So You Think You Can Dance — Top 20 Elimination

18 06 2011

As the minutes ticked down on Thursday night on “So You Think You Can Dance,” my nails were getting shorter. I went from disliking Nigel to loving Nigel in a matter of a minute. Was he dragging out the drama of an impossible decision or was it truly too tough to call? I have felt that suspense at the finale but never on decision night after the first week’s competition. I can only imagine what the nerves must have been like for the contestants.

Dancing to Sonya Tayeh’s choreographed routine to the song “XR2” by MIA, the group looked like futuristic military ninjas. Nigel announces that National Dance Day will be July 30, 2011. There will be three levels of dance routines. He encourages everyone to get out there and organize flash mobs for charity to celebrate dance.

Group dance

Group dance

The first group is called to the stage. In this group are Melanie and Marko, Missy and Wadi, and Iveta and Nick. It was pretty safe to say Melanie and Marko were safe after the Travis Wall routine. Would Iveta and Nick break the quickstep curse? All three couples are safe.

Mitchell was cleared to dance his solo later on the show after having an injury prevented him from performing on Wednesday night. I worried for him. If he was sent home, I hoped they would allow him a pass to Vegas next year.

The second group was called to the stage: Ashley and Chris, Jordan and Tadd. I predicted Jordan and Tadd would be in the bottom three couples for the simple fact that they went first, all this amazing choreography followed with other stellar performances. People have short attention spans. In part two of this group were Caitlynn (who danced with Robert Roldan instead of Mitchell), and Jess and Clarice. The next couple in the bottom three was Jess and Clarice. I think the challenge there is that many young people are voting and they don’t understand Broadway or ballroom dancing like the waltz, etc. Contemporary, hip-hop, krump, and dances along those lines sway those crowds.

Time to take a break with a performance of “Lose Control” by Keri Hilson.

Ryan and Ricky, in the next group, are safe, leaving Miranda and Robert, and Sasha and Alexander. The final couple dancing for their lives would be Miranda and Robert, totaling 7 dancers.

The Gopak was attempted in a previous season of SYTYCD with disastrous results. Tonight to perform how it SHOULD look was Gennadi Saveliev, formerly of the Bolshoi Ballet and co-founder of Youth America Grand Prix, the largest scholarship program for ballet dancers. It was beautiful.

Mitchell was up first with his solo. He reminded us who he was as a dancer and why he made it through during Vegas week. It was too soon for him to go home. Up until this season of SYTYCD, it was pretty easy to pick who was the weakest contestant sometimes up to the top 12. Then it was Jordan’s turn, followed by Tadd and Clarice. After a commercial break, Jess, Miranda and finally Robert perform their solos. I found it just as difficult as the judges, but my choices would have to be Clarice and Robert based on the solos only comparing them to the others in the group.

Lady Gaga’s video for “The Edge of Glory” debuted. I kept waiting for something outrageous to occur, but the video was cut off by a commercial. With no accompanying dancers either, I thought the video was the new victim of the economy. The live performance of this song at the American Idol finale was better (at least what I saw as a home viewer).

After coming back, it was announced that Clarence Clemons who played the saxophone in the Lady Gaga’s video suffered a stroke. Clarence was playing the sax at the American Idol finale. Shocking news. The judges asked Mitchell and Robert to dance again. I felt there was hope for Mitchell. Still not being able to make a decision, they call the girls out one-by-one and give them a critique. Then he makes the girls wait. Nigel calls the guys out and gives them a critique. The decision is: NO ONE LEAVES. A first in SYTYCD history. While that is great news for this week, 4 people will leave next week. If trying to pick out 2 to send home, how will it even be possible to pick out 4? Tune in to find out. See if history is made again.





So You Think You Can Dance — Top 20 Performance

16 06 2011

Tonight’s performance proved that season 8 has the most collectively talented group of dancers out of all the previous seasons. What sets them apart this year may actually be the choreography rather than the execution.

Judging this evening were Nigel Lythgoe, Mary Murphy and a guest judge, Megan Mullally. What? Why? Although I appreciated her humility about her not being an expert, I prefer real choreographers. I’ll be interested to see what kind of feedback she is able to give the contestants.

In order to get to know the contestants better, they are going to have 8 seconds to share some insights about themselves.

Birthday girl, Jordan, is paired with Tadd for an African jazz routine choreographed by Sean Cheesman. Jordan is 19 today. She wants to be a Pussycat Doll. But can you sing, Jordan? The howling like a dog does not sell me on an American Idol title, although she did make me laugh. Jordan loves food and her favorite color is blue. Tadd is 25. He played a dancing taco in a movie. He almost died doing Bollywood (one of my favorite dances). When he was a kid, he thought he was Caucasian. He cannot ride a bike. And world peace. Endearing. He is adorable. Dancing to the song, “Riding the Waves” by Afro Celt Sound System, it was a nice start to the show. Did it feel like a dance about lava? Yes. There were a few spots where their movements were not synchronized (jumping up in the air together, for example), but considering Tadd is a b-boy, he did a great job. This is jazz so it plays to Jordan’s strengths. I liked the little b-boy moves that Sean put into the dance for Tadd to showcase his strengths, too.

