Fox Upfronts Fall Schedule

12 05 2014

FOX ANNOUNCES FALL 2014 SCHEDULE AND

NEW PORTFOLIO OF CONTENT

FIVE NEW DRAMAS, TWO NEW EVENT SERIES, FOUR NEW COMEDIES

AND ONE NEW UNSCRIPTED SERIES JOIN SCHEDULE

POWERFUL UNTOLD ORIGIN STORY “GOTHAM,”

YOUNG ENSEMBLE DRAMA “RED BAND SOCIETY,”

10-PART MYSTERY EVENT SERIES “GRACEPOINT,”

MULTI-CAM COMEDY “MULANEY” AND

BOLD SOCIAL EXPERIMENT “UTOPIA”

TO DEBUT IN FALL 2014

NEW SERIES SET TO DEBUT IN 2015 INCLUDE

MUSIC-INFUSED EPIC FAMILY DRAMA “EMPIRE,”

FANTASTICAL ADVENTURE “HIEROGLYPH” AND

OFFBEAT COMEDIC CRIME DRAMA “BACKSTROM”;

M. NIGHT SHYAMALAN’S MIND-BENDING 10-PART EVENT THRILLER “WAYWARD PINES”;

WILL FORTE’S COMEDY “THE LAST MAN ON EARTH,”

SINGLES ENSEMBLE COMEDY “WEIRD LONERS” AND

THE ANIMATED “BORDERTOWN”

Live Specials JUMP OF THE CENTURY (working title) to Make Grand Leap in Fall;

PITBULL’S NEW YEAR’S REVOLUTION (working title) to Explode into the New Year; and

GREASE LIVE (working title) to Electrify in 2015

New York – Kevin Reilly, Chairman, Entertainment, Fox Broadcasting Company (FOX), today unveiled the FOX portfolio of content for the 2014-2015 television season to the national advertising community during its annual Programming Presentation at the Beacon Theatre.

“Our portfolio of content this year reflects the biggest investment in programming we’ve ever made,” said Reilly. “FOX is redefining the network experience on our air and as a 24/7/365 platform, with distinctive series, addictive event dramas and can’t-miss live specials that will deliver broadcast’s most youthful audience at scale.”

Joe Earley, Chief Operating Officer, FOX, added, “The new series and specials we’re presenting today feature buzzworthy worlds and characters that we think will be the most talked about, liked, tweeted and shared of the season.”

Origin story GOTHAM and touching, coming-of-age series RED BAND SOCIETY are the two new dramas set to debut this fall. GOTHAM traces the rise of the great DC Comics Super-Villains and vigilantes, revealing an entirely new chapter that has never been told. From executive producer/writer Bruno Heller (“The Mentalist,” “Rome”) and starring Ben McKenzie (“Southland,” “The O.C.”), Jada

Pinkett Smith (“Hawthorne,” “Collateral”) and Donal Logue (“Vikings,” “Sons of Anarchy”), GOTHAM follows one cop, destined for greatness, as he navigates a dangerously corrupt city teetering on the edge of evil, and chronicles the birth of one of the most popular super heroes of our time.

From Steven Spielberg’s Amblin Television and starring Academy Award-winning actress Octavia Spencer (“The Help,” “Fruitvale Station”), Dave Annable (“Brothers & Sisters,” “666 Park Avenue”) and a charismatic cast of fresh faces, RED BAND SOCIETY is a provocative, inspiring and, at times, comedic young ensemble drama told through the eyes of a group of teenagers who meet as patients in the pediatric ward of Ocean Park Hospital in Los Angeles.

Also this fall, 10-episode mystery event series GRACEPOINT, starring Welsh BAFTA winner David Tennant (“Dr. Who”), Emmy Award winner Anna Gunn (“Breaking Bad”), Academy Award nominee Jacki Weaver (“Silver Linings Playbook”), Academy Award nominee Nick Nolte (“Warrior,” “Affliction”) and SAG Award winner Michael Peña (“American Hustle”), joins the schedule. The riveting mystery follows the tragic death of a young boy, and the major police investigation and nationwide media frenzy that subsequently overtake a picturesque seaside town, where anyone is a suspect.

