Chicago Day 2
Joining Mary Murphy and Nigel Lythgoe for day 2 of the Chicago auditions was Fabrice Calmels from the Joffrey Ballet.
First up was “The Puppet” Paul Brushaber. He is 18 and from Mokena, Illinois. He makes it look so easy but I cannot imagine how difficult his style of dance is. I would send him to choreography just to give him an opportunity to partner with someone. The judges surprised me. Mary wanted to live in his world. Fabrice loved that he created his own style.
Emily James, a 21-year-old from North Kingstown, Rhode Island, auditioned twice before in seasons 8 and 9. She took season 10 auditions off so she could use her degree, but she discovered that it is dance is what she should be doing. I got a mini-set of goosebumps at times. She has power but there is something missing here. Maybe it was just nerves or maybe a disconnection of her dance to the chosen music emotionally. I remember when I first saw Melanie Moore and I knew she would be the winner. Melanie always extended her reach lines just a little bit further. But Emily had some interesting moves I have not seen others do. Fabrice said it was solid. She is through to the next round.
We are then shown a montage of people who get through, but they are cutting the audition features down it seems.
Next up is Franchesca Bass, an 18-year-old young lady from Crown Point, Indiana. I loved that she created this story behind her dance. It was unique and interesting. Nigel was mesmerized by her and she had fabulous techniques. Fabrice, too, thought it was unique and he really enjoyed it. She is through to the next round.
Jenna Scaccia is an 18-year-old trainee with the Joffrey Ballet and apparently has a slight crush on Fabrice. She is a ballet dancer but it looks more like contemporary with ballet mixed in. It was light and heavenly and I’d give her a ticket. And they do. Nigel said she had a good flow of movement and it was very beautiful. Mary said it was like she floated on a cloud. She made Fabrice proud; he loved it.
James Thomas is a hip-hop dancer who does contortion and bopping. He is from Chicago. This type of dance is always so freaky to watch (in a good way). Fabrice thought it was insane. He tells them that he knows other styles so they give him a yes to choreography. Choreography proved too much for him and he drops out.
Los Angeles
Christina Applegate joined Mary and Nigel for this round of the auditions.
Jessica Richens from Yorba Linda, California did a jazz number. I loved the routine but I hope her “sexy” does not become a crutch. I think this particular audition was my favorite to watch so far of all the ones shown to date. Mary and Christina thought she could win the show and she is through.
I enjoyed Valerie Rockey‘s tap routine quite a bit. Mary said she was full of light and life. Christina said she wanted to look at her feet but she was drawn up to her face and then she saw what she was looking for in her expressions. She is through to choreography and from there she got through to the next round.
Jana “JaJa” Vankova is part of Phillip Cheeb’s animation crew who hails from the Czech Republic but now lives in Chatworth, California. She needs some lessons from Cyrus to get her animating to the next level. It was enjoyable. She is through to the next round.
The next contestant was a joy. Kyle Taylor is a 28-year-old man from Wichita, Kansas. He does popping in his home, but has never had professional guidance. I was amazed. Kyle just wanted to get a favorable opinion from other dancers. Kyle, I don’t know if my opinion counts, but that was hot! You were on fire! Nigel proposes a battle and Fik-Shun, Cyrus, and Legacy get up from the audience and join Kyle on stage for a little dance-off. I enjoyed this part so much. It made this guy’s day. He did such a great job that they give him a yes to choreography but he bowed out when he realized it was too much above his level.
Justine Lutz has experience in ballet and jazz but decides to do a contemporary routine for her audition. For a moment I was worried for her. For someone who has no experience in contemporary (and freely admitted this to the judges) who had the guts to do contemporary, it was beautiful. I had goosebumps. All three judges were standing and she is, of course, through to the next round.
Mauricio Vera and Deise Mendoza are in love. They are 27 and 23 respectively from Santa Barbara, California. I got goosebumps. Christina was in tears. She wanted to watch them all day long. Mary started crying. Off to the next round for both of them.
Hailee Payne is a 19-year-old from Roy, Utah. Her family is a lot of fun as well. I think Sonya Tayeh will LOVE getting her hands on her. I loved her hair (I want it). I also loved her dance. I will remember her because of the unique style that makes her stand out. I also liked her personality. That is a big part of the ability to win over people’s votes. It is not always being about the best dancer. She is through.
Sebastian Serra, a 24-year-old from Orlando, Florida, was fabulous! He was cut last year right before the green mile. I hope he makes it further this year.
Dani Platz‘s story of overcoming an eating disorder (and still fights these demons) between ages 16 and 18 was powerful. Her story was in her dance. She is such a brave young lady and a great role model for other dancers who starve themselves. Not only did I have goosebumps, but I was crying. I felt like she was broken and then at times healed and then broken and then healed throughout the entire dance. This is what I mean about having an emotional connection to the dance that I felt was lacking in Emily James. This is NOW my favorite dance shown to date. “Dance is like oxygen for the soul.” I loved that. Christina saw her story in her dance, too. She said she was healing through dance and it was beautiful. I was SHOCKED that they wanted to put her through choreography (and Christina was, too). But she fortunately made it through that round.
Marie “Poppins” Bonnevay is a popper who lives in North Hollywood, California and performs on the street. In doing such, she has to engage the audience in order for them to leave money to support herself. She utilized this skill during her audition with a very positive response as well. When she got close enough to the show’s previous contestants, Fik-Shun jumped up on stage and engaged with her. I love seeing this with the other dancers coming up and getting caught up in the moment (or if it is rehearsed, who cares about that). They need to keep this portion of it. She is moved to tears by it and she gets a ticket to the next round.
Dance Crews
Breaksk8 versus Academy of Villains.
Breaksk8 was interesting but I liked the Academy of Villains better.
Pbmom's Blog 