24 Live Another Day 1 PM to 2 PM

12 05 2014

24Logo3I can think of no more difficult thing than watching an episode of 24 and not post things people would consider spoilers. Let me state that if you have not watched the first two episodes, then do not proceed with this blog post.

In the last episode we learned what the end-game is for Margot (Michelle Fairley)–the killing of an American president on foreign soil by hijacking a drone. Helping her is her daughter Simone (Emily Berrington). Jack (Kiefer Sutherland) and Chloe (Mary Lynn Rajskub) are hot on Simone’s trail. Kate Morgan (Yvonne Strahovski) and Erik Ritter (Gbenga Akinnagbe) are not far behind Jack and Chloe. I’m biting my nails and am hyperventilating at this point. Chloe shares with Jack some news that shocks him and makes me cry. We are now just 14 minutes into the show. Jack and Chloe learn the identities of the players involved, but the plot and mystery thickens. Are allies really allies? Are enemies really enemies? And the there is what I call “creepy cam.” I was cheering for Audrey and for the last minute of the show, I actually held my breath.

All I want to hear now is that Fox Broadcasting orders a pickup for this show! Today is upfronts for Fox Broadcasting.  Come on, Fox. Make my day.  Give it the green light for another season.

Watch tonight, Monday, May 12, on Fox Broadcasting at 9/8 Central.

 

(Thank you Fox Broadcasting and FOX VIP for the privilege of watching the screener for tonight’s episode)





Preview of 24: Live Another Day

5 05 2014

24Logo2Tonight Kiefer Sutherland returns in his iconic role as Jack Bauer in 24: Live Another Day. Watching the first two episodes was like visiting with an old friend–it picks right back up as if there had not been 4 years between the end of the season 8 and today’s reincarnation. I knew some of the major cast members who had been announced but I was pleasantly surprised to see Colin Salmon, the actor who I have come to know from Arrow on the CW for the last 2 seasons. Ironically, he had a role in the Bond series “Die Another Day.” Another funny parallel is Yvonne Strahovski‘s character, Kate Morgan. Dexter fans will enjoy that last name.

Some of my observations from the first hour (without outright posting spoilers):
– Cool tech!!!
– Captures your attention immediately.
– How Jack Bauer does not shatter his ankles I will never know.
– The content is relevant to today’s politics.
– Heller (William Devane) is still witty.
– Jack always has a plan.
– It’s the CIA but it still feels like CTU.
– I love Chloe’s badass look.
– Who are the players? We find out who some are during this first episode.

Observations from the second hour:
– That’s unexpected!
– Dangerous bedfellows.
– Was that Stephen Fry? (Yes, it was).
– Chloe is downright bitter.
– Lesson for episode 2: Never trust a woman.

Tune in tonight at 8 Eastern/7 Central for the return of 24: Live Another Day

Follow some of the cast/crew members of 24: Live Another Day on Twitter at:

@RealKiefer
@rajskub
@Y_Strahovski
@colinsalmon24
@marcimichelle
@GbengaAkinnagbe
@joncassar
@gilesmatthey
@KimRaver
@JBoyega
@maccageezer
@MandiDhillon
@stephenfry
@mannyhectorcoto
@TheDavidFury
@HowardMGordon
@evanjoshuakatz
@heckstallsmith
@iainsmith
@24fox

(I would like to thank Fox Broadcasting and the FOX VIP program for allowing me the courtesy of seeing the preview.)

24Logo





Fox Summer and Spring Programming News

27 03 2014

FOX ANNOUNCES ADDITIONAL SPRING AND SUMMER PREMIERE DATES

GORDON RAMSAY’S “KITCHEN NIGHTMARES” RETURNS FRIDAY, APRIL 11;

NEW UNSCRIPTED SERIES “RIOT” SLIDES INTO TUESDAY, MAY 13;

SEASON FIVE OF “MASTERCHEF” LAUNCHES MONDAY, MAY 19

NEW ACTION-DRAMA “GANG RELATED” TO PREMIERE THURSDAY, MAY 22

NEW DATING SERIES “I WANNA MARRY ‘HARRY’” ROMANCES TUESDAY, MAY 27;

SEASON 11 OF “SO YOU THINK YOU CAN DANCE” DEBUTS WEDNESDAY, MAY 28

RAMSAY CHECKS INTO “HOTEL HELL” MONDAY, JULY 21

FOX is announcing additional spring and summer premiere dates for 2014. FOX spices up summer with new seasons of Gordon Ramsay’s KITCHEN NIGHTMARES, MASTERCHEF and HOTEL HELL; the debuts of event series 24: LIVE ANOTHER DAY and new drama GANG RELATED; the premieres of dating show I WANNA MARRY “HARRY” and new unscripted series RIOT; and the Season 11 premiere of SO YOU THINK YOU CAN DANCE.

THE MINDY PROJECT returns for its Spring Premiere with two nights of all-new one-hour events airing at special times Tuesday, April 1 (9:00-9:30/9:30-10:00 PM ET/PT) and Tuesday, April 8 (9:00-9:30/9:30-10:00 PM ET/PT). The comedy then moves into its regular time period Tuesday, April 15 (9:30-10:00 PM ET/PT), following an all-new episode of NEW GIRL (9:00-9:30 PM ET/PT).

In an epic KITCHEN NIGHTMARES Season Six Premiere, Friday, April 11 (9:00-10:00 PM ET/PT) on FOX, the fan-favorite series catches up with the most talked-about restaurant in KITCHEN NIGHTMARES history: Amy’s Baking Company in Scottsdale, AZ. Find out what has happened with Amy and Samy in the past year since the original episode aired, and the media firestorm ensued. In this special edition of the show, Chef Gordon Ramsay will reveal never-before-seen footage and take the audience through the highlights of the public’s reactions.

Slide into Tuesdays with the premiere of RIOT (formerly titled SLIDE SHOW) on May 13 (9:00-10:00 PM ET/PT), following the Season Finale of GLEE (8:00-9:00 PM ET/PT). From executive producer Steve Carell and Shine America, and hosted by Australian comedian and talk show host Rove McManus, the series features the nation’s funniest celebrities and comedians facing unpredictable song, dance and sketch challenges, often while navigating the show’s trademark one-of-a-kind set, tilted at a 22 degree angle.

MASTERCHEF returns for an exciting fifth season on Monday, May 19 (8:00-9:00 PM ET/PT). MASTERCHEF gives talented home cooks from all walks of life the chance to showcase their skills, knowledge and passion in front of the show’s esteemed judges: Gordon Ramsay, Joe Bastianich and Graham Elliot.

