Will “The Following” Be the Next “24” for Fox in January

14 05 2012

(Press Release) THE FOLLOWING

THE FBI estimates there are currently over 300 active serial killers in the United States. What would happen if these killers had a way of communicating and connecting with each other? What if they were able to work together and form alliances across the country? What if one brilliant psychotic serial killer was able to bring them all together and activate a following? Welcome to THE FOLLOWING, the terrifying new thriller from creator/executive producer Kevin Williamson (“The Vampire Diaries,” “Dawson’s Creek,” the “Scream” franchise). When notorious serial killer JOE CARROLL (James Purefoy, “Rome”) escapes from death row and embarks on a new killing spree, the FBI calls former agent RYAN HARDY (Emmy-nominated actor Kevin Bacon, “X-Men: First Class”) to consult on the case. Having since withdrawn from the public eye, Hardy was responsible for Carroll’s capture nine years ago, after Carroll murdered 14 female students on the Virginia college campus where he taught literature. Hardy is a walking textbook of all-things Carroll. He knows him better than anyone; he is perhaps Carroll’s only psychological and intellectual match. But the Ryan Hardy who broke the Carroll case years ago isn’t the same man today. Wounded both physically and mentally by his previous pursuit of this serial killer, it’s been a long time since Hardy has been in the field. This investigation is his redemption, his call to action. In contrast to nine years ago, Hardy isn’t calling the shots on this case. He works closely with an FBI team, which includes all-business and tough-as-nails JENNIFER MASON (Jeananne Goossen, “The Vow,” ALCATRAZ) and young, razor-sharp MIKE WESTON (Shawn Ashmore, “X-Men”).

The team considers Hardy to be more of a liability than an asset. But Hardy proves his worth when he uncovers that Carroll was covertly communicating with a network of killers in the outside world. It quickly becomes obvious that he has more planned than just a prison escape, and there’s no telling how many additional killers are out there. The FBI’s investigation leads Hardy to CLAIRE MATTHEWS (Natalie Zea, “Justified”), Carroll’s ex-wife and mother of the criminal’s 10-year-old son, JOEY (newcomer Kyle Catlett). Close during Hardy’s initial investigation, Hardy turns to Claire for insight into Carroll’s next move. The tension rises when Carroll’s accomplices kidnap his intended last victim from nine years ago. Hardy becomes ever more determined to end Carroll’s game when he realizes that this psychopath intends to finish what he started. The thriller will follow Hardy and the FBI as they are challenged with the ever-growing web of murder around them, masterminded by the devious Carroll, who dreams of writing a novel with Hardy as his protagonist. The reinvigorated Hardy will get a second chance to capture Carroll, as he’s faced with not one but a cult of serial killers.

PRODUCTION COMPANIES: Warner Bros. Television, Outerbanks Entertainment, Bonanza Productions Inc.

CREATOR/WRITER/EXECUTIVE PRODUCER: Kevin Williamson

EXECUTIVE PRODUCER/DIRECTOR: Marcos Siega

CAST: Kevin Bacon as Ryan Hardy, James Purefoy as Joe Carroll, Jeananne Goossen as Agent Jennifer Mason, Natalie Zea as Claire Matthews, Kyle Catlett as Joey Matthews, Shawn Ashmore as Agent Weston, Valorie Curry as Denise, Adan Canto as Billy Thomas, Nico Tortorella as Will Wilson

Follow “The Following” on Twitter at @TheFollowingFox

Facebook at:  http://www.facebook.com/TheFollowing

“The Following” is slated to start in January and run for 15 consecutive weeks on Monday nights.

Watch the preview on YouTube at: http://youtu.be/f8H4ewQzKFM





New Drama “The Mob Doctor” on Fox This Fall

14 05 2012

(Press Release) THE MOB DOCTOR

For most physicians, the Hippocratic oath is sacred. But for one Chicago doctor, who is indebted to the mafia, saving lives isn’t her only concern. THE MOB DOCTOR is a fast-paced medical drama featuring a brilliant young female cardiothoracic surgeon who is split between two distinct worlds as she juggles her promising medical career with her lifelong debt as a doctor to Chicago’s Southside mob. DR. GRACE DEVLIN (Jordana Spiro, “My Boys”) is a top resident at Chicago’s Roosevelt Medical Center. Smart and self-assured, she’s heralded as one of the country’s most promising young surgeons. But family ties keep her glued to her Southside roots. To pay off her brother’s life-threatening gambling debt, she makes a deal with the devil and agrees to work “off book” for the mafia men she once despised. During the day, Grace must deal with the emotionally compelling cases at Roosevelt Medical – a toddler in need of a heart transplant, an elderly man desperate to donate a lung to his sick wife, the mass chaos in the wake of a two-train collision on the ‘L.’ But in her other vastly different world, she must juggle an onslaught of mob-related demands, including operating in mob-sanctioned locations, removing bullets from dead bodies to hide incriminating evidence, saving a juiced-up race horse and covertly helping an aging mobster with his erectile dysfunction. All the while, Grace must keep her dual life a secret from everyone: her protective best friend, NURSE ROBERTA “RO” ANGELI (Floriana Lima, “Glory Daze”); her handsome, blue-blooded boyfriend, DR. BRETT ROBINSON (Zach Gilford, “Off The Map,” “Friday Night Lights”); her boss at Roosevelt Medical and Chief of Surgery, DR. STAFFORD WHITE (Zeljko Ivanek, “The Event,” “Damages”); her rival, DR. OLIVIA WATSON (Jaime Lee Kirchner, “Necessary Roughness,” “Mercy”); even her well-meaning screw-up brother, NATE (Jesse Lee Soffer, “As the World Turns”), and her overly dramatic mother, DANIELLA (Wendy Makkena, “NCIS”). The only one who knows the true scope of Grace’s activities is the man to whom Grace owes her debt: the charming and diabolical Southside mob boss CONSTANTINE ALEXANDER (William Forsythe, “Boardwalk Empire”), an oddly compassionate killer whose relationship with Grace is more than it seems. Recently released from prison, the former head of the Chicago mob looks to reclaim his place in the organization, with the help of his right-hand associate – and Grace’s ex-boyfriend – FRANCO (James Carpinello, “The Good Wife”). As Grace tries to heed the demands of these two conflicting worlds – not to mention the needs of her own slightly dysfunctional family – her moral center comes into direct conflict with the very immoral things she’s asked to do. But with nerves of steel and a tough-as-nails exterior, she somehow manages to make it all work – at least for now.

PRODUCTION COMPANY: Sony Pictures Television

CREATORS/WRITERS/EXECUTIVE PRODUCERS: Josh Berman, Rob Wright

EXECUTIVE PRODUCER/DIRECTOR: Michael Dinner

CAST: Jordana Spiro as Dr. Grace Devlin, William Forsythe as Constantine Alexander, Floriana Lima as Nurse “Ro” Angeli, Zach Gilford as Dr. Brett Robinson, Jaime Lee Kirchner as Dr. Olivia Watson, Zeljko Ivanek as Dr. Stafford White, James Carpinello as Franco, Jesse Lee Soffer as Nate Devlin, Wendy Makkena as Daniella Devlin

Follow The Mob Doctor on Twitter at: @TheMobDoctorFox

Follow The Mob Doctor on Facebook at: http://www.facebook.com/TheMobDoctor

“The Mob Doctor” will be on Monday nights at 9 ET/8 Central right after “Bones.”

Watch the preview on YouTube at: http://youtu.be/YDu2q_vjOkY





The Mindy Project — New Series on Fox This Fall

14 05 2012

(Press release) THE MINDY PROJECT

THE MINDY PROJECT is a new single-camera comedy from Emmy Award-nominated writer/producer and New York Times best-selling author Mindy Kaling (“The Office”) that follows a woman who, despite having a successful career, desperately needs to break bad habits in her personal life. After all, how many doctors make inappropriate toasts at their ex-boyfriend’s wedding, nearly drown at the bottom of a stranger’s pool and get arrested for disorderly conduct just moments before having to deliver a baby? Funny, impatient and politically incorrect, MINDY LAHIRI (Kaling) can quote every romantic comedy starring Meg Ryan that exists. She loves the good ones and the bad ones, because the girl always gets the guy. Mindy is determined to be more punctual, spend less money, lose weight and read more books – all in pursuit of becoming a well-rounded perfect woman…who can meet and date the perfect guy. Mindy is a skilled OB/GYN and shares a practice with a few other doctors, none of whom make life any easier for her. JEREMY REED (British writer/comedian Ed Weeks) is the walking definition of total bad news. He not only shares a practice with Mindy, but sometimes her bed as well – despite her best efforts to resist. He is funny, self-absorbed and super sexy. In contrast, DANNY CASTELLANO (Chris Messina, “Damages”) is a hothead and guys’ guy who has a habit of stealing Mindy’s patients. Danny criticizes her for everything, including her struggling love life and her lack of professionalism – even though it’s obvious to everyone except Mindy that he secretly admires her work. His blue-collar childhood gives him a big chip on his shoulder, but he is a dedicated physician, which Mindy can’t stand to admit because he’s always getting on her case. Rounding out the office staff are the receptionists – BETSY PUTCH (Zoe Jarman, “Huge”), young, earnest and easily excitable, who thinks the world of Mindy and is always trying to impress her; and SHAUNA DICANIO (newcomer Dana DeLorenzo), a self-assured Jersey Girl who is indifferent to Mindy, always knows where the cool party is and carries a poorly concealed torch for Danny. Mindy is in constant communication with her beloved best friend from college, GWEN GRANDY (Anna Camp, “The Good Wife”), who also happens to be the governor’s daughter. Gwen is a hilarious, sometimes too-blunt friend, and secretly a former carefree party girl (which only Mindy seems to remember). Although Gwen is now happily married to a financial analyst, with a six-year-old daughter, this lawyer-turned-Pilates mom remains squarely in Mindy’s corner. As Mindy attempts to get her career off the ground and meet a guy who passes her red flag test (no drug habits, no skinny jeans and no secret families, among others), only time will tell if she gets her romantic comedy ending.

