hears himself on the phone answering machine, the encounter that happened at Grand Central Station. Then he hears Randall Meade’s name on the TV. Apparently the bus from the gas station had overturned in a bad rain storm. He pulled the kids from a burning bus. He said to the reporter if he had not missed his train, he would not have been there. Martin heads out to see his son, but his son escaped the state facility. Martin still does not know the further repercussions of this red thread.

Flash over to the Jumbotron where Simon, who is now in Tokyo, tries to call his phone: 44, 077, 0090, 0488. He gets Kayla Graham who is back at her day job. He wants her to find out where his phone is, but it is in “an invalid territory.” Kayla appears on the Jumbotron. He pleads with Kayla to please help him. Lily’s picture is in there, his daughter who died a year ago. Simon looks up at the Jumbotron and sees Lily’s pictures. It brings some peace to a grieving father. In Iraq, Simon’s phone rings. It is hooked up to a bomb that is now attached to our character’s chest. He pleads with Kayla to tell the world he was not a bad person; she tries to help him not explode. With all these wonderful connections, my heart was hoping this young man wouldn’t be blown up, that he would get his happy ending, too. Kayla tells him there is always a choice. They bond over Chris Rock. She asks him what would make him not do this. He tells her, “An oven.” She knows a guy (Simon) in restaurant supplies.

Martin and Clea find Jake at the tower. Jake narrates again: “The ratio is always the same: 1 to 1.618 over and over.”  Kayla’s co-worker sees her video on YouTube with 1,621,318 views. Simon makes it home to his wife. Martin overcomes his fear of heights and climbs the tower to talk to Jake. Jake says, “Will these words be used to hurt or to heal?” Randall gets on a bus to Virginia. Martin tells Jake that he followed the numbers and people were saved. “I don’t know if you can even hear me, but I can hear you, Jake?” I’m sobbing at this point. How many times have I said this to my nonverbal son? Jake crawls over to him and for the first time in Martin’s life, gave Martin a hug. I have raccoon eyes by now; my mascara is flowing everywhere. I remember the first time my child gave me what I call a half-hug. My dear friend who I shared my glee with said to me that she appreciated me sharing these things with her because it made her appreciate her neurotypical child even more. She never realized the things she took for granted, the comment that made me realize that Patrick’s purpose was for people to appreciate the people in their own lives and not take even simple things as eye contact for granted.

Jake grabbed Martin’s cell phone and pointed him on his next mission: 718-673-5296

Where I end my belief is this: How does Martin’s phone still work in that monster rainstorm?

My message to Tim Kring: Season 1 of Heroes was awesome. Touch has the possibility of great things that may start people thinking more about the ripple effect of their own actions, and acting more kind to each other. Don’t screw it up, okay? Save Touch, Save the world.





Terra Nova Genesis

25 09 2011

By Hilda Clark Bowen

Forewarning: This preview may contain spoilers, but such spoilers are already readily available on the internet from interviews, previews and the like.

“Welcome to paradise.” And welcome to the one of the most awaited shows in television, a show so ambitiously graphic, the original premiere date was cancelled for this later date, a show so heavily publicized on so many different channels and venues to every possible demographic imaginable, it cannot possibly fail. But as one Twitter friend pointed out, it is going up against Monday Night Football; he felt it was only a matter of time before it was moved to another day. I doubt there is any show that wins over Monday Night Football, but Fox must have great confidence that this show can compete.

After viewing the first 60 minutes, courtesy of Fox VIP, I can say this show has something for everyone. It is not primarily about dinosaurs. There is drama, humor, love, action, angst, heartthrob-status rebellious teenagers, adorable children, betrayal, mystery, idyllic tropical backdrops, and out-of-this-world visual effects.

The show centers on the Shannon family: Jim (Jason O’Mara) and Elisabeth (Shelley Conn), and their 3 children, Josh (Landon Liboiron), Maddy (Naomi Scott), and Zoe (Alana Mansour). That is a problem in 2149 because the air is toxic and population is controlled to a maximum of 2 children. It is an even greater problem since Jim is a law enforcement officer. Their secret is discovered and the family is put through an ordeal that would tear other families apart. Love wins and without giving the details of how it happens, they manage to arrive to Terra Nova for a fresh start, but not without heartache for one of the members of the family. Jim has to prove himself to Commander Nathaniel Taylor (Stephen Lang) before he entrusts him with a secret. Not everyone is in harmony in Terra Nova. Expedition 6 left the compound for unknown reasons, and there is violence between them. The leader of expedition 6, Mira, will be quite familiar to every “Stargate SG-1” fan, Christine Adams. There will be trials ahead for the Shannon family as well as they adjust to their new lives.

The show has the potential to be the next “Lost” with mysteries already being unlocked in the pilot episode. The writers, knowing how intelligent their audience will be, give a great explanation of why the butterfly effect will not occur–this is an alternate timeline. What is fantastic about that is that the writers will not be bound to what our knowledge base is for prehistoric history, being free to create new and interesting theories and–of course–fascinating new dinosaurs (and I’m sure other creatures).

The executive producers on Terra Nova are:  Steven Spielberg, Peter Chernin, Brannon Braga, Rene Echevarria, Alex Graves, Jon Cassar, Aaron Kaplan, Katherine Pope, Justin Falvey, Darryl Frank, Craig Silverstein, and Kelly Marcel. The director for “Genesis”, the pilot episode, is Alex Graves. The episode was written by Kelly Marcel, Allan Loeb, and Craig Silverstein. It premieres Monday night on Fox at 8 p.m. /7 p.m. central.

While it is airing in the United States, the finale episode is being shot in Australia. Several of the people associated with production have expressed a desire to try to live-tweet while the episode is occurring if time permits. So follow these Twitter feeds Monday night:

@JonCassar
@Jason_Omara
@TerraNovaonFOX
@joeh90
@NaomiScott
@JoseMolinaTV
@traviswf
@earnestracket
@Simone_Kessell
@TerryMatalas
@allisonemiller
@teamcephalopod





“New Girl” on Fox Tonight

20 09 2011
Cast of New Girl

The Cast of "New Girl" on Fox

This is a quirky little show that reminded me of a more modern version of “Three’s Company” only the mix here are 3 guys living with a girl, something that is very common nowadays.  Airing as the first new show of the 2011 fall season is “New Girl‘ starring Zooey Deschamel on Tuesday, September 20, 2010 at 9 p.m./8 p.m. central after  “Glee” as the strong anchor show.  According to Fox, “New Girl” is produced by Chernin Entertainment in association with 20th Century Fox Television. The series is created and written by Liz Meriwether.  Liz Meriwether, Jake Kasdan (“The TV Set,” “Freaks & Geeks”), Peter Chernin (TERRA NOVA), Katherine Pope (TERRA NOVA), Dave Finkel (“United States of Tara,” “30 Rock”) and Brett Baer (“United States of Tara,” “30 Rock”) are the executive producers. Jake Kasdan directed the pilot.

A nerdy, goofy, Jess Day, after having her heart broken by her boyfriend, needs a new place to live.  She quickly bonds with her new roommates by the end of the show.  She believes in people a great deal even after heartbreak only to be disappointed by them again.

Her three roommates include Nick (Jake Johnson, Lie To Me, Flash Forward).  He is still carrying a torch for a woman so he has something in common with Jess.  He seems to be the sensitive guy and is definitely the most intelligent one among the three.  Schmidt (Max Greenfield, Ugly Betty, Lie To Me, No Ordinary Family, Castle) is an up-and-coming young professional who is on the prowl for anything that moves.  He has to pay into the vulgar jar every time he gets out of line.  Schmidt was the most annoying character for me to watch.  However, he is the one who knows exactly what Jess needed this time–to get out and find a rebound date.  Coach (Damon Wayans, Jr., My Wife and Kids, Happy Endings) is a personal trainer who does not know how to speak to women.  Coach exudes a stalwart exterior, but he is a softy, sweet and shy, and needs some tips from Jess on how to have a conversation with a woman.

Joining this group is Jess’ childhood friend, Cece (Hannah Simone, Beautiful People, WCG Ultimate Gamer) a model who has great relationship advice for Jess and warns the boys that if they hurt her, she will kill them.

Collectively they make the perfect dysfunctional family unit, each having strengths the others do not possess that will help them grow.   Give it a chance; you’ll have the time of your life.





So You Think You Can Dance — Finale Performance Show

11 08 2011

It has been a wonderful journey with the best group of dancers to ever be picked in the Top 20 of So You Think You Can Dance. Tonight, the four favorites who flitted into our hearts were: Marko, Melanie, Sasha and Tadd. Katie Holmes and Kenny Ortega served as guest judges for this evening (I just LOVE Kenny Ortega).

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The final 4: Marko, Sasha, Melanie, Tadd

Dancers: Melanie and Marko
Song: “I Feel Love”
Artist: Donna Summer
Choreographer: Doriana Sanchez
Style: Disco
Story: None, just high-energy disco.