Gritty new action-drama GANG RELATED will have its series premiere on Thursday, May 22 (9:00-10:00 PM ET/PT), following an all-new installment of HELL’S KITCHEN (8:00-9:00 PM ET/PT). The series follows RYAN LOPEZ (Ramon Rodriguez, “Battle Los Angeles,” “The Wire”), a rising star in Los Angeles’ elite Gang Task Force – led by SAM CHAPEL (Emmy Award winner Terry O’Quinn, “Lost”) – who teams up with longtime Task Force member CASSIUS GREEN (RZA, “G.I. Joe: Retaliation,” “Californication”) to take on the city’s most dangerous gangs, including one that he swore an allegiance to as a boy. Encores of GANG RELATED will air Fridays, beginning May 23 (9:00-10:00 PM ET/PT).

Reality meets romance, with a little twist, in the surprising dating show I WANNA MARRY “HARRY,” premiering Tuesday, May 27 (8:00-9:00 PM ET/PT). Summer love is in the air, as an average English “bloke” is given the royal treatment and an upper crust makeover before meeting 12 single American women searching for Prince Charming. Will he be able to convince them he’s regal? And if he does, will they fall for the crown, or fall in love with the real him? Join “Harry” as he courts each of the ladies, taking them on romantic dates worthy of a princess and trying to make some version of their fairytales come true.

SO YOU THINK YOU CAN DANCE soars into its 11th season with a two-hour premiere event showcasing America’s most talented dancers during the audition rounds, beginning Wednesday, May 28 (8:00-10:00 PM ET/PT). Hosted by Cat Deeley, and featuring resident judges Nigel Lythgoe and Mary Murphy, the new season of the Emmy Award-nominated hit dance competition series once again will include awe-inspiring performances, as well as nail-biting eliminations, as the contestants compete to be named America’s Favorite Dancer.

HOTEL HELL opens its doors for a second season on Monday, July 21 (9:00-10:00 PM ET/PT). Gordon Ramsay is back and hitting the road to fix some of America’s most horrendous hotels, troubled inns and struggling resorts, many of which are on the brink of closure. Ramsay will travel to locations including Applegate, OR; Las Cruces, NM; Longview, WA; Murphys, CA; Pipestone, MN; Starkville, MS; West Dover, VT; and Woodbury, CT.

As previously announced, new comedy series SURVIVING JACK, starring Emmy Award nominee Chris Meloni (“True Blood,” “Law & Order: Special Victims Unit”), premieres tomorrow, Thursday, March 27 (9:30-10:00 PM ET/PT). Also, as announced, the iconic pulse-pounding clock resets when 24: LIVE ANOTHER DAY premieres with a special two-hour television event Monday, May 5 (8:00-10:00 PM ET/PT), and makes its time period premiere the following week on Monday, May 12 (9:00-10:00 PM ET/PT). Set and shot in London, the suspenseful event series once again will follow the exploits of heroic agent JACK BAUER (Kiefer Sutherland), as he attempts to thwart an unthinkable terrorist attack that could change the world forever. An encore of 24: LIVE ANOTHER DAY’s two-hour Series Premiere event will air Friday, May 9 (8:00-10:00 PM ET/PT). Beginning the following week, Friday, May 16, encores of the highly anticipated event series will air at 8:00-9:00 PM ET/PT.

FOX finales include: RAISING HOPE (one-hour series finale Friday, April 4; 9:00-9:30/9:30-10:00 PM ET/PT), THE FOLLOWING (Monday, April 28; 9:00-10:00 PM ET/PT), NEW GIRL (Tuesday, May 6; 9:00-9:30 PM ET/PT), THE MINDY PROJECT (Tuesday, May 6; 9:30-10:00 PM ET/PT), BONES (Monday, May 12; 8:00-9:00 PM ET/PT), GLEE (Tuesday, May 13; 8:00-9:00 PM ET/PT), SURVIVING JACK (Thursday, May 15; 9:30-10:00 PM ET/PT), BOB’S BURGERS (Sunday, May 18; 7:00-7:30 PM ET/PT), AMERICAN DAD (Sunday, May 18; 7:30-8:00 PM ET/PT), THE SIMPSONS (Sunday, May 18; 8:00-8:30 PM ET/PT), FAMILY GUY (Sunday, May 18; 8:30-9:00 PM ET/PT), AMERICAN IDOL XIII (two-night Season Finale Tuesday, May 20; 8:00-9:00 PM ET live/PT tape-delayed and Wednesday, May 21; 8:00-10:00 PM ET live/PT tape-delayed) and COSMOS: A SPACETIME ODYSSEY (Sunday, June 8; 9:00-10:00 PM ET/PT).

Additional finale dates, summer premiere dates and schedule information to be announced.

RECAP – FOX 2014 ADDITIONAL PREMIERE DATES

(All times ET/PT, except as noted)

Thursday, March 27:

9:30-10:00 PM SURVIVING JACK (Series Premiere)

Tuesday, April 1:

9:00-10:00 PM THE MINDY PROJECT (One-Hour Spring Premiere)

Friday, April 11:

9:00-10:00 PM KITCHEN NIGHTMARES (Season Premiere)

Monday, May 5:

8:00-10:00 PM 24: LIVE ANOTHER DAY (Two-Hour Series Premiere)

Monday, May 12:

9:00-10:00 PM 24: LIVE ANOTHER DAY (Time Period Premiere)

Tuesday, May 13:

9:00-10:00 PM RIOT (Series Premiere)

Monday, May 19:

8:00-9:00 PM MASTERCHEF (Season Premiere)

Thursday, May 22:

9:00-10:00 PM GANG RELATED (Series Premiere)

Saturday, May 24:

7:00-10:00 PM ET Live FOX SPORTS SATURDAY: BASEBALL NIGHT IN AMERICA

Tuesday, May 27:

8:00-9:00 PM I WANNA MARRY “HARRY” (Series Premiere)

Wednesday, May 28:

8:00-10:00 PM SO YOU THINK YOU CAN DANCE (Season Premiere)

Monday, July 21:

9:00-10:00 PM HOTEL HELL (Season Premiere)

 

(Source: Press Release)





Old Favorites Returning in 24: Live Another Day

6 10 2013

Kim Raver and William Devane will reunite with award-winning star Kiefer Sutherland when they reprise their respective daughter-father roles as AUDREY RAINES and JAMES HELLER on the thrilling new event series 24: LIVE ANOTHER DAY, premiering Spring 2014 on FOX.24LiveAnotherDay

Both joined the original “24” in Season Four (2005). Devane served as Secretary of Defense JAMES HELLER and the father to Raver’s character, AUDREY RAINES, a committed and passionate woman with a tragic past, who fell in love with JACK BAUER (Sutherland). They were both last seen in the final scenes of Season Six, when Jack said goodbye to a catatonic Audrey.