PRODUCTION COMPANIES: Universal Television, 3 Arts Entertainment

CREATOR/WRITER/EXECUTIVE PRODUCER: Mindy Kaling

EXECUTIVE PRODUCERS: Howard Klein, B.J. Novak (pilot)

EXECUTIVE PRODUCER/DIRECTOR: Charles McDougall (pilot)

CAST: Mindy Kaling as Mindy, Chris Messina as Danny, Ed Weeks as Jeremy, Anna Camp as Gwen, Zoe Jarman as Betsy, Dana DeLorenzo as Shauna

Follow The Mindy Project on Twitter: @MindyProjectFox

Follow on Facebook at: http://www.facebook/TheMindyProject

The Mindy Project will air at 9:30 ET/8:30 Central on Tuesday night after New Girl.

Watch the preview on YouTube at: http://youtu.be/BbxYId7KsL4





Fox’s New Comedy Series Ben and Kate

14 05 2012

(Press release) BEN AND KATE

What happens when an exuberant, irresponsible dreamer who always says “yes” moves in with his overly responsible little sister to help raise her five-year-old daughter? BEN AND KATE, a new single-camera young ensemble comedy, follows these odd-couple siblings as they push each other out of their comfort zones and into real life. KATE FOX (Dakota Johnson, “The Social Network”) followed the rules all her life…until she got pregnant in college and dropped out just shy of graduation. After the birth of her daughter, MADDIE (Maggie Jones, “We Bought a Zoo,” “Footloose”), Kate put her twenties on hold. Now working as a bar manager to make ends meet and maximize her time with five-year-old Maddie, she’s uber-prepared for every possible catastrophe – except for the arrival of her older brother, BEN FOX (Nat Faxon, “Bad Teacher”). Ben likes trouble a lot more than his sister does. His infectious energy makes you want to follow him into any number of bad ideas. He’ll totally screw up your life, but somehow, you’ll feel good about it. Where Kate is all about planning and preparing, Ben is big on spontaneity and out-of-the-box ideas. But don’t let the Velcro wallet fool you – he’ll probably be a millionaire someday. When Ben comes to crash on Kate’s couch for a few days, he finds a sad state of affairs. Kate’s surviving, but not living. Ben realizes that for the first time in their lives, Kate needs his help and he’s determined to bring some much-needed chaos into her overly stable world. He starts by offering to help look after Maddie so Kate can get back to experiencing her mid-twenties and making mistakes, since the one real “mistake” she’s made turned out to be the best thing that ever happened to her. Always there to help with Ben’s crazy schemes is his partner-in-crime, TOMMY (newcomer Echo Kellum), who worships Ben like a hero and nurses a serious crush on Kate. Kate’s British best friend, BJ (Lucy Punch “Bad Teacher”), is a cocktail waitress at the bar that Kate manages and an all-around hot mess who would do anything for Kate, even if her advice is often questionable and occasionally illegal. From writer/executive producer Dana Fox (NEW GIRL, “What Happens in Vegas”) and executive producer/director Jake Kasdan (NEW GIRL, “Bad Teacher”), BEN AND KATE is a heartwarming story of deeply mismatched siblings: a sister who needs to go for her dreams and a brother who needs to get his head out of the clouds.

PRODUCTION COMPANIES: 20th Century Fox Television, Chernin Entertainment

CREATOR/WRITER/EXECUTIVE PRODUCER: Dana Fox

EXECUTIVE PRODUCERS: Peter Chernin, Katherine Pope

EXECUTIVE PRODUCER/DIRECTOR: Jake Kasdan

CAST: Dakota Johnson as Kate, Nat Faxon as Ben, Maggie Jones as Maddie, Lucy Punch as BJ, Echo Kellum as Tommy

Follow on Twitter at: @BenandKate

Follow on Facebook at: http://facebook.com/BenandKate

“Ben and Kate” will air Tuesdays at 8:30 ET/7:30 Central right after “Raising Hope.”

Watch the preview on YouTube at: http://youtu.be/pDWw07Nob9k





Fox Reveals New Fall Schedule

14 05 2012

(Press Release)
FOX ANNOUNCES PRIMETIME SERIES
FOR 2012-2013 SEASON

NO. 1 NETWORK ADDS THREE NEW COMEDIES AND TWO NEW DRAMAS TO SLATE

MINDY KALING’S HIGHLY-ANTICIPATED COMEDY “THE MINDY PROJECT” AND DISTINCTIVE ENSEMBLE COMEDY “BEN AND KATE” JOIN “RAISING HOPE” AND “NEW GIRL” ON NEW FALL TUESDAY COMEDY BLOCK

COMPELLING NEW DRAMA “THE MOB DOCTOR” LAUNCHES THIS FALL

KEVIN WILLIAMSON’S RIVETING NEW THRILLER “THE FOLLOWING”
STARRING KEVIN BACON AND JAMES PUREFOY DEBUTS MIDSEASON

INVENTIVE NEW COMEDY “THE GOODWIN GAMES” SLATED FOR MIDSEASON

Award-Winning Phenomenon GLEE Moves to Thursdays Following THE X FACTOR This Fall

New York (Monday, May 14, 2012) – Peter Rice, Chairman, Entertainment, Fox Networks Group; and Kevin Reilly, President, Entertainment, Fox Broadcasting Company, today unveiled the FOX primetime schedule for the 2012-2013 television season to the national advertising community during its annual Programming Presentation at the Beacon Theatre.

“Television continues to be the most vibrant, emotionally rich platform in the world,” said Rice. “FOX has been the No. 1 network for eight seasons by delivering groundbreaking, engaging and culturally relevant shows that connect with our audience, not only on-air, but wherever they are in the digital or social space.”

“With first-year culture-driving hits like NEW GIRL and THE X FACTOR and strong returning tentpoles like AMERICAN IDOL and GLEE, we were laser focused on our development and it has really paid off,” said Reilly. “I have no doubt that our two genre-defying new dramas, our new FOX Sports Saturdays, and our three new distinctive, sharp and upscale comedies – all fronted by incredible talent – can propel FOX to even greater success.”

This fall, two new half-hour comedies – THE MINDY PROJECT and BEN AND KATE – will join RAISING HOPE and NEW GIRL on an all-new Tuesday night comedy block. Created by Emmy-nominated writer/producer and New York Times best-selling author Mindy Kaling (“The Office”) and starring Kaling, Chris Messina (“Damages”), Anna Camp (“The Good Wife”) and newcomer Ed Weeks, THE MINDY PROJECT features Kaling as a skilled OB/GYN navigating the tricky waters of both her personal and professional life, as she pursues her dreams of becoming the perfect woman, finding the perfect man and getting her perfect romantic comedy ending.

BEN AND KATE, the heartwarming new sibling comedy created by Dana Fox (“What Happens In Vegas”) and directed by Jake Kasdan (“Bad Teacher”), also debuts Tuesdays this fall. Starring newcomer Dakota Johnson and Nat Faxon (“Bad Teacher,” Academy Award-winning co-screenwriter of “The Descendants”), the comedy follows a pair of odd-couple siblings – one, an overly responsible single mom; the other, an exuberant kid-at-heart – and their friends as they push each other out of their comfort zones and into real life.

The compelling new drama THE MOB DOCTOR will debut this fall. Executive-produced by Josh Berman (BONES, “CSI: Crime Scene Investigation”) and Rob Wright (“Crossing Jordan”), the engrossing character drama stars Jordana Spiro (“My Boys”) as a brilliant, life-saving surgeon caught in a complex web between her promising medical career and her family’s debt to Chicago’s Southside mob.

Edge-of-your-seat thriller THE FOLLOWING, created by Kevin Williamson (“Dawson’s Creek,” “Scream” franchise) and starring Golden Globe Award-winning Kevin Bacon (“X-Men,” “Frost/Nixon”) and James Purefoy (“Rome”), premieres in midseason. The spellbinding and intense drama follows an ex-FBI agent (Bacon) called out of retirement to track down a devious and diabolical serial killer (Purefoy), the mastermind behind a nationwide string of murders.

