So You Think You Can Dance — Top 20 Elimination

18 06 2011

As the minutes ticked down on Thursday night on “So You Think You Can Dance,” my nails were getting shorter. I went from disliking Nigel to loving Nigel in a matter of a minute. Was he dragging out the drama of an impossible decision or was it truly too tough to call? I have felt that suspense at the finale but never on decision night after the first week’s competition. I can only imagine what the nerves must have been like for the contestants.

Dancing to Sonya Tayeh’s choreographed routine to the song “XR2” by MIA, the group looked like futuristic military ninjas. Nigel announces that National Dance Day will be July 30, 2011. There will be three levels of dance routines. He encourages everyone to get out there and organize flash mobs for charity to celebrate dance.

Group dance

Group dance

The first group is called to the stage. In this group are Melanie and Marko, Missy and Wadi, and Iveta and Nick. It was pretty safe to say Melanie and Marko were safe after the Travis Wall routine. Would Iveta and Nick break the quickstep curse? All three couples are safe.

Mitchell was cleared to dance his solo later on the show after having an injury prevented him from performing on Wednesday night. I worried for him. If he was sent home, I hoped they would allow him a pass to Vegas next year.

The second group was called to the stage: Ashley and Chris, Jordan and Tadd. I predicted Jordan and Tadd would be in the bottom three couples for the simple fact that they went first, all this amazing choreography followed with other stellar performances. People have short attention spans. In part two of this group were Caitlynn (who danced with Robert Roldan instead of Mitchell), and Jess and Clarice. The next couple in the bottom three was Jess and Clarice. I think the challenge there is that many young people are voting and they don’t understand Broadway or ballroom dancing like the waltz, etc. Contemporary, hip-hop, krump, and dances along those lines sway those crowds.

Time to take a break with a performance of “Lose Control” by Keri Hilson.

Ryan and Ricky, in the next group, are safe, leaving Miranda and Robert, and Sasha and Alexander. The final couple dancing for their lives would be Miranda and Robert, totaling 7 dancers.

The Gopak was attempted in a previous season of SYTYCD with disastrous results. Tonight to perform how it SHOULD look was Gennadi Saveliev, formerly of the Bolshoi Ballet and co-founder of Youth America Grand Prix, the largest scholarship program for ballet dancers. It was beautiful.

Mitchell was up first with his solo. He reminded us who he was as a dancer and why he made it through during Vegas week. It was too soon for him to go home. Up until this season of SYTYCD, it was pretty easy to pick who was the weakest contestant sometimes up to the top 12. Then it was Jordan’s turn, followed by Tadd and Clarice. After a commercial break, Jess, Miranda and finally Robert perform their solos. I found it just as difficult as the judges, but my choices would have to be Clarice and Robert based on the solos only comparing them to the others in the group.

Lady Gaga’s video for “The Edge of Glory” debuted. I kept waiting for something outrageous to occur, but the video was cut off by a commercial. With no accompanying dancers either, I thought the video was the new victim of the economy. The live performance of this song at the American Idol finale was better (at least what I saw as a home viewer).

After coming back, it was announced that Clarence Clemons who played the saxophone in the Lady Gaga’s video suffered a stroke. Clarence was playing the sax at the American Idol finale. Shocking news. The judges asked Mitchell and Robert to dance again. I felt there was hope for Mitchell. Still not being able to make a decision, they call the girls out one-by-one and give them a critique. Then he makes the girls wait. Nigel calls the guys out and gives them a critique. The decision is: NO ONE LEAVES. A first in SYTYCD history. While that is great news for this week, 4 people will leave next week. If trying to pick out 2 to send home, how will it even be possible to pick out 4? Tune in to find out. See if history is made again.





So You Think You Can Dance — Top 20 Performance

16 06 2011

Tonight’s performance proved that season 8 has the most collectively talented group of dancers out of all the previous seasons. What sets them apart this year may actually be the choreography rather than the execution.