The new comedy premiering this fall is MULANEY. MULANEY stars Emmy Award-winning writer and comedian John Mulaney (“Saturday Night Live”) as a rising stand-up comic trying to take his career to the next level, and the friends and mentors who lift him up, hold him back and push him around. The multi-camera sitcom boasts a cast of comedy all-stars, including Martin Short (“SCTV,” “Saturday Night Live”), Academy Award nominee Elliott Gould (“M*A*S*H,” the “Ocean’s 11” franchise), Nasim Pedrad (“Saturday Night Live”), Seaton Smith (“Totally Biased with W. Kamau Bell”) and Zack Pearlman (“The Inbetweeners”).

One new unscripted series debuts in the fall: the groundbreaking social experiment UTOPIA, which asks, “Does a perfect world exist?” From unscripted mastermind John de Mol (“Deal Or No Deal,” “Fear Factor,” “The Voice,” “Big Brother”), and based on the Dutch hit of the same name, UTOPIA is a bold new series that moves 15 everyday Americans to an isolated, undeveloped location – for an entire year – and challenges them to create their own civilization. Will it be ultimate happiness or utter chaos?

In 2015, the portfolio of new content joining the schedule includes three distinctive dramas, EMPIRE, HIEROGLYPH and BACKSTROM; an evocative event series WAYWARD PINES; and three comedies, singles ensemble WEIRD LONERS, Will Forte’s THE LAST MAN ON EARTH and animated comedy BORDERTOWN.

From Academy Award nominee Lee Daniels (“Lee Daniels’ The Butler,” “Precious”) and Emmy Award winner Danny Strong (“Game Change,” “Lee Daniels’ The Butler”) comes EMPIRE, a sexy and powerful new drama about the head of a music empire whose three sons and ex-wife all battle for his throne. Set to an original soundtrack written and produced by hip-hop hitmaker Timbaland, the family drama stars Academy Award nominee Terrence Howard (“Crash,” “Hustle & Flow”) and Academy Award and Emmy Award nominee Taraji P. Henson (“Person of Interest,” “The Curious Case of Benjamin Button”).

The world of ancient Egypt – a time of magic, Pharaohs, gods and thieves – lives again in HIEROGLYPH, an adventure series from creator/executive producer Travis Beacham (“Pacific Rim,” “Clash of the Titans”). The epic fantasy follows a notorious thief who is plucked from prison to serve the Pharaoh, forcing him to navigate palace intrigue, seductive concubines, criminal underbellies and divine sorcerers, as he races to stop the downfall of one of history’s greatest civilizations.

Created and executive-produced by Hart Hanson (BONES), offbeat comedic crime procedural BACKSTROM centers on Detective EVERETT BACKSTROM (three-time Emmy Award nominee Rainn Wilson, “The Office,” “Six Feet Under”), an unhealthy, offensive, irascible – albeit brilliant – detective who is brought back from exile to run the Portland Police Bureau’s Special Crimes Unit (S.C.U.).

Based on a best-selling novel and brought to life by suspenseful storyteller M. Night Shyamalan (“The Sixth Sense”), WAYWARD PINES is an intense, mind-bending 10-episode thriller starring Academy Award nominee Matt Dillon (“Crash”) as a Secret Service agent on a mission to find two missing federal agents in the bucolic town of Wayward Pines, ID. Every step closer to the truth makes him question if he will ever get out of Wayward Pines alive. The all-star cast also includes Academy and Emmy Award winner Melissa Leo (“The Fighter”), Academy Award nominee Terrence Howard (“Crash,” “Hustle & Flow”), Carla Gugino (“Entourage”), Shannyn Sossamon (“How to Make It in America”), Toby Jones (the “Harry Potter” franchise) and Academy Award and Emmy Award nominee Juliette Lewis (“Cape Fear”).

WEIRD LONERS, from writer Michael J. Weithorn (“The King of Queens”) and director Jake Kasdan (NEW GIRL), is a new single-camera comedy about four single 30-something underdogs who are unexpectedly thrust into one another’s lives and form an unlikely bond in a Queens, NY, townhouse. The series stars Becki Newton (“Ugly Betty”), Zachary Knighton (“Happy Endings”), Nate Torrence (“Hello Ladies”) and newcomer Meera Khumbhani.