Raver and Devane’s reprisals add to the previously announced return of Mary Lynn Rajskub as CHLOE O’BRIAN, Bauer’s quirky CTU confidante. Raver, known for her roles on “Third Watch,” “The Nine” and “Lipstick Jungle,” was most recently featured on the network series “Revolution” and “Grey’s Anatomy.” Devane, best known for his villainous role on “Knots Landing,” recently played the U.S. President in the feature film “The Dark Knight Rises.”

Restarting the groundbreaking and Emmy Award-winning drama franchise, 24: LIVE ANOTHER DAY will be set in London and will follow the further exploits of Bauer, taking up his story four years after the events of “24’s” final season. Once again, viewers will join the heroic agent on a pulse-pounding ride in real time.

24: LIVE ANOTHER DAY is a production of Teakwood Lane Productions in association with 20th Century Fox Television and Imagine Television. Howard Gordon, Evan Katz, Manny Coto, David Fury, Robert Cochran, Brian Grazer, Jon Cassar and Kiefer Sutherland will executive-produce. The original series, which had its last American broadcast on May 24, 2010, was created by Joel Surnow and Cochran.

(Via Press Release)





24: Live Another Day

3 10 2013

LONDON CALLING JACK BAUER!!!  24LiveAnotherDay

NEW ACTION-PACKED EVENT SERIES “24: LIVE ANOTHER DAY”
TAKES JACK BAUER TO ENGLAND FOR 12 ACTION-PACKED EPISODES

24: LIVE ANOTHER DAY Marks the First “24” Production to Film Abroad
Since 2008 Telefilm “24: Redemption”

Twentieth Century Fox Television, Imagine Television and FOX are sending the production of 24: LIVE ANOTHER DAY across the Atlantic to London for a thrilling international adventure, as the new tent-pole event series restarts the clock on the groundbreaking and Emmy Award-winning drama franchise starring Kiefer Sutherland. As previously announced, 24: LIVE ANOTHER DAY will make its historic debut in the summer of 2014 on FOX.

“‘24’ has always had such a global sensibility,” said Sutherland, who also serves as an executive producer on the event series. “But to be able to tell this intense ‘24’-style story with the beauty of Europe’s history and architecture as the backdrop is going to be fascinating. Hopefully, by the time you’re finished watching an episode, you’ll feel like you’ve been there…on the edge of your seat.”

Co-showrunner and executive producer Evan Katz added, “We wanted the show’s return to be an event, and part of that was putting Jack in a very different context. Four years ago, we left Jack a fugitive from justice and we’re going to pick him up four years later in London.”

Co-showrunner and executive producer Manny Coto continued, “Jack is soon back on the run and it takes us into the streets of London and in places that break new ground for the show. We’ve shot in New York, Washington, Los Angeles and Cape Town — but now we’re in London and Jack’s loose on the streets of Europe, hunted by and hunting bad guys.”

Originally premiering November 6, 2001, “24” was nominated for a total of 73 Emmy Awards, winning for Outstanding Drama Series in 2006. Over the course of eight seasons, and a two-hour telefilm, Sutherland garnered seven Emmy Award nominations and one win for Outstanding Lead Actor – Drama Series. While the series gained global recognition, Sutherland’s portrayal of the legendary character penetrated the American psyche like no other dramatic television character to become part of the cultural lexicon.

24: LIVE ANOTHER DAY is a production of 20th Century Fox Television and Imagine Television in association with Teakwood Lane Productions. Howard Gordon, Brian Grazer and Kiefer Sutherland will executive produce, along with an additional team to be announced. The original series, which had its last American broadcast on May 24, 2010, was created by Joel Surnow and Robert Cochran.

(Via Press Release)





“24: LIVE ANOTHER DAY” On FOX

13 05 2013

NEW ACTION-PACKED EVENT SERIES “24: LIVE ANOTHER DAY”
TO RESTART ICONIC CLOCK IN SUMMER 2014 ON FOX

Kiefer Sutherland to Return as JACK BAUER in New Event Series
Produced by 20th Century Fox Television, Imagine Television and Howard Gordon’s Teakwood Lane Productions

(Press Release) FOX has ordered 24: LIVE ANOTHER DAY, a thrilling new tent-pole event series set to restart the clock on the groundbreaking and Emmy Award-winning drama franchise starring Kiefer Sutherland. Produced by 20th Century Fox Television, Imagine Television and Howard Gordon’s Teakwood Lane Productions, 24: LIVE ANOTHER DAY will make its historic debut in the summer of 2014 on FOX.

The announcement was made this morning by Kevin Reilly, Chairman, Fox Broadcasting Company; Dana Walden and Gary Newman, Chairmen, Twentieth Century Fox Television; and Brian Grazer, Chairman, Imagine Entertainment.

The high-octane saga will reunite showrunner Howard Gordon with Sutherland and retain the real-time, pulse-pounding, fast-paced format with split screens and complex interweaving storylines, with 12 episodes representing 24 hours. The suspenseful event series once again follows the exploits of heroic agent JACK BAUER (Sutherland), who will resume his story several years following the events of the final season.

“It’s great to have Jack back. ‘24’ redefined the drama genre, and as we reimagine the television miniseries, this iconic show will again break new ground for the network,” said Reilly. “The series remains a global sensation, and everyone at FOX is thrilled to be back at work with Kiefer, Howard and the incredibly creative ‘24’ team.”

“When Howard came to us saying he had an idea for a new chapter of ‘24,’ he quite simply had us at ‘hello,’” remarked 20th Century Fox Television Chairmen Gary Newman and Dana Walden. “’24’ is a signature series for this studio, beloved by critics and audiences worldwide. Howard’s idea to revive the franchise as an event series couldn’t be timelier, and with the brilliant Kiefer Sutherland on board to reprise his iconic role, we can’t wait to get started.”