Judging this evening were Nigel Lythgoe, Mary Murphy and a guest judge, Megan Mullally. What? Why? Although I appreciated her humility about her not being an expert, I prefer real choreographers. I’ll be interested to see what kind of feedback she is able to give the contestants.

In order to get to know the contestants better, they are going to have 8 seconds to share some insights about themselves.

Birthday girl, Jordan, is paired with Tadd for an African jazz routine choreographed by Sean Cheesman. Jordan is 19 today. She wants to be a Pussycat Doll. But can you sing, Jordan? The howling like a dog does not sell me on an American Idol title, although she did make me laugh. Jordan loves food and her favorite color is blue. Tadd is 25. He played a dancing taco in a movie. He almost died doing Bollywood (one of my favorite dances). When he was a kid, he thought he was Caucasian. He cannot ride a bike. And world peace. Endearing. He is adorable. Dancing to the song, “Riding the Waves” by Afro Celt Sound System, it was a nice start to the show. Did it feel like a dance about lava? Yes. There were a few spots where their movements were not synchronized (jumping up in the air together, for example), but considering Tadd is a b-boy, he did a great job. This is jazz so it plays to Jordan’s strengths. I liked the little b-boy moves that Sean put into the dance for Tadd to showcase his strengths, too.

Jordan and Tadd

Jordan and Tadd

Sasha is 23 and is already forgetting her age (wait until she is my age). Her favorite color is purple. Alexander, her partner this week, age 20, lives in California, and speaks Spanish. With both of their backgrounds being contemporary, they were relieved to see their style for this week was a contemporary style from the immensely talented Travis Wall to the song, “Stupid” by Sarah McLachlan. Travis always has an amazing story to go with his dances. Poor Alexander got beat up during rehearsals because of the nature of the choreography. The song has some excellent rhythms that Travis capitalizes upon in his interpretative dance. Sasha and Alexander did him proud. I found myself breathing and moving to the deep beats. I was completely mesmerized by this routine. At this point, this is my favorite out of the two routines presented.

Sasha and Alexander

Sasha and Alexander

Clarice is 19 and her eyes “change colors.” She tends to be shy but opens up after you get to know her. Hailing from New Jersey, Jess, her partner, is 18. He loves Broadway and to sing and dance (I would hope so). He likes to make weird noises. Somehow I do not think these dance choices are by chance anymore as they get a Broadway routine, Jess’ strength. Our resident Broadway choreographer, Tyce DiOrio, welcomes them to rehearsal. I think Jess liked the butt slapping a little bit too much, but it makes him endearing. That is part of what makes people vote. They dance to Liza Minnelli’s “Me and My Baby.” It was an upbeat, fun routine. Tyce is very pleased as well. When Nigel praises him, Jess looks like he is going to cry. (If you remember back, Nigel had said something negatively about his arrogance during the auditions).

Jess and Clarice

Jess and Clarice

Nineteen-year-old Ryan talks very fast. She is a Sagittarius who loves Law & Order: SVU and Mexican food. Ricky, her partner, was originally born in Miami and moved to Tampa when he was 15. He loves cheer music. These two contemporary dancers get lyrical hip-hop which is pretty close to contemporary. Think Mark & Chelsie’s routine to “Bleeding Love” in season 4, which is one of my favorites. Christopher Scott choreographs the story here which is important. The characters are in love, but the female is “gone,” and it’s driving the male character slowly insane. When I hear a character is “gone” I immediately think “dead.” The song chosen was “Ain’t No Sunshine” by Lighthouse Family. Ryan did a great job at the hip-hop movements. It is crazy that a simple facial expression could throw off a routine that was meant to be a sensual powerhouse. Ryan explained her interpretation of the dance. However, the lyrics of the song should have dictated her facial expression. This is about there being NO sunshine, but Ryan was beaming full of it. Ricky was quick-witted with his comment about leaving Ryan for Cat. If you are going to leave the beautiful Ryan for some reason, that would be a good one.