I was wondering when disco was going to show up. This song was a blast to my past. It was lovely seeing them partner again. Dressed like John Travolta, Marko did a slightly better job than Melanie with a bit more energy into all his movements. While it was danced well and it was fun to watch, there was no emotional investment in it for me and did not bring me back to that golden era. Kenny thought it was electric, sizzling and great. Katie loved it and said it was like watching Saturday Night Fever. Mary Murphy pointed out that the lifts were not great and they went in and out of the style. Nigel agreed with Mary and felt they were uncomfortable in the style and hoped that they do better in their other routines this evening.

Dancers: Sasha and all-star Mark Kanemura
Song: “Raise Your Weapon”
Artist: Deadmau5
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Ode to Sasha from Sonya, that Sasha handles all the struggles in her life with such grace and integrity, fueling her and giving her power. Mark represents the obstacles.

Another emotional dance for Sasha. This dance brought both goosebumps and tears and then a “hell-yah” out of me during the final sequence when she throws her obstacles to the ground (i.e., Mark). What a powerhouse duo in this pairing (Are you ready to join Lady Gaga’s tour, Sasha, with Mark?)! It stung me in all my emotionally vulnerable hotspots. Sasha has had some incredible performances, but this one tops them all. Mark is the perfect example of someone who did not win the show who went on to do fantastic things in the dance world. Like a fine wine, he has gotten better with age. Katie loved it, especially that walk at the end. Mary pulled out her train-whistled woo-hoo for this and called her a champion and a star. Nigel thought Sasha just threw down the gauntlet to the other three contestants.
Before getting to Sasha’s critique, Kenny had glowing things to say to Sonya who was deeply moved by his accolades. Turning to Sasha, he cited her struggles this week–an injury, battling against Melanie–but claimed her “Sasha, Warrior Princess.”

Dancers: Tadd and all-star Joshua Allen
Song: “Hustle Hard” (Traditional)
Artists: Ace Hood
Choreographer: Lil’C
Style: Hip-hop
Story: None, just the hustle.

Lil’C choreographed a very difficult routine. Tadd is the dark horse in this race, but having Joshua dance with him did not help him, like watching a master and his apprentice. Joshua was crouching lower and hitting harder. Tadd made it this far not only because of his dance technique but also his personality. Just looking at Tadd though, this is the best I have seen him dance all season. Mary said his difficulty is the “sweetie-pie” factor, but was able to pull off a hard-hitting hip-hop style. “Hustle Hard” was Tadd’s theme song for this season. Nigel complimented the moves on the knees, but still felt he was too sweet. Kenny thought the pairing was perfect and wants a pair of the red shoes. Katie thought his hustling was terrific and she loved the pairing. The red shoes helped to highlight how fast of a dancer he was.

Dancers: Melanie and all-star Robert Roldan
Song: “Sacrifice”
Artist: Sinead O’Connor
Choreographer: Stacey Tookey
Style: Contemporary
Story: Unrequited love; in order to save herself, she has to say good-bye.

My goosebumps started halfway through and were at standing straight up on my arm and traveling down my legs by the time the song was over, a lovely rendition of the famous Elton John song. I loved this pairing as well, as each complimented each other. Nigel felt like Sasha threw down the gauntlet and the challenge was accepted. Kenny would push himself to the front of the line to have a chance to work with Melanie. At this point, Cat announced that he would be resurrecting “Dirty Dancing” and got Melanie her first job after SYTYCD. Katie thinks she is a magical dancer and loves how she creates stories. Mary feels like she is in a class of her own and is so proud of her. Melanie feels so blessed for the journey.

Dancers: Sasha and Marko
Song: “Whatever Lola Wants”
Artist: Ella Fitzgerald
Choreographer: Spencer Liff
Style: Broadway
Story: A restaurant scene. Marko is the waiter, Sasha an elegant dinner who wants to order something off menu.

Hot and spicy, both Sasha and Marko played their roles well. She looked elegant in her purple gown, showing off her cougaress cavort, going after what appeared to be a younger, geeky waiter, portrayed by Marko. Kenny thought it was fun, and their character conversions were fantastic. He had a few extra words of praise for Sasha about her giving her all for every performance. Katie compared Sasha to the legendary Cyd Charisse and thought Marko was great. Mary did not initially recognize Marko and thought he was perhaps one of the all-stars. She was surprised at what a wonderful actor he is, saying that it is not easy to pull off comedy and dance at the same time. The dance, however, did not wow Nigel. He thought Sasha was a better warrior princess than a vamp. He did not understand Marko’s character at all.

Taking a break in the dance action, Cat showed some interviews that she had with all the contestants. Melanie’s favorite moment was dancing with Neil Haskell (with the launch she did into his arms halfway across the stage). Her closest buddy in the competition is Ricky because he can make anyone smile and was such a fighter regardless of the criticism each week. Out of the four remaining, she feels closest to Marko. She misses her father and knows that he would be very proud of her. She then performed her solo to “Song for Viola” by Peter Bradley Adams. I cried, feeling like she was dancing that for her father.

Cat asked Marko what he was thinking when she read his name as the first one through to the finale. He had closed his eyes and wondered why she was waiting (she was waiting for him to open his eyes). His favorite performance was “Turned to Stone” with Melanie. She asked him what it was like to have his mother in the audience, and he again shared that he was not always the most grateful child growing up. Winning would mean “everything” to him. When he got shot, he was searching for the reasons why he survived and perhaps this show was a vehicle for that. He then performed his solo to “The Fear You Won’t Fall” by Joshua Radin, incorporating all he has learned, growing a great deal since his original audition. Tonight, his father was in the audience for the first time, giving him an extra boost.

Dancers: Sasha and Tadd
Song: “Raindrops”
Artist: Basement Jaxx
Choreographer: Mark Ballas
Style: Cha-cha
Story: None, just fun and sassy.

This was not finale-quality dancing. Both looked uncomfortable in the style. Because of that, they did not have that hot, spicy chemistry. The height difference was an issue for me. Katie completely bypassed saying anything about the dance itself and just complimented them on the journey. I think Katie did not want to be booed. Although agreeing with Katie, Mary had to talk about the dance. It just did not work–the connections, the body positions, missing hand connections, lack of chemistry, although Sasha fared a little bit better than Tadd. Nigel agrees with Mary, saying it was uncomfortable to watch. While Sasha did a bit better, Nigel felt it did not bear well for her either. Kenny said it was too ambitious for the last show and for them to walk it off and come back and blow us all away.

Dancers: Marko and all-star Lauren Froderman
Song: “Shirk”
Artist: Me’Shell Ndegedcello
Choreographer: Tessandra Chavez
Style: Contemporary
Story: Two people drawn to each other who can’t seem to find a way to make it work.

Setting the tone for the routine, Lauren was already in character, shedding tears when the dance started. This was another dance that drew me in emotionally, taking me on a journey of moments of my own life. My goosebumps never lie. Mary thought it was beautiful, provoking honest communication in the dance, feeling his soul. Nigel felt like it was a fabulous performance, redeeming his past dances of the evening. Kenny again complimented the outstanding choreography. He felt this was perfect partnering for him, that their spirits became alive, taking him to a distant place. Whatever Marko was doing in that dance, he needed to continue doing it. Katie also thanked Tessandra for the piece. He thanked Marko for creating these picture moments for her while he danced and deemed him magical (Magical Marko–it works–Cat stop stealing my phrases).

Tadd’s interview and solo were next. He thought and dreamed about being in the finale but cannot believe he is here. He thinks America is connecting to him in his solos. His favorite routine was the vulture dance with Jordan that Travis Wall choreographed. Most nervous performance was the first show when they had to make a first impression. There is web site apparently called: The Official “Keep Your Shirt Off Tadd” Fan Club. He said for some reason people want him to be naked, but Cat points out there is a difference between shirtless and naked. Winning would change his and his family’s lives. Dancing his last solo before voting to “Momma Knows Best” by Jessie J, Tadd showed off why we love him so. It was playful and creative.

Dancers: Tadd and Melanie
Song: “Show Me What You’re Working With”
Artist: Sista Monica
Choreographer: Ray Leeper
Style: Jazz
Story: A guy cheats on his girlfriend and she catches him in the act. Sexy, naughty with a little dysfunction thrown in.

This dance showcased Tadd much better. Since he was comfortable, the chemistry flowed like river rapids between them. I got sexy, naughty and the dysfunction. It must have been difficult for Melanie to dance that short while with one heel on and one off; I can barely walk that way. The routine was a lot of good fun. The strip-tease of Tadd for his fan-base was a great touch after the comments made in his interview. The routine brought Nigel’s evening to life. He praised Tadd for a job well done, while complimenting Melanie for selling the character before the dancing ever began. Kenny apparently let out a “woo” during the dance. He loved everything about it and felt the choreographer delivered the perfect routine to showcase their strengths during a finale show. Katie felt like it was a breath of fresh air. Mary thought Tadd brought the sexy back and Melanie’s strut was like no other.

In the final interview and solo, Sasha never thought she would make it this far, loving that her sister has been with her the entire journey. Her favorite moment was when Lady Gaga threw her shoe. Several routines stood out to her, but she asked Cat which one she liked and Cat said the routine with Twitch. She talked more about the wonderful routine with Kent Boyd (with the wall), saying she had to go to a very dark place, and she had to put her journey into the dance. Seeing people affected emotionally in response to her dancing meant a great deal to her. Dancing to “Be Be Your Love” by Rachael Yamagata, Sasha also showed the audience the growth attained this season from that of her first audition.