Added Imagine Television Chairman Brian Grazer, “I’m both excited and proud that Howard, Kiefer, and I, along with ours partners at 20th and Fox, have this new opportunity to give ‘24’ fans what they’ve been asking for – more Jack Bauer. It’s been my experience that people love Jack Bauer because he’s a guy who cuts through the red tape and gets the hardest things done. I am certain 24: LIVE ANOTHER DAY will again have a huge impact on our culture.”
“The response to ‘24’ is unlike anything I have ever experienced as an actor before,” noted Sutherland. “To have the chance to reunite with the character, Jack Bauer, is like finding a lost friend. The story ideas from Howard Gordon are exciting and fresh, and will not disappoint. Great thanks to 20th Century Fox Television, Imagine Television and the FOX network for this opportunity. Make no mistake, my goal is to knock your socks off. See you soon.”

“Jack Bauer has always been an exciting, thrilling character, and I confess that I’ve missed him. I think the audience has too,” said executive producer Howard Gordon who served as showrunner for most of the series’ run and won multiple Emmy Awards for his work. “The character has evolved through the years, and this new and exciting event series format is perfect to tell the next chapter of his story and continue to reflect how the world is changing. Fans can rest assured that the Jack they know and love will be back.”

Originally premiering November 6, 2001, ‘24’ was nominated for a total of 73 Emmy Awards, winning for Outstanding Drama Series in 2006. Over eight seasons, Kiefer Sutherland garnered seven Emmy Award nominations and one win for Outstanding Lead Actor – Drama Series. While the series gained global recognition, Sutherland’s portrayal of the legendary character penetrated the American psyche like no other dramatic television character to become part of the cultural lexicon.

24: LIVE ANOTHER DAY is a production of 20th Century Fox Television and Imagine Television in association with Teakwood Lane Productions. Howard Gordon, Brian Grazer and Kiefer Sutherland will executive produce, along with an additional team to be announced. The original series, which had its last American broadcast on May 24, 2010, was created by Joel Surnow and Robert Cochran.

(Source: Press Release From Fox Broadcasting)





Series Finale for Touch on Fox

11 05 2013

On Thursday, May 9, 2013, Fox Broadcasting confirmed what we all had been expecting: Touch would not receive a season 3 renewal. Friday, May 10, 2013 would be the series finale.

I think we could see the writing on the wall from the beginning of season 2. It was supposed to be aired in October 2012. Then it got bumped to January of 2013. Then it was pushed to Friday, February 1, 2013. Then it was changed to Friday, February 8, 2013. People in the science fiction community believe the Friday night slot is the place where shows go to get the final nail in the coffin. It was true for Fringe.

There was very sparse advertising for the show’s premiere. The shows the network had more faith in, like The Following, The Mindy Project, Ben and Kate, and New Girl got far more advertising both on-air and with the use of social media.

The first season struggled. Although 12 million viewers tuned in to watch it on Monday, a sweet day in the past for Kiefer Sutherland when he was on “24”, viewership quickly declined and it was moved to Thursday night after Idol, hoping to give it an American Idol bump. Fringe had that same progression. Monday to Thursday to Friday. For years now, people have been critical of the antiquated Nielsen structure to determine number of viewers and to target 18- to 49-year-old men. As a woman, that is really insulting to me. I have as much buying power as my husband, if not more. People have new viewing habits. The days of an actual TV in a home are limited as people go to the internet to watch TV shows now. But the methods advertisers base their rates are still built on the old model. In February, it was reported that Nielsen was going to roll out a new system. It would include people who watch over broadband, XBox, Playstation. Then next phase of the program would include any type of video viewing. It is also adding a new viewing measurement for social media to include people participating in tweeting and those exposed to those tweets (I am thinking this sounds similar to Klout). But it is too late for many of our cult favorites. Fringe would have benefited greatly from the massive fan support on social media.

The story also struggled. The biggest mistake was calling Jake autistic. After the first episode, many of my friends tuned out, turned off by the unrealistic portrayal by Hollywood AGAIN of their beloved children. At first, the show was about finding people who were hurting and help restoring happiness and wholeness to their lives. Shows are often a reflection of the times we live in. I think this is why The Following has had tremendous success–it is a very dark show. Then mid-season, Touch started building into it a mythos that sounded promising but moved a little bit too slow for an audience who needs to be on the edge of their seat an entire show to go out and convert others to watch it. When season 2 was introduced, people who gave up by the end of season 1 did not care to tune back in to see all the wonderful changes that were made. The story pace was quicker. It was building the mythos quicker, resolving things (like finding Amelia) in a timely manner, introducing an element of evil vs. good in the plot. Without a massive campaign saying, “Come try the show out again.”

Shows struggle in their first year to find their footing. I know this is true of Stargate Universe. It came from a franchise that had phenomenal fans and a lengthy history of good ratings, 10 seasons of Stargate SG-1, 5 years of Stargate Atlantis, 2 Stargate DVD movies. With the success of Battlestar Galactica, they wanted to try a storyline they had really wished to pursue on Stargate Atlantis but could not–the heroes were trapped without any way to contact Earth or the original SG-1 team for help. By the end of season 1, Stargate Atlantis knew it needed to connect back to Earth. In Stargate Universe, they used a unique way to do this. There was an active campaign from within the Stargate community to boycott the show and point out all the flaws. Free speech still governs our society and they had the complete freedom to express their opinion. Whether it played as a factor in the ultimate demise of Stargate Universe remains unclear. I do know season 2 of Stargate Universe was better than season 1. Season 2 of Touch was better than season 1.

I was concerned for the finale. In the last episode, Amelia and Jake had been kidnapped after Martin’s car was hit. Would we have a finale where someone’s life hung in the balance, and the viewers would not have resolved whether or not a character would live or die? Would they be endings that would leave us at peace? Would the people in season 2 who were evil or sometimes evil and sometimes good receive justice? Would a new threat be introduced? Would Avram be found or locked away somewhere that we will never know if he is freed?

After watching the show, I have a feeling Tim Kring saw the possibility that this show would not get a season 3, and he decided to write the final episode, giving emotionally invested fans a story to leave in peace. He gave us just that. And the ending was a sweet acknowledgement of the first episode with the same narratives. I did cry at the end. However, it was not like the finale of Farscape where I was so disgusted with the abrupt cancellation and the inability of the writers to give fans a proper ending that I talked about it for years and, in fact, boycotted the network (in my narcissistic narrow world, I thought it would matter) for years, missing out on Stargate SG-1 for quite awhile.

Coming on the heels of hearing of Touch’s demise was the immediate rumors that Fox Broadcasting is now in talks with Kiefer Sutherland about reviving “24” in a “limited fashion.” Some on the internet think it might be a 13-episode series. Some think it might be the movie he was hoping for. For others, they are speculating that a miniseries might work. With the number 13 episodes, I now wonder if they plan for this to be tied in with The Following next year given its phenomenal ratings as that would be about the number of episodes. The first episode could give us background for the new story and then the episodes could still be in a full-day fashion with each episode being: “The following takes place between 9 a.m. and 11 a.m.” which would be more realistic in Los Angeles or New York traveling times (or wherever they plan for it to take place). Twelve episodes of 2-hour increments would give us “24”.

