Glee Preview: The New Rachel

12 09 2012

Thanks to FOX VIP, I had the privilege of viewing episode 1 of Season 4 of Glee, “The New Rachel.” Not only does the title reflect what is going on with Rachel (Lea Michele) in her new surroundings in New York City, but also back in Lima, people are wondering, “Who is the next Rachel Berry?” Artie (Kevin McHale), Tina (Jenna Ushkowitz), Blaine (Darren Criss) or Brittany (Heather Morris)?

When we last saw Glee, Rachel Berry was off to New York City ready to conquer the world. Like many freshman at universities all over the world, she has to find her way, to reinvent herself, dealing with life on her own, with a roommate, and in the big city. She will have her successes, failures, and temptations, but she is an adult now, making her own decisions.

Some of the new faces we see in this episode are: Kate Hudson (Cassandra July), the Sue Sylvester of NYADA; Becca Robin (Kitty), the new old-Quinn of Lima; Alex Newell (Wade “Unique” Adams); Melissa Benoist (Marley Rose); Jacob Artist (Jake Puckerman), Whoopi Goldberg (Carmen Tibideaux); and Dean Geyer (Brody Weston).

The NYADA scenes have a feel of the original Fame movie. The comedy as always is spot-on. Was that Melanie Moore from SYTYCD on there in the background? It is! It is! And oh Lord, Dean Geyer in a towel. And about halfway through I swear I saw Kent Boyd from So You Think You Can Dance, too.

I was curious how they were going to be able to meld the two locations into a show without losing from either one. Would they focus on one location and alternate it all season or mix the two up? I should have never doubted. Both are highlighted without detracting from each other, in fact, enhancing one another.

It would not be a good Glee episode if it didn’t have its moments of tear-shed, and indeed I did, briefly. There is a break-up, updated information on some of our graduates, and a happy reunion at the end. You could not ask for a better way to start a new season, a new sound, and a new chapter. It works.  Make sure to watch Glee on Thursday, September 13, 2012, on Fox starting at 8:00 Eastern/7:00 Central.





Touch Recap: Safety In Numbers

28 05 2012

(A bit behind so I’ll keep these brief so I can be current before the season finale). I thought I’d try writing this up in arcs, but since they are interconnected, it makes that difficult. Also thought I would maybe sum up the last 6 episodes but that was not going to work, so back to the old format.

This episode’s important number was 3287 and what is up with door #6 at the Board and Care?

The opening starts with a reflective thought of evolution, “If a species wants to survive, it has to prove it deserves to.” Jake (David Mazouz) talks about how fire ants can hold onto each other like a living raft waiting for the water to recede and how did that all begin that they knew to do that?

At The Claremont, address 3287, a man (Rob Benedict) places a paper at the door. Another man picks it up. Jake is sitting at the door with the number 6 on it (room 122 on the placard). Jake narrating the dialogue lines: “What if you were the one who knew what needed to be done but you had no words? How do you make the others understand? How do you call for help? ”

We’ve been experiencing this with my son. He is nonverbal. We try a communication system. He seems to have this burst of learning. Then he refuses to use it, and it leaves him. First it was sign language, then others in between, and last year, it was with a program called Proloquo2go (pronounced PRO-LOW-QUO-TWO-GO) for the IPhone/IPad. He seemed to just excel in it, and now he gets agitated whenever we ask him to use it to communicate. He can’t ask for help. All he can do is communicate through behavior. Let’s just say he has been VERY LOUD the last few months.

Back to Touch, Jake places a call to Martin (Kiefer Sutherland) who hears static on the phone but knows Jake needs him. Like a Bat Signal. Martin opens the door to Jake’s room, but he’s gone. They find Jake at door 6. Jake stuffs the paper into Martin’s coat and returns to his room, but gives him direct, sustained eye contact (something Jake does not do). The picture is a dragon.

Martin visits Professor Arthur Teller (Danny Glover). Martin asked if he would spend his life chasing down numbers for Jake. Teller reminded Martin that Jake feels the pain of these threads, real physical pain. The professor warns that Jake has a higher purpose and he won’t be the only one that notices (foreshadow for future episodes).

Meanwhile in Soweto, South Africa, Grace (user name Grace22) (actress Yetide Badaki) takes a career aptitude and placement test (Version 1.6) in her village. Her ID to complete the test is 3287. Baruti (Darrell Luke) tells Grace she needs to leave her friend, Sauda (Khanya Mkhize), and take a job in the city. A young boy watches from the window. The two boys, Thabo (Dante Brown) and Farai (Kwesi Boakye) put a bottle cap in the window. I’m guessing they intend to go back later.