THE GOODWIN GAMES, the inventive new comedy from the executive producers of “How I Met Your Mother,” Carter Bays, Craig Thomas and Chris Harris, is slated for midseason. Starring Scott Foley (“Grey’s Anatomy,” “Felicity”), Becki Newton (“Ugly Betty”) and Jake Lacy (“Better With You”), the family comedy tells the story of three estranged siblings who return home after the loss of their beloved father (guest star Beau Bridges, “The Descendants”), and unexpectedly find themselves poised to inherit more than $20 million – if, and only if, they can adhere to their late father’s trivial wishes.

It was also announced that GLEE, the award-winning cultural phenomenon, will move this fall to Thursdays (9:00-10:00 PM ET/PT), following all-new installments of Simon Cowell’s THE X FACTOR (8:00-9:00 PM ET/PT). THE X FACTOR returns for Season Two with two new judges, who will join Cowell and L.A. Reid on the world’s largest search to award one global superstar or music group a $5 million record contract.

FOX series returning in 2012-2013 include: AMERICAN DAD (Season 8), AMERICAN IDOL (Season 12), BOB’S BURGERS (Season 3), BONES (Season 8), THE CLEVELAND SHOW (Season 4), COPS (Season 25), FAMILY GUY (Season 10), FRINGE (Season 5), GLEE (Season 4), HELL’S KITCHEN (Season 10), KITCHEN NIGHTMARES (Season 5), MASTERCHEF (Season 3), MOBBED (specials), NEW GIRL (Season 2), RAISING HOPE (Season 3), THE SIMPSONS (Season 24), SO YOU THINK YOU CAN DANCE (Season 9) and TOUCH (Season 2). AMERICAN COUNTRY AWARDS, NEW YEAR’S EVE LIVE and TEEN CHOICE 2012 will also return to the FOX schedule.

Keep up with all the new series on the FOX 2012-2013 primetime schedule at FOX.com or by “liking” the series on Facebook and following the series on Twitter:

SERIES FACEBOOK TWITTER
BEN AND KATE Facebook.com/BenandKate @BenandKateFOX (#benandkate)

THE FOLLOWING Facebook.com/TheFollowing @TheFollowingFOX (#thefollowing)

THE GOODWIN GAMES Facebook.com/TheGoodwinGames @GoodwinGamesFOX (#thegoodwingames)

THE MINDY PROJECT Facebook.com/TheMindyProject @MindyProjectFOX (#themindyproject)

THE MOB DOCTOR Facebook.com/TheMobDoctor @TheMobDoctorFOX (#themobdoctor)

Following are the FOX 2012-2013 primetime schedule and synopses of the new series:

FOX 2012-2013 PRIMETIME SCHEDULE
(All Times ET/PT)

MONDAY
8:00-9:00 PM BONES
9:00-10:00 PM THE MOB DOCTOR (new)

THE FOLLOWING (new) joins in midseason.

TUESDAY
8:00-8:30 PM RAISING HOPE
8:30-9:00 PM BEN AND KATE (new)
9:00-9:30 PM NEW GIRL
9:30-10:00 PM THE MINDY PROJECT (new)

THE GOODWIN GAMES (new) joins in midseason.

WEDNESDAY
8:00-10:00 PM THE X FACTOR (fall) / AMERICAN IDOL (midseason)

THURSDAY
8:00-9:00 PM THE X FACTOR Results (fall) / AMERICAN IDOL Results (midseason)
9:00-10:00 PM GLEE

FRIDAY
8:00-9:00 PM TOUCH
9:00-10:00 PM FRINGE (fall)

HELL’S KITCHEN returns in midseason.

SATURDAY
7:00-10:30 PM FOX SPORTS SATURDAY (fall)

COPS returns in midseason.
ANIMATION DOMINATION HIGH-DEF (new) will join late-prime in 2013.

SUNDAY
7:00-7:30 PM NFL Game (fall) / ANIMATION DOMINATION (encores)
7:30-8:00 PM THE OT (fall) / THE CLEVELAND SHOW
8:00-8:30 PM THE SIMPSONS
8:30-9:00 PM BOB’S BURGERS
9:00-9:30 PM FAMILY GUY
9:30-10:00 PM AMERICAN DAD





Celebrity Corner: Chatting with Michelle Krusiec

16 04 2012

By Hilda Clark Bowen

Science fiction fans will know Michelle from her early work on Deep Space Nine (“Time’s Orphan”) to her recent appearance as shape-shifter Nadine (also named “Seven”) on the cult-hit Fringe. That only barely begins to touch the surface of this veteran actress who has done everything from hosting a show on the Discovery Channel (Travelers) to playing the lead in the film “Saving Face”, from a recurring role on a soap opera (General Hospital) to doing guest spots on television shows and television movies, and writing and performing her one-woman show, Made In Taiwan, which sold out at FringeNYC 2010 (unrelated to the show Fringe, although a cute bit of irony). You will be able to catch her on this Thursday’s episode, “Lost and Found” on the new hit Fox series Touch starring Kiefer Sutherland.

Michelle Krusiec

Can you share with us a little about your character, Lanny Zheng, on Touch?

Lanny is someone who knows what she wants in life but finds herself “touched” and moved by a set of extraordinary circumstances. It’s basically the premise of the show for all of these people whose lives will intersect in magical ways.

When you are preparing for a role, what is your process for remembering lines? Do you learn the emotions/motivations of the character first or do you remember the lines first and then fill in the emotion?

Every character is different. I don’t have a technique for memorizing per se. I just work on what the character needs and look at the words on the pages as ideas. Memorizing can be tough if you just memorize words, but I think I generally look for motivations first and the words as ideas.

The premise of “Touch” expands the Chinese legend of the red string of fate of soul mates into a larger theme of tying the destiny of people together. Do you believe in destiny?

I do, but I think it’s self determined. I used to think that you were pre-destined or fated in life, but now I don’t think that. I think each day, each moment, we are given choices to change and become who we are destined to become.

Do you have your own “Touch” story?

I do. I think the biggest one being that a fortune teller told my Mother my future when I was still inside her womb and it made a big impact on both of our journeys. I’m a bit superstitious as a result.

At the end of the pilot episode of Touch, Jake says, “”Will these words be used to hurt or to heal?” In episode 2 (“1+1=3”) the peanut vendor tries to restore karma back to the time when things started falling apart for him. Do you believe in karma? Do you have an example from your own life of a positive or negative karmic experience?

I do believe in karma. Here’s a good one. It’s long!

I was filming on location in Argentina on Travelers, a Discovery channel show, I co-hosted and when we first landed we lost all of our luggage, so the producer took us shopping. I looked awful. I was wearing a real military coat that I used to love because I loved the industrial look back then and I was at this mall in Buenos Aires and there was this HOT, I mean, one of the hottest guys I’ve ever seen, working at one of the stores. He spoke no English and I didn’t speak any Spanish so it was impossible. I tried to explain that I looked awful and needed clothes, because I lost my luggage and he just kept nodding and smiling. Finally, one of the co-hosts showed up who spoke Spanish and talked to him and she said that he thought I was trying to tell him that I was a flight attendant. That made me laugh, because I realized I must have looked ridiculous in that coat.

Anyhow, this hot guy proceeded to tell her that he wanted to give me his number, but he vehemently refused to give it to me if I did not promise him that I would call. He looked me in the eyes and said passionately, “promise me you’ll call.” (My friend translated!) I was so taken by this guy. I was wearing glasses; I had zits all over my face; I looked hideous. I asked my friend who was translating for us, what am I gonna say to this guy on a date? She looked at me and said, “sweetheart, look at this man, you do not need to do any talking with this person.” So, I took his number but fretted about breaking my promise. I thought he was way out of my league and too hot for me! Finally, I decided to call him, but because I made no money at the time, I tried to call from the pay phone across from our fancy hotel because I didn’t want to pay for the phone charges. So I pulled out the slip of paper with his number and began to cross the four lane highway and that’s when a gust of wind blew that slip of paper out of my hands never to be found again. I guess I was right…he was way out of my league.

My sad karma story.

You just finished writing your play “Made in Taiwan” into a screenplay and said it was now off your bucket list. What else is on that bucket list?

Traveling to Antarctica, completing a major mountain climb, singing “On my Own” as Eponine on Broadway or really ANY song without fear of tomatoes pummeling me in the eye, performing a MJ dance piece as part of a flash mob in some place like Grand Central or Times Square, directing a film in Asia, private dinner with Hillary Clinton and Barack Obama, being a lead dancer on a major video for someone like Prince, honored at the Kennedy Center, taking my parents to the Oscars.

I see you’ll be working with Joan Chen again (Saving Face) on “Relative Insanity” (the contemporary interpretation of Chekhov’s “The Seagull”). Has that started filming yet?

No, it has not.

