American Idol Season 12 Top 5 Perform

21 04 2013

I can say I am 100% confident that a girl will win American Idol this year. And if I can be so bold, two ladies will occupy the top 2 spots. All kidding aside, there are some camps who believe that some of the less talented boys got through Vegas week to make sure that there would be a girl winner this year.

I only got to watch the first round of the top-5 performance night before I had to run to work, then a sick kid, more work, and here I am on Saturday just now watching it. How I managed to stay away from the spoilers of who went home is beyond me.

Tonight are songs from the year the contestant was born; second round is songs from divas. And the performances were dedicated to Boston in light of the bombings there (and here we are, on Saturday, and they have been caught, one dead, one captured). Jimmy would give back-stage critiques after the judges had their say.

Candice Glover


Song 1:  “Straight Up” by Paula Abdul from 1989

I thought she was nuts when I heard the song choice but I absolutely adored it. The people who have been most successful on Idol are the ones who, while on the show, we’re able to take songs and make it sound like an entirely different song. Candice has the ability to do that. People who just turn songs into covers with no changes are singers, not artists. Candice is an artist. I loved that Keith indirectly insulted Paula by saying he did not realize this was a good song. Jimmy did not like her song choice.

Song 2: “When You Believe” by Mariah Carey and Whitney Houston

I got goosebumps! Enough said. Mariah was very emotional about the performance.

Candice

Candice Glover

Janelle Arthur


Song 1: From 1989 Vince Gill “When I Call Your Name”

I don’t know the original at all. I was bored. She may be a singer and a performer, but not an artist. This was always my problem. I would not ever let my walls down. I could sing, but I never had the ability to emote. But Janelle does better with her guitar. All the judges liked it except Keith. Keith’s opinion matters here because he is the country artist. Jimmy agreed.

Song 2–Dolly Parton “Dumb Blonde”

Again I have never heard this song. This was better than her first song. It did not require much pulling from her emotional base. It was upbeat and fun. Keith did not like the song choice.

Janelle

Janelle Arthur

Kree Harrison


Song 1 from 1990 “She Talks To Angels” by Black Crowes

I really like Kree because she can crossover into genres. I did not think this was her best performance though. I felt like she was very tired. I still think she will be in the top 3. Nicki and Mariah had an exchange where Nicki told Mariah to “simmer down sir.” Jimmy did not think it was strong enough.

Song 2: Celine Dion “Have You Ever Been In Love”

Her lower range is tough. When she ventures past her speaking voice range, she does well. Her last note wavered in and out of pitch. But I liked that she pushed her voice to its full vocal range.

Kree

Kree Harrison

Angie Miller


Song 1 From 1994 “I’ll Stand By You” by The Pretenders

At the beginning of the song she was singing the words but not feeling them either regardless of her dedication to Boston. I think because she made the song faster it did not allow for the heartfelt emotion that should have been felt with every word. Maybe if she did the first verse slower, and then picked up the tempo it would have been better. And can we please have a performance by her that does not include the dry-ice effect on stage? It is getting old. Whether it is Angie or Amber who makes it into the top 3 will be interesting. Amber is the better singer, but she is not connecting with the audience for some reason. Angie was a bit pitchy when she made the key change in this song, but no one is voting the girl from Boston home so she will be safe. No one made any criticisms either. Even Jimmy liked it.

Song 2: “Halo” by Beyonce

I think this was much better than her first song. Exceptional! Fantastic song choice. She really pushed herself in that song. Her risk paid off.

Angie

Angie Miller

Amber Holcomb


Song 1 From 1994 MARCH 17??? My birthday but definitely not birth year! Mariah Carey “Without You”

Amber, I love you, but this was absolutely the wrong song choice. At some points it seemed like the notes were just under where they should be. I did not feel the emotion of the song either, the desperation that is required on this–I would rather be dead than live without you. Part of that is her age and the lack of experience of feeling a love that deep. Teenagers think they have loved so deeply that they could just die when it is gone, but they lack the emotional maturity to really understand that. Perhaps you should have thought about God and how you would feel not having His love as I know you have deep church roots. Nicki felt what I was feeling. It was a gutsy choice to try with Mariah. Jimmy agrees with Nicki.

Song 2: Barbra Streisand “What Are You Doing The Rest of Your Life”

SHE KILLED THIS SONG! I think she is going to be in the bottom 2 because of her first song was not great.

Amber

Amber Holcomb

I think Janelle is going home not because she is not good, but she is no longer in the same league as the rest of these ladies.

RESULTS SHOW

What? Clay Aiken is on? As usual, I fast-forward through the group number. With few exceptions, I don’t like them. He sounds as great as he always has. I do understand now what Jimmy was saying about Kree now that the previous performance was shown. Latoya London is in the house.

Clay

Clay Aiken

Fantasia–I love her haircut (for me!) That was fantastic!

Fantasia

Fantasia performs

Whoa, Amber is safe!!!!!! Janelle is in the bottom. But will they use the save?  It was 2 for using the save and 2 against so she does not get a second chance.





American Idol Top 6 Perform

12 04 2013

Yes I’m two days behind. I have no clue at this point as I am typing this as to who is going home (watching on the DVR). This season is really great with these talented contestants, so I really did want to write something, but likely an abbreviated version. Writing blogs is my hobby; I have a real full-time job, a child with a disability and this week a norovirus (not confirmed by lab tests but it fits the profile) hit our house. Sometimes life just gets in the way.

Two themes: Songs from Burt Bacharach and Hal David. And the second are “songs the contestants had actually wished they had written.”

Angie Miller

Song 1: “Anyone Who Had a Heart” by Dionne Warwick

A bit pitchy again. I think she is at her best at her piano. The song choice was boring for me and making me sleepy. She looks terrific but her song choice is not going well.

Keith points out that he doesn’t hear singing the passion and I think his point is valid. She has not had much experience in that department, and many times I think she is pretending (that is “acting” like an actor who also does not have much experience. It will come as she ages and I think her album should be Christian contemporary, like Colton, because that is where I see her shine and where she moves me as a singer.

Song 2: “Love Came Down” by Kari Jobe

It is risky doing an unfamiliar song. I had not heard of it. This was better than the first one. This has a contemporary Christian feel to it and she did great. The judges loved it.

Angie

Angie Miller

Amber Holcomb

Song 1: “I Say A Little Prayer” by Dionne Warwick

It was good. The very low notes were difficult for her (she was slightly flat there). Again another sleeper song until the ending. She did put her own spin on it which was good.

The judges loved it (to the point Nicki declared her her new favorite).

Song 2: “Love On Top” by Beyonce

Liked how she used the backup singers at the beginning. She looks like a pop star. I thought this song was better than the first and on some of the noted I did feel like it was Whitney. At the end it got slightly pitchy but it was nice to have an up-tempo song. Judges loved it too.

Amber

Amber Holcomb

Lazaro Arbos

Song 1: “Close to You” by The Carpenters

No comment. No, I will comment because in this blog I am already irrelevant so it does not matter. It won’t churn votes for him because I have criticized. It was horrendous. Lazaro, dear one, you are a good guy but this song was hardly ever in key. The judges agree with me. Mariah–condense! Tell him all this after the show. The other two judges want to speak.

Song 2: “Angels” by Robbie Williams

The beginning was rough. His lower register needs a LOT of work. This was better than the first song, but it was still not good enough to stay.

Lazaro

Lazaro Arbos

Kree Harrison

Song 1: “What The World Needs Now is Love” version of Jackie DeShannon

I want to see Kree, Amber and Candice in the finale. She really can cross genres easily. I loved the interpretation of the song and making it different and a song from Kree. She has never disappointed. MARIAH– Condense! This is not Camp Mariah. You have other fellow judges.