Grace and Sauda in Soweto

The Worldwide Dance Battle is on the TV at the Center and Jake focuses in on it. The audience would be picking a winner.

A woman in a red dress (Olesya Rulin) goes through security at the dance battle. She is supposed to meet someone outside a tent. The security guy (Brett Wagner) is very kind to her.

A taxi hits a homeless woman who we are led to think is Clea’s mom (Taxi 4R21) in front of Martin. The man from the beginning of the show steals a book she has. A nurse comes to attend to the woman (Marci Michelle). Martin runs after him.

It’s Marci Michelle!

Meanwhile the Beastmaster (Stephen “tWitch’ Boss) is on the stage, dancing to “I’m Sexy and I Know It.” I adore tWitch from So You Think You Can Dance. He is among my top 20 favorite dances ever on the show (especially the one with Alex). I digress.

Twitch from So You Think You Can Dance.

Back in Soweto, a violent man named Fumbe (Ike Onuoha) is with Grace’s friend Sauda. Fumbe has beaten her. Grace wants her to leave. Fumbe freaks and strikes Grace to the ground.

Martin catches up with “The Invisible Prince.” He shows Martin that the book is his; the woman stole it from him. The book is similar to what Jake gave Martin in his pocket. The Prince is just like Jake but he can speak and is an adult. He tells Martin, “The dragon is loose.” Was Martin looking at this man concerned that Jake would go insane as he aged?

Martin and The Invisible Prince. Is this Jake’s future fate?

Jake is playing with the red car again. Clea (Gugu Mbatha-Raw) is doing RFFC’s with him (applied behavior analysis term for receptive by feature, function, class). She takes the car to try to get Jake to give her eye contact. He grabs the car, giving her a side glance only, and walks downstairs to door 6 again. He slides the car under the door.

The kids in South Africa have aspirations. They want to compete in this internet dance battle.

The Prince is upset that he almost missed changing a light at a corner for a woman to cross without waiting (Kate Fuglei). He then goes and buys a red flower and puts it on the bus bench for a different woman (Janeline Hayes). The Prince pauses in front of The Claremont for a moment before moving on. He tells Martin that he tried to slay the dragon with a magic sword but failed. He offered it to The King and he buried it deep within the Mountain of Clare (I’m guessing The Claremont) behind a wall of stones. The final battle was tonight. Then the two women arrive at their destination together in a building with a red dragon sign on the outside: Morton Starling Finances.

Izumi (Satomi Okuno) and Miyoko (May Miyata) from Japan are at the Coachella Valley festival because The Morticians will be playing. They’ve been in the running thread since the pilot. They converse with the girl in the red dress using a translator app on 2 phones (one translating to English what they said in Japanese; the other translating her English to Japanese). Clever! Apparently the red-dressed girl got stood up by a guy she met online (imagine that). The Morticians will be playing in 15 minutes, so they leave, but one phone is left behind. This is the phone that has been roaming the world since the pilot episode in January.

Izumi and Miyoko from Japan here for the Morticians, and the girl in the red dress.

The women who the Prince was connecting had a conversation at the elevator to which Martin listens. They are plaintiffs in some class-action suit and they are about to settle. They talk about “Roger King” and Martin knows that name. Martin pretends he is representing Roger King to go to the meeting. A journalist, Rush Middleton (Graham Hamilton), who was a former colleague that Martin would request bring him coffee, saw Martin and thought he was there in a journalistic capacity. Martin thinks he can get Roger King to talk, so Rush gives him the address: 3287 Avondale (Just FYI, The Claremont’s real address in NYC is 229 East 12th Street, New York, NY 10003).

Clea asks Sheri (Roxana Brusso) about room 6; Sheri says it is empty. A phone call from 212-920-6922 (reverse white pages says this is a phone number, a landline in the Bronx) comes in to Clea’s phone. It is her mother. When she answers, she is told her mother is in the hospital.

Martin goes to The Claremont. Charlie King (Vince Grant) Roger’s son, tells him Roger is dead. When Martin says, “The Invisible Prince” an open door awaits. The Invisible Prince was a bedtime story that Roger used to tell. The Invisible Prince had to do good deeds in secret or they would not count. Charles says Walt (the Prince) was a genius at numbers and produced a financial system that made Morton Starling billions. Charlie’s son Matt (Elijah Nelson) is also watching the internet dance battle. He was “The Domin8tor”. Because he bowed out of the competition so Charlie and Martin could do some internet research, it led to an opening for 4Soweto. But I’m getting ahead of myself. (Just FYI, the web address on the computer is not a real site). From the “Invisible Prince” story, Charlie says it was the magic sword of truth.