Dancers: Sasha and Melanie
Song: “Heart Asks Pleasure First”
Artist: Anh Trio
Choreographer: Stacey Tookey
Style: Contemporary
Story: Suppressed housewives in the 1950s, feelings of isolation and loneliness. The two join forces to break free.

Extremely beautiful. Melanie and Sasha are in direct competition with each other, yet they dance and support each other every time they dance together like true professionals. Another moment of chills for me. Kenny thought the picket fences were symbolic of prison bars and the space in the yard the only place where these women could express themselves. It made him feel hopeless and he wanted to rush in and free them. It also made him curious about their paths, where these characters came from and where they were going. Katie loved the message about friendship and the power that two women can give to each other. Mary enjoyed every second of it, enjoying the movement and musicality. Nigel shared with the audience what we did not see–that each of them hugged each other and wished each other luck before the show came back on air. He said it did not matter who won because they would both grace any dance company they would join.

Dancers: Marko and Tadd
Song: “B.O.B.”
Artist: Outkast
Choreographer: Chuck Maldonado
Style: Gumboot stepping (hip-hop)
Story: Form of dance that was used to communicate in the mines of South Africa

A fantastic, high-energy way to close the show. Tadd had the slight edge in this dance, but Marko was not too shabby. The timing was a little off, but I noticed Tadd looking over at Marko at times to try to get them back in sync again. Katie enjoyed the athletic ability in this number, but it also sound like she was holding something back. Mary felt like it was solid gold for her. Nigel pointed out the rhythms were not together in this routine. Then he crushed them by saying he has felt all along a girl would win this season and that hadn’t changed although they stood up well for themselves tonight. Kenny thanked the dancers and the choreographer.

If it was simply based on dancing tonight, it would have to be Melanie, Marko, Sasha and Tadd. If it came down to most improved dancers over the season, it would be Tadd, Sasha, Marko and Melanie since Tadd, the b-boy held his own outside his own style of dance. Then Sasha was finally partnered with someone who brought out the best in her during the all-stars, and Marko and Melanie have remained pretty level throughout the competition. If it is based on the dancing all season it would be a tie between Melanie/Sasha then Marko and Tadd. However, the show is about America’s favorite dancer. Sasha has an overwhelming fan base and it will come down to who voted more, Melanie’s fans or Sasha’s fans. The margin of votes will be very, very close.  I predict Sasha is going to win.  But Nigel is right:  Both Melanie and Sasha will have tremendous careers after this (and I believe Marko and Tadd will, too).

Hilda Clark Bowen (a.k.a. PBMom)

Hilda Bowen (a.k.a. PBMom)





So You Think You Can Dance — Top 6 Performance

4 08 2011

After tomorrow night’s show, we will be down to our final 4 contestants and our season finale show. Last week we said goodbye to our favorite J’s: Jordan and Jess. Each was the consummate professional full of gratitude the journey and for the fans. Even for a brief moment when Jordan looked like she was about to fall apart, she took a deep breath and remained positive and hopeful for her career, a trail both will blaze after the tour.

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2011 So You Think You Can Dance Top 6 --Season 8

Guest judges for this evening were the lovely Christina Applegate, and the loquacious Lil’C. They discussed the stupendous success of National Day Dance on July 30, 2011. Perhaps it needs to be renamed “International Dance Day” as people across the world celebrated dance, including physicists in Switzerland. Although not shown on the show this evening, even Vancouver, BC got into the fun.

Dancers: Melanie and all-star Twitch Boss
Song: “Roman’s Revenge”
Artist: Nicki Minaj featuring Lil Wayne
Choreographers: Napoleon & Tabitha Dumo (aka NappyTabs)
Style: Hip-hop
Story: Little Red Riding Hood with a twist

Melanie did well, but I’ve seen some of the other ladies do a better job with hip-hop. The routine was weird. I might have liked it better if in the end she would have slay the big bad wolf versus tame him, but that is the choreography and not the dancers. I think she might have needed to be lower to the ground. Lil’C felt she got off to a rough start but found her ghetto groove and ascended. Christina agreed with Lil’C. Mary felt she was on fire. Nigel loved the dance as well. He confronted internet allegations that Melanie has never been given a dance out of her style, but he dispelled that quickly, saying she was good at everything. Itsy bitsy problem with that. If they are randomly drawing dance styles out of a hat, and last week the talk on the internet was the biggest it’s been about this issue, and she suddenly gets hip-hop, it doesn’t help the argument that these dances are random. It is, however, one of these no-win situations. You will have a group of people who will believe it and some that will not, and like politics, there is no changing anybody’s mind about it.

Dancers: Sasha and all-star Kent Boyd
Song: “Fool on Me”
Artist: Me’Shell Ndegeocello
Choreographer: Tyce DiOrio
Style: Contemporary
Story: Two people who have hit a wall in their relationship and the emotions you go through when someone hurts you.

During the rehearsal taping about the song, Sasha began to cry. The meaning of the dance runs deep for her and I was sure it would come through in her dance–and it did. I had goosebumps but I lost my breath at the moment of the lift that had her legs upside down on the wall, a great symbolism for how upside-down you can feel when you are hurting inside when someone you love hurts you. You love them, you hate them, you want them stay, you want them to go. All the feelings are taken the n’th level. Sometimes you can bust through that wall and sometimes you cannot. I love when Tyce choreographs dances like this (like the dance he created for his friend who had cancer, danced who beautifully by Ade and Melissa). They have a way of reaching a place deep inside your soul that is universal to everyone. Christina described the difference between technicians of dance and dancers like Sasha who can affect your heart, and thanking her for being so courageous as to share with us whatever it was that hurt her so badly in this life. Mary called her intoxicating and got all choked up about the move of when Kent threw her to the floor, and that it only matters that you get back up. When she said that, I was thinking of Mary’s courageous battle with her thyroid cancer. Nigel also complimented Tyce, as did Mary, at this routine being at his best, as was Sasha. Sasha then won Nigel’s “favorite” dancer something that he ping-pongs between Melanie and Sasha. Lil’C was trying not to cry, having identified personally with the dance with experiences in his own life. He wishes that he could have worked with Sasha this season and called her phenomenal. Oh, and did I mention, first kiss on tonight’s show. The kissing season, season 8.

Dancers: Marko and all-star Janette Manrara
Song: “Zorongo” (Traditional)
Artists: Antonia Gomez, Ely “La Gambita”, Guillermo Basilisco and Paco Pena
Choreographer: Dmitry Chaplin
Style: Paso doble
Story: Marko is the matador and Janette is an activist trying to keep him away from killing the bull. (I laughed).

I didn’t recognize Dmitry with his beard. Has it been that long? You have to been pretty beautiful and passionate to sway a matador from his mission. How could Janette be ignored? I had a problem at first with that story stuck in my head since we are so used to the woman being the bull or the cape, but after a minute, I concentrated on the actual dance and let the story go. After Cat drew comparisons to the matador costume and Mary Murphy’s shoulder pads, she complimented him for being spot-on at the arrogance that was necessary for the dance. She pointed out that he lost his footing from time-to-time, but most of the time, he nailed it. Nigel loved the twirls that mimicked the movement of the matador’s cape (as did Mary). However, Nigel said it left him feeling cold. He was looking for more passion. I think it is difficult to bring a ballroom routine up against a brilliantly danced contemporary piece. It’s like coming back from San Diego Comic Con. You are on this incredible high and then–CRASH–everything around you seems so boring and mundane. Lil’C loved his stoic performance which was necessary to this particular dance. Christina wanted him to drop it down a little (lower in his crotch level), but loved the bravado.

They took a break in the action to listen to messages from home. The love and pride of all the contestants’ families touched my heart and my tear ducts. Then Ricky took the stage to dance his solo to “After Tonight” by Justin Nozuka. It was lovely.

Dancers: Tadd and all-star Ellenore Scott
Song: “The Gulag Orkestar”
Artist: Beirut
Choreographer: Sonya Tayeh
Style: Contemporary?/Jazz?
Story: A period piece where everyone was prim and proper, but once they touch, everything gets thrown out the window and becomes with wild, reckless, lustful.

Sonya Tayeh is the goddess of strange and Ellenore was the perfect all-star to fill that role. I was not feeling the passion that Sonya demands from her dancers coming from Tadd. The spin on the chandelier was reminiscent of Cirque de Soleil. It was an interesting prop. Nigel had no words and said he felt like it needed more time to develop, that he was left “hanging.” (Oh, Nigel, you make me laugh). Lil’C complimented Sonya’s talent of showcasing a dancer’s unique abilities. He felt like Tadd was just going through the movements instead of making them last a lifetime. Christina likes the dirtier side of dance, and complimented Tadd that he is a b-beat pointing his toes and how great is that. Mary felt Tadd was still growing and complimented Sonya’s trust in doing such a dangerous thing with a prop.

Next was Caitlynn’s mom sharing that she one day said she was going to be on this show. Via the internet, Caitlynn’s dad, away on business, shared his pride. Caitlynn then performed her solo to “What’s Love Got to Do With It” by Katie Thompson. Afterwards, Caitlynn was crying, moved from the words from her parents, the song, the moment or all the above.