Jordan and Tadd

Jordan and Tadd

Sasha is 23 and is already forgetting her age (wait until she is my age). Her favorite color is purple. Alexander, her partner this week, age 20, lives in California, and speaks Spanish. With both of their backgrounds being contemporary, they were relieved to see their style for this week was a contemporary style from the immensely talented Travis Wall to the song, “Stupid” by Sarah McLachlan. Travis always has an amazing story to go with his dances. Poor Alexander got beat up during rehearsals because of the nature of the choreography. The song has some excellent rhythms that Travis capitalizes upon in his interpretative dance. Sasha and Alexander did him proud. I found myself breathing and moving to the deep beats. I was completely mesmerized by this routine. At this point, this is my favorite out of the two routines presented.

Sasha and Alexander

Sasha and Alexander

Clarice is 19 and her eyes “change colors.” She tends to be shy but opens up after you get to know her. Hailing from New Jersey, Jess, her partner, is 18. He loves Broadway and to sing and dance (I would hope so). He likes to make weird noises. Somehow I do not think these dance choices are by chance anymore as they get a Broadway routine, Jess’ strength. Our resident Broadway choreographer, Tyce DiOrio, welcomes them to rehearsal. I think Jess liked the butt slapping a little bit too much, but it makes him endearing. That is part of what makes people vote. They dance to Liza Minnelli’s “Me and My Baby.” It was an upbeat, fun routine. Tyce is very pleased as well. When Nigel praises him, Jess looks like he is going to cry. (If you remember back, Nigel had said something negatively about his arrogance during the auditions).

Jess and Clarice

Jess and Clarice

Nineteen-year-old Ryan talks very fast. She is a Sagittarius who loves Law & Order: SVU and Mexican food. Ricky, her partner, was originally born in Miami and moved to Tampa when he was 15. He loves cheer music. These two contemporary dancers get lyrical hip-hop which is pretty close to contemporary. Think Mark & Chelsie’s routine to “Bleeding Love” in season 4, which is one of my favorites. Christopher Scott choreographs the story here which is important. The characters are in love, but the female is “gone,” and it’s driving the male character slowly insane. When I hear a character is “gone” I immediately think “dead.” The song chosen was “Ain’t No Sunshine” by Lighthouse Family. Ryan did a great job at the hip-hop movements. It is crazy that a simple facial expression could throw off a routine that was meant to be a sensual powerhouse. Ryan explained her interpretation of the dance. However, the lyrics of the song should have dictated her facial expression. This is about there being NO sunshine, but Ryan was beaming full of it. Ricky was quick-witted with his comment about leaving Ryan for Cat. If you are going to leave the beautiful Ryan for some reason, that would be a good one.

Ricky and Ryan

Ricky and Ryan

Small-town girl Caitlynn is 18 and a senior in high school but has her first-year of college done (AP classes, I imagine). She loves the color green and Disney movies. She is partnered with Mitchell who injured his arm during rehearsal and will not be able to dance this evening. (A shout-out to Mitchell who follows me on Twitter–Get better soon.) You could see how visibly upset he was in the audience and I felt so bad for him. In his 8 seconds to get to know him better, we find out he is allergic to onions (watch your back). He loves chocolate and childhood movies. I would suggest the movies, “UP” and “How To Train Your Dragon” while he recuperates. His favorite color is orange. They were dancing a Sonya Tayeh jazz routine celebrating fearlessness in the warrior spirit. Robert Roldan from season 7 steps in for Mitchell. The song is “In For the Kill” by La Roux. The moves are complicated, as I would expect from Sonya, with a lot of shoulder moves. Caitlynn’s moves WERE fearless and made warrior mother spirit Sonya proud.

Caitlynn and substitute partner Robert

Caitlynn and substitute partner Robert

Miranda is from Pittsburgh. Don’t worry, Miranda–I still need a nightlight, too and I’m much older than you. She likes spicy food. Robert (Woo-Man) gets to be her partner. He is from Brooklyn (where I was born). He loves to cook, play video games, wrestling, dogs and cats. They get a Latin dance and Jason Gilkison has a jive for them. Huh? How is a jive a Latin dance? I am a little worried that they are trying to make Robert like Twitch, especially with the signature glasses. Twitch was an original. The song is “Runaway Baby” by Bruno Mars. It was fast and fun. Robert’s feet are flat instead of pointed. They pretty much stay together with the music (that is difficult to do with such a fast song with fast moves). Afterwards, Robert works the crowd. Mary felt that Robert stole the show tonight. Nigel cautioned him that his “woo” could endear him or make him annoying.

Miranda and Robert

Miranda and Robert

Missy likes yoga, lipstick, long walks, eating, her family and talking in a Jamaican accent. She would like to marry an Australian (perhaps the show “Outback Jack” will be back someday). Wadi, coincidentally, was born in Jamaica. He is 24 years old and loves the Japanese culture. They got the jazz dance card with Sean Cheesman. Pandora’s Box is being opened and sexy, evil demon clones of you get revealed. The first prop of the season is brought out–the box. “Judas” by Lady Gaga is the song. Some of the box work is not synchronized, but it is difficult to do that when you can’t see your partner. I felt like there was some holding back. They could have gone absolutely nuts to make this crazy sensual, but as a viewer, I felt a wall up. It looked like they were thinking too much about the dance. The jumping skills of Wadi worked well here. This was Wadi’s first time ever in his life partnering with someone. Given that, I’ll give them a bit of a pass on the routine.