Song 2: “Help Me Make It Through The Night” by Kris Kristofferson

This happens to be one of the few country songs I like and I loved this unplugged version. If I bought a country CD it would be Kree. It was beautiful. Great job! (Nicki called it a Kreedom show). All the judges loved it.

Kree

Kree Harrison

Janelle Arthur

Song 1: “I’ll Never Fall In Love Again” by Dionne Warwick

Underwhelming. She does work the audience and stage well. There were moments that were sweet and effortless. I thought there was emotional disconnection in this song. Some notes were flat.

Song 2: “The Dance” by Garth Brooks

Her lower register is rough. She again had beautiful notes and notes that were sharp or flat. Unfortunately this is nowhere near the level of the other girls, so I put her in the bottom 2 with Lazaro. The judges were not impressed.

Janelle

Janelle Arthur

Candice Glover

Song 1: “Don’t Make Me Over” by Dionne Warwick

America–this is your next American Idol. Week after week she is perfection. If she does not win, I will support her career. I haven’t picked it wrong yet. The judges gave her a standing ovation. By the way, all of my 50 votes went to her. She won me over during the auditions and that feeling has not changed.

Song 2: “Lovesong” by The Cure

BEST performance EVER this season 12. I loved her taking the rock star and making it bluesy. I would actually buy a ticket if she ever came into town. What a FANTASTIC way to end the show. Keith got up and bowed to her from the ground. Mariah threw a glitter bomb. Candice was very moved by the support in the studio. Truly AMAZING!

Candice

Candice Glover

My picks in order: Candice, Kree, Amber, Angie, Janelle, Lazaro

RESULTS SHOW

Jimmy called Lazaro’s performance an Ambien milkshake (so funny–I need to borrow that). Amber is in e bottom two? You are crazy, America, and I am not just saying that because she is from Houston. FINALLY! Lazaro is in the bottom and I KNOW the judges will not save him.





Celebrity Corner: Alex Ruiz of “Touch” Pops In

10 04 2013

TOUCH fans will recognize him from the episode “Enemy of My Enemy” as Vicente Corliss. He took the time to talk to the fans about TOUCH on Fox and other exciting events occurring in his life.

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Courtesy of Alex Ruiz

Your resume mentioned that you started acting at a very young age. Do you remember your first role?

Yes. Well, professionally, it was a Best Buy commercial. I remember I had to read for the employee part but I had grown a thick mustache for a play I was in called The Bald Soprano so they asked me to read for the father instead. It was until afterwards, shooting the commercial, where I found out that one of the main reasons I got the part was because they found my look hilarious with my mustache.

You have been in commercials, on stage and on television shows. Do you have a preference? And if so, why?

Well, it’s a tricky question for me because they’re all different. It’s a whole different atmosphere and work ethic for each one. I love being on camera, that’s what I really really enjoy and I know how difficult and fun and exciting and thrilling and rewarding being on stage can be but when it comes down to it, being on camera in a show or movie is what I really love and embrace.

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Courtesy of Alex Ruiz

Within the world of acting, do you have a preference as to drama or comedy that you think enhances your talents best?

Another tricky one. Well, I love comedy and I thought that comedy was what I would excel at. And it has, in a way; certainly in the commercial world. But, throughout the years, I learned how acting, in truth, is really feeling and living and I very much enjoy that. I’m a very private person and it seems that I open up completely when I’m acting, and I do that more often with dramatic parts. I’m not scared of comedy at all and I’m not scared to jump around and go toe-to-toe with comedy because that’s what I do most anyway. It’s like a defense mechanism for me and I use it instinctively in a lot of situations so I’m kinda used to it. But drama is something that really pushes me and makes me discover a lot of things in myself that I wouldn’t’ve noticed before. It’s weird, I know, but I guess other actors might know what I’m talking about.

The role of Vicente Corliss on Touch. Was this an open audition or a part for which you were recommended?

Both, kinda. I was called in after being submitted by my agent and fit the description. I came in, read, and immediately was asked to come in later that day to read for the director. I went to Fox Studios a few hours later and read for the main guys. Apparently, they loved it and offered me the part immediately.

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Alex Ruiz as Vicente Corliss on TOUCH

Had you watched the show before you got the part? If not, did you go back and watch season 1, or did you want to approach the role without that knowledge?

Yeah, I was told to watch the show before I came to read for the part to have knowledge of the premise. I don’t ever watch shows or movies or plays before or afterwards because I want to give my own interpretation, unless, of course, I’m asked to. I feel it’s best if you come with your own idea and choice for the part without any prior knowledge. Only if you have pure understanding of what’s being asked of you. But yeah, I watched two episodes and once I got the idea I stopped. I liked it though. But then again, I pretty much like anything Kiefer Sutherland’s in.  [Editor’s note:  ME TOO!]

What were some unique things that happened on this set that you have not encountered on other sets before?

Professionalism. In every way. I’ve been in a lot of sets and worked with a lot of people and the way everything was handled was so professional. From the way they treated David [Mazouz] to how Maria [Bello] came in and rocked her scene to how I was directed. It was a very boom-boom-boom-check the gate process and before I knew it the scenes were done and ready to go. We rehearsed once on a closed set and once we nailed it everyone was brought in to shoot it and bam, the scene was done. They expect you to come prepared and you appreciate that level of professionalism because everyone respects everyone else’s work and time.

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Maria Bello, David Mazouz, and Alex Ruiz’s scene in TOUCH

I like to think of every experience as a learning moment. Did you learn anything on the set (as an actor or on a more personal level) that you can share with us?

I feel like I learn something on every set that I’m a part of. I’m not sure if I can pinpoint exactly what that is but I know it and utilize it the moment I’m there. I think it’s really just listening. Not only to the director but to everyone around you. Literally everyone. The sound guy putting the mic on you has heard a billion things about everything that’s happened on every set he’s worked with so I listen to what (s)he says. On break I’m drinking coffee and the lighting guys talk about work and I infiltrate their conversation and just listen. I try to learn every facet of my job as possible by listening and being aware of how everything works. From the director, they’re all astronomically different and if you listen carefully and adapt to his world then you’ve got another little safe of knowledge stored in your brain that you can open up and use in another situation. The entire process is learning so I can’t really give something specific when it’s there from beginning to end.

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Maria Bello and Alex Ruiz in TOUCH

You know I have to ask…have you had a Touch-like moment in your life, something you felt was more than coincidence?

Of course! My family and I have an apartment that we stay at in Mexico that used to belong to my grandma who’s been deceased for about 15 years. I slept in her bed one night, which we do every time we’re there anyway, and I had a very strong dream about her. My brother was going through some tough times and I vividly saw her in my dream. I won’t go into specifics but it ended with her saying “he’ll be okay, he’ll be okay,” and I woke up screaming and crying. I’ve never had a dream like that before nor since and I’m totally convinced that it was my grandma talking to me directly. It was definitely Touch-like in the sense that my brother is completely happy and somehow my grandma calmed me by knowing it would be so.

Do you have any current projects on the horizon?

I do. I’m doing a Mexican novela called Dama Y Obrero in Miami right now. It’s a remake from a Chilean novela of the same name which had enormous success in Chile. The anticipation for it is quite big and I have one of the starring roles so I’m very excited for that. It’ll air on Telemundo later this year. I’m also in negotiations to star in a film which might have some big distribution but hopefully I’ll be able to film it after the novela. I also did a short called Best of Both Worlds directed by amazing director Michael Dunker a little less than a year ago which has made a big splash in the festival circuit and it’s getting financed to be made as a feature where I’ll be playing the same character. So yeah, lots of stuff this year, thankfully.

BoBWStill

Courtesy of Alex Ruiz

RAPID-FIRE QUESTIONS

What is the most played song on your IPod or MP3 player?

I just looked it up and it’s Cruel Summer by Bananarama. Imagine that. I’m a huge 80’s guy so I guess it doesn’t surprise me.