Ricky and Ryan

Ricky and Ryan

Small-town girl Caitlynn is 18 and a senior in high school but has her first-year of college done (AP classes, I imagine). She loves the color green and Disney movies. She is partnered with Mitchell who injured his arm during rehearsal and will not be able to dance this evening. (A shout-out to Mitchell who follows me on Twitter–Get better soon.) You could see how visibly upset he was in the audience and I felt so bad for him. In his 8 seconds to get to know him better, we find out he is allergic to onions (watch your back). He loves chocolate and childhood movies. I would suggest the movies, “UP” and “How To Train Your Dragon” while he recuperates. His favorite color is orange. They were dancing a Sonya Tayeh jazz routine celebrating fearlessness in the warrior spirit. Robert Roldan from season 7 steps in for Mitchell. The song is “In For the Kill” by La Roux. The moves are complicated, as I would expect from Sonya, with a lot of shoulder moves. Caitlynn’s moves WERE fearless and made warrior mother spirit Sonya proud.

Caitlynn and substitute partner Robert

Caitlynn and substitute partner Robert

Miranda is from Pittsburgh. Don’t worry, Miranda–I still need a nightlight, too and I’m much older than you. She likes spicy food. Robert (Woo-Man) gets to be her partner. He is from Brooklyn (where I was born). He loves to cook, play video games, wrestling, dogs and cats. They get a Latin dance and Jason Gilkison has a jive for them. Huh? How is a jive a Latin dance? I am a little worried that they are trying to make Robert like Twitch, especially with the signature glasses. Twitch was an original. The song is “Runaway Baby” by Bruno Mars. It was fast and fun. Robert’s feet are flat instead of pointed. They pretty much stay together with the music (that is difficult to do with such a fast song with fast moves). Afterwards, Robert works the crowd. Mary felt that Robert stole the show tonight. Nigel cautioned him that his “woo” could endear him or make him annoying.

Miranda and Robert

Miranda and Robert

Missy likes yoga, lipstick, long walks, eating, her family and talking in a Jamaican accent. She would like to marry an Australian (perhaps the show “Outback Jack” will be back someday). Wadi, coincidentally, was born in Jamaica. He is 24 years old and loves the Japanese culture. They got the jazz dance card with Sean Cheesman. Pandora’s Box is being opened and sexy, evil demon clones of you get revealed. The first prop of the season is brought out–the box. “Judas” by Lady Gaga is the song. Some of the box work is not synchronized, but it is difficult to do that when you can’t see your partner. I felt like there was some holding back. They could have gone absolutely nuts to make this crazy sensual, but as a viewer, I felt a wall up. It looked like they were thinking too much about the dance. The jumping skills of Wadi worked well here. This was Wadi’s first time ever in his life partnering with someone. Given that, I’ll give them a bit of a pass on the routine.

Missy and Wadi

Missy and Wadi

Melanie is from Georgia and likes chocolate chip cookies. She collects nail polish. Interesting tidbit is that she used to suffer from narcolepsy and had to wear a helmet. She wants to be on Ellen’s show. Marko will be Melanie’s partner. He is from Guam. He loves to eat. He reassures us that his voice is his; he is not sick or has a sore throat. Once again, they get the not-random choice of contemporary with Travis Wall. It is “Night at the Museum” with a twist: The male dancer wants to become one statue with the female statue. The song is “Turn to Stone” by Ingrid Michaelson. This is my favorite dance of the night. It moves me emotionally and gives me goosebumps. Nigel goes so far as to say it might be the first Emmy-nominated routine of this season. About this time, Travis Wall began trending on Twitter. Mary holds back her tears. Nigel calls Melanie the queen bee of the beasts.

Melanie and Marko

Melanie and Marko

Next up is Ashley. She loves food and the color magenta. She is paired with hip-hop dancer Chris who was born and raised in Dallas, Texas. He is one of seven children. Chris likes ice cream, biking, movies and going out with friends. Their routine will be hip-hop, choreographed by Christopher Scott, danced to the song, “Forget You“, by Cee Lo Green. The story is that the couple has been cheating on each other and find out at the same time about the other’s infidelity. Apparently this hits close to home for Chris (who would cheat on him?). The lyrics of this song does not fit this story. The routine is cute, but it lacks synchronicity and better hip-hop moves were coming from Ashley.