Created by and starring Will Forte (“Nebraska,” “Saturday Night Live”) and directed by Chris Miller and Phil Lord (“The Lego Movie,” “21 Jump Street”), THE LAST MAN ON EARTH is a new single-camera comedy about the life and adventures of the last man on earth. PHIL MILLER (Forte) was once just an average guy who loved his family and hated his job at the bank – now he’s humanity’s last hope. Will he ever find another person alive on the planet? Would hoping that she is a female be asking too much?

A new animated comedy from FAMILY GUY’s Mark Hentemann and Seth MacFarlane, BORDERTOWN is a satirical look at the cultural shifts taking place in America. Exploring family, politics and everything in between with a cross-cultural wink, the series centers on two very different families living in a fictional Southwest desert town on the U.S. – Mexico border.

Also announced for the 2014-2015 season are brand-new LIVE specials JUMP OF THE CENTURY (working title), PITBULL’S NEW YEAR’S REVOLUTION (working title) and GREASE LIVE (working title). This fall, on the 40th anniversary of Evel Knievel’s high-stakes attempt to jump across Idaho’s Snake River Canyon, two very different personalities – professional stuntman Eddie Braun and daredevil Big Ed Beckley – hope to achieve what Knievel could not by crossing the gaping 2,300-foot-deep canyon LIVE on JUMP OF THE CENTURY (wt). On PITBULL’S NEW YEAR’S REVOLUTION (working title), global superstar Pitbull will be joined by some of his favorite A-list musicians and celebrity friends to ring in the New Year LIVE from the sandy beaches of America’s hottest city – Miami! Get ready to do the hand jive as FOX enrolls at Rydell High with GREASE LIVE (working title), a LIVE three-hour production of the massively popular crossover musical “Grease.” Featuring a young ensemble cast, GREASE LIVE (wt) will reintroduce the great music and timeless story to an entirely new generation.

Additional FOX series include: AMERICAN IDOL, ANIMATION DOMINATION HIGH-DEF, BOB’S BURGERS, BOOM!, BONES, BROOKLYN NINE-NINE, FAMILY GUY, THE FOLLOWING, GLEE, HELL’S KITCHEN, HOTEL HELL, MASTERCHEF, MASTERCHEF JUNIOR, THE MINDY PROJECT, NEW GIRL, THE SIMPSONS, SLEEPY HOLLOW and SO YOU THINK YOU CAN DANCE. TEEN CHOICE 2014 will also return to the FOX schedule.

Additional new and returning series and schedule information to be announced.

Following are the FOX fall 2014 primetime schedule, as well as social media information for and synopses of the new series:

FOX FALL 2014 SCHEDULE

(All Times ET/PT)

MONDAY

8:00-9:00 PM GOTHAM (new)

9:00-10:00 PM SLEEPY HOLLOW

TUESDAY

8:00-9:00 PM UTOPIA (new)

9:00-9:30 PM NEW GIRL

9:30-10:00 PM THE MINDY PROJECT

WEDNESDAY

8:00-9:00 PM HELL’S KITCHEN

9:00-10:00 PM RED BAND SOCIETY (new)

THURSDAY

8:00-9:00 PM BONES

9:00-10:00 PM GRACEPOINT (new)

FRIDAY

8:00-9:00 PM MASTERCHEF JUNIOR

9:00-10:00 PM UTOPIA (new)

SATURDAY

7:00-10:30 PM FOX SPORTS SATURDAY: FOX COLLEGE FOOTBALL

SUNDAY

7:00-7:30 PM NFL ON FOX

7:30-8:00 PM THE OT / BOB’S BURGERS

8:00-8:30 PM THE SIMPSONS

8:30-9:00 PM BROOKLYN NINE-NINE

9:00-9:30 PM FAMILY GUY

9:30-10:00 PM MULANEY (new)

BACKSTROM (new), BORDERTOWN (new), EMPIRE (new), HIEROGLYPH (new), THE LAST MAN ON EARTH (new), WAYWARD PINES (new) and WEIRD LONERS (new) join the schedule in 2015, as do returning series AMERICAN IDOL XIV, THE FOLLOWING and GLEE, among others.