You’ve worked in so many different areas. Is there one medium you prefer over another (for example, movie versus TV, TV versus stage acting, TV series versus soap opera)?

I prefer process over non, so it’s more that I like showing up on set and having a creative collaboration with a director. If I can get that from doing one great scene in TV than I’m a happy camper, but if I’m on a job where I’m just expected to hit a mark and go home, that’s not so interesting to me. Usually, films afford you more of a process, but since every production is hurting for money, you can show up on a film set and still have that impersonal experience. Stage really and truly is the actor’s medium, so if you want a full process, that’s the one to experience. I always go back to my stage show or back to theater because it’s where I grow the most as a performer. I’ve had 2 months to prepare for my next film project and it’s been a luxury.

You also have great comedic timing. Do you have a preference between comedy and drama?

Thank you! I love both, genuinely. They each satisfy a different appetite and they’re both so different. Sometimes, I can go from one job and think I’m definitely a comedic actress and then work on a drama and just sit in the “pain” of it all and think, oh, yeah, I’m a drama girl, definitely drama all the way. I’m very lucky I can do both, so I do really try and hone both genres. And truthfully, in life, I really am light and dark, very serious but then really goofy. I think maybe a little “bipolar” runs in my family?

What charitable organizations do you support?

The primary one I am most closely connected to is Center for the Pacific Asian Family. I completed their state certification program to work with Domestic Violence and Sexual Assault survivors as well as volunteering as a SART (Sexual Assault Response Team) advocate. I am currently developing a stage show not unlike the Vagina Monologues focusing on the children of domestic violence survivors. My goal…if you can believe it or not, is to make it entertaining. See, there’s that light and dark again.

Where can we see you in the upcoming future?

I’m about to begin filming a project with Sandra Oh called A Helping Hand and you can see the comedy series Nice Girls Crew, dramatic feature Sunset Stories, both at the Los Angeles Asian Film Festival. Shuffle a magical film about a man living his life out of order will be released later this year.

Random Thoughts

I’m most creative….?

I’m most creative when I’m well rested and well fed.

I often imagine myself….?

I often imagine myself as a big clown with a sad face but happy nose.

I really wish I knew how to….?

I really wish I knew how to make shoes.

I’d love to spend a lazy Sunday…?

I’d love to spend a lazy Sunday with my entire family laughing and telling stories.

My secret talent is…?

My secret talent is calling people by the wrong names.

Best spontaneous decision was…?

Best spontaneous decision was buying my condo in NYC. I just flew to NY on a Friday and bought it on Monday.

Best way to express myself is….?

Best way to express myself is through dance. I love to dance.

The best advice someone gave you was….?

1) Don’t wait to be picked.

2) Smile in the mirror and then grab that smile you see and eat it. Every day. And make sure it goes down to your belly where your passion lives.

3) Find out what you do best in life and then do it like Hercules.

Michelle Krusiec’s biography:  Writer/Performer

The “Chinese American Sandra Bullock” (NY Post). Michelle Krusiec is best known for her starring role opposite Joan Chen in the romantic comedy Saving Face, directed by Alice Wu. The role garnered her a Chinese language Oscar nomination for Best Actress in the 2005 Golden Horse Ceremony.

Ms. Krusiec is sole creator and performer of her original solo show Made in Taiwan (MIT). The show is a darkly comedic coming of age story based on Krusiec’s own family. The show has been workshopped at theatre festivals all over the country including the 2002 HBO Aspen comedy festival, the 2007 New York Asian American Theatre Festival and most recently at the 2010 NY City International Fringe festival. MIT was featured on CBS News as a festival highlight and experienced a sold out run and extension into the Fringe Encores, playing Off Broadway at the prestigious Lucille Lortel Theatre.

Born in Taiwan and raised in America by her Taiwanese aunt and American uncle, Ms. Krusiec works in Los Angeles, New York and Asia. Michelle is known for her intense character portrayals and her uncanny ability to shift seamlessly between comedy and drama. In features, Ms. Krusiec has starred opposite the likes of Michelle Yeoh, Sean Bean, Cameron Diaz, Ashton Kutcher, Drew Barrymore, Eva Mendes, Ben Stiller, Reese Witherspoon, Cristina Ricci, James Cromwell, Christian Slater, Ray Liotta, Donald Sutherland, Anthony Hopkins. In television, Ms. Krusiec globetrotted to over 50 destinations as the host of the popular travel series Travelers for the Discovery Channel. She starred on the NBC sitcom, One World and has graced critically acclaimed shows like Touch, Fringe, Community, Blue Bloods, Secret Life of the American Teenager, Dirty Sexy Money, Nip Tuck, Grey’s Anatomy, Weeds, Mind of the Married Man, Monk.

Ms. Krusiec works closely with CPAF, Center for the Pacific Asian Family, in hopes of advocating on their behalf in issues of domestic violence and sexual assault. She is currently writing her next stage play Nakid on the subject matter. Michelle’s next features are Relative Insanity with Helen Hunt, David Duchovny, Joan Chen and Maggie Grace and A Helping Hand with Sandra Oh.

You can follow Michelle’s blog at http://theprocess.michellekrusiec.com/

Her website: http://www.michellekrusiec.com/projects.html

Michelle’s Twitter: @michellekrusiec

Facebook: http://www.facebook.com/michellekrusiec

Thank you, Michelle, for taking time out of your hectic schedule for this interview.  Don’t forget to watch Michelle’s episode of Touch on April 19, 2012 “Lost and Found.”  Check local listings for times.





Touch Recap: 1+1=3

29 03 2012

By Hilda Clark Bowen

When does 1+1=3? It is a mathematical fallacy, but for some, it means synergy. Synergy, according to Webster’s Dictionary, is “the working together of two things to produce an effect greater than the sum of their individual effects.”

When we left off in the pilot, Jake (David Mazouz) had made a connection with his father, Martin Bohm (Kiefer Sutherland), for the first time, indeed not only giving him his first hug ever, but also a clue to his next red thread to untangle, the phone number: 718-673-5296. Trying to see if there was a clue in that phone number, I dialed it. It is an actual landline in the Greater New York area, but the phone number is not programmed to take messages.

The new show opens in what looks to be a country in India perhaps, with a young man (Karan Soni) on a bench with a pottery statue, and continues with short clips of all the people involved in tonight’s episode. Clea (Gugu Mbatha-Raw) returns to the Bohm’s home to take Jake back to the facility for an assessment. Despite what she witnessed, she still has to follow her job’s mandate, but reassures Martin she is on his side–she wants Jake home with Martin for good. When he politely refuses to cooperate, she politely informs him she’ll need to call the police. He reconsiders and walks over to explain things to Jake. Jake writes the phone number he wants his father to follow in the palm of his hand and leaves with Clea.

Martin looks up the phone number on his reverse directory and it belongs to Arnie’s Pawn Shop, 318 East Fordham Road, New York, New York. East Fordham is actually a street in the Bronx (I lived in the Bronx for a short time), but 318 does not exist (316 does), although I do like the call back to the first episode where 318 was important (the school bus, the fireman’s badge number, the number of the street address of the Teller Institute on West Tesla Street in the Bronx, the date and time to run into the fireman).

At the JFK Airport where Martin works, his path crosses with Lyov, a dog going to Moscow. Upstairs in the passenger area, flight attendant, Becca Klepper (Amy Sloan) is rushing and runs directly into the young man from India, scattering the ashes of his dead father that were contained within the pottery piece on the terminal’s ground. Becca meets up with Martin on the tarmac. She is supposed to escort Lyov to Moscow. While putting the dog on the truck, Martin accidentally pops the crate open and Lyov takes off.

At the assessment center, Jake repetitively writes 5296. Not understanding that he cannot just pop random numbers that have no connectivity out of his head, Clea asks him to use popcorn kernels to “guess” her phone number or address. Instead, he creates a smiley face for her. When she tries to get Jake to use paint to express his numbers, he uses it to paint his hand instead. Clea looks defeated. While getting him a wipe to clean up his hand, Jake has bolted from the room already but not before writing 5296 for her. Jake puts his orange handprint on a door with the number 6 on it in the basement. When Clea notices all the doors are locked, she subsequently notices the keypad at the exit door. She puts in 5296 and the door opens. In a beautiful scene, as the door opens, the sunlight shines on Clea faces, a light that is leading her to take another step in believing that nothing Jake does is random.

The young ladies from Japan from the pilot episode, Miyoko (May Miyata) and Izumi (Satomi Okuno) arrive at JFK Airport on their way to Los Angeles to the Coastabella Music Festival. They are fans of the group “The Morticians.” Their physical path crosses with Becca, the flight attendant, at the terminal. Becca runs into the young man she bumped into earlier, as she missed her flight chasing after the dog, and he keeps trying to get to New York Stadium but the bus keeps dropping him back at the terminal. They discover both their fathers love baseball. He is trying to get his father’s ashes at center field. Becca admires him, saying “some of us will never get the chance.” Seeing how lost he looks trying to navigate just to get to the cab, she offers to assist him in getting to the stadium.