Ashley and Chris

Ashley and Chris

The last dance of the night pairs up Nick and Iveta. That was a good pairing. Iveta is intimidating with her ballroom championships in 10 different styles. Iveta is 30 and lives in New York City. She is originally from Lithuania. She wants a pet monkey and she is hot for dance. Nick plays with the camera and talks really slowly for his 8 seconds. He’s just fun. They are dancing ballroom and they act surprised. Doing the quick step, the kiss of death on this show, is Jason Gilkison. They dance to one of my childhood favorites, “Ballroom Blitz” by Sweet, which is fitting considering poor Nick just went through Ballroom Boot Camp, and the song has his name in it at the beginning. I loved it. It was a great way to close the show. Although we won’t know until Thursday night, I think the curse of the quick step has been broken.

Iveta and Nick

Iveta and Nick

To sum-up, my favorite routine of the night was Melanie and Marko. But who will be in the bottom 3 couples? Unfortunately I think Jordan and Tadd might be in trouble for two reasons: They went first and the dancing just got better. However, I know they have a large fan base. We know Mitchell is going to be in the bottom because of his injury, but I am unsure if that means Caitlynn automatically goes there with him. For me, the third couple would have to be Ryan and Ricky or Ashley and Chris just because of the reasons stated above. Both routines were choreographed by Chris Scott. It is difficult to even pick a bottom 3; we are talking differences between 3 teaspoons of sugar versus 2 teaspoons of sugar.

One thing that needs to change is the assignment of the dances. The cards need to be put in a box and shaken up before each couple chooses. The show is about challenging the dancers beyond their comfort zones. Let’s see Iveta do hip-hop. Let’s see any of the hip-hop boys do ballroom.

Who are your top performers? Who do you think will be going home?





Nichelle Nichols Q&A Women of SciFi Convention January 29, 2011, Part 1

16 02 2011

Robert Wilonsky with the Dallas Observer is moderating.

[The crowd is chanting: U-HUR-A, U-HUR-A. There was a large amount of clapping with the standing ovation.]

 

NichelleNichols

The awesome Nichelle Nichols. By far, her Q&A was the best.

 

 

RW: I can’t believe that was all for me. (crowd laughs). Awfully kind. There is a microphone set up in the center. I have some questions. But, just. Not yet. Just wait. Let me ask a couple. If you would like to ask a question, feel free to line up at this very moment. We will get to you. We have about 45 minutes and let’s take some questions. But I would like to begin with one. And thank you for being here by the way.

NN: It is my pleasure. My pleasure.

RW: Now William Shatner and Leonard Nimoy have inflicted upon this world some of THE worst music ever made.

Ms. Nichols and the crowd laugh a great deal.

NN: I didn’t say that.

RW: No, I did. [Pointing to the audience]: They did. You on the other hand have an extraordinary voice, performed with Duke Ellington and Lionel Hampton’s bands, released an extraordinary album in 1967 called, “Go Down to Earth.” Only released one album after that. Why? Why not more records from you?

NN: I actually have done a couple of others, but I got sidetracked from my career doing something from outer space. Star Trek interrupted my career.

(Crowd laughs).

NN: And I don’t regret it. The career that I intended, that I felt that I was supposed to do became so much more, and I am really, really glad.

RW: Haven’t you never find time, though, to go back to the studio. Star Trek became a career, working for NASA, working with NASA as a recruiter then and now, became part of a career. You could have found time to get back into the studio. It didn’t stop Shatner.

(Crowd laughs).

RW: Unfortunately.

NN: NOTHING stopped Shatner.

(Crowd laughs)

RW: That may be true. Good God they are already lined up [looking at the microphone line]. Music is still a very big part of your life. In fact, you were serenading a young girl to her today. You were singing a little bit in the green room. You have an extraordinary voice. Do you ever intend to get back to it?