 

(Press release)





My Letter to Mr. Reilly of Fox to Save Enlisted

15 04 2014

(This is what I’m mailing to Kevin Reilly of Fox Broadcasting today to save ENLISTED in case you need some inspiration to write YOUR letters)

Dear Mr. Reilly

I do not write letters often to save shows as they are often futile. In the case of “ENLISTED” I feel like I it is worth the effort. I know you (or your decision-makers) felt the show was worth a shot. Shows like “Us and Them” that were shown in the May 2013 upfronts never made it to air. Everyone knows the ENLISTED pilot had problems. The energy that has been put into the show both by the network and the cast has been amazing–hiring a military consultant to get some things corrected that bothered our military viewers, the principal cast going to Boot Camp to experience what our soldiers go through and bonding over it just as a troop does, the phenomenal app that shows exclusive videos, but mostly the cast who week after week engage the fans in live tweeting events that blow my mind. There are individual cast members of other shows who might take one week in a rotational schedule to live tweet but never the sheer numbers we’ve seen the cast and crew of ENLISTED do. It is TROOP SPIRIT. They have done so many interviews. They have done some wonderful things for our military families. Here is the problem: It was put into the Friday death slot. Then it was interrupted by the Olympics. None of these things are your fault. I imagine Friday was the only slot you could give it. But it deserves a second season and a time slot where it can flourish, such as pairing it with Brooklyn Nine-Nine. The comedy is similar–it’s smart, it’s unique. It deserves to have a Tuesday comedy slot. If after a season 2 it doesn’t do well, then I can understand if the network decided to cancel it. But it deserves this chance. Every week the scripts have improved.

I would like to point out that this past week I helped engage the fans to promote the advertisers of the show. Fans had a healthy discussion with Applebees and Charmin people. Charmin is not yet a sponsor but after the response they got from the “Parade Duty” episode, if they were given a season 2, they might consider it. Many people on Twitter have already promised to switch to Charmin and they haven’t even signed on to advertise yet. People have said they will go to Taco Bell this week. Others have said they will go eat at Applebees (because they hosted on the Fox.com viewings). Fox commissioned a study about the power of Twitter on advertising.

The network is ahead of the curve by not just looking at the standardized numbers of the antiquated Nielsen’s system. With “The Following” for example, Fox looked at viewing across all platform media. People rarely have time to watch things live anymore. Binge-watching is becoming more common. I don’t understand appeal of the demographic of an 18-year-old male who in this job market likely is living at home with his parents, unemployed, with zero buying potential. I am a 50-year-old, white woman, born in Brooklyn, NY and now living in Texas who has tremendous buying power and understands the economics of television broadcasting. Perhaps that 18-year-old was married already 30 years ago, but that just isn’t the reality of our modern times. Taking the cues from Bart Smith who suggested to Maureen Ryan that instead of us buying useless tokens to flood your offices (like fans of Jericho did with CBS by flooding the office with peanuts) fans make a donation to the Wounded Warriors Project, I did and you should be receiving that confirmation letter soon.

ENLISTED is a show the entire family can watch (and there are not many shows out there where people can). It is about love of country. In a world where people are brainwashed into thinking they need to be rich to be successful, the show sends a message that you can have a job that is less glamorous but your job is important in the big picture and you can do that job with love and joy. Not only is it about family (whether you are related by blood or together by other forces), but it also is about supporting each other. It is about choosing happiness in whatever job you have to do, even Doody Duty. Women adore strong female leads and Angelique Cabral does a wonderful job as Staff Sgt. Perez.

X-Files had an initial cult following, an audience that grew and benefitted the network in many ways. ENLISTED seems to also have a cult following for now, but with a better time-slot I see it growing.

Decision time is upon you with the upfronts coming in May. Please take our pleas into consideration. Thank you for your time reading this letter and have an amazing day.

Respectfully submitted,

Hilda Bowen
AKA @PBMOM on Twitter
AKA Call Sign Ninja Mom

——————

To readers of this blog:  If you need addresses or ideas to help save this ENLISTED, please see my previous post.  Click here.





Save Enlisted

11 04 2014

1379556_224068451090943_1320552361_nTroops! Rally! Our beloved show is definitely in trouble. I really don’t understand the ratings game. As a 50-year-old woman I have a TON more buying power than a 25-year-old unemployed young man. While the industry is definitely trying to change from the old Nielsen model, it isn’t going fast enough to catch up to the quality shows we want to keep around.