Missy and Wadi

Missy and Wadi

Melanie is from Georgia and likes chocolate chip cookies. She collects nail polish. Interesting tidbit is that she used to suffer from narcolepsy and had to wear a helmet. She wants to be on Ellen’s show. Marko will be Melanie’s partner. He is from Guam. He loves to eat. He reassures us that his voice is his; he is not sick or has a sore throat. Once again, they get the not-random choice of contemporary with Travis Wall. It is “Night at the Museum” with a twist: The male dancer wants to become one statue with the female statue. The song is “Turn to Stone” by Ingrid Michaelson. This is my favorite dance of the night. It moves me emotionally and gives me goosebumps. Nigel goes so far as to say it might be the first Emmy-nominated routine of this season. About this time, Travis Wall began trending on Twitter. Mary holds back her tears. Nigel calls Melanie the queen bee of the beasts.

Melanie and Marko

Melanie and Marko

Next up is Ashley. She loves food and the color magenta. She is paired with hip-hop dancer Chris who was born and raised in Dallas, Texas. He is one of seven children. Chris likes ice cream, biking, movies and going out with friends. Their routine will be hip-hop, choreographed by Christopher Scott, danced to the song, “Forget You“, by Cee Lo Green. The story is that the couple has been cheating on each other and find out at the same time about the other’s infidelity. Apparently this hits close to home for Chris (who would cheat on him?). The lyrics of this song does not fit this story. The routine is cute, but it lacks synchronicity and better hip-hop moves were coming from Ashley.

Ashley and Chris

Ashley and Chris

The last dance of the night pairs up Nick and Iveta. That was a good pairing. Iveta is intimidating with her ballroom championships in 10 different styles. Iveta is 30 and lives in New York City. She is originally from Lithuania. She wants a pet monkey and she is hot for dance. Nick plays with the camera and talks really slowly for his 8 seconds. He’s just fun. They are dancing ballroom and they act surprised. Doing the quick step, the kiss of death on this show, is Jason Gilkison. They dance to one of my childhood favorites, “Ballroom Blitz” by Sweet, which is fitting considering poor Nick just went through Ballroom Boot Camp, and the song has his name in it at the beginning. I loved it. It was a great way to close the show. Although we won’t know until Thursday night, I think the curse of the quick step has been broken.

Iveta and Nick

Iveta and Nick

To sum-up, my favorite routine of the night was Melanie and Marko. But who will be in the bottom 3 couples? Unfortunately I think Jordan and Tadd might be in trouble for two reasons: They went first and the dancing just got better. However, I know they have a large fan base. We know Mitchell is going to be in the bottom because of his injury, but I am unsure if that means Caitlynn automatically goes there with him. For me, the third couple would have to be Ryan and Ricky or Ashley and Chris just because of the reasons stated above. Both routines were choreographed by Chris Scott. It is difficult to even pick a bottom 3; we are talking differences between 3 teaspoons of sugar versus 2 teaspoons of sugar.

One thing that needs to change is the assignment of the dances. The cards need to be put in a box and shaken up before each couple chooses. The show is about challenging the dancers beyond their comfort zones. Let’s see Iveta do hip-hop. Let’s see any of the hip-hop boys do ballroom.

Who are your top performers? Who do you think will be going home?





So You Think You Can Dance — America’s Top 20 Revealed

12 06 2011

Vegas Hell week is over. Of the 31 dancers that remain, America’s Top 20 will be chosen. I loved having the all-stars last year. It immediately elevated the dance contestants to a higher level, but having only 10 of them go through was difficult. Some gifted dancers, like Ryan Ramirez, did not make the cut, but surely if there had been a top 20, she would have. A decision was made to bring together the best of both worlds: Have a top 20 and when it whittles down to the top 10, bring in the all-stars. I LOVE IT! Tonight they combine 2 shows into one, grouping the announcement of what dancers have made the cut into their dancing styles. Some of these dancers we’ve seen on screen before; some are new to us. After they were announced we would get to see the group dance.

Ricky Jamie auditioned in Salt Lake but this is the first time he has really been featured. He has been dancing since he was 9. He has great height and lines. He is confident that his answer will be a yes, and it is. Miranda Maleski then took the long walk to hear her fate. Nigel plays with her heartstrings, doing the bait and switch to pretend like she is leaving, but she is also in the top 20. One of my early favorites, Melanie Moore, from my sister’s former town of Marietta, Georgia, also joins the top 20. I look forward to her enchanting us with her pixie dust. Abigail Ruiz and Kate Linetka would not be part of this year’s competition. The Mallory sisters started this journey together and then walked together to receive the news of their fate: Sasha would be the one moving forward. I’ve known of Sasha since September of 2010 when I saw her performing with the Adam Lambert tour.

Melanie, Miranda, Ricky and Sasha then took the stage to dance a routine choreographed by Stacey Tookey to the song, “In This Shirt” by The Irrepressibles. In the champagne-colored outfits, they glided about the floor in an ethereal way. They all partnered well together, each being there for the other for some intricate movement. Since no one goes home tonight, there are no critiques, just praise.