Martin enters the pawn shop. He overhears the man say, “I’m ready.” Martin does not understand. He explains to Arnie Klepper (Jude Ciccolella) that he was the guy who phoned him. Arnie still thinks he is crazy. A man walks in to rob the store (Blake Shields). The way the exchange goes between the masked man and Arnie, and the fact that he was surprised to see Martin there, I think Arnie wanted the man with the gun to shoot him (the opening having revealed that Arnie has cancer). Martin rushes him, the gun goes off, but Arnie only receives a shoulder wound. Martin pulls the mask off the man, now being able to identify him. A baseball lands at the young man’s eye level and he seems to recognize what it is. As the man flees, Martin turns over and sees a number at the top of the doorway where the chime is:  318. Obviously 318 is playing a significant role in now two episodes of Touch.

The young man meets Yuri Andreev (Mark Ivanir) in an alley, showing him a bunch of jewelry. The young man owes Yuri $10,000, but “the deal fell apart.” He tries to offer him a baseball that he says belonged to “Patrick McGrath’s home run in game 7 of the 2009 League Championship” that is worth $50,000. He tries to appeal to Yuri to give him a second chance. Yuri throws the ball out of the alley and says he has 3 hours to get him his money.

On the bus, Becca discovers that the young man carrying his father’s ashes has not made prior arrangements at the stadium and warns him that it may not happen. He says he must do this because he made a promise. His father was greatly disappointed in him as a son. Despite that, he feels he must do this because it is his duty as a son to show his father respect. Becca begins to cry. The young man comforts her.

Martin shares what has happened with Dr. Arthur Teller (Danny Glover). He offers Martin another orange soda (like in the first episode). Martin is trying to figure out what he is supposed to or not supposed to do in these situations. When there is cosmic pain that needs to be healed, Jake sees and feels that. Martin receives a phone call from Clea that Jake is gone, but when he looks up and out the window, he sees Jake there. But a bus pulls up (number 36) and Jake gets on. Martin runs after the bus and gets on (wait a minute–he didn’t pay his fare!)

In Moscow, Pavel Andreev (Daniel Polo) and his mom (Tatiana Chekhova) talk in the car before a talent show at school. Most of the other children do not seem to like him, and he hoped to impress them with magic. Only a young girl (Alex Peters) who adores him claps for him. Pavel is in emotional pain when the kids laugh as he tries to exit the stage and breaks a glass. Returning to the magic shop, Pavel demands the product did not live up to the advertising. The man (Eugene Alper) insists there are no bad products, only bad magicians. On the way out, Pavel spots the young girl from the audience. When inquiring why everyone hates him, she tells him they are afraid of his father (Yuri) because he is Solntsevskaya, or part of the Russian mob, not just a businessman, using a Tony Soprano reference.

Jake gets off the bus at W 132nd Street and Creston Avenue (an actual Bronx road) and winds up at the pawn shop. Martin notices the phone number is not the correct one Jake gave him–off by one number–5297 instead of 5296. When he dials, it is coming from above the store. Jake tries the door; it opens and he walks in, followed by Martin. He sees a letter addressed to Becca offering up apologies for mistakes “he” (her father) has made and reassures her that he loves her, with some of the words, “something has happened in my life”, “that our time here is precious”, and “I have left thinking…” and “forgive me” visible to the audience. Jake picks up a bat in the apartment that has the number 5296 on it. Martin sees a prescription for chlorambucil. (Chlorambucil is a chemotherapeutic medication used to treated chronic lymphocytic leukemia, non-Hodgkin’s lymphoma, and Hodgkin’s disease). A young man interrupts him.

The character who stole the baseball continues to try to sell it, but has no takers even at $10,000. He sees a picture on the wall about the catch he made, “Peanut Vendor Makes Lucky Catch.”

Becca and the man from India arrive at the stadium. However, the guard (Shane Blades) will not let them in. She encourages him that he did not fail as he had gotten this far, has gotten closure and not many people could say that. Becca says Lyov, the dog. When she runs to get him, he bolts and she chases him. Running in heels is never a fun thing to do.

The young man in the apartment returns with cash for Martin. Martin looks confused. The young man is going to hurt Martin, but Martin grabs the bat that Jake left near the couch (and Martin does see the number 5296). He scoops Jake up (which leads to Jake screaming) and carries him out to a cab. The driver (Tom Riordan) asks, “Where to” and Jake drops the prescription bottle on the seat. They are off to Victory Memorial Hospital. (Note: This is an actual hospital in Brooklyn that was noted for his delivering of babies that was closed. It sat just blocks from the Verrazano Bridge. They used to deliver a large number of babies of Italian and Irish descent, now it was more of Chinese and Russian descent).

Once at the hospital, Arnie happens to be in Room 5296, but not right now. Out the window, Martin and Jake see a hospital-gowned Arnie walking towards the bridge (it does not really look like the Verrazano Bridge to my memory).

The peanut vendor talks to Patrick McGrath, (Randall Batinkoff), the player whose ball he caught. McGrath mentions something about a “lawsuit” that allowed the peanut vendor to keep the ball. He shares a story that after he tried to sell his childhood dream (catching the ball), things in his life went from bad to worse. He just wanted to put things back right. He feels that in order to fix that karma, he needed to give the player his ball back. As the peanut vendor walks out, he leaves the door open for the man from India to go in. I’m sure the peanut vendor did not know he was to become part of a chain of events for this man either. The peanut vendor drives to where Yuri is waiting for him in a parking lot. Yuri realizes that he is going to have to beat him up for nonpayment. The peanut vendor reminds him that choices are cause and effect. Yuri gets a phone call from his son. He wonders if Pavel received the dog (Lyov) he sent him. Pavel confronts Yuri–does he not have friends because Yuri hurts people? He lies and tells Pavel no, and that “people change.” He will help his friends see that. Yuri turns to the peanut vendor and tells him he will give him his second chance.

Arnie stands on the side of the bridge looking down on traffic. (This definitely is not the Verrazano Bridge because that bridge goes over water). Martin tells him he knows everything–about his cancer, about the $10,000 he gave to the man to rob his store and kill him. Arnie does not know why Martin keeps “doing this to me.” Martin says he was meant to find him and help him. Arnie says he is dying. Martin says he does not know that as he has not even gone through the treatment yet. Arnie says he has no one who cares either way. Martin says he read the letter to Becca. His plan was to be able to leave her insurance money (if were killed in a robbery), but he could not even get that plan right. He plans to leave as he came in–alone. Martin says he’s there and he is not alone. Arnie, not convinced, prepares himself to jump as Martin rushes in and grabs him under the shoulders and pulls him over. Martin reassures him that he wants to be his friend and that he does care. A dog barks. It has to be Lyov (which will be followed by Becca). Martin is in further disbelief when he sees Becca.

An ending montage is played to the song by Alexi Murdoch, “Someday Soon.” (I love my father and I love him well…I hope to see my father soon…). The orange handprint being washed off the door. Arnie and Becca in the hospital room holding hands. The man from India spreading his father’s ashes at the pitcher’s mound and cries for the first time after his father’s death. Yuri arriving home on the plane to his son and wife. It becomes clear this was an episode mostly about fathers, including Martin and Jake. However, the montage then shows the girls from Japan. The peanut vendor is seen with a spring in his steps and burden lighter.

It closes with Martin saying, “There are so many things I wanted to teach you….” and goes into what he thought a father should do and be. “Now it turns out, you teaching me, and I want you to know I’m okay with that.” There is a hint of smile in Jake’s face for another thread healed in the world.

My thoughts about the episode: I’m enjoying the recurrent threads of the 318 numbers (which I’m not quite sure what it means yet although I keep looking). I’m curious where the threads will lead again with the girls from Japan. It was nice to see actors I have not seen in awhile: Amy Sloan whose work I had become familiar with on “Call Me Fitz”, Jude Ciccolella with his connections to Kiefer’s old show “24”, and Blake Shields who had been in “Sleeper Cell” and Tim Kring’s “Heroes.” That Jake feels cosmic pain does not surprise me. Oftentimes children with special needs have heightened senses. For example, my Patrick knows when there is someone around him who is uncomfortable with his behavior even though they do not speak a single word (and rarely does he). Tim Kring obviously takes that to the next level. My son, Patrick, is my life’s greatest teacher.  He has taught me how to live in the moment, a rare gift in a crazy world.  He has taught me patience.  He has taught me the beauty of eye contact, the joy of shaking a head up and down or right to left to respond to a simple question, and so much more.  My world is more about possibilities than absolutes.  Whether Yuri will leave the mob is doubtful, but at least for that one man on that one day, Yuri gave someone he never gave before a second chance. The show’s theme that concentrated on mostly fathers seemed to be more about second chances for everyone.





My “Touch” Moment

21 03 2012

By Hilda Clark Bowen

Coincidence. Fate. Is there truly a God that controls all things down to the microsecond of your life or just the big stuff? After all, if God exists, he/she gave us the free will to make choices. Those choices ripple out into consequences, good or bad. These are the questions we all ask ourselves and our answers may vary throughout our life as our own experiences shape our reality.