When ENLISTED was shown at upfronts in May of 2013, it got feedback from a critical audience. To the network’s credit, they didn’t just scrap the show after the pilot. They decided to regroup and fix it. The premiere originally moved to November was now moved to January. Some of the principal cast members attended boot camp at Fort Bliss. They made fun of themselves. They invited the audience at the premiere in January to spot their mistakes. They engaged the military audience and made each script better. They brought on a military consultant to help them get basic things accurate so they did not alienate the military audience. They created an awesome app with literally hundreds of videos you cannot see anywhere else.

But ENLISTED faced an uphill battle. It was given the Friday death slot where shows go to die. ENLISTED also faced more hurdles. They showed some shows out of order. In the episode “Homecoming”, Derrick had the girl and a few weeks later he was trying to get the girl. Then the Olympics happened and the show was not shown for several a few weeks. How you are supposed to build a fan base without a consistent show I will never know. Fox found this out after the first season of “24.” There were too many interruptions of the show which is why the following year they went to a January premiere date.

The cast and crew have worked tirelessly to promote the show. They have done interview after interview. I do not ever remember a show where most of the cast and crew are live tweeting week after week. And every week it is trending, even when there is no live show and the fans are watching the show on Fox.com. Fox even did a study on the effect of Twitter on advertising potential. Partial information from that press release:

1. The majority of those who are exposed to TV-related tweets not only have taken immediate action around a given show, but are also highly likely to watch a show they’ve never watched before, or resume watching a show that they’d previously stopped watching, as a result of a TV-related tweet.

2. TV show viewers who recall seeing tweets mentioning a show’s brand partners are much more likely to view that brand as appealing and pay more attention to that brand’s on-air ads than the general Twitter TV audience.

Specifically, FOX, Twitter and the ARF found that the majority of those who recall seeing TV-related tweets have searched for a show (76%), have taken action on Twitter (78%) – such as click on the show’s hashtag, follow a talent handle or retweet TV-related tweets – or have taken action to watch TV show content (77%). In regards to watching TV show content, 42% have made a plan to watch the show later, 38% have watched episodes online and 33% have changed the channel to watch the show. In fact, viewers who live-tweet with the linear broadcast are more likely to take action to discover content than those that don’t live-tweet.

Tweets that mention brands also generate significant action: 54% of those who recall seeing such tweets have taken action by tweeting, searching for the brand online, or considering to try the brand mentioned. This jumps to 58% when measuring actions taken by the live-TV-tweeting audience.

“This groundbreaking research has allowed us, for the very first time, to understand and quantify the very real value of the enormous volume of tweets generated by our shows and our brand partners every week,” said Judit Nagy, FOX’s Vice President of Analytics. “The level of engagement, activity and perceptual impact we’re seeing from these results far exceeds what we’d expected, and that’s really good news for networks and brands alike.”

Maureen Ryan (@moryan) did a story in the Huffington Post about why the show should be saved. She invited people to send her ideas. Bart Smith offered up a wonderful suggestion: Why don’t we donate to the Wounded Warriors Project in honor of ENLISTED? So Maureen did. She put in honor of ENLISTED and her father who served in the military, and sent the receipt to Fox. I did as well. My father-in-law served in the Navy in World War 2 and my father served in the Navy during the Korean War. I have many cousins who served in the Army and Air Force. I decided to make a donation as well. Here is the link to The Wounded Warriors Project and the screen shot of how I filled out the “in honor of” just like Maureen did.

EnlistedDonation

 

I still have the March 28th episode of ENLISTED on my DVR (Paint Cart 5000 vs the Mondo Spider). I made a list of all the companies who bought an ad that aired during this show. And I’m listing the email address or link to where you can leave a comment for them. There were multiple wireless companies. I’m certainly not going to switch my company, but my company is among those who supported the show. I’ll write to them. Here is a sample: Dear _____. I want to thank you for supporting the Fox Broadcasting show “ENLISTED.” I am a __-year-old male/female. ENLISTED is a wonderful comedy. It is a show that can be watched by the entire family. For me it symbolizes ____________________. (And if you feel like you are going to support the advertising because of this you might say something like this for example: “I have always shopped at Home Depot because it is closer to my home. Because you are supporting ENLISTED, I will drive a little further and shop at Lowe’s to thank you for that support.” Sincerely,