What is the last book you have read?

I read “Miss Peregrine’s Home For Peculiar Children” by Ransom Riggs. It’s creepy as all hell because photographs visualize the narrative. Not a bad book. Right now I’m trying to finish “Gone Girl” by Gillian Flynn. A friend of mine recommended it and it’s pretty damn good so far.

Best advice that was ever given to you?

Lots of good advice throughout the years. But the most basic and impactful was my mom saying “oye, ve, y calla,” which means “listen, watch, and don’t say a word.” Works in every situation you’re in if you really think about it.

Sunrises or sunsets?

Definitely sunsets.

Favorite sport to watch?

Basketball. Been a Pistons fan all of my life.

Singing or dancing?

I do a lot of karaoke but my voice is terrible (to me, at least). Dancing I like. I’m talking salsa or mambo or anything that moves your hips without you knowing they’re moving.

Favorite TV show (besides Touch, of course 🙂

The British Office is absolute genius. Anything Gervais, really. I’m also a big fan of Forensic Files and crime shows of that sort.

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Courtesy of Alex Ruiz

Thank you so much, Alex, for the generosity of your time and your thoughtful answers. TOUCH fans: Help support Alex by liking his Facebook page and following him on Twitter.

IMDB: http://www.imdb.com/name/nm1991503/?ref_=fn_al_nm_2

Facebook Fan Page: https://www.facebook.com/pages/Alex-Ruiz/159956814141798?ref=hl

Twitter: @alex54ruiz





Touch (S2E9) Clockwork

5 04 2013

Kiefer Sutherland is reunited with his old “24” co-star, Annie Wersching (Renee Walker). This episode marks return of one of my favorite characters on the show, Avram (Bodhi Elfman). BreakWire is about to go under after Guillermo (Saïd Taghmaoui) murdered many of its employees and by the end of the episode, Martin learns the news that Lucy (Mario Bello) was found dead. It also seems to take another pivot in its plot devices by adding ancient hieroglyphics that will need to be deciphered. By the end of the episode, 318 becomes the numbers again, which brings us to the original numbers of season 1, episode 1, and where Calvin (Lukas Haas) thought the sequence would go–back to the beginning and it includes patient number one of Professor Arthur Teller (Danny Glover).

More Detailed Recap:

Jake (David Mazouz) narrates: “Physicists will tell you that time does not exist, that it is a human construct used to organize experience and catalog existence, so we can quantify it, confirm it, remember it. Einstein did not believe in time. He believed in timelessness, that all time existed at once–past, present, future. He did not acknowledge the concept of now. All moments are equally real, equally accessible if we know how.”

 

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Love the attention to detail to show us red, blue, stars, clocks, butterflies

Amelia (Saxon Sharbino) is running. Martin looks at patient 0001 of The Teller Institute.

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Jake’s red-striped shirt, red letters on milk, red cereal box

There is a knock at the door. It’s Avram!!!!! He is here to help keep Jake safe.

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So nice to see Avram back! Soldier of light!

The number tonight is 948.

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Tonight’s number: 948

BreakWire is going under after the deaths of the employees. Martin wants to help Trevor (Greg Ellis) keep it afloat. Trevor has a story on Phillip Green (Paul Vincent O’Connor), a prisoner about to be put to death. It’s patient 0001 [of course!]. [Note where his current address is: Block 9, Cell 48. Also, within the body of the article it talks about him being secretly kept at Teller Institute and Anthony Brown, his landlord, said he would scream numbers at him, and mentions the number 85647. The paragraph on the left is the same as the second paragraph on the right. I’m being too obsessed over this show, aren’t I? LOL]

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Patient 0001 of The Teller Institute

The back-story on this man is that there were three murders that occurred in a robbery. Phillip worked at an antique shop. He went back after hours to clean the place out, saw a passerby and gunned him down in cold blood. Supposedly there were no witnesses to the murder. If Martin would do the story for BreakWire, Trevor could get him in to see his attorney.

Mike (Jamie McShane) is making a rock-climbing fortress for his son Max (Blake Bertrand) [who is sporting a red cape and red sneakers, and has a blue swing].

Mike gets a call. There is something he needs to do, but his wife, Jenny (Karis Campbell), thinks not. The argument is interrupted by a splinter. [Not only does Max have red sneakers, they have a star cut into them!].

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Check out the red star cut into his sneakers! Wow, the details.

Martin meets with the lawyer, Mr. Miller (Scott Klace) who thinks Martin might be a crazy man. When Martin shares information that was never submitted into evidence, he hears Martin out.

Avram and Jake play chess and uses the French Defense against Jake’s move of king pawn to E4. Jake becomes agitated. He looks at the clock on the wall, takes it down, and starts unscrewing things.

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Playing chess (remember Amelia used a chess piece buried in the sand for Jake.

Martin meets Phillip but the man will not speak. He confirms for Martin he is one of the 36. Martin will do anything he needs. Phillip gives him a picture of his daughter. Martin is so used to Jake being nonverbal that he can read Phillip’s intentions quite easily through his facial expressions.

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A man in great emotional pain.

His daughter is Dr. Kate Gordon (Annie Wersching). She is a family therapist who specializes in early childhood trauma, behavioral issues, children who are nonverbal, or disturbed.” Martin shares that Jake is nonverbal. Martin tells her about his visit with her father. The story was this: Her father had a gift with numbers and symbols and ancient languages. He was taken to The Teller Institute. When he came back, he shot three people. When she asked him if he did it, he said yes. When she asked why, he went silent. She tried to visit him but every time would be turned away [red thing on the coffee table].

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Ahhh… Kiefer and Annie together again.

Avram tells Jake about the history on clock-making. Six gears in six piles [equals 36]. When Martin calls and when he tells Avram that Phillip is one of the 36, Jake stops his work for a moment and looks up.

Jenny tells Mike that making this decision won’t bring his father back [I wonder if his father was one of the ones killed]. Max was in the car when his grandfather was shot. The guy who did this to his father is living his life [so I guess it is not Phillip].

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Another man in great emotional pain and a child with a lot of red toys.

[Wow. This gets into a great argument about capital punishment. Are the people who are part of the execution murderers? If you don’t think so, then what happens if you are a part of it, and later find out the person was innocent? Or maybe you don’t know, and you only find out once you have to atone to God before being welcomed into the Kingdom of Heaven? ]

In investigating the case, Martin discovers that nothing was actually stolen at the shop where Phillip worked. The three victims were Richard Davis, Frankin  [a typo by Trevor or Greg Ellis?] Price, Derek Reynolds. Their link? Da, da, da, dum–Möbius, a subsidiary of Aster Corps.

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“Blue” Orb, Mobius, a link between 3, and a typoed name– Frankin in the parameters, but Franklin in the results. Someone may need to reserve a room for me. This is what I get for having a child with high OCD/low-functioning autism.

The antique store is at 948. There is a red awning and a star shape in the window.

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Arrows point to the spots.

Martin talks to Mr. Zedner (George Wyner). Phillip wanted to store a box of his in the store’s safe. It belonged to him and that is what the police found at the house. Phillip’s machine looks like clock gears.

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Phillip’s secrets

Martin brings the box home and Jake starts rearranging gears. Avram thinks it is a cipher. They are used for sending and interpreting messages. What kind of message is something to kill for?

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A cipher!!!!

Martin meets up with Kate again. She tells him their code for “I Love You” was holding up the middle three fingers one at a time in rhythm. Martin tells her about Aster Corps and thinks that by shutting down and pushing her out he was trying to protect her. He shows her the box. Kate says her dad said it was the road map to finding 36 magical people who could save the world. One key gear is missing.

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I….Love….You

The guards start taking Phillip to the execution chamber. His lawyer gets a call from Martin that he and Kate are on their way.