And so it goes….another well-written show that goes into our history. I want to thank the cast and crew for producing a type of show I was craving, something I cared deeply about. But in the end, thank you for giving us a happy ending.

TouchbutterflyThankYou





Touch (S2E10) Two of a Kind Recap

26 04 2013

I was pleased to see two characters in the pilot who were also in “The Road Not Taken” reappear in this episode. We find out Dr. Nell Plimpton (Samantha Whittaker) is one of the 36. Please read Touch pilot episode I wrote for details. What I was not expecting was the ending which I won’t say until the recap is at that point.

As Martin (Kiefer Sutherland) and Trevor (Greg Ellis) sort out their grief and details of Lucy’s death, Martin realizes Amelia (Saxon Sharbino) was not in the car.

Pic1

Martin and Trevor grieve.

Meanwhile a creepy man (David Ury) listens in to the conversation and then heads over to Guillermo (Saïd Taghmaoui) who is looking at Dr. Nell Plimpton who is coming to Los Angeles today bringing over an ancient artifact. After the homeless guy wants to get paid, Guillermo kills him. That is going to be some mess to clean up!

Pic3

Homeless man blood splatter

And meanwhile Amelia is with Jake (David Mazouz) in his room. She wants to stay but can’t yet. Guillermo is coming to get them this date. The numbers are 10262000 (Jake’s date of birth and the day Guillermo’s family died.

Pic2

Cipher number for tonight.

Over in England, Dr. Plimpton is an insomniac and since “The Road Not Taken” they have had another child. It was Simon’s (David de Lautour) cell phone that made it around the world and helped people find each other. She is going to a clinic for insomnia suffers while in the States [why do I think evil Aster Corps has something in the works.]

Pic4

The Plimptons

Jake is feverish. He gets Martin to look at the cipher, the number and ultimately he speaks to Martin. “Find him.” Music to Martin’s ears. When Martin sees Avram (Bodhi Elfman) they discussed what happened with Jake and the “he” he has to find is Guillermo Ortiz.

Pic5

Jake talks!!!!

Jake writes in his notebook the 10262000 but then there is dash for the first time: 10262000 1026 2013-1026 2013-1026.

Pic6

More numbers. They are changing. The future is in constant motion, isn’t it? I learned that from Star Wars.

Calvin (Lukas Haas) sees a news report on Aster Corps given by Mrs. Nicole Farington (Frances Fisher) to the public trying to reassure them the bad parts of their company which completely denies knowing about have been taken away.

Pic7

Mrs. Farington of Aster Corps

Trevor was able to discover a body at the morgue.

The building manager (Ravil Isyanov) goes to collect the rent and thinks Guillermo’s room smells “funny” [like death perhaps?]. The number on the door is 27.

Pic8

You know when someone exaggerates and says “it smells like death in here.” For Guillermo it usually does.

Simon reads the book “Colors” to his daughter, red being on e cover. Nell calls from Chicago where her plane to stop and she was bumped. She wants him to make sure her package is picked up since it will arrive before her. Simon asks her what she sees. She starts saying the things in her surroundings. He asks again and describes the people who once were living on the land, a Potawatomi Indian Village where Chicago O’Hare is now.

Pic9

Nell’s power. She can visualize history.

Her flight 1026 to Los Angeles was now boarding so she says good-bye.

Avram talks out loud his theories on how the cipher is working. Baruch HaShem (thank God). Jake’s looking at a real map the whole time he is talking. He sees 2013 schedule LAXTrans: Take the 1026 bus to the airport. With Avram kicking the whole way, Jake is ready to take off and Avram has no choice.

Pic10

Take the bus to the plane (wait, I think the jingle was take the train to the plane).

Down at the morgue, Trevor and Martin see Guillermo’s work. His toe-tag number is 2013-1026.

Pic11

I hope I’m more than a number on a slab when I die.

When Jake and Avram get on bus 1026, they see a very exhausted Amelia.

Pic12

Bus 1026 and a waiting Amelia.

Mrs. Farington pays Calvin a visit. She is looking for Tony Rigby (Adam Campbell). She offers Calvin a job. They are running a “sleep clinic”. They have 6 of the 36 [and I bet Nell will make 7 once she checks in]. Calvin looks like he just got a dose of the drug of his choice–a cure for William–and after talking to him, he will be more motivated and convicted to achieve his goal.

Avram tells Martin he has Jake and Amelia. Amelia says today he must find Guillermo or innocent people will die.

Pic13

Jake, Amelia and Avram

The hotel was at 167 5th Street. The manager lets them in. They see the blood on the floor. Trevor hands Martin some trash.

Pic15

You can always find great clues in the trash.

They arrive at LAX and Jake sees flight 1026 had arrived. The box is going to St. Matthew University, 2013 West Adams Blvd, Room 1026. Jake writes on a piece of paper and hands it to Avram. They are symbols. He needs to call Martin but there is no cell service. Famous last words “Don’t move!”

Pic14

Another 2013-1026 connection

A man comes and takes the box away. Jake and Amelia follow. Avram and Martin talk via phone about the hieroglyphics. Nell bumps into Avram. She is wearing a blue shirt. After she gets in the car, Guillermo is right behind her. Guillermo sees a car, and stabs the man to get it.

Pic16

Nell bumps into Avram at the airport.

Jake and Amelia get into the van going to St. Matthew University.

Avram goes inside and does not see Jake or Amelia.

Mrs. Farington gives Calvin a tour of what they are doing. Aster Corps has their own quantum computer now. They have an almost 90-digit sequence. Calvin accepts the job offer. Mrs. Farington asks Calvin if he knows where Martin Bohm is and he says no. So he is holding out on Aster Corps should they do something he does not like. Or as a backup plan to help his brother in case things go wrong.

Pic17

I don’t know any Jake or Martin Bohm.

The package arrives. The kids get out.

Trevor tells Martin about the hieroglyphs and gets Martin connected with Simon. Simon says she is in Los Angeles. He asks what hotel she might be staying at. Simon has to think about whether to give this information out, saying “I can lose my job.” But deeper I think Simon recognizes Martin’s voice but cannot place where.

Martin and Avram update their situations. Martin says he thinks he knows where they have gone.