Clea’s mom apparently is schizophrenic (supposedly; I’m wondering if she isn’t like Jake). She asks the nurse if the woman was hit by the taxis near the tracks at Queensboro Plaza. The nurse (Deidrie Henri) says yes. Her mother is in room 5290, but ta-da, it’s not her mother. The woman stole her mother’s phone.

Sheri recognizes Teller at the Board and Care. Teller asks for a tour because he is considering placing a patient there. She obliges a short tour.

Martin finds a box requiring a combination, but Charlie does not know it. The audience knows 3287 will open that lockbox. Documents that were never previously opened are in there–the magic sword of truth. It’s now 5:43 p.m. and Martin has to RUN to get to the New York Herald–16 minutes to go 22 blocks. If this is possible is if this is a north-south street or an east/west avenue in New York City because the lengths are different. A 20-block street equals about a mile. And that’s not counting traffic lights.

Jake begins to hum and catches the attention of Sheri who thinks he is in pain or something. Teller observes. It gets louder. Sauda is being beaten in Soweto and is screaming. Martin is running. Grace rhythmically drugs on a pot. Jake is screaming (to what Clea previously described about her mother screaming when the trains rushed by that scared the crap out of her). The women in Soweto come out with their pots and rhythmically drum in solidarity to support Sauda.

Thabo did not show up, so Farai dances instead. The crowd goes wild. They show room 6 again. The red car gets pushed back out into the hallway. Sheri lied about it being empty.

Walt King wrote a memo showing Morton Starling the flaws in his financial model design and the company exploited it to make millions. Rush does not understand Martin’s intention. Martin replies that it was the same reason he told him to get him coffee everyday–because he knew Rush would be a great reporter. Rush offers Martin a by-line, but Martin refuses, saying it would be their little secret, otherwise it would not count.

The girl in the red dress meets the Beastmaster who just lost to the 10-year-old in the dance competition. They bond over the videos from the cell phone that has traveled the world.

Martin meets up with Walt and tells him they fixed the thread. The Invisible Prince then knights Martin as the Invisible Knight. Martin relays a message that Charlie and his family welcome him to come home any time he wants.

A montage begins: Clea sees the red car in the hallway and knows Sheri lied. Teller creates a file on Jake. The reporter on TV (Craig Stepp) shows that Main Street won out over Wall Street. The 2 women from the lawsuit toast their victory.

The Invisible Prince watches his brother and his family come home to the Mountain of Clare, his face showing the longing to be with them but knowing he has a greater purpose to fulfill. Sauda is taking a computer test to be able to move to the city with Grace and rise above the domestic violence. Martin tucks Jake into his bed donned with red sheets and a comforter of red with white circles (patterns). Clea returns Jake’s red car to him. Clea sees herself in Martin’s actions and promises to be more understanding.

Martin starts a bedtime story for Jake about The Invisible Knight who served The Silent King and together they helped people they did not even know were there. And The Silent King closed his eyes and went to Dreamland.

Jake listens to the The Silent King story.

What I adore about this show is the thoughtfulness they put into providing clues for us. Like the eye contact Jake gave Martin to communicate how important this task was. The running theme of the color red–the car, the flower, the dress, Jake’s sheets/comforter, the red dragon logo on the company’s building. When we were first working with Patrick, we noticed he stopped on the color red of his One Fish, Two Fish book. The group of people working with him asked, “How can we use the color red to help him?” They came up with these thoughts: Use red lipstick so that he will look at your lips when you are speaking. Eat something red (popsicle or lollypop) so he can see movement of the tongue. Use red to put near your eyes so he will give greater eye contact. But I think the show is emphasizing the red string of fate. I wonder if Jakes gets any peace from the pain in the dream state. What I think they can improve upon is uberfans who adored Lost for the same reason: The clues, trying to figure out the larger story. Perhaps they can put more real-life clues into the show. For example, on “24” one of the times they had a cell phone number, fans from 24 actually called the number and got a message from the actors. What if one of the numbers could provide the uberfan with additional exclusive clues that they would not get anywhere else. Lost created a whole web presence built about its mythos. I think the producers of Touch should do the same. It helps us to experience the show on a different level than just viewing. It is about participating and making the global connections.