I had always felt it was fate that led me to find Jeff. It is difficult to put a starting point in this story. My father-in-law passed away in February 2012. For those of you who haven’t seen the new Fox series “Touch”, the experience made me instantly think of this show. It is loosely based on the red string of fate, a Chinese legend that said the gods tie an invisible red string around the ankles of those that are destined to be soul mates and will one day marry each other. The two people connected by the red thread are destined lovers, regardless of time, place, or circumstances. This magical cord may stretch or tangle, but never break, a concept very similar to soul mates. Tim Kring of the new TV show “Touch” expands that to include groups of individuals but still connected by love.

Red string of fate; unknown credit

I met Jeff on July 4, 1990, the last day of my vacation that began with my dear friend, Louise Rizzuto, getting married, on Long Island. I was a bridesmaid in her wedding. After the wedding, I traveled down to New Jersey to see my sister and my aunt. On that last night back on Long Island, my friend and now Patrick’s godmother, Patty, asked me to go out with her that evening. She wanted me to meet the best friend of her boyfriend, Larry. I almost did not get there. My foster brother stole my keys and would not give them back to me, and making me very late. Jeff told me he was about to leave. We met around the corner from where he lived in Setauket. We stayed at the restaurant for a few hours and then I told Jeff I would still love to sit by the water, as I had not had an opportunity to do that. He took me to a beach that apparently was frequented by drug dealers. When the police raided the beach, I was terrified I was going to jail for just sitting on the beach talking with him, so I ran. Jeff grabbed my purse and ran with me. After the police car stopped us and determined I truly was just some out-of-towner who did not realize the beach was closed, he let us go. Jeff found another place where we could talk out in public. I think I left about 4-5 a.m. and went back to where I was staying to pack and drive to the airport.

The rest of our relationship unfolded. He eventually moved down here in January of 1991 into his own apartment. We were engaged in July of 1991, but he wanted me to meet his family before making the announcement.  We did that on August 11, 1991 the day after his cousin’s wedding. We were married in October 1992.

My friend Patty said that we were the best thing that came out of her relationship with Jeff’s best friend. Patty and Larry broke up shortly after that.

As we continued to find out about each other, I discovered that Jeff went to our rival high school, Ward Melville, and had often been to our school for sports. I was often at the school because in my sophomore year, I was president of my class. He lived right around the corner from SUNY Stony Brook, the college my sister attended, and where I often visited. That is important because around the corner from there was the Pancake Cottage, where my sister and I would have breakfast, as would Jeff and his family. It is possible that we were in the restaurant at the same time together and never knew it. Then we traced ourselves back even further. He remembers a classmate of his coming back from the Suffolk County LIBEC contest for typing in 1981, saying she was beat from someone from Patchogue (as if that was pond scum; we were a lower socioeconomic group than Ward Melville). Yep, that person was me.

Meanwhile in Setauket, Long Island, before we met, Jeff’s sister Deirdre was off at college in Massachusetts. She became roommates with Trish. Deirdre eventually married Frank. Trish married John.

Trish and John belonged to a very small church in New Jersey. They were very close to Jennifer. Jennifer and John were working on bringing a more contemporary service to their church. He knew Marilyn and Tony, Jennifer’s parents. He also knew Michelle and Gordon Dobson. One day Jennifer tells them she is moving to Texas to start a business to help this family out. Marilyn and Tony followed. They were very sad to see her go.

I had a miscarriage with my first baby (a boy, we named Matthew Joseph). Then Patrick was born, and he was later diagnosed with multiple disabilities including autism. In August 2010, I decided to pull him out of public school and try to get him into an autism school in the area. The place we found was Including Kids (InKids) run by Jennifer Dantzler.

On February 5, 2012, my father-in-law died. The wake would be Thursday of that next week and the funeral on Friday. We debated back and forth about who would go up there–just Jeff or would we try to attempt this trip as a family. Patrick’s behavior was much better since being at InKids, and we knew Jeff’s mom would love to see Patrick; she had not seen him in almost a decade (she could not fly down because of my father-in-law’s condition and we dared not even try before this time). The whole family would be happy to see him.

I was with Patrick in a lounge area at the funeral home when Jeff pops his head in and says, “You have to come over here; someone here knows Jennifer Dantzler.” I looked at him what a “what the hell” look. As we are walking, he tells me, “Deirdre’s roommate from college.” Then I thought the connection was that Jennifer also went to college in Massachusetts (not the same place, but maybe they knew each other from that area). While they were talking, Jeff stated that Patrick had autism and that he was going to a school for autism. Trish asked, “Do you know Jennifer Dantzler?” Jeff said, “She runs the school.” There are many schools for autism here in throughout Houston and the surrounding areas. As we talked to these people, my mind was connecting all the dots. Jennifer Dantzler is the executive director of Including Kids (InKids), the place where Patrick goes to school.

We talked about this huge coincidence for almost 30 minutes or more. John told me he remembered clearly when Jennifer said she was moving down to Texas. They were all shocked. I said, “The woman is fearless.” He agreed that was a good word for her. He said they had lost touch with each other in the last 4 years. At that very moment, I wanted to place a call to InKids, but it was late at night and no one would be there. We also discovered that while they were at this church, the Dobson’s offered up a French meal for 10-12 as a church raffle. Michelle is a French chef. It is something they offer similarly here for our Boots and Bling Gala, which is coming up on April 14, 2012. Trish said, “We invited Deirdre and Frank to that.” The Dobson’s are now on the board of directors for the school and also live down here. Tony and Marilyn routinely are the ones to serve the food to people at these type events, so Deirdre and Frank likely saw them at that dinner without ever knowing they were to become part of our lives, too, at a future date. John said Jennifer, Marilyn and Tony had been on his mind for the last 2 weeks. We shared with Trish and John that if it were not for Jennifer and her staff, Patrick would not be here making that long journey from Texas to New Jersey. We shared with them all the progress Patrick has been able to make since going to InKids. The next day at Deirdre’s house, I told Deirdre about the connections. They also took her by surprise.

Upon returning home, I was eager to run in and tell Jennifer, but I was too late. They had already contacted them. Marilyn said the email started, “I don’t believe in coincidences…” The email made her cry. Marilyn shared with me that 2 weeks ago, Trish and John were on her mind, too. Apparently, Marilyn/Jennifer and Trish/John had lost contact with each other for at least the past 4 years. Trish and John went on to make a monetary donation to Including Kids in honor of Patrick and in memory of Patrick’s grandfather.  Best of all, they were back in contact with each other.

The mathematical probability of this happening is unlikely, but there it was–my “Touch” moment. There was a string that connected all our lives and it took this particularly sad event of my father-in-law’s passing for all the pieces to be revealed.

Have you ever had moments such as these? Please feel free to share in the comment section.

UPDATE FEB 2013

Trish and John subsequently made donations to my son’s school for autism, Including Kids. In January, their son came down to see if a particular career path was right for him or not. Where was he? At Patrick’s school. He had been down for 3 weeks and one day I went in to volunteer and we met. This was almost a full year after my father-in-law passed away. If he does decide to move here, we may also have some part-time work he can do directly with Patrick at home. The connections continue.





Touch — Review and Synopsis

26 01 2012

Touch

It has been a long time since I have been profoundly moved by a television show that has left me feeling hopeful regarding the interconnectedness of humanity. For anyone who believes things happen for a reason, this will be your new favorite show. Having previewed their new baby on Wednesday, January 25, 2012, Fox will enjoy seeing news about this series spread in the coming months. When it debuts on March 19, 2012, it will be seen around the globe in more than 100 countries within 3 days’ period of time and try to achieve a level of connectedness by the fan-base as never before. Arguably it has been something people have been complaining about for quite some time about the US or Canada having exclusive access to a show, and other countries having to wait to see it, sometimes many weeks, sometimes many months, sometimes never, which leads to seeking access on torrent sites which ultimately results in the demise of a show because no one is live-viewing it anymore.

The story centers around Martin Bohm (Kiefer Sutherland) and his son, Jake Bohm (David Mazouz). Labeled “severely autistic”, Martin never believed in the diagnosis given to his child and seems to be just trying to do whatever he could to make a connection with his son, yet fully accepting and loving his child at whatever place he was (very Son-Rise-esque).

I am a mother with a child with severe autism. In the weeks leading up to the show, I seemed to be getting a lot of negative feedback about that–not ANOTHER show about another kid with autism–as if autism is the célèbre-du-jour of Hollywood. Indeed kids or adults with autism were turning up everywhere on every show either as part of the main cast or as a guest star. There are a few shows that got it right, but most did not. Most people with autism are not savants (only about 10%). While parents with autism appreciate the desire to bring awareness to the spectrum disorder, when it is depicted incorrectly, it hurts our cause. The general population has grown tired of hearing “My child has autism.” They scoff at you like you are just part of the misguided parents who need to have a diagnosis for their child. Or, you have the medical community trying to reclassify the spectrum of autism to water it down so it does not appear to be an epidemic (a blog for a later time). Even I started viewing this show with a bias.