Dancers: Ricky and all-star Jaimie Goodwin
Song: “Inside These Lines”
Artist: Trent Dabbs
Choreographer: Dee Caspary
Style: Contemporary
Story: A couple trying to stay together, but he feels her slipping away so he tries to control her. (I call this The Puppetmaster.)

I noticed that when Ricky was close to Jaimie during the routine, he didn’t extend himself as you would see him do when they were apart. Perhaps he was concentrating on the sticks and not hurting his partner. While the sticks did enhance the routine, you can’t forsake the dance for the prop. At the end of the dance, Jaimie did what I was hoping–she took the sticks and threw them to the ground. Lil’C gave props to him and the props (and Cat Deeley just stole my line, damn). As usual Lil’C had a mouthful, “What a magically, magnificent puppeteer of physically rhythmic artistry you are.” In other words, buckness. Christina said he was a beautiful dancer, but wanted to help him grow and said he does not always dance with the clearest intention, like a push and a pull, like when he reached for Jaimie, it was harder to let her go away from him. That would help take him up another notch, which was great advice. Mary added, “All of that” plus that it was beautiful, free-flowing movement. Nigel loved the story of the dance from Dee. The only advice Nigel had to help Ricky was that he wants him to feel the movement more in his gut because he is so up and high in his dancing.

Tadd’s parents, and his entire Filipino community, are very proud of his accomplishments (and the first story that did not make me cry but smile). His song selection also made me laugh, “We Speak No Americano” by Yolanda B Cool and DCup. Tadd’s solos have always been interesting in that he is a b-boy and he chooses all these songs from eras past that make for a weird and wonderful combination. It has become his signature.

Returning from the break, Sasha’s solo was shown but not before her parents got to boast about their beautiful, bubbly baby girl. I smiled, too, when I saw Sasha picked “Teeth” by Lady Gaga after she received such high praise from Lady Gaga last week (and her shoe!). Again she did a terrific job.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Drop It Low (District 78 Remix)”
Artist: Kat DeLuna
Choreographer: Dmitry Chaplin
Style: Samba
Story: None, just sexy, great music and being sexy.

Pasha and Dmitry behind one dance? Wow. Double boiler kind of hot. Was it sexy? YES IT WAS! Was there great music. YES , THERE WAS! And was it really sexy? SIZZLING. At that precise moment, I desperately wished to have use of the communication stones that are used in the show Stargate Universe (where people can swap consciousness with another body–yes, I’m a geek). I wanted to be dancing with Pasha. Be still my heart. Wait, this is about Caitlynn. She did a fabulous job. I have to remind myself she is just a senior in high school (or was). Christina loved it. Mary thought it was great, especially on the reverse samba rolls. Her only criticism were some of her facial expressions. Nigel ad Lil’C had similar advice.

Marko’s mother was very emotional about his journey to the show. Dancing to “Wonderful World” By James Morrison, Marko combined a lot of technique with acrobatics. I always enjoy his solos.

Then Melanie’s mother had a message for her. Instead of talking, she sang; instead of walking, she danced. Melanie chose to dance to “Cracks (Flux Pavilion Remix)” by Freestylers featuring Belle Humble. Some truth rang to me with the name “Belle” and “Humble” to describe Melanie. Her solos have become more complex as she incorporates what she has learned over the weeks into her dance. She is both beautiful and humble.  It was the best solo of the night.

Dancers: Sasha and Ricky
Song: “Schoolin’ Life”
Artist: Beyonce
Choreographer: Kumari Suraj
Style: Waacking
Story: None.

Waacking is a new style of dance to SYTYCD, the origins from Los Angeles in the 1970’s. It’s about the individual and who you are right now in your life. It’s about skill, precision and control. After watching the routine, it does bring fond memories of the 70’s back to me. Sasha was great; Ricky less so. He was too stiff once again. I would have hoped he would have taken to heart the earlier critique and applied it to this dance. Mary never liked this type of dance until Samara “Princess” Lockeroo, who was the first to audition and win to a ticket to Vegas with this type of dance. She felt like Sasha had the edge in the dancing. Both were out of their styles, but neither could take it to Princess Lockeroo’s level. Nigel says when Ricky is thinking about dancing, he does lose a little bit. Then Nigel took a comment that they said to Caitlynn and applied it to Sasha, saying she did not have to act sexy because she is sexy. Oops! Lil’C wishes both of them would have enjoyed it more because he felt they were so focused on the steps and speed. Christina enjoyed it and thought perhaps they could have “whacked it harder.” She’s so funny.

Dancers: Melanie and Tadd
Song: “(Where Do I Begin) Love Story (Away Team Mix)
Artist: Shirley Bassey
Choreographer: Spencer Liff
Style: Broadway/Jazz?
Story: A rehearsal within a rehearsal. Tadd uses Melanie’s crush on him to bring out the best dance in her, but she discovers her feelings are not reciprocated.

They paired well together. It was a lovely dance that did not affect me on any emotional level but just was fun to watch. The use of the mirror where Melanie’s hands touched it and it got these weird distortions to it made me think, yes, just like the relationship between this dancer in the dance and the choreographer in the dance, played by Tadd. The relationship is not what it seems to be to Melanie’s character. I look for meaning sometimes that may or may not be in subtle things. Lots of prop use tonight. Cat compared it to “Black Swan” (which I have not seen yet). Nigel complimented Melanie on her solo as the best solo across all the seasons. She is not only the original beast, but a great actress and a great dancer. She now stole Sasha’s earlier place of the evening and is now Nigel’s favorite again. I think if SYTYCD could have a tie, he would be happy having the two of them there. To Tadd he said, “…to say you didn’t suck is a compliment.” He pointed out the things he did well in the routine. Lil’C says Melanie has a quiet fire and Melanie is EXTREMELY buck. Lil’C also wanted to give accolades to her solo performance that it was so beefy. And as an afterthought, he told Tadd he was growing by leaps and bounds and to continue doing so. Christina also commented on her solo, saying they were all banging on the table. She described Melanie’s performance as being better than that of Donna McKechnie in “A Chorus Line.” Tadd continues to surprise Christina with his technique since he is a b-boy. Mary says America has fallen in love with them and they are brilliant in their styles. She got all choked up that she was able to be here for this wonderful season to see it.

Dancers: Caitlynn and Marko
Song: “Heavy in Your Arms”
Artist: Florence and the Machine
Choreographer: Sonya Tayeh
Style: Jazz
Story: Marko is a controlling, overbearing man and Caitlynn is trying to break free.

Perfect song to close the show. This was dynamite and gave me goosebumps. It was much better than the Puppeteer routine performed by Ricky. My breaths felt heavy of the weight of this relationship. The judges were standing in ovation of their performance. Lil’C thought this was double-hashtag buck (#buck #buck or ##buck)? “Reckless and convicted, it was murderous,” according to Lil’C. Translation: Lil’C loved it. Christina makes Marko join the beasts. Christina believes that was Caitlynn’s moment (maybe, but she had one with Mitchell, too). Mary thought it was Caitlynn’s best routines ever. She brought the grit to it and brought it to another level. Marko is Mary’s favorite dancer (I bet Mary and Nigel have a friendly bet going on the side as to who is going to win). Nigel thought this routine redeemed Sonya from her earlier Cirque de Soleil choreography. Regarding Caitlynn, she came of age today, he felt. She is a brilliant dancer. Marko is sensation. Cat added, “But you’re very pretty, too” to Marko.

Common sense would dictate that Marko, Melanie, and Sasha will be in the top 4. Up in the air is whether Tadd or Ricky gets into the final 4.  Or we could use any number of science-fiction shows and their technologies to merge Ricky and Tadd into 1 dancer to get Radd or Ticky so we don’t have to make up our minds.  Of course, it would be temporary….unless…well, they are wearing a red shirt that evening.  What do you say?

Stay tuned tomorrow about more news regarding Miranda’s and Jordan’s fan clubs and what they are doing to show them their love.





So You Think You Can Dance–Top 8 Performance

28 07 2011

With the departure of the fabulous Mitchell and Clarice last week, we are winding down to the end of the season. With each dance, it gets more difficult to pick which talented powerhouse will be in the bottom.

Guest judges for this evening were the legendary Rob Marshall (director/choreographer, and Lady Gaga who needs no introduction. I am hoping she will be a better judge on this show than she was a mentor on American Idol. Her outfit tonight is much better than the one at the Grammy’s. I remember hearing on Oprah that her sister designs her outfits; I’d never let my sisters dress me.

Top8

The Top 8 Perform

Dancers: Sasha and all-star Pasha Kovalev
Song: “Puttin’ on the Ritz”
Artist: Terry Snyder
Choreographer: Jonathan Roberts
Style: Quickstep
Story: A world turned upside down in an alternate reality.