Touch — Review and Synopsis

26 01 2012

Touch

It has been a long time since I have been profoundly moved by a television show that has left me feeling hopeful regarding the interconnectedness of humanity. For anyone who believes things happen for a reason, this will be your new favorite show. Having previewed their new baby on Wednesday, January 25, 2012, Fox will enjoy seeing news about this series spread in the coming months. When it debuts on March 19, 2012, it will be seen around the globe in more than 100 countries within 3 days’ period of time and try to achieve a level of connectedness by the fan-base as never before. Arguably it has been something people have been complaining about for quite some time about the US or Canada having exclusive access to a show, and other countries having to wait to see it, sometimes many weeks, sometimes many months, sometimes never, which leads to seeking access on torrent sites which ultimately results in the demise of a show because no one is live-viewing it anymore.

The story centers around Martin Bohm (Kiefer Sutherland) and his son, Jake Bohm (David Mazouz). Labeled “severely autistic”, Martin never believed in the diagnosis given to his child and seems to be just trying to do whatever he could to make a connection with his son, yet fully accepting and loving his child at whatever place he was (very Son-Rise-esque).

I am a mother with a child with severe autism. In the weeks leading up to the show, I seemed to be getting a lot of negative feedback about that–not ANOTHER show about another kid with autism–as if autism is the célèbre-du-jour of Hollywood. Indeed kids or adults with autism were turning up everywhere on every show either as part of the main cast or as a guest star. There are a few shows that got it right, but most did not. Most people with autism are not savants (only about 10%). While parents with autism appreciate the desire to bring awareness to the spectrum disorder, when it is depicted incorrectly, it hurts our cause. The general population has grown tired of hearing “My child has autism.” They scoff at you like you are just part of the misguided parents who need to have a diagnosis for their child. Or, you have the medical community trying to reclassify the spectrum of autism to water it down so it does not appear to be an epidemic (a blog for a later time). Even I started viewing this show with a bias.

From this point forward, there will be spoilers:

The show opens with a narrative from Jake about numbers very similar to the a belief borne from the red string of fate, a Chinese legend that said the gods tie an invisible red string around the ankles of those that are destined to be soul mates and will one day marry each other. The two people connected by the red thread are destined lovers, regardless of time, place, or circumstances. This magical cord may stretch or tangle, but never break, a concept very similar to soul mates. But Tim Kring, the creator of Touch, twists this idea even further to tie a group of individuals together.

Fans of Jericho (or Three Rivers or Hawaii-Five-O) will be thrilled to see that Carol Barbee is executive producer on this pilot. Executive producer Peter Chernin now has another hit on his hands after enjoying great success with Terra Nova and New Girl, also on Fox. Also sharing executive producer co-credits are Katherine Pope (also of Terra Nova and New Girl), Kiefer Sutherland, and producers, Neal Ahern, Jr., (Terra Nova, Parenthood), and Dennis Hammer (Heroes, Crossing Jordan).

The show opens with Martin at his job at the JFK airport in New York where he is gathering a bunch of cell phones, that were left in the lost and found and unclaimed, for his son who is fascinated by them. One of them rings as he is walking away. Apparently it is the owner of one of the phones trying to get the phone back after losing it at Heathrow Airport in London 2 days previously. He is not looking to get back the phone itself, but rather photographs within the phone. Apparently it is her birthday “tomorrow” but he is now in Mumbai. And he seems to be in great emotional distress. Martin’s phone is ringing so he places the man’s phone down in a bin. His son is in trouble. “I pay your school good money to keep my son safe. Are you grasping me?” Oh yes, I was relating to this character very much.

He’s off to talk his son down off an electricity tower, and I mean that literally. Meanwhile, the cell phone gets mixed up on top of some luggage. Jack Bauer is scared of heights? What? Oh wait, wrong show. It is hard NOT to put Kiefer automatically into the role of Jack. The workers want to know if the numbers 318 have any special meaning to Jake but Martin shrugs it off. A report to child services is going to need to be made.