Contemporary

Melanie, Miranda, Ricky and Sasha perform Stacey Tookey's routine

Back to the green mile, Chris Koehl of Texas has taken this trip before in season 7. Mary Murphy delivers the good news that he will be a part of season 8. Tadd Gadduang (from the Salt Lake auditions, who reminded me of Dominic) and Wadi Jones will be joining him. Virgil “Lil’O” Gadson, however, did not make it through, although Nigel complimented him on his wonderful personality; perhaps next year. Drace Reed was also eliminated. Robert Taylor (the Woo man) was not feeling confident about his chances to make it to the top 20. Being 30, this was his last year to try out. Bryce “Professor Lock” Johnson also wondered if there would be room for him. It was “Woo” versus “Indubitably.Robert, who previously auditioned in season 3 for American Idol, was in and Bryce was out.

Chris, Robert, Tadd and Wadi took to the stage to perform a routine by Dave Scott to the song “Everyday (Coolin’) by Swizz Beatz featuring Eve. Robert almost looked with Twitch with the red glasses on. I’ll have to say that Tadd had the best moves, but Robert’s personality stood out. The boys got swagga.

HipHop

Chris, Robert, Tadd and Wadi performed Dave Scott's hip-hop.

Ballrooms dancers are up next and out of everyone that made it to Vegas only 2 survived: Iveta Lukosiute and Lenny Progue. My guess is that both of them would make it as it is a male/female partnership. Mary delivers the news straight-up to Lenny: He was too weak in his other styles. Would 10-dance World Champion Iveta be in? This is her last year to compete in this competition. Mary Murphy is very emotional delivering the news to Iveta and it did not look like she would make it either. Iveta makes it!

They brought in Pasha to dance with Iveta, dancing to a Jason Gilkison routine to the song, “Ven a Bailar (On the Floor)” by Jennifer Lopez featuring Pitbull. She looked stunning as Pasha expertly guided her along the dance floor, in a paso doble complete with skirt-yanking-turned-cape. While Iveta showed us why she is a world champion, I still adore Pasha and Anya’s partnership. It’s hard to build chemistry with someone you’ve just met. When Iveta is described as a 10-dance World Champion, it is not that she won 10 different competitions, but rather is the champion in all the different ballroom dances.

Ballroom

Iveta finishes performing Jason Gilkison's routine.

Jazz dancers were highlighted next. Clarice Ordaz and Bridget Krouse were nervously awaiting their fate. Clarice received good news; Bridget was sent home as was someone named Tae Kwon. Another one of my favorites, Marko Germar, is the young man who was shot in the shoulder, the bullet still embedded inside. We will be seeing him in our top 20. Missy Morelli and Jordan Casanova (another of my early favorites) are the little vixens vying for our attention of their seductive prowess. Could the top 20 handle both of them? Yes we can!

Performing a dance choreographed by Sonya Tayeh to the song “Vanguardian” by Steed Lord, Clarice, Jordan, Marko and Missy took the stage. By Sonya’s standards, this was pretty tame, but was still fierce. Sonya’s describes her dance style as “combat jazz.” They all made her proud and had Tyce on his feet.

Jazz

Clarice, Jordan, Marko and Missy perform Sonya Tayeh's routine.

Broadway/Tap dancers were the next group. Although he auditioned in Atlanta, Nick Young was not one of the featured dancers, so we have not learned much about him. He is from Wisconsin and played sports in high school. Back in the early 2000’s, he toured with Kenny Rogers Christmas show as an actor/singer. Jesse LeProtto was one of my early favorites, reminding me a great deal of Evan’s dancing, but with a little bit more attitude, which actually bothered the judges. Jesse knows he is good and I feel sometimes that is not a bad thing. He also has a great sense of humor, saying that hip-hop was the dance he excelled in. He is in, as was Nick.

Nick and Jesse came together on stage to perform Christopher Scott’s immensely entertaining routine to Nina Simone’s “Funkier Than A Mosquito’s Tweeter.” It showcased the dancer’s fun personalities and their mad skills as tappers. If I had to choose who the better tapper was Nick would have the edge. Jesse hams it up with the audience which brings a smile to my face. Nigel tells us that 4 of the girls are also tappers. He also said, “This warmed the cockles of my heart.”

Contemporary dancers were last. Caitlynn Lawson auditioned in Salt Lake City but was not one of the featured dancers on that show. She hails from Washington State and is a senior in high school. A bit of a tomboy, she likes to fish, camp and go four-wheeling with her family. She kind of reminds me of Lacy Schwimmer around the eyes. She sails into the top 20. Ashley Rich would also be joining her. With only one spot left for the girls, Ryan Ramirez found herself in a similar predicament as last year. Alexa Anderson waited nervously along with her. Only one of them would be moving on. However, they would have to wait as Mitchell Kelly’s fate would be determined next. Mitchell auditioned in Atlanta, but again was not a featured dancer on that show. Chicago, Illinois is his hometown, and started dancing relatively late at the age of 15. He receives a “yes” from the judges. Alexander Fost and Jeremiah Hughes were vying for the last spot for the males. Alexander receives the last spot. Would it be Alexa or Ryan? Both young ladies are very emotional. Ryan receives that coveted last spot.

Travis Wall has become a choreographer who has moved me to goosebumps and tears. He was on season 2 of “So You Think You Can Dance” and came in second, proving that you do not actually have to win on this show to become successful. “Moth’s Wings” by Passion Pit played while Alexander, Ashley, Caitlynn, Mitchell and Ryan took the stage. The dance was celebratory, soft and spiritful, floating and fluid. While everyone should be commended on a job well done, my eye was particular drawn to Ryan. All the judges were on their feet clapping for this one. Cat loves Travis’ bow tie.