 

Uhura Singing

Uhura Singing

 

 

NN: I never left it. When I’m not working, I have a one-woman show called “Reflections” in which I actually become 12 legendary black women entertainer stars.

RW: Sarah Vaughn, Ella Fitzgerald…

NN: Lena Horne, Eartha Kitt, Pearl Bailey, Mahalia Jackson–just to name a few. I have this quirky voice and I found an incredible voice master at some point, and I was looking for a coach to take me through some areas of music that I wanted to smooth out. He said, “I’m not a coach; I’m a voice builder.” And I said, “Okay.” He was an Italian man named Giuseppe ______, and he was the “little monster.’ He was 4 feet 8 inches. He was gargantuously tall. That was it. I, to his face, called him Little Mussolini. And he said, “Thank you.” Because he demanded of you your best. And you could only work from how he taught it. He taught “bel canto” which “made beautiful voice” and the exercises sound like nothing like singing exercises. As a matter of fact, I think anybody who has ever studied “bel canto” will ever show you what the exercises are because they are vocal exercises that really grab hold to your body, your voice and turns it into something that you can do anything you want to it. There are some very famous people who have studied “bel canto.” I think there were only 4 teachers in the United States. So I told him, “Well if you could help me, this is what…because, you know, I have these two voices and when I sing….” He said, “Wait a minute, wait a minute, what? I said, “Well the two voices that I have.” He said: WAIT….A…MINUTE: What do you mean you have two voices? What do you mean?” He said, “Show me.” I said, “Well, you know I have this high soprano voice, and then I have this other that I sing regular music in.” And he said, “And you call that two voices?” I said, “Well yes, a lot of people have two voices.” And he started laughing at me. So he laughed at me so hard that he fell off the piano stool. He started off saying, “I’m not taking any new people.” And I told the person that had told me about him, “Tell him to tell that to my face.” He said, “Fine, put him on.” He says, “I’ll tell her to her face; I’m not taking anyone else.” Next thing he was, “Well when we work, you will have one voice.” And so I sang to him. He said, “Let me see the two-piece/two voices.” So I sang, like:

[Begins singing]

NN: And then I sang for him my other voice, my soprano voice, [sings a song in her higher range].

(Applause).

NN: And he said, “So?” I said, “When I get to a certain place it stops and then I have to go to the other one. He says, “No everyone doesn’t.” And when he got through with me, I’ve got one voice, so I can take it anywhere I want it to go. At that time, it was about a 4-1/2 octave range, and I think over the years I have about a 3 to 3-1/2 octave range depending upon how I feel that day.

RW: Getting you to sing was my entire goal in coming here.

(Laughter and applause).

RW: I have many questions, and I know you guys do. So we are going to turn the course of this. I’ll ask some, then you guys will ask some, so please. You have been waiting there, go ahead.

To be continued in Part 2





Women of Sci-Fi Pictures

3 02 2011

I’m still working on my experience at my first-ever convention, but in the meantime, enjoy these pictures:

Cylon

A Cylon from the original BSG

 

Cylon and a fan

Original BSG Cylon and a fan.

 

Great fans

Great fans in character

 

Ghostbusters

Who'ya gonna call? The guy on the left looks like my previous church pastor

 

Sean

Twitter buddy Scoobykoo flew in from Vancouver for the occasion.

 

TShirt

Love his T-Shirt.

 

MorenaBaccarin1

Morena2

More Morena Baccarin

 

Morena3

Even more Morena

 

NichelleNichols

The awesome Nichelle Nichols. By far, her Q&A was the best.

 

TriciaKatee

Tricia Helfer & Katee Sackhoff. Their Q&A was the most hilarious.

 

TwitterBuddy

Later on, we met up with Twitter buddy @TiffanieJane at the hotel

 

AlainaHuffman

Alaina Huffman of Smallville & Stargate Universe. This Q&A was more personal to me because of my SGU love.

 

Maddie

What'cha bring me, mom? Krispy Kremes? I remember these from last year.