On the way home, they stop at a gas station. Martin gazes at his son in the rear-view mirror while gazing over at the school bus filled with children talking and acting like normally developed children. My heart sinks. I know EXACTLY what this character is feeling. How many times have I done this with Patrick, just for a brief second wondering what life would be like? Martin and I share a common bond in addition to the fact that they are our only living child so we know really no other kind of life. He looks into the rear-view mirror and his son is gone, having taken off to go over towards the bus. Another similarity to autism–so I’m still very hesitant. How many of us turn away for a second and our kids with autism take off? Martin talks to his son like one would talk to their loved one in a coma, hoping that something they say will jar their loved one to respond in some way, desperately longing for that contact. I have been in this place, too, where Patrick was seemingly catatonic (but very noisy, unlike Martin’s Jake). Martin notices the number on the bus: District No 318. In the store, the TV is showing a story on “The Children of 9/11” and the struggles they endure. A man is trying to buy a Lotto ticket. Jake looks up as the man calls out the numbers: 87 1 9 20 31 11. Jake grabs the Lotto ticket and runs to the car, locking the doors. He writes down these numbers on pages of numbers he already wrote previously and hands the ticket back. The man says, “You ought to keep that kid in a cage.” Oh yes, that is something we’ve had to endure hearing before.  But this is actor Titus Welliver from “Lost” so I expect dark mystery to surround him.

Then we see a beautiful young singer, Kayla Graham (Karen David) on stage, surrounded by her fans, recording her performance on a cell phone that looks very similar to the one found at JFK. She does not believe she’ll ever be a big star. Her co-worker, Niles Borne, (Simon Delaney), tries to encourage her, saying half the company was there to support her tonight. He tells her that we all have a destiny, and hers is to be a big star. The cell phone, he believes, is the key. He found that the cell phone had traveled all around the world and now her recording was on it. The phone apparently right now is in Dublin, Ireland. He sticks the cell phone into the luggage of someone headed to Japan and away the cell phone goes.

An alarm set for 3:18 goes off at Martin’s computer. He goes in to put Jake to bed. Jake has apparently lined up cell phones. He mentions that the doctor said he was going to grow up bigger than him and how was that going to work? I’m already living that. I’m 5’3″ and my 16-year-old son is now 6 feet tall, and has seizures. The cell phones go off. Jake has all of them programmed to show the numbers 87, 1, 9, 20, 31, 11.

A family in the Middle East, Baghdad, is the next bunch introduced. The son is trying to imitate Chris Rock and wants to be a comedian. They need an oven to keep their bakery. It will cost 800,000 dinar (about $687 US dollars). The only way to make that kind of money is with shady characters who make people blow themselves up. His friend suggests they check out Hassam’s place.

Clea Hopkins (Gugu Mbatha-Raw) from family services shows up at Martin’s door the next morning. One reality disconnect: They do not show up that quickly. I already dislike this woman, so she did a great job as an actress. She lists his inadequacies as a parent, supposing that the state could do a better job. Another reality disconnect: The writers did not Google: State facilities, Texas, fight clubs, Department of Justice report, Corpus Christi. “The financial challenges will only increase as your son gets older.” I can relate to that statement, but do you know what the first thing is to get cut when state budgets are on the line? Yep, people with disabilities. Good thing Martin lives in New York versus, let’s say, Texas.

Martin shares that his wife died in the 9/11 tragedy (making Jake a child of 9/11–see above).  While Clea is trying to “talk” with the silent Jake, Martin sees the numbers in the newspaper: The numbers belong to the new Lotto winner. The man (Randall) who bought the ticket realizes he is a winner and places a phone call to a woman. He says he wants to come home now.

Simon (the owner of the cell phone now off to Japan) is on a plane and calls a woman. He is on his way to Tokyo. He wants to be there for “her” birthday (the child) but the woman is short on conversation. She also appears to be in emotional pain. My first thought was a divorce. He asks her if they took any photographs of Lily while they were on vacation besides for the ones on his phone; a tear streams down her face as she says no.

Clea tries to explain the strange coincidence off as it being part of Jake’s autism, which Martin insists is NOT his diagnosis. Martin said that for all he knows Jake does not speak because he has nothing to say. Martin says he is trying to communicate; Clea belittles his thought to wish fulfillment. Her character then starts softening up, trying to say no one is judging him (but they are).

A young Japanese woman goes through the bag of the man who came from Ireland, the one with the cell phone in his bag. She and her friend, Izumi, are in a fan club of a group called “The Morticians” who are from Ireland (actually a band based out of Waco, Texas). The man lives in Tokyo but wants to have some fun with the young girl before going home. She grabs the cell phone in his bag and leaves.