Amelia and Jake use 318 [the beginning number of the sequence] to open the security and then opened the box. Jake tries to leave her the numbers on the crate of what the hieroglyphs say. He does it with a red marker.

Pic18

Code 318 — back to the beginning.

Dr. Nell arrives in cab 287 [three numbers in the God sequence]. Guillermo pulls up as well. Jake realizes he is there. After going into the building Guillermo follows Nell and attacks her.

Pic19

I’m gonna kill you, but we have to wait.

Martin drives up. Nell asks Guillermo if he is going to kill her. He replies, “Yes but not until he arrives?” Jake talks telepathically to him, “She’s not the one.” It distracts him enough for Nell to escape.

Pic20

Jake speaks telepathically through the floor to him.

Nell runs into Martin. Martin tells her to leave and then he calls 911. He then pulls the fire alarm. Guillermo comes out of nowhere and attacks Martin. They stumble into the church sanctuary. [At this point I think Guillermo will not be able to kill in a church.]

Pic21

Martin and Guillermo struggle for the knife.

Martin has developed some fighting skillz that killz. Martin tells him it’s over. Guillermo breaks down sobbing. He says that today he is going to rid the world of another one of the 36. [I always knew he was going to, in the end, take his own life.

True to the character, however, Guillermo apologizes to God for not being able to complete his mission. He says, “I never found the nest of seven.” [Hmmmm. Now that Martin has found Amelia, I guess this is the quest for season 3, if they get a season 3]. Guillermo then slits his own throat.

Pic22

Guillermo slits his own throat. He was such a great bad guy. Sad to see him go.

Jake comes in. He rips the Tree of Life necklace off Guillermo’s body. Amelia follows and Martin and Amelia hug.

Pic23

Jake takes the Tree of Life off of him.

The police officer (Mykelti Williamson) questions Martin. He does not believe Martin. He tells him he needs to come down to the station tomorrow.

Pic24

I really don’t believe anything you’re saying Martin “Bishop”

Martin talks with Nell. Jake goes to Nell and grabs her hand. Martin tells Nell he thinks Jake wants to show her something.

Pic25

Jake wants to show you something.

Jake takes her to the artifact. Nell is very excited Jake cracked the code.

Pic26

The gift of numbers.

Amelia and Jake play chess at the house. Martin asks Avram about the nest of seven. Avram shrugs it off as ravings of a madman. [And I think Avram just lied to Martin].

Pic27

Avram lies to Martin.

Martin tells Amelia they are going to have to find her father. Amelia tells him he can try, but he won’t.

[There is a book on the table called “Aloft” by Chang-rae Lee; I looked it up and it does not seem to pertain to anything related to Touch…yet].

Pic28

The book on the table doesn’t appear to mean anything.

Martin tells Jake that Amelia is part of their family now. Jake gives him a small smile with direct eye contact. Jake likes the sound of that indeed.

Pic29

Jake smiles at Martin.





Celebrity Corner: Alex Ruiz of “Touch” Pops In

10 04 2013

TOUCH fans will recognize him from the episode “Enemy of My Enemy” as Vicente Corliss. He took the time to talk to the fans about TOUCH on Fox and other exciting events occurring in his life.

photo-2

Courtesy of Alex Ruiz

Your resume mentioned that you started acting at a very young age. Do you remember your first role?

Yes. Well, professionally, it was a Best Buy commercial. I remember I had to read for the employee part but I had grown a thick mustache for a play I was in called The Bald Soprano so they asked me to read for the father instead. It was until afterwards, shooting the commercial, where I found out that one of the main reasons I got the part was because they found my look hilarious with my mustache.

You have been in commercials, on stage and on television shows. Do you have a preference? And if so, why?

Well, it’s a tricky question for me because they’re all different. It’s a whole different atmosphere and work ethic for each one. I love being on camera, that’s what I really really enjoy and I know how difficult and fun and exciting and thrilling and rewarding being on stage can be but when it comes down to it, being on camera in a show or movie is what I really love and embrace.

photo 18

Courtesy of Alex Ruiz

Within the world of acting, do you have a preference as to drama or comedy that you think enhances your talents best?

Another tricky one. Well, I love comedy and I thought that comedy was what I would excel at. And it has, in a way; certainly in the commercial world. But, throughout the years, I learned how acting, in truth, is really feeling and living and I very much enjoy that. I’m a very private person and it seems that I open up completely when I’m acting, and I do that more often with dramatic parts. I’m not scared of comedy at all and I’m not scared to jump around and go toe-to-toe with comedy because that’s what I do most anyway. It’s like a defense mechanism for me and I use it instinctively in a lot of situations so I’m kinda used to it. But drama is something that really pushes me and makes me discover a lot of things in myself that I wouldn’t’ve noticed before. It’s weird, I know, but I guess other actors might know what I’m talking about.

The role of Vicente Corliss on Touch. Was this an open audition or a part for which you were recommended?

Both, kinda. I was called in after being submitted by my agent and fit the description. I came in, read, and immediately was asked to come in later that day to read for the director. I went to Fox Studios a few hours later and read for the main guys. Apparently, they loved it and offered me the part immediately.

Touch3

Alex Ruiz as Vicente Corliss on TOUCH

Had you watched the show before you got the part? If not, did you go back and watch season 1, or did you want to approach the role without that knowledge?

Yeah, I was told to watch the show before I came to read for the part to have knowledge of the premise. I don’t ever watch shows or movies or plays before or afterwards because I want to give my own interpretation, unless, of course, I’m asked to. I feel it’s best if you come with your own idea and choice for the part without any prior knowledge. Only if you have pure understanding of what’s being asked of you. But yeah, I watched two episodes and once I got the idea I stopped. I liked it though. But then again, I pretty much like anything Kiefer Sutherland’s in.  [Editor’s note:  ME TOO!]

What were some unique things that happened on this set that you have not encountered on other sets before?

Professionalism. In every way. I’ve been in a lot of sets and worked with a lot of people and the way everything was handled was so professional. From the way they treated David [Mazouz] to how Maria [Bello] came in and rocked her scene to how I was directed. It was a very boom-boom-boom-check the gate process and before I knew it the scenes were done and ready to go. We rehearsed once on a closed set and once we nailed it everyone was brought in to shoot it and bam, the scene was done. They expect you to come prepared and you appreciate that level of professionalism because everyone respects everyone else’s work and time.

Touch4

Maria Bello, David Mazouz, and Alex Ruiz’s scene in TOUCH

I like to think of every experience as a learning moment. Did you learn anything on the set (as an actor or on a more personal level) that you can share with us?