I enjoyed seeing Sasha have chemistry with yet another all-star (other than Twitch). A fast dance with tons of footwork, Sasha and Pasha carried it out effortlessly. Sasha added her own Sasha-licious flair to some of the moves (in parts as if she was trying to merge the quickstep with an African dance). Rob Marshall is a fan of Sasha and gave her high praise for not only this dance but also her overall work in the competition. Mary Murphy complimented her body positioning as being the best she has seen yet this season for this dance. For Nigel, Sasha is his favorite in the competition (by a hair) who put on a 5-star performance this evening. A congested Lady Gaga enjoyed the dance and loves Sasha inside and out (that she has a beautiful soul).

Dancers: Caitlynn and all-star Ivan Koumaev
Song: “Let Me Love You”
Artist: Mario
Choreographer: Marty Kudelka
Style: Lyrical hip-hop
Story: Caitlynn is fed up with her man; Ivan shows up and wins her over.

Caitlynn continues to grow every week. She had lovely chemistry with Ivan. Even though it was well-danced, it didn’t move me emotionally to the point of goosebumps although I was still drawn into the story. Mary was not wowed, but felt she did a really good job. Nigel offered her some advice about “opening her legs more” (which elicited a juvenile giggle from me, and a comment from Lady Gaga) to help her find her swagga, but complimented her on staying in character. While praising Caitlynn on certain aspects of her dancing, Lady Gaga offered some great advice about her not having similar flowing movements that Ivan had. Tempered with praise, Rob felt she needed to lose herself in the dance more.

Dancers: Jordan and all-star Ade Obayomi
Song: “Nutbush City Limits”
Artist: Tina Turner
Choreographer: Tyce DiOrio
Style: Pop jazz
Story: Being bad together during a secret rendezvous.

The athleticism both Jordan and Ade possess almost made Tyce’s dance flawless. There was one thing that bothered me: Instead of looking and being totally involved with her partner, Jordan was looking out at the audience too much, and one time I even caught her looking at the judges at a crucial point in the dance when her eyes really did need to be on her partner. Because of this, I did not buy into any chemistry between them, critical for the dance (being bad “together”). Nigel loved it. Lady Gaga enjoyed the fact that Jordan was looking at the camera and assertively announcing that she was a star. Rob adores her. Mary gave her a scream of approval. So, hey, what do I know, right?

Dancers: Melanie and all-star Neal Haskell
Song: “Total Eclipse of the Heart”
Artist: Bonnie Tyler
Choreographer: Mandy Moore
Style: Contemporary
Story: A crossroads in a relationship.

Ah, my first goosebumps for the evening. I do have a bias for contemporary and hip-hop routines; they seem to move me emotionally more often than other styles of dance. This was my favorite dance routine of the evening (thus far). Melanie delivered another stellar performance. I am amazed at dancers who have to show complete and total trust in partners they have barely met. When she took a running start from one corner of the stage and leaped into his arms from mid-stage to the opposite corner of the stage was both a feat of technique and trust. It took my breath away. All the judges are standing in applause. Melanie is Lady Gaga’s favorite and she would hire Melanie tomorrow. She is poetry in motion, according to Rob. Mary has run out of adjectives for her. Melanie won over Nigel’s heart for the time being from Sasha. The final scene where Melanie is in the light and Neal was in the darkness reflected beautiful the lyrics being played in the song.

Dancers: Ricky and all-star Anya Garnis
Song: “River Deep, Mountain High”
Artist: Celine Dion
Choreographer: Jason Gilkison
Style: Jive
Story: None, just complicated moves.

If you are not up to Anya’s level of expertise, your weaknesses are going to show. Ricky executed the performance as best he could, but I don’t think it was good enough to get him into the safety zone tomorrow during the elimination. The moves were intense, especially the flip over the head. The dead-drop at the end made me gasp. Rob applauds his personality and technique for the most part, but offers that he needs to dig a little deeper into the floor. Ballroom-dancer Mary had better technical advice to give to Ricky. Nigel felt Ricky’s posture should have been more “river deeper rather than mountain higher.” Lady Gaga has a sweet spot for Ricky and likes his posture.

At this point I begin wondering where the solos are and am grateful they decided to change up the format and do pairs with other contestants again.

Dancers: Jess and all-star Lauren Gottleib
Song: “Take a Bow”
Artist: Rhianna
Choreographer: Tabitha and Napoleon Dumo (NappyTabs)
Style: Lyrical hip-hop
Story: A man who has cheated on his girl and he is trying to apologize.

Jess did a much better job this week. He took in Neil Patrick Harris’ advice about not overdoing the faces. Mary felt that his dance came from his soul this time (I agree) and he had the swag. Nigel commented about how much he has grown and listened to the comments to help him grow. When Lady Gaga made points about the choreography, I wondered if Tabitha had to dig her fingernails into Napoleon’s arm to keep her from saying something. Rob has known Jess since he was little, Jess having worked on Broadway. You could see how proud Rob was of Jess and his growth.

Dancers: Tadd and all-star Lauren Froderman
Song: “Another One Bites the Dust”
Artist: Queen
Choreographer: Mandy Moore
Style: Jazz
Story: Pulling off a heist (Smooth Criminal?)

This is another favorite routine of mine this evening. Tadd and Lauren were a great partnership. I was thinking during the routine about how Lauren was not everyone’s favorite at the beginning of her season and turned things around to win. He did not flinch when Lauren accidentally smacked him in the face. He was not jarred when he lost his hat, either. Tadd is a dark horse, one I never expected to be possibly in the final 4 at the end of the season. Nigel called Tadd a sponge and suspected he would not be going home this week. Lady Gaga is much better suited to be a judge on this show. I like the way she interpreted the song to Tadd, enjoying the muggy look like, “Yeah, I just robbed a bank and got away with it.” Rob Marshall thought he was very special and acted like a true professional during the mishaps. Mary predicts he will be in the finale.

Dancers: Marko and all-star Allison Holker
Song: “I Know It’s Over”
Artist: Jeff Buckley
Choreographer: Sonya Tayeh
Style: Contemporary
Story: Causing damage to a person, basking in the guilt because of it, but it moves you to change.

Allison brought the magic back out in Marko and another box in my favorite dances this week. Marko will be in the top 4. Pain and hurt came through on both their faces and although I had no goosebumps, I found myself crying because of the song’s message. What a time to shine with his mother in the audience! In this unedited, entitled society hiding behind internet anonymity and cyber bullying, people hurt others without a second thought. When attention is called to the hurt, people go on the defensive (because it is all about them) instead of listening to the grievance, acknowledging it and apologizing for it. Whether or not you think you did wrong to that person, if that person felt that way and you love them, it matters. Once you accomplish that, then you can use those new skills to open up to the world around you. Lady Gaga was also in tears and the panel gave them a standing ovation. In an act of contrition, Lady Gaga remembered all the mistakes she made in her past. Marko is deeply moved by his mother’s presence and he confesses and apologizes for his hurts. Rob appreciated the fluidity of the movements and the partnership between Allison and Marko. Mary chokes back her tears and says Marko is her favorite dancer on the show. Nigel remarks about the sheer moment of this, that a dance could affect such a change so quickly, and that people need to say what they need to their moms (and I would like to extend that to not just moms but everyone) before they are no longer walking among us here on planet Earth.

Dancers: Caitlynn and Tadd
Song: “Top Hat, White Tie and Tails”
Artist: Ella Fitzgerald
Choreographer: Jonathan Roberts
Style: Foxtrot
Story: Classic boy meets girl

Caitlynn’s dress was stunning and Tadd looked hot in a tux. Wait for it….Yep, Season 8: The Kissing Season did not let me down. Tadd gave Caitlynn a kiss on the cheek midway through the routine. Caitlynn seemed more at ease with this genre, although Tadd was not awful. I would hate to be them coming off that Marko and Allison number. After that, ANYTHING is going to look boring. “Sparkling” is what Rob thought, a “black and white movie come to life.” Mary thought it was beautiful and elegant but she needed more powerful and did not think this would be a memorable dance from this evening. Nigel was heaven and wanted to dance with Caitlynn. Lady Gaga loved the routine but offered that every now and then Caitlynn’s hands say, “I won a lot of trophies!”

Dancers: Marko and Ricky
Song: “Bad Boy For Life”
Artist: Diddy featuring Black Rob and Mark Curry
Choreographers: Tabitha and Napoleon Dumo (aka NappyTabs)
Style: Hip-hop
Story: They are waste management technicians.

This dance was better than the Emilio Estevez/Charlie Sheen movie, “Garbage Men.” Sometimes throughout the routine, I felt Marko had more swagga and other times Ricky. It was moving along at a slow pace. Knowing what NappyTabs has choreographed for SYTYCD over the years, just when I was expecting there to be more, more was delivered. The pace quickened, and then it was abruptly over. I was left disappointed; the pickup in tempo should have occurred sooner. Perhaps they were trying to recapture the magic of the Alex/Twitch routine, but it fell short. A quick camera shot to the audience and Tabitha was caught taking a deep breath, looking over at the judges. Mary Murphy was standing in applause and she loved it. Nigel felt it was fun, but Ricky was still a bit too high versus being lower to the ground for hip-hop. He feels Ricky might be in the bottom this week and I agree. Lady Gaga took a swipe at NappyTabs basing her opinion on her days when stomp was emerging and her own choreographer. Picking NappyTabs back up, Rob applauded their routine.