Back in New York, Martin is leaving Jake at the boarding facility. Obviously no research has been done here either. These state facilities do NOT look like this gorgeous facility. My heart wrenches for Martin not only for having to leave his son in one of these places, but also that he cannot even hug him to say goodbye. Personally, I’d skip the country and run. No one is ever taking my kid from me. Martin then goes to visit the grave of his wife, Sarah. He says, “They say God never gives you more than you can handle. But I think he has this time.” Oh dear, the tears start streaming from my eyes. How many times have I felt and said the exact same words, or felt extreme anger at people who have said that to me, not having the slightest clue what our lives are like. He looks down to find a FDNY badge with the numbers 318 on them.

The Japanese girls see Kayla Graham’s video and decide to start up a fan club as they believe she is probably already a big star in Ireland. They are going to enlist the talents of their friend, Takezo, who runs the Jumbotron at Shibuya. They will get him to download “everything” on that phone and put it up on the Jumbotron (you can see where this is going). They’ll pass the phone to another client at 4:00 p.m. , who is catching a plane to Kuwait in 3 hours.

A search for mutism and cell phones leads Martin to the door of The Teller Institute that lists the following: Mysticism, Mythology and New Age interpretation; a rise in diagnosing behavioral disorders; for a select few, mutism is a false diagnosis; this is a beginning in a shift of consciousness. (Okay, now I’m thinking Mayan 2012 theories here). We are witnessing an evolutionary step (I’m thinking Alphas here). We must listen to their message. How string theory and quantum entanglement…. (I’m thinking Fringe). The geek that I am (and conditioned Lost fan) looked up the link to http://www.tellerinstitute/electromagnetism.html but it does not exist. He gets an address to this institute: 318 West Tesla Street, Bronx, NY. SWEET. It would have been really great if the address actually existed. A bath-robed Professor Arthur Dewitt (Danny Glover) answers the door. He talks about electromagnetism and that some kids (mostly) are just tuned into the right frequency. Interestingly, he gets Martin an orange soda, the same kind Jake drinks. Apparently Jake has discovered the Fibonacci mathematical sequence on his own. He shows him pictures of the curve, similar to how Jake lined up the cell phones. “The universe is made up of precise ratios and patterns. You and I–we don’t see them. But if we could, life would be magical beyond our wildest dreams, a quantum entanglement of cause and effect where everything and everyone reflects on each other. Every action, every breath, every conscious thought connected. Imagine the unspeakable beauty of the universe he sees. No wonder he doesn’t talk. ” Martin, excited, responds, “My son sees all that?” The professor continues, “Your son sees everything–the past, the present, the future. He sees how it’s all connected.” Martin responds, “You’re telling me my son can predict the future?” The professor adds, “I’m telling you, it’s a roadmap. And your job now, your purpose, is to follow it for him. It’s your fate, Mr. Bohm. It’s your destiny.” I now have complete chills. I see the parallels of my own life being reflected in this story. My Patrick has accomplished a great deal in his 16 years on this earth; my purpose is for him to fulfill his destiny. I have often felt like his conduit.

Back at the school, Clea becomes a believer when Jake uses popcorn to make the numbers 2, 1, 2, 9, 2, 0, 6, 9, 2, 2, the numbers which was her mother’s phone number. And then her cell phone rings with that number. He goes over to circle 18 on the March calendar.

The Lotto winner is headed to Lynchburg, Virginia.

Martin looks at Jake’s numbers again and gets a phone number. Using modern technology, he puts it into the reverse phone numbers feature of a web site and it comes up as Grand Central Station at 87 East 42nd Street. Eighty-seven is the first number of the Lotto sequence. Clea knocks on his door; 3/18 is “today.” Martin is not sure if he is supposed to stop something from happening or make something happen, not only to happen on 3/18 but AT 3:18. Twenty-two minutes to Grand Central Station? Yeah, right. He better live close-by. When he locates the phone, there is a man talking on it. When he turns him around, he realizes it is the man from the store, the one who punched him. Now Martin punches back. The police break up the fight. It’s now 3:19 and Martin thinks he has failed.

Back in Iraq, a group of men walk in on the young boy at Hassam’s and they hide. They have a bunch of cell phones, including the one with Kayla Graham’s recording on it. A little girl sees them, but does not appear to give them away, but one of the terrorists comes back in. They catch him. He tells them about the oven and you can see the evil in their eyes. You know they are going to make him do something bad.