Contemporary2

Alexander, Ashley, Caitlynn, Mitchell and Ryan dance to Travis Wall's routine

But wait, that is not it. The audience is to be treated to three more routines. The 10 guys perform to a routine by Christopher Scott, where he mixes hip-hop with contemporary and pulls it off. The song is “Velocity” by Nathan Lanier. It was reminding me for some reason of The Matrix when all the infected versions of Agent Smith come out of the doors (ha, I wrote that about The Matrix before Nigel said the same thing in his critique). I have a harder time finding small faults with a large group, so for me, bravo to all of them for a job well done. Interesting comment from Nigel when he says that “this show doesn’t favor the boys all the time” (reference to American Idol).

The routine for the top 10 girls was done by Sonya Tayeh. Her theme is to “make a geisha girl creepy and twisted and excited.” Sonya is the perfect mama cub who pushes her pups to work hard but at the end of the day is the one hooting and hollering in the crowd in thunderous support and pride. The song is Pop Drop and Roll by Chonique Sneed and Lisette Bustamante. The timing and precision of the girls are flawless. Mary needs a bigger Hot Tamale Train. Lil’C has words for Sonya for the acronym of her hand which moves Nigel to come over and hug him.

After commercial, Nigel says that next week 2 dancers will go home, one male and one female. This year, we will be allowed up to 50 votes on-line for our favorite dancer.

The top 20 then performs to a Tyce Diorio routine to the song “Little Bird” by Annie Lennox. Some of Tyce’s routines have also made me cry in the past, but tonight it is about celebration and being upbeat. The show closes out without any comments but the pictures and names of this season’s SYTYCD.

Tyce

All the contestants perform Tyce's number

Good luck to all the contestants next week!





So You Think You Can Dance — Vegas Hell Week

11 06 2011

Vegas week for So You Think You Can Dance is for dancers what Navy Seal hell week is for those candidates. All the candidates are the best of the best. For these dancers, it will be the ultimate battle of mind versus body. Some are at SYTYCD hell week for the first time; others have been here before. They started out with 160 contestants and soon they would be whittled down to American’s Top 20.

Joining them on Day 1 were judges Nigel Lythgoe, Mary Murphy, a casted Adam Shankman, Robin Antin, Debbie Allen and Tyce DiOrio. After their solos, the dancers would be performing routines in hip-hop, Broadway, ballroom, and then the group round and onto contemporary.

Going in a completely opposite direction of this champion ballroom dancer, Iveta Lukosiute comes out wearing a very naughty outfit. Having been cut 2 times before in previous seasons during hell week, she sets her sights on Nigel. She captivates the judges as well as the “Woo-Hoo” man, (Robert Taylor, Jr.). It is very difficult when your strength is in ballroom, who is used to dancing with a partner, to do a solo, but her unique performance and nice cha-cha moves will leave an impression on the judges. After the first 15 perform, Iveta moves on.

Unfortunately, the only thing memorable about Marlin Pelayo’s performance was his unitard, made by his mother and painted by his friend. I understand the desire about standing out, but your dancing has to be equally impressive (like Iveta’s). After the first 15 performed, he was sent packing.

Pelayo_Unitard

Marlin Pelayo's unitard

I was worried about Wadi Jones’ b-boy performance when it first began, remembering the critiques they gave Legacy in seasons’ past about the pauses in between moves. He has a lot of great moves and I look forward to seeing more of him. I loved, too, his blue sneakers matching his shirt.

The final dancers of the solo rounds were Sasha and Natalia Mallory. I love the energy of them together. While Sasha is a typically built dancer, the rebel in me roots for Natalia is breaking stereotypes. The dance reflects the nature of their relationship: Playful, fun, teasing, antagonistic.

After the cuts from the solo rounds, the number of contestants dropped from 160 to 114.

The hip-hop round was choreographed by Tabitha and Napoleon Dumo, a.k.a. NappyTabs for those unfamiliar with the show. Chyna Lee Smith (from Idaho “where the potatoes grow”) apparently started to lose her mind at this point during the warm-up, and it went downhill from there. Wadi Jones develops intense muscle spasms in his legs. Three couples took the stage to perform the routine. Chyna’s mind goes totally blank and she begins to just make up the moves. I almost felt like maybe she was intoxicated, but sleep deprivation has been known to cause similar symptoms. Because of her audition in Salt Lake, she is given the first “dance for your life” card from the judges and asked to do the routine again later. Surprise cuts, and some of my favorites, included Hero McRae (from Japan), Patty Anne Miller (the drummer/Berkeley School of Music grad), Mary Kate Sheehan (the Irish step-dancer), Kristen Dobson (the young lady with only 3 years of Latin dance experience) and Samara “Princess Lockeroo” Cohen, a total of 14 cuts.

Wadi Jones works through his pain and is rewarded with a pass to the next round. Eight contestants had to return to dance for their lives including Chyna and Iveta. Nigel does not understand why some of the contestants did bad earlier but now are so much better. This is not rocket science; the first group had to perform soon after learning the routine; each subsequent group had that much longer to practice. The people dancing for their lives had hours and hours. They are all put through the next round.