From this point forward, there will be spoilers:

The show opens with a narrative from Jake about numbers very similar to the a belief borne from the red string of fate, a Chinese legend that said the gods tie an invisible red string around the ankles of those that are destined to be soul mates and will one day marry each other. The two people connected by the red thread are destined lovers, regardless of time, place, or circumstances. This magical cord may stretch or tangle, but never break, a concept very similar to soul mates. But Tim Kring, the creator of Touch, twists this idea even further to tie a group of individuals together.

Fans of Jericho (or Three Rivers or Hawaii-Five-O) will be thrilled to see that Carol Barbee is executive producer on this pilot. Executive producer Peter Chernin now has another hit on his hands after enjoying great success with Terra Nova and New Girl, also on Fox. Also sharing executive producer co-credits are Katherine Pope (also of Terra Nova and New Girl), Kiefer Sutherland, and producers, Neal Ahern, Jr., (Terra Nova, Parenthood), and Dennis Hammer (Heroes, Crossing Jordan).

The show opens with Martin at his job at the JFK airport in New York where he is gathering a bunch of cell phones, that were left in the lost and found and unclaimed, for his son who is fascinated by them. One of them rings as he is walking away. Apparently it is the owner of one of the phones trying to get the phone back after losing it at Heathrow Airport in London 2 days previously. He is not looking to get back the phone itself, but rather photographs within the phone. Apparently it is her birthday “tomorrow” but he is now in Mumbai. And he seems to be in great emotional distress. Martin’s phone is ringing so he places the man’s phone down in a bin. His son is in trouble. “I pay your school good money to keep my son safe. Are you grasping me?” Oh yes, I was relating to this character very much.

He’s off to talk his son down off an electricity tower, and I mean that literally. Meanwhile, the cell phone gets mixed up on top of some luggage. Jack Bauer is scared of heights? What? Oh wait, wrong show. It is hard NOT to put Kiefer automatically into the role of Jack. The workers want to know if the numbers 318 have any special meaning to Jake but Martin shrugs it off. A report to child services is going to need to be made.

On the way home, they stop at a gas station. Martin gazes at his son in the rear-view mirror while gazing over at the school bus filled with children talking and acting like normally developed children. My heart sinks. I know EXACTLY what this character is feeling. How many times have I done this with Patrick, just for a brief second wondering what life would be like? Martin and I share a common bond in addition to the fact that they are our only living child so we know really no other kind of life. He looks into the rear-view mirror and his son is gone, having taken off to go over towards the bus. Another similarity to autism–so I’m still very hesitant. How many of us turn away for a second and our kids with autism take off? Martin talks to his son like one would talk to their loved one in a coma, hoping that something they say will jar their loved one to respond in some way, desperately longing for that contact. I have been in this place, too, where Patrick was seemingly catatonic (but very noisy, unlike Martin’s Jake). Martin notices the number on the bus: District No 318. In the store, the TV is showing a story on “The Children of 9/11” and the struggles they endure. A man is trying to buy a Lotto ticket. Jake looks up as the man calls out the numbers: 87 1 9 20 31 11. Jake grabs the Lotto ticket and runs to the car, locking the doors. He writes down these numbers on pages of numbers he already wrote previously and hands the ticket back. The man says, “You ought to keep that kid in a cage.” Oh yes, that is something we’ve had to endure hearing before.  But this is actor Titus Welliver from “Lost” so I expect dark mystery to surround him.

Then we see a beautiful young singer, Kayla Graham (Karen David) on stage, surrounded by her fans, recording her performance on a cell phone that looks very similar to the one found at JFK. She does not believe she’ll ever be a big star. Her co-worker, Niles Borne, (Simon Delaney), tries to encourage her, saying half the company was there to support her tonight. He tells her that we all have a destiny, and hers is to be a big star. The cell phone, he believes, is the key. He found that the cell phone had traveled all around the world and now her recording was on it. The phone apparently right now is in Dublin, Ireland. He sticks the cell phone into the luggage of someone headed to Japan and away the cell phone goes.

An alarm set for 3:18 goes off at Martin’s computer. He goes in to put Jake to bed. Jake has apparently lined up cell phones. He mentions that the doctor said he was going to grow up bigger than him and how was that going to work? I’m already living that. I’m 5’3″ and my 16-year-old son is now 6 feet tall, and has seizures. The cell phones go off. Jake has all of them programmed to show the numbers 87, 1, 9, 20, 31, 11.

A family in the Middle East, Baghdad, is the next bunch introduced. The son is trying to imitate Chris Rock and wants to be a comedian. They need an oven to keep their bakery. It will cost 800,000 dinar (about $687 US dollars). The only way to make that kind of money is with shady characters who make people blow themselves up. His friend suggests they check out Hassam’s place.

Clea Hopkins (Gugu Mbatha-Raw) from family services shows up at Martin’s door the next morning. One reality disconnect: They do not show up that quickly. I already dislike this woman, so she did a great job as an actress. She lists his inadequacies as a parent, supposing that the state could do a better job. Another reality disconnect: The writers did not Google: State facilities, Texas, fight clubs, Department of Justice report, Corpus Christi. “The financial challenges will only increase as your son gets older.” I can relate to that statement, but do you know what the first thing is to get cut when state budgets are on the line? Yep, people with disabilities. Good thing Martin lives in New York versus, let’s say, Texas.

Martin shares that his wife died in the 9/11 tragedy (making Jake a child of 9/11–see above).  While Clea is trying to “talk” with the silent Jake, Martin sees the numbers in the newspaper: The numbers belong to the new Lotto winner. The man (Randall) who bought the ticket realizes he is a winner and places a phone call to a woman. He says he wants to come home now.

Simon (the owner of the cell phone now off to Japan) is on a plane and calls a woman. He is on his way to Tokyo. He wants to be there for “her” birthday (the child) but the woman is short on conversation. She also appears to be in emotional pain. My first thought was a divorce. He asks her if they took any photographs of Lily while they were on vacation besides for the ones on his phone; a tear streams down her face as she says no.

Clea tries to explain the strange coincidence off as it being part of Jake’s autism, which Martin insists is NOT his diagnosis. Martin said that for all he knows Jake does not speak because he has nothing to say. Martin says he is trying to communicate; Clea belittles his thought to wish fulfillment. Her character then starts softening up, trying to say no one is judging him (but they are).

A young Japanese woman goes through the bag of the man who came from Ireland, the one with the cell phone in his bag. She and her friend, Izumi, are in a fan club of a group called “The Morticians” who are from Ireland (actually a band based out of Waco, Texas). The man lives in Tokyo but wants to have some fun with the young girl before going home. She grabs the cell phone in his bag and leaves.

Back in New York, Martin is leaving Jake at the boarding facility. Obviously no research has been done here either. These state facilities do NOT look like this gorgeous facility. My heart wrenches for Martin not only for having to leave his son in one of these places, but also that he cannot even hug him to say goodbye. Personally, I’d skip the country and run. No one is ever taking my kid from me. Martin then goes to visit the grave of his wife, Sarah. He says, “They say God never gives you more than you can handle. But I think he has this time.” Oh dear, the tears start streaming from my eyes. How many times have I felt and said the exact same words, or felt extreme anger at people who have said that to me, not having the slightest clue what our lives are like. He looks down to find a FDNY badge with the numbers 318 on them.

The Japanese girls see Kayla Graham’s video and decide to start up a fan club as they believe she is probably already a big star in Ireland. They are going to enlist the talents of their friend, Takezo, who runs the Jumbotron at Shibuya. They will get him to download “everything” on that phone and put it up on the Jumbotron (you can see where this is going). They’ll pass the phone to another client at 4:00 p.m. , who is catching a plane to Kuwait in 3 hours.

A search for mutism and cell phones leads Martin to the door of The Teller Institute that lists the following: Mysticism, Mythology and New Age interpretation; a rise in diagnosing behavioral disorders; for a select few, mutism is a false diagnosis; this is a beginning in a shift of consciousness. (Okay, now I’m thinking Mayan 2012 theories here). We are witnessing an evolutionary step (I’m thinking Alphas here). We must listen to their message. How string theory and quantum entanglement…. (I’m thinking Fringe). The geek that I am (and conditioned Lost fan) looked up the link to http://www.tellerinstitute/electromagnetism.html but it does not exist. He gets an address to this institute: 318 West Tesla Street, Bronx, NY. SWEET. It would have been really great if the address actually existed. A bath-robed Professor Arthur Dewitt (Danny Glover) answers the door. He talks about electromagnetism and that some kids (mostly) are just tuned into the right frequency. Interestingly, he gets Martin an orange soda, the same kind Jake drinks. Apparently Jake has discovered the Fibonacci mathematical sequence on his own. He shows him pictures of the curve, similar to how Jake lined up the cell phones. “The universe is made up of precise ratios and patterns. You and I–we don’t see them. But if we could, life would be magical beyond our wildest dreams, a quantum entanglement of cause and effect where everything and everyone reflects on each other. Every action, every breath, every conscious thought connected. Imagine the unspeakable beauty of the universe he sees. No wonder he doesn’t talk. ” Martin, excited, responds, “My son sees all that?” The professor continues, “Your son sees everything–the past, the present, the future. He sees how it’s all connected.” Martin responds, “You’re telling me my son can predict the future?” The professor adds, “I’m telling you, it’s a roadmap. And your job now, your purpose, is to follow it for him. It’s your fate, Mr. Bohm. It’s your destiny.” I now have complete chills. I see the parallels of my own life being reflected in this story. My Patrick has accomplished a great deal in his 16 years on this earth; my purpose is for him to fulfill his destiny. I have often felt like his conduit.