Dancers: Jordan and Jess
Song: “Set Fire to the Rain”
Artist: Adele
Choreographer: Jason Gilkison
Style: Rumba
Story: A woman in a controlling relationship and she is blinded by her love for him.

Jordan did a better job in this dance. Jess’ Broadway face came out several times. But did they set fire to the rain? No. I am sorry Jordan and Jess fans. They gave it a good try, but at this point in the competition; it is not okay just to dance the routine. There has to be that extra “oomph.” Nigel did not think they had chemistry. She called Jordan on her sway-back. It was not his favorite routine this night. Lady Gaga did not think there was anything “wrong” with it, but as an artist, she would have interpreted the song differently–two elements that do not fit together–and faulted the choreography and not the dancers. Rob thought they brought out the best in each other and sees theater careers for both of them. Mary said the back-split/lift was the best she had seen all season. What was lacking for her was the elasticity of the rumba and the sensuality that develops from that.

Dancers: Sasha and Melanie
Song: “Game On”
Artist: District 78
Choreographer: Sonya Tayeh
Style: Jazz
Story: None, just the combination powerhouse of their two styles for an ultimately beastly creation.

Warrior Sonya concocted a powerful dance routine that showcased each of these ladies quite well. These dynamic dynamos deserved the last spot of the evening and had the judges on their feet. Who was better? I would give a slight edge to Sasha. They will be in the top 4. In the audience, passionate Sonya beamed with pride at her lionesses. Lady Gaga threw her shoe at them, the highest form of compliment. She claimed it to be the performance of the evening. Rob adored it. Mary thought they put it all out there. She thought it was the best number Sonya’s ever done and proclaimed it to be the performance of the evening. Nigel thinks only a tissue paper separates the two of them on who is the best dancer. Sasha and Melanie bowed in homage to their Mother Goddess (Sonya). Either one of them can be this year’s champion, according to Nigel.

The bottom 2 girls will be Caitlynn and Jordan. The bottom 2 guys will be Ricky and Jess.  Whoever does get through, they will need to dance like there is no tomorrow because Marko, Melanie, Sasha and Tadd have made a definitive move to the head of the pack.

Update to Miranda’s fans on the contest going on: According to @mirandacandance on Twitter, they are holding a contest to find the most creative way to express your fan love for Miranda, with Miranda picking the winner. For details, please click here.





So You Think You Can Dance — Top 10 Performance

21 07 2011

Congratulations to So You Think You Can Dance for the well-deserved 8 Emmy nominations.

Tonight was a game-changer in the format of the show. The contestant would now be paired up with former alumni of the show, affectionately known as the all-stars. Neil Patrick Harris was the guest judge this evening. Tickets for the tour go on sale July 29 which kicks off in Orlando, Florida.

Dancers: Marko & all-star Chelsie Hightower
Song: “Cinema Italiano” (The Ron Fair Remix)
Artist: Kate Hudson
Choreographer: Jason Gilkison
Style: Samba
Story: A photographer and his muse.

The big question of the night is this: Will Marko and Melanie shine being apart? While Marko did well, it was not his best dance. Perhaps Melanie is his muse. There was a lot of footwork, but there were spots where I felt his arms could have been up higher and his legs could have been together more than apart. But Mary Murphy is the expert in ballroom and she loved it. He does get kudos for those massive lift/twirls.

Dancers: Jordan & all-star Brandon Bryant
Song: “Who You Are”
Artist: Jessie J
Choreographers: Dwight Rhoden and Desmond Richardson
Style: Contemporary
Story: The highs and lows of love.

This was a wonderful partnering. Brandon’s age and experience brought more out of Jordan as did the beautiful choreography which left me with goosebumps. The combination gave her a deepened maturity in her dancing. This is one of the reasons why I love the all-stars so much. The contestants seem to rise up to their level. Jordan received high praise from all the judges including a plea from Nigel to keep her in the competition.

Dancers: Tadd and all-star Comfort Fedoke
Song: “Look At Me Now”
Artist: Chris Brown (featuring Lil Wayne and Busta Rhymes)
Choreographer: Chuck Maldonado
Style: Hip-hop
Story: None.

Once again, having Comfort in the mix elevated Tadd’s level of dance. The choreography was also very complex to a very fast beat, but Tadd rose to the challenge. It played to Tadd’s strengths. There was very good chemistry between the two dancers. Nigel and Neil both felt he out-danced Comfort. Mary thought he was ghetto-licious.

Dancers: Mitchell and all-star Melody Lacayanga
Song: “Take Off With Us”
Artist: All That Jazz Soundtrack
Choreographer: Tyce DiOrio
Style: Broadway/jazz
Story: Taking flight.

Once again I’m afraid for Mitchell because Broadway does not bring in the votes. I did not watch SYTYCD in season 1, so Melody is new for me as well. Mitchell had great height in his leaps. There was something awkward about the routine, but I think it was in the height difference actually. I thought Mitchell out-danced Melody. The judges did not like it with Neil Patrick Harris taking aim more at Tyce’s choreography. It was like someone tried to make Boeing, Boeing a musical. It just did not work. Sometimes the dancers are at the mercy of the choreography. Perhaps the awkwardness was not in the height difference, but the fact that the dancers were not feeling it so they overperformed.

Dancers: Caitlynn and all-star Pasha Kovalev
Song: “Malajunta”
Artist: Orquesta Color Tango
Choreographers: Leonardo Barrionueva and Miriam Larici
Style: Argentine tango
Story: A disconnected couple from the 1930’s era falling in love.

This LA-noire-type tango was on fire. With a partner like Pasha how could you not get totally wrapped up in the chemistry? The intricate steps with the interlocking legs are very difficult and I hope the audience can appreciate that. I still worry for Caitlynn because Broadway and ballroom do not do so well with voters. Mary Murphy gave Caitlynn a standing ovation and was near tears. Nigel commented that she used to be a girl dancing but now he saw a woman dance. Neil stated it took a little bit for him to get into it but he was completely mesmerized by it.

Dancers: Sasha and all-star Twitch
Song: “Misty Blue”
Artist: Dorothy Moore
Choreographer: Christopher Scott
Style: Hip-hop
Story: A couple’s whose love has burned out and they try to rekindle the magic.

As much as I enjoyed Alexander, there was a disconnection for me since the first week between the two of them. Tonight, Sasha was partnered with someone who not only had the chemistry but also had the skills to match her. As a married person of 19 years now, I appreciated this dance a great deal and could relate to it. This routine sizzled with sensuality. It was very nice to hear this song again. The routine was received quite well by the audience based on the level of clapping and hooting they did. I just love Twitch and everything he does. Nigel could not even speak. Neil called it the best routine so far in the evening. The routine brought Mary Murphy to swearing, calling it a “sexy-ass number.”

Dancers: Jess and all-star Kathryn McCormick
Song: “The Lonely”
Artist: Christina Perri
Choreographer: Stacey Tookey
Style: Contemporary
Story: Not being able to see what is right in front of you.

This routine required Jess to give all his eye contact to Kathryn while Kathryn is basically ignoring him. There was not a flowing movement that I would have liked to have seen with the routine. Even dancing separately, there still has to be a bond between them for the audience to be pulled in–a difficult order to be filled by even seasoned dancers. Kathryn did a beautiful job and I have missed seeing her dance. Neil thought the choreography was magnificent but pointed out Jess’ facial expressions that are typical of a Broadway dancer, but thought it was the best he has seen Jess dance. Mary concurred that it was her favorite piece Jess has done to date. Nigel thought Jess did a great job.

Dancers: Melanie and all-star Pasha
Song: “Everybody Hurts”
Artist: Tina Arena
Choreographer: Jason Gilkison
Style: Viennese waltz
Story: A guy who has lost his will to live with Melanie as the friend who is nurturing him through it.

Melanie did not lose herself without Marko. This was the second time this evening I got the chills. Melanie’s movements were ethereal and she looked like a guardian angel cradling Pasha’s troubled soul. I am not really sure what might be troubling Pasha’s soul since he got to dance with two beautiful women this evening! Mary complimented her on her effortless lifts and felt she was right up there on the top of the leaderboard. Nigel called her a solid, brilliant dancer. Neil thinks Melanie looks like she is from the past but dances like she is from the future and is easily his favorite dancer on the show.

Dancers: Ricky and all-star Allison Holker
Song: “Precious Things”
Artist: Tori Amos
Choreographer: Tyce DiOrio
Style: Jazz
Story: A bad dream (Ricky being Allison’s worst nightmare).

It’s hard to imagine cheerful Ricky as anybody’s worst nightmare, but he pulled this dance off. The lift where Allison is in a curved position and Ricky’s arms are straight up took my breath away. There was great power in his movements. Both Neil and Nigel were impressed with both the choreography and Ricky’s performance. Mary thought it was raw, reckless, passionate, intense and committed.

Dancers: Clarice and all-star Robert Roldan
Song: “Aila Re Aila”
Artist: Khatta Meetha
Choreographer: Nakul Dev Mahajan
Style: Bollywood
Story: A game of cat and mouse.