Back at Martin’s the 3:18 alarm goes off again on his computer; he notices there is a message on his answering machine. Randall Meade is calling him. Randall Meade who won Lotto; Randall Meade who was on the phone at Grand Central Station leaving Martin a message on his answering machine. He was a fire fighter on duty who tried to save his wife that tragic day. He was part of Ladder Company 318 on 9/11. He went to the 87th floor of the North Tower. His wife was alive, barely conscious and bleeding pretty badly. He carried her down 31 flights of stairs, but could not carry her any further. He convinced himself that she was dead, but the truth was he was not sure if she really was. He had been thinking about her for 10 years and had been playing the same lotto numbers every week for 10 years. 9, 11, 2001, 87th floor, 31 flights of stairs. He had wanted to try to make the numbers come out right. He was going to give all the money away. Then Martin hears himself on the phone answering machine, the encounter that happened at Grand Central Station. Then he hears Randall Meade’s name on the TV. Apparently the bus from the gas station had overturned in a bad rain storm. He pulled the kids from a burning bus. He said to the reporter if he had not missed his train, he would not have been there. Martin heads out to see his son, but his son escaped the state facility. Martin still does not know the further repercussions of this red thread.

Flash over to the Jumbotron where Simon, who is now in Tokyo, tries to call his phone: 44, 077, 0090, 0488. He gets Kayla Graham who is back at her day job. He wants her to find out where his phone is, but it is in “an invalid territory.” Kayla appears on the Jumbotron. He pleads with Kayla to please help him. Lily’s picture is in there, his daughter who died a year ago. Simon looks up at the Jumbotron and sees Lily’s pictures. It brings some peace to a grieving father. In Iraq, Simon’s phone rings. It is hooked up to a bomb that is now attached to our character’s chest. He pleads with Kayla to tell the world he was not a bad person; she tries to help him not explode. With all these wonderful connections, my heart was hoping this young man wouldn’t be blown up, that he would get his happy ending, too. Kayla tells him there is always a choice. They bond over Chris Rock. She asks him what would make him not do this. He tells her, “An oven.” She knows a guy (Simon) in restaurant supplies.

Martin and Clea find Jake at the tower. Jake narrates again: “The ratio is always the same: 1 to 1.618 over and over.”  Kayla’s co-worker sees her video on YouTube with 1,621,318 views. Simon makes it home to his wife. Martin overcomes his fear of heights and climbs the tower to talk to Jake. Jake says, “Will these words be used to hurt or to heal?” Randall gets on a bus to Virginia. Martin tells Jake that he followed the numbers and people were saved. “I don’t know if you can even hear me, but I can hear you, Jake?” I’m sobbing at this point. How many times have I said this to my nonverbal son? Jake crawls over to him and for the first time in Martin’s life, gave Martin a hug. I have raccoon eyes by now; my mascara is flowing everywhere. I remember the first time my child gave me what I call a half-hug. My dear friend who I shared my glee with said to me that she appreciated me sharing these things with her because it made her appreciate her neurotypical child even more. She never realized the things she took for granted, the comment that made me realize that Patrick’s purpose was for people to appreciate the people in their own lives and not take even simple things as eye contact for granted.

Jake grabbed Martin’s cell phone and pointed him on his next mission: 718-673-5296

Where I end my belief is this: How does Martin’s phone still work in that monster rainstorm?

My message to Tim Kring: Season 1 of Heroes was awesome. Touch has the possibility of great things that may start people thinking more about the ripple effect of their own actions, and acting more kind to each other. Don’t screw it up, okay? Save Touch, Save the world.





Terra Nova Genesis

25 09 2011

By Hilda Clark Bowen

Forewarning: This preview may contain spoilers, but such spoilers are already readily available on the internet from interviews, previews and the like.

“Welcome to paradise.” And welcome to the one of the most awaited shows in television, a show so ambitiously graphic, the original premiere date was cancelled for this later date, a show so heavily publicized on so many different channels and venues to every possible demographic imaginable, it cannot possibly fail. But as one Twitter friend pointed out, it is going up against Monday Night Football; he felt it was only a matter of time before it was moved to another day. I doubt there is any show that wins over Monday Night Football, but Fox must have great confidence that this show can compete.

After viewing the first 60 minutes, courtesy of Fox VIP, I can say this show has something for everyone. It is not primarily about dinosaurs. There is drama, humor, love, action, angst, heartthrob-status rebellious teenagers, adorable children, betrayal, mystery, idyllic tropical backdrops, and out-of-this-world visual effects.