Day 2

Tyce DiOrio teaches the group a very sexy Broadway routine. On the judges’ panel, Jason Gilkison sits in while Adam Shankman gets his knee checked out at the hospital. A fully recovered Wadi Jones pairs up with Jordan Casanova, who caught Tyce and Nigel’s eye in the original auditions. Also joining these two on stage were Jessica Watanabe and Virgil “Li’l O” Gadson. Jason said Jessica “owned” that routine. All four are put through to the next round.

Chyna Smith, Jess LeProtto, Sasha Mallory, Natalia Mallory, Derion “DC” Chapman, and the “Woo Man” Robert Taylor, Jr. did a fabulous job and moved through to the next round.

Rebecca Hart and Jeremiah Hughes have been to Vegas many times in the past, hoping 8 will be their lucky number. Jeremiah is notorious for having lost his temper previously. Time matures people, however. Despite his timing being off, the judges will let him through; however, Jeremiah needs to work on his facial expressions though because the anger is still there. People have to be able to take constructive criticism so that they will grow; he seems to find any criticism a personal attack. If Debbie Allen says you’re off, you…are…off. A tearful Rebecca, however, is sent to pack her bags once again. “Krumping for Christ” Brian Henry was given a ticket home.

Jason Gilkison teaches the group a jive dance, a notoriously fast dance, in the afternoon. The female dancers have their podiatrists or orthopedists on speed dial as their heels give them hell and ice packs are helping the economic downturn. Ryan Ramirez came inches close to being in the top 10 last season (all-stars round was the top 10 dancers instead of top 20 in a usual season). After delivering that sad news, Lil’C asked her to return to audition the next year. Her toenail is bleeding and I feel horrible for her.

In the first group, Natalia and her partner Josh Williams are given another opportunity but will be paired up with different partners.

In the second group are Sasha Mallory and Ryan Ramirez. Nigel tells Sasha that her knees are supposed to be together, but hers were open. She’s brought enough in previous rounds to get her through. Everyone else gets through as well.

Natalia performs her routine with Bryce “Professor Lock” Johnson and moves on to the next round.

The last group to appear on camera was Alexia Mason, sister of Jeanine Mason, winner of season 5. She does not do well; there is no joy in the jive. She gets the second “dance for your life pass” and returns to dance contemporary. After watching her solo, her level of dance is not up to the other contestants, especially in those facial expressions. Her lines needed to reach greater heights and deeper, but I believe because of Jeanine, she is given the pass to the next round.

At 10 p.m., there are 39 guys and 35 girls left. They are asked to stay up through the night and learn a group choreography number. Nigel says they will be looking for creativity and entertainment. This is when the drama occurs as people are nearing physical and mental exhaustion. This is when emotionality rules. All the dance numbers go well and no one is sent home.

After a break for lunch in the pool, contemporary style is on the dance card for this day. Cat Deeley says 67 remain, but the math does not add up (39 guys + 35 girls before group round = 72). Choreographing this year is the fantabulous Travis Wall, a former contestant from season 2 who has shown his extraordinary choreography skills during the last few seasons. Assisting were former contestants Jamie Goodwin (season 3) and Robert Roldan (from season 7). Ryan Ramirez hurts her back during practice and goes to the hospital. Natalia also goes to the hospital because her blood glucose level dropped.

Sasha and Bryce “Professor Lock” Johnson are in the first group to perform for the judges. I think contemporary is one of my favorites to watch. It is so beautiful and emotional. Both are put through.

More groups perform and more favorites like Robert Taylor, Jr. (The Woo Man), Wadi Jones, and Virgil “Lil’O” Gadson.

After returning from the hospital, Ryan gets a refresher with Jamie and Robert. She is paired up with the handsome Robert. They are a stunning pair. Debbie Allen tells her to ice her butt; she’s made it through to the next round.

The final group performs. In this group are Jeremiah Hughes and Arielle Coker. Both had made it to the contemporary round, 2 and 4 times respectively, and were cut. Derion “DC” Chapman is also in this final group. DC looks lost. Airelle looks shocked when she is sent home yet again and does not know how to respond to Debbie Allen’s remarks. Three times is the charm for Jeremiah who is overcome with emotion. DC makes an emotional appeal and Debbie Allen gives him a “man-up” speech and gives him free dance lessons.

At the end of the day 12 more dancers are sent home including Chyna Lee Smith.

The remaining contestants have to perform their solo and tell the judges why they deserve to be there. Natalia is given a free pass through the contemporary round. None are given “formal” feedback during the solos, but there are comments from the judges’ gallery, especially for Clarice Ordaz. Going home is Kelsey from the first group. Twenty-four more dancers were sent home including Kimalee Piedad, Chase Thomas, and Amber Williams. Alexis Mason danced her solo but showed her immaturity not only in her moves (when comparing her with others that made it through) but also her facial expressions. She has the ability to grow so much since she is only 18.

Thirty-one dancers remain, but, there is still one final cut to be made and only 20 will be dancing for American’s votes.





So You Think You Can Dance — Salt Lake City, NY, LA

8 06 2011

After watching these auditions, there seems no end to the talent still out there. Most of the people picked have contemporary or hip-hop backgrounds; very few ballroom dancers have been seen.