I feel like I learn something on every set that I’m a part of. I’m not sure if I can pinpoint exactly what that is but I know it and utilize it the moment I’m there. I think it’s really just listening. Not only to the director but to everyone around you. Literally everyone. The sound guy putting the mic on you has heard a billion things about everything that’s happened on every set he’s worked with so I listen to what (s)he says. On break I’m drinking coffee and the lighting guys talk about work and I infiltrate their conversation and just listen. I try to learn every facet of my job as possible by listening and being aware of how everything works. From the director, they’re all astronomically different and if you listen carefully and adapt to his world then you’ve got another little safe of knowledge stored in your brain that you can open up and use in another situation. The entire process is learning so I can’t really give something specific when it’s there from beginning to end.

Touch1

Maria Bello and Alex Ruiz in TOUCH

You know I have to ask…have you had a Touch-like moment in your life, something you felt was more than coincidence?

Of course! My family and I have an apartment that we stay at in Mexico that used to belong to my grandma who’s been deceased for about 15 years. I slept in her bed one night, which we do every time we’re there anyway, and I had a very strong dream about her. My brother was going through some tough times and I vividly saw her in my dream. I won’t go into specifics but it ended with her saying “he’ll be okay, he’ll be okay,” and I woke up screaming and crying. I’ve never had a dream like that before nor since and I’m totally convinced that it was my grandma talking to me directly. It was definitely Touch-like in the sense that my brother is completely happy and somehow my grandma calmed me by knowing it would be so.

Do you have any current projects on the horizon?

I do. I’m doing a Mexican novela called Dama Y Obrero in Miami right now. It’s a remake from a Chilean novela of the same name which had enormous success in Chile. The anticipation for it is quite big and I have one of the starring roles so I’m very excited for that. It’ll air on Telemundo later this year. I’m also in negotiations to star in a film which might have some big distribution but hopefully I’ll be able to film it after the novela. I also did a short called Best of Both Worlds directed by amazing director Michael Dunker a little less than a year ago which has made a big splash in the festival circuit and it’s getting financed to be made as a feature where I’ll be playing the same character. So yeah, lots of stuff this year, thankfully.

BoBWStill

Courtesy of Alex Ruiz

RAPID-FIRE QUESTIONS

What is the most played song on your IPod or MP3 player?

I just looked it up and it’s Cruel Summer by Bananarama. Imagine that. I’m a huge 80’s guy so I guess it doesn’t surprise me.

What is the last book you have read?

I read “Miss Peregrine’s Home For Peculiar Children” by Ransom Riggs. It’s creepy as all hell because photographs visualize the narrative. Not a bad book. Right now I’m trying to finish “Gone Girl” by Gillian Flynn. A friend of mine recommended it and it’s pretty damn good so far.

Best advice that was ever given to you?

Lots of good advice throughout the years. But the most basic and impactful was my mom saying “oye, ve, y calla,” which means “listen, watch, and don’t say a word.” Works in every situation you’re in if you really think about it.

Sunrises or sunsets?

Definitely sunsets.

Favorite sport to watch?

Basketball. Been a Pistons fan all of my life.

Singing or dancing?

I do a lot of karaoke but my voice is terrible (to me, at least). Dancing I like. I’m talking salsa or mambo or anything that moves your hips without you knowing they’re moving.

Favorite TV show (besides Touch, of course 🙂

The British Office is absolute genius. Anything Gervais, really. I’m also a big fan of Forensic Files and crime shows of that sort.

536532_230639237051186_1940399927_n

Courtesy of Alex Ruiz

Thank you so much, Alex, for the generosity of your time and your thoughtful answers. TOUCH fans: Help support Alex by liking his Facebook page and following him on Twitter.

IMDB: http://www.imdb.com/name/nm1991503/?ref_=fn_al_nm_2

Facebook Fan Page: https://www.facebook.com/pages/Alex-Ruiz/159956814141798?ref=hl

Twitter: @alex54ruiz





Touch (S2E9) Clockwork

5 04 2013

Kiefer Sutherland is reunited with his old “24” co-star, Annie Wersching (Renee Walker). This episode marks return of one of my favorite characters on the show, Avram (Bodhi Elfman). BreakWire is about to go under after Guillermo (Saïd Taghmaoui) murdered many of its employees and by the end of the episode, Martin learns the news that Lucy (Mario Bello) was found dead. It also seems to take another pivot in its plot devices by adding ancient hieroglyphics that will need to be deciphered. By the end of the episode, 318 becomes the numbers again, which brings us to the original numbers of season 1, episode 1, and where Calvin (Lukas Haas) thought the sequence would go–back to the beginning and it includes patient number one of Professor Arthur Teller (Danny Glover).

More Detailed Recap:

Jake (David Mazouz) narrates: “Physicists will tell you that time does not exist, that it is a human construct used to organize experience and catalog existence, so we can quantify it, confirm it, remember it. Einstein did not believe in time. He believed in timelessness, that all time existed at once–past, present, future. He did not acknowledge the concept of now. All moments are equally real, equally accessible if we know how.”

 

Pic1

Love the attention to detail to show us red, blue, stars, clocks, butterflies

Amelia (Saxon Sharbino) is running. Martin looks at patient 0001 of The Teller Institute.

Pic2

Jake’s red-striped shirt, red letters on milk, red cereal box

There is a knock at the door. It’s Avram!!!!! He is here to help keep Jake safe.

Pic3

So nice to see Avram back! Soldier of light!

The number tonight is 948.

Pic4

Tonight’s number: 948

BreakWire is going under after the deaths of the employees. Martin wants to help Trevor (Greg Ellis) keep it afloat. Trevor has a story on Phillip Green (Paul Vincent O’Connor), a prisoner about to be put to death. It’s patient 0001 [of course!]. [Note where his current address is: Block 9, Cell 48. Also, within the body of the article it talks about him being secretly kept at Teller Institute and Anthony Brown, his landlord, said he would scream numbers at him, and mentions the number 85647. The paragraph on the left is the same as the second paragraph on the right. I’m being too obsessed over this show, aren’t I? LOL]

Pic5

Patient 0001 of The Teller Institute

The back-story on this man is that there were three murders that occurred in a robbery. Phillip worked at an antique shop. He went back after hours to clean the place out, saw a passerby and gunned him down in cold blood. Supposedly there were no witnesses to the murder. If Martin would do the story for BreakWire, Trevor could get him in to see his attorney.

Mike (Jamie McShane) is making a rock-climbing fortress for his son Max (Blake Bertrand) [who is sporting a red cape and red sneakers, and has a blue swing].