Here is the list of advertisers for that episode:
AT&T
208 S. Akard St.
Dallas TX 75202
http://www.att.com/contactus/

Dr Pepper/Seven Up, Inc.
Attn: Consumer Relations
P.O. Box 869077
Plano, TX 75086-9077
http://www.drpepper.com/contactus/

Esurance
650 Davis St
San Francisco, CA 94111
http://www.esurance.com/contact

Ford Motor Company
Customer Relationship Center
P.O. Box 6248
Dearborn, MI 48126
http://www.ford.com/help/contact/

Lowe’s Customer Care
P.O. Box 1111
North Wilkesboro, NC 28656
http://www.lowes.com/cd_Contact+Us_347544179_

NET10 Wireless
9700 N.W. 112th Ave
Miami, FL 33178
http://www.net10.com/contact.jsp?nextPage=contact.jsp&task=contact

Nissan Consumer Affairs
P.O. Box 685003
Franklin, TN 37068-5003

http://www.nissanusa.com/apps/contactus?next=footer.contact.link

Sleep Comfort Corporation
Media Relations
9800 59th Avenue North
Minneapolis, MN 55442
(Their email contact us link is not working properly)

Sprint
6480 Sprint Pkwy
Overland Park, KS 66251
(Their contact us form isn’t really clear which one to use).

Taco Bell
1 Glen Bell Way
Irvine, CA 92618
http://www.tacobell.com/portal/site/tacobell/account/template.CONTACT_US

Verizon
1095 Avenue of the Americas
Floor 7
New York City, New York 10036
(Their contact us form is not really the place to send thanks).

Walmart
702 SW 8th St
Bentonville, AR 72716
http://corporate.walmart.com/contact-us/

 

You can also write letters. PLEASE KEEP THEM RESPECTFUL AND POSITIVE.  A network executive is much more likely to listen to something you have to say versus one where you tell them why you will never watch their network again if they don’t renew the show. Send them to:
Kevin Reilly
Fox Broadcasting
10201 W. Pico Blvd
Los Angeles, CA 90035

Or email them: askfox@fox.com

As well, I was thinking about taking a page from Save Farscape campaign where people made a commercial and said, “I am Farscape” and they had their age. On Twitter tonight (or in the comments below), list your age and sex and if you want the part of the country you live. Use the hashtag #IAmENLISTED

 

Now get to work troops!

 





Almost Human Previews

12 11 2013

I know my international friends have been complaining that they haven’t been able to see the 8-minute preview on Hulu.  I thought it was not out there.  I don’t know if this is what Hulu has, but if you combine the first 3-minutes of the show with the additional 8-minute preview, this is going to give you a good idea what the show is like:

Here is the first 3-minutes of the show:

 

 

Here is another 8-minute segment of the show (not exactly right after the original 3 minutes, but HELL YEAH, you have just now gotten to see 11 minutes of the show.

Thank you to @SilkenSoul for testing the links to be sure our international friends could get access to these particular YouTube videos!

Are you excited? Let me know your thoughts in the comment section!





Advanced Screening of Almost Human

17 10 2013

FOX and Eventful are giving fans in three winning cities that Demand it! the most, an advance screening of FOX’s fun, adrenaline-fueled drama ALMOST HUMAN. FOX is putting the power in the hands of the fans to Demand it! and win an exclusive free screening of ALMOST HUMAN anywhere in the country before it premieres Monday, Nov. 4 (8:00-9:00 PM ET/PT) on FOX.

ALMOST HUMAN fans can vote for their cities online NOW at http://eventful.com/almosthuman. In the three cities that receive the highest online vote tally by Wednesday, Oct. 23 at 5:00 PM PT, FOX will host a free advance screening of ALMOST HUMAN at a local theater. Any city in the country has a chance to make it to the Top Three!