Salt Lake City

Robin Antin from the Pussycat Dolls (and sister of famed hair stylist Jonathan Antin), Mary Murphy and Nigel Lythgoe served as judges for this segment of the trip. I found Robin annoying with her constant talking about the Pussycat Dolls and if this or that contestant would work for her group. This is not about them; this is about THIS show.

First to perform are a pair of steppers, Devon McCullough and Micah Clark from SLC. They were in-sync with a very difficult routine. During choreography, however, only Devon made it through to Vegas.

Chyna Lee Smith from Pocatello, Idaho, had overflowing enthusiasm and a long list of SYTYCD alumni with whom she has worked: Matt, Natalie, Brandon, and Allison Hooker did the choreography for her audition. She comes from a dancing family, her mother having danced with the Osmond’s. She’ll be one to look for during the Vegas auditions.

It was fun to watch Annie Gratton, of Phoenix, Arizona, with her father, Francois Gratton. I dare say that the father performed better than the daughter when they danced together at Nigel’s request, but Annie is going to Vegas; dad can’t meet the 30-year-old cut-off.

Tadd Gadduang reminds me of the playfulness of Dominic Sandoval. He performed his hip-hop routine to classical music. He was straight through to Vegas.

Samantha Miller many have lost some of her memories, but her muscle memory is still there. She was put through to choreography but was told to come back and audition next year.

Day two of Salt Lake City discovered the talents of Chase Thomas from Provo Utah. Performing a contemporary routine, he showed a lot of strength. His lines were not the cleanest, but he did okay. This is the young man whose former girlfriend cheated on him, but found someone else and is now happily married. He is through to Vegas.

I am not sure what I make of the Brittany/Ringo Starr thing. If her father was just acting, then no harm, but he was demented and has delusions thinking he is Ringo Starr, then that was wrong to have exploited him.

New York Auditions

From my birthplace, Brooklyn, Jason Gilkison, Mary Murphy and Nigel Lythgoe were judging this set of performers. I was introduced to a new term: Whaackin. It is a style of dance that came into prominence around the 70s in predominantly gay club scene. It draws from modern jazz, funk, soul and ballet to name a few. It also has distinct elements of vogueing and locking as well. Samara “Princess Lockeroo” Cohen from Brooklyn brought this unique style of dance to life and got a ticket straight to Vegas.

Performing a contemporary/lyrical dance was Brandon Jones from New Brunswick, NJ. He had great height and strength. He was given a ticket to Vegas.

Brian Henry from Brooklyn was an odd dude. Performing an energetic and aggressive krump dance, he looked angry. However, when he said it was his “praise dance” and that he “krumped for Christ” I did not know how to understand that. After choreography, he was given a ticket to Vegas.

Our Irish step-dancer, Mary Kate Sheehan, also from Brooklyn, was up next. She made great use of the stage and made step-dancing look easy and graceful. She was sent to choreography and then earned her ticket to Vegas.

Virgil “Lil’O” Gadson from Philadelphia was also given a ticket to Vegas.

Day 2 of the Brooklyn auditions brought out dance styles other than contemporary and hip-hop. Jess LeProtto from Little Falls, New Jersey performed a cute jazz routine. He reminded me of Evan. After choreography, we will be seeing more of him in Vegas.

One of the few contestants we’ve seen performing a Latin dance, after only 3 years of ballroom experience, Kristen Dobson impressed Mary Murphy. Jason gave her some constructive criticism about her performance. We’ll be seeing her in Vegas after showing her abilities in the choreography session.

The “Woo” Man, 30-year-old Robert Taylor, Jr., of Brooklyn, was a lot of fun in his hip-hop routine. He was not as tight as others we have seen, but he was given a ticket to Vegas.

Los Angeles auditions

Tyce DiOrio, Mary Murphy and Nigel Lythgoe were the judges for this last on-the-road auditioning segment.

Jordan Casanova of Chino Hills, CA, was a sexy spitfire. She said she “turns into something else on stage.” Indeed she did and earned the first ticket to Vegas.

Derion “DC” Chapman of Reseda, CA, reminded Nygel of Twitch, who was in the audience. He was given a ticket straight to Vegas.

Having tried out many seasons in the past, Arielle Coker of Los Angeles wowed all the judges with the improvements she had made. We will be seeing her in Vegas.

Hero McRae, hailing from Japan, was crazy good with her hip-hop routine which was rewarded with a ticket to Vegas.

The last day of on-the-road auditions brought us such potential as Alexis Mason, sister of Season 5 winner Jeanine Mason). Patty Anne Miller, a style consultant, also of Los Angeles, did a fabulous hip-hop routine. She had received a full scholarship for drumming to Berkeley School of Music and had graduated. Both received tickets to Vegas.

The last audition was for sisters Sasha and Natalia Mallory from Bakersfield, CA. Sasha had previously been a dancer on Adam Lambert’s tour. Nigel was surprised at the dancing that came from Natalia because of her weight. Nigel has a short memory (Donyelle Jones, 3rd place winner in season 2). They were sent to choreography and both sent through to Vegas.

Vegas week is grueling and only the strong (and those who avoid injuries) survive. I hope some of my favorites will be there.





So You Think You Can Dance — Altanta/San Francisco auditions

1 06 2011

I have watched SYTYCD since season 2 (much like American Idol). There have been amazing dances that have left me sobbing, made my heart race, given me goosebumps, and made me get up and dance. I cannot get enough of this show.