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Guard is actor Patrick Brown (my son is Patrick Bowen)–Social Security had first sent me a card with “Brown” as my married name. His Twitter handle is @PBitters mine is @PBMom (just thought that was funny)

Avram makes tea in the red kettle. Jake keeps writing 948 in his book.

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It’s always a good time for tea!

In the locker room Mike’s friend is gloating about how they were lucky enough to get picked for “this” [the execution]. They both press their buttons at the same time so that neither knows who gave Phillip the dose that kills him. Mike needs to get some air. Mike recognizes Dr. Gordon. [Would that not at least postpone the execution since Kate is his son’s therapist? They would have to find someone else to push the button.]

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Kate wants to see her dad before he is executed.

Mike wants to talk to the warden. [Ah ha! I knew it.] Mike dropped out of the execution team duty and that has delayed things. Kate will get some time with Phillip. [Good grief, I’m crying again]. She tells him Martin’s theory that Phillip was trying to protect her is the only thing that makes sense, Phillip holds up his three fingers–I love you. Kate does the same.

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Knowing his fate, the father says I…Love…You for the very last time to his daughter.

Martin feels like he failed that he could not stop it. Kate said that was not it. Kate and the lawyer head to the gallery. Martin feels defeated. However Phillip left a box for him. Inside is a note–“your son knows.”

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The weight of the world on poor Jake’s shoulders.

Martin calls Avram. Jake wants Martin to go to antique shop. Jake, Avram and Martin go together. Jake focuses in on a specific clock. Phillip fixed it the night he was arrested. Jake opens it and finds the gear–the key.

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The key to the cipher.

Back at the house, Jake puts the cipher in and manipulates the dials. Then gears then start working automatically.

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Obviously the still picture cannot show the movement of all the gears. Trust me, it was working.

Trevor comes to the house and tells Martin the shocking news about Lucy [but he does not ask about Amelia which is weird].

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The men who cared about Lucy sit in silence together.

When the cipher stops at 318, we are back to the beginning, where episode 1 of season 1 began, the beginning of The Amelia Sequence, also known as The God Sequence, the point Calvin said where the equation would eventually loop around on itself.

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The sequence starts again.

Jake looks out the window and sees Amelia.

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Jake sees Amelia. Is it real or a dream?

Next week: Jake talks to Martin (his first REAL words because the prior words spoken where inside Amelia’s brain so that was actually telepathic, not verbal)!!!!! And Guillermo is back.

And here’s something very funny. I was looking at this pamphlet in my mail pile and I did not see the word EASTER but the word ASTER and laughed. You know you are a Touch fanatic when this occurs.

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American Idol S12 Top 7 Perform

4 04 2013

AmericanIdolLogoInstead of having no blog at all because (insert numerous excuses here), I’m just going to keep it short.

Last night’s American Idol was….disappointing. Very, very disappointing. It was ROCK night and only a few rose to the occasion. The group numbers and/or duets were painful to watch. It was cute to see that Burnell has a crush on Amber; however, we have an engaged Idol couple right now–Diana DeGarmo and Ace Young. I also got tired of Ryan Seacrest asking the contestants why they did so crappy. Was he also at a loss for words? These people are being groomed for professionalism and how professional is it to be asked why they did not remember the lyrics (because they never heard of these songs before) or why did they have such a bad performance when usually they are always so good (because they had too much to learn that week or they are not feeling well, etc.) When someone goes to a concert, can you imagine them saying to crowds that paid hard-earned money hear: Hey y’all. I’m sorry I forgot the lyrics on that one. I’m so tired going from city to city playing for all of you. Candice did a great job, but after hearing “(I Can’t Get No) Satisfaction” from Adam Lambert, well, no one could sing that better except for the Rolling Stones.  But Candice was my favorite. Amber Holcomb was my next favorite. Next was Kree despite her rough note. Angie Miller. You have a problem. You have no life experience so while your wind machine blew tropical-storm-force wind in your face, you could not put the emotion that was necessary of the lyrics from “Bring Me To Life” by Evanescence to the song. You do best when you sing your original music. “Bid my blood to run, before I come undone…” With your Christian roots, I doubt you’ve ever felt love this deep at your tender age. It’s not your fault. However, you need to pick songs where you can emotionally connect. Then Janelle. Janelle, my dislike of what you do has nothing to do with you. It’s me. I got so sick of my mother playing country music that I grew to dislike it so much. And your twang seems to be growing every week. What’s up with that? Then Burnell and then Lazaro. I love challenges turned into triumph, but Lazaro is not performing on par with what needs to come from the Idol winner. You should be proud you got this far, but it is really time for you to go home until the tour. You should not have worn those pants last night; when they went out for the wide shot, I felt like I was looking at pictures similar to Anthony Weiner, or you were having a Jon Hamm moment. Or perhaps that is why people keep voting for you and I missed it until tonight.

Don’t forget that you can pick the theme for an Idol show by tweeting with the hashtag #ATTIdolTheme. Based on these performances last night, I’m going to suggest TV Show Themes, Songs of the Circus, or One-Hit Wonders





Touch (S2E8) Reunions

4 04 2013

I was not prepared for this episode. I had heard Maria Bello wanted out of the show and was happy how it happens, but I had no idea it would be before the end of the season and it would happen in this way in this episode. I was sobbing. But let’s not jump ahead….

Amelia (Saxon Sharbino) is running through the desert [another dream sequence?].

Jake (David Mazouz) narrates, “Bodies at rest stay at rest, and bodies in motion stay in motion unless acted on by an outside force.”In this case she is stopped by Aster Corps security, and more specifically we see Tony Rigby (Adam Campbell). License plate on one vehicle 6Q49951. Tony tells Amelia she would have to run 1-1/2 days to reach civilization. Security takes her away.

Pic1

Amelia is caught trying to escape

Jake continues, “People, like objects, become set in their paths, embedded in a constrained reality. As we travel our path, the possible futures which were once infinite collapse down to one. One outcome. Unchangeable. Inescapable.”

[Sign read The Teller Institute, established in 1997]

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An old Teller Institute testing lab

There’s Kase! [Friend or foe?] Tony wants Kase (John Boyd) to give him data. Kase informs him the place is antiquated. Files fall out in front of Amelia. Amelia opens it and sees a man’s MRI study analysis. Patient #0001. This man, according to the report, has an abnormally enlarged amygdala on both sides of his brain and the volume of the white matter is bigger on the left side than e right. On the negative side, it also contains compromised features. His left inferior gyrus (important for language) is less developed and he has fewer connections to the right fusiform gyrus (which helps process faces). Amelia worries about his ultimate fate. She folds the paper and takes it. Tony tells Kase a new generator is on the way, but he needs results or else he is of “no use” to him [which I interpret as a death threat].

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Patient #1

Kase apparently has a gambling problem [and debt]. Amelia retreats to the beautiful garden in her head. Jake continues: “We’re each on a path and sometimes those paths become inclined, pulled into each others’ orbits and collide.”

[Blue butterfly-I discovered today that my son with autism is using a blue butterfly icon for his log-on for Windows long before this show ever aired. I thought that was cool.]

Pic4

Amelia screams to the universe for someone to help her.

Amelia calls out, “Please save me!” and Jake hears her. Outside the hospital [presumably waiting for Lucy], Martin (Kiefer Sutherland) reassures him that everything is going to be okay. But Trevor (Greg Ellis) tells them there is a problem. Phil gave a statement that contradicts him. Someone named Denny Lange had access to Trevor’s database. Martin is ready to disappear but Trevor tells him to go home. A battered Lucy (Maria Bello) walks out of the hospital. Jake writes 0175 in the window of the car.

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Tonight’s number

While driving home, Martin sees a floral van whose phone number was 310-555-0175. Follow that van!