Nakul threw everything except the kitchen sink into this dance routine. Clarice did a fantastic job keeping up with all-star Robert. This season of SYTYCD has got to be labeled the kissing season. This sexy dance was fast with intricate moves. Everyone loved it. It was a great way to end this wonderful show.

Solos

Sasha‘s routine to “Syrup and Honey” by Duffy had very complex moves and good emotional connectivity. It reminded me of a little dragonfly. Jess performed his solo to “Come By Me” by Harry Connick, Jr., utilizing the entire stage very well with his Broadway-like routine. He always has a lot of good energy. Melanie danced beautifully to “You’re The One That I Want” by Angus and Julia Stone. Ricky performed a lovely solo to “Daylight Breaks” by Cassidy Haley. Clarice danced her solo with a Latin-vibe to “Royal T” from Crookers featuring Roison Murphy. Performing to “This Time” by John Legend, Mitchell redeemed himself from his all-star routine. Jordan danced to “Tonight” by Lykee L., taking to heart the judge’s advice last week that they needed to see something different from her. Tadd provided an entertaining solo to “Everything I Can’t Have” by Robin Thicke. Caitlynn’s contemporary piece was lovely to Florence and The Machine’s “Cosmic Love.”  Marko closed out the solo performances of the night with a song from Gavin DeGraw, “More Than Anyone”, reminding us what a beautiful dancer he is.

For me, my least favorite dance this evening was Jess, but I am very worried for Mitchell because he was the only one to receive negative feedback. It would be difficult to say exactly which my favorite was because I had so many. All the solos were stupendous.

I would like to pass on some news from Miranda’s fans at @mirandacandance on Twitter. On Saturday they have an exciting announcement to pass to everyone and a chance to win some really great prizes, so make sure you stay glued to Twitter on Saturday.

Who were your favorites and least favorites this evening?





So You Think You Can Dance — Top 14 Performance

7 07 2011

Tonight viewers were in for a special treat. Travis Wall, previous contestant on So You Think You Can Dance Season 2 and choreographer for the last few years, was asked to sit in to judge tonight. Is there anywhere Travis does not fit like a hand in a glove? His critiques were deadly accurate with lavish praise for the high points and technical pointers for the weaker points to help the dancers learn. When I heard Carmen Electra was going to judge, I had no idea she had a background in dance. I enjoyed her in “Meet the Spartans.” I loved Cat Deeley’s earrings tonight that had the number 8 on them for season 8.

Tonight we will find out more about the contestants. There are also new choreographers to the show. According to http://www.markmeismer.com, Justin began his training in South Carolina. He was the winner of Star Search and Destination Stardom in Hawaii. In 2001, he worked with the Poz Dance Theater in Seoul, Korea. Soon thereafter he opened a dance company in Dallas, Texas and has been with LA Dance Magic for the past 5 years. Ray Leeper has worked in film and theater and for big names singers such as Cher and Elton John.

Dancers: Boys’ Group Number
Song: “Prague”
Artist: Damien Rice
Choreographer: Justin Giles
Story: The seven stages of grief after a breakup: Shock, anger, denial, depression, guilt, bargaining, and acceptance.

It was a beautiful contemporary number. Chris, unfortunately, was off in his timing with the other dancers. Although the judges are not offering critiques, performances in the group number will be taken into consideration for elimination eve. A warm welcome to Justin. I hope we see more of his work on this show.

Dancers: Melanie & Marko
Song: “Americano”
Artist: Lady Gaga
Choreographer: Ray Leeper
Style: Jazz
Story: Young Latin couple whose families have been fighting like the Hatfield’s and McCoy’s, now run off and want to get married.

Marko had auditioned before but had not won over the judges until this year. He is from Guam and most of his family became lawyers and doctors. There were not many dance opportunities on the island. The one job he had was on a cruise ship and the hazing ritual was dressing up as a girl (in homage to the drag queen show where he was not–and he repeats was NOT–the drag queen). Melanie is from Marietta, Georgia (woo-hoo, my sister lived there for many years), but she left to attend Fordham University in New York City, majoring in art. Her boyfriend, Mitchell, whom she has dated since the 10th grade in high school, came to see her perform last week, the week of the Marko kiss.

There was a moment at the beginning of the dance where I thought, “Oh my” with regards to hand placement. She had to be deadly accurate or risk incapacitating her partner!

Melanie & Marko

Hand placement must be precise!

It was a fantastic way to start the show off on a high note. Cat Deeley says Marko looks like a sexy fireman in that outfit. Travis tells Melanie she is, by far, his favorite dancer in the competition. He also comments that he has been taking Ray’s class since he was 9 years old (great way to make someone feel old, Travis!). Mary loved their passion and heat. I enjoyed this number a great deal. This was Ray’s first appearance on SYTYCD as well and a hearty hello to him as well. Nigel reassures Marko that he is a fan now.

Dancers: Sasha & Alexander
Song: “To the Moon”
Artist: Miguel
Choreographer: Shawn Evaristo
Style: Hip-Hop
Story: A first date and Alex wants a kiss at the end of the night from Sasha.

Sasha spoke lovingly of her family, especially of her sister and having her sister with her through her journey on SYTYCD. She comes from a large Trinidadian family who now lives in Bakersfield, CA and there is always a party going on–lots of food, drinks, dancing, and singing. It sounds like Sasha’s family knows how to live in the moment and express joy of just being alive. Dancing began for Alexander at the age of 17. Instead of going to college, he was accepted into a ballet school where he fell in love with ballet. He grew up in Alhambra. His father used to be an actor on such shows (that I remember) as Barney Miller, TJ Hooker, Hill Street Blues, shows Alex says he has never heard of. Psssst. Alex. I probably saw your dad at some point on those shows and not on the reruns.

Alex is swagger-challenged. One might say because of the natural of ballet, it is trained out of them because posture has to be perfect, lines have to be straight, etc. However, one day ballet dancer Alex Wong walked into our lives and performed one of the best routines ever in the history of SYTYCD with Twitch, choreographed by Tabitha and Napoleon. Click here to watch. Alex Wong made a bold statement that ballet dancers CAN do hip-hop. Compared to the level of what we’ve seen in the competition thus far, this was below the bar. I think it will put them in danger. Carmen articulated it best when she was not feeling them as a couple. When I see Alex in his natural environment, he seems like a different person than he is on stage. The “ballet face” comes on when he dances on stage and because Sasha is operating from a different point of view, trying to get into whatever character she needs to be, that is where the disconnect is happening.

Dancers: Jordan & Tadd
Song: “Nocturne”
Artist: Secret Garden
Choreographer: Toni Redpath
Style: Smooth Jazz
Story: Jordan is a siren, a black widow spider of the deep sea.

Jordan’s story brought tears to my eyes as she shared the depth of her family’s sacrifices so she could dance and the level of appreciation she has for it. After seeing the fun side of Jordan, it was moving to see she has a vulnerable side. She hopes that this is a reward for them as well after all they have done. Tadd grew up in Salt Lake City and because of the lack of Filipino culture there when he was young, grew up thinking he was Caucasian. Once he got to meet extended family in San Francisco, California, his world grew much bigger.

Let’s think of Jordan being a siren of dance (not voice, LOL, sorry babe, your talent is in dancing, not singing). I loved the hair extensions; I don’t think I would have recognized her on the street with them. Her costume was beautiful; she did look like a goddess from the sea. Being a hip-hop dancer, Tadd did a super job. His posture was superb; his arms were high. He died well.

Dancers: Clarice & Jess
Song: “Light Through the Branches”
Artist: Celeste Lear
Choreographer: Justin Giles
Style: Contemporary
Story: A super intense love affair that is coming to an end.

Clarice also appreciates the sacrifices her family has made for her.  Although she grew up in Hollywood, California, she now studies dance at California State University at Long Beach. After a long day, she drives her sister to dance and then teaches dance later on after that. Clarice enjoys spending time with her family after a long day. Jess grew up in Little Falls, New Jersey with family members who are also entertainers. Jess’ father was an actor, but is now a teacher. While many of us would like to forget our high school experience, Jess has wonderful memories, being part of all the performing arts clubs.

Clarice is a contemporary dancer and Jess is used to Broadway. My eye was drawn to Clarice during the routine. Jess is growing as a dancer in this area but I would compare his performance to Tadd’s in ballet. Although not his style, he did try to rise to meet the challenge. Unlike Alex and Sasha, Clarice and Jess are developing chemistry between them and that shone through during the routine. In this routine, it demanded that it did or it would have fallen apart. I agree with Travis that it is my favorite routine they have done all season. Carmen and Mary said they felt the anger they were feeling. Maybe that was true in the studio. As a TV viewer, I saw the anger between the two of them, but they did not bring me along for the ride.

Dancers: Ashley & Chris
Song: “Mambo Beat”
Artist: Tito Puente
Choreographer: Liz Lira
Style: Salsa
Story: None, just fast, lots of tricks, etc.

From Antioch, California, Ashley grew up as the daughter of a deacon, surrounded by music and dance her entire life, her mom being director of the dance program. She loves to cook (perhaps we will see her on a future episode of Masterchef). Chris comes from a large family in Dallas which gives them always something to do and always something to clean. He was diagnosed with dyslexia and credits his parents for him graduating high school because the challenges for him were that difficult.