The show centers on the Shannon family: Jim (Jason O’Mara) and Elisabeth (Shelley Conn), and their 3 children, Josh (Landon Liboiron), Maddy (Naomi Scott), and Zoe (Alana Mansour). That is a problem in 2149 because the air is toxic and population is controlled to a maximum of 2 children. It is an even greater problem since Jim is a law enforcement officer. Their secret is discovered and the family is put through an ordeal that would tear other families apart. Love wins and without giving the details of how it happens, they manage to arrive to Terra Nova for a fresh start, but not without heartache for one of the members of the family. Jim has to prove himself to Commander Nathaniel Taylor (Stephen Lang) before he entrusts him with a secret. Not everyone is in harmony in Terra Nova. Expedition 6 left the compound for unknown reasons, and there is violence between them. The leader of expedition 6, Mira, will be quite familiar to every “Stargate SG-1” fan, Christine Adams. There will be trials ahead for the Shannon family as well as they adjust to their new lives.

The show has the potential to be the next “Lost” with mysteries already being unlocked in the pilot episode. The writers, knowing how intelligent their audience will be, give a great explanation of why the butterfly effect will not occur–this is an alternate timeline. What is fantastic about that is that the writers will not be bound to what our knowledge base is for prehistoric history, being free to create new and interesting theories and–of course–fascinating new dinosaurs (and I’m sure other creatures).

The executive producers on Terra Nova are:  Steven Spielberg, Peter Chernin, Brannon Braga, Rene Echevarria, Alex Graves, Jon Cassar, Aaron Kaplan, Katherine Pope, Justin Falvey, Darryl Frank, Craig Silverstein, and Kelly Marcel. The director for “Genesis”, the pilot episode, is Alex Graves. The episode was written by Kelly Marcel, Allan Loeb, and Craig Silverstein. It premieres Monday night on Fox at 8 p.m. /7 p.m. central.

While it is airing in the United States, the finale episode is being shot in Australia. Several of the people associated with production have expressed a desire to try to live-tweet while the episode is occurring if time permits. So follow these Twitter feeds Monday night:

@JonCassar
@Jason_Omara
@TerraNovaonFOX
@joeh90
@NaomiScott
@JoseMolinaTV
@traviswf
@earnestracket
@Simone_Kessell
@TerryMatalas
@allisonemiller
@teamcephalopod





“New Girl” on Fox Tonight

20 09 2011
Cast of New Girl

The Cast of "New Girl" on Fox

This is a quirky little show that reminded me of a more modern version of “Three’s Company” only the mix here are 3 guys living with a girl, something that is very common nowadays.  Airing as the first new show of the 2011 fall season is “New Girl‘ starring Zooey Deschamel on Tuesday, September 20, 2010 at 9 p.m./8 p.m. central after  “Glee” as the strong anchor show.  According to Fox, “New Girl” is produced by Chernin Entertainment in association with 20th Century Fox Television. The series is created and written by Liz Meriwether.  Liz Meriwether, Jake Kasdan (“The TV Set,” “Freaks & Geeks”), Peter Chernin (TERRA NOVA), Katherine Pope (TERRA NOVA), Dave Finkel (“United States of Tara,” “30 Rock”) and Brett Baer (“United States of Tara,” “30 Rock”) are the executive producers. Jake Kasdan directed the pilot.

A nerdy, goofy, Jess Day, after having her heart broken by her boyfriend, needs a new place to live.  She quickly bonds with her new roommates by the end of the show.  She believes in people a great deal even after heartbreak only to be disappointed by them again.

Her three roommates include Nick (Jake Johnson, Lie To Me, Flash Forward).  He is still carrying a torch for a woman so he has something in common with Jess.  He seems to be the sensitive guy and is definitely the most intelligent one among the three.  Schmidt (Max Greenfield, Ugly Betty, Lie To Me, No Ordinary Family, Castle) is an up-and-coming young professional who is on the prowl for anything that moves.  He has to pay into the vulgar jar every time he gets out of line.  Schmidt was the most annoying character for me to watch.  However, he is the one who knows exactly what Jess needed this time–to get out and find a rebound date.  Coach (Damon Wayans, Jr., My Wife and Kids, Happy Endings) is a personal trainer who does not know how to speak to women.  Coach exudes a stalwart exterior, but he is a softy, sweet and shy, and needs some tips from Jess on how to have a conversation with a woman.

Joining this group is Jess’ childhood friend, Cece (Hannah Simone, Beautiful People, WCG Ultimate Gamer) a model who has great relationship advice for Jess and warns the boys that if they hurt her, she will kill them.

Collectively they make the perfect dysfunctional family unit, each having strengths the others do not possess that will help them grow.   Give it a chance; you’ll have the time of your life.