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0715 is on the van

There it is: “Jake, stay in the car.” [This has become an affectionate joke among Twitter fandom, either that or “Jake get out of the car.” It’s Tony Rigby’s house but Calvin is there. Calvin tells them Tony murdered his mother and took Amelia. Calvin has a directory to all the high-level facilities that Aster Corps has at his place. [Red throw blanket over the couch; red pamphlet on table next to laptop.]

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Red, red and more red.

In his red jacket, Jake wanders in the loft to an experiment area. Martin freaks when he sees him with the thing on his head. Calvin said he could hurt him shutting it down. Calvin sees Wernicke and Broca waves are beginning to oscillate. He’s getting ready to speak.

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Jake is plugged into The Matrix.

Jake turns up in Amelia’s safe place in her head. Jake says to Amelia, “I found you.” Jake hears Lucy in the background to tell Amelia she loves her, which he repeats to Amelia. Tell her that we’re coming for her.” Lucy asks him to find out any details about where they are. Amelia tells him.

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Jake meets Amelia in The Matrix.

He writes 1997 1188. Martin gets it. 1188 belonged to Teller. Calvin says may have given him the information he needed to help his brother.

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Important numbers!

Calvin goes to William (David Hoflin). A 17-year-old named Evie (Katherine McNamara) pops in to say hello and offer her services. She wants to be a neurosurgeon one day. Suddenly, William is back to himself, talking and moving around. William wants to know what happened.

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William recovers….sort of

Lucy, Martin and Jake go to Amelia. There was some time for Martin and Lucy to talk about Lucy’s old life, like her profession. The car breaks down. They stop a truck and for $200 he will deliver them to the place they need to go (in the middle of nowhere). This man is Jerry Woods (John Lacy),the estranged father of Evie, the young lady with Calvin. As they survey the area, Jake lets out a primal scream to alert the guards. Martin realizes that was his plan after all. Martin runs into the path of the security guards asking them for their help. Martin may have them convinced and they take him away.

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Even bad guys pick up guys who claim they have car problems

However, he winds up in a cell at the facility. Passing by, Kase hears Martin’s pleas to the guard. Martin and Kase come face to face. Kase was hired by Calvin’s mother to care for Amelia more so than being Calvin’s assistant. Kase said they will kill him if he tells Martin where Amelia is. Martin forcefully persuades Kase to show him.

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You WILL take me to Amelia.

Calvin and William speak about times in the past. William recalls the details of the accident. There were some very emotional scenes where Calvin blamed himself for the accident and William knew he was moving mountains to save him. [It made Calvin not so much of a bad guy.]

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Calvin and William speak to one another.

Jake and Lucy break into the area with vehicles. Lucy pulls out key 6908 and Jake takes out the other keys and drops them into a grate. Jake grabs the electronic key, puts it on the windshield and runs to a door.

The guard knows Martin is gone. Tony Rigby is there. Martin meets Amelia. She skips the pleasantries and tells them they have to leave. Tony knows she is gone from her room.

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No time for pleasantries!

Amelia says that they need to block out the cameras and Martin follows. Kase moved away from them. Amelia tells Martin they will overload the system. Tony recognizes Martin Bishop (aka Martin Bohm) when the cameras catch him before the lights go out.

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They are discovered!

Amelia knows exactly where Jake and her mom are. A guard pops into the garage. Martin sees the key Jake left for them. When the second guard comes in and they notice the keys are gone, Martin and Amelia leave. License plate on the Jeep is 6IRA337.

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Martin and Amelia arrive.

Amelia tells Martin to stop at a particular place. Lucy pops out of a bush. A happy reunion commences. All four of them get into the Jeep and drive away.

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A mother and child reunion.

An anonymous woman (Mrs. Farrington, actress Frances Fisher from Eureka) tells Tony she is sending “Tanner” (D.B. Sweeney) which is upsetting to Tony.

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Mrs. Farrington–Hey she was on Eureka!

Martin wants Lucy and Amelia to disappear. Lucy agrees. Martin cares a lot for Lucy and they have an emotional good-bye and share a more-than-friends kiss.

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Martin cares deeply for this woman

Jake gives Amelia her red car from the center in New York (season 1 reference). Amelia gives Jake something to give to Martin.

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Season 1 reference– nice callback.

Jake says good-bye to Lucy and takes her hand.

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Jake loves Lucy.

Evie wakes Calvin. William has regressed. A distraught Calvin yells at her and tells her to leave. Evie cries on the bench outside, but her father arrives at the perfect time.

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Reunion for Evie and Jerry

Jake narrates: “We each have a path. Some are forced apart, but flow back together, their synchronicity inescapable. Some paths touch only briefly and glance off in different directions, forever changed by the meeting. Some loop back again and again across time and space, always finding each other.

Lucy drives off with Amelia into the sunset. But there is blackness on the horizon.

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Danger Will Robinson.

[I have been aware that Maria Bello wanted ‘out’ of the show, but I always assumed it was at the end of the season. I also know she was pleased how her storyline ended. All at once I am worried this is the end of Amelia and Lucy. But my mind is screaming, “This can’t be now! This can’t be it!” At the same time I’m trying to think, “How were they found? Did Lucy’s car get GPS’d? Did they inject a tracking device on Amelia the second time she was taken?” Logic would dictate since Martin is driving one of their cars, he would be the one they locate first.]

Jake continues: “Once we’re on our path there are limited chances to deviate, small moments when other forces come into play and knocks you off your trajectory. Mrs. Farrington tells Tanner she only wants Amelia–her mother is a liability. [Oh shit! It is going to end here for Lucy but how? Does Amelia get away or is she recaptured?]

Amelia has already calculated all possible outcomes. I presume she knows in all outcomes her mother is going to die and there is only one outcome where she escapes but her mother does not [at this point I start sobbing…a mother would die for her child].

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Lucy understands her fate.

 

Amelia starts running.  Jake: “What could be powerful enough to change your path, change your future? An act of nature, an act of love.” Lucy gets out of the truck and confronts Aster Corps, Tony Rigby. As Amelia runs, she hears a gunshot (Tony Rigby and the gunman, Cooper [Gonzalo Menendez).

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Lucy is about to die for her child.

Jake: “Once this deviation happens, you find yourself on a new path, uncharted, unknown, stretching out ahead of you.”

[Dead silence from me–I never expected that at all!]





April is Autism ACTION Month

1 04 2013

April is Autism Awareness Month. Phooey. It needs to be Autism ACTION Month. We have had enough awareness. What would help us the most (are you listening Autism Speaks?) is an Autism ACTION month. We need action to help the families who are suffering RIGHT NOW, who are financially crippled, who need respite desperately, who had to quit their jobs in order to care for their child, a family who may have gone through divorce because autism is TOO stressful on a marriage, people who have had to take their children out of private facilities because insurance would no longer cover them, etc. The physical and emotional toll is great on the entire family. Some parents have multiple children with this disease.

Medicine and psychiatry have been debating the causes of autism for more than 60 years now yet we have no concrete answers and the numbers are rising. When people tell me that it is 100% due to better diagnosing, they are right to a SMALL point. But listen up! When Patrick was diagnosed (in the summer of 1997 when it was still 1 in 10,000), when I would say “my child has autism” to people, they would say, “Well what is it? What causes it? I’ve never met anyone with autism before.” Indeed in all of my life up until Patrick was diagnosed, neither had I. Now when I’m out at the mall or in a store, Patrick is not the only person there with autism. I see it. I can pick out the adults and kids who obviously have it; I’m sure there are others I would pick up on if we had a conversation.