Mike gets a call. There is something he needs to do, but his wife, Jenny (Karis Campbell), thinks not. The argument is interrupted by a splinter. [Not only does Max have red sneakers, they have a star cut into them!].

Pic6

Check out the red star cut into his sneakers! Wow, the details.

Martin meets with the lawyer, Mr. Miller (Scott Klace) who thinks Martin might be a crazy man. When Martin shares information that was never submitted into evidence, he hears Martin out.

Avram and Jake play chess and uses the French Defense against Jake’s move of king pawn to E4. Jake becomes agitated. He looks at the clock on the wall, takes it down, and starts unscrewing things.

Pic7

Playing chess (remember Amelia used a chess piece buried in the sand for Jake.

Martin meets Phillip but the man will not speak. He confirms for Martin he is one of the 36. Martin will do anything he needs. Phillip gives him a picture of his daughter. Martin is so used to Jake being nonverbal that he can read Phillip’s intentions quite easily through his facial expressions.

Pic8

A man in great emotional pain.

His daughter is Dr. Kate Gordon (Annie Wersching). She is a family therapist who specializes in early childhood trauma, behavioral issues, children who are nonverbal, or disturbed.” Martin shares that Jake is nonverbal. Martin tells her about his visit with her father. The story was this: Her father had a gift with numbers and symbols and ancient languages. He was taken to The Teller Institute. When he came back, he shot three people. When she asked him if he did it, he said yes. When she asked why, he went silent. She tried to visit him but every time would be turned away [red thing on the coffee table].

Pic9

Ahhh… Kiefer and Annie together again.

Avram tells Jake about the history on clock-making. Six gears in six piles [equals 36]. When Martin calls and when he tells Avram that Phillip is one of the 36, Jake stops his work for a moment and looks up.

Jenny tells Mike that making this decision won’t bring his father back [I wonder if his father was one of the ones killed]. Max was in the car when his grandfather was shot. The guy who did this to his father is living his life [so I guess it is not Phillip].

Pic10

Another man in great emotional pain and a child with a lot of red toys.

[Wow. This gets into a great argument about capital punishment. Are the people who are part of the execution murderers? If you don’t think so, then what happens if you are a part of it, and later find out the person was innocent? Or maybe you don’t know, and you only find out once you have to atone to God before being welcomed into the Kingdom of Heaven? ]

In investigating the case, Martin discovers that nothing was actually stolen at the shop where Phillip worked. The three victims were Richard Davis, Frankin  [a typo by Trevor or Greg Ellis?] Price, Derek Reynolds. Their link? Da, da, da, dum–Möbius, a subsidiary of Aster Corps.

Pic11

“Blue” Orb, Mobius, a link between 3, and a typoed name– Frankin in the parameters, but Franklin in the results. Someone may need to reserve a room for me. This is what I get for having a child with high OCD/low-functioning autism.

The antique store is at 948. There is a red awning and a star shape in the window.

Pic12

Arrows point to the spots.

Martin talks to Mr. Zedner (George Wyner). Phillip wanted to store a box of his in the store’s safe. It belonged to him and that is what the police found at the house. Phillip’s machine looks like clock gears.

Pic13

Phillip’s secrets

Martin brings the box home and Jake starts rearranging gears. Avram thinks it is a cipher. They are used for sending and interpreting messages. What kind of message is something to kill for?

Pic14

A cipher!!!!

Martin meets up with Kate again. She tells him their code for “I Love You” was holding up the middle three fingers one at a time in rhythm. Martin tells her about Aster Corps and thinks that by shutting down and pushing her out he was trying to protect her. He shows her the box. Kate says her dad said it was the road map to finding 36 magical people who could save the world. One key gear is missing.

Pic15

I….Love….You

The guards start taking Phillip to the execution chamber. His lawyer gets a call from Martin that he and Kate are on their way.

Pic16

Guard is actor Patrick Brown (my son is Patrick Bowen)–Social Security had first sent me a card with “Brown” as my married name. His Twitter handle is @PBitters mine is @PBMom (just thought that was funny)

Avram makes tea in the red kettle. Jake keeps writing 948 in his book.

Pic17

It’s always a good time for tea!

In the locker room Mike’s friend is gloating about how they were lucky enough to get picked for “this” [the execution]. They both press their buttons at the same time so that neither knows who gave Phillip the dose that kills him. Mike needs to get some air. Mike recognizes Dr. Gordon. [Would that not at least postpone the execution since Kate is his son’s therapist? They would have to find someone else to push the button.]

Pic18

Kate wants to see her dad before he is executed.

Mike wants to talk to the warden. [Ah ha! I knew it.] Mike dropped out of the execution team duty and that has delayed things. Kate will get some time with Phillip. [Good grief, I’m crying again]. She tells him Martin’s theory that Phillip was trying to protect her is the only thing that makes sense, Phillip holds up his three fingers–I love you. Kate does the same.

Pic19

Knowing his fate, the father says I…Love…You for the very last time to his daughter.

Martin feels like he failed that he could not stop it. Kate said that was not it. Kate and the lawyer head to the gallery. Martin feels defeated. However Phillip left a box for him. Inside is a note–“your son knows.”

Pic20

The weight of the world on poor Jake’s shoulders.

Martin calls Avram. Jake wants Martin to go to antique shop. Jake, Avram and Martin go together. Jake focuses in on a specific clock. Phillip fixed it the night he was arrested. Jake opens it and finds the gear–the key.

Pic21

The key to the cipher.

Back at the house, Jake puts the cipher in and manipulates the dials. Then gears then start working automatically.

Pic22

Obviously the still picture cannot show the movement of all the gears. Trust me, it was working.

Trevor comes to the house and tells Martin the shocking news about Lucy [but he does not ask about Amelia which is weird].

Pic23

The men who cared about Lucy sit in silence together.

When the cipher stops at 318, we are back to the beginning, where episode 1 of season 1 began, the beginning of The Amelia Sequence, also known as The God Sequence, the point Calvin said where the equation would eventually loop around on itself.

Pic24

The sequence starts again.

Jake looks out the window and sees Amelia.

Pic25

Jake sees Amelia. Is it real or a dream?

Next week: Jake talks to Martin (his first REAL words because the prior words spoken where inside Amelia’s brain so that was actually telepathic, not verbal)!!!!! And Guillermo is back.

And here’s something very funny. I was looking at this pamphlet in my mail pile and I did not see the word EASTER but the word ASTER and laughed. You know you are a Touch fanatic when this occurs.

Pic26