From Emmy Award-winning executive producer J.J. Abrams (“Fringe,” “Lost,” “Revolution,” “Person of Interest,” the “Star Trek” and “Mission: Impossible” franchises) and creator/executive producer J.H. Wyman (“Fringe,” “The Mexican”), comes ALMOST HUMAN. Starring Karl Urban (the “Star Trek” and “The Lord of the Rings” franchises) and Golden Globe Award nominee Michael Ealy (“Sleeper Cell,” “Common Law”), the new series is set approximately 30 years in the future, when police officers are partnered with highly evolved human-like androids. ALMOST HUMAN will follow the week-to-week missions of JOHN KENNEX (Urban), a detective and sole survivor of a devastating police ambush, and his robot partner, DORIAN (Ealy), as this buddy-cop duo solve cases and fight to keep the lid on dangerously evolved criminals in this futuristic landscape.

ALMOST HUMAN is produced by Bonanza Productions Inc., in association with Bad Robot Productions and Warner Bros. Television. The series was created by J.H. Wyman, who wrote the pilot. The series is executive-produced by J.J. Abrams, Wyman and Bryan Burk. Kathy Lingg (“Person of Interest,” “Revolution,” “Fringe”) and Reid Shane (“Fringe”) are co-executive producers. Brad Anderson (“Fringe,” “The Killing”) directed and served as co-executive producer on the pilot. “Like” ALMOST HUMAN on Facebook at Facebook.com/AlmostHumanFOX. Follow the series on Twitter @AlmostHumanFOX and join the discussion using #almosthuman. See photos and videos on Instagram by following @AlmostHumanFOX.

(Via Press Release)

Related Links: https://pbmom.wordpress.com/2013/10/17/jj-abrams-jh-wyman-talk-about-almost-human/

Related Links: https://pbmom.wordpress.com/2013/07/02/first-look-almost-human/

 

AlmostHumanBlogBanner





JJ Abrams & JH Wyman Talk About “Almost Human.”

17 10 2013

People are getting very excited about the premiere date approaching for “Almost Human” coming to Fox Broadcasting on Monday, November 4, 2013 at 8/7 central followed by “Sleepy Hollow.” J. J. Abrams and J.H. Wyman sit down to talk about it.

Related links: https://pbmom.wordpress.com/2013/07/02/first-look-almost-human/





Old Favorites Returning in 24: Live Another Day

6 10 2013

Kim Raver and William Devane will reunite with award-winning star Kiefer Sutherland when they reprise their respective daughter-father roles as AUDREY RAINES and JAMES HELLER on the thrilling new event series 24: LIVE ANOTHER DAY, premiering Spring 2014 on FOX.24LiveAnotherDay

Both joined the original “24” in Season Four (2005). Devane served as Secretary of Defense JAMES HELLER and the father to Raver’s character, AUDREY RAINES, a committed and passionate woman with a tragic past, who fell in love with JACK BAUER (Sutherland). They were both last seen in the final scenes of Season Six, when Jack said goodbye to a catatonic Audrey.

Raver and Devane’s reprisals add to the previously announced return of Mary Lynn Rajskub as CHLOE O’BRIAN, Bauer’s quirky CTU confidante. Raver, known for her roles on “Third Watch,” “The Nine” and “Lipstick Jungle,” was most recently featured on the network series “Revolution” and “Grey’s Anatomy.” Devane, best known for his villainous role on “Knots Landing,” recently played the U.S. President in the feature film “The Dark Knight Rises.”

Restarting the groundbreaking and Emmy Award-winning drama franchise, 24: LIVE ANOTHER DAY will be set in London and will follow the further exploits of Bauer, taking up his story four years after the events of “24’s” final season. Once again, viewers will join the heroic agent on a pulse-pounding ride in real time.

24: LIVE ANOTHER DAY is a production of Teakwood Lane Productions in association with 20th Century Fox Television and Imagine Television. Howard Gordon, Evan Katz, Manny Coto, David Fury, Robert Cochran, Brian Grazer, Jon Cassar and Kiefer Sutherland will executive-produce. The original series, which had its last American broadcast on May 24, 2010, was created by Joel Surnow and Cochran.

(Via Press Release)





24: Live Another Day

3 10 2013

LONDON CALLING JACK BAUER!!!  24LiveAnotherDay

NEW ACTION-PACKED EVENT SERIES “24: LIVE ANOTHER DAY”
TAKES JACK BAUER TO ENGLAND FOR 12 ACTION-PACKED EPISODES

24: LIVE ANOTHER DAY Marks the First “24” Production to Film Abroad
Since 2008 Telefilm “24: Redemption”

Twentieth Century Fox Television, Imagine Television and FOX are sending the production of 24: LIVE ANOTHER DAY across the Atlantic to London for a thrilling international adventure, as the new tent-pole event series restarts the clock on the groundbreaking and Emmy Award-winning drama franchise starring Kiefer Sutherland. As previously announced, 24: LIVE ANOTHER DAY will make its historic debut in the summer of 2014 on FOX.