If you all are concerned about Social Security going bankrupt by baby boomers, you should be TERRIFIED of what is going to happen when Patrick and all the children behind him grow up and can’t get jobs because schools chose to not educate them. It is the only neurological disease that is not covered by health insurance and we still fight that battle just to try to get our children covered. If they get treatment, many of these children will go on to become taxpaying adults able to hold jobs. If we don’t, they will test the social support system of the government like nobody is ever imagining. The only reason why it is within the realm of psychiatry is because of its psychiatric features. But there are many physical diseases that have psychiatric features.

I am not a fan of Autism Speaks. They are not good stewards of your hard-earned money. Here is a copy of their 2010 tax return. People are generally shocked when they hear me say this because they think Autism Speaks is the gold standard of charities.  Only about 4% of what they get actually helps families. They do not have anyone with autism on their board of directors to help guide them in what people with autism need directly from the people they are supposedly serving. While it is great to use some funds for research for finding the cause, they will never find possible prevention if they are closed off already to some research that does point to vaccines. They lobby in Washington now and they can’t have a cozy relationship with the US Government because the US Government can never admit this. They have to take the party line that vaccines do not cause autism….although there has never been a study that studied the cumulative effect of all these vaccines…and the US Government has been awarding some families who have been harmed by autism under the disguise of encephalopathy which just means damage to the brain. And autism IS damage to the brain. I don’t like some of Autism Speaks advertising either. It offends me.

autspeaks graph

So here are my suggestions for this month:

Wear your blue on April 2, change your light bulbs blue if you want, dye your hair blue if you want. In that moment you can bring awareness.

Then help with action.

Donate to a local group. This way you know your hard-earned money is staying in the community and going directly to help the children because most of the people in these organizations are volunteers. Here are some local groups I can vouch for that will be good stewards of your money:

FEAT-Houston (Families for Effective Autism Treatment): FEAT-Houston is a non-profit organization that provides information and training on treating individuals with autism spectrum disorder using techniques based on applied behavior analysis (ABA). We sponsor workshops, meetings, a newsletter, and regular emails. Our tuition reimbursement and conference stipend programs help support the development of ABA resources in the Greater Houston area and make it possible for more teachers and parents to learn about effective teaching methods for children, teens and adults with autism. We are supported primarily by individual contributions and volunteer efforts.

FEATHouston

F.A.C.E.S.: My son was helped by these people. They gave us a grant that allowed Patrick to stay at his school where we reached a point where we might have had to take him out of Including Kids. The Foundation for Autism Care, Education & Services (FACES) is a non-profit 501c3 foundation founded by Larry and Pat Wallace. It is the mission of FACES to raise funds to directly support and promote education, service and Applied Behavior Analysis (ABA) therapy for families faced with Autism Spectrum Disorder. The funding for the foundation comes from both public and private party donations, as well as fundraisers involving private individuals and organizations.

FACES

Desperate for Respite: desperate for Respite (dfR) is a non-profit charitable corporation organized exclusively for charitable and community development purposes. Our corporation exists to provide support to caregivers caring for special needs children, dependent adults and their families in the Northwest Houston area, that face the challenges associated of caring for an individual with some level of disability; raising awareness and educating the community by developing relationships and community responsibility for supporting caregivers and their families.

DesperateForRespite

Houston Autism Disability Network: Where Hope Takes Flight! Mission: Information & Resources for Autism Spectrum Disorders & Special Education assistance. Networking meetings for parents & professionals each month, special seminars & annual conference. HADN strives to be a unifying, non-competitive resource for Houston area — in helping to host events and inviting speakers to share their resources & information!

HADN

Autism Society of Greater Austin: The Autism Society’s mission is straightforward: “improve the lives of all affected by autism.” In Central Texas, the Autism Society of Greater Austin strives to achieve this goal in several ways: Advocating for the education and training of parents and professionals involved in the educating and caring for persons with autism; helping develop a better understanding of the challenges of persons with autism and their families by serving as a clearinghouse for information about autism; supporting families and professionals through monthly meetings, workshops, on-line vehicles, and printed material; we also sponsor events that are just for fun–come join us! The Autism Society of Greater Austin is a 501(c)3 organization that depends heavily on donations. Please know that contributions are tax deductible and will be used locally.

AutismSocietyAustin

If money is difficult for you right now, then you can help with your time and talent. If you know a family with a child with autism, offer to babysit for just 2-3 hours. They really need a break. Offer to take the child out with your family on an outing you are doing. Schedule a time to bring lunch over and sit with us for an hour or two and listen to us. We might need to talk about things going on, or perhaps we would prefer to listen to what is going on in your life to keep our minds off of things for awhile. Support legislation that helps autism, which also includes Medicare and Medicaid for those who are adults with autism. Support employers who hire people with autism in their company. There are so many ways you could help in action.

So wear your blue April 2nd and move into action!





American Idol S12 Top 8 Perform

28 03 2013

Music of Motown. Smokey Robinson is guest mentor.

Candice Glover–Smokey cried at her performance last week. This week she chose “I Heard It Through The Grapevine” by Marvin Gaye. Preach girl! She is always spot on. She laid down the gauntlet! I believe she is untouchable. Keith said tonight was her best performance (for her). Nicki said she stayed in it emotionally completely. Randy said she was crazy good. Mariah said she wants to hear more of that jazzy sound.

Group song–Kree and Janelle–country version of “Like a Prayer” by Madonna. I preferred Kree over Janelle. This song was not a good choice for Janelle’s voice. Nicki said that Kree looked like she flew in to sing with an Idol contestant. OUCH. Randy said Janelle’s pitch was off night and Kree outshined her. Mariah said it was a sisterhood moment. Then I walked out of the room to ask my husband a question and Mariah was still talking when I got back in. Keith said it worked really well. He felt they could have walked around more but he was glad they had each other’s back in that lyric-slip moment.

Lazaro Arbos — “For Once In My Life” by Stevie Wonder. I think Jimmy was going easy on him this week because he has gotten such flack the past few weeks about his mentoring of Lazaro. Lazaro has enunciation issues but this is the best he has done since the auditions. Randy thinks it was better than last week. Mariah said she hears Randy about the pitch problems. His confidence was back. Keith thought Smokey’s advice was fantastic. This week was better than last week. Nicki feels he was back this week. Nicki said he gave her everything she needed and wanted. She said when he stopped listening to Jimmy, he did a great job.

Janelle Arthur “You Keep Me Hanging On” by The Supremes. I was bored. Mariah said it was her at her finest. Keith thought it was fearless. He thought it was beautiful. Nicki thinks she shines when she has her guitar. She seems to be smiling a lot more (but is smiling during this song appropriate?). Nicki does not think that her voice is where it normally is. Randy thought it was one of her best performances.

Devin Velez–“Tracks of My Tears” by Smokey Robinson and The Miracles. Flawless to me. I like this but Adam Lambert’s is still my favorite Idol cover of the song. Keith says he has to stop thinking about things so much and relax but he has style. Nicki said he looks like a ripe banana and that is a good thing. Amazing job. YES sir. (He was wearing a red jacket, but I think she meant she wanted to eat him all up figuratively speaking). Randy thinks Devin is back tonight. Best performance from him in weeks. Mariah loved it.

Group number:  Amber, Candice and Angie–I’m Gonna Make You Love Me” by The Supremes & The Temptations. Fantastic and they get a standing ovation except for Mariah. Mariah said it was A-plus amazing.

Burnell Taylor“My Cherie Amour”–Stevie Wonder. He had a nice voice but there’s nothing about it or his performances that stand out. He always sounds like he is right under the note and I think he mispronounced the word “amour.” Nicki thinks he is artsy. Randy loves his choices. Mariah loves him looking debonair. He gave it a modern twist. Keith said where is Ron Burgundy when you need him (and what the hell does that mean, but I love that Keith loves Anchorman). Keith likes him too.