I understand the choreographers wanting to do a challenging dance, but they also need to take into consideration the level of ability of the dancers. Latin dances need a strong male partner who is sure of himself and Chris even verbalized his awkwardness in this style. I was worried for them seeing the rehearsals. The actual dance was better than rehearsals. You could see Chris thinking all the steps so he could complete the dance without his partner getting hurt, but because of that, the heat was missing. Ashley did a nice job and it was so lovely of her to tell him how proud she was of him as they stood next to Cat Deeley. Sadly, I think this is going to put them in the bottom 3. I’m certain that if this is the case, Chris will be the guy going home because of the comment Nigel said last week about him needing to grow faster, and because of the off-timing in tonight’s group routine.

Dancers: Ryan & Ricky
Song: “Fashion”
Artist: David Bowie
Choreographer: Chucky Klapow
Style: Jazz
Story: Two members of a cult of fashion. Following what was hot and hip eventually “did them in.” They got hit by a car they were so into themselves they wouldn’t even take the time to look left or right to cross the street. Elaborate story.

Ryan was raised in Morgan Hill, California. She went to Sacramento and got an opportunity to work with Mia Michaels during a convention. Because of economic hardships, Ryan had to give up dancing for awhile. She reunited with Mia Michaels on the “House” episode “Bombshells.” Ricky is from Miami and loves the beach because it allows him to spend time with his family. When he was 15, his mother said they were moving to Tampa (and they made it sound like it was such a horrible thing to happen. I lived in St. Petersburg for a year of my life; Tampa is not a bad place). But apparently there is not a lot of dancing in Tampa (ah, code word for a lot of old people live there). He was not only the first male cheerleader at his new high school, but also became co-captain.

This dance was “Ghouls Gone to Vogue Hell” to the PERFECT song choice. It was so enjoyable. It made me want to learn the steps so I could follow along. How do you judge such a thing? Fun? Check. Did I believe they were zombies? Check. Did I believe they were once fashion icons? Check. When they were required to dance in sync, did they? Check. Bonus points: It was quirky; I adore quirky. They are absolutely safe with this one.

Some trivia about Chucky Klapow. He was one of the main dancers in Michael Jackson’s tour “This Is It” and has been Kenny Ortega’s co-choreographer in the High School Musical movies. Kenny Ortega did a season of judging on SYTYCD. He also choreographed another Fox show, Bones, “The Girl With The Curl.”

Dancers: Caitlynn & Mitchell
Song: “To Love You More”
Artist: Celine Dion
Choreographer: Mandy Moore
Style: Contemporary
Story: A couple falling in love.

Caitlynn was a tomboy growing up in Moses Lake, Washington and loves engaging in outdoor activities from snowboarding to fishing. Her father works overseas and is home only every other month. Thank goodness she lives in an age where there is Skype and other type of networking; back when I was her age there was two methods of communication: Telephone and snail-mail. Mitchell’s backstory made me cry. His father died when he was 2. When he was 8, he and his mother moved from Chicago to Atlanta and wound up sleeping in their car for a full year. They were homeless. His mother was able to find a job and wanted Mitchell to fulfill his dreams there. His mother is so inspiring. It is so difficult to break out of the cycle of homeless and there is such a horrible stereotype about the face of the homeless, people mischaracterizing the group as lazy, not wanting to work, etc. I know that just is not true and to hear people’s ignorance when they speak of such things irritates me greatly. Mitchell, to his credit, could have turned to a life of drugs or gangs, but did not. It says a lot about his personal character as a mere 8-year-old child. He is such a great role model.

Wait, what? Caitlynn spills secrets that Marko reads romance novels. Too funny.

Remember that Mitchell is still trying to recover from his injury from week 1, but he continues to push through to stay in the competition. Caitlynn has complete trust that he will be there for her as her partner. They have the coveted last spot of the evening, so I’m preparing to be wowed. I love this song and the romantic in me loved this dance. It was my favorite of the evening. I know it is a wonderful dance when I’m breathing with the dancers. It was absolutely PERFECT and Mitchell knows they NAILED it. He is overwhelmed with emotion.

Dancers: The Girls aka “The Beasts”
Song: “My Discarded Men”
Artist: Eartha Kitt with Bronski Beat
Choreographer: Ray Leeper
Style: Jazz
Story: Seven girlfriends ridding the world of evil men. (Hmm, femme fatales?)

It was a great dance and everyone worked well together as a group. A nice way to end the show.

So based on their dancing tonight, I think Sasha and Alexander and Ashley and Chris are in trouble. But Sasha has a lot of Adam Lambert fans voting, so I’m not sure if they will be in the bottom 3. I’m not sure who the other couple would be. I am certain Chris is going home Thursday night if he is among the bottom 3 males.

Who were your favorites? Who do you think will be in the bottom three?





So You Think You Can Dance — Top 16 Elimination

4 07 2011

Elimination day is always a mixture of angst for the dancers and the viewers who love then, but it also gives other dance troupes throughout the world a chance to shine. Tonight’s episode had a dance that touched me deeply. The top 16 came out to perform a spy-like routine to the song, “The Incredits” from The Incredibles (soundtrack). The dance was choreographed by Michael Rooney.

Kristen Chenoweth pushed her new CD, coming out September 13. A clip of her first music video was played. I remember Kristen when she was on Broadway in “Wicked” and sang these songs on Good Morning America.

The first bunch of contestants was brought up: Melanie & Marko, Ryan & Ricky, Ashley & Chris. Ashley and Chris were in the bottom and would need to perform solos. This was not surprising. There was something missing from either the choreography of the dance, or the dancers’ ability to pump more soul into the dance itself.

The second group is called up: Jordan & Tadd, Sasha & Alexander, Miranda & Robert. Cat announced that Miranda and Robert were in the bottom 3. After they had this group together, I knew Miranda and Robert would be in the ones whose names were called just because the others had some outstanding dances and once again, when going up against contemporary and hip-hop, ballroom or Broadway will lose every time.

Finally, the last group appeared on stage: Clarice & Jess, Caitlynn & Mitchell. I had worried about Caitlynn and Mitchell being in the bottom 3 just because of the foxtrot. The young people voting just do not understand ballroom dancing.

While the contestants prepared for their solos, we were treated to a remarkable dance routine from Axis Dance Company. The mission of Axis is 1) to create and perform contemporary dance that is developed through the collaboration of dancers with and without disabilities; 2) to teach dance and educate about collaboration and disability through community education and outreach programs; 3) to promote and support physically integrated dance locally, nationally and internationally. Dancers Sonsheree Giles and Rodney Bell moved me to tears with their compelling routine set to “Partita for Violin Solo No 2 in D minor, BWV 1004: V. Ciaccona” by Janine Jansen. Please click on the below link to visit their site and see their stunning choreography.

Axis Dance Company

Click here to visit Axis Dance Company

After the break, Ashley danced her contemporary solo to “For You” by David Ryan Harris. Performing to “You’re Going to Make It” by KJ-52 (featuring Blanca Reyes), Chris showed the judges why he deserved to stay with his hip-hop moves. Miranda reminded the judges of her beauty and grace while dancing to “Unthinkable” by Maria Zouroudis. Robert then took the stage to dance his hip-hop style to “I Don’t Need It” by Jamie Foxx. Returning from commercial, Caitlynn performed to “It Doesn’t Hurt” by Katie Thompson. Rounding out the solos was contemporary dancer, Mitchell, performing to “Rolling In The Deep” by Adele.

Judging strictly on the solos, I would have had to pick Caitlynn as the girl. Miranda and Ashley had better solos. For the guys, I would have picked Chris because Robert and Mitchell had more stand-out solos. However, we know that the judges take everything into consideration: Past performances, the group performance from Wednesday night, the popularity with the viewers, etc.

Cat dismisses the judges who have a tough decision to make. While they are contemplating that, the current United States and world theatrical ballroom dancers/choreographers, Eric Luna and Georgia Ambarian, performed to “Calypso” from Pirates of the Caribbean: At World’s End.” Judging from their dancing and the crowd’s appreciation of it, I may have to take back my earlier opinion on the young people not understanding ballroom dancing. If they were contestants performing like this, they would not be in the bottom 3.

LunaAmbarian

Click here to visit Eric & Georgia's website

The judges return with their decision and the girl’s choice was not unanimous. Miranda would be leaving the group this evening. For the guys, it would be Robert, but Chris was told that he must grow faster.

I tweet with many Miranda fans who were understandably upset. I told them to remember this competition is about America’s favorite dancer. Skill does play into the final decision, but so many other factors contribute: Luck of the draw of dances, the vision of the choreographer for that dance, partnering, personality, standing out in the crowd, etc. What is so wonderful about this show is that you do not have to win in order to have a long and wonderful career in dance. Look at Mark Kanemura. He finished 5th in season 4 and this past year I’ve seen him in Glee (in the Britney Spears episode) and was on tour with Lady Gaga. Kherington Payne was eliminated in week 6 of season 4 and went on to star in the remake of “Fame” and was also on a Glee episode. To all the fans of people being eliminated, please keep this in mind. Sadly someone has to leave each week. This truly is the most talented top 20 the show has ever had and the competition is fierce.