Back at the school, Clea becomes a believer when Jake uses popcorn to make the numbers 2, 1, 2, 9, 2, 0, 6, 9, 2, 2, the numbers which was her mother’s phone number. And then her cell phone rings with that number. He goes over to circle 18 on the March calendar.

The Lotto winner is headed to Lynchburg, Virginia.

Martin looks at Jake’s numbers again and gets a phone number. Using modern technology, he puts it into the reverse phone numbers feature of a web site and it comes up as Grand Central Station at 87 East 42nd Street. Eighty-seven is the first number of the Lotto sequence. Clea knocks on his door; 3/18 is “today.” Martin is not sure if he is supposed to stop something from happening or make something happen, not only to happen on 3/18 but AT 3:18. Twenty-two minutes to Grand Central Station? Yeah, right. He better live close-by. When he locates the phone, there is a man talking on it. When he turns him around, he realizes it is the man from the store, the one who punched him. Now Martin punches back. The police break up the fight. It’s now 3:19 and Martin thinks he has failed.

Back in Iraq, a group of men walk in on the young boy at Hassam’s and they hide. They have a bunch of cell phones, including the one with Kayla Graham’s recording on it. A little girl sees them, but does not appear to give them away, but one of the terrorists comes back in. They catch him. He tells them about the oven and you can see the evil in their eyes. You know they are going to make him do something bad.

Back at Martin’s the 3:18 alarm goes off again on his computer; he notices there is a message on his answering machine. Randall Meade is calling him. Randall Meade who won Lotto; Randall Meade who was on the phone at Grand Central Station leaving Martin a message on his answering machine. He was a fire fighter on duty who tried to save his wife that tragic day. He was part of Ladder Company 318 on 9/11. He went to the 87th floor of the North Tower. His wife was alive, barely conscious and bleeding pretty badly. He carried her down 31 flights of stairs, but could not carry her any further. He convinced himself that she was dead, but the truth was he was not sure if she really was. He had been thinking about her for 10 years and had been playing the same lotto numbers every week for 10 years. 9, 11, 2001, 87th floor, 31 flights of stairs. He had wanted to try to make the numbers come out right. He was going to give all the money away. Then Martin hears himself on the phone answering machine, the encounter that happened at Grand Central Station. Then he hears Randall Meade’s name on the TV. Apparently the bus from the gas station had overturned in a bad rain storm. He pulled the kids from a burning bus. He said to the reporter if he had not missed his train, he would not have been there. Martin heads out to see his son, but his son escaped the state facility. Martin still does not know the further repercussions of this red thread.

Flash over to the Jumbotron where Simon, who is now in Tokyo, tries to call his phone: 44, 077, 0090, 0488. He gets Kayla Graham who is back at her day job. He wants her to find out where his phone is, but it is in “an invalid territory.” Kayla appears on the Jumbotron. He pleads with Kayla to please help him. Lily’s picture is in there, his daughter who died a year ago. Simon looks up at the Jumbotron and sees Lily’s pictures. It brings some peace to a grieving father. In Iraq, Simon’s phone rings. It is hooked up to a bomb that is now attached to our character’s chest. He pleads with Kayla to tell the world he was not a bad person; she tries to help him not explode. With all these wonderful connections, my heart was hoping this young man wouldn’t be blown up, that he would get his happy ending, too. Kayla tells him there is always a choice. They bond over Chris Rock. She asks him what would make him not do this. He tells her, “An oven.” She knows a guy (Simon) in restaurant supplies.

Martin and Clea find Jake at the tower. Jake narrates again: “The ratio is always the same: 1 to 1.618 over and over.”  Kayla’s co-worker sees her video on YouTube with 1,621,318 views. Simon makes it home to his wife. Martin overcomes his fear of heights and climbs the tower to talk to Jake. Jake says, “Will these words be used to hurt or to heal?” Randall gets on a bus to Virginia. Martin tells Jake that he followed the numbers and people were saved. “I don’t know if you can even hear me, but I can hear you, Jake?” I’m sobbing at this point. How many times have I said this to my nonverbal son? Jake crawls over to him and for the first time in Martin’s life, gave Martin a hug. I have raccoon eyes by now; my mascara is flowing everywhere. I remember the first time my child gave me what I call a half-hug. My dear friend who I shared my glee with said to me that she appreciated me sharing these things with her because it made her appreciate her neurotypical child even more. She never realized the things she took for granted, the comment that made me realize that Patrick’s purpose was for people to appreciate the people in their own lives and not take even simple things as eye contact for granted.

Jake grabbed Martin’s cell phone and pointed him on his next mission: 718-673-5296

Where I end my belief is this: How does Martin’s phone still work in that monster rainstorm?

My message to Tim Kring: Season 1 of Heroes was awesome. Touch has the possibility of great things that may start people thinking more about the ripple effect of their own actions, and acting more kind to each other. Don’t screw it up, okay? Save Touch, Save the world.





Terra Nova Genesis

25 09 2011

By Hilda Clark Bowen

Forewarning: This preview may contain spoilers, but such spoilers are already readily available on the internet from interviews, previews and the like.

“Welcome to paradise.” And welcome to the one of the most awaited shows in television, a show so ambitiously graphic, the original premiere date was cancelled for this later date, a show so heavily publicized on so many different channels and venues to every possible demographic imaginable, it cannot possibly fail. But as one Twitter friend pointed out, it is going up against Monday Night Football; he felt it was only a matter of time before it was moved to another day. I doubt there is any show that wins over Monday Night Football, but Fox must have great confidence that this show can compete.

After viewing the first 60 minutes, courtesy of Fox VIP, I can say this show has something for everyone. It is not primarily about dinosaurs. There is drama, humor, love, action, angst, heartthrob-status rebellious teenagers, adorable children, betrayal, mystery, idyllic tropical backdrops, and out-of-this-world visual effects.

The show centers on the Shannon family: Jim (Jason O’Mara) and Elisabeth (Shelley Conn), and their 3 children, Josh (Landon Liboiron), Maddy (Naomi Scott), and Zoe (Alana Mansour). That is a problem in 2149 because the air is toxic and population is controlled to a maximum of 2 children. It is an even greater problem since Jim is a law enforcement officer. Their secret is discovered and the family is put through an ordeal that would tear other families apart. Love wins and without giving the details of how it happens, they manage to arrive to Terra Nova for a fresh start, but not without heartache for one of the members of the family. Jim has to prove himself to Commander Nathaniel Taylor (Stephen Lang) before he entrusts him with a secret. Not everyone is in harmony in Terra Nova. Expedition 6 left the compound for unknown reasons, and there is violence between them. The leader of expedition 6, Mira, will be quite familiar to every “Stargate SG-1” fan, Christine Adams. There will be trials ahead for the Shannon family as well as they adjust to their new lives.

The show has the potential to be the next “Lost” with mysteries already being unlocked in the pilot episode. The writers, knowing how intelligent their audience will be, give a great explanation of why the butterfly effect will not occur–this is an alternate timeline. What is fantastic about that is that the writers will not be bound to what our knowledge base is for prehistoric history, being free to create new and interesting theories and–of course–fascinating new dinosaurs (and I’m sure other creatures).

The executive producers on Terra Nova are:  Steven Spielberg, Peter Chernin, Brannon Braga, Rene Echevarria, Alex Graves, Jon Cassar, Aaron Kaplan, Katherine Pope, Justin Falvey, Darryl Frank, Craig Silverstein, and Kelly Marcel. The director for “Genesis”, the pilot episode, is Alex Graves. The episode was written by Kelly Marcel, Allan Loeb, and Craig Silverstein. It premieres Monday night on Fox at 8 p.m. /7 p.m. central.

While it is airing in the United States, the finale episode is being shot in Australia. Several of the people associated with production have expressed a desire to try to live-tweet while the episode is occurring if time permits. So follow these Twitter feeds Monday night:

@JonCassar
@Jason_Omara
@TerraNovaonFOX
@joeh90
@NaomiScott
@JoseMolinaTV
@traviswf
@earnestracket
@Simone_Kessell
@TerryMatalas
@allisonemiller
@teamcephalopod