Angie Miller“Shop Around”–The Miracles. She needs to work on her stage presence when she is not behind the piano. I felt there were opportunities to interact with the good-looking guitar players that would have made that performance stand out more for me, but I think because of her faith and her age, she is reluctant to do that. Nicki said she tried to show a different side of Angie and she does not need to do that. Randy thought it was pitchy.

Amber Holcomb–“Lately“–Stevie Wonder. I loved it. My second favorite performance of the night. Mariah: She is a tour de force. Mariah was bleeped! That’s funny. Keith agrees. It was the right song. She felt it (the song). It was beautiful tonight. Nicki said it was out of this world. When God created those vocal cords….. Randy said it was the best vocal of the night.

Group number:  Devin, Burnell and Lazaro–“I Can’t Help Myself” by The Four Tops (which ironically is at this moment playing on Shark Tales on my son’s DVD). This performance was TERRIBLE. Their voices do not complement each other. Nicki hated it. She told them to get off the stage. I LOVE HER HONESTY.

Kree Harrison— “Don’t Play That Song” Aretha Franklin. Her voice is really growing on me. Randy says she was one of the best in the competition. She is here to stay. Mariah commends her for doing the song. She loves her and she is here to stay. Keith loves her. Nicki says she is a queen.

My top 3: Candice Glover, Amber Holcomb, Kree Harrison.

My bottom 3: Burnell Taylor, Lazaro Arbos, Janelle Arthur





Touch (S2E7) “Ghosts”

25 03 2013

This episode was written by David Eick of Battlestar Galactica and Bionic Woman fame so my expectations were high for a great story. It did not disappoint.

The narration starts like the intro to “The Perfect Storm.”

Jake (David Mazouz) picks up his pattern of a red butterfly and other things to put in his backpack. Lucy (Maria Bello) packs her things [with the red plastic container that has boxing tape]. Martin (Kiefer Sutherland) tells her he is calling in a Special Forces friend to help in the search for Amelia (Saxon Sharbino). Martin tells Lucy that Jake loves her [and I’m thinking Martin has feelings for her, too].

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Red & blue butterlies

Amelia sits on a rock surrounded by a garden but it looks artificially constructed to me. She sees a blue butterfly. She telepathically communicates to Jake that the numbers will protect him.

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A blue butterfly (symbolic of Jake)

Lucy says goodbye to Jake. He takes a cell phone out of a bag with 679 on it and hands it to Lucy.

Jake narrates: “In humans, a fear response happens in less than 40 milliseconds. Immediately a massive shot of adrenaline makes our muscles tense up to fight, our heart rate increases so we can elude predators. We sweat so we don’t overheat. Pupils dilate some can see in the dark.”

Although it is a dark and stormy night, there is a party at BreakWire and outside Guillermo waits for Jake. Ruben Santiago (Ray Santiago) is trying to make a love connection with Claire (Krystal Marshall). Actor Keith David walks in the door, playing the role of Dutch, the Special Forces friend. In the scene, lots of red liquor bottles can be seen along with a poster in the background that talks about a Masked Ball [don’t know how relevant that is].

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Lots of red references in this pic. Trevor & Dutch

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Jake and Martin arrive at BreakWire as Guillermo watches

Trevor (Greg Ellis) thinks he is calling Martin, but he got Lucy. She knows Jake is orchestrating the meeting. Jake is furiously writing a number in color in a pattern that looks like a butterfly wing.

Martin joins Dutch and Trevor talking war stories. Trevor gets up and Martin tells him about Jake. Meanwhile in the car, Guillermo is going to pose as a city worker doing something with BreakWire. He climbs in the sewer. The electricity goes out in the building [coincidence or Guillermo]? The power goes out to their buildings.

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Telling stories while the storm brews.

Lucy arrives. They say a second goodbye. Jake blocks her exit and grabs her hand. Roads are closed; Lucy has to stay.

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Jake holds Lucy’s hand.

In true Carrie-horror-like fashion, Guillermo locks the doors to prevent anyone from leaving.

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Baby lock them doors and turn the lights down low.

A young man finds Guillermo. He directs him to where he needs to go. After Guillermo passes the door where the party is taking place, Jake crawls under the table [red paddle]. The cell phone is not working so Trevor sends Ruben who is wearing a red sweater and his new girlfriend to go check into the problem [and create some sparks elsewhere]. Guillermo pops in and says “in a Holy war there is no collateral damage.” Now it comes down to people who are or are not in his way. Jake feels their death. Jake runs out of the room and Lucy follows. Jake goes into a very dark room and continues writing.

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Time to die Iron Eagle.

Martin discovers Ruben and Claire with their necks slashed. Martin gathers up Trevor and Guillermo to go off searching for Jake. Jake hands Lucy the butterfly picture and points to the mirror. She tells him she will follow him.

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The butterfly shall lead you.

Continuing his search for Jake, Martin comes across Phil (Bill Parks) another victim of Guillermo but he was still conscious. Dutch finds Lucy and Jake. Dutch barricades the door and gives Lucy a potential weapon. Guillermo is upset and tries to open the door. Jake talks to him telepathically–“I know you’re in pain, unbearable pain.”

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Someone who didn’t bleed out in Guillermo’s path.

Through flashbacks Guillermo’s story is told. A woman he loved appeared to be dying in a hospital. He tells Jake to stop it. Dutch shoots Guillermo through the door. And POW! The door flies open and through it Guillermo [I truly was not expecting that]. Guillermo and Dutch struggle. Lucy tells to run when she says go. The gun goes off. Dutch was hit.

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Who shot who?

Lucy attacks Guillermo with a tool. Guillermo throws her up against the mirror, which breaks. She tells Jake to run then stabs Guillermo with a piece of mirror in his thigh. Guillermo runs after Jake. Lucy and Dutch are collapsed on the floor.

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Lucy stabs Guillermo in the thigh? Knee?

Martin gets Phil to Trevor who says the others got out and Ted was calling the police.

Guillermo tells Jake to stop. [Seriously? You are about to kill him. If anyone else had known they were going to be killed, they would run too.] Martin runs towards Guillermo’s voice. Jake flees to the roof. He looks for a way down but does not see one so he hides instead. Guillermo opens the door to the roof.

When Amelia and Jake both realize he does not have the numbers with him, she tells him there is another way. Guillermo puts a board up on the door so he is not interrupted. Jake panics and writes the wrong number. Amelia corrects him. Martin finds the blocked door. In looking at the writing, Jake has gotten the number wrong several times before finally writing 10262000 (the day Jake was born).

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So Jake is NOT perfect under pressure!

Jake uses a rock to put the letters on the metal in his hiding place.

Dutch is alive!

Guillermo finds Jake and points a gun at him, then puts it away in favor of his knife.

“She loved you.” And Guillermo sees the date. He tells Jake that the date is even more reason why he cannot exist here.

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Guillermo’s family died the same day Jake was born.

“But you also knew love before you turned to death.” The woman flat-lines and Guillermo holds a baby in his hands. He tells Jake, “You cannot hurt a man who has lost everything. I am already dead. God took my family, my wife, my son on the blackest day, the day you were born.”

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I’m feeling slightly bad for Guillermo right now. I know the pain of losing a child.

Dutch and Martin bust down the door. Martin and Guillermo fight. Jake jumps on his back. Trevor finds an injured Lucy. Guillermo twirls around and knocks Jake into a pipe. Guillermo attacks Martin with his knife. Martin kicks him in his injured knee [NICE move Martin]. Martin grabs the gun and kicks Guillermo back. Guillermo tries to grab Jake, but Martin shoots him 9 times and Guillermo falls off the roof. [But the season is not over. So does Aster Corps become the new old bad guy or does someone else take Guillermo’s place?]

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Martin does not hesitate shooting this person as he did in Afghanistan with Dutch with someone else.