“‘24’ has always had such a global sensibility,” said Sutherland, who also serves as an executive producer on the event series. “But to be able to tell this intense ‘24’-style story with the beauty of Europe’s history and architecture as the backdrop is going to be fascinating. Hopefully, by the time you’re finished watching an episode, you’ll feel like you’ve been there…on the edge of your seat.”

Co-showrunner and executive producer Evan Katz added, “We wanted the show’s return to be an event, and part of that was putting Jack in a very different context. Four years ago, we left Jack a fugitive from justice and we’re going to pick him up four years later in London.”

Co-showrunner and executive producer Manny Coto continued, “Jack is soon back on the run and it takes us into the streets of London and in places that break new ground for the show. We’ve shot in New York, Washington, Los Angeles and Cape Town — but now we’re in London and Jack’s loose on the streets of Europe, hunted by and hunting bad guys.”

Originally premiering November 6, 2001, “24” was nominated for a total of 73 Emmy Awards, winning for Outstanding Drama Series in 2006. Over the course of eight seasons, and a two-hour telefilm, Sutherland garnered seven Emmy Award nominations and one win for Outstanding Lead Actor – Drama Series. While the series gained global recognition, Sutherland’s portrayal of the legendary character penetrated the American psyche like no other dramatic television character to become part of the cultural lexicon.

24: LIVE ANOTHER DAY is a production of 20th Century Fox Television and Imagine Television in association with Teakwood Lane Productions. Howard Gordon, Brian Grazer and Kiefer Sutherland will executive produce, along with an additional team to be announced. The original series, which had its last American broadcast on May 24, 2010, was created by Joel Surnow and Robert Cochran.

(Via Press Release)





First Look: Almost Human

2 07 2013

AlmostHumanTwitterBoxHaving been a huge Fringe fan, I was expecting great things from this show. It was even better than I expected. As the show opens, it explains that it is the year 2048. The crime rate has increased 400%. Science and technology have evolved at an uncontrollable pace. Unknown drugs and weapons flood the streets and schools. The contraband is controlled and distributed by violent, faceless criminal organizations. Law enforcement implements a new strategy to assign every officer an advanced combat-model android.

The show opens with a great action sequence and the pace of the show continues at the same level. The androids really creep me out. Lili Taylor plays Sandra Maldonado, John Kennex’s (Karl Urban) boss, who needs his help. John is a mental mess. He does not like the android he is assigned and creatively gets rid of him and picks out a model he believes he can work with, Dorian (Michael Ealy). I was pleasantly surprised that Dorian is not like a Data from Star Trek. I was worried that the Michael Ealy ‘s natural swagger would be squashed, but again, I was proven wrong. After a few minutes, you forget he is part robot.

Although this is in our future, the set looks futuristic, but not unrealistic. In true Fringe-like fashion, a science mythos is set up almost immediately. People looking for drama will be satisfied by the action, themes of betrayal, mysterious family connections, and crime-solving. I also took note of possible underlying prejudice. Science fiction fans will be satisfied with all the futuristic-type weapons, androids, technology, a story set in the future, and all things that involve DNA. There is a scene that reminds me of something I saw on the second season of “Sleeper Cell” with a twist. Michael Ealy provides subtle comic relief to an intense storyline. He gives John some tips on how to adjust to his robotic limb. By the end of the pilot, a great partnership takes root.

ALMOST HUMAN provides a little bit of everything to everyone. The only worry I have is that potential viewers who do not like “science fiction things” might dismiss the show outright because it is set in the future. I urge those viewers to watch the show first before making a decision.  Tune in on Monday, November 4, 2013 at 8 PM Eastern/7 PM Central for the season premiere.

Thank you to Fox VIP and Fox Broadcasting for the privilege of watching the pilot episode.





Behind The Scenes of “Almost Human” on Fox

14 05 2013

Karl Urban and Michael Ealy (do I need to say more?)