Since Adam Shankman is off doing a movie, they are going back to two fixed judges (Mary Murphy and Nigel Lythgoe) with one rotating judge. Mary Murphy was greatly missed last year, but I also adore Mia Michaels.

The Atlanta auditions brought out Lil’C, Mary Murphy and Nigel. I’ve never seen faster moves in Colombia salsa dancing than Bianka Hinklerian. Dean and Damon hip-hop dance was a lot of fun. Marko Germar’s story of being shot in the arm after he was robbed at gunpoint was inspiring. But the standout for me on day 1 of the Atlanta auditions was Melanie Moore, a contemporary dancer majoring in art at Fordham University. She hails from Marietta, Georgia, where my sister formerly resided. She brought me in and I found myself breathing when she did. She had some awesome beautiful lines and extensions. Along with her bubbly personality, she is adorable with that retro 50’s look with her pin curls. This show is not all about dancing; the contestants need to make connections with the audience.

A day two favorite of mine was Kimalee Piedad. She had a lot of acrobatic moves. Kyre Bustiste’s grandmother was a lot of fun as she was called up to help in the judges’ panel of her own grandson.

On to San Francisco with judges Tyce Diorio, Toni Redpath and Nigel Lythgoe and where the contestants brought their hearts to the stage. Amber Williams, a slightly insane contemporary dancer, is someone to watch with interest. Timothy Joseph performed great hip-hop but dropped out of the competition during choreography. Danielle Ihle’s story of going from a middle-income family to being homeless was, at the same time, sad but inspiring. This young lady has had to overcome a lot of obstacles. She was sent on to choreography where she then earned her ticket to Vegas. Ashley Rich is another contemporary dancer to watch. Jeffery McCann did such an excellent hip-hop routine; it earned him a ticket straight to Vegas. Back again after being in the top 24 last season was Ryan Ramirez. She said she debated coming back to audition, but I’m glad she did.

We were introduced to a new style of dance for the show called “turfing.” It involves 1) swagger; 2) feet work; 3) pantomime; and 4) storytelling. Levi Allen glided across the floor, but failed to impress in choreography.

Who are your favorites so far?





My Favorite American Idol Memory

13 02 2011

I want to thank the Fox VIP program for sending me some awesome gifts (pictures below).

 

American Idol Yearbook From Fox VIP

American Idol Yearbook From Fox VIP

A 10-year shelf life is a long time for an American television show, even more rare for a reality show. This year I was determined not to watch American Idol. It was hard for me to watch the show in season 9 in the shadow of the unique talents of Adam Lambert from season 8. It was difficult for any of the season 9 contestants to win me over, although some eventually did. When I heard Simon Cowell was leaving, I thought that was the death of American Idol.

 

From Fox VIP, an ITunes card to download more Idol music

From Fox VIP, an ITunes card to download some more Idol music

As much as I love Steven Tyler and Jennifer Lopez, I never pictured them in a judging capacity. I missed the first night of auditions. While I was watching Fox 26 Houston 5:00 news the next day, Joey Guerra, the music critic from the Houston Chronicle, was on and he said the judging vibe was very different this year. Knowing I was likely going to regret my decision, and adding yet more television viewing hours to my already packed schedule, I tuned in. He was right. The judging screamed of Nigel Lythgoe’s handiwork; it was very similar to the So You Think You Can Dance auditions, another show that I love. We will see how this all turns out.

 

From Fox VIP, autographs of the principals.

From Fox VIP, autographs of the principals.

In the meantime, I have two favorite memories of Idol. My favorite memory is the one that lives in my imagination where Adam Lambert is declared the winner of American Idol Season 8. While Kris Allen showed a lot of growth during season 8, Adam Lambert was the standout global superstar. I consoled myself knowing how successful Chris Daughtry went on to be by putting in the hard work not only in his music, but in building his fan base. Adam would be just fine. Tonight, he will be at the Grammy’s, having been nominated in the category of Best Male Pop Vocal Performance for his hit song “Whataya Want From Me.” The category has some stiff competition.

 

Adam swag from his concert in Houston

Adam swag from his concert in Houston

My favorite memory that became a reality was the night David Cook won. Having been so invested in Chris Daughtry in season 5, as a fan I felt like the world of rock deserved this moment. Somewhere in the weeks leading up to the season 7 finale, David Cook transformed into this phenomenal talent. From the beginning of the show until the end of the show, he showed more growth to me than David Archuleta who, while amazingly talented, remained consistent.

The irony of that statement does not escape me: The same thing I praised David Cook for in season 7, I faulted Kris Allen for in season 8.

I dialed relentlessly that evening to make sure that my votes indeed counted. I waited with visibly shaking nervous twitches, just as those famous YouTube teen girls did, waiting to hear David’s name being called, David….Cook, not Archuleta. I was in my office doing some work for my employer. The howl that erupted from this office made my husband come running in to see what had happened to me. He thought I had hurt myself, that I was laying on the floor, having hit the wall or something. HE WON!!!!!! “Good God”, he replied before walking out of the room, shaking his head in a look that displayed mild amusement and mild disbelief.

 

David Cook Wins Idol

David Cook Wins Idol

So my readers, over the last 10 years what has been YOUR favorite American Idol moment?