Martin runs to an unconscious Jake. Jake wakes up. Martin reassures him Guillermo is gone. Martin looks over the roof to see. Guillermo hit a car windshield but he is not dead. [Come on…really? With Martin’s expert aim he displayed with Calvin at the firing range]? Martin says, “That’s impossible!”

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A blue and red car.

An agitated Jake rocks over a very dead Dutch. [Bummer! It would have been nice to have him around for a few episodes].

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I see dead people.

A bloodied Guillermo was sporting a bulletproof vest. [I would think he would be sporting a broken back as well.]

The police arrive. Guillermo hobbles away.

Jake says, “The only uniquely human force with enough power to overcome fear is love.” A blue butterfly flies into Amelia’s hand. A voice that sounds like Kase says to her, “If you’re done working, it’s time for dinner, okay?”

And the beautiful garden she was in fades into a lab [very Matrix-esque]! “We’ll be there in a minute.” And Amelia stands up to walk somewhere. [Does this mean Kase is working with Aster Corps and may have killed Frances?]

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Amelia apparently can create safe places in her mind.

Guess who is in next week’s episode? D.B. Sweeney (from 24 and Jericho!)





Touch (S2E6) “Broken”

23 03 2013

Martin (Kiefer Sutherland) wakes up startled and checks on Jake (David Mazouz) but sees Lucy’s bed (Maria Bello) has never been slept in. Believing she had gone to the police, Martin wakes Jake up to leave.

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Lucy’s bed remains untouched (red flowers)

Calvin (Lukas Haas) lies on a red/white striped pillow in the middle of the floor. Lucy has him tied up. [A tad bit unbelievable that she dragged an injured Calvin all the way up to his loft].

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Lucy and an injured Calvin

Guillermo (Said Taghmaoui) recites the passage of Jesus surviving 40 days out in the desert, being tempted by the devil, while walking through the desert himself. A park ranger (Ransford Doherty) finds him. The ranger is looking for a missing man. He is in Tonto National Forest. [That is a real name, a national forest in Arizona].

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Guillermo and the park ranger

Jake tunes into radio station 89.2. That is the number for this evening.

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Tonight’s number 892

Jake hands Martin the notebook that is red, white and blue, the blue in the butterflies, which is like the case that Amelia had in a previous episode. The notebook belongs to Soleil (Isabella Acres). Jake wants Martin to go there. When Jake turns the car radio to that station, which at the moment is just static, Martin asks him to turn it down.

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The Notebook

Jake narrates: “In a vacuum, radio waves travel at the same speed as all forms of electromagnetic radiation–that is 299,792,458 meters per second–but human beings do not live in a vacuum. Wherever we are we are surrounded by stimuli, both positive and negative. When negative stimuli is perceived, it travels from its source to its destination, sensory cortex, at a mere 100 meters per second. But regardless of its relatively slow speed this unpleasant sensation registers as something we call pain, and as humans, we are conditioned to do anything and everything to avoid it.”

Lucy tries to get Calvin to tell her where Amelia is by inducing pain. He admits to knowing where she is but tells Lucy he would never hurt her.

Jake and Martin go to Soleil’s house. Jake goes into the house and gets a picture album out and shows Martin a picture of Carl Hirsch (Randy Oglesby) and Frances Norburg (Linda Gehringer) together. He gets a license plate number off the picture–6RHI892.

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Frances Norburg’s license plate

Calvin tries to explain that mapping Amelia’s brain is the key to helping his brother and her gifts could change the world. He asks Lucy to get him painkillers from his bedroom and then he will give her back Amelia.

Carl did not know Frances had a son. Carl says he calls her but she never calls back. Jake goes over to turn the radio to FM 89.2. Amelia is listening to the same station. It is a station that reads scripture. Amelia says, “They’re coming.”

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Amelia’s tuned in, too.

Guillermo climbs and appeals to God to speak to him. He sees an injured man below him. The man (Eric Lange) asks Guillermo to kill him.

Martin and Jake head over to BreakWire to find Lucy. [There is a red nutcracker or maybe Pinocchio behind Trevor next to the scales of justice]. Trevor tells him about the address he gave Lucy the night before, 2305 Fifth Street. Martin leaves Jake with Trevor.

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The scales of justice versus “I want to be a real boy” statue.

Calvin sent Lucy on a wild-goose chase and gets himself free. He pulls a gun on her and tells her he could have left and/or had HER arrested for kidnapping [that takes balls Calvin to even say that]. He wants something from Lucy–JAKE.

The hurt man was a doctor out on the trail to clear his head from a mistake he had made. Guillermo says he is doing the same. The doctor was drinking before a pediatric neurosurgical procedure to fix an AVM and the boy died.

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Please kill me. Trust me, he can.

Amelia is ticked off at Frances for lying to her and she won’t eat. Frances says she cannot give her back to her mother because there are people that want to harm her. Amelia tries to leave and is fighting with Frances when there is a knock at the door.

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Danger Will Robinson!

Calvin tries to convince Lucy that Martin is a liar. “There are miracles inside your daughter’s brain.”  Martin arrives at the apartment. Calvin shows Lucy video of Amelia from 2 days ago.

Guillermo tosses the pictures of the people he has killed into the fire that warms the doctor. When he looks at Jake’s picture, he hears Jake speaking telepathically about his pain.

Calvin will bring Amelia to The Valley Reservoir, to bring Jake there by 2 PM, the access road at Woodlee. Martin uses 892 as the code to her into the apartment when smashing the lock did not work. He sees the blood on the floor and a car squeal off.

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The radio station number unlocks the door. Wouldn’t Calvin have picked a bigger number, though?

Guillermo uses a hand crank to power the doctor’s phone. He tells the doctor that he is one of a handful of people on the planet who can interfere with fate. The doctor screams that God wants him to die. Guillermo says who is he to speak for God [which is interesting because Guillermo also speaking for God in his own mind. By the way, how does Guillermo’s shirt stay so white in the desert?]

Lucy looks for Martin at the house. Martin calls Trevor. Lucy calls Trevor and finds out Jake is there. Jake knows she is coming. They drive to the San Fernando Valley Reservoir East Access road. Martin goes back to BreakWire. Lucy tells Martin to come to her. [Of course] Martin leaves his phone in the car.  [Red cubbies at BreakWire].

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Red cubbies

Guillermo can’t get a signal on the cell phone and tosses it. It was 89 days ago that the boy died. He says to the doctor how many children will die if he does not go back to his practice. One boy died, but how many need to be saved? He said that his story reminds him that there is acceptable loss [I don’t think that is the lesson Guillermo; what I get out of that statement is that there is always the possibility of redemption]. He plans to help the man out.

Martin meets Lucy at the reservoir and tells Jake to get in his car. He tells her Calvin played her, gave him the time to get away with Amelia.

Calvin gets to the house (number 7729) and finds the door opened. As Martin and Jake drive home, he turns back around to Lucy. She still believes Calvin is coming. Jake dials 89.2 on the radio. He tells Lucy to get in the car. They see a radio tower.

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An unlocked door that is thumbprint protected is never a good sign.

At the Tonto National Park, the ranger’s search and rescue command post is also picking up this radio signal. Guillermo and the doctor walk out of the canyon.

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Take a life, save a life, take a life, save a life…

As they approach the tower, Martin sees the license plate of Frances’ car. Martin tells Jake to stay in the car. They see Frances Norburg in the car with a bullet to her head. Calvin is with her. He says, “They killed her.”  [I’m thinking Aster Corps–remember when Tony had the GPS tracker in the laptop?]. Amelia is not there.

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There’s no coming back from that.

Calvin leaves and tells them not to follow him or he will kill them both.

Guillermo looks down on Los Angeles. [Not quite sure how he got there so fast from Arizona. From Tonto National Forest to LA it is about a 7-1/2 hour drive and he would have had to provide the police with a statement, too]

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Ominous.